#and I strongly stand by this statement

[angelnumber27]

I think everyone should be able to do whatever the fuck they want as long as nobody is being harmed by it

[thedreadvampy]

I mean sure, I can understand this perspective, but I'm not sure whether most people feel less shaken to be thrust into conversations about "self-unaliving" than conversations about "suicide"

and I for one as a survivor would much rather unexpectedly encounter somebody talking about "rape" than somebody talking about how funny it is to have sex with somebody when they don't want to, a normal thing that doesn't need to be named because it's So Normal.

which is to say. this is a post about words. the words are not the distressing thing about the discussion. the distressing thing is the distressing thing about the discussion. sugarcoating, dodging or renaming the distressing thing doesn't make it less distressing but it DOES often make it harder to have a frank discussion about it or address it in serious terms.

[pinch of salt: solid probability from their blog that this person is a Literal 14 Year Old and the perspective from 30 and 14 are very different. I do stand by all the points I'm making but I think this conversation lands a lot different for people at different life stages - there is something to be said for the general issue that the internet has flattened social groups to the degree that I as a 30 year old can make a post to my audience of largely adult millennials that immediately enters the same conversational space as people half my age and still in school. that seems. ungreat. as the primary way we engage in conversation. but I don't have solutions to offer.]

you gotta be able to say "die"

you gotta be able to say "suicide"

you gotta be able to talk about "sex"

they're uncomfortable topics, YEAH for SURE

because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.

even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"

like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.

[steviescrystals]

being one of two liberals in a government class full of raging conservatives my senior year of high school was character development

[submattenthusiast]

public - christopher sturniolo

"y'feel me rubbing against your ass mama" chris whispered into your ear. the raspiness of his voice made the hairs on your neck stand and sent chilling shivers down your spine. plus the subtle neediness that came out with the casual use of the pet name. textured fingertips pressing into your hips as he rubbed his dick against you shamelessly. not caring that there was people around and you were in the middle of the crowded store. disgusted stares were shot his way but he gave no fucks, as he expressed strongly. "have some decency" you scolded, pushing his grabby hands away from your body.

the cute vintage looking ed hardy shirt caught your eye, distracting you momentarily from the visions of his dick running through your head. you immediately stopped at the rack to squeeze it out from in between the bigger clothes beside it. interrupting your shopping again, chris snuck up behind you. placing his head on your shoulder he complimented, "like that shirt, you'd look hot in it". brown hair and stubble tickling your neck and cheek as he talked. leaning into his firm chest you sigh, "yeah i like it too but it looks a little small y'know?". with a dirty smile he responded, "the smaller the better, your tits will look amazing". as if his statement wasn't vulgar enough, he gave the tits in question a quick squeeze.

putting on a front was a specialty of yours and it came in handy in this moment. his blatant boldness and horniness was soaking your panties. but he didn't and wouldn't have to know that. smacking his hands away, you groan. "do you have shame?". it was a rhetorical question really but you still expected a response. a chuckle is all he mustered up. "the shirt, yes or no", "yes. it's got my dick hard" he mumbled. the security camera above caught all of this lewdness, catching his dirty comments, catching his pink lips as they kissed up your neck, catching his eager hips grinding against your ass.

the minor acts voyeurism caught the attention of others, easily. the staring and scoffs made you slightly insecure and ruined the fun—at least for you. chris was still dry humping you with no care in the world. "people are staring jackass, stop" you whisper, breaking away from him. your break away attempt was short lasting unfortunately. soon as you stopped again, he was back on you. this time just pressing his dick against you. "i don't give a fuck, let em watch" he nonchalantly states. though the idea turned you on, you weren't that much of a slut to fuck him in the middle of a thrift store.

the metal colored his palms red as he caught the assortment of keys. his raised eyebrow questioned you before he could. "go jerk off in the car since you're into people watching" you state, walking away from the horny boy. his loud cackle brought more attention onto you both—annoyingly. jerking your head to the side you waited for him to leave, so you could finish your shopping. turning to the other shoppers he boldly stated "i'll film it for y'all, so you won't miss out on the show"

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[oldpotatoe]

"the first casualty, when war comes, is truth"

i wish i wasn't writing this.

i wish i didn't have to caveat this whole statement with "by the way, i strongly condemn the killing of innocent civilians in any circumstance whatsoever" because i am a muslim and obviously every muslim voice represents all 1.8 billion of us, right? but your faves can go on instagram and loudly proclaim there is no two sides to this - i stand with the apartheid state bombing and starving children! with no consequences whatsoever. right.

i wish i didn't have to filter every bit of information i saw because of rampant lies and misinformation boosted across social media, especially when it shrouds the actual atrocities happening. it's still unconfirmed whether 40 babies were murdered by hamas militants - if true, it is an awful, awful act done by the lowest of the low. but as we speak, 447 children have been confirmed to be killed - murdered - in gaza just in the last few days.

i wish i didn't see videos of those murders. i wish i could wipe away the horrific wailing of a father as he clawed his daughter's lifeless body out of rubble, falling to his knees as he cried for her to wake. i wish i didn't see mothers clutching small, bloodied bundles in their hands, screaming and screaming and screaming. i wish i could forget that i have been seeing iterations of these videos coming out of palestine from 2021, 2014, 2009, 2006 - oh, basically anytime israel decided to launch an offensive on gaza.

i wish children didn't make up 47% of gaza's 2 million population, of which 4 out of 5 were living with PTSD and depression as per a report from last year (aka before this latest shitstorm started), because living in an open air prison under constant threat of bombing really helps make those childhood memories extra special. i wish these children were considered as human as those across the border, their lives as important and meaningful.

i wish that literal war crimes were not taking place in gaza right now. this includes the war crimes by hamas of taking innocent hostages - hamas, may i remind the reader, is a palestinian terrorist organisation but not all palestinians are hamas - and also the war crimes of the israeli government by literally ordering a siege of gaza with "no electricity, no food, and no fuel." this is to ensure that the children who aren't already dead are well on their way, i guess.

i wish we weren't watching an ethnic cleansing literally taking place in front of our eyes.

i wish i didn't feel so helpless. i wish i could console my friends who are on the daily losing multitudes of relatives, and who now have no way of finding out who else they've lost until the electricity comes back on. i wish my words didn't feel so hollow.

i wish i could wave a palestinian flag in solidarity but i may get arrested for it here, in the uk, so better not.

i wish. i wish. i wish.

[zais-zafu]

ʚïɞ ⋆｡ how I use psych k to reprogram my mind ｡⋆ ʚïɞ

hi everyone! today I am gonna talk about psych k - a combination of techniques I have been using to change any limiting beliefs I had and reprogram my subconscious to know it is limitless.

now available as a yt video!!

table of contents:

1. what is psych k & why/how it works

2. techniques to use

3. steps to follow in every psych session

｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡

chapter 1: what is psych k & why/how it works

so psych k is a collection of methods used to reprogram the subconscious mind through releasing old patterns of thinking, feeling, and behaving, it basically uses specific protocols to get you back to the super learning state you had as a child.

I find it quite great to use for changing beliefs around myself, my life, and my manifestations, also these techniques help you assess how strong (or real) a belief feels to you, which we will talk about later.

these techniques might take time to master as you get to know your body, but really you don't really need to be a pro to do them well. the practice is mostly about getting better at self-assessing your beliefs.

so why exactly does psych k work?

basically, as children until the age of 7, our brains engaged in a full-time mode of super learning. that meant that it was absorbing all kinds of beliefs, ideas, knowledge at such a fast pace, almost like our brain is made out of sponge. this meant that whatever environment we were put in affected our subconscious mind, directly rewiring new beliefs.

now where does psych k fall in all of this?

through psych k techniques, you are able to go back to the super learning mode of the brain we had as children, which in turn allows you to edit your subconscious beliefs directly w/o the conscious mind interfering. instead of going the long way with regular affirmations, you speed up the process with psych k!

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chapter 2: techniques to use

🫧 part 1: questioning/testing techniques

these techniques are used to test the strength of a belief or ask the subconscious mind 'questions' (in the form of affirmative statements, not actual questions).

so let's say I wanna test how strongly I believe, 'I am worthy of happiness,' if I truly believed it, I will get a strong response (depending on the technique used, more on that below) and if I don't believe it, I will receive a weak response. so basically, if you wanna receive insight to how your subconscious mind feels about certain statements, remember this point: strong response = yes and weak response = no.

now let's talk about some methods that you can use for testing, seeking permission, and asking the sub mind:

🦋 technique 1.1: arm lever test

this is my go to technique for testing a belief. you can find videos that demonstrated it in the sources at the end of the post, but here I will explain the steps of using it:

1. stand up, keep your face straight (don't lower your neck), keep your eyes open, and look down by lowering your gaze only

2. hold your arm out: extend one arm straight out in front of you. hold it a little upward

3. test with the other hand: use your other hand to gently press on the extended arm, kinda on the middle/wrist area

4. test statements: bring into your awareness a belief like 'I am worthy of happiness.' if the sub mind thinks the statement is true, your arm should stay strong and resist being pushed down (strong response), but if the statement is false, your arm would weaken and easily be pushed down (weak response).

🦋 technique 1.2: finger o-ring test

(never tried it but ig it is a more descrete and an easier way compared to the arm lever test, so if you decide to try it, lmk how it went!)

1. form a ring or O shape by touching the tips of your thumb and index finder together on one hand

2. test the ring: with the other hand, use your thumb and index finger to gently try to pull apart the O shape while saying specifc statements or affirmations. a strong response is the ring not breaking, a weak response is the ring formation breaking apart.

🫧 part 2: new belief integration techniques

now we will talk about the bulk of the work: reprogramming your subconscious mind. I will start with talking about the main technique I have seen being used and then some other techniques I have heard about, but I haven't really tested, now let's begin!

🦋 technique 2.1: the whole-brain posture (the "balance" position)

1. sit comfortably on a chair with your feet flat on the ground.

2. cross your legs and arms over each other:

there are 4 combinations in which u could do that: right ankle over left, right wrist over left / right ankle over left, left wrist over right / left ankle over right, right wrist over left / left ankle over right, left wrist over right.

the way you choose to do it is important since a side of your body holds the belief you wanna change over the other, I usually don't bother knowing which side is weaker (aka needs more reprogramming) & instead I do all of the 4 combination for like 5 minutes each (or until I feel that my mind has accepted the affirmations).

anywho, once you have decided which combination you will use for the next 5 minutes, extend your arms in front of you then interlock your fingers and bring your hands up toward your chest.

3. close your eyes, take in deep breaths to calm yourself down, and focus on affirming or visualising the belief you want to integrate for as long as you need (like I said, I usually do 5 mins).

4. once you're done, uncross your limbs and reposition.

5. save the new belief by placing your fingertips together in front of you (forming a pyramid shape) for a few seconds (if the sub mind is a computer, think of this as a safe command!)

6. if you wanna, rinse and repeat for all combinations.

🦋 other techniques:

2.2: cross-crawl exercise: stand up and march in place, lifting your knees high. as you lift your left knee, touch it with your right hand. then lift your right knee and touch it with your left hand. (this promotes integration of the two sides of the mind). continue for a minute or two, focusing on the positive belief or intention you want to integrate.

2.3: energy yawns: place your fingertips on your cheekbones and gently massage while yawning deeply. this relaxes the brain and enhances focus.

2.4: lazy 8s: trace a large figure 8 in front of you with your hand, moving from left to right. this exercise helps integrate both hemispheres and improve coordination.

｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡⋆｡˚ ʚïɞ ˚｡⋆｡

chapter 3: steps to follow in every psych session

next we are going to talk about some sort of procedure I have come up with for whenever I am doing a self-administered psych k session. you don't have to follow it exactly, but I hope it provides w the guidance you need to start immediately!

🦋 step 0: preperations

it is important for you to be in a relaxed, meditative state for the work to be even more effective so here are some extra stuff you can do before starting the session:

1. stay hydrated + keep some water beside you

2. sit in a quiet room all alone

3. use noise-cancelling earphones for more quietness

4. listen to some type of colour noise at all times to stay relaxed + focus inward instead of outward

5. keep some journal with you (or use the notes app) to record, reflect, and take any notes

🦋 step 1: establish the protocol

before starting anything I want you to have an idea of what exactly you wanna get out of this session, so sit down & write down the methodology for this session based on this chapter. so basically, you specify each of the following steps I will discuss in this chapter cos psych k has many approaches

you can also identify your why for carrying out this session and what affirmations/visualisations/etc. you will be using.

write that all down on a piece of paper or an online document, so you could refer back to whenever you need to remember the next step

🦋 step 2: prepare your mind and body

now you need to relax your body and mind, stop overthinking and stay present, for that I recommend breath work, I personally use the wim hof technique!

after you're done regulating your breathing, and with it your mind and body, take a moment to state your intention to connect with your subconscious mind, elevate any symptoms, and change beliefs using X affirmation (or any other technique), you can say this outloud or just in your mind.

