#second discord snippet

[yuesya]

“You need to eat me.”

The white-haired girl in front of him blinks, “That’s an odd way to start a conversation.”

Eligius briefly chokes at that uncaring, blasé response. “… I’m being serious here.”

“So you are.” Even so, the girl’s voice remains unperturbed, and her expression does not change. “Would your strange request have anything to do with the visitors who passed through recently?”

… That is a remarkably understated way of referring to the most recent Sarkaz travelers who’d visited Arkos. Travelers who’d come specifically in search of Miss Salome, too. From the heavy robes and tight wrappings that consisted their attire, from the necrosis-type Arts that they commanded, it had been obvious that they were Nachzehrers.

Nachzehrers –beings who were the very personification of war; gruesome, relentless warriors known to be devoted to the battlefield, who reveled in the slaughter.

But the standing policy of Arkos is that all visitors are welcome. Save for those who threaten the stability and wellbeing of the settlement itself, or commit crimes within its borders.

And so the Nachzehrers had been allowed to enter Arkos, just as so many others had been allowed before them, and no doubt far more would be allowed after in the future.

Eligius had regarded their Nachzehrer visitors with wariness and curiosity in the beginning. Which swiftly morphed into shock and outright alarm, when they had accosted Salome on one of her routine patrols around the mountains.

“You’re Herleva’s daughter, aren’t you?”

“My name is Naftali, a soldier who once served under Commander Herleva of the Withering Court. I apologize that it took so long for us to find you –I’ve come to bring you home.”

…

Salome had refused to leave with them.

… Much to the relief of many, Eligius included. Though their numbers were steadily increasing, it was undeniable that Salome was the heart of Arkos, and if she left, then in all likelihood they would end up scattering across the land once more. Misfits and travelers and wanderers with no place to belong, and no place to rest.

(No place to call home.)

…

Eligius had known that Salome was Sarkaz for a long time now, but he hadn’t realized that she was Nachzehrer Sarkaz. She certainly didn’t look the part; Nachzehrers were said to possess bodies that easily withered and rotted away like the necrosis Arts that they commanded, and Salome did not display any of those traits. She had a pair of distinctive Sarkaz horns sitting on her head, and that was it. Were it not for those curved horns, she probably could’ve passed as a Pythian girl with her pointed ears and long, snake-like tail covered in glittering white scales–

Or so Eligius had thought.

Because he’d seen it, the other day. Salome usually wore clothing that covered most of her skin, including a veil across her face, but he’d glimpsed her taking off her gloves –only to reveal blackened fingertips, eerily reminiscent of necrotic rot, which caused Eligius’ blood to run cold.

Was it because of her Nachzehrer blood? Was she –was she somehow rotting away? Was her Pythian blood not enough to offset the horrifying effects of her inheritance?

Wracking his brains and ruminating over what he’d overheard from the Nachzehrer visitors, there was only one potential solution that Eligius could think of. Through devouring the dead, Nachzehrers were able to add the strength of the fallen to their own, so–

“You need to eat me,” he repeats. Because if she doesn’t, if her situation worsens, then…

Salome arches an eyebrow. “Do you want to be eaten?”

…

… No. Of course not.

The day that Eligius had left Kazimierz, a broken husk of a knight who had failed his family and could no longer even properly swing a blade anymore… Eligius had thought that there no longer remained anything left for him to protect. Not that he even possessed the strength to protect anything, not as a disgraced, crippled knight driven out of his homeland.

Fate had led him to Arkos, eventually. He’d aimlessly followed a merchant caravan as a cheap hired hand, and somehow ended up staying in Arkos when a Sarkaz girl killed the head of the caravan. The man had a sexual proclivity aimed towards children, and had acted on those urges in Arkos –Salome had sliced the despicable merchant into bloody pieces for it.

Eligius had thought of his days as a knight in Kazimierz, of all the harsh training he’d undergone… only to be helpless in face of injustice and wrongdoing all the same. A knight must be honorable above all else. But what worth was there in honor when it was something that could be traded and bought by the monolithic corporations that ruled Kazimierz?

Arkos… is not perfect. The buildings are shabby and run-down, and the rooftops have a tendency to leak when it rains. There is no particular schedule for when merchants are passing through, and resources are always running tight. Sometimes, brash mercenaries end up causing trouble, even with the threat of Salome hanging over their heads.

But at some point, Arkos had grown to be precious to Eligius. The tenacity of the people that lived here, with all their storied pasts, and the young leader who never allowed the opinions of others to prevent her from doing what must be done.

Eligius is no longer a knight. With a body had been ravaged by vicious poisoning and missing his dominant sword arm, his days as a knight of glorious Kazimierz are long over.

But even so, there must be a way that he could still protect what was important to him. Even if he wasn’t the one holding the sword himself.

Eligius squares his shoulders and looks towards Salome determinedly. He knows that he is not the only one who is willing to become her strength through being devoured by her, but it’s better that a useless cripple like him becomes the first to die, so that the others–

“You don’t look like you want to die,” Salome says. Then, turns around to pick up a… shovel? From behind her? “Here.”

Eligius falters, automatically accepting the dull shovel with his sole remaining hand, “What is this?”

“A shovel,” Salome responds. Fair, but that’s not what Eligius meant– “Seeing as you have enough time on your hands to be thinking about useless things, you can go work with the others on developing the terraced gardens first.”

Eligius gives a small start, “But you–”

“I’m not interested in cannibalism. Let me know once you’ve figured out how to grow potatoes properly here.”

With that said, Salome turns and walks away.

Leaving Eligius standing in the street by himself, holding a shovel.

…

… It’s nothing but a rusty shovel, given to him haphazardly by a girl who doesn’t even bother to toss a second glance back towards him as she departs. But for some reason, the shovel rests in his hand with a greater weight than the sword he’d once held during his knighthood ceremony, and there is a strange emotion welling up within his chest–

Eligius tightens his grip on the shovel, exhaling slowly.

[definitelynotshouting]

Hi oh my god I just want to say, the dance au?? Phenomenal, adorable, holy shit it makes me so happy!! The pinning!!! The intimacy!! The kissies!!! I love them your honour and I adore your writing!!

WAUGHH THANK YOU ANON I APPRECIATE THAT SO MUCH!!!!! Sometimes i like to just spin random aus out of nothing and then chase them for a while-- its fun to write little snippets and tell stories in discord dms/the discord server like im at a campfire :] the dancing au was very fun for how quickly it came together in my brain and also sometimes it is,,, nice to have some low stakes fluff and angst to focus on for a bit!!!!

[tsukinoshinjiu]

Lee brainwashed me into his Braided Wars propaganda, and then it inspired a lovely fic snippet by Jack on the Discord (i so wish i could link it, it's such good angst) which then inspired me to draw the second one with the Mulan-esque angsty hair-cutting scene Jack wrote and honestly the inspiration rabbit hole just digs really deep here, it's funny xD

[ddarker-dreams]

In Life, In Death.

Enver Gortash x F Reader.

Warnings: Unhealthy relationships, obsessive behavior, imbalanced power dynamics, manipulation and brief mentions of blood. Word count: 2k.

Control. 

In all its variations, this word is what you associate most with the tyrant hiding in plain sight — Lord Enver Gortash.

If it’s an art form, then he’s a virtuoso. The invisible score he weaves needn’t hypnotize the listener, no, they are drawn in willingly. Lured by innocuous and diabolical plans, shackled into place by unchecked ambition. Though they may feel unique in their role, to him, they’re little notes that shall fall silent once the page is turned. 

The full vision behind the overture is unknown to even you. From the snippets you’ve overheard, it leaves a sinister impression. Discordant harmonies promise a dark future. 

You thought you’d find satisfaction in stilling his tongue. You dreamt of the day, yearned for it, like a bride one night away from walking down the aisle. From your current vantage point, you should be seconds away from fully realizing this goal. The control he exudes over himself and others can’t be infallible. Nothing is. 

If the gods can bleed, then so can he. 

If the gods can die, then so can he. 

If your fellow man can kill, then so can you. 

“One thing’s for certain, dearest,” he comments, his tongue unfettered as ever, “Our evenings together are never dull.” 

Contrary to your wishes, it’s you who is rendered speechless. 

You are hovering above him, the long skirt of the nicest dress you own rising to accommodate the uncomfortable position. Beneath you lies a man whose dark eyes inspire more trepidation across your features than what’s reflected in his own. A perfect politician’s smile accentuates the bags beneath them. The brief struggle — if it can even be described as such — has left his hair more tousled than usual. It’s splayed out against the wooden floorboards of his study. 

When he speaks, his Adam’s apple rises dangerously close to the blade kissing his skin. This is made riskier by how shaky the implement is in your hands. 

“Breathe, darling,” he instructs, stoking your frustration. Only he would have the audacity to make commands of the person holding him at knifepoint. “You’re seconds shy from passing out in a nervous fit. That would be counterproductive to your designs, I take it?” 

Your nostrils flare. “You want to enter the afterlife making insufferable quips?” 

He considers you for a long moment. 

“The delay’s left me with little else to do.” 

“‘Delay,’” you scoff. Your grip around the hilt tightens. “A self-important egoist to the end.” 

“You’ve made up your mind, then?” 

“Long ago.” 

“Hm,” he hums, the low sound resonating in his chest. “I wonder about that. Fantasizing over my death in your head is a far cry from enacting it out yourself.” 

Your eyes narrow into slits. You want to dismiss this as a petty taunt, but you both know that isn’t the case. It’s why his tone lacks condescension — he’s pointing out a fact. Everything is hitting you simultaneously like you’re being doused in an icy pale of water. The soft smile on his face, the steady rise and fall of his chest, how level-minded he remains despite what should be a looming threat.

Then there’s you. 

Sweat beading down your temples, your breathing erratic and your stomach twisting into knots. You’re acutely aware that outside the heavy mahogany doors stands a legion of Banite fanatics. Some disguised as Flaming Fists, the others choosing not to bother. At Gortash’s command, they’d have no difficulty subduing you. The agonies that’d await afterward… you shake your head, willing the thought from your mind. 

Your eyes flicker to the two golden chalices sitting atop his desk. Wanting to build up courage, you downed most of yours, whereas he nursed his. In retrospect, your uncharacteristic indulgence should’ve warned him that something was off. He, playing the kindly host, always offered a vintage bottle during your tête-à-têtes. You rarely took him up on the offer. Alcohol dulls the senses, which you need to keep razor-sharp in his presence. 

“... You saw this coming, didn’t you?” 

Gortash exhales sharply, his eyes gleaming with entertainment. “I expected some form of retaliation. I am the reason your less clever co-conspirators are idling away in the dungeons instead of scurrying about.” 

This makes you bristle.

“They’re my friends, not ‘co-conspirators,’” you hiss, leaning down to glare at him closer. “And they’ve done nothing to earn such a… a… ridiculous sentence! Libel? Treason? Sedition, of all things? What’s next? Blasphemy?” 

“It could be arranged.” 

“Bastard,” you growl. 

“It’s a jest, dear, a simple jest,” he takes a deep breath when you apply pressure to his solar plexus. His eyebrows pinch together from the pain and he coughs. He strains to speak again, though his cadence is unsettlingly calm. “My girl, there’s a great deal in this world you’re ignorant to. Ironic though it may sound now, there was dissatisfaction over your pacifism. Dissatisfaction that almost gave way to drastic measures.” 

Gortash takes your silence as reason to continue. “The Dark Lord and I are in agreement upon your value. The same cannot be said regarding your… compatriots. They lack your finesse — your practicality. Their single-minded pursuit of ‘justice’ had them poking their nose where it doesn’t belong. I can’t abide by such behavior.” 

You grit your teeth. “Then you should’ve come to me, so I could resolve the problem.” 

His response is immediate, requiring no forethought. 

“You’re soft-hearted. Charitable where you should be strict. Why else would they feel emboldened enough to act against your wishes?” 

“I…!” 

He speaks your name, effectively silencing you.

“Answer me this,” his eyes bely a certain intensity that has you swallowing thickly. “How would you see this city become the shining utopia you long so desperately for it to be? Free of poverty, corruption, and injustice?” 

“That’s never the standard I’ve aspired for,” you reply. “If it was, I never would’ve swallowed my pride and worked alongside you. Progress comes in increments. The ills that plague Baldur’s Gate aren’t chronic, the proper alms can lessen the symptoms. Righting the city’s massive wealth disparity is where I’d start.” 

He smiles at you, his eyes creasing with fondness. “My dear, the rich would sooner surrender their souls than their wealth. It’s intrinsic. When faced with outside pressure, they will exert their own, and it will hurt.” 

“I’m aware of the risks.” 

“Are you, though?” He challenges. His voice grates your ears like a drunkard’s warbling. “Your resolve is commendable — I’ll give you that. I have no doubt you’re every ounce of the bleeding heart you present yourself to be. And therein lies the issue. You can’t quell dissent with a slap on the wrist. The bones are better broken, so the hand can never rise against you again.” 

You roll your eyes. “Spoken like a true tyrant.”  

“Is tyranny so terrible?” Gortash cranes his neck upward, forcing you to move your weapon back, lest it break skin. “When I assume the role of Archduke, I won’t inflict suffering for suffering’s sake. The common folk, when left to their own devices, scramble about like livestock; beholden to superfluous pursuits and preyed on with ease. A little order would serve them well.” 

