#and I wanted to do this part consistently

[heroesneedalancer]

Post by u/DJConvex to r/AskReddit on Nov 6, 2024:

People who work in DC for the government, what is the vibe?

Comment by u/Meduselde:

Resigned. We are generally very good about not discussing politics in the workplace but the vibe was obviously off. My more conservative colleagues who were happy Trump won were extremely respectful. There wasn't smug gloating and they were very obviously being cognizant of others' feelings even more than normal. It was extremely appreciated. Ultimately, we survived the first administration and will survive again. It's not necessarily Trump who was the problem last time, but his inexperienced senior appointees. The world isn't going to end nor do I feel democracy will crumble at his feet. It's just gonna be chaotic, and that's the worst part as a worker bee. At least with Biden we had consistent leadership and clear guidance, even if you didn't agree with it. Under Trump, your "yes man" says "no" and that's how you rotate through four SECDEFs. But as a sign of hope, it also means that even the most loyal DO say "no" sometimes, especially when businessmen are finally confronted with the realities of governance.

They chill out REAL quick on their dismantlement plans when they see the work these agencies do and what's at stake if they don't stand up for their people. It's easy to say you will dissolve or cut funding for something when you do not truly understand it. And as much as people say we can ALL be magically replaced with "yes men," even the most stone-hearted appointees recognize that the last thing you ever want is to lose the entirety of your skilled workforce. They learn it's best to get the skilled people to work towards their vision and not hire enthusiastic but stupid people to attempt the same. If they do, they risk looking inept themselves. You don't get skilled federal workers in a blue portion of the country to work for you by being a fucking Nazi. We're cranky and will make your life hell if you behave like that. I'm not talking about some sort of organized resistance movement because we feel like it. That's wrong. But just imagine hundreds of thousands pissed off at you. If that's the Deep State at work, then we aspire to be the quality of swampy Deep State your racist uncle thinks we are. If implementing dictatorship was that easy, Trump would have taken out every agency his last term and fired us all. I am actually extremely proud of the resiliency and checks and balances that the American federal government has in place to prevent most of the shit he says he can achieve by waving a magic executive wand. (He's done this once. He knows he can't. He just lets the majority of the population believe he can.) Us feds will make it, as we always have.

And we will live up to our oath to serve the Constitution, not a president. We serve every official of every party faithfully within the bounds of legalities and our oath. Working for administrations you may not like it's just a part of the job that we all recognize. Public servants at the federal level generally hold that extremely close to their heart. The ones that don't (I'm talking to YOU, WaPo "informants!") put us to shame. We're just tired, man. I can't believe it has already been four years since the last round. There's going to be some waves, no doubt, and some people definitely are going to be hurt at upper levels. But grab a Twisted Tea and buckle up. We'll at least pretend it's meant to be a roller coaster and ride it. TL;Dr Democracy is not going to die. But a drink and "thanks" would go a long way.

EDIT: Woah! I woke up this morning and am surprised by how much traction this got. I'm sad that this was the most positive thing some people had read. I'm sorry it's been that bad. I am not predicting outcomes. I have no idea how it's going to go. It's going to be bloody. But the hope I am trying to get across is that we are a resilient people and a group of (generally) good people. It will be okay, okay? The people that really make or break your daily life are those around you and your local government. Hold those around you close to your heart and always be kind. Everybody go outside, take a deep breath, eat something you love, and hug your grandma (even if she voted differently). The world is still turning and the sky is still blue. Being surrounded by spiraling anger on the internet only makes us the losers, not those we disagree with. The only thing we can do right now is wait. We have a few months to cool off! Enjoy your holidays!

EDIT 2: I think everybody has forgotten about this, but go check out the memorandum signed by the Joint Chiefs of Staff at the end of Trump's first term after January 6. The feds basically said "fuck that" when people were scared that the government was going to turn the military on them to help Trump in some way. While it was specifically addressed to our armed forces members, it was spread throughout the DOD and beyond. Partially as a result of federal workers' fear (not actually ordered, to be crystal clear) that they would be asked to turn on citizens. This sentiment was echoed across the entire government via internal emails (from Trump appointees!) as well to the civilian workforce. That's one of my proudest moments as an American and why I know we will get through it.

Emphasis mine. Link to original Reddit Post. Link to an article about the aforementioned memorandum signed by the Joint Chiefs of Staff.

Don't give up. We will get through this.

[userautumn]

Please. Tommys helicopter crashing while him and Buck are still broken up? That would be such great drama.

You know what I want? I want Buck to get mad. He has yet to actually get mad at a love interest. He's been hurt and confused, but I want him to get angry. I want him to go out and fuck like he's getting revenge on Tommy, even though he's the one who got left behind again, and I want him to convince himself he's absolutely fine. Eddie can see it, of course. Bobby and Maddie and all the people who love him can see that he's not fine, but I want Buck to pretend he is like he'll die if he doesn't. He deletes Tommy's name from his contacts and dumps all his stuff in the trash and erases his existence from his life like he's nothing more than yesterday's news.

I want this to continue through the rest of the season, long enough that both the characters and the audience start to think that maybe Buck is fine after all. Maybe this whole thing with Tommy was just a mistake, a hiccup. Maybe Tommy was right and saw writing on the wall that Buck didn't. Maybe he was smart by getting out when he did because Buck doesn't cry. He doesn't vent to Eddie, or show up on his doorstep like a kicked puppy. He lives fast and vibrant, and shows up to work covered in hickeys and lipstick and other people's cologne, and if Tommy really was as transformative of a love as he believed he was, shouldn't he be devastated?

Anyway.

Fast forward to the season finale. Athena has been following a case of corporate corruption where an auto and aeronautics manufacturer has been exposed for using faulty parts in their vehicles that have resulted in auto collisions and deaths across the country. None of this really concerns or interests Buck at all, if he's being honest. He fixes his own car for the most part (Tommy showed him how) and that which he can't do, he takes to his usual mom-and-pop mechanic for them to work on. Which is to say that, his life consists of sex and work, so news reports of [Same Company] being responsible for a Cessna crashing in Northern California don't really filter through.

Not until the 118 is called to a helicopter crash just outside of Los Angeles.

Even then, Buck doesn't think about Tommy. Why would he? Tommy Kinard is barely even a memory at this point, just an idea on the edge of his brain, an almost that was quickly buried. Helicopters crash all the time, so he has no reason to believe there's anything out of the ordinary about this one. But then when they're en route, Maddie's voice comes over the radio, tight with emotion and forcibly professional in a way that makes him immediately nauseous: Captain Nash, please be advised that the helicopter in question is one of our own. It's an LAFD chopper. Then, Hen and Eddie and Chimney and Bobby all turn to look at him, and Buck has nowhere to run from their gaze. Even if he did, he couldn't, because he feels paralyzed. Bobby's voice asking if there are any survivors, and Maddie's voice saying she's unsure get lost to the thrum of his heartbeat in his ears. Every repressed emotion, every memory, every bit of desperate longing and grief and love and anger comes rushing back in full force and all Buck can do is sit there while the engine weaves through Los Angeles traffic.

Tommy is fine, of course. He codes on the way to the hospital (Buck performing CPR on his boyfriend while begging him to stay alive is my drug), but once all is said and done, once he's come out of surgery with a little more metal in his body than he went in there with, he's okay. Buck isn't, not by a mile. He's full of too many emotions that he doesn't know how to sort through, chief among them being love, followed closely by anger, and then, guilt, of all things. But after Tommy opens his eyes, after Buck breaks down spectacularly, and after they finally confess that they love each other, Buck makes Tommy look him in the eyes:

"You don't get to run from this. Not again. I mean it. If you get scared, you talk to me. If you need to slow down, you talk to me. You don't make decisions for me, for us, and expect me to be okay with it. That's not how this works."

"Okay."

"I mean it, Tommy. I can't -"

"I mean it too. I promise. Okay?"

"Okay."

Anyways. Yeah. That's how I would do it.

