#and also I criticize the shit out of both of them equally

[itsmarsss]

blitz had clearly still not grasped how much he hurt stolas up until the song had he what a dumbass (im kinda just like him)

[historicity-was-already-taken]

I hate what the Israeli government is doing but I'm scared of contributing to the rise in anti-semitism in the US. I'm not Jewish and not super keyed in to anti-semitism. Obviously, anyone talking shit about the Jewish people is someone I should fight, but there are things I should watch out for even when they say "Israel," right? What kind of rhetoric should I be on the lookout for?

What makes this hard, is that there is no collective Jewish take on this. There are some Jews who would tell you that any criticism of Israel is inherently anti-Semitic. There are other Jews who would tell you that Jewish support for the modern state is antithetical to the values at the core of our ethics and faith.

Both of those types of Jewish thinkers follow this blog, as do Jews holding views everywhere in between.

So what I'm going to tell you isn't The Jewish Stance on this, but the stance I've developed as a Modern Jewish historian who also happens to be a Jewish person with leftist politics.

Here is a list of narratives and rhetorical patterns to watch out for:

-individuals or spaces which view jews as inherently unworthy of trust, and require them to consistently prove that they are a "Good Jew"

-rhetoric which continuously singles out Israeli human and civil rights abuses, while failing to hold other states committing equal or much larger scale abuses to the same standards

-speech which implies that the Jews can fit neatly into the role of "white colonizer"

-visual languages which super-impose Nazi imagery over Jewish symbols

-Blood Libel rhetoric, which accuses Israel of using the blood or murdered Palestinian babies for its bread, or harvesting Palestinian organs for the black market. This type of rhetoric has been circulating the western world for literal centuries, and it always ends with Jews being expelled and/or burnt at the stake.

And this is kind of where the classic "I can't define it but I know it when I see it" porn definition comes in. Sometimes someone screaming about "The Zionists" is someone deeply disturbed by, say, the frankly fascistic behavior of Israelis in West Bank Settlements. Sometimes, that person is furious that Jews are asking them to critically examine the role of any or some of the above elements in their speech regarding Israel and Israelis.

Some Jews will weaponize a lot of our traumatic past to silence other Jews, and say that by writing this I am no better than the Jewish Police who rounded up their people for the Treblinka transports. Other Jews will say that by writing any of this, I'm silencing necessary speech regarding the war crimes in Gaza and that I'm complicit in the ongoing ethnic cleansing of Palestinian civilians as a result.

But this is my basic, 101 level response, and it's not going to change.

I really, truly, appreciate your how deeply you care about grasping these issues. If you have any follow-up questions I'd be happy to answer them under similar understandings of username exclusion.

[opbackgrounds]

This scene with Sanji is one of his most important moments in the series, and in my opinion also one of the most difficult passages in the manga to interpret, because to completely understand it you have to look at the manga holistically rather than this scene by itself.

The big question that needs answered is why does Oda let Zoro "win" here by having him be the sacrifice instead of Sanji. Both are equally willing and both are identified much later on as the Wings of the Pirate King, implying that they have similar importance (although vastly different roles) within the Straw Hat crew.

If we go back to Sanji's introduction on the Baratie, his big flaw was that he lacked the "spear of spirit" to pursue his dream. Since he's been a boy he's wanted to find the All Blue, but even when he had the opportunity to go after that dream he chose to stay on the Baratie out of a feeling of obligation to Zeff. Sanji put the continued existence of the restaurant over his own life, something Luffy rightfully called him out for at the time, and even at the end of the arc had to be pushed away by Zeff and the other chefs before he finally set sail for good.

On Drum, Sanji once again almost died protecting Nami and Luffy during the avalanche, resulting in a broken back that required surgury from Dr. Kureha. Luffy again calls him out (note the English translation here isn't entirely accurate, see here for a breakdown), and with his power there's a good chance Luffy could have gotten them all out of trouble without all the dramatics by Sanji.

Something similar happens on Skypiea, when Sanji puts himself in the way of Enel so that Usopp and Nami can be saved. This case is perhaps more justifiable given the extreme situation they were in, but nonetheless he was still quick to throw his life away.

Then on Enies Lobby Nami--while not criticizing his chivalry--calls out Sanji for simply not running away from Kalifa, instead just accepting that he's going to get the shit beat out of him, and possibly die.

So there's a pattern of self-destructive behavior. Sanji repeatedly puts his life on the line when he doesn't need to in order to preserve the lives and dreams of the people he loves. Even him constantly simping over Nami and Robin falls a little into this category, because if either of them told him to take a long walk off a short pier I have no doubt he'd comply. It's that same extreme willingness to sacrifice anything and everything for the people he cares for that we see in Baby 5, except Sanji was fortunate enough to not be surrounded by people that encourage these worst impulses of self-destructive behavior. As he says here in Thriller Bark, he's just the cook. Luffy can always just find someone else.

(The glory of Whole Cake Island being Sanji realizing, no, Luffy can't, and he won't).

And it is finally on WCI that get to the heart of why Sanji is like this with yet another episode of putting his own dreams and happiness aside for the sake of others, and not until Wano that we finally see him take the first steps toward asking others for help instead of passionately throwing his life away when he doesn’t need to.

When Zoro first offered his head to Kuma, the prominence of his dream was first and foremost. Notice that Sanji never mentions the All Blue. One Piece is a series that places the pursuit of one's own ambition above all else, even if that ambition is selfish. Sanji hasn't yet learned to be selfish, so Zoro knocks him out and ends up being the one to accept Luffy's pain. Sacrifice isn't sacrifice if the person doesn't value what they're giving up, and right now Sanji clearly doesn't value his own life compared to the rest of the crew.

Next chapter Oda will speak through Brook to confirm that Sanji's willingness to give himself up wasn't foolish or stupid. It's just that he's missing a piece of the puzzle, and that's not something he'll have for a long time yet.

[tumblerlove]

Simon coming home after deployment all pent up after mistake after mistake on the field, needing some kind of release and it turning rough ROUGH.

also hiii

Oooo yes, thank you. This hits the spot in my brain 👌🏻 and hi babe 😘 hopefully this lives up to whatever you were picturing. Let me know if you like it...

Simons finally going home from a deployment that couldn't have gone fucking worse. The entire mission went to shit. The plane ride home and even the car ride he kept replaying it all

He missed you the entire time, which is nothing new, but this time it was so bad. The team didn't help either. Everyone was pressing eachothers buttons and made a critical mistake during the mission. Then, to make matters worse, the location they were at had no service to make calls to you

He hadn't even taken his gear off when getting off the plane when they landed on base. He just went straight to his car, ignoring everyone. Not giving two shits about it. Just needing to get home to you

He doesn't want to bring home his anger and frustration to you and bring work home. He tries to always separate the two. He doesn't like you seeing him as Ghost...only Simon

He gets home and unlocks the door and notices the house is quiet and dark. He walks to the bedroom, assuming you're asleep, but when he walks in you're awake in bed reading

"Oh my god, Simon...I didn't hear you," you yell, startled and jump off the bed running towards him. "I thought you were asleep," he replies, his tone different than it would usually be when he came home. "Is everything alright Si...did something happen?" You ask him while he steps out of your hug far too quickly, not even kissing you yet

"Fuck" he grunts while removing his heavy gear finally just down to his boxers "Everything went to fuckin hell...all of it" he's pretty upset which he never is once he's home with you. It was just this mission was bad. He didn't mean to bring it home to you

"I'm sorry, Simon," you walk up to him while he sits on the edge of bed standing in between his legs. You start combing his hair with your fingers, thinking of how to help him

