#and aging like a human instead of like myself.

[loredrinker]

Inflection, Context, and Elven: Lavellan’s Veilguard Ending (romance state)

Lately, I’ve seen quite a bit of criticism directed at a romanced Lavellan on my dash - particularly in the Veilguard ending, interpreting her as needy, egotistical, or entitled.

And I am wondering: Did we watch the same ending? (I find it fascinating how differently people interpret the same moments - such a reflection of the human experience.) And I couldn't help myself! I felt compelled to share my interpretations so I punched this out the last few days.

The sticking point seems to be Lavellan’s words, especially the ones spoken in Elven.

It seems like a common interpretation of Lavellan’s words here are: 

“It won’t be terrible if you’re with me.” (Implying possessiveness or entitlement - and that she alone will make it better.)

The game’s delivery offers no inflection on any word though. For me, it’s always been: 

“It won’t be terrible if you’re with me.” 

It’s subtle, but very different. This is just one micro-example of how much nuance is packed into the dialogue in the Veilguard ending. These lines shouldn’t be taken in isolation - especially not the Elven ones. They should be understood in the context of what Solas says to Lavellan in Elven just before, and beyond that, within the history established in Inquisition and Trespasser.

Indulgent Solas x Lavellan post ahead.

Note: I respect and appreciate all Solas ships and I will never post negativity towards other interpretations in this space. Everyone deserves to enjoy their creativity and find joy in their community. There’s more than enough Solas to go around. As for Lavellan’s portrayal in VG, it's not perfect. I understand the devs had the impossible task of balancing every interpretation of her. Some dialogue between Rook and Lavellan took me out of gameplay a bit. But I recognized then they had to condense countless versions of her into one, and perfection wasn’t possible. In general I have honest criticisms about the game but try to keep my posts positive overall.

Still here? Excellent. (And sorry, it's another long post.)

"Elven is often a game of intents, not direct mapping of phonetic meaning." The language doesn’t rely on straightforward translations of sounds or words into specific meanings. Instead, it operates on a deeper level, where intent and context carry as much weight.

Earlier in the game, when Solas confronts Elgar’nan, he says: “I must speak to you in this tongue. It seems Elven is beyond your grasp.” This insult implies that Elgar’nan has lost the ability to understand the nuanced, metaphorical nature of the language. Elven relies on shared understanding, rhythm, intent, to convey its full meaning. By Lavellan and Solas choosing to speak Elven to each other it's an acknowledgement of their shared understanding - a connection rooted in their history going back to Inquisition.

Which is why I embrace it in my interpretations.

I disliked that Veilguard kept out the Elven words and left only the English translations in. They can be found here: (Elven Language - Dragon Age Wiki)  But for funsies, let's take Lavellan’s actual Elven dialogue and translate it literally: Banal nadas. Ar lath ma, vhenan. We already know from Inquisition that Banal nadas translates roughly to "Nothing is inevitable" - the same phrase Solas uses when confronting the Nightmare Demon. So Lavellan is saying: "Nothing is inevitable. I love you, my heart."  The gall of this woman! 

Since I do my best to keep my posts playing in the game’s sandbox, I’m going to just look at what the game tells us the translations are and not get into actual translations (others have done that far better than I ever could). There are some great fandom language resources linked at the end of this post. 

Let's start where Lavellan enters and speaks in the common tongue: 

This is personal and expansive. On one level, she’s speaking as someone Solas has wronged, reminding him of the pain he’s caused her directly. But on another, she’s channeling the voices of countless others whose lives were affected by him and who will be shattered by his actions. It’s a challenge that blends her role as both an individual and the Inquisitor.

It’s also not a condemnation. Lavellan doesn’t lash out or accuse him of being irredeemable. Instead, she questions him, cutting through to reach the man beneath. She’s speaking to Solas (wisdom).

"Vhenan" is acknowledging his love for her but it’s also symbolic of his heart, the part of himself he’s buried and tried to ignore, suddenly reappearing. Solas has spent much of his journey detached and isolated, removing his heart metaphorically to push forward with his plans without the weight of emotional ties. Lavellan’s presence makes it impossible for him to keep it hidden. His heart is right there, exposed and speaking. And the ellipsis - so many words unsaid.

Immediately Solas looks down (I read it as shame). It’s a reaction back to what he said in Trespasser: that he would not have her see what he becomes. And yet, here she is. She sees him, the terrible path he has chosen, the blood on his hands, the awful things he has done, and what he’s about to do. In that moment, his shame is palpable - because Lavellan is one person he couldn’t bear to face in this state. 

And Lavellan doesn’t hesitate. Her next words are as much about holding him accountable as they are about reminding him that there is still another path. 

This isn’t some starry-eyed, naïve Inquisitor we’re dealing with (at least mine isn’t). Lavellan is fully aware at this point. But her stance is clear: no one is beyond redemption, not even the Dread Wolf himself. And she wasn’t the only one – this message is repeated throughout the game by others. 

Her words challenge the belief that has kept Solas shackled to his path. He’s convinced himself that his guilt and mistakes are too great, that there’s no turning back, and that the only option is to see his destructive plans through to the bitter end.

She doesn’t beg or demand or frame it in a way that’s grand and sweeping – she simply says “you’re wrong.”  

She’s not trying to erase his mistakes or pretend they don’t exist. She's saying, Yes, you’ve done terrible things, but that doesn’t mean you’re beyond the reach of change.