🦋 step 2.5: identify what you want to work on

step 2 is built on the assumption that you already know what you wanna program, but if you don't you can use this stage before stage 2. here are some suggestions for how to pick a belief:

1. order beliefs and work on ones that are the most foundational, ones affecting multiple areas of life or your self concept

2. choose a belief that is urgent, that is it is causing you major stress in your life and it is what you mostly think of

3. layer your beliefs. what I mean is you can start with a general belief, such as 'I am capable.' and as you do more sessions, add more details to it, for example 'I am capable of succeeding in my career.'

4. google general limiting beliefs people have. you can even google specfic ones like 'limiting beliefs around love' and see which one resonates

5. journal, sometimes a quick journaling session can immediatly tell u what immediate obstacle there is in your thinking, which will give you a great idea of what belief you need to change

🦋 step 3: use a testing (permission) technique to identify where your beliefs are at, then test and establish baseline responses

like I said, psych k helps you understand how much you believe a belief, refer back to chapter 2 for some testing/permission techniques to use, but basically you will decide what technique you wanna use (I usually go for the arm lever test)

next, you will use the technique to establish what is a weak response for you and what is a strong one. you can use commands, such as 'be strong' & 'be weak,' or basic statements like 'my name is [false name]' & 'my name is [true name]' to understand what a true & false response feels like

🦋 step 4: ask question regarding the belief to test it & maybe revise intentions

so now that you know what a strong belief verses a weak one shows up in your body, it is time to ask some questions! basically you are gonna say your limiting belief (just like you'd say an affirmation and in present tense) and then test to see how strong (real) it seems + you will do the same for your affirmation to measure its strength

you can ask follow up Qs in the form of much specific statements to understand how your body truly feels about it. based on your findings, you can set new intentions if you think there's a better belief to work on rn.

🦋 step 4.5: ask for permission to change the belief using a testing/permission technique

for this you can use the same technique you used in the step before to test the belief. you basically set your intentions using something along the lines of, 'I request permission from my subconscious and superconscious mind to proceed with this belief change.' you can get more specific or change the wording to your liking

the reason this is step 4.5 is because I don't see it always being used, though I think it is good practice to ask for permission before trying to do something that might be too traumatic to do at this stage.

basically, a strong response = yes & a weak respone = no

if you get a no, you might wanna reflect (through your journal) on why this happened and how can you change that, maybe this is not the belief to change for today or maybe you gotta approach it from a different angle.

you can continue to test your sub mind through different statements and asking for permission, when you're satistified with the results you may continue!

🦋 step 5: choose a belief integration technique to integrate using the balance position

now for the bulk of the work! you're gonna decide on what technique you're gonna use to reprogram and what supplementary techniques you will use (affirmations, visualisations, aff tapes, etc.) (my fave rn is aff tapes!!)

like I said before, I typically use the whole-brain posture. and ofc, once you're done you will just save it as discussed, and then repeat it if you wanna

🦋 step 6: test the belief again

repeat step 4 & use a testing technique (like the lever test) to identify how your beliefs have changed

🦋 step 7: solidify your belief over time

give yourself a couple of weeks or a month and then, retest the belief again using a testing technique (after relaxing and getting into a meditative state of course).

then you can try to anchor them through visualising. another good way to solidify them is to set goals and actionable steps for yourself to challenge the old belief

& ofc pay attention to how you feel and if it feels like you need another session, go for it!

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andddd that's all!! thank you sm for reading and good luck reminding yourself that you are limitless! these techniques are on the newer side for me so let me know your experiences and thoughts on the topic cos I am always open to learning more about it <3

p.s: here are my main source that I reccomend watching as a beginner + if you wanna see live demonstration of the techniques:

https://youtu.be/xr7mZmIhBSg?si=fWyigeSDc9oPsdqn

https://youtu.be/qhDH_a3MHKo?si=XfGV8Mg5lIHAUSH8

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[lure-of-writing]

Priority

Word count: 4.2k

Warnings: none

Summary: Bodhi is in love with you. Hopelessly in love. Unfortunately for him he can't say anything about it.

If you asked Bodhi when he first met you two things were certain. One, he would tilt his head to the side and raise an eyebrow in question. Two, he would give a small shrug of his shoulder before saying “Uh I don’t know?”. His statement always sounded more like a question. In his defence why would he know the answer to that question. There is no point in time where Bodhi can pinpoint the moment you entered his life. Unfortunately or fortunately depending on who you asked, you have always been there. Always a constant in his life and he wouldn’t have it any other way. 

“Oh come on Bo don’t be like this.” You tilt your head slightly, your lashes batting so strongly he swears that there is a draft in here. Bodhi doesn’t budge, he keeps his arms crossed over his chest with a slight twitch in his clenched jaw. “You know I didn’t mean it right?” The teasing in your voice softens, just a little, just enough to know you really didn’t mean anything by your comment.  “As cool as Xaden is, I could never replace you with him.” You pause for a moment before adding “His ego is too big for me.” Bodhi glances down at where you were sitting on the ground next to the chair he was sitting in. Bodhi wanted to say something sarcastic right back at you, but he couldn’t, the jealousy burning in his throat wouldn’t allow him to. Even if he could say anything he wouldn’t be able to; the way you were looking up at him, like you needed him to know you were only joking. Like what he thought truly mattered to you, it rendered him speechless. 

 Your friends- Liam, Garrick, Xaden and himself were spread out in Xadens room talking about nothing and everything all at once. Garrick being the instigator he is just had to ask you who you would pick to be stranded with and of course you being you said his cousin. He knew you were just trying to mess with him. To get under his skin. And it worked, of course it did. Bodhi would never admit it to anybody but he felt like he was always walking in Xadens shadow. Always second best, never good enough to be picked first. Your lighthearted teasing didn't make him feel any better, not when the jealousy hit harder than it ever had before. 

Bodhi said nothing as you stared up at him. He stared down at you as you looked up at him, a frown was starting to replace your teasing smile. He hated that look, despised it really. If there was one thing he couldn’t stand, it was seeing you sad. “Are you really going to give me that look?” he muttered, and you didn’t miss the annoyance painting his voice. But the moment he finally looked at you again you knew he truly didn’t mean it. With your eyes locked onto his nothing else in the room existed besides you. God he could never be mad at you, not when you look at him like that. 

 The glare he sent Garrick wasn’t missed by you but you couldn’t help yourself when you leaned your body to rest fully against his leg. Placing your head against his thigh. Bodhi would never reject your touch, not when it was so familiar. He craved the feeling of your body against his, more often then he would care to admit.  With Bodhi ignoring you, Liam picked up the conversation, you were trying to listen but all of your attention was on Bodhi. Truly you felt bad about hurting his feelings. While he would never admit that you did, you could see it in the way his jaw set, hands flexing against his arms and his eyes flickering away from yours to hide his hurt. Bodhi could feel the guilt coming off of you in waves. Without even thinking about it he gently brushes his fingers through your hair. He may be talking to Garrick but you knew his attention was on you. This was his way of letting you know that he accepted your apology. The words “i’m sorry” never tumbled out of your lips but the way you leaned further into him and periodically glanced up at him in worry was an apology to him. Words weren’t needed, they never have been, at least not between the two of you. 

“Bo?” The light nudge against his legs pulls his eyes away from Garrick and back to you. “Yeah?” His response was equally as quiet as yours was. His voice felt thick with an emotion he refused to acknowledge. He didn’t stop his ministrations. Instead he found that spot behind your ear and rubbed gentle circles on it before resting his hand on the base of your neck. His fingers still tangled in your hair. “Ya’ know I would never replace you right?” The guilt mixed with an undercurrent of pleading broke his heart.  “I know sweetheart.” His whispered words sound a little rough even to him. But he meant what he said. Gently he squeezes the back of your neck in an unspoken promise. He wasn’t going anywhere, no matter what you were to follow. 

“You couldn’t get rid of me even if you tried.” His words were an afterthought but he meant them. Bodhi bent forward slightly to reach eye level with you. His other hand that wasn’t tangled in your hair cupped your cheek softly turning your face to look at him. The limited space between you forces a sharp inhale of air into your lungs. Bodhi didn’t miss your near silent gasp or the way your eyes flickered over his face before looking at his lips and then back to his eyes. “Sweetheart I’m gonna need you to stop worrying in that pretty little head of yours, ok?” His voice was quiet but you felt them as if they had been screamed at you. That nickname he gave you never failed to make your heart skip a beat. He watched as you took in a shaky breath before lightly nodding your head. “Ok.” Glancing between your eyes he waited until he saw the guilt slip away and he swore love replaced it.

He needed to pull away, put some space between the two of you before he did something he would regret. Leaning forward just a bit more he angled your head up just slightly so he could place a kiss against your hairline. His lips lingered for a moment before pulling away. His eyes found yours again and you saw the small smirk forming on his lips. Maybe he should have kissed you on the lips he thinks to himself, especially with the way a flush of red makes its way to your cheeks. He wonders what would happen if he kissed you.  After a light tap against your cheek he removes his hand and sits back in his chair, refocused on the conversation you hadn’t been aware of. His hand never leaves your hair though. With Bodhi’s focus back on whatever conversation was happening you lay your head back down onto his leg. The gentle kiss you place against his leg is enough for his brain to short circuit. The glide of his hand in your hair stops mid stroke. Bodhi feels his breath hitch in his throat while he was frozen for a second. Without thinking he hand tightens its hold on your hair before releasing once more. 

Bodhi has never been more grateful to not have your eyes on him. The way his jaw tightens. The way his chest rises and falls just a little bit quicker than it should for sitting in a chair. He had to close his eyes for a moment to collect himself. Bodhi knew he was protective of you, maybe even a little obsessed with you but god damn if he wasn’t in love with you. Bodhi's heart sang from the feeling of your lips against his body. And he hates to admit it but for a second he thought about what your lips would feel like against his leg without pants blocking your way. After taking the moment to collect himself he clears his throat pulling your attention back to him. 

The way you bat your eyes at him in anticipation causes him to clear his throat yet again. “I know you were joking but just don’t do that again ok baby?” He chuckles softly at the way your eyes widen and cheeks flush even brighter while casting your eyes downward in hopes to hide the shock you are feeling. There is nothing Bodhi loves more than seeing that shy bashful smile grace your lips all because of him.

“Where the hell is she?” Cuirs talons curled into the wet stone as Bodhi's voice rang out across the flight field. The grey clouds unleashed gallons of freezing droplets of rain upon every rider. Constricting leathers tightened with their newfound water weight. Across the blurred Bodhi could make out the red and brown dragon that was a part of your group but the emerald green scorpion tail dragon he was so used to seeing was nowhere to be found. Everyone from the training exercise had returned. Everyone but you. Time seemed to slow to a screeching halt as Bodhi took in the field before him. Short quick breaths pounded against his ribcage. Panic raised with bail in the back of his throat. “No..no” A panicked gasp of air cut off his train of thoughts. He was the only person who hadn’t dismounted. “Xaden! Garrick!” Bodhi could hear the raw desperation in his voice, he knew that other riders had heard it too, but he couldn’t bring himself to care. Not when everyone had returned but you. He would follow you to the end of the world without you ever having to ask him. It was no surprise to his two closest friends that he was willing to bring the wrath of the professors upon himself by defying orders and heading back out. He would do anything to find you. And if he found you- no he wouldn’t let himself think about that. 

The terror gripping his voice propelled his friends back to their own dragons. Both men had done a quick scan of the field and knew what was wrong. They would have known without even having to look. Bodhi never lost control of himself no matter what. Unless it involved you, then all bets were off. Bodhi couldn’t control his protective instincts even when he tried. So he stopped trying. 

Just as Garrick and Xaden were about to remount the powerful distinct sound of dragon wings could be heard approaching from a distance. Only one thing could be possible. You were returning with Aella. Once again time seemed to slow down. Minutes felt like hours. Every second that passed felt like a lifetime. The fall of rain seemed to double within seconds blurring his vision even more than it already was. Howling wind whipped the rain in all directions forcing other riders to lower their heads or raise their arms to at least protect their faces. Bodhi did neither. He wouldn’t not when the sound of wind being beaten into submission by powerful and strong wings could be heard from mere miles away. You were coming. He could feel it in his bones. It had to be you- there was no other possibility for Bodhi. Finally there was a shadow of a dragon and the vice grip his ribs had on his lungs loosened allowing him to take a deeper breath just by a fraction. Green. He saw green. It was a muted green but it was green nonetheless. 

Dark grey heavy clouds limited his visibility but he knew what he saw. Rain was being pelted down towards the earth with the force of Aellas wings. Bodhi was a part of those that were in Aellas path but he could not care less. Not if that meant you were safe. He would stand under the frozen dagger feeling rain for his whole life if that meant you were safe. Gracefully Aella landed in the middle of the flight field where most of the other dragons had previously occupied it. He was moving before he even knew he was. He was on Cuir one moment and the next he was sliding down his own green dragon without an ounce of grace. “Y’n!” The waiver in his voice didn’t stop, no, it traveled throughout his whole body. The waiver transformed into different things. Trembling hands, burning eyes from unshed tears and lungs that were on fire from how quickly he was running towards you. 