"It's not your fault, lovie. I'm sorry for bringing it back home." he looks up at you, his hands at your waist. "I have an idea for your frustration to go away if you want, Si." You look at him as you crawl into his lap and straddle him

"I'm listening." he smiles at you finally while kissing up and down his neck. You tell him simply "Use me," and he's flipping you both over. "You want me to use you, love?" he looks at you all of sudden like your prey he caught

"Take your frustrations out on me...I don't care," you say to him, a little shaky, losing your confidence staring at him above you

"I'm not going to be gentle like I usually am when I come home" he tells you, "I'm telling you now if you dont want too" His cock is already hard pressing into your stomach eager for you

You know he needs this release, and honestly, you want him to be rough with you. You want to see him unhinged a little bit. Your finger starts toying with the band of his boxers as you say, "I don't want you to be gentle." He crashes his lips into yours, finally kissing you. "Remember that you asked for it, love," Simon smiles while moving down your neck, leaving hickies behind

He's pawing at you with his rough calloused hands going underneath your shirt taking it off of you. His mouth latches onto your nipple licking at it. "Uh fuck" you gasp out at the sudden sensation. He's going back and forth between your breasts giving them equal attention. He bites your nipple making you squeal out from the painful sensation. While his hand pinches the other one

His movements are quick and rough a big contrast to how he usually is with you...it feels so different and so good

He rocks his cock against your clothed cunt creating just a little bit of friction. "Take my cock out" he grunts out to you. You reach down and start helping him get out of his boxers. His cock is already hard and leaking pre-cum from his red tip

He slides your panties to the side while he rubs up and down your slit his tip hitting your clit as he went up "Next time I'm gone...I'm taking these exact panties to remember this" Simon says his breath getting heavier after having a feel of your wet pussy

You gasp out when he yanks down your panties, finally leaving you both bare. "Shit, Si," you say, looking at his eyes that are filled with lust. His hands grab your waist flipping you onto your hands and knees bearing yourself fully to him "I've missed this pussy... my pussy" he murmurs into your back kissing down your spine

His tip is teasing your entrance "Simon...please just fuck me" you plead with him just wanting to feel him fill you up. "I'll fuck you when I feel like it" his tone rough before he smacks your ass making you moan and clench around nothing

"Ohhh you like that huh honey...I can see your cunt dripping for me" Simon's voice and actions are rough, teasing and playful. "Please Si please" you're almost at tears

"Oh, just cause you asked so nicely lovie," he says before he pushes into you finally. "Fuck I've missed you" Simon blurts out once he's buried fully into your cunt. "I've mis...missed you, Simon." Your breath hitching with every deep thrust he makes

Your ass is jiggling against his thighs with each stroke he takes, inching you both up the bed with his speed and force. His hands perfectly molded into your hips, guiding you back to fuck you forward

Your face ends up in the mattress, muting your moans. Simon's hand goes to the nape of your neck, pulling your face up, kissing your neck, saying, "It's been too long since I've heard your moans... let me hear them."

His words alone make you moan, his voice is grity and hoarse. His thrusts are getting sloppier, too. He's holding onto your body like his life depends on it. You can feel the heat and sweat sticking to you, too

The sounds of you of moaning, with Simon's grunting and curses and the wet sounds your cunt and his dick are making...it's all so much and so good

He pulls out of you causing you to whine. "Why, why did you stop?" You ask him, trying to scoot back towards his cock. He slaps your ass making your gasp from the sting. "As much as I love seeing your ass..." Simon says while he massages the sting. "Id rather see your face now" his voice sounding desperate like yours with the need to cum

He's moving you onto you back, hovering over you again. Simon's kissing you and groaning into your mouth as he slides his cock back into your cunt. Moans are coming out of both of you as Simon moves your legs on his shoulders, reaching a new angle making your eyes cross behind closed eyes

"Look at me when you cum" Simon's hand moves from holding your leg up to cupping your face. "I wanna see you drip on my cock" his tone serious as if he has to see you cum or else. He sneaks his hand down your body rubbing firm circles around your clit. "Don't stop... don't stop," you plead to him, feeling your orgasm approaching clenching around his cock

"Fuck I won't I won't" Simon's grunts out as his cock starts throbbing ready to cum inside you after such a long time away. "Come on love cum" he locks eyes with you, watching as you come apart underneath him

Simon's cumming almost immediately feeling your walls clench down on him and how much wetter you got. He's groaning into the side of your neck his body weight like a blanket on you. He's rubbing your clit until your both completely done cumming and your squirming from the overstimulation

You're both panting, looking at each other, trying to come back down from earth. "Thank you," he kisses you gently. You look at him and can see he's more relaxed than when he first got home

"It worked then?" You smile at him as he pulls out of you, causing you both to groan. He wraps his arms around you like a cocoon as he says, "I'm not sure maybe a little bit...we're just gonna have to go again," he smirks as you laugh and say "Oh I think someone's fine now" as he starts tickling your sides laughing at your squeals...yeah he's fine now

[corvidcall]

ive been a halfhearted dnd defender for a minute, bc i was really involved in indie ttrpg twitter for a while and I Am Not Anymore because frankly. it just got too hostile and crab bucket-y. a lot of people acting like critical role or dimension 20 were opposing them by playing a game that had widespread brand recognition (and also getting mad whenever critrole played something OTHER than dnd. i haven't forgotten how hostile everyone i knew in that scene was when critrole played monster hearts. like what do you want??) or like people who play dnd are popular jocks and people who play indie games are bullied nerds. when actually we're all nerds. nobody is cool here.

and i would especially get frustrated when people would recommend games to play instead of dnd that are not at all a comparable experience, or didnt have the same things people liked in dnd. sure, you could play Masks if you want to play a superhero game instead of just reskinning DnD, but Masks is about teens, and the fact that you're playing as teens is core to the mechanics, so it's not a good suggestion for someone who wants to play as adult superheroes. sure you can suggest someone play Blades in the Dark if they want to play a heist team, but BitD is incredibly punishing! every time ive played it, it felt almost impossible to get a full success at anything. that can be fun, if that's the kind of game you want, but if i want to play a game where i feel cool and like im good at things, then BitD is not a good replacement! I cant tell you how many times I've seen people say that you don't need to just reskin dnd when there are games that are more specifically tailored to the experience you want, and then in the same breath act like the games they're suggesting ARENT specific actually and can be used to craft any kind of experience you want. Is the genre baked into the mechanics, or isnt it? because it cant be both!

and thats not even getting into when people would suggest replacements that aren't even close. a lot of "dnd sucks nobody should ever play dnd. instead of dnd, why don't you play MY game, where youre a couple thats getting married in 2 months and you're still planning your wedding?" like... why would i play that instead of dnd, if i want to play dnd? those have nothing in common, beyond the fact that theyre both tabletop games. it's like saying "Instead of watching Star Wars, you should watch Get Out!" sure, they're both MOVIES, and Get Out is GOOD, but i think to suggest that someone who wants to watch Star Wars would have an equal if not better experience watching Get Out instead devalues both. They're not interchangeable because they're trying to do entirely different things

So I would get incredibly frustrated when people acted like people who were choosing to play DnD were just making a mistake, and that they couldn't possibly be getting anything out of playing that game specifically

ALL THAT BEING SAID wizards of the coast sucks ass and they can clean my balls. they should get put in the stocks and i should get to pelt them with tomatoes. i like playing in the sword and sorcery fantasy setting, and dnd was always my go-to game for that because Dungeon World is the worst game I've ever played (i can think of one or two other games in the same sort of setting, but i haven't tried them or met anyone willing to run them) but ah well. WotC can eat shit for this copyright bullshit

[genericpuff]

i had a post in the works talking about some of my personal life shit and the things i'm looking to do with rekindled this year to help make personal life shit easier aaand then i fell asleep for a nap and when i woke up Rachel announced that LO was ending in less than 10 episodes ??

sooo yeah i'm officially saving that post for later, because LO is officially ending, with an actual end date. It does mean that it's not ending at the start of Spring like my initial prediction, which is a bummer (because that would have been really cool LMAOOO) but it does mean it gets to go on long enough to resolve the current plot arc. As for every other plotline in the story... yeah, those aren't getting wrapped up, at least not in any way that could be satisfying.