[heilos]

I hope you guys don't mind me being honest for a second, but I am a little bit glad we didn't finish video 5 for the end of October even though it kills me to miss the 10 year anniversary. I don't think I or a lot of people would have been in a good mindset to hopefully enjoy it with how crazy this second half of the year is already. I do wish we had it out beforehand, but not much you can do when you don't have the freelance man power available consistently to go faster with certain parts of production while keeping the quality up to standards. Our small core group doesn't want to be stuck being the only ones doing say all the backgrounds again on like Hellbent. I am quite tired of vectoring rocks among other things lol.

[eddiegettingshot]

and i suppose we will see how they approach it. i actually do understand why the way the breakup was written came off as being possibly biphobic on tommy’s end, but that speaks to a level of carelessness in tommy’s writing that’s been pretty consistent. however to be honest to me it didn’t seem like tommy’s comment about buck needing to figure himself out was about figuring out his sexuality itself—in the context of the conversation, which led with buck talking about how abby transformed him, it kind of seemed like the problem was actually that buck feeling all this newness and excitement around his sexuality and attaching those feelings to tommy specifically hindered him from figuring out what he actually wants in a partner for himself, for reasons that aren’t connected to his feeling Transformed. he wasn’t talking about buck figuring out whether he wants to be with a man or a woman or like, sex, or whatever, but about buck’s self-image and actual, sincere desires in a relationship. we all know buck didn’t actually want tommy to move in, that was a part of his spiraling. and i don’t think that has anything to do with tommy being a man lol

[words-and-threads]

I'm not going to say this doesn't happen in progressive spaces (and reactionaries pretending to be progressive while repackaging right wing talking points....) Also, I think its prevalence is magnified by A. Alt right fear-mongering, B. The way our media landscape carries the loudest and most clickable voices rather than the most common, and C. The vein of gender essentialism running through plain old mainstream society classic to which nobody is immune.

Obviously I don't know a stranger's life. If all the leftists you've met think the SCUM manifesto is the height of political commentary then yikes I am very sorry you've had that experience.

On a more general level, the idea that men are dumb violent animals was just as common in 90s tv as it is in leftist spaces. It's not progressive or controversial. Of course, action movies and ads frame it as either good or at worst an inevitable struggle. In fact the alt right LOVE this idea of masculinity, of raising their sons to be "monsters." This idea was not born on the left or the fringe. It's everywhere.

Combine that with the nebulous nature of any movement as large as "the left" (a nearly meaningless term considering how broad it is) and yeah, you're gonna see a lot of garbage takes. I mean shit, there are plenty of misogynist self-proclaimed leftists. If you wanted to drop back into that echo chamber without the alt right you totally could.

Even if you narrowed to feminists: Andrea Dworkin vs. Bell Hooks. Capitalist vs. Socialist feminists. A century of debate about intersectionality. There is no consensus. There will always be bad takes. And there are lots of leftists and feminists who are trying to unpack that gender essentialism. Many are in the comments on this post. If all you hear from leftists is hate, FIND BETTER LEFTISTS. I have seen a lot of them. I have met a lot of feminist men with wives and girlfriends and female friends who would fight god for them. I do actually want a better world for men, too, which is why I have done a lot of that unpacking and I haven't stopped.

As for fighting for the rights of people who hate you....yeah man. We all have to do that. If I'm against the exploitation of workers, that has to include the ones who would happily beat me to death. Ideological consistency is hard.

Edit on the topic of the original post which we've kind of gotten away from: actual OP you are very right. Part of the issue is the simple fact that since the right is more friendly to capitalism they're going to get more support from the wealthy. Part of it is the simplicity of right wing talking points. Sure they're bullshit, but they're easy to spread and digest and they ask very little of you. Basically the mcdonalds of ideas. And when everyone is stressed and exhausted that big mac looks pretty good. Again this dovetails nicely with employers pushing and stretching us all to exhaustion. For real fuck capitalism.

Buuut to avoid going complete doomer, I do think there are strategies activists could make more use of. Mostly we need to relearn how to use stories and emotion. NOT to lie, but to paint a more hopeful picture of our goals and to focus on those goals when doing outreach rather than just on the problems. I want men to be happy, healthy, and fulfilled. I want everyone to have freedom in their relationship to gender. I want food and shelter for everyone yes everyone yes even that guy.

We also need to push back on the idea that those goals are impossible or unrealistic. We went to fucking space but we can't establish UBI? Why? No seriously, when we encounter reactionary arguments we have to demand they justify their existence first. Push. Give no quarter. Calling right wing creeps weird was a good start because their assertion that everyone agrees with them was tissue thin. Often it only takes one or two people looking at the guy who just said something utterly fucked and going "bro...what?" We need to have confidence in our arguments and stop apologizing or preemptively pulling back. We can't keep saying how unpopular and hard to believe we are and then be surprised when people agree.

I couldn't have said it better myself.

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[cevansbrat0007]

https://x.com/auxgod_/status/1854935706742706397?s=46

ari’s reaction if bird tried to walk out the house with this on 👀

Untitled Sweet Renegade Series Ask & Drabble

Please enjoy the Sweet Renegades Series Drabble found after the cut. Warnings include: Mature Themes, Implied Smut, Ari Being a Possessive Menace, Brat!Reader, Manhandling, Crude Language, and Cursing. Minors DNI.

Listen, Ari considers himself to be a rather progressive man. He has two sisters that he respects and adores. And a little niece that fills him with pride. He plans to teach his nephew about the importance of respecting women - of treating them with the utmost reverence and care.

However, the moment Ari laid eyes on his sweet, stubborn little Bird, it was if something in him snapped. It came from somewhere deep. Primal. And the beast in him demanded that he claim her. Before her, Ari had never really considered himself to be the possessive type. He just assumed that jealousy wasn't a part of his makeup.

But now? Her smile. Her laugh. Her light. Every delicate inch of her gorgeous curvy boy. All of it belongs to him.

She belongs to him - in the most primal, feral sense.

And so, while he wants to encourage Bird as she continues down the path of consistent, healthy body positivity, he's also man enough to admit that that there's no way in hell he'd let her fine ass out of the house wearing a dress like that. And here's why:

"Baby..." He rasps, caging you in as he backs you against the door. "You look fucking stunning." Two thick fingers trail their way down your body, only stopping when he reaches the valley between your breasts. "But I'm afraid I can't let you leave. Not while you're wearin' that."

"What's wrong with it?" Your words come out as a gasp when you feel a hand wind its way into your curls, holding you still as he continues his assault. The seconds drag on as his head dips, his mouth finding yours.

"Because, sweet Bird." Ari presses, forcing you to take his delicious weight. Making your pulse spike as he grinds his increasingly hard cock against your abdomen.

"B-because?"

"Because..." He draws out the word as he wrenches your head back so that he can whisper maddening little love bites along the curve of your jaw. "This is the kinda dress you wear when you're out with your man." You have a hard time breathing as his free hand skims lower before coming to rest on the swell of your bottom.

"Oh yeah?" You continue to goad - against your better judgement.

To be honest, you'd known what you were risking when you saw the dress hanging on the rack. You had no business playing with fire. But that's part of what made all of this so fun.

"Absolutely." Ari's normally bright blue eyes darken with arousal as he watches your chest heave. Almost as if he's imagining what it might be like to slowly peel the garment off you, piece by piece. "Because these hips and that ass - they're enough to give a man ideas."

His soft lips find their way to your ear, his warm breath making you shiver.

"And when they start wantin' to entertain those ideas," he muses, more to himself than you. "I need to be there as your man to shut 'em down."

"I see." A sharp nip of teeth has you clenching your thighs together.

"Because I am the only man who's allowed to know what it's like to bury myself between those luscious thighs." Using two fingers, he tips up your chin, wordlessly demanding that he look you in the eyes. "And only I get to know what you taste like when you cum on my tongue. Which therefore makes me the only man with exclusive rights to your tight, little pussy."

"Okay Beast." You can't help the giggle that bubbles its way out of your throat. "I think you've made your point."