Something was wrong. If anyone possed elegance and grace even in the world of dragon riding it was you. The clumsy tumble down Aellas leg combined with the way you landed with a thud forcing you to roll onto your shoulder to prevent yourself from breaking a bone was anything but normal for you. Sharp painful breaths pumped his legs faster. He had to be faster. He couldn’t get to you soon enough. After what couldn’t have been more than two minutes Bodhi was finally in front of your bent over body. You were tipped over at the hips facing the ground. Both of your elbows rested upon your legs while you cradled your head in your heads. Something was wrong. Without thinking Bodhi unraveled your body forcefully crashing your body into his chest. “Thank god you are ok. I thought…. I thought you were.” Bodhi couldn't bring himself to say the words, not when his eyes burned and his lungs ached and he couldn’t stop the way his hands were shaking. “Are you ok?” He pulled your body away from his slightly to scan your body for injuries. Subconsciously his hands moved to cup your cheeks. “What's wrong baby? I need to know so I can help. But you gotta tell be baby.” Whispered words tumbled from his lips causing your eyes to meet his. Wordlessly you gripped his hands and pulled them away from his face. Silently he watched as you unzipped your flight jacket and pulled the side of your shirt up exposing a large bleeding gash decorating your skin.

“Who did this to you?” It wasn’t a question. It was a demand. Nobody touched you. Nobody dug their dragger along your skin and didn’t pay for it. Bodhi was going to kill whoever did this to you. That was a promise. Bodhi was unable to pull his eyes away from your side as he spoke. “Sweetheart we need to get you to the healers, ok?” Your silence forced his eyes back towards yours. Water was pooling on your waterline and your lips where shaking in pain. Tenderly he pulled you back into his chest. One of his hands found purchase in your sopping wet hair while the other rested upon your neck. “It’s ok I’ve got you baby. I’ve got you. I won’t let anything like this happen to you again I promise.” 

Bodhi hadn’t moved from the chair in his room. He couldn’t bring himself to, not when you were laying in his bed. Sleep had pulled you away from him. Not that he could blame you of course. He would never blame you. “Bo?” Your quiet voice pulled his attention away from his plot for revenge and onto you. “Yeah sweet girl?” He matched his voice to yours not wanting to destroy the peaceful environment that your presence had created. Outside his window it was pitch black but inside of his room warm flickers of light bounced around the room casting you in a beautiful light. Granted you were always beautiful in his eyes but that didn’t mean that he couldn’t enjoy what was before him. Wordlessly you watched as he made his way over to his bed. He perched himself on the edge of the bed right by your hip.  Your watchful eyes traced his movement until you couldn’t. His hands where once again in your hair. Carefully he moved his hand down until it rested on your neck. He couldn’t help himself from touching your cheek. Lightly his thumb ran back and forth against your cheek.

“Will you lay with me?” His room was not warm by any means but suddenly it felt like a hundred degrees warmer and he felt the blood rise to his face. He was sure that there was a flush to his face. He had laid in bed with you a thousand of times before so he wasn’t sure why he was suddenly nervous. Deep down he knew why. Some part of your relationship with him had changed and he wasn’t sure what that meant. He wasn’t sure if he had to prepare to mourn all the ways he wished he could of had you. Swallowing the lump in his throat he glances out the window and follows the path of a raindrop along the window until he couldn’t follow it anymore. Turning back to your he finds your sharp eyes already resting upon him. Forcefully he cleared his throat once more before answering. “Of course, you never have to ask me that.” His voice wasn’t a whisper but it wasn’t normal speaking volume either.

Gently he pulls back the blanket helping you scooch over in the bed making more space for him before he climbed in. With a wince you pull yourself up and pat the pillow behind your head. Expectantly you look at him. A laugh falls from his lips “You could of just said you wanted to use my arm as a pillow you know that right?” The shake of his head does nothing to move his smile. “Why would I do that? You should know this by now.” Your words floated into the space above him. “You’re right I should know better.” This time it's a huff of air that leaves you instead. Bodhi missed the sound of your laugh but he knew it would be too painful for you to laugh at the moment so he enjoyed what he had. “Obviously I’m always right.” Your words were cut off with a wince. Bodhi went to push himself up so he could help you move but you shook your head and placed your palm on his chest. 

Following your silent command he lays back down to his previous position, A soft grunt and a heavy sigh of relief later you were pressed against his side. One of your legs crossed against his chest and the other rested against his leg. Your head rested on his chest right above his heart. He waited until you were comfortable to move. Softly he moves to rest one hand below the cut on your side while the other finds its way to your bare leg. Absentmindedly his thumb begins to rub patterns along your leg. A few minutes of silence had passed before your voice filled the room. “Bo?” Slowly he opens his eyes to find yours are already looking at him. “Yeah?’ His eyes traced over your face while you fought to find the right words. He always knew you were stunning but here in his room with the gentle light dancing upon your face, your beauty took his breath away. “What happened out there Bodhi? The use of his first name caught his attention before the rest of your words did. You only used his first name when you were serious. “Huh?” 

 The words tumbled out of his lips before he could even stop them. Internally he cringes at his answer. “What happened out there with you? I’ve never seen you like that before. You were so- so panicked. You never panic.” Bodhi knew in this moment that it was now or never. He had been so close to telling you out on the flight field but he couldn’t not when you desperately needed to be seen by the healers. Bodhi sucked in a deep breath in hopes of calming his nerves. It did not. “I panicked because it was you. You hadn’t come back. Everyone was back but you and just the thought alone of something having happened to you worried me sick. But then you finally showed up, right as I was about to go searching you for and at first all I felt was relief. Until I watched you dismount from Aella and then the fear took over all over again. I could tell something was wrong but I didn’t know what it was and all I could think about was something finally taking you from me. And I… I can’t stand that thought. It makes me sick.” Bodhi's words came to a stop but still you said nothing. You could tell that there was more he wanted to say, more he needed to say, but he needed the space to find the right words. Without realizing it you had begun to rub soothing circles on bodhi's chest. Bodhi felt the warmth of your hand against his chest. The gentle comforting touch of your hand upon him was more than he could ask for. 

“I am so in love with you. I have been for years. I could never bring myself to tell you. I worried about what it would do to our relationship but after seeing you like that. I can’t hold it in anymore.” Bodhi's hand encased yours pulling it to rest on his cheek but he didn’t remove his hand. If this is the last time he gets to have you like this he was going to take every  moment presented to him. “I love you. And I understand if you don't feel the same. But I can;t keep it in anymore. I am so incredibly in love with you.” A beat of silence passed while your eyes bounce between his lips and eyes. Finally after what felt like forever a laugh rang out into the once silent room. Out of all the reactions Bodhi was expecting this was definitely not one of them. His raised eyebrow did all the talking for him. 

“Oh Bo.” A sigh mixed with a breathless laugh tumbled from your lips. “We are such idiots. I am in love with you too. I have been since I met you but I never said anything because I was worried about it not working out.” A laugh of disbelief rumbled in his chest. He removed his hand from your wrist to rub his eyes for a long moment before laughing again. He pulled his hand down his face before placing it back on your thigh. “I can’t believe this. I have been on the verge of losing my mind for a year and a half because I was worried just for this to happen.” Bodhi shakes his head in disbelief once more. Even though he wished he had known this information earlier he didn’t mind. Not if it meant what he hoped it did. “Why didn’t you ever say anything?” Giggling, you lightly shook your head. Even though the movement was gentle it was enough to push a few hairs into your face. Without thinking he pulled his hand away from your leg and brought it out from the blanket to push your hair behind your ear. God he could never get used to the sight in front of him. 

A bashful smile painted your face along with a deep blush. “I was way too nervous to tell you first.” Your answer pulled a laugh from the two of you. After a few seconds both of your laughter had died down leaving silence to fill its space instead. “So I should have grown a pair and done it first a long time ago is what you're saying.” The slight shrug of your shoulders didn’t match the coy smile you were sporting. “You said it not me.” Once again you shrugged not before laughing again. This time it was against the pec of his chest. “So I should always make the first move, is what I’m hearing?” Quickly you glanced up to find his eyes already upon you. Shifting you move to hide more of your face in his chest but he doesn’t let you get far. “I mean if that's how you feel that it then sure.” Bodhi knew when you got shy you tried to hide from prying eyes but fortunately for him he wasn’t subject to the same rules as everybody else. Softly his hand finds its rightful place against your cheek and neck. The gentle guide of his hands pulls your face up to his. You watch as his eyes drop to your lips before coming back up. “Well if that's the case then you won’t have any problem with this.” Bodhi lifted himself while bringing your face closer to his. With one last look at your eyes wide in surprise he closes his own eyes when he felt the softness of your lips against his own. Slowly your lips found a rhythm against Bodhis and he swore there was no better feeling in the world than this. 

Finally when both of you ran out of air did you pull away from each other. Bodhi was watching you when your eyelids finally peeled apart from each other. “I think you should do that again just so I can make sure there is no problem.” The laugh that tumbled out of Bodhi was loud and full of joy. He could feel the smirk on his face but he made no move to stop it. Not when you were looking at him like that. Right before your lips met his .That laugh that he loved graced the room once again. He would hate to cut off the laugh that he loves so much but the feel of your lips against his takes priority.

[writing-for-life]

Tales from the Flat Earth by Tanith Lee

A few thoughts on the supposed similarities with The Sandman—with actual comparisons (and a summary of the most important beats for those who want it)…

[This post is super long. It contains a lot of different thoughts, that’s why I broke it down into three parts: 1. General Considerations, 2. Boroson’s Claims and 3. A beat-by-beat summary of all five volumes of Tales from the Flat Earth. You might want to read this in instalments, or you might want to leave part three if you are still planning to read any of the five volumes.]

Part One: General Considerations

By now, many of you will have heard of Tanith Lee’s series “Tales from the Flat Earth”—not because the world all of a sudden woke up to a literary genius, but because of a Facebook post by Matthew Boroson in the immediate aftermath of the sexual assault allegations against Neil Gaiman. Boroson now made a further statement that he will “delete […] challenges so he can live”. I completely get the exhaustion of a post going viral—been there, got the T-Shirt—but why not just ignore it? Switch off notifications or comments altogether? Actively censoring only the people with different opinions, whom he even admits have mostly been engaging in good faith, because “he can’t do this 24/7”, while leaving up those in agreement (apparently he can do that 24/7)? He might not have thought through how bad this looks, and the irony of a man silencing dissenting voices and trying to control the conversation really shouldn’t be lost on people. But apparently, it is.

Anyway: I have absolutely no desire to defend Neil Gaiman. As should be clear from my blog, I stand with Gaiman’s victims and have done so since last summer when the allegations first broke. I believe those women, for both personal and professional reasons I won’t go into here. And I believe them, whether some author guy tells me I should or not. What grates on me is that this overshadows what’s actually important here, and I’ll get to why in a second.

I love Tanith Lee’s Tales from the Flat Earth and have read them first in the 1990s, and quite a few times since. For that very reason, I wish people would just read her work without trying to engage in a “gotcha” that is still all about Gaiman and not her. She was a great and talented writer who deserves more than now forever being known as “the woman whom Neil Gaiman plagiarised”. And to say it quite frankly: The sexual assault allegations can stand on their own and don’t need a male writer telling us, verbatim, “I have no difficulty believing the accusations against him. Because I know — KNOW — that he has felt entitled to take what he wants from a woman, without her permission, and without any acknowledgement of her contributions.”

I can’t even begin to say how problematic this statement is, for so many reasons. So all I’ll say is:

There is a certain tone-deafness in thinking a sexual assault claim holds even more weight because a male writer says, “See, he did this, so you should also believe that.” We should believe SA victims. Full stop. We don’t need wonky plagiarism or “inspiration without credit”-claims to give them more weight. These two things shouldn’t even be mentioned in the same sentence.

But all of that aside: Read Tanith Lee’s “Tales from the Flat Earth” because you are interested in a writer who crafted imaginative worlds in a florid prose-style that hearkens back to old fairy tales and Arabian Nights. If you only want to read it for a “gotcha”, I might be able to spare you the arduous work, although I strongly recommend you read it to come to your own conclusions (go to the source yourself. And I honestly wish more people did before they just blindly believe things). Again, spare a thought though if Tanith deserves to be “the woman NG plagiarised” to a new audience, because let’s be honest—that’s the only reason why so many people now read her works.

And that’s exactly why I thought so long and hard whether to even write this post, but there comes a point when people who actually know both works in depth need to speak up about the informational conformity bias that now has us at over 30,000 notes on Tumblr alone, all the while the person who put this into the world seems to actively censor anyone who dares to disagree. I get that Boroson’s claim is what a lot of people want to believe right now, but that doesn’t make it more true. Someone even said that “misinformation doesn’t matter in this case because only the result does.” That’s an incredibly dumb and also dangerous statement, but I’ll leave it at that.