For over the last year LO has been a series of "wait seriously???" and this is yet another, though it's kind of different this time. We knew the end was coming and practically begging for Rachel to pick an end date because for many, following along with this comic has become a Sisyphean task week after week. It's bittersweet in a way, but . . . I also kinda don't feel anything? Maybe it's just my 'tism, maybe it's just the fact that I'm so tired of following this series, but I just... don't feel joy, but I don't feel dread. It's ending and that's that. As all things come and go in life, some day there won't be any more LO, and that day is May 11th.

I will miss the weekly readalongs that I would do with pals, the memes we'd make out of the new material, but I don't think I'm going to miss the comic and everything it said and did. At this point reading LO feels like watching a horse struggle to breathe and you're just begging the farmer to put it out of its misery, but the farmer thinks "No no, it'll be fine! It'll get back up in no time!" and it's like... no, it desperately needs to be put to rest 💀

I still have my two drafts stowed away, both on opposing sides of the fence depending on how LO turns out-

-and now we finally have an end date on when those essays will be written.

I don't know how I feel yet about it ending. These are complicated feelings to sort through regarding a comic that's basically been my life for the last few years, even before I turned into a critic of it. I'm just glad there's a light at the end of the tunnel. And I'm glad even my "love to hate it" energy has been waning on it the past few weeks anyways so that the end of it all can feel as painless as possible LOL Don't get me wrong, there will still be plenty to discuss after the comic, I don't think the antiLO/ULO community will just disappear into a puff of smoke as soon as LO is over, but I think a lot of us are also equally relieved that the comic made it this easy to stop reading and that it now has an end point.

And most of all, I'm hoping that whatever ending the comic brings, even if it just winds up being the S2 finale all over again for the critics, is still satisfying for the fans who have stuck around with it this long. The people who have loved this comic through it all at least deserve a proper send-off and I really hope Rachel gives it to them.

As for me... I'm not going anywhere, but it's been nice to stuff the overflowing clothes of LO back into its drawer within my brain. I want to make room for other drawers, other things, other pieces of work that will undoubtedly bring me more joy and entertainment. I don't know what yet, but it's nice to know the drawers aren't overflowing anymore.

And that's all I'm gonna say on that.

[khattikeri]

drives me nuts when people treat jin guangyao or wei wuxian like they're socialist revolutionaries like no! they're not!! in fact their respective roles in society and complacency regarding its hierarchies is why ANY of the story even happens to begin with!!!

jin guangyao doesn't hold bitterness just because he was born lower class. he is bitter because others deride him and his prostitute mother in spite of both their intelligence, skills, and efforts to climb the ladder.

why do you think we were shown scenes of other prostitutes in the brothel deriding meng shi for being literate, for "trying" so hard? why do you think we were shown scenes of anxin taunting meng yao and throwing shit at him because he was trying to learn cultivation at his mother's behest?

why do you think jin guangyao arranged for the arson of that brothel, burned to the ground with everyone except sisi inside? that's not the behavior of someone who believes in true equality and the inherent worth of sex workers as human beings!

that's the behavior of someone who thinks he's better than them. the behavior of a man who already came up on top through political games and war crimes, backstabbing and spying for the sake of the "greater good".

i won't rehash his argument to nie mingjue that he didn't have a choice-- he had some choice, but no matter what he does his class will come up and people will always assume the worst and try to hurt him for it, which forces his hand to do whatever will protect him best (hence 'no choice').

jin guangyao did everything he could to secure his own safety and a place among those already higher up. and by that point, he'd won it.

the fact that the temple rebuilt on the brothel site is to guanyin, the goddess of mercy, is even more ironic! the fact that jin guangyao has the goddess's statue carved to look like his own mother is proof that he viewed both her and himself as higher than them. more worthy than them.

of course he cared about the general welfare of others (read: the watchtowers). but consider also that there is no watchtower near yi city, which ended up being one of xue yang's playgrounds. jin guangyao can and will turn a blind eye to certain sufferings if it is convenient to him.

sure, jin guangyao made undeniable contributions to cultivation society and accessibility, but he is not at any point trying to topple existing class structures. his adherence to them is in fact integral to his own downfall in the end.

it brings with it the inevitability of society conveniently ignoring his triumphs and genuine moments of humanity to deride him once more as an evil, disgusting son of a whore once his crimes come to light.

now for wei wuxian. he's the righteous protagonist of the story and he doesn't give a fuck what society thinks, yes, but he wasn't out there trying to cause an uprising so that all the poor servant classes and lower could become cultivators. he wasn't trying to redistribute wealth or insinuate that those who are lower deserve to be viewed as equal to the gentry.

the most critical and non-explicitly stated fact of mo dao zu shi is that wei wuxian has always been resigned to his position in the social hierarchy.

his unreliable narration, especially regarding his own past and thoughts, is so damn important. he doesn't EVER tell the reader directly that people treated him any which way at their leisure because of his parents' differing social classes.

no. instead we are shown how much prestige he is afforded as cangse-sanren's son-- reputation as a talented and charming young cultivator, made head disciple of Yunmeng Jiang-- and how little respect he is given in the same breath, as the son of servant wei changze.

the way he is treated by others is as fickle as the wind. if he obeys and does as told, there is no reward. of course he did that, that was the expectation to start with! if he does anything even slightly inconvenient, there is a punishment. of course he has no manners, what else would you expect from an ungrateful son of a servant?

wei wuxian's righteousness is not a matter of adhering to principles he was explicitly taught, the way nie mingjue values honor or the way jiang cheng always tries to prove himself. wei wuxian does the right thing regardless of what the consequences are to him because his good deeds are always downplayed and his bad deeds are always singled out, no matter who or how many people were doing it with him.

he has faced this double standard since childhood. there are points in the novel where it's clear that this sticks out to wei wuxian, but does he ever fight back against that view of himself? does he EVER, at any point in the story, explain his actions and choices to jianghu society and try to debate or appeal to their sense of reason?

no. because he knows, at his very core, that any explicit deviation from their interests whatsoever will be punished.

slaughtering thousands of people is fine when they want him to do it, and when the alternative is unjust torture, re-education camps, and encroachment upon other sects' lands.

slaughtering thousands of people who are trying to paint him as evil for not going along with their genocidal plans, however, is punished.

wei wuxian knows his acceptance among the higher classes is superficial and unsteady. from the age of 10, when jiang fengmian took him in, he knew subconsciously that he could be kicked out at any time.

he knows that cultivation society doesn't care about war crimes and concentration camps and mistreatment of the remaining wen survivors of the sunshot campaign. but the right thing to do now that they aren't at wartime is to help them, plus they'd punish him either way for it, so he will.

in this regard wei wuxian is more self-aware of his position than jin guangyao. he does care about common people and he does try his best to help them as an individual. even if that ends up with him disabled, arrested, targeted in sieges, or dead.

but is he revolutionary? in the full equality, fight the establishment, rewrite laws, change social structures and people's perceptions of class sense?

no. no. he isn't.

now my knowledge of chinese society and history is fairly limited to my hindu diaspora upbringing and our shared cultural similarities ... but speaking to what i absolutely know us true, adherence to one's social class is expected.

this is rigid. efforts and merits might bring you some level of mobility, but in the end, the circumstances of your birth will always be scrutinized first, and your behavior compared to the stereotypes of where and how you originate.

mdzs is not about revolution, and none of its characters are able to truly change its society. there is no grand "maybe cutsleeves aren't inherently bad" or "i'm sorry for persecuting you and believing hearsay, you were truly a good person all along!" at the finale.

people ignore history and repeat it again with the next batch of ugly gossip and rumors.

wei wuxian, lan wangji, and luo qingyang find peace only by distancing themselves from cultivation society and its opinions.

jin guangyao and wei wuxian both cannot ever escape from others' perception of their origins and actions. regardless of their personal beliefs, they are not revolutionaries.