Lavellan’s journey as Inquisitor began with the Anchor - a mark born of Solas’s mistakes and choices. From the moment she touched his orb (yes, it sounds dirty), her path became entwined with his. This isn’t Lavellan selfishly claiming Solas’s path; it’s an acknowledgment that their journeys have run parallel.

Their connection was forged long before either fully understood its implications. Lavellan’s work to stabilize Southern Thedas mirrors Solas’s aim to restore a broken world, including the burdens of being forced to take on titles and labels. She is revealing her own struggles with devastating, blood-soaked choices - choices that, like his, have carried profound consequences.

Solas believes he’s been walking this path alone, but Lavellan shows him she's been walking alongside him this whole time. Now, as their paths converge again, this is a reminder of the power of connection and the burdens they’ve both borne. He's actually not alone.

Her words also carry an unspoken promise: she is ready to continue to bear the consequences with him. She knows the road ahead is painful and fraught with difficulty, but she is steadfast.

Why do I feel that people sometimes forget Lavellan’s role as Inquisitor? She wasn’t defined by Solas; she was the leader of a powerful military and political organization, forced to make horrible decisions. Whether you choose the mages or templars in Inquisition, you doom thousands to torment and death. The Empress of Orlais can live or die based on the Inquisitor’s choices. And if you’re like me and made the wrong calls on the Dalish clan war table operation, her own clan can be murdered and wiped out.  (Yes, I’m still haunted by that moment.) Her hands have blood on them too. This makes me wonder: does some criticism of the Solas/Lavellan romance stem from failing to see Lavellan as her own person? I love Lavellan for who she is as the Inquisitor - not because of Solas. Likewise, Solas is fascinating on his own. Their romance is one layer of the story, not the foundation of either character. Sometimes it feels like there are even some Solas/Lavellan lovers who have a tendency to overlook the depth and individuality of both characters outside of their romance.

Solas’s statement is a raw admission of all the guilt he carries for his deceptions and the pain he has caused her - lying to her about his identity, betraying her trust - not just as the Inquisitor, but as a person he loves.

His words are not an attempt to seek forgiveness but an acknowledgment of the truth - no matter how painful it is for them both. He knows his choices have caused devastation to the world and to her specifically. He's exposing the full weight of his dual burden: the grand, world-altering consequences of his plans and the personal betrayal of the woman he loves, who trusted him. 

Perhaps, on some level, he hopes that reminding Lavellan of his lies and treachery will convince her to abandon him, sparing her further pain. His guilt and self-loathing are so entrenched that the idea of being forgiven - or even supported – either confounds him or terrifies him.

But Solas’s confession is not just a shield to push her away. It’s also an invitation for her to see him - not the wise, compassionate companion she knew, but the flawed, broken man beneath.

This moment to me shows that Solas still values Lavellan’s understanding (we also saw it in his letter to her). He doesn’t diminish the weight of his actions but wants her to see the cost of his deception - not just for her, but for himself. To Solas, his betrayal is unforgivable. 

And yet - this "selfish" woman dares to forgive him anyway. 

Forgiveness is an act of wisdom because it requires understanding - and she reflects that wisdom right back at him.

"All you have to do is stop" is heavy with meaning. Yes, on the surface, it’s a plea to stop tearing down the Veil, to reconsider the destruction. But it’s also a plea for him to stop running, to stop isolating himself, and to stop punishing himself for his failures. She’s asking him to step out of the shadow of his self-loathing and see that there’s another way forward, not by demanding or commanding, but by offering him compassion (forgiveness). (Cole, I miss you.) 

But Solas’s guilt and self-loathing run deep.

With these words, Solas apologizes to his heart - hardening it once more. For a moment, it had softened, cracked open. But he shuts the door.

The bow that accompanies his words is loaded. A bow carries layers of meaning depending on context - reverence, respect, gratitude, apology, greeting or farewell, a spiritual act, acknowledgment, loyalty, mourning, or even a romantic gesture. Solas’s bow can mean all of these. 

He is physically reinforcing the gravity of his apology. It’s a solemn moment. He is bowing to her strength, to all she has endured because of him. And when he calls her "vhenan," it is personal. It's an apology to her and to his own heart for not choosing the life he wanted to have with her.  “...to stay by your side as Solas...as I wanted.”  

The bow also carries guilt. He is acknowledging the pain he’s caused and humbling himself before her. And his eyes in the animation during this moment – I saw haunted, tormented, tired eyes – the eyes of a man grappling with the weight of his choices and the thought that he cannot accept redemption, even if it’s offered freely.

Time for a an indulgent moment - a bow can also symbolize acceptance. What if, in that moment, it’s not just an apology? What if it’s Solas saying, “You’re right. You have walked this path with me. I acknowledge that.” The bow could be a tacit agreement - a recognition of a future with her. What if he’s asking: I’m sorry, but I can’t stop, are you still coming with me? And Lavellan’s eyes right after? She looks down, like she’s contemplating this - what if he tears the Veil down? What happens next? What do I do? Anyway, maybe I indulged with this thought a little too much.  

But, as I’ve said before, it takes a village to stop a Solas. Cue Morrigan and Mythal - but I’m not diving into that dialogue rabbit hole in this post.  