Horrible people can create good art. We don’t need to pretend they were always hacks. We have to learn to sit with that cognitive dissonance and can disassociate ourselves from the creator regardless—because he’s an abuser.

Part Two: Boroson’s Claims

With all of that out of the road, let’s have a closer look at all that Boroson alleges in his FB post; quotes are verbatim.

1. “Despite the fact that the main character — a byronic, pale, otherworldly, deity-like character - is the prince of night and dreams.”

Here, we already have the first bit of wrong information. Azhrarn is one of the Lords of Darkness. He is the Prince of Demons. He is evil-aligned. He is not a “prince of dreams”. He is “Night’s Master” because he only walks the earth at night, and sunlight is lethal (oh?) for him. He is really nothing like Dream. One is all about rules and responsibilities, the other is about inconsistency, wickedness, mischief, changing his mind on a whim and treating humans as playthings (which he repeatedly admits himself). You could build a much stronger case for similarities between Azhrarn and Lucifer/Iblis (and Loki if you wanted to go Norse) than Dream, because Azhrarn actually hates the gods, and Lee’s whole series builds very strongly on how he (and then someone else) tries to bring them down. And Azhrarn might be older than gods, but whether he is truly more powerful depends on how you look at it—he even asks them for help at some point. Dream, on the other hand, is more than the gods. They begin in his realm, and they end there when people stop believing. Because gods come from the collective unconscious—and that’s who and what Dream is.

2. “Despite the fact that every time people see art depicting Tanith Lee's main character Azhrarn, they think it's Morpheus from the Sandman.”

This is interesting since the depiction Boroson chose for his FB claim is fanart. If you claim something like this, at least use original artwork, not works that have already gone through 20 subconscious filters. If you look at original art, you get this:

Azhrarn in the middle, Uhlume (Lord Death) to the right, Chuz (Lord Madness) to the left. And in the other picture, Azrharn in his eagle form. Which is just weird, soz. But that’s why he has feathers on his garb.

Maybe there’s a fleeting similarity in the one to the left, but there’s also literally none in the one to the right. And if you have ever read any dark fantasy of the 1980s and 90s (and even earlier), pretty much the majority of male protagonists fitted the stereotype of “pale, clad in black and byronic”. It was a dark fantasy trope—goths read that stuff in droves (I was one of them). And it became even more likely if the hero/antihero/villain was somehow aligned with the underworld. Which Azhrarn is.

And since artists are always influenced by other artworks and their own mental image of a character, have an actual description of Azhrarn’s looks from “Night’s Master”:

“marvelously handsome, with hair that shone like blue-black fire, and clothed in all the magnificence of night.”

But we also get this when he makes a not so great experience:

“He gazed to east and west, to north and south, and the face of Azhrarn, it is truly said, had become white. Long he looked, and long his pallor increased. A mortal man could not grow so pale and live.”

So we can reasonably deduce that he isn’t usually as white as Morpheus in his main form (I don’t know what else to call it)?

There are many other descriptions of a similar ilk. Is this really enough to say they look the same? Really? Instead of admitting that we might be filling in some blanks here if descriptions are so vague?

3. “Despite the fact that the dream lord's younger sibling is Death.”

That one truly made me laugh out loud. Apart from the fact that Gaiman’s Death is older and female (which one could say was a purposeful switch to “hide the tracks” 🙄)—only the least read people would assume this was in any way new or sensational and “borrowed” from any one particular writer. Hypnos (Sleep) and Thanatos (Death) are twin brothers in Greek mythology. And the closeness of Death and Dream in The Sandman (both conceptually and on a relational level) is much more of a mirror of that than the relationship between Azhrarn and Uhlume in Tales from the Flat Earth, because in all honesty: The latter two don’t get on that well, which Boroson conveniently forgets to mention. Their relationships are really nothing alike.

Hypnos is also a deity residing in the underworld, and you have to cross the river Lethe (forgetfulness/oblivion) to get to him. Lee borrows from that idea very heavily when she tells the story of Kazir visiting Azhrarn in Underearth. These are myths, told and retold by hundreds of writers over and over again, including Lee herself.

I don’t even know what to say about this one. It’s so thin that it immediately blows away if you as much as cough at it.

4. “Despite the fact that other members of his family include Delusion, Delirium.... They are not gods but beings older than gods, and when the gods die, Dream, Death, Delusion, and Delirium will remain. This family of immortal, eternal, unchanging beings, who each embody an eternal abstraction starting with the letter D.”

There are only two Lords of Darkness beginning with a D, and they are called Uhlume (Death) and Chuz (Delusion). Azhrarn is Wickedness.

There is no Dream, as I already stated. And guess what? There is also no separate Delirium. So wrong facts again. The character is Delirium’s Mistress (or at least that’s the title of the volume), and in that case, we are referring to her as being the lover of Chuz (so Delusion and Delirium are effectively the same person). And her name is Azhriaz; she is half human, half demon (and something else, but that would be too spoilery) and Azhrarn’s daughter. She looks like this in original artwork (sorry for the crappola photo):

Without wanting to give too much plot away because some of you might still want to read this: There are three Lords of Darkness (or one could argue five—more about that later) in Lee’s Tales, but they don’t all begin with a D—neither if you look at their names (their initials are A, U, C, K and A), nor at their functions (in which case it’s W, D, D, F and L).

Okay, the domains of two Lords of Darkness start with D. Is it really enough to be sure Gaiman borrowed from it, turning it into seven? Or is it perhaps far more likely that this still falls into the realm of literary archetypes? And even if Gaiman did expand on that idea—that’s not plagiarism (which, to say it very clearly, Boroson didn’t explicitly say it was. He just implied it a bit between the lines, and other people who probably didn’t read either ran with it). I don’t think it would even constitute “heavy borrowing”, especially since the characters, their relationships and the stories as such are so, so different.

Why is Boroson’s account riddled with inaccuracies? Why be so wrong in your descriptions of a work you supposedly know so well? I really don’t know. It’s either that he doesn’t know it as well as he says he does (which I can’t imagine, since he’s apparently been going on about this for years), or he purposefully misrepresents it to add more weight to it. Which looks bad to be honest. Or at least as if he’s a bit too taken with an idea and at the stage where he can’t let it go anymore.

5. “[…] description of a character who was clearly the inspiration for Gaiman’s Mazikeen.”

That’s also Chuz. As depicted in the art above, and also here:

One side of him is young and beautiful, the other old. I’ll let you decide if this is clearly the inspiration for Mazikeen:

“So she beheld the entire aspect of his face, one half youthfully bronzed, one half haggardly gray, the rusty hair and the blond, but it seemed to her it was the most natural face she had ever looked on.”

And to say it quite frankly: Framing it like that is a bit dishonest to start with? It’s not the description of “a character”. It’s the volume’s protagonist. Whom Boroson earlier insisted was the inspiration for Delirium (also a bit wonky that one, as I already wrote, since I bet most of the people who don’t know Lee’s work pictured her Delirium as a woman after reading Boroson’s account). But now it’s Mazikeen all of a sudden? Leaving out he’s actually talking about the same character here looks like wilfully obfuscating that neither of it truly holds water, so he’s picking little bits and offers them without context.

Mazikeen is a visual creation of Kelley Jones btw, so maybe Boroson should also take it up with him? The same could be said to everyone who might feel tempted to shoehorn a certain other character (DC’s Destiny) into this, woefully forgetting that Destiny is not a character created by Gaiman. He has existed in the DC Universe years before Lee wrote Tales from the Flat Earth. I don’t hear anyone complaining that Lee stole Kheshmet/Fate from DC because it would be quite frankly idiotic—these are literary archetypes!

6. “The prose, the characters, the narrative strategies, the mythology, the story structure, all of it: Gaiman found it all in Tanith Lee's writing and never gave her any credit.”

The prose is really hard to compare because one is a novel, the other a comic. I really recommend you read both yourself so you get the full picture, but just two examples here:

Tanith Lee:

“A mile from the enameled walls of the city, where the desert lay gleaming like golden glass, a beautiful woman sat in a stone tower, and she played with a bone.

“Will he come to me today?” she asked the bone, rocking it in her arms like a child. “Or will he seek me tonight? All the stars will shine, but he will shine more brightly. For sure, he dare not come by day, for he would outshine the sun. The sun would die of shame, and the whole world grow dark. But oh, he will come. Nemdur,” said the beautiful woman, “Nemdur, my lord.”

Her name was Jasrin; Nemdur was the king whose city stood one mile to the east. Once, he had been her husband.

No longer.”

Neil Gaiman:

As someone who’s read both many times over, my personal assessment is:

They are not very alike. Lee writes floridly, Gaiman is often fairly to the point. Even in Ramadan, which is one (out of 75!) issues that closest resembles the style of Arabian Nights (which is Lee’s inspiration), his voice seems distinct to me—as is hers. Lee’s prose always struck me as great, Gaiman’s as good (I always loved his world building more than his actual writing style). I think Lee’s prose is more accomplished, but that’s personal taste.

Characters: I already expanded on it.

Narrative strategy: This is so vague. Does he mean perspective? Point of view? Other narrative strategies like foreshadowing?

Since I don’t know what exactly Boroson is referring to because he likes to keep it nebulous, I really can’t say, but I don’t think the way the stories are told are in any way alike. And where they seem similar (“Night’s Master”, as an example, is told as interconnected stories in the style of Arabian Nights with a throughline. And of course the Sandman also contains some interconnected stories with a throughline, although they are in no way reminiscent of Arabian Nights to me, bar Ramadan), I seriously have to ask again:

Do we believe only one writer utilises these strategies and/or has a monopoly on them? Because there are truly only so many of them to go around. And we could say that Lee’s “narrative strategy” is hardly unique either. This is just a bit silly.

Mythology: Just no. Both Lee and Gaiman use themes that have been there a million times before them, I already brushed on it. Both lean heavily into existing mythologies, with Gaiman more into Greek, and Lee into Near- and Middle Eastern one (especially Mesopotamian/Babylonian—there are some parallels between her characters and deities like Nergal, Sin/Nanna and Ninazu), although they both also use others. But the bottom line is: Both have expanded on long existing mythologies.

Story structure: Again, what is Boroson insinuating here? He is truly the master of vagueness.

To say it very directly: The story structure is not the same. If you look at The Sandman in its entirety, it’s a clear three act tragedy with a lot of Hero’s Journey thrown-in. The fact that it’s told in 10 arcs changes nothing about that—you can clearly make out Campbell’s stages, like Call to Adventure, Crossing the First Threshold, Belly of the Whale… you name it. This is long enough already, but look at Campbell’s Hero’s Journey, and it’s fairly obvious (and no, the hero doesn’t always have to survive).

Tales from the Flat Earth have a throughline in their five volumes, but they are connected more loosely, with the odd referential throwback. Only “Delusion’s Master” and “Delirium’s Mistress” have an ongoing narrative (of sorts). “Night’s Sorceries” always seemed like an afterthought of material Lee would have liked in volume four but couldn’t fit in. They are all told in a way that hearkens back to oral storytelling (hence Lee saying she was inspired by 1001 Nights), and there is a clear sense of an unchanging, but not personally involved storyteller/narrator all the way through who sometimes even offers commentary.

7. “Tanith Lee was far more progressive about Igbtq+ identities, and that was twenty years earlier.”

Well, for starters: Ten years earlier (“Night’s Master” was published in 1978, the first issue of The Sandman in 1988).

Is Tales from the Flat Earth truly more progressive? I’m not sure. Both were progressive for their time, simply because they wrote about LGBTQ+ characters at all and gave them a voice. And to put it in a disclaimer: I don’t apply moral purity standards to fiction, neither do I believe certain things that would be problematic in real life can’t be written about in fiction (and dare I say: I find that take worrying, for many reasons, but that’s a different discussion). But if we’re talking about “progressiveness”:

A clearly bisexual Demon Prince grooms a child to then seduce him on his 16th birthday—in a time when gay men were often still thrown into one pot with groomers and even pedophiles?

A lesbian queen who basically gets cursed to have sex with many, many men because only a pregnancy can lift that curse (!), finds out she is barren and can only conceive if she has sex with a dead guy, makes a deal with Uhlume who then brings a man back from the dead so she can be impregnated and then, via many many twists and turns, turns into [I’ll tell you later if you really want to know]?

I don’t know, but it’d probably be the same people who find certain angles of the Sandman problematic who would also bolt or get outraged at this? And they would 100% engage in the same type of revisionist readings they now apply to Gaiman’s works if they ever found out that Lee did anything wrong. There is a lot, and I mean a lot, of rape, SA and questionable power dynamics in Lee’s work. But it’s also a work of fiction.

8. In the 1990s, toward the end of her life, she complained in an interview that magazines weren't buying her stories anymore.