[canmom]

Do you think Hideaki Anno is right-wing or is it too difficult to tell from his works?

Haha that's a question.

I'll focus on nationalism rather than trying to get into, say, gender politics here, since that's the accusation that most seems to follow Anno around.

Anno's politics are... hard to pin down from his work alone, I think. He's like... a prototypical case of that generation of 'apolitical' otaku that followed after the Anpo generation, with Eva pretty much the definitive statement of the 90s psychological turn. But that said... I can definitely see the argument that there are nationalist themes in some of his works like Gunbuster, though I definitely don't buy every reading in this series (lots of dubious kanji reading). He definitely has that otaku fascination with war machinery and war media (apparently he's a big fan of The Battle for Okinawa and watched it over 100 times), which can easily blend into imperialist ideology.

But there's complications here. For example, the Animekritik series cites the setting of Gunbuster in Okinawa as something formative to the nationalist ideology they are trying to illustrate - in part in relation to the ongoing controversy over American military bases in Okinawa. Anno has at least been on record as saying he's disinterested in Western culture, and I can see the reading of Jung-Freud as an external Other who is shown up by the Japanese girls, somehow simultaneously representing the USSR, Europe and the States. But anti-Americanism in Japan can come in both left and right wing flavours (c.f. Anpo). Communists want the Americans out too! Portraying Okinawa as a military training camp in a Japan-led military coalition certainly comes across as a more nationalist take on that whole matter, but I feel like it's got about the same level of serious nationalist commitment as Doctor Who putting random British people all over space.

When Gainax has played around with nationalist imagery it's usually been in a kind of ironic sendup way - see Ash's writeup about the Aikoku Sentai Dai Nippon controversy, in which Daicon Film staff were disdainful at the accusation that their goofy toku film reflected a genuine nationalist sentiment. While Imaishi takes it further, a lot of Anno's work is also about playfully reappropriating past works. In Anno's case a lot of that is classic tokusatsu, Ultraman in particular, and also Leiji Matsumoto's scifi, notably Space Battleship Yamato, which, well... you know the deal there lol. But it's not so simple to go from that to 'Anno is a nationalist'.

Eva doesn't tend to attract these accusations, but I recall the controversy came back around with Shin Godzilla, though to my mind it's hard to find a straightforwardly nationalist reading of that movie. (It's a film about the experience of the earthquake and Fukushima nuclear plant meltdown, and it's critical of Japan's bureaucracy, but equally one where the JSDF repeatedly get their shit handed to them and civilian infrastructure is what actually stops Godzilla - not to mention Godzilla is painted as quite a tragic figure here!) It all feels pretty tenuous.

I haven't seen as many of Anno's live action films as I'd like, so I can't comment as much on the more recent Shin films, Love & Pop, Shiki-Jitsu etc. And it's always possible for subtler allusions to slip by the anglophone viewer. Still, I don't personally think Anno's post-Gunbuster work is particularly nationalist in outlook. I certainly haven't seen any evidence of him favouring, say, war crime denial, anti-Korean sentiment, remilitarisation, etc etc. - he's definitely not as dubious a figure as someone like Hajime Isayama. But it's not like, anti-nationalist either! It's just kind of hard to read in those terms.

So I lean towards your second option, I'm not convinced he's a nationalist or particularly right wing. He happily associates with Hayao Miyazaki, who's definitely not a right wing guy. But Anno'll also let hilariously cooked stuff like whatever On A Gloomy Night was supposed to be into the Animator Expo. So I don't think he's particularly left wing either, he's no Ikuni! But Anno's fiction is very individual focused, full of psychoanalytic themes and internal conflict. He can vividly portray trauma and complex power dynamics. There's a lot to appreciate in works like Eva from a left-wing angle. I don't really know why this association of nationalism follows him around.

Idk, maybe there's a bunch of interviews I'm missing! Presumably you have a reason for asking this question...

[flipphone01st]

PLEASE write the mafia 141 idea you posted🥺I'm in love with the idea so much already!!!

Mafia 141/Bartender reader- Part one

Johnny🧼

Mostly Johnny/reader in this fic, because ive decided to split this up into different parts that will focus on different characters Like part 2 could focus of Gaz/reader.

Warning: not proof read, bad joke, swearing, alcohol and smoking, Johnny is a lil shit, and pushy, poorly written accents, (if I forgot anything that could have a warning let me know )

this is literally my first time actually writing a full fic so it's probably mediocre, FEEDBACK AND CONSTRUCTIVE CRITICISM IS GREATLY APPRECIATED. Other then that I hope you enjoy :)

Stupid uncle, stupid debt, stupid bar. You hated this, but you suppose its your own fault. If only you had just closed the door when your uncle showed up at your door begging for help because he had gained massive debt to one of the most infamous crime bosses in the city... Johnathan Price...if only you had just said no and didn't drive your ass down to Price's club and demand to speak with him, didn't try and bargain for your uncle...maybe then you wouldn't be forced to work for the bastard...

Two hours...thats how much longer you'd have to spend standing behind this bar. You swear to god, if other drunk yells at you you'll shove a jigger down their throat, and your 'coworkers', if you could even call them that, weren't making your life easier. If anything they were hellbent on making it worse. "Yer lookin' a bit peely wally." Johnny chuckles while cleaning a margarita glass, it was just him today, said Kyle was off doing something for Price, you didn't want to ask what.

You glance up at him, eyes narrowing in confusion and slight annoyance "..huh?"

"Means you look like shite." He clarifies.

You sigh and stand up, nudging an empty box away with your foot "thanks... asshole." You grumble. He chuckles and raises his hands in mock surrender, "Awe come on, I'm just funnin' with ya. You look fine, a wee bit red in the face, but that's it." He grins, you didn't hate him, he could actually be quite hilarious sometimes... sometimes...You roll your eyes. He laughs and takes out a cigarette, lighting it up. "Ya want one?" He offers.

"no...I thought price didn't like us smoking around the drinks.."

"Aye, he doesn't." He shrugs, taking a drag of his cigarette. "but what ol Pricey doesn't know won't kill em."

"mm.." your nose scrunches in disgust at the smell. you take a small step away, not wanting the smoke to settle on your clothes. He blows smoke out the side of his mouth, away from you "yer no fun ya know that?" You scoff, "pft..I can be fun.", while crossing your arms, and leaning back against the bar with your lips shaped into a slightly grumpy pout. "Oh?" He chuckles again, leaning back against the bar himself "can ya? Let's see, tell me a joke."

you think long and hard "uuuuuuuuuuuh..ok I got one. What do you call a fake noodle?" Johnny squints his eyes "...what?"

