#The Last Unicorn reference!

[loredrinker]

Inflection, Context, and Elven: Lavellan’s Veilguard Ending (romance state)

Lately, I’ve seen quite a bit of criticism directed at a romanced Lavellan on my dash - particularly in the Veilguard ending, interpreting her as needy, egotistical, or entitled.

And I am wondering: Did we watch the same ending? (I find it fascinating how differently people interpret the same moments - such a reflection of the human experience.) And I couldn't help myself! I felt compelled to share my interpretations so I punched this out the last few days.

The sticking point seems to be Lavellan’s words, especially the ones spoken in Elven.

It seems like a common interpretation of Lavellan’s words here are: 

“It won’t be terrible if you’re with me.” (Implying possessiveness or entitlement - and that she alone will make it better.)

The game’s delivery offers no inflection on any word though. For me, it’s always been: 

“It won’t be terrible if you’re with me.” 

It’s subtle, but very different. This is just one micro-example of how much nuance is packed into the dialogue in the Veilguard ending. These lines shouldn’t be taken in isolation - especially not the Elven ones. They should be understood in the context of what Solas says to Lavellan in Elven just before, and beyond that, within the history established in Inquisition and Trespasser.

Indulgent Solas x Lavellan post ahead.

Note: I respect and appreciate all Solas ships and I will never post negativity towards other interpretations in this space. Everyone deserves to enjoy their creativity and find joy in their community. There’s more than enough Solas to go around. As for Lavellan’s portrayal in VG, it's not perfect. I understand the devs had the impossible task of balancing every interpretation of her. Some dialogue between Rook and Lavellan took me out of gameplay a bit. But I recognized then they had to condense countless versions of her into one, and perfection wasn’t possible. In general I have honest criticisms about the game but try to keep my posts positive overall.

Still here? Excellent. (And sorry, it's another long post.)

"Elven is often a game of intents, not direct mapping of phonetic meaning." The language doesn’t rely on straightforward translations of sounds or words into specific meanings. Instead, it operates on a deeper level, where intent and context carry as much weight.

Earlier in the game, when Solas confronts Elgar’nan, he says: “I must speak to you in this tongue. It seems Elven is beyond your grasp.” This insult implies that Elgar’nan has lost the ability to understand the nuanced, metaphorical nature of the language. Elven relies on shared understanding, rhythm, intent, to convey its full meaning. By Lavellan and Solas choosing to speak Elven to each other it's an acknowledgement of their shared understanding - a connection rooted in their history going back to Inquisition.

Which is why I embrace it in my interpretations.

I disliked that Veilguard kept out the Elven words and left only the English translations in. They can be found here: (Elven Language - Dragon Age Wiki)  But for funsies, let's take Lavellan’s actual Elven dialogue and translate it literally: Banal nadas. Ar lath ma, vhenan. We already know from Inquisition that Banal nadas translates roughly to "Nothing is inevitable" - the same phrase Solas uses when confronting the Nightmare Demon. So Lavellan is saying: "Nothing is inevitable. I love you, my heart."  The gall of this woman! 

Since I do my best to keep my posts playing in the game’s sandbox, I’m going to just look at what the game tells us the translations are and not get into actual translations (others have done that far better than I ever could). There are some great fandom language resources linked at the end of this post. 

Let's start where Lavellan enters and speaks in the common tongue: 

This is personal and expansive. On one level, she’s speaking as someone Solas has wronged, reminding him of the pain he’s caused her directly. But on another, she’s channeling the voices of countless others whose lives were affected by him and who will be shattered by his actions. It’s a challenge that blends her role as both an individual and the Inquisitor.

It’s also not a condemnation. Lavellan doesn’t lash out or accuse him of being irredeemable. Instead, she questions him, cutting through to reach the man beneath. She’s speaking to Solas (wisdom).

"Vhenan" is acknowledging his love for her but it’s also symbolic of his heart, the part of himself he’s buried and tried to ignore, suddenly reappearing. Solas has spent much of his journey detached and isolated, removing his heart metaphorically to push forward with his plans without the weight of emotional ties. Lavellan’s presence makes it impossible for him to keep it hidden. His heart is right there, exposed and speaking. And the ellipsis - so many words unsaid.