This song and dance rings familiar. 

In undermining his political aspirations, you found your paths crossing more than you would’ve preferred. It’s these ‘coincidental’ meetings that bore what he labels an alliance. You call it a temporary truce. Funds found themselves in the coffers of almshouses, orphanages, and other charitable programs in exchange for your cooperation. Cooperation being loosely defined as a more subtle subterfuge. 

You wet your lips. When did your mouth go so dry? 

“... Truthfully, I’ve never understood why you let a thorn such as myself remain in your side. These aims of yours would’ve been achieved easier with my death.” 

Outside, a bell tolls, revealing the time to be six in the evening. The window pane behind his desk barely muffles the sound of city life. There’s the clank of metal meeting metal and the thumps of arrows finding their targets as the Flaming Fist train. Children can be heard advertising the latest installment of Baldur's Mouth Gazette. A fellow bard strums his lyre and recounts daring tales from Avernus. 

It’s for these folk that you’ve toiled endlessly. You’ve always held the belief that one can rise beyond the circumstances of their birth, so long as they have the resources available to them. It’s a matter of where they get those resources. Amidst the Mistress of the Revels’ enclave, like you, from the Nine Fingers, or worse, among The Dead Three. The options are infinite yet few are good. 

“The answer’s identical to the doubt plaguing you know — ‘what if I’m offing the lesser evil?’” 

Swifter than you can comprehend, his gauntleted hand seizes your wrist. Before a spell can leave your lips, he brings the blade closer, allowing it to nick his skin. Your eyes widen as droplets of crimson gather and trickle down his neck. The setting sun’s rays reflect against the silver weapon, nearly blinding you. When your eyes readjust, you find something about his expression different. Heavier.

“I’ve seen to it that in the event of my death, no harm would befall you,” he speaks without wincing, despite the blade’s tip penetrating his skin. “My estate, research, and Steel Watch; they’d be yours. Whatever painfully altruistic means you put them to are at your discretion.” 

It feels like the air’s been forcefully squeezed from your body. “A bold lie.” 

“In my desk’s bottom-most right drawer, you’ll find a copy of my will proving the opposite.” 

“To what end?” The question comes out breathless. “You’d throw away your life’s work to— to prove a point?” 

He chuckles darkly. “My girl, your ignorance is as endearing as it is perplexing. You can’t see it? The fascination I hold for you that’d drive me to such extremes? My blatant favoritism?” 

Gortash’s grip around your wrist tightens. 

“A death by these untarnished hands…  I’d claim what remains of your innocence for myself. A prize worth the price of admission into the afterlife.” 

Your head aches, throbbing like your brain itself is being squeezed. You break out into a cold sweat. Favoritism? Is that what this is? Can such debauchery align with the word? It’s painfully obvious now; the amusement your indecision provides him. That, along with someone else. Something foreign. A sweet concept that most spend entire lifetimes chasing, twisted into an omen. 

He says your name with enough reverence to stir envy among the divine.

“What shall it be, darling? My ironclad rule or your fleeting paradise?” 

“...” 

Your hand falls limp. 

You wordlessly move to accommodate as he props himself up. Gortash cleans the blood off your knife with a handkerchief. Next, his ornamented fingers find the hair loosened from your updo during the struggle, tucking the stray pieces behind your ear. The interaction feels like it lasts a lifetime. Warily, you eye the weapon in his non-dominant hand. There’s still a chance that this is a ploy, meant to humiliate you in a final violent act. 

As if sensing your thoughts, he raises an eyebrow. “Out of consideration for our partnership, I’ve never done you any harm, have I?” 

“Physical harm is but a single category,” you murmur, the words notably sluggish. 

“True enough,” is his blasé response. He holds his palm open, as if expecting you to relinquish something. When you remain still, he sternly utters your name. “Give me your hand.” 

You obey his command. 

The gold metal forming his claw-like gauntlet is cold against your skin. He closely scrutinizes your hand, manipulating it so he catches every angle. This dedication reminds you of when he’s tinkering with a new invention. The mental notes he takes, how he maps out dimensions and improvements for future iterations. It could be paranoia, but you swear he studies your ring finger with special interest. 

Slowly, while looking you straight in the eye, he presses an open-mouthed kiss against the bruise forming on your wrist.

“Now that that’s settled… was there anything else on your agenda for the evening?” 

[felassan]

Snippets. you know what about. 😊

On configuring the HUD: "Too be clear, you can't go crazy - but there are a bunch of options if you want fewer things on screen or some alternate ways of having some elements activate" [source: the Discord]

"One of the skill trees for Rogues is more focused on ranged combat, and it's pretty viable to go almost pure ranged (honestly maybe a bit OP at the moment" [source: the Discord]

Each of the 3 main classes has 2 distinct weapon types [source] (Fel note: this is written in a way that makes it sound like it applies for mages too. Apart from staff, I wonder what the other weapon type for mages is..? :>) it's bow and dual swords for rogue, 2h and sword and shield for warrior.

for the Discord Q&A, the goal is to be able to read it in writing later on. [source: the Discord]

So for classes, it's looking like this right? ^^ 3 mages: Neve, Bellara, Emmrich. Lace - Rogue in DA:I. Lucanis - Rogueyness akimbo. Davrin - sword and shield in trailer, so warrior. Taash - seems like a warrior. 3/2/2 mage/rogue/warrior.

Many of the devs that made previous games are still at BioWare. "The creative director of this one has been there since 2007, the art director since 2004, the producer since the MDK2/BG2 days." and there are tons more too. [source]

It's not huge open regions like DA:I [source]

The team took focus to get keyboard and mouse on PC feeling good [source]

A user asked about accessing more abilities and how there was a 'second layer' of mapped abilities in a previous game. Answer: The DA team is going to showcase more combat soon where they talk about that and show the full list of options for how many abilities you can use [source]

A user asked about the presence of complex fights in the game, and mentioned the Cory battle in DA2. Answer: there is some stuff in the game that takes forever to get to and then kicks your ass for a while. there is also some fixed level stuff that you need to explore to find [source]

More on exploration coming later [source]

"Pretty sure the team is primed to showcase a lot more of the combat and progression depth in the near future." [source]

The name of the game has officially been changed internally for a long while. "It just takes a lot of moving pieces to make it official" [source]

"At a proper time we will disclose more details about our composer, soundtrack and playstyle options." [source]

"I have to say that even though I knew what was going to happen, when I played the SGF Demo for the first time, in a room with full surround sound, I got several emotions." [source]

Mark Darrah on the name change: "Change can be scary but this is a good sign." [source]

Re: the game's character focus: "It's not that DA hasn't been about characters [in the past] it's more that we haven't been willing to admit it [until now]" [source]. This is the first DA to be this deliberate in its focus on characters [source]

A request for Ukraininan language localization to be added to the game was passed along [source]

[vi-fans-wall]

[Not a leak ] A snippet of the song Fantastic

The artist King Princess has shared via her Discord server a snippet of the song Fantastic, a song that will be heard in the second season of Arcane. Will this song have something to do with a Blue-haired Enforcer and a pink-haired fighter?

Video link -> Video

[inexplicifics]

I'm really charmed and intrigued by your Knight!Milena au! I love how much she cares about her horse. I have to wonder whether her gear was something she earned or whether her armor, her horse, and her lance and sword are well made and kept because her family supports her knightly pursuits!

I'm glad you're enjoying the snippets! Have another one!

“Where’s your fuckin’ knight-master?” Lambert asks, frowning. “You can’t possibly be old enough to be out killin’ manticores by yourself.” Hell, up close the lad barely comes to Lambert’s collarbone, and with a soprano like that, Lambert’s pretty sure he’s maybe fourteen at the absolute outside. Sure, he’s good, but even the fuckin’ trainers don’t let green boys hunt monsters. “I am a full knight, sir,” the boy replies, and takes off his helmet. The first thing Lambert notices is the thick dark braid which circles the knight’s head like a crown, presumably providing some padding from the helmet. The second thing is the knight’s beardless cheeks. The third thing is - “Kreve’s crooked cock, you’re a fuckin’ girl!”

On which note, actually, I do a lot of playing around with gender in this fic, and I would be glad of a few sensitivity readers. If anyone is interested in taking on that role, please let me know here or on discord!

[dulltoned]

Ablaze and John Dory

These are just some snippets of my Ablaze and John Dory headcanons that are scattered around the Trolls Discord.

Ablaze despises BroZone and he doesn't even try to hide it. The second they're off the stage after their reunion show with BroZone at Vacay Island all happy pretenses are dropped.

John Dory, the overzealous and oblivious bastard that he is, comes up to Ablaze and claps him on the shoulder to compliment his performance but before he can even get a word out Ablaze snarls and shrugs him off with a harsh "Don't touch me."

JD only has time to look affronted and open his mouth to retort before Ablaze stalks off to go throw his arm over Branch's shoulders and ruffle his hair- which Branch will not let John do- with a bright smile and an "Amazing as always, B." on his tongue.

Thus began the rivalry.

Ablaze and John Dory fight a lot, obviously, even if it's in the most petty ways that can fly under the radar. Ablaze will hold the door for everyone but John Dory, John Dory will invite every other member of Kismet except Ablaze out with BroZone, etc. One day, after John Dory does something else stupid and petty like give only Ablaze "constructive criticism" on his performance Ablaze just leans in, looks John Dory dead in the eyes, and says "I will be there for him long after you're dead in the ground." and just walks away.

And just for fun take a little snippet that will be written into a Familiar and New chapter or maybe even it's own story somewhere down the line:

John Dory is still talking but Ablaze can't hear the vitriol spewing from his bastard mouth over the battle cry his heart was pounding in his ears. Who the hell did this troll think he was to barge into their space and attack one of their own? Branch's shoulders are rising up to meet his drooping ears and he has this haunted and scared look on his face that only feeds into the volcanic fury burning through Ablaze's veins.

"I don't even know why I try with you," John Dory hisses, pinching the bridge of his nose, and Branch makes this wounded noise deep in the back of his throat. Ablaze sees red. With an outraged snarl he lunges over the couch and tackles John Dory to the ground, uncaring of the startled cries that ring out around him. He reels his fist back and slams it into the bastard's face, relishing in the crack he feels beneath his knuckles. John Dory flails, unprepared, and Ablaze uses the opportunity to hit him again, and again, and again and a sick pleasure sparks in his gut at the sight of John Dory's face getting progressively bloodier.

Arms scramble for purchase on his shoulders, his vest, even tangling desperately into the hair at the nape of his neck but Ablaze fights against their hold and struggles to get a few more hits in. No one gets to talk to his band like that. He'll be damned if he sits back and lets John Dory open his vile mouth to say one more twisted criticism to his little brother. Branch was his.

"'Blaze!" Branch's panicked voice cuts through the rage and he finally lets the paws drag him away from John's trembling body with a low growl

[alienoresimagines]

I'm On The Run With You, My Sweet Love | Buck x Bucky

[Click for better quality]

For the Prompts : "I don't want to move" + Lake Sex of the Writers of the Air Discord event organised by the wonderful @johnslittlespoon 💕

--

On a hot summer day, John and Gale enjoy an afternoon off-base at a nearby lake, far from the war and its destruction. They laugh, cuddle, kiss, talk about the future, with no one but the warm summer sun as their witness.

Also they come. Twice.

Snippet :

“Gonna take you to the nicest theater there is.” The sentence is punctuated by a kiss on his lips. “You’ll choose the movie,” and another. “We’ll sit in the back rows so we can hold hands between our seats, but in the middle so you can have the best view of the screen.”

“Why, you ain’t gonna watch the movie with me? Gonna leave your fella to enjoy a picture alone?” It’s John’s turn to snort, seemingly delighted by Gale’s teasing as he steals another kiss that ends with his bottom lip between Gale’s teeth for a second.

“I’ll watch you.” Their lips connect again, and this time when Bucky pulls away, he stays close enough their lips brush with every word. “I’ll catch all the little expressions you don’t even realize you do. And when you’ll be so focused on the movie you’ll part those pretty lips in wonder, I’ll kiss your hand and nobody but us will know. That you’re my fella,” John grins wide, a mirror image to Gale, and kisses one of his cheeks. “That I’m yours.” The apple of his other cheek gets a kiss too, and Gale smiles so wide his face starts hurting but he can’t stop, not when John is looking at him like he holds all the answers to the world.

“That a promise, Bucky?”

To say yes would be to admit that the both of them will come out alive from the war. It’s not something they’ve ever done, at least not so plainly. Normally, John would say “Don’t count on it” with a smile, and they’d both know it’s as close to a yes as they can allow themselves to believe.

Today, he seals it with a searing kiss.

Read more on AO3 💕

My other Clegan Fics 🥰

[slugtranslation-hypmic]

Hihi slug, I love your work, and thanks for everything!! Since Matenro season is nearly upon us, I was wondering if we could get your opinion on the solo snippets🤞🤞

Matenro's new solo previews are SO GOOD, what do you think of them?

Thank you both for notifying me about them! Taking a look now...

(The album is probably already out now, but... better late than never...)