"....an impasta..."

"..."

"..." You're both silent, completely silent.... just staring at each other...

"..." Johnny sighs "that joke was dogshite."

Your shoulders slump forward in defeat "I know." He chuckles, "Well at least yer aware." before taking another drag of his cigarette. before looking at you with the most smug grin you've ever seen "but that also just proved my point...yer no fun, pipsqueak."

"Pipsqueak?" You raise an eyebrow as your eyes narrow

"Yeah, you heard me. Yer a wee'un." He teased, god you wanted to whip that stupid grin off his equally stupid face. "you're not even that much taller than me."

"I'm seven inches taller than you." He points out.

"...nuh uh.."

"Fuck ya mean, nuh uh?" His eyebrows furrowed as he tries not to laugh, on the other hand, your brows furrow in annoyance. "I mean, nuh uh."

Johnny chuckles, and places his hand on top of your head. He then leans down, the tip of his nose almost brushing yours "dena it alllll ya want..." His eyes were locked with yours, the faint smell of cigarette smoke almost making you recoil in disgust. he leans even closer, you try and lean back but you're stopped by the bar. "...yer still a pipsqueak!" then ruffles your hair aggressively.

You slap his hand away, glaring at him while fixing your hair. "Jerk! Don't do that again." you grumble, and to make matters even worse, you feel your cheeks heat up a bit. "Awe, someone's all hot and flustered now." He smirks, giving you a small jab with his elbow "c'mon now, I was just joking around, relax."

You groan softly and roll your eyes, pushing him away and walking to the other side of the bar, trying to find anything that you could use to ignore him. Johnny grins, quickly putting out his cigarette and following after you "see! that's exactly what I'm talking about. Such a grump...don't tell me yer so boring that ya don't even like a bit of harmless flirting?"

"go away, Johnny." You don't look up from the drink you were pouring for a costumer "Aww, c'mon. I'm just tryna lift yer spirits." He wraps his arm around your shoulder "you like me don't ya?" He grins, not expecting a positive answer.

Your eyes widen and you move out from under his arm "no." Was your immediate response, your voice stern. Johnny grins wider and moves to stand right in front of you, leaning right up and practically invading your personal space. "Don't lie to me now. I bet ya daydream about me, don't ya? About all of us? Me and the lads, hm?"

Your face goes red "what?" He grins, almost deviously "you think I haven't noticed the way ya seem to float off into lala land while staring at me or Kyle work? When Simon's gotta rough up some jackass? Or even when price is literally just in the room with ya? Don't try to dena it, pipsqueak...just can't keep us all out of yer fantasies eh?" His hands slide their way onto your hips, he didn't seem to care about the bar patrons laughing and ooing, some even getting annoyed that the two bartenders were flirting with each other instead of enabling their alcohol addiction.

Your brain felt like it was short circuiting, it had become uncomfortably warm. If you were a truther..you'd admit that despite hating these four men...they were kinda hot. But you're a god damn liar and you'll be one till the day you die! "i-i!..no..no way!.. you're crazy! There's no way in hell id ever like any of you like...that.."

"Mm...sure... I'm definitely crazy." He leans even closer, his voice a whisper as he presses his body into you, the two of you basically chest to chest "...crazy about you." He leans down to try and steal a kiss, you're eyes widen comically large but thankfully before you could even react the gruff voice of Simon makes Johnny freeze just before his lips could graze yours "That's enough, you two 'er supposed to be workin, not swapping spit." He glares at Johnny, you didn't notice it but there was a slight hint of jealousy in his dark eyes... you didn't notice, but Johnny sure as hell did.

Johnny quickly backs up from you, and then looks at Simon with a smug grin on his face "Jeez... Yer no fun either, Si. We were just messin' around." Simon stares him down, not breaking eye contact with Johnny for a good two minutes, until finally letting out a deep sigh "just keep it outside of work..." then glances at you, "Price said you're free to go for today.."

You nod "uh..thank you." You awkwardly stutter, still trying to process what just happened and understand how it made you feel... were you embarrassed? Very. Were you necessarily uncomfortable?... strangely enough...no, you weren't uncomfortable. Simon nods then walks off into his little office behind the bar, Johnny watches him go, then his gaze wanders back over to you "Sooo, ya gonna head off then?"

"yeah.." you answer, somewhat shyly. Johnny nods, a quick look of disappointment on his face before he masks it with a smile "alright, then...have a good night, pipsqueak." He shrugs playfully, and begins walking off to serve a poor bastard that had been trying to order a drink for the past five minutes. ".. you too, Johnny.." you mutter while walking out from behind the bar to towards the break room to get your stuff and finally leave....what a weird ass day...

END OF PART ONE. Please let me know what you thought

[bonefall]

God I am so tired of Bramble fans who refuse to use critical thinking and believe that brambleclaw and squilf are equally bad. Many also hate on moonkitti's video which they most likely haven't even watched or misconstrued points in it. You can like a character without defending all their actions please I'm begging you

And people will sometimes jump to their defense, saying that people just dogpiled them for liking a character the fandom doesn't like, and while that can happen, sometimes people are actually dogpiling them for ignoring abuse and insulting creators with different opinions

(Some discourse happened on Twitter recently about this but it's something I've seen happen before, I'm not specifically talking about anyone)

I'm going to be honest and drop my feelings.

Never have I ever actually SEEN a Bramblefan "get dogpiled" for liking Bramble.

I come out here on my massive soapbox every couple of weeks and drop whole essays on this guy, I chat casually about how important he is to me as a character, both as someone who was abused in a way similar to Squirrelflight AND as someone who can relate to Bramblestar's situation, and before BB got so large and my attention was easier to divide I even ran an AU called Sweet Nothings which had a "big brother" Bramble take in it.

There is no shortage of Bramblestar-related posts around here, yet, I have never, NEVER gotten shit for when I talk positively about Bramble.

In fact, he's commonly cited as one of the favorite cats to see on this blog from my audience. I get praise for addressing him with nuance, explaining how his actions are abuse while also keeping him human, talking about how his life is a painful cycle of self-doubt that makes him double down on his worst decisions. Every time I post about him, I get an influx of comments centered around how my takes on him are appreciated.

What I DO see is people who make art where they try to bothsides him and Squirrelflight, or say something completely false about his behavior, or straightup post DARVO tactics to defend their fav's honor. When someone makes a comment that goes "uhmm? Bit strange innit?" they call it "harassment." Or when people block them, they call that "receiving hate."

OR when someone makes a vaguepost like "Heyyy, DARVO is an abuse denial tactic where the abuser or their apologists Deny the abuse took place, Attack the accuser, and then Reverse Victim and Offender to claim they were actually the person harmed. Bramblestans are playing this out, step for step, and that's bad!" they call THAT dogpiling.

Meanwhile Moonkitti got death threats and was actually harassed for posting Bramblestar Is Worse. To the point where she is hesitant to ever make another video on the topic.

So y'know what? Hot take? The stans don't actually like Bramblestar. They like the vague idea of a sadboy character who broke free from his dad's legacy so they slurp up the framing of the notorious abuse apologist writers, and they get mad when people who have critically engaged with the books don't see what they desperately crave.

How can you really LIKE a character if you can't engage with their actions? If you need to surround yourself in an unpoppable bubble and can't accept anything he's done in the 20+ years he's been active? How can you truly love a man without all his mistakes?

It's sooo hard to be me, Tumblr User Bonefall, the ONLY one who likes Bramblestar correctly. It's rough out here.