Immediately Solas looks down (I read it as shame). It’s a reaction back to what he said in Trespasser: that he would not have her see what he becomes. And yet, here she is. She sees him, the terrible path he has chosen, the blood on his hands, the awful things he has done, and what he’s about to do. In that moment, his shame is palpable - because Lavellan is one person he couldn’t bear to face in this state. 

And Lavellan doesn’t hesitate. Her next words are as much about holding him accountable as they are about reminding him that there is still another path. 

This isn’t some starry-eyed, naïve Inquisitor we’re dealing with (at least mine isn’t). Lavellan is fully aware at this point. But her stance is clear: no one is beyond redemption, not even the Dread Wolf himself. And she wasn’t the only one – this message is repeated throughout the game by others. 

Her words challenge the belief that has kept Solas shackled to his path. He’s convinced himself that his guilt and mistakes are too great, that there’s no turning back, and that the only option is to see his destructive plans through to the bitter end.

She doesn’t beg or demand or frame it in a way that’s grand and sweeping – she simply says “you’re wrong.”  

She’s not trying to erase his mistakes or pretend they don’t exist. She's saying, Yes, you’ve done terrible things, but that doesn’t mean you’re beyond the reach of change.

Lavellan’s journey as Inquisitor began with the Anchor - a mark born of Solas’s mistakes and choices. From the moment she touched his orb (yes, it sounds dirty), her path became entwined with his. This isn’t Lavellan selfishly claiming Solas’s path; it’s an acknowledgment that their journeys have run parallel.

Their connection was forged long before either fully understood its implications. Lavellan’s work to stabilize Southern Thedas mirrors Solas’s aim to restore a broken world, including the burdens of being forced to take on titles and labels. She is revealing her own struggles with devastating, blood-soaked choices - choices that, like his, have carried profound consequences.

Solas believes he’s been walking this path alone, but Lavellan shows him she's been walking alongside him this whole time. Now, as their paths converge again, this is a reminder of the power of connection and the burdens they’ve both borne. He's actually not alone.

Her words also carry an unspoken promise: she is ready to continue to bear the consequences with him. She knows the road ahead is painful and fraught with difficulty, but she is steadfast.

Why do I feel that people sometimes forget Lavellan’s role as Inquisitor? She wasn’t defined by Solas; she was the leader of a powerful military and political organization, forced to make horrible decisions. Whether you choose the mages or templars in Inquisition, you doom thousands to torment and death. The Empress of Orlais can live or die based on the Inquisitor’s choices. And if you’re like me and made the wrong calls on the Dalish clan war table operation, her own clan can be murdered and wiped out.  (Yes, I’m still haunted by that moment.) Her hands have blood on them too. This makes me wonder: does some criticism of the Solas/Lavellan romance stem from failing to see Lavellan as her own person? I love Lavellan for who she is as the Inquisitor - not because of Solas. Likewise, Solas is fascinating on his own. Their romance is one layer of the story, not the foundation of either character. Sometimes it feels like there are even some Solas/Lavellan lovers who have a tendency to overlook the depth and individuality of both characters outside of their romance.

Solas’s statement is a raw admission of all the guilt he carries for his deceptions and the pain he has caused her - lying to her about his identity, betraying her trust - not just as the Inquisitor, but as a person he loves.

His words are not an attempt to seek forgiveness but an acknowledgment of the truth - no matter how painful it is for them both. He knows his choices have caused devastation to the world and to her specifically. He's exposing the full weight of his dual burden: the grand, world-altering consequences of his plans and the personal betrayal of the woman he loves, who trusted him. 

Perhaps, on some level, he hopes that reminding Lavellan of his lies and treachery will convince her to abandon him, sparing her further pain. His guilt and self-loathing are so entrenched that the idea of being forgiven - or even supported – either confounds him or terrifies him.

But Solas’s confession is not just a shield to push her away. It’s also an invitation for her to see him - not the wise, compassionate companion she knew, but the flawed, broken man beneath.

This moment to me shows that Solas still values Lavellan’s understanding (we also saw it in his letter to her). He doesn’t diminish the weight of his actions but wants her to see the cost of his deception - not just for her, but for himself. To Solas, his betrayal is unforgivable. 

And yet - this "selfish" woman dares to forgive him anyway. 