Jakurai's A Majestic Figure

Title note: 4-kanji compounds are like the SAT vocab words of Japanese; they're not super common in everyday speech and can evoke a literary or sophisticated feeling. This one is...interesting. To the best of my knowledge, it isn't a standard compound (I'm also not getting any hits when I Google it) and I wonder if that's significant. It's just two words strung together to make the appearance of fanciness, perhaps. I couldn't say for certain. At any rate, both 威風 and (especially) 颯爽 describe a majestic, often captivating appearance. This isn't to say that such qualities of dignity or majesty aren't real, but I definitely feel like both terms are defining a subject from an outside perspective. These aren't terms I would ever expect someone to describe themselves with, which makes the song title sound like it's an outside observer commenting on Jakurai instead of Jakurai talking about himself. We see this happen a lot in Hypmic, with people putting Jakurai on pedestals or Jakurai struggling to see himself as the same grand figure others perceive him as. As a result, I wrote the song title as "A Majestic Figure" to emphasize the appearance of majesty, whereas the character of the figure is unknown. Anyway, let's dive in and see what this is all about.

(10 seconds in) Vibing with these instrumentals

(19 seconds in) Not vibing with these "ah"s... but we can't have everything in life

(43 seconds in) I'm a little too tired to fully keep up (I'll look up the lyrics when I'm done) but I REALLY like the urgency in the delivery, which is so at odds with the flowing, dignified background music. In JPN fiction as a whole, flusteredness/desperation is contrasted with calmness as a synonym for imperfection and perfection. Jakurai is, honestly, really kind of a desperate character...yet one that appears outwardly calm/perfect to most of the rest of the cast, so it's interesting that we get to see his desperate nature on full display right at the start of the song.

(1:26 in) Hand motif mentioned *Cinemasins ding* (of

(End) Thank you uta-net for having the lyrics up already; ily. Let's see now... Interesting. I'll have to read them again in more depth later, but it looks like a call to forgive past wounds and seek out a better, less painful way of existence--in a societal sense, a religious (as in like, ascending or becoming enlightened) sense, and a personal sense. All great things to see Jakurai expressing. Again, it's interesting to see Jakurai expressing this with such urgency, even if these are things we know he really, really cares about. That coupled with the background music seems to match a bit in the lyrics that says "And [to end war within society, paraphrased] I take grand, dignified action mixed with the discord and noise of Shinjuku, a samsara spiral of cacophonous echoes." Mixing the stately and the chaotic, the "imperfect" and the "perfect." Really interesting stuff!

Hifumi's The Beginning of the Last Song

Title note: "Last Song" is English and written in katakana, which is a sharp contrast to the style of Jakurai's title. Creates a much younger and casual feel appropriate for Hifumi. Not much else to say here, so let's jump in.

(10 seconds in) Modern indie pop song on the radio feel. I'm not a fan of autotune in general so I'm not in love with this, but I'm hopeful it'll pick up soon.

(22 seconds in) I listen to so much "soft hiphop" (for lack of a better term) during work that my brain instantly catapulted itself into work mode and stopped paying any attention to the words. Coffee mug? Check. Emails? Check. Anxiety? Check. Let me rewind and listen to this properly.

(32 seconds in but for real this time) So far, very Hifumi. Opening verse has some fun figurative language but essentially says Hifumi's suit is pure courage he dons like a suit of armor. In doing so, it masks him and makes him become like a whole other person. From there, he switches to addressing a listener: "I want to soothe your mental wounds. I want to change your frown into a smile. I won't let go of your hands, and no, I'm not doing this for a reward." It's something that Hifumi should be saying to himself (something Hifumi wants to hear, maybe?) and yet he says "To [Host!]me, this is happiness."

(59 seconds in) Hmm... I was going to say this song feels sad to me, because all these positive messages of "Keep going! You're safe now!" are framed as being directed at other people, and I was like..."Hifumi, who's going to say that to you? Who's going to help you feel that way?" but then the line "You made me realize I'm not alone" radically flips the framing so that it DOES become things Hifumi is saying to himself, too. How nice. :) I would not want to translate this, personally... Haha it's using the vagueness of Japanese grammar and lyrical conventions to great effect, but I don't feel comfortable touching that personally.

(1:02) Hell yeah, belt that shit, homie

(1:32) So it's a last song in the sense that it's a farewell or the final song of his old self. Now he's the new, healing Hifumi. We love to see it 10/10 bravo. The song is also a happy, heartfelt thank you to the unspoken listeners (presumably Matenrou) who helped him feel less alone. That's cute! I like it. I probably shouldn't go here, but I find it intriguing how the vagueness of listeners is utilized. The first time the listeners are addressed, the language is...if not borderline romantic, pathos-filled to the point where it's definitely evocative of his host job (hence why he's not seeking compensation for handholding, an often romantic gesture). Yet it's borderline enough that it wouldn't be inappropriate to imagine it being addressed to Matenrou instead of his patrons. Hahaha. Again, another reason I don't want to go near this one.

(Overall) I like it! A nice ballad for Hifumi.

Doppo's Andante

(5 seconds in) For a song called Andante, this has a faster tempo than at least one other song on this album lol. But it's much less frenetic than Doppo's other solos, so there's that, I guess.

(7 seconds in) This delivery is giving me anime ending made by a 2010s rock band vibes lol.

(14 seconds in) Damn there's a baller line here that I'm stumped on how to convey in Eng in a way that's both baller and sensical. Meaning wise, it's like "I want to take back the things I shouldn't have said and give them as a present to you" and in figurative language it's like "Once, I used to fire words into the air [speak things in anger or carelessly]. Now, I want to gather them up [esp. like a bouquet of flowers] after their flight and use them to decorate you [again, like flowers or like a piece of jewelry--it's a positive connotation]" Pop off, Doppo

(40 seconds in) Oh this is killer and also going to need some major explaining. Doppo's name is literally "he who walks alone" which is usually considered a positive thing--someone who "walks the path of life" alone would have gotten there by outstripping the rest of the pack. In Doppo's case, though, this is a negative thing. I think it's not as obvious to Eng-only fans, and I know I didn't really think about it for a long time myself, but Doppo considers himself a "loser" bc he didn't follow a conventional life path. It's considered atypical to switch employers, especially very early on in one's career, as he did when he stood up for Hifumi and got himself fired at his first job. Part of why he puts up with shitty treatment at EL Medical is because it's one of the few places that would hire someone who switched employers at such a young age. (Sidebar: My (probably flawed, as I don't live in Japan) impression is that this is becoming less and less of a thing as time goes on and the economy goes to shit, but I think it's the self-stigma more than anything else that's affecting Doppo. To me, it feel similar to the societal pressures in the US to attend and graduate from a four-year college. Plenty of people don't for all sorts of reasons, but because that's so ingrained as the default life story for Americans in a lot of communities, Doppo's dealing with the kind of disappointment and self-hatred someone who dropped out before getting a four year degree might feel.) Doppo beats himself up about that a lot, but here we get that lovely line of "In the waves of people (hitonami) passing all around me, I no longer see anyone who looks like me. It's a shame, because I always wanted to be just like everyone else (hitonami)." Outside of that beautiful wordplay on hitonami, we're also treated to the figurative language of hitonami being literally "in line with others." Doppo, a character who walks through life alone, wanted to walk through life at the same pace/reaching the same milestones at the same time as everyone else.

(1:04 in) "Life is a tightrope act; it's like walking a balance beam [lit. "average beam" aka a beam where everything is averaged/balanced]. In a country where not everything can be average (narasarenai) and where even if the things that [I] can accomplish (narasareru) don't matter [in the eyes of society], sometimes the sounds I want to make don't come out right (narasarenai). When that happens, I can call myself pitiful--or I can feel the breathing of the beautiful flowerbed that is this city, and when someone's humming under their breath disturbs that short break [lit. breath], I ask them 'So, what is this happiness thing anyway?'" I would rather die than TL this song but I'm LOVING the creativity and depth of the lyrics.

(1:27) WILD! FUCKING! CHEERING!!! "You fake smiles in a mirror to make other people happy and call it love. It's a form of hypnosis, and I've made a go of falling under its spell because I just want to be equals [on par with, balanced], and so if you and I can walk these crowded streets together, then I think I don't mind as much that I'm always walking alone." THE GROWTH! THE GROWTH!!!!

Damn, this album's lyrics go hard. What a feast.

[annabel-lee-nevermore]

Hey. I'm sure all of you have seen Red's post, which they chose to call an apology (though I beg to differ in some parts), where I was called out amongst many others. This whole situation is a mess and though there have been many posts already, I just want to add my two cents, as someone who was directly named. Apologies for how late this is compared to the rest of the situation, not trying to stir it all up again, I’ve just been busy. (Please note that everything I say here is my own take/opinions and I am not directly speaking for anyone else, any issues you have with anything said here are with me alone.) 

First of all, Red promised this post would be about the Crimson situation, the long prologue with the explanations of the "cliques" is completely unrelated and just an attempt to shift blame onto other groups for the situation blowing up as it did. This is especially horrible because of the fact that many of the people named are MINORS, who Red has constantly claimed to prioritize protecting, especially in the situation with Crimson exposing minors to NSFW. I'm not going to harp too much on the Crimson situation as I wasn't involved (or capable of being involved after my ban), though everything I have seen from Red has been a shitshow of mishandling, which they addressed, and I will give them credit for admitting they fucked up with it, and am VERY glad to see them step back from moderating, as I feel they were under far too much stress by both being highly active in the server as a mod and also trying to write a good story, and hope a larger variety of mods does the server good. I was there when the server hit 1k members, and knowing that the mod team didn’t grow until now (when last I heard it was around 6k?) feels like it would have driven anyone trying to moderate it insane. 

However, I am here to give my side of the story, which goes back to the drama with the confession blog "@/esoterichistoria", in which they were sent an anon ask which [paraphrased] asked why the account existed and what they got out of it, in a sense that implied they didn't believe the account should exist. This ask was not answered publicly and was screenshotted and posted in the hideout, one of the NON PATREON channels in the discord. Red then went on to reveal themselves as the person behind this anon ask which led to other people sending harassment to the account. I was firmly on the side of supporting EH, and wound up creating a post of my own  calling out the hypocrisy and "word of god" reliance on lore snippets sent by Red and Flynn in the discord, which when sent in the free channels would eventually disperse into the tumblr fandom. Unless I mistakenly shared a minor fact that was patreon exclusive (which would have only been shared to me by someone who was affected asking if they were right to be concerned about it) I did not intentionally state any patreon only information in any of my comments within and under that post. 

That post for me, was what happened when the straw broke the camel's back. I had seen several instances of fan to fan hostility (such as telling people off for using the tumblr "#nevermore webtoon" tag for confession blog related posts, but only for the original blog and not the second one that popped up during this drama). I was fed up with watching a fandom I truly loved fall apart, and felt that speaking up about it would be the only way to see any change within this issue. However, I will admit the post was written in a stress induced craze as I was at the end of finals and preparing to move at the same time, which definitely greatly impacted my capacity to truly think through why I should make that post in the first place, but I felt the only way to get the drama out of my head was to send it out into the void of tumblr, and then, through the next day when I had a few spare moments I responded to a few people asking clarifying questions with less than stellar tact. 

It was quite shocking for me to find out, just a day or so later (forgive me I am not the greatest with dates or timelines) that the Nevermore discord was gone from my server list, which I mainly noticed because I often use the emotes from that server in casual conversations with friends, and found my favorited emotes completely lacking of them. I had no message of why I had been banned, and shrugged it off as I hadn't been active in the discord community in ages, as I was busy with other things. 

A few hours later, Percy, who Red had reached out to directly (but none of the other members of our "clique" as Red puts it heard a peep) shared a truly baffling DM that consisted of refusing to explain and extrapolating reasons behind actions that did not exist to justify the ban. We laughed it off and moved on, as though we enjoyed the fandom and comic itself, losing access to the discord was no loss as of our lack of usage of it in the first place. 

I was in no way Stalking, nor were any of my friends. We had been members of a fandom who loved the comic and fandom, and had come to a point where our unpopular fandom opinions led us to feel a bit on the outside of the main popular opinion, and we were also just naturally shifting to different interests. 

This, alongside the fallout of having expressed opinions on Montresor and the specific ways that his relationship with Ada progressed. I DON'T see people who ship Montrada as supporting a "SA Fetish Ship", I just personally wasn't a fan of it and alongside my friends who shared the same opinion, was sick of being told that we were blatantly WRONG for having a differing opinion, and chose to distance ourselves because of the level of vitriol we had experienced, and some made a statement saying we didn't wish to associate with people who enjoyed the ship, which is a perfectly normal way to interact with fandom. There are definitely perfectly valid ways to interact with the ship, and even explore it in interesting ways, it is just ways that I personally am not interested in engaging with. 

(And just to point out the elephant in the room, yes I have a fic that focuses on Montrada, both because I saw a part of my former self in Ada and someone who hurt me in Montresor, and this fic was planned out long before Montrada was hinting at becoming canon in the comic. Though this fic is written in an explicit manner, it was on a site that allows that and was tagged correctly for those who wish to avoid it.) 