[idkaguyorsomething]

The Problem of Susan Fic Recs

For many reasons, The Last Battle is probably the most contentious addition to the Narnia canon. The standout, though, has to be the infamous Problem of Susan, wherein the Pevensie children are all killed in a train crash and brought to Narnia 2 Electric Boogaloo aka heaven, then declare that Susan is no longer a friend of Narnia because of her interest in “lipsticks and nylons”. Hardly any time is spent on this, but the implications have been the ground for a lot of argument and discussion. What exactly would happen to Susan, and should it have happened? Over the years, dozens of fic writers have thrown their hats in the ring and weighed in on the subject, making the Problem of Susan almost a prism for the fandom: everyone shines through it a bit differently, resulting in a wide spectrum. Here’s some of the highlights under the cut.

http://shedletsky.com/blog/the-god-who-loves-you

Starting with the fic that coined the term, written by Neil Gaiman himself, this fic is a reflection and deconstruction of the idea that Susan would be able to find Narnia again by delving into the trauma that the experience of losing all her family at once as well as the social injustices that a young woman of her time would’ve faced, something that the narrative of The Last Battle never really addresses. It took off for a reason, as it presents a lot of good food for thought, but it’s also got some pretty weird shit that can feel like it’s conflating adulthood with edginess. Well worth a read for all the points it raises, but if you’re fond of canon you probably won’t like the way it takes a hammer to it.

Now this one is exactly what you’d want to read if you wanted some feel-good time. This story is probably the closest to how C S Lewis would’ve written Susan’s return to Narnia, detailing her rediscovering all the things she put away as well as what led up to her rejecting Narnia in the first place. It falls more to the end of being almost uncritical of canon, with the focus on Susan basically having the same sort of religious rediscovery that C S Lewis himself had in his life. Because of how she was treated in canon, that can be pretty frustrating, but the ending feels nothing short of joyous.

Swinging back to the other end of the spectrum, this fic is very critical of the idea of The Last Battle being a pretty happy ending for everyone, unambiguously stating that life is always worth living for all the Pevensie kids. It explores what their lives could’ve been like if they didn’t die, being a rebuttal of C S Lewis’ themes rather than a continuation of them while feeling equally as happy as the fic directly above.

And this story feels like a midway point between the above two. It dives really deep into the emotional damage that Susan would’ve suffered before and after the train crash in some absolutely gorgeous prose, showing both her and Aslan with great sympathy while maintaining that what happened to her is not a punishment in any way. Bittersweet and very, very good.

Heading back towards the more critical end of the spectrum, this fic presents a Susan who is not interested in finding Narnia again, only her family. She is very much a character straight out of an ancient myth rather than a teen trying to make sense of a senseless situation here, filled with determination as much as desperation. It’s probably the closest fic on here to having something close to a plot as well as a character study, with the exception of The Queen’s Return and one other:

Being a crossover with what’s pretty much the antithesis of the Chronicles of Narnia, His Dark Materials, it’s probably easy for you to guess which side of the spectrum this story falls on. It’s more of a HDM story than a Narnia one, but the two worlds blend together surprisingly well, and it gives us a rare look into a Susan who’s lived decades of her life when the story picks up. She’s pretty much the Professor and it is fascinating, as is everything left to interpretation by this gem of a fic that is ambiguous yet deeply satisfying.

¡And here’s Susan as a Doctor Who companion! This isn’t directly a Narnia story so much as it is one about two people much older than they look mourning the loss of their worlds, with a Susan who is a queen wise beyond her years. Reading it is like taking an ice shower. It doesn’t hold back on the grief, and as a result it manages to feel honest as it reaches a warm ending.

http://archiveofourown.org/works/24311

Despite also being a crossover, this is in some ways the opposite of touch the sky with two arms. Susan is more of an everyday young woman than a queen, and [SLIGHT SPOILERS] Narnia itself does feature directly. But y’know, that’s part of what makes fandom so interesting. Not everyone is going to have the same take on everything, and the ending of this leans more happy than melancholy.

¿A shipping fic that’s also a crossover with Peter Pan that features neither Neverland or Narnia? Yes, this one probably has the least to do with Narnia or Aslan, but it tells a very compelling story about living life and growing up, something that isn’t perfect but can be good if you find someone you want to spend your life with. Susan Pevensie and Wendy Darling are a really good couple, pinky promise.

Technically more a series of ensemble oneshots, but Susan features very prominently in a lot of them, and they will make you feel every feeling that everything else on this list might’ve given you. Satisfaction, devastation, simple joy, just go give it a shot.

[mothmanssweetsucculentass]

Ok here’s my two cents that no one asked for on the current (sort of?) debate going on in the Creepypasta fandom on here rn.

For starters, I grew up with Creepypasta. I also grew up mentally ill. I am also autistic. So I know my way around good and bad mental health rep at this point. And to be honest? A lot of the original stories DID suck balls at representation or just horror writing in general.

However, nowadays I see other people on here, often mentally ill or any other social outcast, taking these characters and reshaping them as their own to fit their own feelings and experiences, and I don’t think anyone has the authority to criticize things like that. Cringe culture is supposed to be dead anyways, nevermind the fact it’s inherently ableist at its core.

We also need to take into account kids still exist in the fandom. Pre teens who got tired of shit like scooby doo and wanted something more “mature” or “edgy” to get into without fully going off the deep end into full blown horror movies. At least that’s how it was for me. Not everyone, especially someone who’s younger, is gonna be comfortable with the grit and gore a lot of Creepypasta “purists” are pushing for these days, and that’s okay! When a fandom gets popular it’s always inevitable and unavoidable to have the popular characters get two dimensionalized.

There’s also the whole mascot horror thing that I don’t wanna get into, but I’m 90% sure that also plays a part in the old favorites like Jeff and slenderman being brought up again. They were and still are recognizable characters. Recognizable characters aren’t a bad thing. Making horror more approachable for younger audiences isn’t a bad thing. People having their own interpretations based out of their own experiences isn’t a bad thing.

Some of us grew up and wanted the more edgy and reality based content, and that’s also not a bad thing! But neither side should be dictating or policing how the other enjoys content in this fandom. If you personally don’t like the way something is written, characterized, depicted, or drawn, no one’s forcing you to look at it. No one’s claiming it as canon. No one’s asking for you to accept it as the end all be all.

At the end of the day this fandom was built on OCs and personal depictions of stuff. I can’t name a single character or story in this community that was created by some outside party like a movie or TV studio FIRST (because I know some got so popular they breached the fandom and got their own shows/movies/comics/etc). Everything here was created by someone who wanted an outlet for their creativity, or their pain, or their coping, or whatever else.

Realism and dark headcanons aren’t bad, and neither are any of the headcanons out there who just wanna make a goofy found family of social rejects as a form of escapism.

A 13 year old drawing a fictional layout of a fictional mansion where these fictional characters live isn’t going to suddenly invalidate the horror, I promise, it’s not that deep and it never was.

A 22 year old making a dark comic on the realistic origins of Jeff who is a fictional character in a fictional world isn’t going to suddenly invalidate the more softhearted side of the fandom.

Sure, there can still be a split if people are so adamant about that, but as someone who personally enjoys both the brutal horror side and the “haha Jeff is 15 and gay” sides equally, y’all need to at least learn to be civil to anyone who has a different headcanon than you. And if that seems like too much still, the block button exists for a reason.

TL:DR this fandom is based entirely off OCs and headcanons and people can do whatever the fuck they want because none of it is real and horror comes in many shapes and sizes and intensities and no one should be bashing anyone on their headcanons or views or rewrites or whatever else.

