#and a disabled character as well

[makitesuli]

I don’t know if it’s because I’ve been loving ships that are non canon or canon ships that hardly have any screen time together that with jayvik I truly feel like I’m in heaven. They talk all the time, they touch all the time l, they care for eachother with words and actions in canon alllll the time and they literally transcend physical boundaries. Everything feels like crumbs after the jayvik banquet.

[benevolenterrancy]

If you’re still taking requests could you please draw some more art for The Disabled Tyrant’s Beloved Pet Fish? I finished the first book and am starting the second one. I really love your art!💖

thank you (❁´◡`❁) i need to go and get the second book myself...

anyway, I really respect Li Yu's unrelenting willingness to risk his entire identity on the opportunity to get a good snack. the number of times this guy's stomach nearly gave him away in a single book...

[secretmellowblog]

Me watching a Wicked bootleg and remembering the bit where they use Nessa's character to speedrun through every offensive trope and stereotype about disabled people:

[applehopshonor]

Just finished binging your comic and goodness it is delightful. Your art style is absolutely wonderful and I love it so much! It's nice to see more people depicting more characters like Applehop and not having them as a background character. The books practically never put any real focus on disabled characters, and it makes me so happy to see more representation <3

thank you so much!! I really do think we need more main characters who are disabled. I've always loved disability rep in media and I always try to put them in any original work I make! ^^

[nagichi-boop]

I plan to go into more detail on this when I sit down to write my full thoughts on Sonic 3, but what was the reason for erasing Maria’s disability? They didn’t need to make it a huge deal if they didn’t want to - maybe just a line about her having a chronic illness or a scene in a montage with her in the lab being tested. But instead they just made her able bodied? I don’t get it.

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!

[lgbtlunaverse]

"Nie Mingjue would still have died young even if Jin Guangyao hadn't killed him" Not as in "So it's fine to kill him because people who won't live for much longer have obviously already forfeit their lives" (what) But as in "If you don't get that Nie Mingjue has had an inevitable young and violent death hanging over him since he was a young teenager and has embraced it you can't fully understand his character"

[noperopesaredope]

I noticed that the Mouthwashing fandom and sometimes even the game (though that may be due to it being from J*mmy’s perspective) tends to be very dehumanizing towards Curly post-crash. He is often treated like a burden or straight up corpse. But the only truly corpse-like thing about him is the fact that he has no skin (because that is literally impossible to survive). For a bit, I thought his limbs were missing entirely, or at least above the elbows and knees. Even then, I wrote out a whole thing on ways he could use (slightly more advanced) IRL devices that people with his disabilities use now. 

I thought it could be more interesting to explore Post-Canon Curly using assistive technology without it being super sci-fi levels of advanced or going into certain disability tropes. I had a whole list of ideas for types of devices he could use besides prosthetics (or at least arm/hand prosthetics), and I might honestly still put it out there. It just was to show that Curly would still be capable of a lot of things, and though he would need help from others in certain areas and would need physical training, he could do a lot. I think the only thing that was ever truly holding him back was the pain of not having skin.

The most frustrating part of this is that even while still in the Tulpar with no technology for communication, there are ways he could communicate. One that I thought of is morse code. He may not have lips, but he has a functional jaw. He could open his mouth to represent dots and dashes, or even use other body parts to do morse code. Though it might be slow, it could work, especially if sped up a bit. And a bit of patience could go a long way. IDK, it would just be neat to see content where he and Anya find ways to communicate (even if a little slowly) and we see him interact with others post crash.

Especially seeing him talk to Anya and them keeping each other company etc. Not even in a shipping way, just in a "Curly didn't help Anya when she needed it most but she will still help Curly when he needs it most, and Curly realizes he was wrong but Anya chooses to forgive him" kind of way. It would also be neat to see him interact with the others like Swansea and Daisuke and J*MMY (derogatory), especially if it takes a little bit of Anya and Curly to develop a form of communication, so the others have the attitude they have in canon. But then Anya reveals Curly can talk now (albeit slowly), and each ends up visiting him at some point (Daisuke talking to him could be so much fun honestly).

It could have a pretty interesting effect on Curly's psychology and maybe even role in the story, as he wouldn’t be completely helpless like he appears to be in canon.

He is able to say things to others, like maybe provide certain information (important captain knowledge). He could convince Anya not to die (might not work, but could be interesting if he at least tries). He can have some interesting angst, like still trying to keep up a confident front and be the strong, reliable captain despite everything. However, he is also aware that he is in a difficult position right now and worries the others see him as weak and helpless or a burden of some kind (as they lowkey treat him in canon). He could tell J*mmy to fuck off. The possibilities are endless.