I know I'm trying to prove myself to people who have made up their minds on if they believe Red's statement, and I know for those who have their minds made up, nothing I can say will change that unless they are willing to, and I can't force that. I personally do not agree with many opinions Red holds, and find the act of plastering the usernames of people, including minors, that they dislike on a public tumblr post knowing they have a loyal fanbase who may choose to take it upon themselves to harass people out of a sense of vigilante justice, frankly abhorrent and irresponsible. Though I would like to believe that the Nevermore fandom is better than stooping to harassment, I know it is naive to believe in any fandom that this is the case, every fandom will have a few bad apples, even if the fandom at large is kind and passionate and supportive of fellow fans. (note: as of writing at least one person I've been in contact with have received direct harassment) 

As someone who has a tendency to come across as rude and bitchy when in a passionate argument/debate with someone, especially when an emotional connection to the subject is involved on my end, I know I may have been combative to an excessive degree and given myself a bad name. For anyone who has felt hurt in an argument with me, I do apologize, as sometimes I don't know the harshness of my words. I do quite enjoy a good argument, and when things get heated I do find myself being quite harsh, something many people do, especially when they have had a history of being the only one on their side of an opinion.  

Despite the drama, I do still love the comic, through a more analytical lens and with caveats of my own personal opinions perhaps, but I do truly love the characters, the world, and am curious to know what comes next in the story when it returns from hiatus. Though I don't believe I will ever have a positive view of Red interpersonally, I want them and Flynn to be able to continue the comic for as long as they feel they need to tell a complete story. I probably will continue to write fic and engage with the fandom, as in my opinion, Fandom is for the Fans, not the Creators, and I truly do love sharing my writing with the Fandom, and I have many fic ideas that I want to have a chance to bring to fruition. 

For those who don't wish to dig in deep on the older drama with the Montrada situation or my general drama hot takes, you can hop off here, and even if this didn't change anything for you I appreciate you taking the chance on hearing me out, as I am quite wordy and I know this post is already rather long. However, since Red’s post brought up these issues, I feel I should at least address them.

First off, on the accusation of stalking, I do feel Red may be pointing a finger and forgetting that three point back at them, as though I do understand wanting to have a grasp on who someone is when you feel wronged by them, going out of your way to construct a narrative of who's friends with who, and what they do in their free time, alongside congregating information about them to share publicly when even in the best case of you being correct their crimes were at MOST having an insular group chat and occasionally getting in arguments about unpopular fandom opinions or standing opposite your side in drama. 

By every metric, while sharing screenshots can be seen as in bad taste, doing so with a small group of friends in a private group chat is not the end of the world. The phrase "keep it in the group chat" exists for a reason, people often share with their friends things they may not say publicly, and that is perfectly okay provided it's not planning some sort of direct attack on someone. People going "ugh I don't agree with xyz and wish they'd see reason" to friends is not stalking, it's a bit of gossip between friends, and when it comes from something that began as a shared interest that brought the group together, there's no harm in it. However, congregating identifying information and sharing it publicly DOES have harm in it, because no matter how many times you tell your audience not to harass people, opening the doors for it makes it more likely to happen regardless.

Secondly, calling the post an apology was a half truth. Yes, the final paragraphs WERE an apology, but based on the situation and what was truly going on, the explanations of the Cliques was unnecessary and distracted greatly from the actual apology present. Especially as the context of “Clique 2” does NOTHING to add to the story of the situation with Crimson and why an apology is necessary. The situation was blown greatly out of proportion by adding on more context than the situation required, and is definitely the reason the controversy has grown so large. Not only was diverting to the explanations of the Cliques cluttering the otherwise potentially strong apology, it both works to paint Red as the victim to garner sympathy from loyal fans, and gives a target to go after for why the situation has grown so horrible, when a concise apology that left that all out would have cleared the air on the Crimson situation and not led to a large group of people who were unjustly called out and have their information blasted for anyone to see and opening them to excessive harassment. 

Finally, Speaking to Red directly, If you'll allow me to speak at you a bit personally for a moment, the way you framed things in your post regarding "Clique 2" to me in some regards comes across as a misinterpretation of criticism of the comic and its characters as a criticism of you. As a writer I understand how your work often feels like an extension of you, and criticism often feels personal, but to take a small group of people who share a similar criticism and extrapolate it to mean they're spreading vitriol about you is a bit extreme. 

(And in screenshots regarding the Prospero aromanticism issue that have been posted to tumblr, this seems to be a recurring pattern of seeing anyone who has concerns about how a certain aspect is being normalized within the fandom with encouragement from the creators, which regardless of intent comes across as endorsement, as an attack and trying to make an issue out of something that isn’t really that deep.) 

Anyways, the main situation regarding the Montresor and Ada ship happened over a year ago and I have no way to access or look back on what was said having been banned from the discord, there may be discrepancies in intent and execution so take all of this with a grain of salt if you'd like, but I never meant to say that you as the author were glorifying SA by having Montresor and Ada to exist as a ship. It was a mixture frustration with how Ada's characterization (as interpreted by what existed in the comic) did a 180 and how the relationship between her and Monty was framed and the fandom's manner of acting as if saying that it personally made someone uncomfortable they were just a hater trying to stir drama. The fandom's usage of the phrase “fun toxic” and overromanticizing when Monty had been consistently characterized as misogynistic (not a bad thing) and Ada's prior characterization didn't line up with the “mutually toxic” idea that was being spread. I'd be a hypocrite if I was saying that every ship had to be morally pure, I've written some pretty morally bankrupt relationships in my own original works. I just found that the way the fandom acted around Montrada at the time was really uncomfortable to be around as an SA survivor simply because of the way people were changing their opinions of the barking scene, which to me with just the context of the scene itself was not at all something Ada did consensually (or only did under coercion) and is a form of humiliation which is sexual harassment. 

It was never a moral righteousness witch hunt or anything, more just some fans pointing out how the portrayal of it could come off to people who was a survivor of someone who acted like Monty and that the energy in the fandom around it was uncomfortable and didn't actually leave room for nuance on the opinions of Montrada. I have always been a proponent of letting people ship what they want to, even if it’s personally not what I enjoy in the fandom. Perhaps the way it was portrayed on my end at the time didn’t come off the way it was intended, but there is a massive difference in my opinion between thinking anyone who enjoys a particular ship is evil and being personally uncomfortable with a ship and not wanting to engage with it within fandom, even with it being canon. And the preference for Morella and Ada was never upholding a "morally pure" ship as "better" than Montrada, it was simply preference from people who had already been shipping Morellada for a long time and didn't choose to abandon ship over Montrada becoming canon, only finding new reasons to continue holding that opinion. 

All in all. I’ll miss when the good times of the fandom were around, and definitely will stick around for season 2. I wish it hadn’t all turned out this way, as I’ve made great memories and friends because of this comic and community. To anyone who still has questions or something to say to me, my ask box and dms here have always been open. And hey, if Red or Flynn have anything to say to me, feel free to reach out. I’m open to a civil conversation if that's what’s desired. 

~~ Rose, of the “dark stalker Clique”

[tanthamoretober]

Hello questies, writers and friendos. We’ve got a month of 30 little writing challenges you can play with through November - and a few reading ones as well.

These are super chill. You can do these through the month in any order you like, and you can interpret them all in any way you like. This is not about writing complete works - the aim is to do a little writing or reading or fandom interaction every day, and play with a few different scenarios to stretch some creative muscles.

If you want to make your own November calendar graphic to keep track of your progress, Canva has a bunch of free, editable and printable templates!

Have at it!

Write 1000 words in a day

Write 500 words in a day

Write 250 words in a day

Write 100 words in a day

Write 50 words in a day

Take a break today and don’t worry about productivity, make yourself a treat

Add 100 words to an older WIP (whatever ‘older’ means to you)

Add a paragraph to a WIP

Add a sentence to a WIP

Edit a page of your WIP

Re-read something you've written (bonus: share what you like about your work on tumblr/discord)

Re-read a favourite fic (bonus: notice something you enjoy about it and let the author know, or leave a ‘second kudos’ to show you’re re-reading) 

Catch up on a fic, or a chapter of something you’ve been meaning to catch up on (no matter how old)

Leave a nice comment on a fic (no matter how old)

Post something on AO3

Write something in a new place (take yourself to a park, a library, on a train, sitting on the bench with your feet in the sink, just mix it up!)

Write using different tools (try writing with pen and paper, or on a phone, or on a keyboard - just take a break from your usual medium)

Hit shuffle on your music and let the first song set the vibe

Write a snippet based on ONE of the following prompts: The knots were tight / Faster and faster and faster / The ache was only getting worse 

Write a snippet based on ONE of the following prompts: The rain was wet / The sun was blistering / The frost strangled everything 

Write a meet-cute (possibilities: at a comic convention, over a bee-sting, snowed in together, a bloody nose in a mosh pit, flirting in a coffee shop)

Write a deleted scene (from canon, from your own fic, or maybe even from a friend’s fic)

Re-write a scene from a different POV (from canon, from your own fic, or maybe even from a friend’s fic)

Focus on something you love best about Tanthamore

Write 200 words of dialogue

Write 200 words of prose

Write 200 words of anything your heart desires

Write in a different tense than your usual

You’ve been doing so well - have another break and let yourself lie fallow for a day

Meets it beats it: hit your previous days goal again or beat it (you can absolutely use this as an extra rest day)

[killerandhealerqueen]

It's Love Letters Night! Send love and positivity to some of your favorite writers and bloggers!

@hyperbolicgrinch Jaz!!! You truly are my hype woman no matter the fandom and I am so grateful to have met you when Killer and Healer was airing because honestly, you really brighten up my day. Also, I really like your writing, even though we may not be in the same fandoms, and starting the ✨ weekend wip exposure club ✨ with you and Holly was so much fun

@theotherwhybietoldmeso Holly! My beloved! I know we only became friends this year but I am so grateful to have met you! You and Jaz are truly like the MVPs for dealing with me during this time of f1 hyperfixation (which I love, don't get me wrong) and hearing your nice feedback in the tags is always something to look forward to. Also, your fic ideas are so interesting and diverse and I love seeing the different fandoms you write for because of our ✨ weekend wip exposure club ✨

@clawbehavior Claw! My beloved! I know we're no longer in the same fandom, but it's always so fun to read your meta and tags and also see what sort of fanfictions you can come up with just from a simple post, drawing, or gifset. Your mind works a lot like mine creatively so it's so cool to see how your fics/ideas for fics come together and I'm always honored whenever you tag me in your fic ideas or come to me for advice with your fics. Truly so glad we met

@ahhhnorealnamesallowed Billie!!! Thank you for always being my sounding board for whenever I need someone to talk to about my fics because it's so easy to bounce ideas back and forth with you and you're always willing to be my second pair of eyes whenever I'm just fucking done with a fic. Also, thank you for always encouraging my ideas and for thinking that they're not too ambitious (because sometimes I worry that they are). So grateful to have met you when Killer and Healer was airing

@fourth-quartet Took! I know we really don't share fandoms anymore but it's always a delight to see you on my dash talking about things you're passionate about. Also, I really love your writing and will always support you in whatever you decide to write. I'm so glad we became friends when TDJ was airing

@kpopfantasywriter Jiejie! I know I haven't really come to you with fic ideas like I used to, but it's always so much fun to brainstorm fic ideas with you and it's always fun to read your little snippets that you sometimes post to the discord (I'm also very honored to be an OC in your fic, it's a lot of fun). Thank you for always sending me fic ideas/prompts and talking about fics with me, both on here and in the discord. I don't remember when we met but I'm really glad we became friends and have the relationship that we do

@dangermousie Mousie! I know you're not a writer but my god are you one of my favorite bloggers, I love your meta on different dramas and I feel like I'm watching them through you, which is a lot of fun because I get exposed to dramas that I would never actively seek out myself. Your commentary is also so fucking funny and makes me snort because I'd probably be saying the same damn thing too

@seonghwacore Ann! My baby! I know you don't write as much anymore but you are one of my favorite gifmakers and calling you my friend and my baby is like...just everything. Your gifsets for Killer and Healer were (and still are) legendary and your skills have only improved for Ateez and I'm proud to watch you grow. You're doing great, sweetie!

@nineninepetals Nine! I know you're not online as much anymore, but you deserve to be on this list and get this notification because I need you to know that you were and still are one of my biggest Killer and Healer cheerleaders and getting comments in my inbox both on here and on ao3 from you with a full on book report of your reaction to my fics is just...everything. I miss you and hope you are doing well and just know that I'm always thinking of you and I hope you come back to us one day

@marulo Maru! I also know that you're not online as much anymore, but I just wanted to let you know that I love you and miss you and hope you're doing well. You were also one of my biggest cheerleaders for my Killer and Healer fics and were always so supportive. I hope you're doing well and please just know that I miss you and I hope you come back to us one day

@evil-moonlight Jin! Of course you're on this list too! You're always so supportive of my fics and you're also just my biggest cheerleader in general and I really really appreciate you. Your writing is also super good and I hope you write more because damn girl you made feel things

@tytangfei Jina! The one who got me into Killer and Healer! Thank you for doing that, honestly, because that drama truly has changed my life and writing fanfiction for them as been both an honor and a dream. Also, your gifsets for Killer and Healer *chefs kiss*. Truly. They're the reason I got into the drama in the first place. Also, your writing...I hope you write more for them because your writing is so good...