EDIT:

Actually wait I think I have more to say-

Horror, like any genre, has NO AGE LIMIT. And by that I mean, if someone younger wants to delve into scary stuff, they should be allowed to do so without criticism. I personally grew up on “child friendly” horror media like Scooby-Doo, and the older I got the more horror I wanted to experience.

There’s no right or wrong way to “understand” horror, and I frankly think it’s ignorant and stupid to say if you don’t fully “understand” something, then you shouldn’t be involved in it at all. Horror isn’t always about gore and unspeakable violence and the eldritch entity that wants everyone’s skin inside out. That’s why horror has sub genres for fucks sake. Gut wrenching brutality against innocent people isn’t everyone’s cup of tea and that’s okay!

However, bashing anyone’s tamer headcanons, or calling anything anyone interprets differently than you “stupid”, that’s not okay. God, I feel like an exhausted parent giving this lecture to fellow adults, but this really needs to be said and stressed.

I am an adult. I like when stuff in the fandom takes a dark turn. But for nostalgia’s sake, I also love the fanon so much, because that’s what I was exposed to.

And for fucks sake if it comes down to picking sides, I would rather stick with the part of this fandom that gives zero shits how you see a character as long as you’re having fun.

You can have your serial killer 30 year old Jeff and your canon-accurate-to-that-one-image eyeless Jack, but don’t shit on other people if they don’t want the same thing. Your interpretation isn’t canon, and neither is anyone else’s for that matter.

Realistic, dark, gritty Creepypasta isn’t a new concept, and neither is “adult” Creepypasta. And by the way, Creepypasta was never stated to be for adults. That’s like saying kids and only kids can eat trix cereal. It sounds that stupid on paper.

Let people interpret things the way they wanna interpret. No one is infringing on YOUR character ideas. Creepypasta has no age limit, nor a set way the horror has to be presented. Those who do continue to claim that just sound like pretentious assholes.

Very small side note, I personally think it’s inappropriate and rude to keep using Toby as a “bad example” of mental health rep when the creator has stated multiple times the character is old, not researched, and not even in the fandom anymore. Leave the poor guy alone.

[youremyheaven]

Is it true mercury nakshatra girls steal men ?

tbh in my experience they have but i won't say every or most Mercurial girlies are like that

its interesting to me bc Mercury is a eunuch planet and the only one that is androgynous by nature (equal parts man and woman) which again ties to Mercury and intelligence because our minds are supposed to be left and right brained, one side more creative and another is more logical/rational but both come together to form the full experience. this essentially sets them apart from others. but another thing about mercury is that its the smallest planet and mercurials feel easily threatened. jyeshta has rabbit yoni, ashlesha has cat yoni both of which are domesticated animals by and large, revati has elephant yoni and although elephants are much larger than these two animals and not domesticated, elephants are also extremely vulnerable as they're poached etc basically mercurials feel vv vulnerable and exposed and easily threatened. they take offence easily and always feel the need to "prove themselves", they know that they have things to offer that others dont but at the same time, they feel inferior to or insecure by the very people they look down on?? theyre insanely competitive, not just about grades or work or whatever but just random stuff, they want to be "picked", they want to be everybody's fav (imo mercurials are the OG pick me girls), theyre also HIGHLY critical of others and themselves, the insane standards they impose is just 😤 i have heard many people say that Mercurial girls will steal your man but tbh they dont give a shit about your man, they just want to have what you have because they think they deserve it as much as if not more than, you do,,, they just love the experience they see others have and want it for themselves. one time i was out with a mercurial girl and im "better off" than her financially but that day i didnt have much money on me and she actually laughed?? she took care of everything and was super nice but she realllyyy enjoyed being able to "one-up" me like it was some "gotcha" moment lmao, it left me feeling bitter

[irontragedyreview]

People who are saying "you can't criticize Horikoshi, it's his story and he can do whatever he wants", etc. Yeah, it's his story but he's made it public so I can do whatever I want and if I want to be a bitch and I call hi, mediocre I’ll do it. Like I love Naruto with all my heart and I have defended Kishimoto over certain criticisms in relation to female characters, etc. I have also criticized him for the absolute shit that Boruto is, even considering that as a manga Boruto isn’t 100% his work considering that at the beginning he was involved in the movie but on the manga he was only a supervisor. What I'm trying to get It’s that if you believe that just because a mangaka creates a story it should be free from criticism then you aren’t ready to get involved with any type of media or sincerely the public believes that consuming a movie, book, etc. means being a passive subject without critical thinking.  

That being said, Horikoshi largely deserves as much criticism as he can get because these chapters were truly a shit show since this last arc began. Let's just start listing first, AFO vs Endeavor and every hero in existence was too long and repeated for a large number of chapters the formula "villain takes the advantage, heroes take the advantage, the villain takes the advantage again and finally wins and move on to something else", all of this perhaps understandable to give some prominence to characters who were forgotten for entire arcs.

Shouto and his arc plus his relationship with Dabi, Shouto had a very interesting arc and incredibly much material to exploit but his arc and his relationship with Dabi never managed to take off because he was so tied to Endeavor that the interactions between them felt empty. 

Ochako and Toga were honestly the only thing that was worth it, you could see the commitment to giving them both a great moment and the way she wanted to approach Toga and truly have a conversation. The only thing I can criticize about their ending is that obviously there is no completely satisfactory closure in giving Toga an answer to what happens next, apart from Ochako's offer of understanding, there is no easy way out of what the other heroes will do, therefore which I can’t criticize her for not giving an answer to a complicated situation in this way. 

Also Horikoshi added things to his story that in the end he didn’t finish closing or that surely even if he touched them again it would no longer make sense, what happened to Spinner? What happened to everything about heteromorphic discrimination? I have to believe that everything is fixed by the good heart of Shoji telling Spinner that his way of doing things only makes the "achievements" of equality go backwards by giving them a bad image. In other words, we know that quirk society is discriminatory, especially in less urbanized towns, that those heteromorphs who reach places of power are the least and no real change has been achieved, but of course the victims of discrimination have to keep quiet and be good. So, maybe in the future they will no longer be discriminated. I'm going to be fair here, touching on issues like discrimination is complex, but putting an idea like this in the manga and then going for a simplistic or rather completely ignored resolution, because while a person may not share Spinner's actions, it’s understandable why he does it and simply saying that you have to be better because then people will see that you are good and not discriminate against you is stupid, Horikoshi covered a topic that he honestly didn’t know how to deal with or wasn’t interested in doing so. 

Kurogiri/Shirakumo being just a plot device for Aizawa and being resolved in 5 panels, I'm going to be understanding and say that this arc had the least to explore, but in the end it was meh. Tbh I'm not going to criticize this because it is so empty of content that it is no longer worth criticizing it. 

About Tomura and Izuku, the truth is what can I say the most that I haven't said in previous posts? from all the fights or confrontations it’s the most ignored, neglected and rushed of all, we don't know anything about them other than loose panels for a whole year, they barely interact and now Tomura dies, Izuku is "well, I honestly don't give a damn and I want you dead", if no one who has followed these two characters realizes the damage that this chapter has done to their conclusions then I'm not going to explain it. If Horikoshi felt incapable or was tired of his story he could have ended it with something else, however perhaps this was always the plan, we are talking about a guy who said that the second movie was the end of his manga,that is Midoriya without quirk giving it to his childhood bully. It's obvious that he doesn't care about Izuku as a character and I think he did care about Tomura but he didn't know what to do with him, which is why we have this ending.