"Have I, little Bird?" He growls, releasing his grip on your chin to capture your wrists, trapping them above your head. "Or do I need to remind you that I'm not the sharing type?"

The steady tick in his jaw lets you know that you and your dress has once again pushed this man to the edge. But the real question was...

Just what did you plan to do about it?

Batting your lashes up at him, you decide it's time to let the brat in you win out once and for all. Go big or go home, you know?

"Eh, it's been awhile, big guy." You purr, catching your bottom lip between your teeth. "I'm thinkin' you might need to refresh my memory."

END

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[yappielestappie]

Some lestappen thoughts in these trying times:

I think Max and Charles have a bond unlike anyone else in F1, even though they’re not that close of friends. I’d even go so far as to say they’re trauma bonded.

We all know Jos was downright horrible. It’s quite reasonable to assume that this was very hard on Max as a child, and that he felt alienated and alone (recall the quote of him saying it would’ve been nice to be able to play football with kids his age, sometimes). The only times he got to hang around with kids his age was on the race track. And who was always there? Always at the top? Always challenging him? Charles Leclerc.

Charles, meanwhile, had the opposite. He had a entire support system built around his racing career. He had both brothers and his godfather with him, and a fathers love to guide him through. In his teens, he lost both Jules and his father, and suddenly, the only consistent familiar part of racing that remainder from his childhood, would have been Max.

Meanwhile, while Charles was suffering this loss, Max was in Formula 1, in a top team, doing quite well, and had picked up a support system (albeit a likely limited one) in Daniel Riccardo. I think Charles was extremely jealous of Max when he also got to F1 in 2018. Their whole lives, they’d been opponents, and then Max beat him to F1 by 3 years & had everything Charles did not (a good seat, a father, an older F1 driver to guide him). I also think that’s why the Austria 2019 podium ended up being such a big conflict. It was a lot more than just a win to Charles. It was proving himself.

Now, they’ve both matured (Daniel helped Max and Seb helped Charles). They can look back on their karting days fondly, and they both recognize that the only real supportive part of their karting careers that still remains, is each other. All the hatred they had for one another has turned into support, and a kind of respect that very few drivers have for one another.

They have something special. It’s undeniable. There’s no other drivers on the grid that have history anything like them (Pierresteban could be discussed but that’s a whole mess). And now I think they’re old enough to realize they have something special.

Max genuinely cares about Charles. It’s obvious. Their racing is so much different to anyone else Max goes wheel to wheel with. Leclerc is the only driver I’ve ever seen him apologize to. The whole “Charlie I’ve got a space for you!” Thing is still blowing my mind. Max talks about Charles like he’s the only one Max actually wants to race, like Charles is the only person worthy of challenging him. He rates Charles over everyone else even when he fucks up “come on Charles man, too many mistakes” comes to mind.

And Charles is the same way right back, he just usually has a bit more shame. It’s worth noting that he speaks highly about a lot of other drivers, but Max always seems special. He compliments max out the wazoo sometimes. It’s clear that he sees Max as the very best - as the benchmark to beat. But more than that, he defends Max just like we do. Charles always supports Max’s moves on Lando, even when they’re clearly in the wrong. He supports Max’s aggressive racing, claims to LIKE it even, when Max is being constantly harassed by the fans and media.

There’s something between them. Some unspoken reason why they support each other like this and the only conclusion I can come to is that the memories they have of each other are inseparable from their memories of racing. They’ve been competing at the top since they were 6 years old. They know how to be rivals better than they know how to do anything else in the world.

I don’t know if they ever hang out outside of F1. I don’t know if we’ll ever see them interact again once Max retires. But I do know that they’ve shaped each other in a way that will impact them until the day they die. Every untainted memory from their childhoods is about each other. All the memories of loss and abuse are separate to their memories of each other. They are the only thing that remains.

The most fundamental part of racing for Max, is beating Charles. And the most fundamental part of racing for Charles, is beating Max. Everyone else on the grid is irrelevant- an obstacle. They are two halves of the same story and I think that’s more beautiful than any romance book I’ve ever read.

oh anon you are so absolutely right. listen for me, it's the fact that we can talk all day about lestappen and ship them or let our imaginations and minds go wild with w/e but fundamentally? at the end of the day? there is also substance to it - even any form of fandom aside, there are simply facts about them that make them such a beautiful dynamic. there is something so mesmerizing about the level on which they drive, perform, their talents and skills and the way they grew up with and around each other in a sense. the beautiful juxtapositions, the red strings of fate, the way their paths kept crossing and intertwining even before they raced each other again (suzuka being max' first proper f1 test drives and then jules etc.)... there is just something cosmic about them that (as stated in some previous post) almost boils down to THEM BOTH BEING LIBRAS which is still driving me insane. the balance. the way this just screams UNIVERSE just as partners in life, as twin flames, as two sides of the same coin, two weights on a scale... again, not even saying this is related to the fandom angle of romance. like you said it almost runs deeper than that. and i, personally, refuse to be normal about it the same way the two of them are never truly normal about each other.

[ladykailitha]

The Hellfire Exotic Club Part 11

Just two more chapters to go. The tension is ramping up and you're gonna want to hold on to your seats. This is the penultimate chapter before everything is revealed. And hooboy is it going to be great fun.

In this we find out who the cleaner was and he gives Eddie the final clue he needs to stop his troubles once and for all.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10

~

Eddie enjoyed watching the cleaning crew. They were like bees in a hive, not bumping up against each other or trying to do the same tasks. Cleaning up after some days was hell, like Tuesdays and Saturdays and he always made sure to pay extra on those days.

That said, he really didn’t know any of them. The only familiar faces were the foremen. Eddie has asked the head forman about it once and was told that cleaning Hellfire was such a cushy job that he rotated teams so that everyone got a chance at it.

So imagine his surprise when one of the cleaners stopped Steve on his way out of the dressing room for a short chat.

It looked a little heated, if Eddie was being honest and was about to step in when Steve broke away from the conversation and drifted his direction.

Eddie cocked his head toward the cleaner. “Who was that?”

“An old friend of mine,” Steve said with a shrug. “I didn’t realize he had fallen on such hard times. Apparently his mom broke her hip and hasn’t been able to work for the last year.”

“That’s rough,” Eddie said, and waved his arm for Steve to go first. “I don’t know how much the cleaners make, but maybe if he puts in an application we can find him something to do here. Hell, he could work in the kitchen if Monty liked him well enough.”

His chef was a thin, wiry looking fellow, but he knew how to make the best club food anyone had ever tasted. He was also particular about who worked with him. But Monty could always use an extra hand or two and it would never hurt to try.

“I’ll let him know the next time I see him,” Steve said with a fond smile. “He’s also got a little brother in college, maybe have him apply too. Couldn’t hurt. What’s the least that’s going to happen, you say no? They won’t be any worse off for applying.”

“Yeah,” Eddie agreed. He didn’t think that he would hire either of them if he was honest, but like Steve said, they wouldn’t be worse off for it. “So how was Creepy McCreepy?”

Steve bumped Eddie with his hip. “Henry Creel was fine. He’s just passing through, by the way, Mr. Worry Wort. I think he has bigger fish to fry then some high end exotic dancing club. Not that this place isn’t worth scalping, but I think he’s aiming for higher?”

“World domination?” Eddie teased, leaning into Steve space.

He laughed and nudged him away with his elbow. “Yeah, probably.”

~

Eddie ended up meeting with Steve’s friend because the guy needed consistent money coming in and while cleaning job paid okay, it really didn’t have many regular clients other than the club. Mostly they cleaned up after major sporting events, political conventions, stuff like that. And with their boss Murray always rotating the crew who cleaned the club, some weeks were good, others not so much.

Eddie had to admit that guy cleaned up really good. With his hair out of his face and wearing nice clothes, he wasn’t bad to look at.

“Jonathan Byers?” he said, rising to greet him from a table he had sectioned off for the interview.