Forgiveness is an act of wisdom because it requires understanding - and she reflects that wisdom right back at him.

"All you have to do is stop" is heavy with meaning. Yes, on the surface, it’s a plea to stop tearing down the Veil, to reconsider the destruction. But it’s also a plea for him to stop running, to stop isolating himself, and to stop punishing himself for his failures. She’s asking him to step out of the shadow of his self-loathing and see that there’s another way forward, not by demanding or commanding, but by offering him compassion (forgiveness). (Cole, I miss you.) 

But Solas’s guilt and self-loathing run deep.

With these words, Solas apologizes to his heart - hardening it once more. For a moment, it had softened, cracked open. But he shuts the door.

The bow that accompanies his words is loaded. A bow carries layers of meaning depending on context - reverence, respect, gratitude, apology, greeting or farewell, a spiritual act, acknowledgment, loyalty, mourning, or even a romantic gesture. Solas’s bow can mean all of these. 

He is physically reinforcing the gravity of his apology. It’s a solemn moment. He is bowing to her strength, to all she has endured because of him. And when he calls her "vhenan," it is personal. It's an apology to her and to his own heart for not choosing the life he wanted to have with her.  “...to stay by your side as Solas...as I wanted.”  

The bow also carries guilt. He is acknowledging the pain he’s caused and humbling himself before her. And his eyes in the animation during this moment – I saw haunted, tormented, tired eyes – the eyes of a man grappling with the weight of his choices and the thought that he cannot accept redemption, even if it’s offered freely.

Time for a an indulgent moment - a bow can also symbolize acceptance. What if, in that moment, it’s not just an apology? What if it’s Solas saying, “You’re right. You have walked this path with me. I acknowledge that.” The bow could be a tacit agreement - a recognition of a future with her. What if he’s asking: I’m sorry, but I can’t stop, are you still coming with me? And Lavellan’s eyes right after? She looks down, like she’s contemplating this - what if he tears the Veil down? What happens next? What do I do? Anyway, maybe I indulged with this thought a little too much.  

But, as I’ve said before, it takes a village to stop a Solas. Cue Morrigan and Mythal - but I’m not diving into that dialogue rabbit hole in this post.  

But this scene with Mythal is important. Lavellan has just watched the man she loves completely crumble in front of Mythal. He’s bent over in grief/pain, utterly vulnerable. She hears him say, in anguish, “The things that I have done.” She sees him lift the dagger - perhaps to surrender it, to shield himself from Mythal, or even as a plea to Mythal to end his torment. Whatever the intent, Lavellan is witnessing the rawest, most broken Solas. His guilt is overwhelming, and this is the first time she’s truly seeing the full weight of it laid bare (as is Rook). It’s a moment of heavy sadness for her – and for us as players. 

This scene seems to have created a universal understanding among players who love Solas, regardless of who you ship Solas with. We are all witnessing Solas in this moment of pure vulnerability. Let’s honor that shared empathy. 

Solas is bent over with the emotional collapse of centuries of obligation and guilt coming to the surface. Mythal’s departure leaves Solas vulnerable, stripped of the purpose that has guided him for so long. He is alone in his pain.

For Lavellan, can you imagine the helplessness? All she can do is offer her presence, understanding, and faith in him afterward. That might feel like so little in the face of such immense pain, but it’s all she has to give. 

Where Mythal’s words, spoken in the common tongue, are authoritative and final, Lavellan’s are intimate and personal. Her choice to speak Elven reflects her desire to meet Solas where he is - connecting with him on an intimate level.

Only after Mythal has left him exposed - that Lavellan uses the Elven language. In this moment, stripped of his defenses, he is finally open to hearing and feeling the full significance of the words and their intent.

Lavellan’s words challenge the notion that fate is immutable or inevitable. When she says, “there is no fate...,” she isn’t diminishing everything else in favor of her love; she’s rejecting the tyranny of inevitability. Her words assert that choices - rooted in love, connection, and shared purpose - have the power to shape their path forward. She reframes love as a force just as powerful as fate, capable of creating meaning and direction where there once seemed to be none.