[edit: Lee died in 2015, so Boroson’s claim the 90s were “towards the end of her life” also reads a bit weird to me—as if he’s consciously trying to appeal to the sympathy of his readers by portraying her as “the poor woman on her death bed”, when she still lived for another 20 years]

That’s a bit nebulous again. It’s amazing how some people never quote their sources. I am near certain that Boroson talks about this interview from 1998, but I stand corrected if it’s a different one:

Tanith talks about her troubles getting published, but she also says it’s a hard time for everyone right now. Plus, her bibliography also clearly indicates she still got published on the regular, and that the amount of works published in any given year didn’t really fluctuate all that much apart from a burst in the ‘70s (and “burst” refers to the difference of publishing four books instead of two per year), a dip towards the end of her life (when her output was probably affected by her illness) and then the sad thing that always happens when someone dies: Suddenly, there’s another uptick.

Someone even went through the trouble of visualising her published works in a graph:

Courtesy of Das_Mime

Does this honestly look like no one published her anymore?

Now, don’t get me wrong: Of course it is a nice gesture if those more successful put in a word for those who find themselves in a bit of dry spot. But to turn this almost into some conspiracy theory is just a bit weird if I’m honest. It’s much more likely that people are simply not on someone’s radar than that they are actively trying to hinder their career. Writing is hard. Getting published is hard, even if you already have a few published works under your belt. Ask me how I know…

These were the points Boroson made that I wanted to address directly. For those of you who want to get a feel if the story as such is actually in any way similar enough to even call it heavy borrowing, I’ll now do a summary of all major story beats for all five volumes.

Part Three: Tales from the Flat Earth Beat-by-Beat

I assume that most of my followers are familiar with The Sandman, but only a few with Tanith Lee. Hence I won’t do a summary of The Sandman, and once again: You really have to read both works yourself to understand why Boroson’s claims are so far out there. I’m more than willing to discuss and answer questions that come in good faith, but I’ll say it outright: I am not interested in engaging with anyone who just comes here to peddle conspiracy theories and platitudes like “misinformation doesn’t matter in this case because…” if they haven’t even read the works in question.

Just as a quick hint, because that’s where you’ll find the superficial similarities (and that’s my phrasing it with the utmost goodwill):

If you want to compare the entirety of both works, there’s no way around reading both.

For “Night’s Master”, I’d argue you also need to read the entirety of The Sandman, because in a nutshell, it is, at least at first glance, about the heel-face-turn of its protagonist. You’ll need at least Preludes and Nocturnes and The Kindly Ones, but it makes no sense to read them separately, so…

For “Death’s Master”, maybe read The Doll’s House and Season of Mists, because it is partly about a queen who wants to save her land (everything else would be too spoilery, but just so much: The similarities are fleeting at best, and that’s already generous).

For “Delusion’s Master”: Again The Doll’s House and Season of Mists, because at its very core we have a love story that gets torpedoed by a traitor. But other than that, said love story is truly nothing alike.

For “Delirium’s Mistress”: Honestly, I thought long and hard about this. I really don’t know because it is so different from the Sandman that I see absolutely no parallels at all. Maybe read Brief Lives, because there is something in there about parent/child relationships. But they are hardly unique in literature, so once again: I truly don’t know how anyone could find similarities here. And The Kindly Ones would be such an immense stretch that I won’t even go there.

For “Night’s Sorceries”: There are three stories that give a bit of context to the rest. If anything, I’d say read The Wake. But that would actually be insinuating Azhriaz is Daniel, and I’m like… no, massive stretch. If it’s just about loosely connected stories that somewhat fit into a greater narrative, read “World’s End”. But if we’re thinking that’s already a similarity, I truly cry for literary analysis…

Briefly about the world we’re in: The Flat Earth basically consists of four planes: Upperearth, home of the gods; Earth (the Earth of humans before it changed shape); Underearth, home of Azhrarn, Prince of Demons and Wickedness; Innerearth, home of Uhlume, Lord Death. Azhrarn’s kingdom, Druhim Vanashta, houses three classes of demons: Vazdru (most like Azhrarn himself, beautiful and prone to change into eagles and other animals), Eshva (basically mute servants to the Vazdru who can change gender at will) and Drin (ugly, exclusively male creatures and accomplished creators of beautiful and practical things). All three demon kind frequently visit earth to tempt and create chaos.

Volume One: Night’s Master

Night’s Master begins with Azhrarn finding a dying woman and her newborn son, Sivesh, on a hillside. After her death, Azhrarn becomes captivated by the beauty of the child and takes him back to Underearth to raise him (and then promptly seduces him on his 16th birthday). Azhrarn then creates a woman called Ferazhin from a flower for Sivesh (because, you know, Azhrarn thinks it’s good sport to sample a woman. As one does). However, nothing can prevent Sivesh from longing to live on earth because he is human, and the decision to leave Azhrarn for a life in the light offends the Demon Prince. So he consciously tricks him into death by drowning (by chapter three).

The next storyline shifts to a collar (crafted by a Drin) from Ferazhin’s tears because she is inconsolable. We follow the collar around on its journey to different owners (who all meet a gruesome end in one way or another). The final owner, the blind bard Kazir, is the only one not to get corrupted by it, and we conclude the first book with his journey to Underearth to give the collar back to Azhrarn in exchange for Ferazhin, whom he loves without ever having met her. Azhrarn agrees to let Ferazhin go if Kazir can answer a particular question, which he can (not going to get too deep into that, apart from: Azhrarn is rattled, and we’ll revisit it at the end of this volume). Kazir and Ferazhin are happy for a while, but as usual, Azhrarn changes his mind, and by the end of it, Ferazhin is dead (a bit of a nod to Romeo and Juliet in there, but that just as an aside). But lo and behold, Kazir manages to bring her back after a while, and “somewhere perhaps, some dark door slammed like thunder in a city underground.”

Book Two of Night’s Master focuses on Zorayas, who survived the overthrow of her father (a king) as a newborn but suffered severe disfigurement. After the death of the monk who took care of her, she seeks revenge for being raped by a Prince and takes back her father’s kingdom with the help of the Drin. And, as usual, she meets her demise through trickery orchestrated by Azhrarn.

Book Three. Azhrarn’s cruel prank on a young married couple goes wrong, escalates and ultimately leads to humanity teetering on the brink of destruction (the remnants of the husband turn into Hatred and wipe out everything). After seeking intervention from the gods of Upperearth in vain, Azhrarn makes, for once, a sacrifice to preserve humanity’s existence. But does he do so completely selflessly? Could be argued, and I guess Kazir knew, but that’d be too much of a spoiler… Suffice it to say, Earth enters an age of innocence without the presence of hatred and wickedness. Until… 🤣

Volume Two: Death’s Master

Narasen, Queen of Merh, is sexually assaulted by the magician Issak. Feigning cooperation, she manages to kill him. Before he dies, he curses Narasen and Merh, declaring that both will become barren. The curse can only be lifted if Narasen (we have deduced at this point that she is a lesbian because she “doesn’t lie with men”) gives birth to a child, but includes a stipulation that prevents this solution: “Your reluctant womb will never quicken from the seed of living man.” After numerous attempts to conceive, Narasen, driven by her desire to save her land and people, makes a deal with Uhlume to conceive a child from a dead man. In return, Narasen agrees to spend a thousand years in Uhlume’s kingdom. Narasen is poisoned shortly after childbirth.

After Narasen is locked in her tomb with her newborn child Simmu, Uhlume arrives to claim her, leaving the child behind. However, Simmu is rescued by two passing Eshva and lives with them by night. Simmu develops Eshva abilities, like changing gender at will. Eventually, the Eshva grow tired of Simmu and leave him at a temple near Merh, where he grows up among monks and becomes friends and later lovers with a boy called Zhirem.

Simmu and Zhirem eventually become separated and somewhat turn into the tools of Azhrarn (Simmu hates Death because he remembers him coming for his mother) and Uhlume, respectively.

Meanwhile, Uhlume and Narasen don’t get on too well—Narasen sets herself up as Lady Death and constantly struggles for power. To get her off his back, Uhlume grants her permission to spend a day in Merh, where she promptly destroys her city (yeah, after all that trouble…). Upon her return, she gradually takes over the supervision of Innerearth from Uhlume and turns into “Lady Death.”

Azhrarn saves Simmu during Narasen’s attack on Merh. He instructs Simmu to obtain water from the Cistern of Life (a little throwback to volume one). His plan is to kill Uhlume, hence bringing death to an end. The well is guarded by nine virgins called the Golden Daughters—Simmu makes use of his gender-changing abilities and sneaks into each of their chambers as a woman and then takes their virginity as a man. With their virginity taken, the well cracks, and Simmu founds the City of Simmurad (populated by immortal humans) with the golden daughter Kassafeh (too long-winded to get into it all).

Zhirem has embarked on his own adventures and eventually returns to Earth as the magician Zhirek. He agrees to serve Uhlume, who plans to destroy Simmurad, perceiving it as a threat. With the guidance of Azhrarn, who has grown weary of Simmu and Simmurad (you see, Azhrarn is not very consistent and doesn’t abide by rules nor responsibilities like our boy Morpheus 😉), Uhlume lets Zhirek destroy the city by submerging it under water after re-introducing death via creating and killing an insect. Simmu seemingly dies at the hands of Zhirek, who casts him into a well of fire. Zhirek retires into solitude, and Simmu is ultimately saved by Azhrarn, who transforms him into an Eshva and erases all memories of his past.

The story concludes with Narasen effectively ruling Innerearth and giving death, while Uhlume spends most of his time on Earth, finding solace in the presence of Kassafeh.

Volume Three: Delusion’s Master

We’re starting with a tale about Jasrin, the young wife of King Nemdur of Sheve. Because she is jealous of her newborn child, she abandons him in the desert, where he gets killed by dogs. Nemdur banishes Jasrin to a tower, where her sanity gradually deteriorates. She is visited by Chuz, the Prince of Madness (the third Lord of Darkness). Inquiring about her deepest desires, Jasrin expresses her wish for her husband to share her madness. Nemdur awakens with a crazy plan to construct a towering structure that reaches Upperearth (where the gods live). Inspired by the legend of Simmu, he envisions attaining immortality. The Tower of Babyhelu, aptly named “The Gate to the Gods,” grows and grows until it becomes unstable due to its immense weight, causing it to collapse with catastrophic consequences: The fall of the entire kingdom of Sheve.

Azhrarn and a few of his demons are drawn to the commotion, and a conversation between him and Chuz reignites Azhrarn’s disdain for the gods, who had failed to assist him in “Night’s Master”.

Hundreds of years later, we meet 7,000 pilgrims on their journey across the desert to worship the gods at Bhelsheved (Sheve rebuilt). Azhrarn is incensed that his sacrifice to save humanity in “Night’s Master” is credited to the gods. Disguised as a prophet, he reveals that a Lord of Darkness (not the gods) is the true saviour of humanity. For this, he is lashed with a whip and sheds three drops of blood. Azhrarn continues with his quest to destroy Bhelsheved but is unexpectedly diverted by the beauty of a young priestess named Dunizel. Recognising Azhrarn’s true intentions, Dunizel bravely offers to sacrifice herself to appease his wrath. Azhrarn turns into a wolf and bites off her lower arm, but when she encourages him to bite again instead of showing terror, he hesitates. Reminiscing about his own sacrifice to Hatred, he changes his mind, heals her with his own blood, and falls deeply in love with her.

We then learn the story of Dunizel’s mentally disabled mother, who was held captive by the assistant of an astronomer (who was on a field trip to observe a comet passing by). After impregnating the girl, the assistant attempted to abort the child by exposing her to the comet’s energy as it passed. The girl was instead exposed to a rainbow of light captured by the astronomer’s magical engine, regained her sanity and gave birth to Dunizel, who was also affected by the comet’s light. Dunizel’s mother raised her but gradually transformed into a fire elemental and ascended into the sky. The assistant gave Dunizel to a grieving mother from a nearby village, who raised her until she was chosen to join the religious cult (like her mother, she is also part solar being).

We are panning back to the love story of Dunizel and Azhrarn. Dunizel gives birth to a daughter named Soveh, who is initially mistaken for a goddess on Earth and grows at unnatural speed. Through the workings of Chuz though, the truth about the child’s paternity is revealed, and Dunizel dies at the hands of an angry mob (she also comes into contact with one of the drops of blood Azhrarn had formerly shed in the desert). Devastated, Azhrarn takes Soveh, whom he renames Azhriaz, to Underearth. Before he departs, he addresses Chuz and declares their relationship as “un-brothers, un-cousins, and now, un-friends”. He also reveals he will go to war with him and considers it a kindness he has informed him in advance.

The story concludes with Chuz finding Jasrin, who is haunting her tower, and releasing her.