But this scene with Mythal is important. Lavellan has just watched the man she loves completely crumble in front of Mythal. He’s bent over in grief/pain, utterly vulnerable. She hears him say, in anguish, “The things that I have done.” She sees him lift the dagger - perhaps to surrender it, to shield himself from Mythal, or even as a plea to Mythal to end his torment. Whatever the intent, Lavellan is witnessing the rawest, most broken Solas. His guilt is overwhelming, and this is the first time she’s truly seeing the full weight of it laid bare (as is Rook). It’s a moment of heavy sadness for her – and for us as players. 

This scene seems to have created a universal understanding among players who love Solas, regardless of who you ship Solas with. We are all witnessing Solas in this moment of pure vulnerability. Let’s honor that shared empathy. 

Solas is bent over with the emotional collapse of centuries of obligation and guilt coming to the surface. Mythal’s departure leaves Solas vulnerable, stripped of the purpose that has guided him for so long. He is alone in his pain.

For Lavellan, can you imagine the helplessness? All she can do is offer her presence, understanding, and faith in him afterward. That might feel like so little in the face of such immense pain, but it’s all she has to give. 

Where Mythal’s words, spoken in the common tongue, are authoritative and final, Lavellan’s are intimate and personal. Her choice to speak Elven reflects her desire to meet Solas where he is - connecting with him on an intimate level.

Only after Mythal has left him exposed - that Lavellan uses the Elven language. In this moment, stripped of his defenses, he is finally open to hearing and feeling the full significance of the words and their intent.

Lavellan’s words challenge the notion that fate is immutable or inevitable. When she says, “there is no fate...,” she isn’t diminishing everything else in favor of her love; she’s rejecting the tyranny of inevitability. Her words assert that choices - rooted in love, connection, and shared purpose - have the power to shape their path forward. She reframes love as a force just as powerful as fate, capable of creating meaning and direction where there once seemed to be none.

Atonement

And at this point? Lavellan has no idea what Solas will do next. None of them do. But the combined efforts of Rook, Lavellan and Morrigan get through to him. Because Solas makes a choice - a monumental choice. He binds himself to the veil, committing to atonement. Atonement is a powerful, active word. It evokes the gravity of recognizing wrongdoing and the courage to address it. His decision to seek restoration with the Titans, to deal with the Blight, to return to where it all began, reflects the depth of his remorse and his willingness to rebuild the balance he disrupted – from the beginning. 

Solas equates atonement with isolation, believing that his punishment must be borne alone. To him, atonement requires severing ties, including the possibility of love. He doesn’t ask Lavellan to join him because he cannot conceive of burdening her with the weight of his choices and the path he must walk.

But Lavellan’s words - once again - challenge that. She offers him the possibility that his actions, no matter how devastating, do not erase the love and faith others still have in him. This is an invitation.

She's also being vulnerable here. She’s offering herself to him, knowing full well that he still might say no. A risk she’s willing to take. 

He doesn’t try to shut her out or push her away this time. Instead, he shifts the focus - he needs her to understand the gravity of the path they are about to walk. His response reflects his own vulnerability as well, he wants her to know what she’s choosing, but he can’t bring himself to reject her offer outright. 

Solas responds in Elven - his acknowledgment of their shared understanding and their entire relationship and journey that has shaped them.

His words also mark a turning point: for the first time, Solas allows Lavellan her agency. Throughout their relationship, he has taken her choices away. He broke off their relationship in Inquisition. He vanished after Corypheus’s defeat, leaving her no say in it all.

And he knows this! During their confrontation in Trespasser, when Lavellan demands answers, he justifies his deception with, “And what would you have had me say? That I was the great adversary in your people’s mythology?” Her cutting reply, “I would have had you trust me!” lands with devastating clarity. His face falls, struck by the hard truth: the man who values freedom has stripped hers away. And he's going to do it again.

This moment in Veilguard feels like a callback to that. Lavellan is asserting her choice. And this time, Solas doesn’t take it from her.

By framing his destination in such stark, "terrible" terms, Solas isn’t pushing her away out of cruelty. He’s laying bare the enormity of what lies ahead, warning her of the peril while giving her the freedom to choose for herself. It’s his way of ensuring she understands the stakes.

Solas is doing what she requested long ago - trusting her - and what a choice to place that trust in. He’s entrusting her to make an informed decision about stepping onto a path that could shape the future of Thedas. He is trusting Lavellan’s strength and resiliency. And in trusting her, Solas reveals a quiet, unspoken truth: he doesn’t want to face this journey alone. By even presenting the choice, he reveals a quiet hope that she might go with him, despite everything.

To me, what makes this moment so achingly beautiful is the duality in his expression. His eyes seem to plead two things at once: “I don’t want to put you in harm’s way,” and “I can’t deny wanting to be with you.” There’s a raw vulnerability in the way he looks at her.

“It won’t be terrible if you’re with me.” 

Lavellan’s response is a direct challenge to Solas’s warning. He tells her the path ahead will be awful - because of him. But she counters, saying that it’s because of him that it won’t be. This isn’t her forcing herself into his journey or suggesting that she alone will make it better. Instead, it’s her way of expressing that his presence will give her the strength to face whatever lies ahead. She’s trying to ease his mind, while also signaling her willingness to trust him again.

At the same time, her words acknowledge the weight of Solas’s suffering, offering herself as a partner to bear that burden together. She isn’t dismissing the risks or downplaying the severity of what’s to come - she’s choosing to stand beside him, fully aware of the challenges ahead.