“Yeah,” he said, shaking Eddie’s hand. “Thanks for agreeing to see me.”

Eddie smiled. “No problem. I’m sorry to hear about your mom.”

“Thank you.”

Eddie pulled out three pages and spread them out in front of Jonathan. “There are three positions open right now, let’s see if you fit any one of them.”

He pointed to the first one. “This is for the busser position. Basically you go around after people have left to take away plates and glasses as well as pick up any tips. You’ll get a small portion of the tips but mostly it’s a flat rate of $15 an hour.”

Jonathan nodded.

“This one is for a cook’s assistant,” Eddie said tapping on the second one. “Often called a prep chef in bigger kitchens. Basically you’ll prepare everything for the chef and put it in the fridge for him to grab as he goes. You’ll get here at 4pm and leave at 8pm when the club opens. Pay is $22 an hour because it’s only four hours a day.”

Again Jonathan nodded. “That makes sense.”

“And finally the waiter position,” Eddie said. “This one in the highest paid, but also the most demanding. You’ll only have two days off a week and you’ll work from 8pm-2am. Base pay is $15 an hour, but you get a set amount of tips every night. Usually it’s percentage, but if it’s a rough night, you’ll see a base pay of $200 in tips for the night. You aren’t expected to pimp for tips as it were, as you aren’t the main attraction. You’ll be invisible for most of the time and some will even get mad at you for blocking their view of the show.”

“Wow,” Jonathan said. “That’s really fucking generous.”

“I try to be,” Eddie said cocking his head to side, “because living in this hellscape we call American Capitalism is hard enough without having to worry about not having enough money for shit.”

“Can I take these with me and then send over my resume for the position I’m most interested in applying for?” Jonathan asked, placing his hand over the a couple of the pages.

“Sure thing,” Eddie said. “I have copies on my computer. I’ll give you to the end of the week, otherwise I’m going to have to start looking elsewhere.” He stood up and Jonathan did the same.

“That’s fair,” Jonathan said, holding up the pages. “Thanks for this. Because you gave me a chance, even if I don’t end up working here.”

They shook hands.

“Let me walk you to your car,” Eddie said, waving his arm for Jonathan to go first.

He huffed out a laugh. “I don’t have a car right now, my girlfriend is coming to pick me.”

“Then I’ll wait with you,” Eddie offered.

Jonathan considered it a moment and then shrugged. “Sure, man. Whatever.”

They walked out to the curb and chatted about Jonathan’s family and how his mom was doing. “My brother is going to be famous one day,” Jonathan said with pride. “He is such an amazing painter, his work should be hung galleries.”

“Yeah?” Eddie said with a smile. He knew that tone of voice. It was the same tone Wayne got when he talked about him. “So what did baby Jonathan Byers want to be when he grew up?”

“This is going to sound so weird,” Jonathan said with a smirk, “but a bug photographer. Not wild life in general. Bugs. Creepy crawlies. Insects and spiders. I loved that shit as a kid. I don’t know how many times I freaked out my mom by bringing in a new bug to take pictures of and then release back into the wild.”

“Young Eddie would have loved you,” he said softly. “I liked bugs and critters you aren’t supposed to go anywhere near. Raccoons, possums, squirrels. Baby Eddie loved them all. My mom,” he wagged his hand back and forth, “not so much.”

“There she is now,” Jonathan said jutting his chin at the red hatchback pulling into the parking lot.

Eddie pursed his lips and resolved not to say a damn word until she did.

And oh boy did she ever. She got out of the car and immediately started yelling at Jonathan.

“What on earth are you doing here?” she cried. “I thought you had an interview.”

Eddie tilted his head to side. “Not an interview yet, more like a fact finding mission. But I like him.” He grinned at her.

“I forbid you from working here!” she shrieked. “This is a den of sin! I have vowed to take it down.”

“Nancy,” Jonathan said warningly. “We’ve had this discussion. If I didn’t work at every place you found morally objectionable, I wouldn’t be able to work at all. I just need something stable until Will graduates and Mom can move around on her own again.”

“When you told me that Steve was working in this hive of iniquity ,” Nancy growled, “I made it my responsibility to shut it down once and for all. To save Steve, to save you from having to sweep the vile filth from its floors.”

“What?!” Jonathan cried. “I didn’t tell you Steve was working here to have you go on one of your crusades. I told you because Steve was a good friend when both of you were dancing ballet together.”

“It’s a sin!” she cried one more time.

“So is fornication,” Jonathan huffed. “And breaking and entering and a shit ton of other things you do that are supposedly okay as long as you do them.”

Nancy folded her arms and stomped her foot. “That’s not the same and you know it. They have actual fucking nights dedicated to a specific deadly sin. I may have broken a few laws in my time, but I would never stoop the depths of depravity that his club sinks to!”

“You continue with this vendetta,” Jonathan warned, “and I swear to God, we’re through. There is nothing wrong with what they do. So what if people see them naked. Don’t go see it. Your rights stop at their personhood. You can only dictate what you do and not anyone else.”

He turned to Eddie. “Can you take me home? I don’t think I want to be in the same car as her.”

“Sure thing, man,” he replied, thumbing behind him. “Just let me lock up and I’ll be right out.”

When he came back Nancy had gone and Jonathan looked like a kicked puppy.

“You ready to go?”

Jonathan nodded and without a word followed him to his car. After get the address and putting it into the GPS, Eddie said, “I’m sorry about how she acted. Has she done this sort of thing before?”

“When I first graduated high school I got a job at a photography studio,” he muttered. “I took pictures of babies and toddlers. I had this cute little pink rabbit that never failed to get a smile.” He cleared his throat. “She found out that in addition to family portraits, bridal and wedding photos, they also did boudoir photo shoots.”

“Oh no,” Eddie moaned, completely seeing where this was going.

“Yeah,” Jonathan said with a sniffle. “She got the place shut down when she found out that some official’s daughter got them for the guy she was sleeping with, who was not her fiancé.”

Eddie frowned. That sounded too familiar.

“Anyway,” Jonathan continued, “this bitch got the whole place shut down and suddenly I was without a job. If I ever find her, I think I’d like to strangle her with my bare hands.”

“Her named wouldn’t be Heather Holloway, would it? Mayor Kirk Holloway’s daughter?” Eddie asked running his tongue over his upper lip slowly.

Jonathan snapped his fingers. “Yeah, that’s the snake in the grass.”

Eddie pulled off to the side of the road and closed his eyes. “It’s a fucking scam. Holy shit! It’s a fucking scam.”

“What is?” Jonathan asked.

Eddie turned around. “I just figured the whole thing out. All of it. The attacks against Steve, Billy getting caught with his hands up the wrong skirt, Jason fucking Carver. I’ve got to give it to your girl, she is one smart manipulative bitch. But I’m smarter.”

~

Tag List:

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2- @gregre369 ​@a-little-unsteddie @chaosgremlinmunson @messrs-weasley @cryptid-system

3- @maya-custodios-dionach @goodolefashionedloverboi @val-from-lawrence @carlyv @wonderland-girl143-blog

4- @irregular-child @bookbinderbitch @bookworm0690 @forgottenkanji

5- @anne-bennett-cosplayer @yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon

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9- @dreamercec @sadisticaltarts @too-much-tma-stuff @dolphincliffs @chameleonhair

10- @themoonagainstmers @gloomysoup @novelnovella @micheledawn1975 @garden-of-gay

[warblogs17282]

So, I've been thinking about the stuff that ghostfuckers told us about Millie, and I got curious and wondered if what we learned about her there could be used to put things shown in the first short and unhappy campers into perspective a bit more.

Hell's Belles:

Some comments from Sallie May interested me, mainly the lines "for your fancy job." and "shiny new life", and there's a line in ghostfuckers I think I can tie into Sallie May generally describing Millie's job and life positively.

That being, "Most of my life I bought into the idea that all I could ever be was a simple farm girl. Or best an underpaid goon.", and I suspect that Sallie May is still affected by this stereotype, that she feels like she's also a part of that stereotype, considering that we know that she helps out at her parent's ranch.