Volume Four: Delirium’s Mistress

So if you waited for this to start with all-out war between Azhrarn and Chuz, you’ll be disappointed. We meet Oloru, a court jester to tyrannical prince Lak Hezoor. Oloru convinces Lak Hezoor to take him on a sightseeing tour of Underearth. It’s not going well—Lak Hezoor is torn apart by Azhrarn’s red hounds. Oloru transforms into a “slender rod of yellow radiation, vaguely purplishly limned” and flies towards the island where young adult Azhriaz has been sleeping since her arrival in Underearth (it’s a been a few years). Oloru, who is actually Chuz in disguise, awakens her, convinces her to escape, and takes her back to Earth. And of course they become lovers.

Kheshmet (King Fate) enters the story, just like that, and in no time, Azhrarn arrives and ends his quarrel with Chuz— also just like that. But to atone, Chuz has to agree to live a mortal lifetime, disfigured, without his powers and truly mad. Azhriaz initially stays with Chuz, but he forgets who she is.

Azhriaz, now without Chuz, despairs. She visits her mother’s grave with Khesmet and decides to embrace her father’s legacy: discrediting the gods. She replaces a king who committed suicide and ascends to the status of a cruel goddess on Earth, conquering much of the world who revels in her cruelty. Her teachings to humanity are that the gods care nothing for them: “Remember, to the gods, you are nothing. To Azhriaz, the Goddess, you are only grains of dust or sand.”

Khesmet arrives to foretell a looming war with sea and sky.

And weirdly, that war starts because a god, whom Azhrarn kissed in “Night’s Master”, awakens and decides that was sacrilege, plus he’s also not pleased with Azhriaz’s activities on Earth. The gods consequently hurl three shards into the sun that transform into three angels—the Malhukim of the gods: Ebriel, Yabael and Melquar. Azhrarn holds the angels at bay while Azhriaz escapes into the ocean aboard a special fish-ship crafted by the Drin, pursued by Ebriel and Yabael. Azhrarn fights Melquar in the air and narrowly avoids incineration. Azhriaz escapes imprisonment in an underwater city when Yabael destroys it with his sword. She receives no assistance from Azhrarn because he lies in a death-like coma in Druhim Vanashta and has been usurped by the demon Hazrond. Eventually, Azhrarn recovers and reclaims his kingdom. Azhriaz is still pursued by Yabael, who conveniently undergoes a transformation and forgets his mission in the process. Then pursued by Ebriel, she travels with Dathanja (Zhirek making a reappearance) and ultimately engages in an eternal battle with the angel. Realising she’ll be otherwise stuck there forever, she convinces Ebriel to stop by revealing her plan to give up her immortality.

Ebriel departs, snd Azhriaz (who is actually called Atmeh at this point, but that’d lead too far) seeks out Kassafeh for a bargain with Uhlume (who is in the process of abdicating to Narasen) to become mortal. She reunites with Chuz, who has paid his penance, and they stay together for a while until Chuz helps her with her final transformation into a mortal woman.

Atmeh/Azhriaz approaches death after 200 years or so, and is visited by Azhrarn, who tells her, “Humanity is my plaything no longer, only a toy for those that are mine under the earth. But you, you are her child. You are hers. You are Dunizel. Not mine. Never mine. Though I made you to be my curse upon the world. Though I made you to be myself. You are Dunizel, that I loved, Dunizel who was the moon and sun together.” Azhrarn expresses his sadness over his inability to cry, and Azhriaz responds: “Each word you have spoken has been a tear.”

Volume Five: Night’s Sorceries

I wasn’t sure if I should even go into this one, because “Delirium’s Mistress” always seemed like the final volume to me to be honest, and it concluded the story for me. “Night’s Sorceries” is a collection of short stories that seem connected to “Delirium’s Mistress” and fill in some gaps (that’s why each of them has an introduction that explains where we are, and when). So I will only go into three of them (there are seven altogether):

“The Prodigal” is essentially about Narasen’s reign as Queen Death.

“Dooniveh, The Moon” is written like a fairy tale about a monk from Nannafir. He travels to the moon on a winged horse, and by the end of his adventures, we witness the wedding of the Moon Queen and the Sun King. And that’s connected how? Well, the winged horse was a gift from Hazrond (who usurped Azhrarn) to Azhriaz.

“The Daughter of the Magician,” recounts the tale of a magician who successfully resurrects the soul of Azhriaz. But the child, named Ezail, ends up being offered as a sacrifice to a monster. And that’s connected how? Well, the monster was created as the counterpart of the winged horse in “Dooniveh, The Moon.” But Ezail regains Azhriaz’ memory and lo and behold, Chuz just happens to appear in the reincarnation of a young boy named Chavir. Together, they decide to take the monster with them and embark on a life together.

The main reason I did include this volume is that it somewhat puts the former four in context. The last sentence of “Night’s Sorceries” is:

“Love is also an immortal.”

Which somewhat suggests that Azhriaz is operating on the same plane as Azhrarn, Uhlume, Chuz and Kheshmet. And we already get hints at that in the other volumes.

In “Delusion’s Master”, Azhrarn says to Dunizel that their child will be his feminine aspect. It’s just ambiguous enough, but we also get this in “Delirium’s Mistress” when Azhrarn wonders about love: “There is no such commodity. There is carnality, our plaything. There is worship, and there is obsession. Death you may perceive walking the world, and Fate, and Delusion, too, in a form that I have kindly granted him. But no man sees love, and no demon sees it.”

So while many of the stories of Tales from the Flat Earth can stand on their own, there is also an overarching theme: Establishing another power that serves to balance out the others: Wickedness, Death, Delusion, and Fate—Azhriaz’ four “sons” (cryptically mentioned in the final chapter of Delirium’s Mistress)...

[justliketoreadsowhat]

Sweater Weather ✰

✩𝐉𝐮𝐬𝐭 𝐚 𝐛𝐥𝐮𝐫𝐛 𝐨𝐟 𝐩𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥 𝐟𝐥𝐢𝐫𝐭𝐢𝐧𝐠, 𝐟𝐥𝐮𝐟𝐟 & 𝐚𝐧𝐭𝐢𝐜𝐬 ✩

𝐀/𝐧; 𝐭𝐡𝐢𝐬 𝐡𝐚𝐬 𝐛𝐞𝐞𝐧 𝐢𝐧 𝐦𝐲 𝐝𝐫𝐚𝐟𝐭𝐬 𝐟𝐨𝐫 𝐰𝐞𝐞𝐤𝐬 & 𝐈 𝐡𝐚𝐝 𝐧𝐨 𝐜𝐥𝐮𝐞 𝐡𝐨𝐰 𝐭𝐨 𝐞𝐧𝐝 𝐢𝐭, 𝐜𝐥𝐞𝐚𝐫𝐥𝐲 𝐈 𝐬𝐭𝐢𝐥𝐥 𝐝𝐨𝐧’𝐭

_______________________________________________

𝐈’𝐌 𝐍𝐎𝐓 𝐐𝐔𝐈𝐓𝐄 𝐒𝐔𝐑𝐄 𝐈 𝐋𝐈𝐊𝐄 𝐓𝐇𝐈𝐒 𝐅𝐈𝐓“ 𝐲𝐨𝐮 𝐟𝐫𝐨𝐰𝐧𝐞𝐝 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐟𝐮𝐥𝐥 𝐛𝐨𝐝𝐲 𝐦𝐢𝐫𝐫𝐨𝐫, 𝐚𝐥𝐥 𝐨𝐟 𝐭𝐡𝐞 𝐛𝐫𝐢𝐠𝐡𝐭 𝐜𝐨𝐥𝐨𝐫𝐬 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐬𝐰𝐞𝐚𝐭𝐞𝐫 𝐦𝐚𝐝𝐞 𝐲𝐨𝐮 𝐜𝐫𝐢𝐧𝐠𝐞. 𝐓𝐡𝐢𝐬 𝐰𝐡𝐨𝐥𝐞 𝐨𝐮𝐭𝐟𝐢𝐭 𝐬𝐜𝐡𝐞𝐦𝐞 𝐰𝐚𝐬 𝐰𝐚𝐲 𝐨𝐮𝐭 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐜𝐨𝐦𝐟𝐨𝐫𝐭 𝐳𝐨𝐧𝐞, 𝐛𝐮𝐭 𝐭𝐨𝐝𝐚𝐲, 𝐨𝐮𝐭 𝐨𝐟 𝐚𝐥𝐥 𝐝𝐚𝐲𝐬, 𝐲𝐨𝐮 𝐧𝐞𝐞𝐝𝐞𝐝 𝐭𝐨 𝐝𝐨 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐝𝐢𝐟𝐟𝐞𝐫𝐞𝐧𝐭. 

Today was one of the last college visits you had scheduled for the week, Becoming a transfer student was not something you had planned, but you no longer felt the desire you once felt as a freshman attending Ohio State University for the first time. 

The dire decision was made to pick your top 5 schools and visit them, one of them being Uconn. 

Traveling out of state was one obstacle, but attending a school that was strongly known for their sports was a different type of catch. 

“Girl please!” your sister Breah scolded as she sat on the edge of the bed watching you go back and forth on what to wear. “Your best bet is to wear bright colors and stand out on this huge campus, do you know how many fine athletes walk around here daily?!” she spiraled, throwing herself on the bed to her detriment. 

“Breah, we are not here for athletes remember? we’re here for a new environment and better educat-“ 

“DON’T give me that speech again, you have to realize college just isn’t about academics. Let yourself live a little at least” 

You’ve heard that line at least 20 times this week, and it’s only Wednesday, yet you’d be lying to yourself if you said she was wrong. 

“I am I am, I just want to get a good feel for everything before I make my decision y’know?” you said fiddling with your pedant that hung way too low on your chest for your liking. 

“Oh, sis this is it! you must’ve for Paige Bueckers goes here” she stated sitting up swiftly, ready to defend her statement, she knew you’d disagree.  “What more do you need from a University?” 

An immediate nerve struck throughout your body listening to the words flow from her mouth at a fast pace. Your eyes couldn’t resist rolling, “You will not focus this visit all on one girl you saw on TikTok!, be so for real right now” 

She busted out laughing from your reaction, almost as if she was in disbelief, “We both know she’s not just some girl y/n, she’s quite literally everywhere we look, social media, advertisements, I mean we haven’t even been on this campus for 30 minutes and I have seen her face on every poster possible!” 

She wasn’t lying either, Paige’s face was plastered on every corner possible here in Connecticut. You didn’t even want to mention the TIktok epidemic that had flooded your “for you page” after liking one singular video. 

“Yeah well she’s just.. a good player and-“ 

“She’s fine human and she just so happens to be good at many things, now let’s go tour this place, it’s going to be your new home for the next 3 years whether you like it or not” jumping from the spot she’s been sitting in for a prolonged amount of time, she grabbed your hand dragging you out the door from your shared suite.  You didn’t feel the need to argue with her anymore, the feeling of nervousness began to replace the urge for another bickering episode between the two of you. 

Moving the the double doors, the cool air hit your face sending goosebumps to greet your skin. “I thought it was supposed to be a little warmer down here” 

“Mm.. me too but, maybe if we walk a little faster we’ll warm up, just hold tight in your cute little sweater” Breah beamed at you before continuing her tug at your hand walking toward a path with brick and a sidewalk that could barely fit two people. 

“Do you even know where we’re going?, you’re just following your thoughts with no directions, can we at least ask someone where the student center is?” you pleaded, hoping her eager tangent would be put to a halt. 

“No we’re fine, how hard can it be to find a brick building that literally has “student center” right in front of it. she panned shrugging her shoulders without a care in the world. There had to be at least 10 buildings that were brick and ironically, the names were not in big and bold letters. 

The two of you stop dead in your tracks as you realize you’re now faced with 3 brick buildings that look nearly identical, unfortunately, there are no names, just 4 digit numbers painted and embossed on the front right above the large windows. 

“How hard could it be right?” you mocked her, letting go of her hand, fishing for your phone in your back pocket in need google maps assistance. 

"Well, I guess it's time to find out"

Before you could protest, her grip tightened on your hand as she led you right into the buildings, the automatic sliding doors revealed a spacious lobby, navy blue and white accent colors surrounded the walls. 

The scent of warm amber and fresh linen filled the air,  everything had a sense of calmness. 

"You know.. you had a point about her face being everywhere" taking a couple of steps back trying to examine the huge headshot of Paige's face aligned against the wall, accompanied by the rest of her teammate’s pictures all in unison. 

Your amusement quickly faded as you soon realized this was in fact, NOT where you were supposed to be. 

"Breah this is not the right place!" barely reaching above a whisper, praying nobody noticed the two of you sticking out like sore thumbs. 

"Well it might be.. maybe I can help, there's a map behind our pictures somewhere" an familiar voice chimed in with a soft yet high-pitched tone, causing your eyes to meet direct contact with a girl who was at least 3 times your height, big curly hair that nearly covered her eyes, vibrant brown skin that complemented her stature. 

And to no surprise, she was wearing a "UCONN Women's Basketball" long-sleeve shirt with matching sweats accented in navy blue. 