It’s not about personal gain; it’s about shared resilience. Lavellan’s focus is on what they can endure together, not on what she might receive from the journey.

And since the Fade reflects emotions, as many have pointed out, their combined trust and love could manifest in ways neither of them can predict. Their bond has the power to shape not just their path but the very world around them.

This declaration is past, present and future; it’s a reaffirmation of their bond, a recognition that they’ve been walking the path of the dinan’shiral together all along. It’s future focused - she is offering to shoulder the burden with him going forward.  

She’s also telling him that she won't abandon him, no matter how hard the road ahead may be. 

And at the end of the day, she's a woman who still loves him. What does Prince Lir say in The Last Unicorn? "I love whom I love."

I've never interpreted Lavellan as someone sitting by a window for ten years, writing sad poetry and sighing into the wind, longing for Solas. She’s been busy - rebuilding a fractured world, navigating political fallout, and seeking understanding. Lavellan’s love for Solas isn’t blind devotion; she’s holding onto the possibility of redemption and the deep impact he had on her life. In my world state, Lavellan’s clan is wiped out. The people of the Inquisition have become her family, the ones she fights for and protects. And indirectly, Solas gave her that family. Despite the pain he’s caused, her love for him reflects the complexity of her journey - one defined not by a single relationship, but by hope, resilience, and the connections she’s forged along the way.

Lavellan then leans in to kiss him, and Solas allows himself to be drawn in. This moment is acceptance - a silent vow, a promise sealed in their shared vulnerability. It’s an intimate connection forged in front of those who have just witnessed the emotional storm that brought them to this point, as if to say, “This is where we stand, together.”

While I won’t dive into fly-cam images (you can find some here), there are some tender subtle details: the way he caresses her hands with his thumbs, the way he holds onto her one hand as she pulls away, as if he’s not ready to let go. But I promised to stay within game constraints.

And then Solas turns to Rook and says, “Thank you.”

Solas doesn’t thank Rook when he hands them the dagger, nor when he’s preparing to walk into the Fade. He says it after the kiss. Make of that what you will but Rook’s is symbolic for me, especially after thinking about this ending a bit.

In thanking Rook, Solas acknowledges not only their actions but also their understanding of the connection he shares with Lavellan. Rook, transformed by their own relationships and the bonds they’ve formed throughout their journey, embodies the themes that have always defined Dragon Age to me: connection, fellowship, community, love, and redemption. These games (again, for me) have always been about how people, despite their flaws and struggles, can come together to make the impossible possible.

Rook’s symbolism in the redemption ending feels like the culmination of this ethos. They represent how even those who begin on the periphery of great events can become central to forging bonds and creating change. Solas’s gratitude is for Rook's empathy, their recognition of the importance of connection, and their role in bringing these threads of love and redemption together. I'll go cry now.

And off they go into the Fade.

The Final Translation 

"With Elgar'nan and Ghilan'nain dead, and the Inquisitor finally reunited with her true love, it looked like one of the biggest stories the world had ever seen was finally drawing to a close."  

Varric’s narration ties the ending image back to the connection between Inquisition and Veilguard. Inquisition is the Inquisitor’s story; Veilguard is Rook’s. Solas serves as the thread linking them. Varric frames this moment through Lavellan’s perspective, narrating the story like one of his novels - not to diminish Solas, but to highlight the Inquisitor’s journey. After all, Veilguard wouldn’t exist without Inquisition. Rook wouldn’t be working with Varric or searching for Solas if not for the Inquisitor.

As much as I would have loved a deeper focus on Solas, Veilguard wasn’t his story. If Inquisition is the Inquisitor’s story and Veilguard is Rook’s, this ending is a shared culmination: for a romanced Lavellan, it’s the personal resolution of her journey; for Rook, it’s recognition of their critical role in saving Thedas.

Okay, indulgence over - whew, that was long! I really need to practice shorter posts.

In the end, those who dislike this romance or this ending probably always will. That’s fine; I just wanted to share my interpretations because I genuinely love this story for all its complexity.

To everyone who made it to the end of this post - thank you for joining me in my indulgence. May your own Solas ships continue to bring you joy and inspiration.

Elven language resources: 

Project Elvehn on AO3 

Elven Translator 

World Anvil Elvhen Resource 

Reddit on Elvhen Poetry 

[unfamiliar-ghostly-system]

I read a bit of The Good Part by Sophie Cousens and it definitely made me feel... not good. Reading a description of waking up 16 years in the future tripped me up so bad.

Just. Looking in the mirror and being yourself but different. Not knowing where you are or who the people in your life are. Technology being unrecognizable, the places you know are just a little bit different. Not remembering the past 16 years of your life.

[sarcasticgaypotato]

This cat has a PhD

---

Fanart for Panthera by @idrewacow

I cannot recommend this fic enough, it is an absolute delight so far. It's a classic, traditionally lighthearted fanfiction trope being handled dead serious and it's everything I didn't know I needed. It doesn't hesitate to dig its claws (haha) into visceral discomfort for our lead, but it still has moments that made me laugh out loud. Can't wait to see what happens next!