Final note for any comments I may surely receive for calling bk a childhood bully. Don't waste your time replying, commenting or trying to argue, Horikoshi took it upon himself to make bk a gary stu who never faces real consequences for his actions (dying is not a sign of karma) and his abuse is never treated seriously by the author, because his victim never reflects on himself, which is ironic considering how many BK fans recognize that Midoriya has self-esteem problems, contempt, and poor self-care but do not recognize BK's role in this or minimize it.

[arceespinkgun]

alright I know you haven't talked about this in a while but you're pretty correct about the way jazzprowl is written usually being weird. One or both of them is always portrayed in a weird offensive way (it's either racist towards jazz, portrays prowl as an ableist stereotype, BOTH, and MORE)

I agree with this. It took me a while to think of what I could add to this and I think I'd also say: it's important for everyone to know that when I see people injecting bonus ableism into fics with these characters in them, Jazz is also normally portrayed as an ableist stereotype (racist as well as ableist)! Whenever Jazz is written as being super disruptive, lazy, and chaotic, or when he's written as super violent and scary and people use terms like "schizo" (I'm sorry but I've seen it) to describe him, these all fall into the overlap between racism and ableism. It's the same bigotry that in the real world results in Black men and boys to be deemed disruptive and violent over their peers. And I probably don't need to say it at this point, but the character Jazz has never been portrayed like this in any media, not even close. And there has also never been canon media where Jazz disrupts an ultra-rigid Prowl into changing anything about himself (and there never should be because that sucks). Hey, is now a good time to point out that in the G1 comics, as far as I can tell Prowl is just one of the many, many Autobots who are massive Blaster fans and they have nothing but positive interactions, and Blaster in those comics actually is a super disruptive, loud, angry, sometimes violent character? I mean, they have to be friends because they both hate Grimlock....

I also think something I haven't discussed as often but is equally important is that we should all be looking at canon with a critical eye as well. If you look at the way some IDW writers like James Roberts, Nick Roche, and John Barber wrote the characters, they utilized a lot of extremely problematic tropes as well. For example, I personally balk every time I see someone saying that Barber did Jazz justice, when what he did to him was make his entire story center on cops and police brutality and barely let him grow or find any community. He also decided that Jazz's backstory would be that he was a beat cop on Cybertron... I think it's bizarre for anyone to look at how Jazz has been portrayed over time and think it makes total sense for that of all things to be his backstory. I'll also just never forgive Barber for writing that issue where he had Prowl point a gun at Jazz's head to get his attention, and had Jazz making fatphobic jokes about Prowl (weird in context for SO many reasons), and also tried to resolve the issue with some kind of friendship moment despite all of that.

Roche, JRo, and Barber also knowingly took every trait Prowl had as a character before their stories—ones easy to perceive as signs of disability—and twisted them into signs of cartoonish evil (I know Barber seems to think he did not write him as a flat evil character, but he's kidding himself). Understandable meltdowns about stressful situations and injustice get turned into a running gag and scary villainy, a lack of social awareness and literal thinking get turned into the most flatly evil dialogue I've ever seen ("You can apologize later," anyone?), a drive to make everything just and fair and better for everyone gets turned into arrogance (Barber, the fact that you wrote this character saying something like, "What's morality got to do with any of this?" means you failed). I especially hate these decisions because these writers also showed a ton of favoritism towards this character. You could feel how much they LOVED making him as revolting as possible while also making sure that instead of facing reasonable consequences he'd always go through the most disturbing, traumatic, worst shit ever so there wasn't even the catharsis of fair consequences... while also giving him tons of prominence.

I say all of this because both canon and fandom works should be examined critically and that IMO it's not only a good idea to not make things worse in fanworks, but also probably a good idea to go along with the better parts of canon and not the super problematic parts.

[utilitycaster]

did you have any more thoughts about the "going down equals a level of exhaustion" house rule for 5e? a group I'm involved in is considering adding it, and though I've strenuously argued against it, the retort seems to be that a good healer would be spending those spells anyway, so the healbot concern is irrelevant. As the person playing the healer in the group I'd be leaving if they choose to implement it, but I'd like to give it one more good argument before I pull that card.

So my arguments here are somewhat subjective and I think gain efficacy if you are willing to gently but firmly say "I would leave this group over this choice," at this time.

My first one is a pretty basic one. For all the complaints people have about it, I actually find D&D 5e is pretty balanced, rules as written. Sure, there are rules I ignore, but most of those are like...very finicky little things (eg: small creatures not being able to use heavy weapons; it's not like halflings have such great racial abilities that you must nerf them by not letting them use a warhammer) and not core elements of gameplay. It was pretty thoroughly playtested as is. I think DMs who try to play with this kind of thing tend to be either be people who are struggling with a way to make encounters more dangerous but haven't used the (RAW) tools at their disposal; or are the sort of people I've described before who are incapable of enjoying something unless they can figuratively pee on it to mark their territory. The former is fixable; the latter type can change but it tends to have to come from within. Though I will say: Rusty Quill Gaming's Unconscious Rule was that you get a scar (no mechanical penalties unless you want) whenever you're knocked unconscious. It was purely a story thing, but if your DM is just itching to homebrew something in order to carve their initials onto the tree of D&D instead of leaving well enough alone, that might be a way to let them feel like they've homebrewed something relating to unconsciousness.

The second one is that there's multiple approaches to healing! I do tend to be a fairly proactive healer when I play one, but letting people go down is a valid strategy. Plus, shit happens! People roll really badly or the DM rolls really well or you roll all 1s on your healing dice and bam, they're unexpectedly out. It puts an undue burden on the healer not just in terms of pushing them towards a very specific playstyle, but at high levels pushes them to burn extra 5th levels (and diamond dust) on Greater Restoration). It also simultaneously makes it perhaps advantageous to not heal someone who's gone down. If they go unconscious and you're not able to heal them up beyond what they're likely to lose in another round, maybe it's better to leave them making death saves (or do Spare the Dying) so that they don't have two levels of exhaustion...but then they might die. It's a really screwy thing because the game isn't fucking balanced for this because it's stupid. It also can push the party into the One Combat Per Day behavior that has been rightfully criticized.

And finally, tying back to both of the above, there's a reason why going unconscious doesn't kill people in D&D and that's because it makes for a good story! It adds drama and tension, but you don't lose the character. This both penalizes you for allowing that drama to happen and ratchets the tension to a level that isn't really fun.

Another thing I'd add is to ask why specifically they want to add it because if someone says "it's more realistic," for example, you have my permission to say "in the pretend to be an elf wizard game?" and make a jerk-off motion. You may want to tone that down if you wish to part on good terms but like, for real, if they want a more realistic game, perhaps they should find one. I'm not a Pathfinder person myself but I would never begrudge other people from playing it in their own homes and I think PF1e (or an older version of D&D) and its less generous overnight healing might be worth your while. Perhaps exploring another system would be the better option. I think people who wander around the internet whining about how other people play D&D are sad losers, but they do have a point that if you're tinkering with core rules (as opposed to like, homebrewing a race, class/subclass, item, spell, feat, or monster) that's a sign you should probably look for another game.

So with all that said: I think it's fair to point out a (more tactful) version of all of the above but also say "I feel, as the healer, this would make my role a lot less fun, and I would leave this group over this choice." If you say it politely and calmly it may make your DM realize how much you dislike it. That doesn't mean they won't barrel ahead anyway, because people have free will and whatnot, but in a social situation, sometimes logical arguments aren't helpful! Sometimes it's better to just say "I've said why I don't like this, and I hope we can find a compromise, but ultimately you can do what you want; I can also do what I want, and I don't want to be here if you disregard my input on something that affects my enjoyment."