I just think there could be a lot of potential there and would feel less infantilizing/dehumanizing.

[hecksupremechips]

Take what I’m about to say with a grain of salt since I wouldn’t say snake was really written to be A Gay Character but regardless the way snake’s gender and overall personality is portrayed is probably one of the best depictions of gay men I’ve ever seen. He’s very pretty, dressed in expensive clothes reminiscent of a prince, with beautiful wavy hair and an air of poise and sophistication. He’s the smartest person in the room and he KNOWS this and he will not hesitate to be a condescending prick. He’s delicate and funny and charming. He has no fear or hesitation about suggesting he and Junpei share a bed or referencing gay sex. All these things tend to make a character the butt of jokes or at the very least regarded as lesser than the other characters but with snake hes the most admired one here. He’s very capable and is in fact so capable he literally needed to be removed temporarily from the situation so that the others could solve the mystery on their own. He’s absolutely fearless, doesn’t care about pissing off Aoi or getting shot multiple times by Ace. He’s fucking strong as hell and is able to survive being shot multiple times and have enough strength to dig his claws into Ace and force them to burn to death together. Everyone loses their shit without him and he’s the key to escape. He’s cool as hell and he fucks severely

[agrebel18]

“we need more m/f friendships in media that stay platonic due to heteronormativity that’s rooted in homophobia/aphobia plus women and men can actually be good friends without romance” and “having m/f romances aren’t inherently bad especially if the people involved are fat, disabled, neurodivergent, and/or people of color because queer people aren’t the only marginalized group that need to be represented” are two statements that can and should coexist. 

[fromtheseventhhell]

Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.

Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.

[gayfortheplot]

I know we're ignoring canon right now, but can. Can we just talk about Dabi's ending for a second? Because like. What the fuck? This guy's been suffering his entire life. From being abused by his father, to being kidnapped and experimented on while he's in a coma, just to escape and go home to find out his worst fears have come true, his family abandoned him, they never really cared. Then, he spends the next 8 years homeless, where he damages his body so much to the point he's being held together by staples? How painful was his daily life?? No wonder he wanted to die. His life was hell. And now, he spends his last days alive trapped in a fucking fish tank, in excruciating agony (you cannot tell me he isn't in any pain. He has no fucking skin left, along with his other injuries. Not to mention the emotional and psychological trauma once again inflicted on him). He doesn't get to choose whether or not he wants to keep living through this nightmare. He doesn't get to choose whether or not he wants Endeavor to visit him every day. No one asks him his opinion on any of this. They decide for him, and he doesn't have the strength left to protest. He can't move, can't talk, can't do anything. All he can do is sit there, watching on helplessly, with the knowledge that after his death, his family will once again leave him behind and forget all about him. He'll never see the League again, the only people in the world who actually loved him unconditionally and never saw him as a problem or a mistake. He has to die with the knowledge that he failed. His family won't ever truly see him as a person, and he never, not once in his life, got to be happy.

[lostyesterday]

As a visually disabled person myself, one thing I wish TNG had done with Geordi is show his disability actually affecting how he functions in his daily life. For example, I can’t remember a single time in TNG where Geordi is shown as needing accommodations in his work environment. You might say that’s because his visor means that he can basically “see” normally and so he wouldn’t need accommodations, but I find this explanation frustrating.

For one thing, real life visually disabled people absolutely require accommodations to do most jobs, so if Geordi’s meant to be any kind of accurate reflection of the experiences of blind people, he should require some accommodations. For me at least, it isn’t some kind of wish fulfillment fantasy to see a visually disabled character who can do anything a sighted person can with no accommodations whatsoever. Instead, it feels like a denial of everything that being disabled has meant to me over my life. Disabled people are disabled. We have more difficulty doing certain tasks than an able-bodied person would – that’s what makes us disabled. We require changes to our environment in order to function well.

Also, literally just based on the in-universe information given about Geordi’s visor, it doesn’t make any sense to me that he wouldn’t require accommodations. Geordi’s visor is not really described as simulating vision, it is described as providing completely different sensory information about the physical properties of the world around him. I like to imagine the visor’s input as a kind of enhanced spatial awareness with a precise knowledge of where certain objects are, what their shape is, and what they’re made of. As TNG mentions several times, Geordi’s visor provides much more information than human eyes do, but, importantly, in the few episodes where the details of how Geordi’s visor works are discussed at all, it’s never described as providing purely visual information such as the color or reflectiveness of an object. I think that if Geordi faces a mirror, his visor will tell him there’s a piece of glass in front of him and he’ll know about how large it is and what material it’s made of, but he won’t be able to see his reflection in it, because the visor doesn’t provide that kind of visual information. This distinction is important to me, because it means that Geordi is still functionally blind with the visor, and it should mean that he interacts with the world differently from a sighted person.