@bestbuds55 Dana! I couldn't forget you too! Your writing is so good. I re-read your Killer and Healer fics all the time but have never dabbled into your Hannibal ones so I need to do that because the premises for them sound so interesting so I know I'm in for a treat

@mishathewtf Mish! Can't forget you either! You truly brighten both my dash and the discord both with your hilarious Killer and Healer memes (truly I think I've spat water while looking at them) as well as your other hyperfixations. Also, it's so fun playing those different games with you over discord because 1) they're interesting and something that I'd never actually play on my own and 2) they're just fun to play with others. Also, I have to thank you for being willing to put on LEGO Lord of the Rings over discord to help me calm my super bad anxiety...it really meant a lot and I know I told you at the time, but...I still think about it sometimes and it warms my heart

@sunriseverse Corset! Of course you're on here too! I love talking with you about fics and listening to you rant about your sunrise verse and honestly the work that you put into that thing is just...mind-boggling. It's so cool, honestly. Also, I love your fics for Couple of Mirrors and I'm so glad you wrote them because they are some of my faves (cuz I love that drama). Also, sending fic/writing questions back and forth to you is just so much fun, I love picking your brain about writing

@okifyouinsist Girl, I couldn't forget you. I know we've only been mutuals for such a short time, but you really have become my cheerleader in the f1 fanfic world and that really means a lot that you get so hyped over my little snippets that I post. I hope that our friendship can strengthen and that we'll be friends for a really long time

@friendlynbhddevil Sammy! I know we only became friends recently, but your love for Killer and Healer is almost as unmatched as mine, like we truly match each others freaks when it comes to those boys. I also love seeing you lose your mind over Beyond Evil cuz I too lost mine damn mind over that show...ugh, I'm just so glad we're friends. You really do brighten up my dash

Also, I know there are so many others who I'd love to put on this list, but then I'd practically be listing all of my mutuals so if your name is not on this list, please just know that I love you, I think about you, and you make my life so much better because you're in it

[felassan]

Snippets. 🐺💜

John: "one of the funnier quirks of game dev is you will never remember missions by their real names but instead by the name you called them by for several years of development it will never be 'In Your Heart Shall Burn' for me, it'll always be Setback" [source] / Blair: "there was that awkward period where half of the DA:V ones had "gods" in the title, so discussions were always some variant of: "Did you mean 'Gods Are Back' or 'Gods Are Bad'? I've heard people mention 'Egads! Gods!' but I'm not sure if that's new or a rework."" [source] / Malcolm (in reply to John): "I have one like this in DA:Ve and I can't share it yet because spoilers but I promise you it's delightful" [source]

John: "the only one i can ever remember is 'Wicked Eyes and Wicked Hearts' and it's because it seems to be the only DAI mission that people constantly reference by name online" [source] / Mary: "It's proper name is "Ham Ball." I put that in the file names, even." [source]

John: "idk how widely it’s been advertised but a reminder we are doing another Veilguard Q&A on Discord this Friday noon Mountain time (so 11 Pacific)" [source] / Malcolm: "Make sure you don't tell them about that one thing that happens in that place, with the guy." [source]

Trick: "BioWare released a new screenshot of Taash! I love how it captures the amazing detail work the character artists did." [source]

Image description on the Taash screenshot in Trick's post of the cap:

"A screenshot of Taash looking off to the side. The lighting is warm like either late afternoon or an interior with a fireplace, and it catches in the gold on Taash's armor and horns. Taash looks pensive or vulnerable -- not the deadpan stare or badass determination we've seen in other shots."

pensive or vulnerable.. ohh Taash. 🥺 Trick!!

User on the screenshot: "Taash looks *completely the fuck over this shit* in a totally exhausted sort of way, here. which is, mind, amazing detail work on the character artists' party!!" / Trick: "You know, it's a spectrum." [source]

Trick on DA:I - "Miss May is amazing in many ways, and especially in finding the balance of sweetness to pain for the Solas scenes. ❤️" [source] ((thankyouuu Miss May!!))

User: "it must be basically impossible to resist putting at least one extra moon around your fantasy world" / John: "if dragon age didn’t already have two you’d better believe I would’ve added another one. sitting next to a dial titled ‘number of moons’ and every so often I add another one. anyways the thing about Satina is- (a large hook drags me offstage)" [source, two, three] ((omg.. THE SECOND MOON shfuehfuehdbdh)

User: "i've been thinking about bellara's pockets and i need to know what her thoughts on cargo pants would be. would she be a fan for the utility." / John: "she wouldn't wear them all the time - she's a firm believer in a distinction between 'work clothes' and 'at home clothes' - but she is always in search of more pockets to carry more things into the field. she'd own at least three pairs" [source]

User: "The next two months are going to feel like the Fade section in DAO 😭" / Dragon Age: "Good thing we have a Veil Jumper to help you out! 💜" [source]

User: "MY SON LOOKS SO CUTE" (re: the new pic of Manfred from today) / Dragon Age: "MY BOY MANFRED 💀💚" [source]

User: "Can we change the armor/gear on our companions?" / Dragon Age: "You can!" [source]

User: "thank you for the food 🙏🙏🙏" / Dragon Age: "Enjoy your meal!" [source]

[ckret2]

If you don't mind my asking, what is your outlining process like? Is it a bulleted list of scenes, or paragraphs describing what you want to happen? How thorough is it, and how much do you just figure out as you go? I'm about to attempt to write a truly longform fanfic for the first time, and I've been a fan of yours long enough that I feel you probably have some sage wisdom on the matter.

You know what, I get this question with some regularity, so instead of trying to remember how I explained it last time, I'll just drop one of my outlines so I can link this the next time someone asks. Here's my full outline for chapters 33/34/35. Copy/pasted from my plotting sessions in discord with my writing buddies.

This is in two parts. The first part is my actual outline, which I ALWAYS had open while actually writing the chapters—I recommend open my outline and the finish chapters side-by-side so you can see just how closely the chapter follows the outline. My outline is VERY LONG and VERY DETAILED, down to exactly what happens in the conversations; this is because I've found that, for me, "write out THE ENTIRE chapter WITH all actions & dialogue (but writing it super badly)" + "writing the chapter well (but not needing to think about actions & dialogue AT ALL") is much, much faster than "do a simple outline (but figure out the action, dialogue, and how to write it well all at once)".

And the second part is a bunch of snippets from other plotting sessions where I was figuring out how to fit the tooth fairy arc into the whole fic, so you can see how I work on overarching plot lines.

Anywhere there's a "####" divider is a separation between different plotting sessions on different days. Anywhere text is in "[brackets]" it's either a paraphrase of something one of my writing buddies said (I don't post direct quotes publicly) or some kind of note to myself.

####

[This part is my actual outline I used to write the chapters]

So! Stan's having breakfast. Bill comes into the kitchen, plops down, "gooood morning—" "go away."

"Haha funny. Anyway! I need you to take me to your dentist." "No. I took you to the mall, you almost made my niece cry, my brother left a Shopliftaholics Anonymous flier on my bed, and all I got out of is was a crummy ring. You wanna go anywhere, talk to Soos."

Nope, it's gotta be Stan. (he doesn't wanna hang out with that loser Soos anyway.) Bill's trying to get fillings, and Stan's dentist does them for free.

Which is true, but it's weird that Bill knows that. Stan's dentist is some weirdo operating out of a back alley, with a weird pay structure. He charges normal dentist rates for regular dental maintenance, but he does gold fillings for free, and he'll pay YOU if he needs to pull your teeth. He's great! Stan hasn't had to pay for dental care in thirty years! Stan also wears dentures now, but hey, at least they were free.

So, since it's Stan's dentist, he's the only one who can take Bill. Stan sees where Bill's coming from; but he says no, because he doesn't wanna.

Okay, bill's gonna try another tact.

Stan, Bill is a simple creature. A simple creature who's used to being coated tip to base in a thin layer of pure, lustrous, 24 karat gold. Having skin makes his skin crawl. He doesn't *need* any dental work done, his teeth are fine, but he'd really, *really* like to have just a *bit* of gold, *somewhere* on his body, so he feels a *little* more like himself in his final days. (you're losing my sympathy by the second, cipher.) ... And then once he's dead, he supposes he'll be leaving behind a corpse with a mouthful of free gold that whoever's disposing of his remains can do whatever they want with, do you catch his meaning Stanley?

That's absolutely *disgusting.* ... But okay, he's bribed! ...... They're not telling Ford about this, right? Right. They're shaking on it. Agreed. They'll take this to their graves. ... Or to Bill's grave, anyway.

Hey, it's free gold that Bill is offering him totally voluntarily. After all the trouble this demon's brought into their lives, the LEAST Stan can get in return is a little financial compensation.

Great! Deal made! Time to go get the cursed friendship bracelets and then they can head out—

Ohhh no, Stan isn't trusting a bit of colored lace and some mystical hocus-pocus to keep Bill contained. They're doing this PROPERLY. He's gonna MAKE SURE Bill can't escape. They're going to Soos and getting the REAL, METAL handcuffs from him. Try to get out of THAT! Now... to the car!

... Bill's right wrist is cuffed to Stan's left wrist. This puts Bill on Stan's left side. How are they gonna get Stan in the driver's seat.

... Does Stan want Bill to drive— NO, no, NOPE, he is NOT letting Bill drive, under ANY circumstances, NOT a chance. Okay fine so how are they doing this.

Cue Stan driving with Bill cuddled up against his right side and Bill's right arm stretched across Stan's chest. It's very intimate. Very romantic. You can practically hear Unchained Melody playing in the background They are both so very very uncomfortable.

[imagine a gif from Ghost]

Exactly like that but imagine them grimacing in disgust the whole time

Definitely one of the worst experiences Stan has ever had handcuffed in a car.

So after a VERY unpleasant drive they park, get out—and immediately cross paths with Sheriff Blubs and Deputy Durland. Stan's like ah great, last thing they need, police nearby while they're doing something weird. Well, if they don't make eye contact and go about their way—

Bill waves like HI DARRYL, HI EDWIN, HOW'S IT GOING? WORKING HARD OR HARDLY WORKING HAHA and they're like OH HEY GOLDIE HOW'VE YOU BEEN, DID YOU HAVE A NICE SUMMERWEEN and Stan is like "*Bill what do you think you're doing getting their attention, do you want them asking questions*" and Bill goes "🙂 I did not think this through 🙂"

Which is of course when they go "hey why are you handcuffed to Mr. Pines? You need some help there? I bet we've got a key that matches that handcuff model" and oh Stan BETS that Bill would LOVE to accept that offer and go traipsing off into town with the cops, so he goes "NOPE, that's fine, thank you officers, but we're keeping the handcuffs on. ... Because. They're necessary. ... For me. ... Because I'm old. ... It's to keep me from wandering into traffic."

Bill's a quick liar, he goes haha yep that's true!! This guy's cataracts are so bad, sometimes he asks us if he's dying because all he can see is a white light at the end of a dark tunnel. And the way his mind's going, woof—" "(all right you don't have to lay it on so thick)" "—he's so addled it's like he's completely forgotten the last century of transportation advancements, he'll just walk right off the curb and expect the horse-drawn carriages to stop for him—" "Hahaaa, but we won't bore you with my medical history! *C'mon,* Goldie, you're gonna make me *late* to my *heart doctor appointment.* You don't want my life on your hands, do you." "(You know, I think I kind of do.)"

The cops are like, you can't see? didn't we just see you get out of the driver's seat of your car? and they're like ......... Goldie's giving him directions. 😃

Oh! That makes sense. Okay. They'll let them get to their doctor's appointment. They wander off like y'know i think Goldie's a step up from that seeing-eye bear

They look at each other like, all right, good improv, you're not bad. They can respect each other for that. Stan thinks Bill wouldn't be bad to run a con with if he were literally anybody other than who he is. Okay, on to the dentist.

So the dentist's office is a little garden shed around back behind some other totally unrelated business. Whatever business I can think of that would be funniest. It's a ramshackle nightmare. The dentist, also, is a ramshackle nightmare.

[candy store]

He's surprised to see Stan there, on account of the fact that Stan has no teeth. Because the dentist pulled them all. ... he's not mad is he

No, no, the dentures are great! They're lower maintenance! Sort of. In a way. Anyway, he's here to refer a new customer! ... does he get any kind of referral bonus or

Yeah have a uhhh gold coin or something, here. Okay! New customer! What can he do you for?

Fillings! Okay, on which teeth? Whichever he thinks would look best with some! Dealer's choice! Bill's leaving it in his hands! All that matters is that currently Bill's teeth do *not* have any gold in them, and he'd like that to change by the time he leaves.

The dentist gives Stan a look like "is this freak serious" and Stan sorta shrug nods like "yeah he's serious" and the dentist is like okay!!! Super! This'll be fun! Let's see what he has to work with.

The dentist is amazed at Bill's teeth. Wow. So clean. Perfectly white. Did you just get these cleaned, where'd you get it done at? No? Well, looks amazing. And no wear at all, remarkable... Do you mind if he takes a few pictures? Have you ever considered having any of these pulled?

Stan's like yeesh, he forgot how creepy this guy is. He's like a serial killer crossed with a nerd with a tooth fetish.