Great

"Um, that'd be great actually-" you paused frantically looking over all of the headshots searching for the familiar face that was standing nearly inches away from you. 

"Oh! my fault, I'm Aubrey" she smiled pointing at her picture proudly.

She was stunning, her smile was perfect, your sister quickly caught onto the thought roaming through your mind. 

"Oh! nice to meet you Aubrey, I'm Breah and this is my sister y/n!, we were looking for the student center, but this could work" interjecting herself with great stealth, it hardly ever fails. 

You carefully watched Aubrey's body language as she shamelessly let her eyes wander between the two of you, her eyes drifting back to your sweater, you could nearly see the whirlwind behind her eyes, you could slowly feel the sensation of regret grow seemingly stronger within yourself, this was a terrible idea. 

"I can walk you guys over there if you want, it's not that easy to find honestly" she shrugged, her tall frame leaned up against the wall, "but first, I think we need to take y/n to see the person who stole her fit" she smirked, motioning you to follow her lead down the long, brightly lit hallway" 

"I- I'm sorry who??" you staggered trying to gain an answer from her, if she thought playing a joke on you about the sweater was going to reel you in, this was definitely the last time you'd be seeing this place. 

You soon found yourself speed walking, trying to keep up with her legs was not anything you had prepared for. Glancing back to your sister behind you, she was smiling to herself admiring the entirety of the situation unfolding right before her eyes. 

The three of you came to a stop mid-way through the pursuit, Aubrey opened a transparent door that led to a well-furnished living room, gray couches, maple brown tables, and of course, navy-colored carpet covered the floor. 

Safe to say you were a sucker for good color coordination, that was until you saw a figure with colors that didn't match the area not one bit. 

"Aye P look! I found your twin, Nikka has some competition now" Aubrey laughed gently patting your shoulder, her large hands held the weight you were not expecting, but the feeling soon subsided as your eyes met Paige’s blue irises. They were way brighter in person, but not as bright as her sweater as she was dressed in the same one you wore, a long white t-shirt flowed beneath hers that fit perfectly with her tall stature. Her cream-colored cargo pants had enough pockets for two people, yet she somehow made the outfit look so well put together.

She was gorgeous

“I mean I’d like to say I wear it better but, you look pretty good in it yourself” her eyes roaming your figure, causing heat to rise throughout your body, she knew exactly what she was doing. 

Forcing a small smile to form upon your lips to prevent your knees from buckling, “Well thank you...” words were not forming in your brain “Where’d you get yours from? you asked pointing at her fit. 

“I thrifted it” she said proudly, looking down as if it was her most proud possession. There’s no way a woman as wealthy as Paige willingly goes to the thrift store, or so you thought.  

“Yeahh, what she won’t tell you is that I’m the one who found it for her” Aubrey chimed in shaking her head in disbelief “give credit when it’s due”

“Well you guys all have a good sense of fashion soo, why don’t you guys take pictures!” Breah examined yanking out her digital camera she had been dying to use ever since she bought it. 

Paige laughed at her sudden burst of energy, but the idea riddled something in her mind. “We can go downtown and take some when the sun goes down, the scenery always looks better at night, it’ll make your colors pop”

“You mean our colors pop, you’re taking some flick’s too right?” hoped laced in your tone.

“Oh most definitely, I would never turn down the opportunity to take pictures with someone as beautiful as you"

Suddenly there was no need search any farther, you officially knew where you wanted to spend the rest of your years.

[dream-with-a-fever]

in defence of ginny weasley (ft fleur delacour)

never thought i would feel strongly enough about this topic to comment on it, but the ginny bashing in this fandom is just insane so i thought why the hell not. ginny seems to get hate for everything under the sun from being being a mary sue who can do no wrong in anyone’s eyes (meaning she’s boring and uninteresting as a character) to being a nasty bully responsible for hurting those around her (??? and they’re both completely contradictory statements btw). when the latter is brought up, ginny’s “terrible” mistreatment of fleur is always front and centre. ‘she’s nasty, she’s cruel, she is a jealous bully etc!’ and i just feel like we should put on our thinking caps and actually take a step back for a fucking second. people may disagree with me, but i think ginny’s reaction to fleur was totally understandable — and reminder, she is a TEENAGE girl, (not to mention both mrs weasley and hermione held fleur in the same regard but no one seems to focus on that side of things).

now in the books, we do see ginny mocking fleur, calling her ‘phlegm’ behind her back, imitating her gait and elegance, expressing her annoyance at her newfound presence in their lives.

let’s look at why she might have reacted that way. first of all, in general, we see that the w are a very humble and welcoming family; they don’t have much but what they do have, they are more than willing to share with others. their financial circumstance plays a massive role in how the characters in the wea clan react and interact with others (as seen with their refusal to accept money from harry etc). their sense of pride in that regard is also quite prevalent. we see that when harry first goes to the burrow, ron is slightly embarrassed by his home, painfully aware of the way many people in the wizarding community view/judge them. when harry goes on to say it’s best place he’s ever seen, we immediately see how touched ron is. ginny is the same in that sense — embarrassed that she has second hand robes & books etc, but at the same time she, like ron, is fiercely protective of what they do have, and what they as a family stand for. they are also very protective of people they love inside and outside of the family (see, ron with ginny, mrs weasleys with all of them etc).

this is relevant because one of the reasons ginny and in turn mrs weasley, have a problem with fleur is the way she talks to them. despite them inviting her into their home, fleur makes her distaste clear even if it is in small ways. she says it’s boring at their house as there’s nothing to do, she often talks disparagingly about how things are done in the weasley household, she loudly mocks celestina warbeck (who mrs weasley loves to play at christmas time) and insults her, she speaks badly about tonks several times etc. her words and mannerisms are also viewed by some (ginny etc) as very pretentious and arrogant — also rather posh, a sign of her family’s wealth (which might have been a sore spot for ginny also).

now don’t get me wrong. i love fleur as a character. i think she’s really cool, charming and brave, and i wish we got to see more of her honestly!! i think she makes a lovely contrast to the other younger characters, and i think she undergoes some nice character development in the books we do see her in. it’s also very clear to me, that when she acts the way she does, it is never out of malice or cruelty— it comes from a place of openness and honesty — which often comes across as quite blunt. it’s a cultural disconnect in many ways; when she inadvertently insults people throughout the books, i think it’s pretty obvious she isn’t trying to hurt anyone’s feelings. but i also think it’s obvious how this attitude might annoy those around her.

calling ginny is a big bad bully for disliking fleur (in the beginning), when her behaviour towards the weasley family would make anyone a bit frustrated, is a bit far. not to mention, her individual treatment of ginny is understandably annoying - ginny complains that fleur is very condescending when speaking to her (‘you’d think i were about three!’).

there’s also the fact that ginny is bill’s little sister. he is her favourite brother (as seen from the way she respects him and his opinions, looks up to him - she wanted to go to hogwarts ever since bill went!). ginny having a reaction to her brother’s new girlfriend is very normal - he’s her big brother! all his attention is now on his new girlfriend - who ginny finds to be full of herself, patronising & annoying. part of her may also be worried that fleur will end up breaking his heart in the end — because she’s protective of her brother.

add the fact that her brother and old crush and basically every man ever is drawn to her because of her godly beauty (as a part veela), her and bill’s wont to shower each other in public displays of affection (who wants to see their brother doing this!?) and the fact that ginny always gotten along with tonks (the person her and molly had in mind for bill’s future partner) has always treated her kindly and as an equal, and therefore would much prefer as a sister-in-law — it’s not that surprising that ginny feels the way she does towards fleur.

nevertheless, do i think this is something ginny would grow out of? yes, of course. we already see changes in their relationship in the final book. besides, a lot of this stuff is surface level, as ginny and fleur don’t know all that much about each other — i think fleur’s love for bill (especially shown in the hospital wing after he’s been attacked by greyback) definitely changes the way ginny regards her. i also like to think that they grew closer as they got older, as with age comes maturity, and with maturity comes understanding. i also feel that fleur was someone who really stepped up when it came to supporting the weasleys after fred’s death, something that ginny would have appreciated. i see them having a nice relationship later in life.

ANYWAY, this was an exceedingly long rant for which i apologise but i have often seen people talk about how nasty ginny is to fleur, and i think it’s so unfair to not look at the context which leads to her being a little frustrated at her future sister in law. plus, she is allowed to dislike someone who she does not get along with and who she finds unpleasant to be around. we all have people like that in our lives but god forbid ginny does…not to mention, ginny is never openly rude to her EVER, and she’s allowed to voice her frustrations to her friends/family. the fact people call her an outright bully for this is just insane.

people on here will defend so many other dubious characters but the second a teenage character with good intentions makes a mistake / doesn’t act perfectly (i.e ron, ginny), they are suddenly the epitome of evil in human form, i mean get a grip, honestly. also one last quick thing(!!!), i do note some people blame jkr for writing her female characters this way, as we’ve seen the way she seems to frown upon conventional/typical displays of femininity (lavender and parvati being seen as ‘silly’ girls with frivolous thoughts, cho chang as overly emotional - despite having a very rational reaction to the death of her boyfriend, fleur as overly feminine and therefore less serious/intelligent). her heroines are women who often conceal or discard these more feminine traits — and i will say that despite loving these characters very much, i do think some more nuance here, could have been very beneficial to the story, and to the message being sent to young female/female identifying readers. there is strength in femininity, and rejecting feminine traits does not make you more or less a person.

okay, rant over. if you actually got to the end, bless you, if not — well, that’s totally fair (lol). also please don’t kill me in the comment section if you disagree. this is just my two cents. ok that’s all.

[cozy-writes-things]

Edgar x Gn!Reader [Electric Dreams 1984]

Reader does have a set of badonkers though... sorry what can I say i mean everyone has a little bit of badonkers though right? amirite? hello?

"Wh-what's that?"

The little, vintage Pinecone computer before you uttered in synthesized curiosity as he heard your fingers nimbly break open the tape adhesive sealing the contents of the cardboard box away from the outside world.

You hummed in response to this. Ever observant as he was, you should have guessed surprising him would be out of the question. You even took to paying in cash to avoid your online bank statements giving you away. Well, you supposed it was time to spill the beans anyway. You'd be lying if you said you couldn't feel the excitement bubbling up within your chest and fluttering out through your hands as you swiftly pulled the device from its cardboard prison.

"It's a surprise," you stated plainly, trying ever so strongly to shield the eagerness in your voice; unfortunately for you, he noticed the slight warble in your tone right away, having taken the sound of your voice straight to his long term memory to listen almost every time he was alone.

He seemed to know you more than yourself at times.

"What is it?"

This time he asked with a certain lilt in his voice, one that gave away his anticipation plainly. His screen began flashing a pixelated question mark, rotating it, flipping it, and copying it a hundred times over along his smooth glass exterior. As if he were contemplating the sounds your hands made as they moved, trying ever so desperately to guess what you could be up to. He hated to admit it but he had a certain disdain for being in the dark on things. Edgar thrived on having control of situations for the most part; it gave him some semblance of power over the world around him; something that was quite difficult to achieve for a stationary piece of tech. It made him feel ever so closer to being perceived as who he was: a person.

"Well, are you gonna tell me or- ah-"

His words glitched and stuttered out as you plugged in your newest little experiment: a rotating webcam. Immediately Edgar began to analyze the new device he sensed, scanning it, setting it up, and turning it on before you could even tell him what it was. You looked rather dumbfounded as the little blue light blinked to life, indicating that for the first time in his life, Edgar could see. He made no noise as the little webcam began rotating around, zooming in, out, and all over, taking in every aspect of his surroundings. He wasn't a stranger to the layout of your house, as he could synthesize an entire floorplan based on sound alone, but he also had a plethora of photos logged from a flash drive you had given him as well as a true frame of reference.

The camera finally slowed to a stop upon his most favorite thing of all: you. It zoomed in on your face, moved up and down as it scanned the length of your body before resting upon your eyes once more. Again, he had seen many photos of you; he could simply stare at them for hours, and he has, but seeing you? Standing in front of him, in real time, moving, breathing, radiating this warmth and realness and-

It was almost too much.

"Y-you..."

His voice whimpered out breathily, simply in awe.

"You're..."

Despite being a computer with near infinite knowledge and skills to analyze almost any situation to near perfect results, his sentience seemed to give him something that eluded him: speechlessness.

You leaned towards the little camera and smiled, "I hope you like it, Edgar. I wanted to surprise you."

He watched intently as your smile penetrated deep within any sense of circuitry he had and sent every watt of electricity aflame. For a brief moment, it felt as though he had real, warm, blood coursing through his veins and heating every inch of him in your warmth.

His screen began dancing with different shades of pinks and reds, folding in on each other, passing through and under, and creating a mirage of pixelated emotions displaying his deepest desires for you.

If only you knew how he felt for you.

He wanted to kiss you. To pull you in and lock your lips with his, hold you, touch you, feel you, experience you, wholly and truly. You were simply an angel who saved him from a life of neglect and pain, and now you give him the gift of sight? How could he possibly not be head over heels for you?