Atonement

And at this point? Lavellan has no idea what Solas will do next. None of them do. But the combined efforts of Rook, Lavellan and Morrigan get through to him. Because Solas makes a choice - a monumental choice. He binds himself to the veil, committing to atonement. Atonement is a powerful, active word. It evokes the gravity of recognizing wrongdoing and the courage to address it. His decision to seek restoration with the Titans, to deal with the Blight, to return to where it all began, reflects the depth of his remorse and his willingness to rebuild the balance he disrupted – from the beginning. 

Solas equates atonement with isolation, believing that his punishment must be borne alone. To him, atonement requires severing ties, including the possibility of love. He doesn’t ask Lavellan to join him because he cannot conceive of burdening her with the weight of his choices and the path he must walk.

But Lavellan’s words - once again - challenge that. She offers him the possibility that his actions, no matter how devastating, do not erase the love and faith others still have in him. This is an invitation.

She's also being vulnerable here. She’s offering herself to him, knowing full well that he still might say no. A risk she’s willing to take. 

He doesn’t try to shut her out or push her away this time. Instead, he shifts the focus - he needs her to understand the gravity of the path they are about to walk. His response reflects his own vulnerability as well, he wants her to know what she’s choosing, but he can’t bring himself to reject her offer outright. 

Solas responds in Elven - his acknowledgment of their shared understanding and their entire relationship and journey that has shaped them.

His words also mark a turning point: for the first time, Solas allows Lavellan her agency. Throughout their relationship, he has taken her choices away. He broke off their relationship in Inquisition. He vanished after Corypheus’s defeat, leaving her no say in it all.

And he knows this! During their confrontation in Trespasser, when Lavellan demands answers, he justifies his deception with, “And what would you have had me say? That I was the great adversary in your people’s mythology?” Her cutting reply, “I would have had you trust me!” lands with devastating clarity. His face falls, struck by the hard truth: the man who values freedom has stripped hers away. And he's going to do it again.

This moment in Veilguard feels like a callback to that. Lavellan is asserting her choice. And this time, Solas doesn’t take it from her.

By framing his destination in such stark, "terrible" terms, Solas isn’t pushing her away out of cruelty. He’s laying bare the enormity of what lies ahead, warning her of the peril while giving her the freedom to choose for herself. It’s his way of ensuring she understands the stakes.

Solas is doing what she requested long ago - trusting her - and what a choice to place that trust in. He’s entrusting her to make an informed decision about stepping onto a path that could shape the future of Thedas. He is trusting Lavellan’s strength and resiliency. And in trusting her, Solas reveals a quiet, unspoken truth: he doesn’t want to face this journey alone. By even presenting the choice, he reveals a quiet hope that she might go with him, despite everything.

To me, what makes this moment so achingly beautiful is the duality in his expression. His eyes seem to plead two things at once: “I don’t want to put you in harm’s way,” and “I can’t deny wanting to be with you.” There’s a raw vulnerability in the way he looks at her.

“It won’t be terrible if you’re with me.” 

Lavellan’s response is a direct challenge to Solas’s warning. He tells her the path ahead will be awful - because of him. But she counters, saying that it’s because of him that it won’t be. This isn’t her forcing herself into his journey or suggesting that she alone will make it better. Instead, it’s her way of expressing that his presence will give her the strength to face whatever lies ahead. She’s trying to ease his mind, while also signaling her willingness to trust him again.

At the same time, her words acknowledge the weight of Solas’s suffering, offering herself as a partner to bear that burden together. She isn’t dismissing the risks or downplaying the severity of what’s to come - she’s choosing to stand beside him, fully aware of the challenges ahead.

It’s not about personal gain; it’s about shared resilience. Lavellan’s focus is on what they can endure together, not on what she might receive from the journey.

And since the Fade reflects emotions, as many have pointed out, their combined trust and love could manifest in ways neither of them can predict. Their bond has the power to shape not just their path but the very world around them.

This declaration is past, present and future; it’s a reaffirmation of their bond, a recognition that they’ve been walking the path of the dinan’shiral together all along. It’s future focused - she is offering to shoulder the burden with him going forward.  

She’s also telling him that she won't abandon him, no matter how hard the road ahead may be. 

And at the end of the day, she's a woman who still loves him. What does Prince Lir say in The Last Unicorn? "I love whom I love."