For example, I would have loved if Geordi had been shown to be unable to recognize particular people until they spoke. All his visor tells him is that there’s a person in front of him and about what size and shape they are, but this isn’t generally enough information to determine a person’s identity. He canonically perceives Data as looking very different from an organic person which makes sense because Data is made of fully different material. And maybe Geordi can generally tell different species apart based on different body temperatures or something like that. But I really wish that Geordi had been shown at least a few times to need the sound of a person’s voice or some other cue to tell him who they were.

I also think it doesn’t make sense that Geordi can apparently read text on computer screens. How can he read if the visor doesn’t really provide visual information? A computer screen should just register as a flat piece of material. Geordi should have required some kind of accommodation to be able to use the computer screens. For example, maybe Geordi could use the computer entirely through voice commands, something that obviously already exists in the star trek world. Or he could use some kind of tactile display. The Voyager episode The Year of Hell shows that computer terminals on starships are able to utilize a tactile display that I’m guessing is somewhat similar to braille. I loved this mention in Voyager of tactile displays, because it indicates that Starfleet ships are probably automatically equipped with such accessibility devices. Geordi needing an accommodation as small as this would have gone really far in terms of making him feel like a genuine representation of a disabled character, at least to me.

[leaflingsound]

they really did put izzy down like a three-legged elderly dog, huh. diagnosed him with narrative arthritis and then didn't even bother trying him on pain management before picking up the gun and walking him out back.

[sunflowerandstrawberryspice]

CARMEN SANDIEGO? In 2024? It's more likely thank you think! Please excuse the shit quality for some reason I wasn't allowed to upload the normal pdf and I had to upload a fucking screenshot???

So my friend convinced me to watch Carmen Sandiego and since he's watching ALL of Ninjago for me I thought it was the least I could do to watch four season of a show with a pretty decent concept but uh... yeesh, don't get me wrong the show is really fun but lord have mercy does it have problems especially the last two seasons which were just so wildly disappointing to me. It went from a show with an interesting look on morals to pure pro-cop and mostly black and white thinking so quick (that not mentioning the breaking up a found family full of people with abandonment issues) it was honestly just so disappointing so me and the friend who introduced it to me decided to rewrite it! (I will not be animating nor do I plan on doing more than MAYBE a comic or art piece here and there because my chronic pain ridden ass can not handle that much lol)

The main goals are to:

1) Flesh out characters that aren't Carmen and actually give them reactions based on their lived experiences and how they might realistically react instead of what the show needed to move the plot along

2) Having characters other than Carmen be actually relevant to the plot the main one being Chase Devineaux who we're gonna kind of have as a parallel to Carmen (trust me yall) as kind of a "What if Carmen didn't have her friends/family to ground her and fall back on" but for all the Chase fans out there (gods I hope there's some other than me) he will be getting a happy ending but bro is getting put through the RINGER first

3) Have both A.C.M.E (now standing for Administration for Containing and Monitoring Evil) and V.I.L.E be the bad guys. Also just as an extra bit of fun we're making VILE a full blown cult, they were very cult like in the show so we're just gonna make it one. Both are going to be very morally questionable and while it'll take a bit longer for ACME to show it's true colors don't you worry they definitely will ;)

4) We're doing canonical lgbtq+ rep, I know the show teased a lot of relationships and really only gave yall background gays not to say thats bad but we can do better than just a brief shot of a damn taco truck. I mean like come on in a story about a young woman going against the government for the greater good why not put some rep into it ya know!

5) We're making it light sci-fi, not like SUPER high tech but definitely beyond what we've got currently, as shown with Carmen's prosthetic, and don't worry I'm doing my research as a disabled person I know how it feels to be misrepresented or ignored so I want to make sure I'm being realistic

6) PLAYER ISN'T GOING TO BE A CHILD! I don't know if this bothered anybody else but to me it was really weird that this 16 year old's only friends were in their 20s!

Alright I think that's what I'm gonna say for now, I'd love it if yall tuned in for updates if your curious since this is a passion project for me and my friend and we're having a blast writing it!

As always I am still working on stuff for Ninjago cause I could never abandon my one true love, currently there's a Pixal drawing in progress (it's giving me hell T-T) something for Cole and Geo, and something of Sora MAYBE even Euphrasia if I'm feeling up to it.

Having said that I hope yall have a great day/night and PEACE OUT!

[cawsket]

The moral of the arcane season two act three is that if you're suicidal you should just go ahead and kill yourself