[lucalicatteart]

A few little sketches of some possible school uniforms for mage schools/learning centers for magic/etc. :0c Though because Nanyevimi is so scattered and disconnected, it'd actually vary much more by region (like not everywhere would have a cultural concept of what a suit jacket or neck tie looks like lol), so it's probably unrealistic for so many of them to follow too many traditional Uniform Conventions from cultures in our world, etc. But, still, fun to mess around with designs, and think about which would be most fun to wear/what school you'd go to just based off the clothing lol~

[amorremanet]

i’m starting with a crow rook later because viago de riva is too single parent-coded for me to ignore, i just want to put a messed up little guy in his arms like “this is elías, he’s your problem now, have fun 🥰”

[rebornofstars]

Silly Game Time: Who are some of your favorite alien (non-human *and* extra-terrestrial) characters? And what do you like about them?

They can be from sci-fi or fantasy, from other worlds or dimensions or realms. All that matters is that they're not from Earth and that they're not human in any traditional sense (and, most of all, that you find them interesting).

MY FAVOURITE ALIENS. i've been a little bit in love with space since i was 9.

firstly for the definitely non-human:

the doctor. of course. and literally everyone from his show. the weeping angels. the sky fish. nardole. missy. romana. the ood. the list goes on

um. bumblebee. 😅

star wars creatures

estraven from le guin's the left hand of darkness.

d'lacey's erth dragons are from the planet ki:mera

those martians in the war of the worlds. i had a h.g. wells kick halfway through high school. this wasn't my favourite of his works, but it was fun.

and for the recognisably human, but still extraterrestrial, because i really wanted to include these guys:

mara of the acoma from feist & wurts' empire trilogy. she is one of my favourite fictional women ever. in the context of her own series, she's not an alien, but in the context of the riftwar saga (which was published first and contain more elements of feist's mainline plot than the empire trilogy), she is, so. i think she counts.

the mandalorian. i'm not immune to single fathers... or general badassery...

darrow from brown's red rising. born on mars.

todd from the knife of never letting go (book) / chaos walking (movie). i have fond memories of going to see this at the drive-in with a friend when it came out.

actually, this list is shorter than i thought it would be 🥺 there's a couple of other books/movies i love about space but they're all human-focused and mostly about astronauts. if anyone has any recs pretty please drop them below?

[aroceu]

shame is the self killer shame is the authenticity killer shame hides the honesty of your art and the beauty of your own individual uniqueness and voice and thoughts. without embracing the parts of you that people might think are annoying or imperfect or cringe the road to self acceptance and inner peace and lasting happiness will continue to stay that much harder

[sick-as-a-dog]

.

[petrodragonicapocalypse]

in retrospect getting an ambiguous score on the main autism tests but getting a wayy above average score on the cat-q is kinda funny... like im clearly masking Something. not sure what tho

[lgbtlunaverse]

Shocked to report that this works. I just wrote 1.8K words in the span of one and a half hours and got past the part I've been stuck on for over a week.

(tweet 1) (tweet 2) (article)

[leatherbookmark]

daily reminder from my mother that I don't matter and shouldn't even expect to matter yayyyyy yayyyy wahooooo yippeeee

[raubtierfuetterung]

I hate being a girl

[ponderingmoonlight]

How kny men treat their pregnant wife

Pairings: Obanai x fem!reader; Rengoku x fem!reader; Sanemi x fem!reader

Word Count: 2,5k

Warnings: I went absolutely insane in Sanemi's part lmao, let me know what you think about maybe even more kny complilations in the future?🤍🫶

Obanai – super overprotective

„Darling, you really don’t have to be cautious all the time. I’m fine and it’s mid-day.”

“You never know”, the man next to you mumbles while positioning himself in front of you.

Since the day Obanai found out that you’re expecting your very first child, he never left your side. Not even at night, when he’s usually out fulfilling his duty as a hashira. And if he must go, he always makes sure that you’re not alone.

“I really don’t want to bother you, but Iguro-san sent me here to keep an eye open for you”, Mitsuri explained with reddened cheeks after appearing in front of your door at sunset.

You sign to yourself with a small smile crawling up your face. You never really realized that your husband is so eager to have a child. When the two of you first met, he acted so cold towards you that you were convinced he hated you after saving your life in your village back then. It wasn’t until he showed up at the butterfly estate on a random day and handed you a bouquet of flowers that you realized how hard you fell for that man yourself. Despite his cool and composed walls, despite always staying in the background and leaving disgracing comments from time to time. You really learned how to love the serpent hashira for the man he is: kind, loving, protective and smart.

“Why are you not coming over to cuddle me instead?”, you suggest oh so sweetly while opening your arms as an invitation.

Obanai side-eyes you up and down, his mind visibly racing behind those gorgeous eyes.

“But what if I hurt you and the baby?”, he mutters, still standing his ground.

“I’m not made of paper and the baby isn’t as well. And also, I’m carving nothing more than a hug from my husband at the moment.”

Slowly but surely, he finally turns around. As if you’re made of porcelain, he wraps his arms around you oh so gently. Have you ever seen your husband this cautious and sensitive around other human beings? You’ve seen the way he beats up the other corps members in his training sessions on a daily basis. A giggle escapes your lips before you’re able to stop it. Your man really turned soft due to this pregnancy.

“What’s so funny?”, he grumbles, his vibrant eyes set on you.

“You’re too hesitant to give me a real hug and yet, you’re beating up innocent kids during training. Come on now, I said I want a real hug!”

Before he’s able to protest, you press yourself against him with full force, allow your head to rest against his beating heart. It’s been ages since he last cuddled you the way you always loved it. With your body resting on top of his and your arms wrapped around his broad chest, everything starts to feel like home.