I've never interpreted Lavellan as someone sitting by a window for ten years, writing sad poetry and sighing into the wind, longing for Solas. She’s been busy - rebuilding a fractured world, navigating political fallout, and seeking understanding. Lavellan’s love for Solas isn’t blind devotion; she’s holding onto the possibility of redemption and the deep impact he had on her life. In my world state, Lavellan’s clan is wiped out. The people of the Inquisition have become her family, the ones she fights for and protects. And indirectly, Solas gave her that family. Despite the pain he’s caused, her love for him reflects the complexity of her journey - one defined not by a single relationship, but by hope, resilience, and the connections she’s forged along the way.

Lavellan then leans in to kiss him, and Solas allows himself to be drawn in. This moment is acceptance - a silent vow, a promise sealed in their shared vulnerability. It’s an intimate connection forged in front of those who have just witnessed the emotional storm that brought them to this point, as if to say, “This is where we stand, together.”

While I won’t dive into fly-cam images (you can find some here), there are some tender subtle details: the way he caresses her hands with his thumbs, the way he holds onto her one hand as she pulls away, as if he’s not ready to let go. But I promised to stay within game constraints.

And then Solas turns to Rook and says, “Thank you.”

Solas doesn’t thank Rook when he hands them the dagger, nor when he’s preparing to walk into the Fade. He says it after the kiss. Make of that what you will but Rook’s is symbolic for me, especially after thinking about this ending a bit.

In thanking Rook, Solas acknowledges not only their actions but also their understanding of the connection he shares with Lavellan. Rook, transformed by their own relationships and the bonds they’ve formed throughout their journey, embodies the themes that have always defined Dragon Age to me: connection, fellowship, community, love, and redemption. These games (again, for me) have always been about how people, despite their flaws and struggles, can come together to make the impossible possible.

Rook’s symbolism in the redemption ending feels like the culmination of this ethos. They represent how even those who begin on the periphery of great events can become central to forging bonds and creating change. Solas’s gratitude is for Rook's empathy, their recognition of the importance of connection, and their role in bringing these threads of love and redemption together. I'll go cry now.

And off they go into the Fade.

The Final Translation 

"With Elgar'nan and Ghilan'nain dead, and the Inquisitor finally reunited with her true love, it looked like one of the biggest stories the world had ever seen was finally drawing to a close."  

Varric’s narration ties the ending image back to the connection between Inquisition and Veilguard. Inquisition is the Inquisitor’s story; Veilguard is Rook’s. Solas serves as the thread linking them. Varric frames this moment through Lavellan’s perspective, narrating the story like one of his novels - not to diminish Solas, but to highlight the Inquisitor’s journey. After all, Veilguard wouldn’t exist without Inquisition. Rook wouldn’t be working with Varric or searching for Solas if not for the Inquisitor.

As much as I would have loved a deeper focus on Solas, Veilguard wasn’t his story. If Inquisition is the Inquisitor’s story and Veilguard is Rook’s, this ending is a shared culmination: for a romanced Lavellan, it’s the personal resolution of her journey; for Rook, it’s recognition of their critical role in saving Thedas.

Okay, indulgence over - whew, that was long! I really need to practice shorter posts.

In the end, those who dislike this romance or this ending probably always will. That’s fine; I just wanted to share my interpretations because I genuinely love this story for all its complexity.

To everyone who made it to the end of this post - thank you for joining me in my indulgence. May your own Solas ships continue to bring you joy and inspiration.

Elven language resources: 

Project Elvehn on AO3 

Elven Translator 

World Anvil Elvhen Resource 

Reddit on Elvhen Poetry 

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[sincerely-sofie]

What if the lamb and narinder swapped places?

BEHOLD: Narilamb but make it vaguely Wind Waker / Ponyo and even more tragic.

[jesncin]

M'gann family dead it's cause by accident, natural death or get killed

whoa what a charged and somewhat violent way to ask where M'gann's biological family is, haha :V So, White Martians in my au aren't birthed by other White Martians in the way Green Martians are. M'gann is a cosmic being, she came from Mars itself.

In Sons of Mars, when M'yri'ah says Mars "has blessed us with a new White Martian!" she meant it quite literally! A White Martian's family is whoever takes care of them, which is often Green Martian caretakers.

[kelpo-cereal]

Unicorns in the undergrowth

[oatmealdaydreams]

And Another AU Enters the Ring!