Which would explain part of the reason why Sallie May calls it 'fancy' and 'shiny', because she may feel like Millie is a notable exception to the stereotype, which would obviously be something that she would describe positively, especially considering that job and life now also consists of killing humans, something that is very much a one of a kind thing. Considering that Millie bought into the stereotype before joining Blitz, it's very probable that Sally May also bought into the same/similar stereotype.

Obviously this is only part of the reason why she describes Millie's job and life like she does, but I still feel like ghostfuckers adds more depth to that statement.

Another thing that I want to mention is the fact that they did some playfighting at the end of the episode, which I think ties into this line in ghostfuckers: "We're just Wrathians, Blitzo. Muscle. It's all we're good for, all I'm good for."

Another stereotype, that all Wrathians are good for is muscle, and fighting is a good way of building muscle, which would help to explain why they just naturally fell into playfighting at the end of the episode, because it's implied that they had playfights like this a lot with each other, and considering the stereotype of that all Wrathians are good for is muscle, it makes sense why they have such a history of playfighting with each other, because again, if Millie believed that stereotype before meeting Blitz, it's very likely that Sallie May also believed the same/similar stereotype as well.

Unhappy Campers:

Let's just skip to the boiling point of their argument in this episode, we know that Millie felt undermined during this episode, which we can see with the line "And for once, I feel like... like I'm important. Like I'm someone to be proud of...", which quite heavily plays into the line "We're just Wrathians, Blitzo. Muscle. It's all we're good for, all I'm good for.", which probably helps to explain part of the reason why Millie felt so strongly about this, just because you know that the stereotype is false doesn't mean it doesn't effect you anymore, it's clearly something that still resides in the back of Millie's head somewhere.

I use that line in particular, because there's two times in the episode before this where we can see Millie be visibly annoyed at Moxxie, and I believe that part of the reason is because she feels like her other qualities are being undermined, with the main one here being her smarts, which kind of plays into the line in ghostfuckers, that stereotype, because considering how prominent that stereotype was for her until meeting Blitz, it's not unreasonable to assume that this specific stereotype was playing in the back of her mind again, which would help to explain part of the reason why she felt so strongly about it when the argument reaches it's boiling point.

Plus, one of the first things Blitz told Millie right after he moved his business to IMP was 'You're tougher, smarter, and frankly more capable than anyone I've ever met in any ring.', showing even further why Millie feels so strongly about this, she probably feels like what Moxxie is doing is a slap in the face to what Blitz told her when they first moved to IMP for their business.

Plus, there's also other relevant lines like "Most of my life I bought into the idea that all I could ever be was a simple farm girl. Or best an underpaid goon." and "Not exactly a shortage of imp assassins in Wrath. Reputation is everything."

"And what's your reputation, hmm?"

Although these are less directly relevant to this scene, I still think it's worth considering into the big picture of why Millie felt so strongly here.

tbh, this is another reason while I'll defend the unhappy campers Moxxie and Millie conflict, it has quite a bit of depth to it if you consider everything, and I've just shown you all that ghostfuckers has given that conflict a bit more depth.

[yuesya]

“You need to eat me.”

The white-haired girl in front of him blinks, “That’s an odd way to start a conversation.”

Eligius briefly chokes at that uncaring, blasé response. “… I’m being serious here.”

“So you are.” Even so, the girl’s voice remains unperturbed, and her expression does not change. “Would your strange request have anything to do with the visitors who passed through recently?”

… That is a remarkably understated way of referring to the most recent Sarkaz travelers who’d visited Arkos. Travelers who’d come specifically in search of Miss Salome, too. From the heavy robes and tight wrappings that consisted their attire, from the necrosis-type Arts that they commanded, it had been obvious that they were Nachzehrers.

Nachzehrers –beings who were the very personification of war; gruesome, relentless warriors known to be devoted to the battlefield, who reveled in the slaughter.

But the standing policy of Arkos is that all visitors are welcome. Save for those who threaten the stability and wellbeing of the settlement itself, or commit crimes within its borders.

And so the Nachzehrers had been allowed to enter Arkos, just as so many others had been allowed before them, and no doubt far more would be allowed after in the future.

Eligius had regarded their Nachzehrer visitors with wariness and curiosity in the beginning. Which swiftly morphed into shock and outright alarm, when they had accosted Salome on one of her routine patrols around the mountains.

“You’re Herleva’s daughter, aren’t you?”

“My name is Naftali, a soldier who once served under Commander Herleva of the Withering Court. I apologize that it took so long for us to find you –I’ve come to bring you home.”

…

Salome had refused to leave with them.

… Much to the relief of many, Eligius included. Though their numbers were steadily increasing, it was undeniable that Salome was the heart of Arkos, and if she left, then in all likelihood they would end up scattering across the land once more. Misfits and travelers and wanderers with no place to belong, and no place to rest.

(No place to call home.)

…

Eligius had known that Salome was Sarkaz for a long time now, but he hadn’t realized that she was Nachzehrer Sarkaz. She certainly didn’t look the part; Nachzehrers were said to possess bodies that easily withered and rotted away like the necrosis Arts that they commanded, and Salome did not display any of those traits. She had a pair of distinctive Sarkaz horns sitting on her head, and that was it. Were it not for those curved horns, she probably could’ve passed as a Pythian girl with her pointed ears and long, snake-like tail covered in glittering white scales–

Or so Eligius had thought.

Because he’d seen it, the other day. Salome usually wore clothing that covered most of her skin, including a veil across her face, but he’d glimpsed her taking off her gloves –only to reveal blackened fingertips, eerily reminiscent of necrotic rot, which caused Eligius’ blood to run cold.

Was it because of her Nachzehrer blood? Was she –was she somehow rotting away? Was her Pythian blood not enough to offset the horrifying effects of her inheritance?

Wracking his brains and ruminating over what he’d overheard from the Nachzehrer visitors, there was only one potential solution that Eligius could think of. Through devouring the dead, Nachzehrers were able to add the strength of the fallen to their own, so–

“You need to eat me,” he repeats. Because if she doesn’t, if her situation worsens, then…

Salome arches an eyebrow. “Do you want to be eaten?”

…

… No. Of course not.

The day that Eligius had left Kazimierz, a broken husk of a knight who had failed his family and could no longer even properly swing a blade anymore… Eligius had thought that there no longer remained anything left for him to protect. Not that he even possessed the strength to protect anything, not as a disgraced, crippled knight driven out of his homeland.

Fate had led him to Arkos, eventually. He’d aimlessly followed a merchant caravan as a cheap hired hand, and somehow ended up staying in Arkos when a Sarkaz girl killed the head of the caravan. The man had a sexual proclivity aimed towards children, and had acted on those urges in Arkos –Salome had sliced the despicable merchant into bloody pieces for it.

Eligius had thought of his days as a knight in Kazimierz, of all the harsh training he’d undergone… only to be helpless in face of injustice and wrongdoing all the same. A knight must be honorable above all else. But what worth was there in honor when it was something that could be traded and bought by the monolithic corporations that ruled Kazimierz?

Arkos… is not perfect. The buildings are shabby and run-down, and the rooftops have a tendency to leak when it rains. There is no particular schedule for when merchants are passing through, and resources are always running tight. Sometimes, brash mercenaries end up causing trouble, even with the threat of Salome hanging over their heads.

But at some point, Arkos had grown to be precious to Eligius. The tenacity of the people that lived here, with all their storied pasts, and the young leader who never allowed the opinions of others to prevent her from doing what must be done.

Eligius is no longer a knight. With a body had been ravaged by vicious poisoning and missing his dominant sword arm, his days as a knight of glorious Kazimierz are long over.

But even so, there must be a way that he could still protect what was important to him. Even if he wasn’t the one holding the sword himself.

Eligius squares his shoulders and looks towards Salome determinedly. He knows that he is not the only one who is willing to become her strength through being devoured by her, but it’s better that a useless cripple like him becomes the first to die, so that the others–

“You don’t look like you want to die,” Salome says. Then, turns around to pick up a… shovel? From behind her? “Here.”