Well, the dentist is sorry to say that all of these are pristine. Not a hint of cavities—not even plaque. It'd be a shame to drill them. You *sure* you don't want one pulled...?

Stan is 😬 but Bill is handling this like it's a totally normal question for him to be getting. Y'know what, just the fillings today—but who knows, maybe he'll feel naughty and be back in a couple of weeks haha. Just pick a couple of your least favorite teeth to drill into!

Okay, suit yourself. Let's gas you up and get drilling.

This is the first time Stan's had an opportunity to watch the dentist at work. Which is how he learns for the first time that he saves all the little tooth dust & shards off his drill in a tiny Petri dish. Yeesh. He's an even bigger creep than Stan thought.

Bill doesn't handle the gas well. It's not that it makes him sick or anything. He just forgets how to human. The dentist tells him to hold his mouth open and he holds his eyes open until they water. He keeps forgetting his mouth is occupied and talking to the dentist while he trying to drill. When he's let go, he heaves himself off the chair and immediately falls on the ground because he expected to float. Stan has to support him to the door and he keeps trying to walk sideways. Bill doesn't mind, he feels great! Waves at the dentist as they leave. Thanks for the gold, Atlantis is rising as we speak, you have seven years to prepare for the plague, tell the little lady he said hi! Byyye! Stan is desperately trying to drag him out the door, he turns to Stan like "I made up the bit about Atlantis" "okay now shut up and stop saying weird things"

But not the plague part

The fic *does* take place in 2013

They're driving home. Smushed together all intimate-like. You can almost hear Careless Whisper playing. Except this time Bill is loudly and terribly singing along. He keeps trying to take the steering wheel and turn it like a kid playing in a toy car and Stan has to keep swatting his hand away. Bill's like "I can't feel my tongue at all! I bet I can chew it off!" "Don't do that." "The last time my mouth was this numb, my girlfriend had just gotten done with me, haha. I was almost blind for the next hour from all the spores—" "I swear if you don't shut up—" "I just realized I haven't gotten any action since I died. Wow. This isn't a weird time to bring that up, is it?" "Bill if you say ONE MORE weird thing you're riding home on the roof of the car."

Bill is quiet for three seconds. "Your arm's really beefy! What's your favorite flavor of cancer?"

Mabel: "why are you on top of the car?"

Bill, eyes wide, hair disheveled, one arm hanging through the driver's door, sprawled out desperately clinging to the roof like his life depends on it: "I don't know, it's all a blur." (Note to self, mention Mabel and dipper are heading out for a sleepover or something)

Well, *that* was fun! 🙂 Bill thinks it was fun, anyway. Stan doesn't agree. Anyway, where's Soos? They need the key to the handcuffs.

Soos is having dinner with Melody's family this evening. They call him to ask where the key is. Haha, sorry dudes! He totally forgot he still had it. Yeah, it's on his keyring. Is that, like, gonna be a problem, or...

Well—pff—when are you gonna be back?? Uhhh he's not sure, kinda late maybe. Well, can he duck out and bring them the key? Uhhhh he WOULD but, he's REALLY worried about impressing Melody's parents, and the casserole's about to come out, and he thinks they might judge him if he leaves, and it would probably ruin dinner... Okay FINE, then what if they drive over to get the key? ("STAN CAN I DRIVE THIS TIME—" "ABSOLUTELY NOT") Oh sure, they can drive over if they want—anyway Melody's parents' place is in Portland.

Which is waaaay outside the barrier around Gravity Falls

Welp. That ain't happening. Looks like they're stuck.

... They could call Blubs and Durland—?

NOPE Stan is NOT calling the cops for help NUH UH, he'll WAIT ALL NIGHT if he has to. ... so. What do they do until then.

Cue them grumpily watching a game show together. Bill refuses to sit in the living room with Stan so Stan's on the couch and Bill's sitting in the entryway on the stairs and their handcuffs are strung through the doorway. Hey Stan, still glad you went with the handcuffs instead of the friendship bracelets? Shut up.

Bill's shouting out the answers to every question on the show almost sooner than they're displayed and eventually Stan is like, man, we'd clean up if we put you on this show. No one would ever figure out how you're cheating. And Bill's like HA, listen to you!! If you were Ford you'd be mad that I'm giving away all the answers before you can guess!! That's the great thing about you, Stan, you don't get irritated at Bill for stupid little reasons, you're more fun. HEY FORD DID YOU HEAR THAT, STAN'S THE FUN TWIN— And Stan's like shut up you idiot ford's in the basement he can't hear you. And what are you talking about, you irritate me all the time. I'm constantly infuriated by you. And Bill's like, oh, well, i guess i just don't care when you're irritated then lmao.

Stan's like what's with you anyway, why are you so obsessed with Stan's brother. And bill says SDFHFJF?? DSFKLGLJ??? FLKJFHGD???? EXCUSE M. EXCUSE ME?? OBSESSED??? MOI???? I DON'T KNOW WHAT YOU'RE TALKING ABOUT

Is it OBSESSION to SOMETIMES PAY ATTENTION to the one person in the house he HAPPENS to know best and to whom he HAPPENS to be a teacher and muse and friend— and Stan's like oh that's a load of bull, you're not ANY of those things to him. Friend?? Friend???? HE WANTS YOU DEAD and Bill's like WELL IF THAT'S *SO* then doesn't it also make plenty of sense to keep an eye on, you know, THE GUY THAT *KILLED* HIM, like there's nothing mysterious about why he'd focus a *little* on that person—

THAT'S IT, THAT'S JUST IT!!!! There are TWO people who killed Bill, remember? That was a two-man con he fell for! But he keeps treating Ford like he was the only one there! If Ford's in the room, he's the only person Bill talks to, and if he ISN'T in the room then Bill's yelling across the house for him, and Ford wants less to do with him than anyone else, what the heck, it's creepy—

Only *one* person killed Bill. Stan's not the man who killed him; he's just the place where Bill was killed.

And that baffles Stan into shutting up a second.

Bill's like, do you even remember what happened in your brain?? and Stan's like :/ so Bill's like LMAO!! We were both trapped in there when Ford fired the gun. Completely powerless. Stan was weeping and begging for a way out even, but there was nothing Bill could do by then— and Stan's like all right I KNOW that THAT didn't happen! so Bill's like fine fine okay all right you got me, we actually had this big psychic laser fight, imagining up all sorts of fantastical weapons. And Stan's like, ehhhh, all right, that sounds more like me. And bill says but it was all IMAGINARY, it was a vast illusion, at that point there was nothing I could do to you and nothing you could do to me. We were just two victims locked inside a burning house as it came down around us. YOU didn't kill me, you didn't have the POWER to kill me. And Stan just, gives him this discontented look. Hm.

Oh, oh wow, okay, Bill sees what's going on. Stan's jealous, isn't he. He thought offering up his body to be the scene of a murder finally made him a co-star instead of a sidekick. All their lives, Ford got more attention from daddy, more attention from the teachers, more attention from the WHOLE WORLD—and Stan finally thought he'd at least get a little attention from the big bad living nightmare. Just because he let his brother shoot him in the head. You weren't special enough for anyone else, why do you think you're special enough for Bill?

Oh yeah?? Well he bets he's special enough to break Bill's face— jerks him by the chain into the living room, fist raised; and Bill immediately pulls back as far as he can and tries to shield his face.

As a helpful reminder, Bill's death actually went like this: https://www.youtube.com/watch?v=0D3adyJQDqI so 1) he is VERY much lying to Stan, and 2) getting punched in the eye by Stan in the living room is still echoing in his nightmares.

So there's a split second where Bill is absolutely blind with terror, gets out a strangled "NO—!" and then they both freeze and stare at each other. Stan knows what just happened. And Bill knows Stan knows. And Stan knows Bill knows Stan knows.

Bill immediately plays it off, "come on, I just got all this dental work done, at least give me a couple days to enjoy it before you pound it in. Don't get me wrong, I wouldn't mine having a flatter face, all these bones and cartilage jutting out never did feel right—"

Stan feigns a punch. Bill flinches. Stan laughs at him.

And what's Bill gonna do? Fight him? He is not trained in 3D brawling. He tries, very hard, to explode Stan with his brain. This usually works on people who are annoying him. But alas. "If I had one billion-billionth of my power back I'd have already destroyed you—!" "But you DON'T, sucker!!" Bill screams in frustration and stomps off to go sulk somewhere

Aaand is immediately jerked back because of the handcuffs. Whoops.

"... Whatever I don't even care about your stupid aggressive mammal posturing. It's fine. It doesn't bother me. I'm calm. You're just making yourself look stupid. ... I wanna go to bed."

####

So!! Attempting plotting. When we left off, Bill wanted to go to bed. Which is a problem since he's still handcuffed to Stan

Cue Ford going "Bill. Why are you sleeping on the floor in front of my bedroom door."

Well you see, STAN got them handcuffed together until morning, and Bill tried to be accommodating, but Stan doesn't want to sleep in the attic and won't let Bill sleep in the guest room— (Stan yelling "and Mr. Accommodating here refuses to sleep in the living room") —so the best compromise they've got is sleeping on the floor with the handcuff chain strung under the guest room door, see. Does Ford want in? It'll take a little coordination to get the door open but they've done this once before—

Ford's not messing with this. He's sleeping in the basement. Good night.

At some point in this I've gotta establish that Mabel and Dipper are out of the house for the night. Maybe they're just leaving as Stan and Bill get home. Anyway the point is Bill and Stan are effectively at home alone for the night. Maybe Soos's grandma is still there, she's a little old lady, she wouldn't be much help in a fight

So. Somehow I've gotta get them from being asleep to getting woken up by the dentist being in the house, with the tooth fairy. There's some transitional material I'm missing that I've gotta fill in later.

Maybe Bill wakes up with the dentist's tools already in his mouth, ready to pull. Waking up at 2 am to invasive dental surgery. Bill's like, hello, very forward of you.

[horrified face]

That WOULD be a more appropriate reaction, if Bill weren't so weird.

Bangs on the door to wake up Stan, WE HAVE VISITORS, WAKE UP

Dentist realizes that Bill is stuck in place with the chain, pins him against the wall, and tries to go for his teeth. STAN SURE IS TAKING HIS TIME— Stan gets the door open just in time, Bill tumbles into the guest room, Stan goes wtf why is the dentist here?

The dentist goes uhhhh he just wanted to check on Bill's fillings, yeah, he thought one of them might be a little loose— Bill's like cut the crap, your boss put you up to this, what the heck does the little lady want with his mouth?

Stan's like what? What "little lady," this guy is self employed, what are you talking about— and Bill goes the TOOTH FAIRY, genius, why did you think your dentist pays YOU to pull your teeth! Who'd you think was funding him?! And, well, Stan can't say he ever put much thought into it. He just sort of took this whole thing at face value. But like the tooth fairy is fake right, like that's just stupid—

Which is when a fairy wearing baby teeth jewelry pops her head out of the dentist's bag. Stan's like oh well never mind, just one more crazy thing happening in this town. And Bill's like oh shit she's actually HERE, the situation just escalated significantly.

I've decided the tooth fairy's name is Pearl E. White.

Bill skips straight to addressing her by first name, which disconcerts everybody, not least of which is the tooth fairy herself. Lady, if you were toeing the line of your treaty any harder, you'd be tripping across it. What are you doing here and what do you want?

She's WELL within the bounds of the treaty, she hasn't laid a hand on Bill and she's not about to start, and she's been offering MORE than adequate financial compensation— Bill's like oh yeah I bet the queen would have something to say about you ordering your helper to rip out someone's teeth in the dead of night— and Stan's like hi, question, what the Fuck are you all talking about

Oh Bill can explain, Bill knows lots of things! So this fairy here has a *thing* for teeth. To the extent that she got into a habit of stealing them straight out of humans' mouths! And went so crazy over it that she actually dragged a fairy court into a war with humans over her teeth-stealing habits! Currently, she's only allowed to accept *already freed* teeth that are *voluntarily* offered to her by the owner, which is why she started bribing kids with money.

She starts getting into a gray area working with hired dentists—once a tooth has been handed over to a dentist, that dentist becomes its "owner," and can give that tooth to the tooth fairy—buuut the fact that he *extracted* the tooth puts it on shaky legal ground. Really, Bill thinks the only reason she's been getting away with THAT racket so long is because nobody's raised a legal challenge to it yet. Probably because most humans don't know it's even happening. And with the price of dental work being what it is, yeesh. But—by *any* reading of the treaty, hiring a human to nonconsensually rip out teeth on her behalf is beyond the pale. So she'd better have a good explanation for this!

Yeah, she does have a good explanation for this. SHE WANTS BILL'S TEETH! She'd do ANYTHING for one of his teeth! They're the most amazing teeth she's ever seen!!!

The dentist is like, holding her back from lunging at Bill's face

Okay, great! Fantastic! Bill's not above a little bargaining and he's not too attached to this body—so how much gold you got on you, kid?

Oh no, she's not bargaining. Bill already knows too much, she's NOT about to get blackmailed by a human, and she's not going back to fairy jail. So here's what she's gonna do: she's gonna have her guy rip out every one of Bill's teeth, and then rip his head apart to destroy the witness, and the only negotiating Bill gets to do is on whether or not her guy uses the local anesthetic. What's it gonna be?