You can blame @rataticaisdreaming and @starshard17 for this. They got me hooked on CookieRun: Kingdom and on Last Cookie Standing. So, here's a freakin' au.

(I finished it, and omg-)

This au is the CookieRun Sides AU! It will be an au based on the show Last Cookie Standing, a gameshow-style webseries on YT. Here's a link for the first episode if ya want to check it out. This basically sprouted from watching the show. For now, it's just which cookie I think the Sides would be.

^><><><><><><><><><><><><><><><><><><><><><><><><><><><>^

Who Would be Who?

Roman/Roman would be Caramel Arrow Cookie.

Logan/Logan would be Espresso Cookie.

Patton/Patton would be Cream Unicorn Cookie.

Virgil/Virgil would be Licorice Cookie*.

Janus/Janus would be Affagato Cookie.

Remus/Remus would be Milky Way Cookie*.

And of course, because my moots got me hooked on the damn rareship, this will be a False Dreams/False Dreams (Affagato x Cream Unicorn) and Moceit/Moceit (Janus x Patton) au. Have fun with this!

[bonus under the cut]

I just think Remy (Sleep) could also be Milky Way Cookie. To me, Remus and Remy have similar vibes. Either way, Milky Way is hilarious.

A few others that remind me of Remus a little bit (though not in Last Cookie Standing), are Poison Mushroom Cookie and Pumpkin Pie Cookie. Each in their own ways. Not exactly/completely like Remus, but close enough.

And Virgil is Licorice Cookie because it's funny, and they both try really hard. Also because of something his English VA talked about; how Licorice tried something that didn't work out, so he turned to something else that's working better for him. He's like a pathetic wet cat and I love him (lmao). Also, both Virgil and Licorice have a tendency to get defensive, especially when either of them realizes you're making fun of them.

*Edit: may switch these? I can also kinda picture them switched, so we'll see.

[rhys-ravenfeather]

Well. I'm pretty sure anyone who knows me at this point, and knows what I like, is a bit surprised to see me drawing My Little Pony art. To be honest, I'm a bit surprised myself...but what can I say, I was inspired by that one post I reblogged some time back :P

So I decided to toss my hypothetical hat into the ring, and come up with my own redesigns for the different pony types :P

I don't, however, have any plans to redesign the Mane Six, or other pony characters, with my hcs/reimagining, for a couple reasons--namely that I already have a LOT of other art stuff I want to do; but if anyone wanted to redesign the characters with these ideas, you have my blessing to do so :3

If you 'like' my art, I kindly ask that you reblog it as well.

[sunflowericescribbles]

Thinking about "the last unicorn" movie and how she was turned into a human and how scared she was when she could suddenly feel her own mortality.. compared to her life as an unicorn that never had to think about time running out, this really must have felt like a rapid decaying process, like "I´ve lived for hundreds, thousand years and there´s no upper limit until my body expires, but this human body feels like it might die at any moment, holy shit, how long do I have until it falls apart?" That would scare me pretty badly, too, especially when you never had to bother about counting your time. Having a few decades, not even whole century feels like an awful short time all of a sudden...

My point is, if Lucifer turned into a human somehow, stripped of his immortality, how would that go?

[buriedaliens]

Me casting a spell "Magic do as you will"

And then the magic just fucking kills me

[ashcangames]

Have a special little gift, from me

Happy Pride, you magical creature you.

[prinxessbob]

Crappy References Sent!

I sent some terrible sketches to my tattoo artist for my appointment at the end of the month. I am so excited! I couldn't decide on the color palette so I'm gonna leave it up to her.

[kikuism]

if kiku and kou were non human entities this is what they would be

[cyandocs]

Finally getting around to The Last Unicorn book, because I loved the movie as a kid I know most of the story beats, but oh my god, Hagsgate?

"We could probably break the curse and not be destitute, but we'd also not be making MORE money and that won't do" OH MY GOD

(Wearily) That's just the way it is... Some things will never change...

[queer-ghosts]

i am putting too much thought into these mlp gijinkas <3

[redgearsmovin]

i love dee,,,,

like that part where she says she, cinderella and sleeping beauty have a metal (?) band ??? lmao i want to see that

[theo-the-unicorn]

So Rubeus is the name of the Red Bull?..