Eligius falters, automatically accepting the dull shovel with his sole remaining hand, “What is this?”

“A shovel,” Salome responds. Fair, but that’s not what Eligius meant– “Seeing as you have enough time on your hands to be thinking about useless things, you can go work with the others on developing the terraced gardens first.”

Eligius gives a small start, “But you–”

“I’m not interested in cannibalism. Let me know once you’ve figured out how to grow potatoes properly here.”

With that said, Salome turns and walks away.

Leaving Eligius standing in the street by himself, holding a shovel.

…

… It’s nothing but a rusty shovel, given to him haphazardly by a girl who doesn’t even bother to toss a second glance back towards him as she departs. But for some reason, the shovel rests in his hand with a greater weight than the sword he’d once held during his knighthood ceremony, and there is a strange emotion welling up within his chest–

Eligius tightens his grip on the shovel, exhaling slowly.

[alexthebordercollie]

i'm always a sucker for the take that Ford does love kids, he's just not the best caretaker. i mean, he's immediately delighted to learn he's an uncle in tale of two stans, and he loves spending time with Dipper and Mabel, he's just kind of dense.

i think aus where he gets to be a dad with Fiddleford are so cute. and so interesting to see how he'd handle it. people always seem to forget what a softie he can be

Oh yes! It kind of bugs me how a lot of people act like Ford is cold when he really isn't. There are lots of little examples of him being an absolute sweetheart. He talks a big game about being logical and suppressing fear etc, but he's a deeply emotional person, and that comes through in his more personal journal entries. He's not some heartless robot. He loves sharing his joy and excitement with the people close to him. He craves human connection even though he's bad at it. He gets attached to weird little creatures like Shifty, he loves his niece and nephew and is genuinely happy to meet them. Not to mention Ford loves weirdness and creativity and kids are the weirdest most creative demographic of people out there.

I don't think Ford dislikes kids at all. I think his lack of emotional intelligence and tendency to be lost in his own world makes him a questionable caretaker. Not through apathy or malice, he's just kind of bad with kids. Making him a father is really interesting for this reason because I'm confident he'd love the shit out of his kids, but learning how to respond appropriately to their needs, keep them safe, and pay attention consistently when needed, would all be things he'd struggle with.

Ford also says as much in his journal that he didn't want to settle down and "start a family". I don't think he ever saw kids of his own as part of his future nor do I think he'd ever consciously choose to have them. That said these are the words of a young Ford with grand ambitions that children would have potentially gotten in the way of. I also think the way he shuts down the idea of "starting a family" is a response to the social pressure to get straight married which is also not something he would have wanted. I mean look how well that worked out for Fidds :/

But Ford's whole character arc is about humbling himself. Learning to let go of this fantasy of some grand destiny and find joy in just living life with the people he cares about. He learns to accept the love of others and to love himself without needing to prove anything.

Pictured above, is a combination of sleep deprivation and those little moments when you're a new parent and it dawns on you yet again that suddenly you have this tiny little human who's who world depends on you. That mix of fear and awe and overwhelming love that hits you in waves and turns your brain into mush for a moment.

Nik and Newt force Ford to put someone else over himself, forcing him to reassess his priorities much sooner.

Also I know this one wasn't really an ask but I really wanted to draw something for you because it was soooooo good seeing a real ask in my inbox. I would absolutely love to answer any asks people have about this AU. I'd love to draw more of Ford, Fidds, Stan, and the twins but it gets hard to decide what to draw with so many ideas in my brain. By all means, send me asks or suggestions for drawings and I'll do my best to respond to all of them.

[ijustloveobeymeok]

but you should write about levi's strength

!!! Bless you for letting me talk about Leviathan with reason.

Let me do it in a list format so it doesn't feel like I'm rambling.

-Let's get the facts everyone knows out of the way first -As we all know the order of the brothers are also a determination of their strength. So Levi being the third brother indicates he is the third strongest demon amongst them. -Although he is one of the physically weaker ones, which makes him being ranked third even more impressive. -Which , I still believe it is justified. -To start off with, he is the Admiral of the navy. You definitely need to have a considerably impressive strength if you want to be an admiral and have a whole army under you. -His love (and talent) for games also suggest high levels of focus and strategic skills which plays into him being a good admiral. -This also plays into him having political strength, as he is able to maintain that position and control while being an absolute homebody. -He is also able to summon Lotan, which in itself says a lot about his overall abilities. -I mean you probably got to be real strong to have an ancient sea serpent as a familiar/summon. -It is a canon fact that each demon can overpower the demon(s) below them, so even though he is physically weak, this implies that he can easily bring down his brothers save for Luci and Mammon. -He is also someone that the other brothers have mentioned avoiding winding up, vaguely mentioning how disastrous things can be if he loses control (this was brought up in one of their devilgram posts, I'm sorry idr which one anymore) -Also it is basically canon that the ranking is based off magical power so let's talk about that a little too. -When it comes to abilities via magical powers I think Levi's abilities are one of the most talked about. -It's mostly to do with water (a.k.a controlling a whole element) -He can summon giant floods, breathe underwater (or hold his breath for a scarily long time I've forgotten), and can even communicate with sea life. -Sailor man you really turn me on- -Lastly, and what I believe is a valid theory; their assigned sin/emotion is a huge source of their magic power -The first three, Pride (Lucifer), Greed (Mammon), Envy (Leviathan), are pretty consistent emotions. They're feelings that more or less stays with you. A prideful person is always prideful, a greedy person is always greedy, etc. -The rest of the brothers, their sins are more commonly a feeling that comes and goes. A person will become angry and calm again, a person will become sleepy and will stop once they've slept (yk what I'm trying to say, sorry I'm doing my best to word this in English) -Which is why, I think Lucifer, Mammon and Levi are the stronger demons. -Similarly it may also be based on how their sins affect the world but that's harder to judge/rank.

Bonus: -I do think Levi's insecurities play a big part in locking up his potential strength. -He's never really interested in talking about or showing off his strength (he's more proud of his gaming prowess) -Overall he may be the most peaceful demon amongst his brothers, which makes him come across as weaker than he truly is. -But we should know by now, peacefulness is not the absence of strength.

So yeah, obviously Levi is not the strongest. And I'm sure he has a lot of people telling him he doesn't deserve to be higher than his other brothers. But I beg to differ.

Leviathan deserves his position as the third brother. And y'all should be glad God didn't give him an ego bc if he did you'd all be screwed.

[imageingrunge]

A needlessly thorough review of DATV so I can move on with my life:

WHAT I LIKED:

The story pacing flows better without all that open world slog from DAI I am not bombarded by 50 side quests that have no baring on anything other than rp flavor

The game is pretty, CC is nice

They gave you far more opportunities to flesh out your Rook's background than in DAI and da2 but it's not as fun has having a mini origin story from DAO

no fall damage and if u run out of a combat zone ur companions follow u too

Hossberg wetlands really remind me of dragon age awakenings and I like the way the blight looks there, it gave me a nice nostalgic feeling for the older games

WHAT I DID NOT LIKE (IN DETAIL)

Voice Acting & Dialogue

It is really hard to be invested in a game that feels the need to recap everything you just experienced from 5 minutes ago, (verging on insulting my intelligence) and the silliest part is while i do hate this I got so checked out after act 2 I needed the recap 

A lot of the dialogue and banter is just empty small talk and meaningless pleasantries that sucked the life out of me, had me longing for the days of hearing Ohgren's beer belches reverberate off the walls in the deep roads:

 Voice acting is really consistent, I hated it when you never knew how your inquisitor would sound in DAI sometimes too serious for a funny comment or like yelling at Cassandra and cullen over nothing - Rook is more consistent but it comes at a loss of personality every line is uttered in the same annoying tone that had me being like damn can he stfu already (da2 was ideal voice acting for me if they cant deliver that again just go back to a voiceless protagonist)