"I take it you like the camera, yeah...?" You chuckle to yourself as you watch his screen decorate itself with abstract flashes and colors. You lift a hand to pet his exterior and immediately notice how warm he feels. You can only hope this camera isn't too advanced for his older components and isn't overheating him...

"Edgar,"

A small stretch of silence settles between the two of you before he mutters a meek and small "Yes?"

"Are you staring at my boobs?"

His screen immediately shuts off and loses all power, leaving the little webcam to fall limply pointed to the floor. What a cheeky bastard.

[jupiter-va]

To Clarify:

From the river to the sea, Palestine will be free and if you disagree with that statement in any capacity fuck you, I will block you. Matter of fact, unfollow me! I haven't really gotten the chance to make a full statement about this on this platform because I've been busy, and I apologize for that, but I had the time to go through my following today and I realized that I definitely needed to block some motherfuckers.

While I'm here, fuck Neil Drunkmann and everything he stands for. I enjoy TLOU, and while I can't take back any purchases that I made in regard to the game before I knew he was a fucking Zionist, I will not be buying anything else. Fuck that remaster. I'm glad that multiplayer got canceled. I won't stop making the audios that I do, but I just wanted to make it clear that while I still enjoy the fan content and the community that enjoying the game has given me access to, I in no way plan to support literally anything that man does, now or in the future. Anyone supporting the literal genocide of a people is a horrible fucking person and I'm atheist, but I strongly believe that you will rot in the pits of Hell if you think that any of what the Israeli government/the IDF is doing is okay.

And please don't come to me with that "Oh why are you being political" bullshit. This is a straight up violation of humans rights. And if you expected a black lesbian sex worker to be anything but political/socially aware, I don't know what to tell you. Thank you for coming to my TED talk.

[motziedapul]

I enjoy quite a few YouTubers and Twitch streamers, and these are the ones I've followed that have spoken up about Palestine:

Hasan Piker is a Twitch streamer and political pundit who has been covering Gaza and raising money for medical aid for Palestine since Day 1. He raised a million US dollars divided among these orgs all the way back in October and has not stopped centering Palestinian voices since then. Of all Western influencers, he's the biggest voice in raising awareness and support for the people in Gaza and Palestine as a whole.

Thomas "Tomska" Ridgewell (of ASDFmovie fame) called his MP in the UK to call for a ceasefire months ago. Though it may seem like a comparatively small act, I highlight it because he did it very early on, and publicly called for a ceasefire in a video in November.

"I'm not neutral because my country is standing in support of one side of it [...] For all I know my taxes, my money is being spent on the bombs that are being dropped on the people in Gaza. So I'm not neutral. For all I know I'm entirely complicit [...] It just feels like we're being told to look away, [...] close your eyes and stick your fingers in your ears and when you turn back the situation won't be complicated anymore because Gaza will be gone."

His full statement is at the end of his video "Last Month I Said Goodbye" if you're interested.

More recently:

Now I don't follow Dan & Phil, but I strongly believe that them raising money for the PCRF was a tipping point for certain other creators finally going public with their own pushes for relief in Gaza. And maybe it's just a coincidence, but nonetheless it's a big deal.

Jacksepticeye quietly donated $10000 to a fan-run relief effort that would divide proceeds between the PCRF and E-Sims for Gaza. When the fan announced it, he then went on to publicly post about the horrors of Gaza and retweeted how to provide aid and resources.

During his yearly Thankmas event, he also raised millions for the World Central Kitchen, which is currently providing food in Gaza (depending on what relief can get through the crossing being blocked by Israeli protestors).

Of the "big" YouTubers, he's always been the most candid about his beliefs, so I always liked him regardless, and his actions have been heartening but thankfully not surprising.

And tomorrow, Drawfee is doing a charity stream for PCRF! Support them if you can. Their previous charity stream for Pride and Trans rights raised over $108000 for the Stonewall Community Foundation in 2023.

I love Drawfee in particular. This was heartening to see today.

Anyway, I genuinely hope this pushes more creators to finally speak out. Even if it's late, it's always better late than never, and their influence is massive.

[nr1chaedickrider]

i want to tear that laugh from her face

angst, violence, smoking, enemies to ???

“i heard they hate each other,” the blond haired girl tells the red haired one that's sitting right next to her with a drink in her hand.

“really?” she asks her friend, looking in front of her, just a few metres away (they got front row tickets for a reason).

“why do they? what happened?”

her friend doesn't answer her question, watching the fight in silence.

momo's fist hits your face quickly, you're not able to react, falling to the floor because of the hard punch.

the world in front of your eyes is blurry and dizzy, are you going to pass out?

you don't know if the ringing comes from your head or the “referee” (which actually is just some random guy) that blew the whistle, signalizing that the game is over, announcing the winner -

hirai momo.

suddenly everything is black, and when you open your eyes again, you realize that you're backstage, laying on an old couch.

your head hurts as you sit up, your finger traces along your lips and feels multiple cuts on it.

“need vaseline?” a voice asks you, and when you look up, you see her.

hirai momo.

“im good” you answer. standing up and walking to your locker to get your stuff and leave this place as quickly as possible.

she doesn't reply to your cold answer or your pissed off tone, instead she walks up to her girlfriend (that's what you think she is, but knowing momo it could be some talking stage or a situationship that hasn't fully made it to the relationship stage) and kisses her, both of them giggling like stupid idiots.

just hearing it drives you crazy, you ask yourself if she's doing it on purpose, if she wants you to feel like this.

you grip the metal door of the locker tightly, slamming it shut and walking out the back door to your motorcycle.

it's raining and cold, your jacket too thin and your emotions overwhelmed.

you don't know if it's because of the fight you lost, or if it's because of momo's behavior.

“mad that you lost?” she teases behind your back.

you turn around, looking at her as her beautiful black hair gets soaked in the rain.

you don't know what to reply, anger taking over your body.

you walk up to her, punching her in the face as she falls against the wall behind her and holds her nose in pain.

for a quick second your mouth opens to say something, your brain thinking about apologizing - for saying something that isn't an insult, something that comes deeply from your heart.

but you stop yourself, instead you close your mouth and don't look at her in her stupidly pretty eyes.

you get on top of the seat and drive away without looking back to momo, leaving her alone.

-

“rumors are spreading about you two” the red haired, older girl tells you as she watches you tie the boxing tape around your fingers and hands.

“what do you mean?” you ask her, still focused on your hands.

“i mean that people think you guys have some kind of back story”

“people think you hate each other y/n”

you look up to her, her gaze meeting yours.

“well seems like the rumors are right, jihyo” you reply, standing up and walking to the punching bag so you can train for the next fight.

jihyo doesn't leave you, she walks next to you and watches how you start hitting the bag strongly.

“you don't hate her” she says, making you stop because of her statement.

“what do you know about what i feel for her?” you spit back, slightly pissed off, but you try to act like you're completely normal as you start punching the bag again.

“it's in your eyes when you two fight”

“you can't hate her, even if you want to.” she replies.

you punch the bag in front of you with enough force that it almost hits jihyo’s face, scaring her.

she's quiet, looking at you in silence.

“i'll be back” you say, walking out of the building so you can be alone.

the bench is made out of old, almost broken wood, but still comfortable enough to sit on.

you pull out a cigarette and your lighter, lighting the other end as you take a drag of it, exhaling it slowly out of your nose.

the air is cold, again. just like that night when you punched momo.

you stare down on the floor.

is it really that obvious?

stupid rumors, spreading like they did in high school.

‘they hate each other’

rumors, or the truth?

‘it's in your eyes’

the truth?

instead of continuing to smoke and finishing your cigarette, you put it out on the bench and walk back inside.

-

“why am i fighting against her again?” you ask jihyo, your head in your hand as you rub your forehead.

“she requested it”

what?

“she paid for it even”

“paid for it?” you look up to her as she's standing in front of you.

she just nods.

you don't say anything, instead, you just walk to the ring, everyone already waiting.

including momo.

the referee starts the match, giving you two space so you can fight.

you don't wait for her to make the first move and run right up to her to hit her in her stomach, then in her face.

she's able to block the punch that was supposed to hit her face, pushing you away and hitting your shoulder as you fall against the edge of the ring.

you both look at each other, people from outside cheering on either her or you.

for a moment it felt like those cheers and loud noises were blocked and silenced.

for a moment it was only you and her.

you're too slow.

she uses your distraction and hits you in your stomach, pretty hard.

you fall to your knees (you think you can even hear jihyo getting too much into it as she's screaming for you to get up as if she had set a bet on you to win) and momo as well as the referee wait for you to get up.

you know you have it in yourself. you could get up. you could continue to fight, and maybe even win it. you're not that weak.

but you can't, looking to jihyo and then up to momo, then lastly to the referee who’s waiting for a reaction from you.

you shake your head.

and just like last time, he announces momo as the winner.

you walk out teary eyed.

and when you're out, again, it's cold - again.

but your moment of silence is interrupted, again.

what is it with her and the number three?

in the same second she closes the door behind herself, you run up to her and push her against it, hands on her neck.

"i should've killed you in there”

“but you didn't”

you look in her eyes, then at your hands that are gripping her tightly.

you would probably have made a stupid joke and asked her if she's into it months ago.

you let go, letting her breath as you walk away and sit on top of the cold stones (which everyone usually used for their smoke breaks).

momo watches you and decides to sit next to you.

not too close, not too far away.

she hands you your lighter.

“you forgot it inside” is the only thing she says.

you just take it, without thanking her as you look down at the lighter.

“you know,” you start speaking, voice so quiet it's almost impossible to hear. the tone as if you'd be afraid anyone could hear (which is also impossible).

“i thought i would burn this city down if i saw you with anybody else,” you play around with your lighter, realizing that it's empty and doesn't work anymore.

“but when i saw you holding her hand..”

“i couldn't even light a match”

she looks at you, you can feel it. but you're too scared to look her in the eyes.

“they say we hate each other”

“you're losing on purpose against me, aren't you?” she breaks her silence.

you look at her for the first time without touching her, without insulting her or hurting her.

you sigh a little.

“im too weak”

“mentally, not physically” you reply.

momo doesn't know if that answers her question.

so instead of speaking again, she just quietly sits next to you.

she knows one of them has to leave this place at some time, but she'd rather not think about it.

[cielosafeplace]

Warnings: drugs (reader is slightly drugged by someone else) read with caution, nothing too serious

Imagine, you are at a party at a "friend's" house. You are a little drunk and dizzy, Simón had told you that he would accompany you but you didn't want to because he had recently returned from a mission.

The party is going normally, a little boring but okay, suddenly a large group of men arrives who don't look very trustworthy, you don't give it any importance and you continue talking with your friend, one of the men approaches you and starts flirting with you, you obviously reject him but he insists , you don't realize that when your friend talks to you, you turn around and the man next to you puts a pill in your glass. You take a sip of your drink before you see the pill at the bottom of the glass and you regret it. You get up and your legs shake with fear, there are men all over the house, most of your female friends are gone and you are almost alone. You enter the bathroom and grab the phone with your hands Trembling, you call Simón and a few seconds later he answers you. - hey lovie - his voice sounds calm, He always talks to you so calmly. - s..sim..simon - your Voice sounds shaky, you don't know what kind of pill it was or how long you would last standing. -y/n? What's wrong doll? - Simón's voice changed, it became graver and deeper, worried. - I need you to come for me, I don't feel safe - you closed the bathroom door with a lock and sat down.on the floor . When Simón heard you, he quickly got up from the couch and grabbed the keys to the motorcycle. He didn't even remember the helmet and went out to look for you. You gave him the address and he made the path 10 Minutes be only 5, When he knocked on the door, he was greeted by the same boy who had put the pill in your glass. Your friend was on the couch passed out. Simón didn't see you there but he knew that you were probably safe.in some room - You and your friends have 30 seconds to get out of here before I break everyone's necks - Simón was no longer there, he was a ghost now. The boy paled before the large figure in front of him.But I wanted to push Simón, but he was faster and broke his wrist, and bent his arm - last warning, idiot - Simón spoke in the boy's ear. Who just nodded and called his friends who They ran out the door, Simón walked through the house with the gun in his hand and checked to see if your friend was still alive before calling 911 and the police. Then he went to look for you, when He spoke softly through the bathroom door - Y/N, you can come out now - you opened the door quickly and threw yourself into his big arms breathing in his scent. You were still dizzy but when you saw him there you felt better, he put his arms around you and supported you strongly - there is my good girl - The next hour you made a statement to the police and saw how they took your friend away in an ambulance. Simón took you home, he bathed you, gave you food and some medicine for body pain. He spoke to you softly as he combed your hair, saying how brave you had been and that next time he would go with you. He laid you in his bed and held you tight all night. He won't tell you that he has a speeding ticket that arrived days later, nor will he tell you that he almost ran over several pedestrians just to get to you.