“Don’t you think that’s too dangerous? The baby-“

“The baby will be fine. I can handle a tight hug, darling. I really missed this…”

He shifts his weight underneath you and gently starts rubbing your back. Oh, how much you adore your husband and those sweet little moments between both of you. You never imagined to love someone like this, to fall head over heels for a man who is the complete opposite of yourself. But here you are, falling even harder day by day.

“And…you really think this is safe?”

“I’m absolutely sure it is!”

Obanai pauses for a moment, his eyes almost piercing through you.

“I think you should go and see Shinobu later”, he finally presses out.

“Come on, I already told you-“

“This doesn’t feel safe at all. We’re leaving in just a few minutes”, he continues while wrapping his arms around you.

Rengoku – the proudest soon-to-be dad

“I made you breakfast, my love!”, your husband announces while entering your shared bedroom in his plain white kimono.

“You’re way too kind, Kyojuro. You know I could have done it myself”, you reply while lifting yourself off the futon.

“Oh, let me help you up!”

Gently, he grabs your shoulders and helps you to get up. With your swollen belly, things aren’t as easy as they used to be. By now, you aren’t even able to see your feet anymore.

But it’s all worth it. He’s all worth it.

“Look at you”, he mutters with unusual low voice.

When his hand starts caressing your belly along with that loving gleam in his eyes, you almost forget how to breathe. From the day both of you found out that you are expecting a child, Kyojuro fell head over heels.

“You look so breathtakingly good, my everything. I could stand here and stare at you all day, little flame.”

It almost seems as if Kyojuro’s already heavy feelings doubled during your pregnancy. Not a single hour goes by without him telling you how gorgeous you look, that you are an angel walking on earth.

Even though you know you gained a few pounds and how swollen your face looks. He doesn’t care about the fact that sometimes, you are too exhausted to wash your hair or that you didn’t dress in something nice since your clothes started to get too tight.

Your husband adores each and every fiber of your being.

“Stop, you’re making me blush”, you giggle while playfully freeing yourself out of his strong arms.

“I’ll never stop telling my pregnant wife how gorgeous she looks! How are you feeling, my love?”

You find yourself trapped in his arms with his eyes all over you again. God, will you ever get tired of looking at him, of seeing those vibrant eyes?

“I’m okay. I just feel a little heavy.”

“I’m so proud of you for enduring all of this. Shinobu already told me this pregnancy doesn’t go easy on your body. You’re a real fighter, (y/n)!”

“A fighter? My body is supposed to do this. There’s nothing special about that”, you try to brush his praise off, cheeks already turning dark red.

“Don’t think about it that way. Your body might be equipped for a pregnancy, but Shinobu informed me about all the things you have to endure and how painful and tiring it can be-“

“Did Shinobu really explain all those things to you?”, you mutter through your hands that cover your face in sheer embarrassment.

“Of course! After all, I’m your husband and it’s my duty to support you in the best way possible!”, his beaming voice replies proudly.

“And I can’t wait to meet our little wonder.”

The second he gets on his knees, you see stars. Oh so gently, he pulls your kimono to the side and starts caressing and kissing your womb. Your knees threaten to fail you, feelings all over the place. God, you really don’t deserve a loving and caring husband like him, you don’t deserve all those feelings he holds for you and your unborn baby so openly.

Before you’re able to stop yourself, a violent sob escapes your lips.

“No love, why are you crying?”

Kyojuro meets you eye to eye in an instant, his hand carrying away every little tear that threatens to stain your face.

“It’s just…You are too kind…I don’t deserve your praise…”, you croak out.

“You deserve this and so much more. Now come on, I made you mochis with the receipt Kanroji taught me…”

You sniffle uncontrollably in his arms.

Wait, did he just say…

“You mean my favorite mochis?”, you mutter.

“Of course, little flame!”

“Oh…Then…Maybe we should get going, then…”

Sanemi – doesn’t even know yet

Fuck fuck fuck.

You stare at Shinobu in sheer horror. This can’t be true. Definitely a mistake. A cruel joke, maybe.

You…pregnant?

“Tell me you’re joking”, you mutter under your breath.

Just when you thought things between Sanemi and you started to get better, than you finally managed to live besides. Calling yourself his wife was never easy, especially due to the fact that he only married you because your family literally sold you to him in exchange for not killing you right on the spot. The two of you never seemed to get along that well.

You swallow hard. That night was an exception. You came home drunk, you didn’t know what you were doing when you seduced him, when you began babbling about something as stupid as feelings.

You swore to yourself that you’ll never fall for your husband. And now you’re expecting his child.

“I’d never joke about something like that, (y/n). It seems like somehow, you managed to get pregnant”, Shinobu replies in all seriousness while taking off her gloves.

Fuck.

“He’ll fucking kill me”, you mumble to yourself.

“Maybe he’ll skin me before that, slice open my belly like a fish-“

“Can you just stop?”, Shinobu interrupts you in all urgency.

“Shinazugawa might not be the most empathic man walking on this earth, but he also didn’t marry you for nothing. I’m sure everything will be fi-“

“Absolutely nothing’s fine. I’m fucking screwed”, you huff in frustration while yanking up.

You’re completely fucked. There’s no way in hell Sanemi will ever find out about this, not in this lifetime. You have to make sure that this stays a secret.