Me whenever my rook opened his mouth: i was getting violent on that skip button

The dialogue between rook and their companions holds it back from being enjoyable at all really- here's some examples:

Emmerich's personal quest in act 2: "I want to do this immortality rite it's a very high honor in my order but rook I might die in the process permanently, I am an orphan and afraid of dying" Rook: "You could die?!?! That's awful". In Origins you can have a conversation with Wynn about her inevitable death and respond in a manner similar to rook and Wynn teases you by saying "well i'm not going to live for ever dear" it made me smile and sad about not being able to really help her. Did not feel that way Emmerich though, Im so uninterested in him as a character my response and feelings are "old people die all the time" and then 'wait why the fuck haven't you done this immortality ritual yet instead dragging me over here to collect some flowers"

Companions & Romance

the flirt options aren't all that flirty, its just rook being nice, all the romance content seems behind a 'romance locked in' moment (that comes in so late in the game u already forgot who u were even flirting with at times) so you can't hop ur way from one bed to another before deciding on 'the forever one' (remember when I could ride the iron bull then break up and be with Cullen- I don't think that’s an option here)

The companions are all pretty forgettable, I did everyone's personal quest (with the exception of Taash tried to kill a dragon for them n failed so bad i just moved on) and forgot there was even an approval system with them or that I was supposed to pick choices for them. It felt like i was on a train going in one direction where it did not matter what I said or did to them they would be fine. It’s like I've lost and gained nothing by doing these quests. The deepest thing I learned about Emmerich is that he is a 50 yr old orphan scared of dying. And it makes me not care all that much about them beyond “I just need you to function enough to get me to the end of the game sure Taash embrace being Rivaini, yes Harding live peacefully w that Titan shit inside you idc… Lucanis..ahh what was ur issue again I forget”

I made Lucanis live peacefully with Spite (stuck as an abomination that's supposed to be as volatile as Anders & Justice) Let Emmerich become a lich and no one batted an eye. Everyone just heehee haw hawing over Emmerich's new skeleton form and I forget about spite a lot unless he comments on something i've killed. Was there supposed to be some moral quandary? to make Emmerich a lich I had to "kill off" Manfred... the walking skeleton who might as well have been a rock with a pair of googly eyes attached to him for all i care

I don’t want to help Bellara light funeral pyres in a puzzle game play style that isnt a deep message about death. I want Aveline's speech about reading her favorite book to her dying father after hawke lost thier mother.

For Neve's romance, it took the whole world falling part and everyone dying for her to kiss me for a 2 time and then pity fuck me and afterword she’s like I’m leaving don’t want to be too distracting. All these lines carry no weight like bad actors w no chemistry

jaw on the floor comparing this (first time I said "i love you" to neve)

to the first time I said it to cullen and how he treats u before the big battle

I get that she isn't lovey dovey but at 70 hrs in and 2 kisses it feels like she just dont love me </3

Combat - as a spellblade mage*

combat was this weird mix of sometimes fun sometimes a new and unique form of human torture (wydm press shift 4 times n hold down e then press V C and 2 IM ON A KEYBOARD!) Once u make it past level 20 u are immortal but ur enemies are sponges I dreaded every single dragon fight despite that being my favorite thing to do in DAI. Don't ever want to see another Ogre in my life they body me into corners that hitting space can't save me from.

At some point u just gotta run around the place a lot hoping ur companions can do the damage for you bc the mobs aren’t interested in them at all. i was spamming 2 n slamming on that E key hopping it would be over n done with already, If i wanted to play a flashy monster hunter game, well then id play tw3 at least that combat is fun.

Lore & Story building

At the end of Trespasser, I was under the impression that the conflict in DATV would revolve around solas amassing an army of elves all over Thedas to rebel against the Evanuris. He had a whole network of Spies working against the Inquisition and the Antaam, and planned to restore the elven people, upend their religious views, and try to tear down the veil as a way of atonement. So I was understanding of there only being 3 import choices ( 1- who you romanced, 2- Save or redeem Solas 3- Disband or Keep inquisition). But that's not the story we get; instead its this??

The veil jumpers are like engineering mages with no ties to Solas beyond being an elves. There is no religious struggle they just seem to accept that these Gods have always been evil and need to be stopped. Solas is just a one man army trapped in the fade off screen for like 70% of the game. Should I have just kept the inquisition around after all? The only mention I got was my disbanded inquisition choice was inky going "my name still carries weight in southern thedas" and it seemed like disbanding or keeping it would have an affect on how easy or hard it would be to stop Solas but no it really doesn't at all

“It doesn’t feel like a Dragon Age game”

A criticism I rarely take seriously because that can mean so many different things? Like what is it the atmosphere? The aesthetics? The “dArK fAnTasy” none of these things have ever stayed consistent in any dragon age game. And I’d say DA franchise lost its teeth/edge when dai rolled around it was pretty light in the world of dark fantasy

However…theyre kinda right this time around....

It doesn’t feel like a dragon age game because they removed a lot of the lore your were exposed to in the previous games to the point where this might as well be another game all together. (i am not even a lore nerd but i do need something there to feel like i am in a dragon age game)

Yes the city is named Minrathos you were are told of its cultural significance and history as the seat of the empire but looks like a shittier version of kirkwall (and I kept getting lost going around the map so I hated it even more for wasting my time) Honestly the city felt super high tech and out of place in a fantasy setting imo, I missed it when everyone lived in a wooden hovel in the middle of the woods.

There is no reason for the venatori to follow Elgarnan and ghilian'nan or for the Qunari either but it all gets hand waved away with "they offered us power"

Reading the Inquisitors letters made me feel like im in a spinoff game and the real story is happening somewhere else. And sad to like baby take me with you!! i want to save u from this nightmare

A lot of the factions are sanitized to the point of being boring Darvin's little 'we're warden we don't do blood magic that's just not right" baby I let the wardens sacrifice elves to Corphyeus 3 weeks ago :/

Qunari Culture

So the whole reason you were fighting the Antaam in DAI was because they believed you were in cahoots with Solas, who's whole plan to them is to sow chaos and disorder- that is a HUGE no no in the Qun so they see it as their sacred duty to stop you. The Qunari we meet in DATV mindless npc mooks who attack you not because your with Solas but because the Evil elven gos promised them uhh power n shit for stopping you. Like I know I did not just waste my time in DAI reading about how egalitarian the Qun is everyone is like a Hive, they depend on each other so selfishness is rooted out so wtf was going on in Treviso with these guys. A whole culture decimated down to being darkspawn mobs part 2

What made me never want to play another DA game ever again:

Everything you ever did in Orlais, Ferelden, Kirkwall is pointless. No matter what the last letter from the Inquistor is "yeah the blight reached the south Denerim is gone, ferelden is blighted beyond repair, we took back Skyhold but barely. The Venatori disposed of whoever you put in charge of Orlais and there's giant leviathans rising out the sea in Ostwick"  There is no conclusion to this it's just the state of the world now

I cant even pretend my non solas romanced Inky is happy and safe after all this? My hof and Alistar might as well be dead for all that it ever mattered. I get that the devs wanted a clean slate but did they have to burn my house down and salt the fields? It feels so spiteful and mean, like they wanted to make a whole separate game and tack on the "dragon age" title to it for money. If they're not interested in the lore or world building why should I? it made me fully checked out of the rest of the story. Like damn idgaf about elgar'nan and the other one give me back Redcliff

TLDR I dont know if i should be sad that I still care about this or glad its over either way im blocking all datv tags n moving on

[izudeeilo]

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You can study me

Sero hanta smau

volley-ball player sero x art student fem!reader, no quirks au, college au.

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Senior year is finally here! You thought that this time, the teachers would be more lenient with you and your classmates, but not at all. In fact, they even got stricter... They assigned you a half year-long work, which would be worth 30% of your final grade. What does the work consist of, you ask? Making a complete study of the life of a student you need to pick and paint it.

But... you can't pick a friend.

