#and YES i know its not and i need to shut up but also??? no i dont!! dont give me a 20 when your first piece of feedback is 'this is an exc

[redlenai]

Remember my lovely babygirls, you can shut them down these ways:

Option A) Have a Ko-Fi account or a VGen account (Yes, as an artist and with open commissions)

Option B) Make a Google Form for commissions

When these motherfuckers show up or anyone in general, you can just slap the link of any of these three variants with just the quote "Sure thing, make your order on this link" I can guarantee you they will likely never reply, and those that do will still try to get you outside the system, tell them no, only through VGen/Ko-Fi/Google Form.

But if you still take direct through DMs commissions, Do not give them any kind of information, no one needs to know where you are from or your real name, they ask because that way they attempt to use translated versions of their scam email to pretend to be official one. If you don't give that info, then its more obvious to detect their scam email if you receive one after being dumb enough to give your email, then know: Paypal will use the language of your own country, address you by your name instead of "Dear costumer".

As well, KEEP YOUR PAYPAL/VIRTUAL WALLET EMAIL DAMN PRIVATE, NO ONE NEEDS TO KNOW THAT, USE A DAMN EMAIL 1 FOR ALL YOUR JUNK, SUBSCRIPTIONS AND ACCOUNTS, EMAIL 2 FOR WORK AND EMAIL 3 FOR MONEY STUFF. By doing this you'll also realize that all the fake paypal notices of payments locked and whatever from these clowns will likely fall on email 1 and 2, but since you use email 3 for all your money stuff, then you know its a fake.

And of course, use INVOICES when doing payments. Doesn't matter if its a personal or business account, go create an invoice, remove all personal information like your real name, phone number, email, address, country, etc.

You don't even need the clients email, you just share it as a QR or a link, done, no need to expose yourself.

And last but not least, do the Invoice BEFORE starting the work, get paid before lifting the pen, and if after all the warnings and cases going around, you still do a drawing without payment first, then and it was a scammer, ok babygirl, don't worry, sell that drawing as an adoptable, farm it for content, use it as a drawing base for YCH, exploit it.

Sorry for double posting but APPARENTLY those commission scammers have showed up on Tumblr at least for the first time for me.

For those who don’t know what I am talking about, there were/are commission scams going on in Instagram and even places like Artstation where people would pretend to be interested in your work and try to commission a pet or portrait for the sake of trying to get your bank details. Here’s how to (somewhat) sniff them out:

1- They don’t seem to be an average customer/ person that would be involved in your fandom, or has a blank template for an account or don’t even follow you.

2- They ask you to draw a portrait or a pet picture either for themselves or their children/family.

3- They promise to overpay you (in the hundreds) and do not listen to you even if you firmly state the price is cheaper.

4- They are constantly asking for your email name, or private details regarding things like banking details or passwords or other private information others should not know.

5- They try and over reassure you they mean no harm, try to guilt you into giving them the info, or become aggressive over you not giving them what they want.

What should you do if you come across one of these guys? My best advice is to block and report. Sadly these people jump account to account so there isn’t really much to do other than spread this info to prevent artists from being scammed.

[meansevika]

okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

[n0vazsq]

Romeo and Juliet | RC5 x Reader

pairing . . . rafael camara x non!famous!reader

summary . . . When an iconic kiss happens after Rafael's championship win, fans dig deep to find out who the mystery girl is

request . . . kind of?

word count . . . N/A

warnings . . . none! just some badly translates portuguese bc i dont speak it...

faceclaim . . . random girls from pin // reader isn't fluent in portuguese so she doesn't speak it much but i'll put translations when she does

alexavia yaps . . . legit had this in my drafts for like a week ive been procrastinating this for AGES like idk why?? SO SORRY ITS SHORT </3 anyway i hope you guys like this bc its a bit rushed and kinda shitty like.... also theres gonna be some prema driver features so yeah!!

yourusername

liked by rafaccamara88, premaracing, jameswharton and 681 others

yourusername race one done!! can't wait for race two! my boy is going to win the championship <3 tão orgulhoso de você meu amor! te amo muito <3 (so proud of you my love! love you so much <3) tagged: rafaccamara88

click to view all comments

yourfriend1 congrats to rafa! Liked by yourusername

rafaccamara88 muito obrigada, princesa (thank you so much, princess)

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yourbsf GUYS MY HEART

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rafaccamara88

liked by yourusername, premaracing, yourbsf and 231k others

rafaccamara88 we did it! thank you so much for the prema team and my teammates! and to my amazing girlfriend, thank you for the support and encourgment. i wouldn't be here without you ❤ tagged: premaracing, jameswharton, ugougochukwu, yourusername

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f1waggossip

liked by motorsportwags, premaladies, frecagfs and 661k others

f1waggossip who was the girl behind rafael camara's iconic championship kiss? find out more about yourusername and who she is!