“Don’t you dare to tell him a single word about this, got it?”, you literally threaten Shinobu with your shaky finger pointing at her.

You, expecting a baby.

From Sanemi Shinazugawa.

Without even waiting for her reply, you storm out. Are you able to get rid of this situation? Mindlessly, you rub your belly when a new wave of memories from that fateful night hits you.

“I might l-love you”, you blurted into the room, Sanemi’s widened eyes staring at you in sheer horror.

“You…love me? Just yesterday, you told me how much you hate me”, he clarified with harsh voice.

“Are you drunk, (y/n)?”

“I…might be, yeah. But I mean it.”

Against all voices that begged you to stop, you darted towards him.

Until you sat on top of him and wrapped your longing arms around his neck.

“I love u, Sanemi.”

“I can’t believe a single word you say, shithead.”

“Watch me, then.”

It happened so fast you still can’t believe it. One passionate kiss, your hands wandering underneath his uniform, his muscular frame on top of you.

“You really want this?”, he huffed against your cheek, usual so maniac orbs filled with nothing but pure lust.

“Yeah”, you breathed out.

Urgh. You dig your nails into your hair, head spinning instantly. What kind of fuckery is this? Your first night ever and now…you’re pregnant? As if things between you and him aren’t already cringe enough.

“Why are you looking like shit?”

His oh so familiar voice makes your guts turn. For the split of a second, you are literally one movement away from puking all over his feet.

“Why are you talking shit?”, you spit at him, shoulder bumping against his as you try to get away from here as soon as possible.

But Sanemi grabs your wrist before you’re even able to think about your escape.

“Why were you at Shinobu’s? You never visit her.”

“I’m not feeling well”, you jeer at him.

“You even refused talking to her when your bone splatted out of your damn leg. Don’t fuck with me, (y/n). You didn’t come here for nothing.”

“Yeah, I really shouldn’t have done that”, you snap, violently ripping away your wrist.

This is way too much. Your family, Sanemi, that damned pregnancy. You thought this hell trip was over when Sanemi somehow managed to accept you, you really thought you could leave a rather peaceful life.

God, what a fucking fool you are.

“Hey, what the hell is going on? (y/n)!”

Just before your knees hit the ground, you feel Sanemi’s strong arms lifting you back up.

“What the hell has gotten into you!?”

“I’m pregnant!”, you scream on top of your lungs.

“All of this because of that damned night, because I lost my fucking control. I’m pregnant…”

Sanemi’s arms around you tense up immediately. Fuck, you can’t even bring yourself to look at him.

Truth is, you love that man. Fuck, you fell for him harder than you ever imagined, so badly that you can’t stop thinking about him. And that night, you allowed yourself to get a taste of him. After all, maybe this was all you need to finally forget about him, right?

What a fool you are.

“You’re…what?”

Violently you rub away the tear that starts rolling down your cheek.

“You’re…pregnant…”

“Saying it again and again won’t make it disappear”, you bark at him.

“I’ll be a dad?”

Huh? What is that unusual tone in his voice. Did Sanemi Shinazugawa really sound…joyful?

“Yeah…”, you mutter.

In the split of a second, you find yourself devoured in his arms and captivated by his glossy eyes. Your heart skips a beat, mind not able to follow the scene that lays itself out in front of your eyes. He doesn’t look angry at all, not even sad. No, he looks as happy as you’ve never seen him before.

“I can’t believe it. I never imagined this to happen”, he whispers while grabbing your face.

“Gosh, let me kiss you.”

“You want to kiss me?”, you shriek.

Despite your growing feelings for the wind hashira and those countless secret looks you’ve shared with each other, it was always a quiet agreement between both of you to never express any feelings. No hugs, no kisses, no questions. Just living side by side. Fuck, you never even allowed yourself to even gaze at his lips before that fateful night.

And now you’re lying in his arms, pregnant while he asks for a kiss.

“I mean…yeah”, you finally breathe out.

And then his lips crush against yours. Longingly, passionately, filled with so many emotions that you fail to breathe. All this time, you tried so desperately to hate that man, to hide your feelings from him in order to protect yourself. But all it took was a single night and that unexpected pregnancy to make you realize that maybe, allowing yourself to discover your own feelings isn’t that bad, after all.

Maybe, everything will in fact turn out alright.

Tags: @chilichopsticks @hellkaiserinphoenix  @ynackerman9499 @keepghostly @beatrexworld

@froufrousnowman @hidazinie @tomiokathedepresso  @poketrainer2270 @chaoticwinnercupcake

@lees-chaotic-brain @wordskeeper @polarbvnny @sugu-love @ryva @baku2345

@komelrebi-san @kentocalls @barbuse @sunshine7queen @lavenderdrxp

@yaninnaacu @hopefulbelievertimemachine @laurencrsnt

[star-anise]

Warnings: Doomerism, climate grief, child death

The thing about having studied history and the psychology of trauma so much is that I can't pretend to myself that the world used to be better at sometime in the past.

Don't get me wrong; things are absolutely terrible right now and need to change, quickly.

But also, they're better than they've ever been for us as a species. It is literally mindblowing how much worse life was for us historically.

Have you seen one of those charts of the human population over time? Have you thought about what it actually means?

Because here's what I see: Humans have always loved things like living to old age, like having sex, like raising babies. Those are things we have always wanted to do. It's not like pre-industrial humans were giant pandas like, "Nah, rather not reproduce as a species. No thanks," and suddenly the Victorians discovered horniness.