Part .4 • Part .6 (soon)

Part 5

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All of a sudden you see Eijirou get up and pick up his things quickly, startling you.

”Sorry I need to go right now, thanks for your help! i forgot i needed to be somewhere” he chuckles apologetically.

”It’s alright, let me at least accompany you! What’s happening today?” you ask as you pick your things and shove them into your bag before following him.

”I completely forgot we had a match in another city and the bus is leaving in 10 minutes. The others are already waiting for me” he says, speeding up his pace and you do your best to keep up.

”Oh right! Hanta told me about it. I didn't know it was today, shit you better get here quickly, you want to run?” you offer as you chuckle.

”If it doesn't bother you, sure!” he laughs and the two of you begin running in the direction of the gymnasium where the bus was parked. You were able to get there in only three minutes thankfully. You both stop and try to catch your breath.

”We’re…here— I’m here!” Eijirou pants, hand on his chest.”I lost track of time…”

”At least you’re here now come on, get inside” the coach points to the bus with a nod of his head.

Hanta smiles and you make your way to him.

”Good luck on your match”

“I would have more luck if my lucky charm was cheering me on” Hanta replies with a grin.

“Oh yeah? Is that what I am now..” you poke his chest.

Hanta shrugged his shoulders playfully.

“Mmh” he nods. “Do you have anything better to do today?” he leans on the bus.

You sigh knowing that you did in fact have nothing else to do besides staying on campus to study or just go home. So if you had to choose, you’d rather stay with him.

”If it’s fine with your coach then yeah” you nod.

”Oh you don’t have to worry about that” he guides you inside the bus and you both sit next to each other while the others sit behind and next to you as you all enjoy the rest of the ride in a joyful atmosphere.

The whole entire time you and Hanta were glued to each other, shoulders always touching. You swore you felt his hand brush yours a few times and that made your stomach turn. This was getting so frustrating, you didn't want to admit it out loud because if you did you would realize that these…feelings were actually true and they couldn’t be true right?

Was what you felt for him truly more than friendship, wasn’t it going to ruin everything between you two if he knew? Hanta was just so funny and charming, he always made your day a whole lot brighter. He always knew the right words to say when you were feeling down. All the little gestures he does for and my god was he good looking…

His gorgeous brown eyes that made you weak in the knees whenever he looked at you—

“You alright?” you felt someone’s hand land on your arm, it was Hanta.

”Oh yeah yeah sorry!” you snap out of your trance looking down at your cards trying to stop the blush from rising more to your cheeks. This was so embarrassing why did you space out in the middle of the game to think about that.

”You’ve been more lost in your thoughts than usual Y/n, is there something on your mind” Mina asks you with a knowing grin on her face.

“Nothing, nothing at all” you say almost too defensive, causing the others to look at you with a confused face before laughing.

“Suuure” Denki says putting down his card and yelling “UNO”

”Oh come on…” everyone sighs in defeat and you chuckle. You realized you really need to talk to your best friends.

When you arrived, the other team was already here and they were looking quite determined. You sat on a bench next to Mina who said you were “assisting” her in her manager duties. The court was way bigger up close and the height of the roof was really impressive. It made everything look so much bigger.

The boys were stretching a bit further away and practicing together before the match began. There weren’t a lot of people watching since this was only a friendly match between two schools and yet you hoped the boys would win this. As they began the first set, everything was going smoothly and at the end, they won. The second set came and was a bit more challenging and the opposite team won.

After the referee whistled for the break the coach had demanded, they came back panting, sweat forming at the back of their necks. You hand them out their towels and bottles with an encouraging smile.

”You all are doing great, you’re going to win this”

The boys all stare at me and grin, Eijirou and Denki hugging me with one arm wrapped around my shoulder.

”Thanks y/n for cheering us on, we’ll do our best” Eijirou grins with a toothy smile. “Damn right we’re going to win this” Katsuki follows with a determined look.

“Hanta can’t lose this if you’re here” he walks past Hanta and nudges him with his shoulder which results in him glaring at Katsuki with what you thought was red creeping up his cheeks? His head was turned so you couldn’t see well.

After their coach gave them a motivational speech, another whistle echoed in the gymnasium and they all returned to the court. The last 2 sets were getting more and more intense. Denki was giving in his all at trying to receive the ball well for his teammates. Katsuki, who was the middle blocker, ran amazingly fast each time to reach the ball Hanta or Eijirou set for him. There were two other hitters you didn’t know but they were also doing great.

You could see through their eyes how fast they were analyzing everything that was going down in the match, from the position to the eyes. You had to watch them carefully to notice all of this, someone who was sitting too far away wouldn’t be able to.

You were happy with this opportunity the guys gave you to assist in their match today, instead you would’ve been probably in bed sleeping or doing god knows what.

They won the third set and now you weren’t even sitting on the bench anymore but were standing and screaming encouraging words with Mina. Everything was going even faster now, the ball going up and down, left and right in every direction.

Scoring point after point, the score was now at 24-22 for the guys. They only needed one more to win this.

And so came one of the most stressful moments of your life as you carefully watched the ball in the air. Almost touching the ground but Denki was here to receive it but so was the other team's libero.

This went on for what felt like hours, none of the teams wanted to lose even if it only was a friendly match which showed how passionate they truly were.

Hanta was now serving, a serious look on his face as he closed his eyes, taking a deep breath in. Everyone was focused and the whole place was quiet. You could almost hear their heart beat.

He opened his eyes, took a few steps ahead. Throwing the ball in the air, you began to see everything in slow motion. Hanta slightly ran, crouched to gain momentum before jumping, his hand making contact with the ball as it came down. You blinked and heard a loud thud from the other side of the court.

Nobody moved before you and Mina screamed in happiness as you both hugged each other jumping in place and everyone began loudly clapping their hands.

The boys all collide with each other as they all hug in a circle.

You continue clapping with a big smile on your face when Hanta suddenly looks up and makes eye contact with you. He runs over to you before his arms wrap themselves around your waist and lifts you up in the air as you hold onto his shoulders.

“We won!” he laughs, spinning you both around. You laugh along with him and throw your head back.

“You did, you did! You were incredible, you all were. Oh my god that match was insane” you chuckle as he puts you back on the ground.

“Thank you for coming and cheering me on hermosa” he says looking tenderly in your eyes, hands still on your waist.

”Of course Hanta.”

[romanianradfemmefatale]

I have asked many trans masculine and non binary afab people why they identify as such,and I have so too in the past,and the answers have been very consistent.

They feel like they never fit into either gender frame or speciffically into being feminine.

They feel like just humans,not girls.

They feel uncomfortable being percieved as female and by extension having the body parts that signify their gender to other people.

If any trans identified female is reading this I want you to know that this is normal and it is not a sign that you are non binary or a man.

Gender is a social construct,and most importantly it is not a spectrum or a binary, it's a hierarchy. The reason you feel uncomfortable with femininity is because it is uncomfortable,it is opressive. I understand that the option of distancing yourself from the label altogether is tempting,but it is not a solution. You probably already know that sexism doesn't vanish if you go by different pronouns,and even if you transition you might still not find happiness or escape from womanhood.

I know you are scared of interacting with terf content,first of all because you would be shunned from your community for even liking a post made by a radfem,and for this I want you to start questioning gender ideology. We have a bunch of resources and books about what gender really is and why we should abolish it instead of clinging to it and adding to the system. Nobody has to know that you are doing this,and you don't have to agree with us,but a community that forbids you from accessing a different perspective is not healthy,in fact I would go as for as to say it is culty.

I used to be just like you,scared to even consider gender critical thought,when you find yourself afraid of asking questions it is most crucial that you do just that.

But you will find a lot more freeing because you will realise you don't need to alter your body in any way to fit a certain box,you are a human female,and that is awsome,you are a human female and you don't need to dress a certain way or act a certain way to be so. Abandon gender forever,we are sort of "agender" as well,despite what people have told you,we are not trad wives and bio essentialists. We just acknowledge the material reality that shapes oir lives,which is sexism and sex based opression.