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yourusername

liked by rafaccamara88, premaracing, racerbia and 12.4k others

yourusername guess im famous now? dont worry ill NEVER forget my og followers <3

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yourusername never queen

username y/n saying she'll never forget the og fans 🥹 my heart can't take this

rafaccamara88 i'll love you even if you were the least famous person on this earth

yourusername RAFA HAVE I EVER TOLD YOU HOW MUCH I LOVE YOU

yourbsf if you didn't tell him you told ME

racerbia Y/N WE NEED YOU IN THE ACADEMY RACES

yourusername I PROMISE IM TRYING TO ATTEND ALL OF THEM BUT THE FRECA SCHEDULE DOESNT LINE UP </3

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jameswharton

liked by rafaccamara88, yourusername, racerbia and 98.1k others

jameswharton sappiest but cutest couple i know tagged: rafaccamara88, yourusername

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jameswharton SHUT UP N/N

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rafaccamara88

liked by yourusername, yourbsf, jameswharton and 184k others

rafaccamara88 minha linda menina. eu te amo mais do que tudo. tenho muita sorte de ter você na minha vida para me apoiar e me animar. te amo ❤ (my beautiful girl. i love you more than anything ever. i am so lucky to have you in my life to support me and cheer me on. love you) tagged: yourusername

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[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[9990zara]

thinking about. narukami arashi. in all her messy self. augh...

[tankgotstuckinthecircusgate]

i know that when carlo suddenly decided that he needs to marry guy made a whole list in his head n like had a deadlines n shit. like it was some kind of a task he needed to do

[dimonds456]

Every day, I wish and hope that I'll wake up and be in the 1920's. Not because everything was better back then, but just because things were more alive back then. Or at least, it feels that way.

You look at some dance routines today, and there is most definitely talent on display, sure, but then you go and watch someone like Gene Kelly or especially The Nicolas Brothers dance and you're left sitting there like, "...what happened? Why don't we do this anymore?"

Music performances too. There are truly some talented people doing amazing stuff today, but it just doesn't feel as vibrant and alive as watching a big jazz band improv with each other in front of a crowd.

Singers weren't trying to sell, they were just, well, singing. There was more flexibility in vocal performance from what I can tell, and honestly this one warrants its own post.

Tap dance is considered stupid largely by non-dancers, when it's actually REALLY HARD and fully of such joy and whimsy. You're a musical instrument and dancing at the same time! What's not to love? Not to mention, the physical toll that takes on a person. Insane.

The only dance I was taught as a kid was the slow dance. If I wanted to learn anything else, my parents said no, unless it was ballet, but I was never interested in that personally. Now, I look back on things like the Charleston or the Lindy Hop and I just wanna learn how to move like that; to let go and be in the moment. I don't know how, and none of the adults in my life can tell me, either.

The movies back then were so creative and grand, considering the budget and scale they were allowed to work with. Stuff like Robin Hood or Metropolis are absolutely jaw-dropping, and yes, we could make that today, but it'd be with CGI or super realism, when a huge part of the charm came from the use of miniatures and spot-on performances and choreography.

Listen. We still have all of these today. Even tap dancing is still around, even if it's largely (wrongfully) considered silly by many. But it just doesn't feel the same. I'm not sure how to put it into words. The 1920's was where our modern times were really born, I think, with inventions like the camera, the radio, animation, jazz, ect all coming together in this decade to launch new art forms, entertainment, and way of life. They weren't called "The Roaring 20s" for nothing.

I wanna live in that so bad.

[widevibratobitch]

omw to play emotional support for my mom disguised as ✨fun family bonding time✨ for the rest of the week <3333 there's something so deeply wrong with me uwu teehee

[lightbulb-warning]

this is getting ridiculous there's so much stuff i wanna draw i need to clone myself immediately

[arom-antix]

I made meme because it's important

[alxclaremont]

there are two wolves inside of you: one feels impending doom at the thought of tomorrow’s race. the other feels immensely hopeful that oscar will get his first win tomorrow or at the very least a mclaren 1-2. you are a formula one fan.

[yuukei-yikes]

i hate how it's implied kano just left takane to sort out getting her body back by herself. like he just takes her there and then goes sob outside. fuck you fuck you fuck you i know kano was in a bad headspace but he is ALWAYS in a bad headspace he SHOULD AT LEAST help his friend out of the fucking tank especially after lore dumping her abt his tragic life story the whole way there

[cinnabeat]

i have beef with the concept of data in kh but anytime i see someone talk shit about it i get so mad

[raspberryzingaaa]

Thinking about going to World Most Boring Bible Study Ever. Idk yall. Idk. Idek.

[nspolaris]

read the sunshine court and have never been more impatient in needing a second book my god