Instead, for most of human history, we have died. At terrifically young ages. The few who made it to adulthood could make babies as much as they liked, and then overwhelmingly watched pregnancies miscarry, births end in tragedy, or babies die. Their own lives were constantly at the mercy of a world that could kill them without a second thought. To be human meant to live in a world full of a million little tragedies, all the goddamn time.

And then what happened was: The babies stopped dying. The effects of a lot of things from higher agricultural yields to public health efforts to mass communications made us the master over the diseases and maladies that once had us by the throat.

When we look ahead at catastrophe and terrors, yes, they're bad. But they'd have to be extremely bad indeed to measure up to the number of people who wouldn't even be alive in any other century.

And even the obvious bogeyman then, overpopulation—did you notice what's already happened? On that chart, there's the green measure of total population, but the thin purple line is the rate of population growth. Please notice that it peaked in 1968. It is, in fact, projected as entirely possible that within a century it could go lower than it was twelve thousand years ago, at the end of the last big ice age.

The moment babies started to live longer, people went, "That is too many babies. An absolutely unsustainable number of babies. People are crying out for help because taking care of that many children is completely overwhelming. We need to be able to fix this problem," and they invented birth control and fought to get it legalized. It hit the market in the late 1950s and in less than a decade, it had caught on like wildfire.

To me, this is the absolute opposite of an argument for passivity and political inaction. It's not that everything's going to be okay so why even try. It's that as it turns out, the human capacity to grow and thrive and make the world better is absolutely reality-defying. I don't have faith that all of our problems will be solved, but I do have faith that those problems are all the subject of passionate obsession of millions of people.

And apparently we have a really strong track record at that kind of thing already.

[benegesseritofficial]

The effects of face paint on Harrowhark's psyche

I've now cosplayed Gideon Nav 3 times, with my wife along as Harrow every time. Naturally, this has included full face paint for both of us each time and I have some thoughts.

Let me start by asserting that everything Muir writes in TLT about the face paint is accurate. Rubbing off your lips first, smearing into gray where the black and white meet, the way sweat makes it ooze but not run. I can't say if Muir (a known Homestuck) ever cosplayed as a troll, but I'm positive she tested out the practicality of the skull face paint or otherwise has first hand experience with extensive use of grease paint. Also, the way she describes normal people flinching when they see you is spot on.

I've noticed while putting on the make up that once most of my skin is covered, any flesh tones sticking out start to become unsettling. Specifically, the red/pink of the inner mouth and around the eyes jump out upsettingly. Every time I've done skull paint I find myself meticulously trying to patch over these edges of skin, despite knowing that it's inside skin that Shouldn't Have Make Up On It. Once my face is monochrome, I don't want to be able to see a scrap of real human under there. Smiling, or otherwise opening your mouth wide enough to see the pink, looks UNSETTLING. My own skin causes the uncanny valley effect. You see where this is going. In NtN we learn Harrowhark disassociates often enough that Crux isn't surprised or concerned to see "Harrow" insisting she's someone else. Obviously this is due to her schizophrenia, and perhaps trauma besides. But it doesn't account for every aspect of why Harrow's "like that." On her most lucid days Harrow ignores her body to the point of sweating blood and passing out. She goes entire days without eating. She thinks of herself as a skeleton unfortunately covered in flesh. She sleeps in her paint.

All of which is heinous, but that last one has stuck with me. From age 13-18 I barely glanced down while I showered and whatever I saw I basically blocked out. I wore underwear and a bra under my pajamas to sleep every night. I was going through the wrong puberty, "my body was in open rebellion" as I liked to say at the time, and the only way to cope was to bind it down and pretend it wasn't happening. By Gideon's narration in HtN one gets the impression most nuns of the Ninth are putting their paint on after breakfast and taking it off when they get home. It's not even expected the average person wears it every time they leave the house. But Harrow regularly only takes her paint off in order to redo it. I suspect a combination of being the most brainwashed person in her own cult, knowing how she was conceived, and the regular disassociation make it very difficult for Harrow to conceptualize that she actually lives in a body. If she faced that fact head on she'd have to ask why it so often feels someone else is using her body. She'd have to cope with owning this body, being a part of this body, that was bought with the blood of 200 children who should have been her peers and friends. Instead she pretends it's an object on loan from them. And she does it with 10 layers of black petticoats and so much paint she never has to see her own skin.

Which brings me to the final thing I've noticed wearing full face paint. It dehumanizes you to yourself and everyone around you. I couldn't read my own expressions in a mirror. Even people who understood and were delighted with my cosplay were visibly nervous talking to me. You don't look like a person. Studies have shown that faces wearing heavy make up are ranked as harder to read and perceived as less empathetic. It's a particularly insidious trap of patriarchy that many women find self esteem in wearing make up, while that very act makes everyone around them treat them more callously. And, worst of all, if you stop wearing it once you're used to it, your naked face is shocking. You look sick due to your colors being less bold and the normal small flaws of your face appear unbearably ugly. With all this in mind, Harrow has trapped herself in a feedback loop of not being able to witness her own face and becoming more and more disgusted with the flesh and person underneath whenever she has to glance at it.

[willowfey]

can’t move out yet can’t get an irl job yet but if i don’t have something of My Own soon i’m gonna turn into the joker