Stan cuts in like hi, hey, listen, he'd love to see Bill's head get ripped apart, but—crazy thing—it turns out there's 50/50 odds that killing him will lead to the end of the world, so maybe let's talk this out—

Tooth fairy points at Stan like he's got nothing left of interest to me. He's a witness. Kill him too.

Right, cool cool cool, hey Stan you know that spell Ford's got on Bill? Well if Bill casts it on the dentist, can Stan handle things from there?

Yeah, Stan sees where Bill is going with this. The dentist & fairy don't expect Bill and Stan to lunge for them; Bill casts the can't-use-doors spell on the dentist, Stan drags Bill with him into the hallway, Stan slams shut the door, and now the fairy's bellowing OPEN THE DOOR YOU IDIOT and the dentist is yelling HOW????

They retreat to the entryway. From there they can go out the front door, into the kitchen, into the living room, or upstairs. I need to keep them from just going out the front door, I'll need to think up an excuse for that later. Something magic maybe idk. I also need to keep them out of the kitchen, but that's a likely dead end unless they feel like climbing over the kitchen table to break a window. Basically, I need them to be limited to the living room or upstairs.

The living room is the better option—it has a door to the gift shop, and the gift shop has a door straight outside, as well as doors to the mystery shack museum & the hidden elevator to the basement, lots of great options in there. But Bill drags them upstairs instead. Bill you idiot what are you doing, this is obviously the worse direction??

Shut up we're going this way and Bill doesn't care what Stan thinks about it.

Why are we going this way?? How the heck do you expect to get out of here from up in the attic?! Bill doesn't know, it just seemed like a better idea! There should be a ladder in the storage over the kids' room, maybe they can take that and get down out a window, come on

Meanwhile the fairy is hollering about how YOU DON'T DESERVE THOSE TEETH, THEY'RE TOO GOOD FOR YOU! They're the most beautiful, pristine, unblemished, perfect teeth she's ever seen in her life. (Bill's like "are they really that great?" and Stan's like "eh, a little asymmetrical, honestly.") She's NEVER seen adult teeth so pure and HE'S RUINING THEM by carving out chunks of PERFECT TOOTH to put in unnecessary fillings! He doesn't have the right to those teeth, she deserves them! ("Hey Bill so you knew my dentist was working for the tooth fairy?" "Yes." "And you knew she goes crazy for nice teeth." "Yes." "And it didn't occur to you that she'd be outraged by you carving up your new teeth." "It's in the past, Stanley, focus on the present.")

—and she doesn't even KNOW how he got MAGIC TEETH! Fully adult teeth in a fully adult mouth but SOMEHOW they're barely a month old! It's unbelievable! She couldn't believe it herself until she saw his mouth with her own two eyes! She MUST have those teeth, as soon as possible, so she can preserve them like this, who knows if she'll ever find such a novelty again— Ahhh, so THAT'S what's motivating her. Welp, nope, sorry, Bill didn't see that one coming at all.

... hey, she's been buzzing around shouting at them but they don't hear her trying to help her dentist OR coming after them directly, what's she up to? Stan leans out the door to look into the main attic.

Huh, weird. She's just flying in a circle with what looks like a container of veggies from the fridge?? He thinks it's the sliced portobello mushrooms

WHAT!! OH THAT LITTLE CHEATER IS MAKING A FAIRY RING, THAT'S NOT FAIR—

Aaand poof, the dentist appears in the ring. The fairy must have already made the matching ring downstairs.

The dentist still needs a dumb name

[Drilliam]

Dr. Illiam. It was william but the W fell off his sign

[any relation to dr acula]

Went to dental school together. Dr. Acula kept mislabeling teeth, he always thinks the canines should be longer

He switched career tracks and became a phlebotomist

and speaking of drills — Fairy yells GET THEM, the dentist reaches into his dental tool bag, and pulls out a drill. Not a dental drill. A drill.

They slam the door. The dentist goes AW, F— AGAIN??? The tooth fairy's like JUST BREAK THROUGH IT, YOU HAVE POWER TOOLS

Bill has an idea. Stan, open the window, Bill's tying bedsheets (from Dipper's bed) together. Bill doesn't expect them to climb out that window, does he? No, he expects the *fairy* to think they went out that way, and they can hide in the closet until the fairy and dentist are past them so they can run downstairs.

Stan doesn't like the idea of hiding like cowards instead of fighting. Bill's like I can see a dozen futures that end with our brains splattered across Mabel's dolls you do NOT want to fight against power tools now COME ON

So they hide in the closet. It's uncomfortable in here. They're trying to stay quiet and listening to the dentist mauling his way through the door. Okay smart guy now what? What'll they do when they get downstairs?

Whispering at each other, "Why that way? Why not the living room, it's a lot faster to get out through the gift shop." "... Yeah. Fine—" "What's the matter, Bill, you got a problem with the living room?" "What? No, I SAID fine. It's fine." "It took you a long time." "I was trying to figure out if that was the fastest way out—" "Oh, really??? You sure you aren't SCARED to go in there with me? You think I haven't noticed how you bolt out of the living room any time I come in? Or how you flinch every time I raise my hand?" "... I don't know what you're talking about." "Do you REALLY think I don't remember how you died." "..." "As if I could forget the best moment of my life. Watching you on your knees, begging for mercy, while I put my fist through your face like a cheap mirror—" "YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT!" "ADMIT IT! ADMIT THAT I KILLED YOU TOO! I PLAYED JUST AS MUCH A PART IN IT AS HE DID!" "YOU DID *NOT* KILL ME, YOU *COULDN'T* HAVE KILLED ME, I'M NOT *CAPABLE* OF BEING KILLED BY SOMEONE LIKE YOU!" "*THEN WHY ARE YOU AFRAID OF ME!*" "*I'M NOT AFRAID—*"

Unsurprisingly, the dentist puts a drill through the closet door.

####

For now though: Drilliam is drilling. Bill and Stan are screaming. Bill's shouting IS THIS WORTH IT?? WAS GETTING YOUR DENTAL SCHOOL LOANS PAID OFF WORTH THIS?? DO YOU WANNA BE A MURDERER MAN and he's sobbing I CAN'T STOP NOW, I'M IN TOO DEEP this man is having the worst night, like sure he's obeying the tooth fairy but it's clear she's the bloodthirsty one here

Okay count of three Stan and Bill are kicking the door open. Bill falls flat on his ass and has to scramble back up but they manage to wedge the dentist behind the door in a corner with his drill stuck in the door. Waving at their faces, menacingly. Stupid cordless magic-powered drill. The fairy's buzzing in their faces making them swat at her, the dentist starts to wiggle out, they give the door one last hard shove to knock him off balance and then run for the stairs.

And, of course, they continue the most important discussion as they go. "WHY DOES IT MATTER to you so much whether Ford killed you or Ford *and me* killed you? Why is it SO hard to admit that I threw a punch that took you down?!" "You DIDN'T kill me, you CAN'T have killed me because YOU DON'T MATTER. YOU AREN'T IMPORTANT." "Dsklfslkjf NOT IMPORTANT ENOUGH TO *KILL* YOU?! HOW DOES THAT EVEN MAKE SENSE?!"

And Bill senses he's found a weakness he can needle. "It's true! I've looked into countless universes and you just don't matter! No matter where you go or what you do, you just AREN'T IMPORTANT! If *anything*, all you ever do is make things *worse.* You know, I first tried to work with Ford in a universe where *you don't exist*? And I couldn't do it! He wouldn't give me a chance! Because YOU weren't there to ruin his life and make him desperate enough to turn to an alien, and YOU hadn't spent your whole childhood *training* him to put up with a manipulative con artist's lies—so he'd be *ready* when he met me. Isn't that funny, Stanley?"

Bill's dragged them to a stop now so he can rip into Stan: "You were stillborn in that universe. Your brother had to grow up without a twin watching over him—so he actually learned how to make friends. Your mother was DEVASTATED that she'd lost you—but you know what's funny? I think your family loved that dead baby you more than they EVER liked the disappointment you turned out to be—"

And That's When Stan Punches Bill As Hard As He Can

Bill goes DOWN. There is blood everywhere. Oh shit Stan didn't mean to do that much damage are you okay?

And THAT'S when Stan realizes that they're in the living room. Right where Bill died. Bill goaded him into it

And Bill holds up a tooth, like, thanks for the tooth fairy bait. (Staring Stan dead in the eye with this look like, SCARED OF YOU, AM I?? WHO'S SCARED NOW)

And Stan... Stan is really big on macho, "face your fears," "stand up for yourself," "fight back" displays of masculinity. Stan's figured out Bill isn't much of a physical fighter. He might never be able to throw a punch. He's got tiny little baby hands. But—but—if his response to "I think you're scared" is plunging himself directly into the situation he's scared of, making it as terrifying as possible, and taking it without flinching... Stan, grudgingly, has to respect that. He doesn't WANT to respect that. But it's the kind of thing he respects. [when it comes to fighting, he might be able to dish it; but he can take it]

So now he kinda sorta grudgingly respects Bill. ... But also kind of feels bad for Bill? for reasons he can't quite specify. (Because it's the kind of desperate-to-prove-himself stunt that a younger Stan would have pulled, when he was scared and alone and homeless and trying to earn his fortune and a macho mask was the ONLY thing he had going for him. And he's never seen Bill like that before—all he ever saw was Mr. Big Shot Triangle who always had everything under control up until he was tricked into dying. It's never occurred to him that Bill is scrambling too. That Bill might also be lost.)

(It doesn't escape Stan that, in Bill's efforts to get under Stan's skin, Bill slipped up and called *himself* a manipulative con artist.)

But no time to wax poetic, Stan's not an introspective guy. Tooth fairy bait! A whole entire tooth! What are they gonna do with it?

I still need to figure out this part. They've gotta set a trap to catch a fairy, they've gotta separate her from the dentist, and they've got to do it extremely fast, because being stuck behind a door in the attic isn't gonna hold the dentist for THAT long

What kinda stuff traps fairies. My initial thought was "salt rings" but no i think that's demons. Not sure that works on fairies too

[iron. Not a clothes iron]

idk, chucking an iron at a fairy's head...

Like that post that's like "i know traditionally it takes a wooden stake to the heart to kill a vampire, but i think we oughta give hitting them with a pickup a shot"

It'll probably be something in the gift shop, since they're getting corralled that way. Stan hears them coming and shoves Bill through the door and follows after him. This is a very baffling experience for Bill, as the door was previously closed, and Stan didn't open it, and yet Bill is going through it, and he does not understand enough about doors to make sense of this. (It's a swinging door, it doesn't lock or latch.) The dentist is coming at the door ready to drill it (he doesn't understand swinging doors either) and obviously if he tried to hit the door it'd just swing open which would be bad news for them so Stan is like HOLD IT, that door is LOAD BEARING, if you start hacking holes in it the WHOLE SHACK COULD COME DOWN ON US! And the dentist pauses like. Now that doesn't sound right, but i don't know enough about doors to dispute it.

A load bearing door. ... that swings.

The fairy's like WHAT ARE YOU STOPPING FOR YOU IDIOT, HE'S LYING, DOORS DON'T WORK LIKE THAT— and Bill's like HEY CHECK THIS OUT. Waving his tooth around. YOU WANT THIS???

She's so outraged, YOU KNOCKED IT OUT, what if you CHIPPED IT, she's zooming for it

And Bill chucks it in... something. Undecided. Maybe I'll decide what it is later and then cleverly find a way to foreshadow it earlier in the chapter. Anyway it's totally an effective fairy trap, possibly made out of iron.

BAM, now she's TRAPPED. The dentist is dropped down on the ground to peer through the gap under the door (there's like a three inch gap at the bottom of the door) and goes NO and pounds the door. It swings a few inches open. He stares in bafflement. It swings back and hits him in the forehead. At least Bill's no longer alone in his suffering re: the mystery of doors.

Right! Looks like they've got a proper hostage situation here, don't they! If Drilliam would please drop the power tools and back away from the door. Very good. Stan picks up his bag, holds the dentist at drill point, and tells him to get walking, he'll escort him outside. Stan doesn't trust Bill with power tools, so he can stand guard over the fairy.

... which means Bill is alone with the fairy.

*So*. Bill believes they were negotiating? 🙂

She's not negotiating ANYTHING with him. Look at what he did to this poor tooth. She's hugging it.

SHE'S obeyed the letter of her treaty, even if not the spirit, and when the fairy court hears tell of this they'll back her up and come free her, and oh, THEN Bill and Stan will be in trouble—

WAIT I JUST REALIZED. HOW CAN STAN LEAVE IF HE"S HANDCUFFED TO BILL.......................

See this is wh. This is why i outline. This is. The reason i do it. Invaluable process.

Maybe the handcuff broke when Stan punched Bill. Turned out it was a cheapo flimsy chain. Maybe they're still handcuffed together and I'm just gonna have to dial back how much Bill can say to the fairy because he knows Stan is listening.

I feel like separating Stan & Bill's cuffs would be a cop out, unless I can make it a really good moment

You know what, if bill had an opportunity to talk to the fairy alone, he would've tried to rope her into getting him some help that i do NOT know how to pay off. I was gonna have him promise a tooth off of his stone corpse in return for Assistance (As Yet Undecided), but i feel like giving Bill an in with some nebulous organization of fairies might be giving him too much power too soon?? Like, "what COULD he do with a huge favor from a fairy" versus "what do I want him to currently be ABLE to do" + "what do I want people to THINK he can do," a fairy favor might be too much??

I'll try rolling with them still being chained together, see how i like that. Okay so ignore what i just said, Bill is going WITH Stan to kick out the dentist—they just shove him out the gift shop door and he stands out there making sad puppy eyes at them—and then go back to negotiate with the fairy.

And her buddies are gonna be mad when they come to get her!

Bill's like, but that's assuming they come for her, which they might just not, once they hear where she is. IF they hear where she is. She DOES know where she is, right? (Sure she does, this is the Mystery Shack.) And she does know who owns it, right? (Sure she does, he's right there—) Who REALLY owns it? (...) Are you *sure* they'll come for you here?

It doesn't matter who owns this place, HE'S been gone for decades— Oh, has he? You sure about that? You didn't think it strange that an odd person with magical teeth and weird eyes—a real bonafide freak—happens to be in this shack, getting escorted around by handcuffs? That didn't make you ask any questions?

Stan puts a threatening hand on Bill's shoulder like *hey, easy how much you spill*—most people don't notice Bill doesn't look quite human until he points it out—and seeing *that* gesture terrifies the fairy more than anything else Bill said, like oh shit, he's not bluffing, she's been hunting somebody else's prisoner.

So how about this. If *she* promises to leave and never harass them again, *they* promise not to wake up the jailer and ask how he wants to deal with her. Because Bill just wants to be left alone, and he assumes Stan just wants to go back to bed—but *him,* oh, he wouldn't hesitate to pin her wings to a board. Sound fair?

Yes, yes, it's fair, she'll leave them alone! Just let her go!

Great. 🙂 Oh, and one more thing. His payment for that tooth?

She gives Bill a gold tooth. 😠 And they let her go. She's a fairy, her word's as good as law. If she promised not to bother them again then she won't. Can't lie.

... so. What was all that about the true owner of the shack?

Oh haha yeah! Fordsy's got a bit of a reputation around the town's paranormal community. He actually wasn't much more personable with the freaks he was studying than he was with the other humans in town—he had a tendency to catch, study, release. One or two times he *didn't* release. Rumors grow with time. And well, if it's useful to pretend to be one of his specimens...

The idea of keeping a person (a person!) prisoner to study does Not sit well with Stan. "You're *not* one of his specimens." "No? Has he been studying me?" "Of COURSE not" but now he's thinking about it.

... Well. Back to sleep? ("Are you gonna let me sleep in the guest room now?" "*No.*" "Aww, I thought we'd bonded a little!" "After all the horrible shit you said earlier??" "Haha you're too sensitive.")

......... WAS the horrible shit Bill said true? Or did he just say it to get a rise out of Stan.

Naaah, he just thought it would be funny to make Stan mad. He never saw a universe where Stan and Ford weren't inseparable as kids. But then he never dug that hard. It wasn't one of his priorities.

Stan doesn't think Bill's telling the truth now; but Stan doesn't think Bill was telling the truth earlier, either. Bill's not telling Stan what the multiverse is like; Bill's telling Stan how he wants Stan to feel. Bill *could* have said everything he'd said was true, but he didn't.

"You're not a half bad liar, Cipher. It's too bad you're a lousy dirtbag bent on world domination, or you could've made a decent partner-in-crime." "Yeah? Well, my schedule's clear, I'm bored, and running a two-man con sounds fun. Let me know." "Don't count on it."

The end.

Epilogue: next morning Ford goes "did you two sleep well?" (He's not actually asking Bill he's just asking Stan. He hopes Bill got an annoying crick in his neck that'll never go away.) "Oh yeah, no problem. Got comfortable and didn't move all night." "We barely even noticed the handcuffs. Slept like babies." Well, Ford's relieved nothing weird happened last night.

There's a knock at the door. He'll get that.

It's a very sad and bedraggled dentist. Can he please have his ability to open doors back? He had to sleep outside last night. 8,C

... only the person who cast the spell can lift it. Hey Bill, get in here. "Slept like babies," huh?

The end end

####

[everything after this is various points in other conversations where I was discussing the where & how the tooth fairy arc would fit with the overall story, to show you what kind of plotting-over-time I do for the big elements of a story.]

You know what I'm gonna go with a tooth fairy. The show's featured gnomes, mermaids, subterranean dinosaurs preserved in tree sap, and Cupid. A tooth fairy works.

A dentist who worships the tooth fairy. The fairy gets a glimpse of Bill and goes "WOW I've never had ALIEN TEETH before! *Bring them to me.*"

[hell yeah alien teeth]

####

And probably the chapter after that is gonna be Stan Takes Bill To The Dentist. Where Bill goes "you don't have to worry about me running off, we can use the friendship bracelets." "Oh ill friendship bracelet YOU. And I'll do it WITHOUT MAGIC." *slaps actual real handcuffs on himself and Bill. Loses the key.*

####

He played himself. I think I'm gonna have them be handcuffed through the ENTIRE tooth fairy arc. I think it would be really funny.

Ford like "Bill, why are you sitting in the hallway outside my guest room."

"Because SOMEBODY decided to HANDCUFF US TOGETHER and then LOST THE KEY so I have to SLEEP IN THE HALLWAY with the HANDCUFF CHAIN STRUNG UNDER THE DOOR. ISN'T THAT RIGHT, *STANLEY.*"

"Right. ... I'm going to sleep in my lab tonight."

####

Things going on:

- Stan unwillingly getting dragged into his "befriending the evil triangle" arc. Woe, friendship be upon ye.

- Bill copes with traumas by setting himself up to relive them until they stop hurting. Burning down your dimension devastated you? Become a serial arsonist, stare into the flames over and over again! Flinch every time the guy they punched you to death raises a fist? Goad him into following through, now it's not scary anymore!

####

Where I am right now: Mabel has just won Bill's loyalty forever. Where I need to get to: the next "episode," which is *probably* gonna be Stan taking Bill to the dentist and getting tangled up with the tooth fairy, unless I come up with another plot I think might be more appropriate to come first. I feel like I can't just hop straight into the next episode, because Mabel's JUST befriended Bill, so I need to spend a little time showing them BEING friends so that that convincingly sticks. And I can't "just" show them hanging out coloring pictures or whatever, I've gotta have something, like, *happen.*

####

Today's mission: figure out how to jigsaw in all the plot points I need to establish before the season one finale (when [SPOILERS SPOILERS SPOILERS SPOILERS].)

I've made a list of all the things I'm pretty sure need to happen:

- Bill makes progress on lucid dreaming 

- Stan emotionally invests in Bill

--- ( this will be the Tooth fairy arc)

- Ford decides Bill isn't gonna kill them

--- the eclipse

- Ford likes Bill a tiny bit

- Dipper decides Bill is harmless

--- (I'm planning a gag where bill gets accidentally locked in the bathroom all day, this'll achieve that)

- Dipper decides Bill might be useful

--- (The eclipse)

- Bill makes contact with cultists

--- (cultist visits shack looking for bill)

- Bill finds a way to sneak outside

- conversation with dipper about the third dimension

- Fiddleford finishes the gun

--- (this will probably necessitate another Fiddleford visit)

This isn't everything that COULD happen before the season 1 finale, but it's the BARE MINIMUM everything that needs to get done.

####

There's plenty of other things that could happen before or after this, but i might need a better idea of how I want to shape season 2 before I can decide what to put before and what to put after

Like, the monster truck plot. I'm toying with whether I want it before the s1 finale (which would mean Bill can use Gideon to make contact with his cultists) or after (which would mean [SPOILERS SPOILERS SPOILERS])

Somebody else put this together into a coherent plot arc for me o|-<

I keep pushing back writing the tooth fairy arc because i keep going "no wait, i thought of something else i need to do first—" and part of that is because, i feel like, once the tooth fairy arc happens, that kicks in gear Bill interacting with Gideon (because then he's got a gold tooth), which naturally leads to the monster truck arc, which is a big event, so anything that needs to happen "early" in the fic needs to happen before then—but if i do decide to push the monster truck arc to later on, that's less of a concern. Instead I could spend more time on foreshadowing Bill messing with Gideon.

[vote push it back]

you may have a point. The main thing is if i push it back, it would make the most sense to go in season 2 (when [SPOILERS SPOILERS]), BUT: one of the things I'd *like* to do with the finale is [SPOILERS SPOILERS x100] which needs Gideon. (Alternatively, I could make up some new, lower-key method for Bill to get Gideon under his thumb without meeting him at the monster truck rally—but I'd have to think up some Whole New Plot that's Interesting enough for that.)

####

Okay so i think my rough roadmap is. Tooth fairy plot -> Gideon chapter -> the axolotl eclipse -> the season finale. These four events contain most of my "MUST be done before the finale" events

####

I think the "makes progress on lucid dreaming" can be achieved during the Gideon chapter. I can bookend the chapter with a couple of his efforts, to show how he progresses over the chapter. *Maybe* I can shove one into the tooth fairy chapter, have a dream be interrupted by the dentist waking him

Yeah, there are two dreams I know I want to happen; a replay of Bill's mom dying where he "remembers"/admits that when he realized he hurt his mom, he *kept on pushing*; and a second replay where he seizes control of the dream and rewrites it so that it's like a big fun gory game (and thus re-burying the traumatic reality of what happened). I can put those at the beginning and end of Gideon's chapter.

####

Okay I think my current road map is:

tooth fairy -> bill figures out how to sneak out/dipper finds bill locked in the bathroom -> Gideon (+lucid dreaming) -> (Bill talks to Dipper about how he perceived the universe, leading to) The Eclipse -> Ford brings home a copy of Flatworld, letting the kids learn more about Bill's backstory/Fiddleford tells Ford the gun is ready, leading to -> the season one finale.

We're in the final stretch! No more random diversions, probably!

####

[destiel-gift-exchange]

Welcome to the 2024 Destiel Gift Exchange!

This is a 3-round gift exchange, with the first round being art only, the second round being fics only, and the third being a mix of both! The match-ups are randomly generated, and there are 2 check-ins in each round before the final deadline.

Discord

Sign-up form

The schedule and rules are below the cut

Schedule

Art Exchange

Fic Exchange

Entry form opens - July 11th

Entry form closes - July 28th

Artist match-ups go out - August 2nd

1st check-in (sketch completed) - August 16th

2nd check-in (partial coloring completed) - August 30th

Final art due - September 13th

Mixed Exchange (both art and fics)

Entry form opens - July 11th

Entry form closes - September 8th

Match-ups go out - September 13th

1st check-in (40% written) - September 27th

2nd check-in (80% written) - October 11th

Final fic due - October 25th

Rules

Entry form opens - July 11th

Entry form closes - November 10th

Match-ups go out - November 15th

1st check-in (40% written/sketch completed) - November 29th

2nd check-in (80% written/partial coloring completed) - December 13th

Final fic/art due - December 27th

General

All characters depicted in sexual situations must be over the age of 18, and all partners being sent explicit fics/art must be over 18 as well. All explicit art progress updates must be posted in ⁠#nsfw-progress-updates in the discord and all explicit fic snippets must be posted in ⁠#nsfw-snippets

All fics/art must center around Destiel. Crossovers and other ships are allowed, but Destiel must be the focus of the fic/art.

You may participate as any combination of writer, artist, and/or beta and in as many of the rounds as you want to. However, please keep in mind your own limits and do not sign up for more than you can reasonably and assuredly commit to.

Treat other event participants and the mod team with kindness and courtesy. Respect others’ boundaries, ideas, interpretations, and preferences.

Be in regular contact with your partner. Let them know if you’re going to be offline for a significant period of time. If you’re having issues getting in touch with your partner, please contact one of the mods.

All fics/art must not be previously posted in any form, but you can use your non-posted WIPs or ideas. Sequels or spin-offs of existing fics are allowed.

Let both the moderators and your partner know ahead of time if you can’t make one of the check-ins or the final deadline.

DO NOT USE AI

Fics should be posted to ao3, added to the event collection, and marked as a gift to your partner if they have an ao3 account. If they don't, put their tumblr in the description. Art should be posted to tumblr, tag the event tumblr, and tag your partner's tumblr

Writers

The minimum word count required for a fic is 1,500

The amount of progress required for check-ins is determined by the total estimated length of your fic, not the minimum word count. For example, if you expect your fic to be around 50,000 words you should have 20,000 written by the 40% check-in.

Having a beta reader is not required, but if you don’t have a beta but you want one, make a post in #⁠find-a-beta in the discord with your estimated word count, fic rating, and what you want the beta to do.

Artists

Artists will create at least one piece of art for their partner. You can create more if you have finished one and have enough time to complete a second piece.

All visual art forms are welcome, whether digital or traditional, 2-d or 3-d, video or image. Photo based art must be more than a filter application, text overlay, or a collage to be accepted: the photos must be significantly altered in order to create a unique image.

Art should be at least 500px wide. There is no max size, but be mindful of final file sizes.