thinking real hard rn.
So in "Hold Them Down" the suitors plot to murder Telemachus and assault Penelope. But in king we hear Amphinomus say
"Damn!
He's more cunning than I assumed!
While we were busy plotting,
He hid our weapons inside this room!
So does this mean that Odysseus is present during "Hold Them Down"?? Probably as a beggar. And judging by how "King" begins with the suitors already being slaughtered (i'm going only by the snippets we have so far), my guess is that "Hold Them Down" will end with Odysseus stringing the bow and shooting Antinous. So does that mean that Odysseus heard what they planned to do to his wife and son? Because holy shit.
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I think sometimes the way I approach fic / meta writing / analysis stems from how I character build and write my OG stuff as well, because while the classical writing advice is about asking "what does your character want?" I've always found it most useful to ask "What does your character want, and what are they willing to justify to get it?"
(Asking how they justify their actions is also incredibly useful but more on that later.)
For example, when ('good') characters are under stressful situations and respond well regardless, we take that as being indicative of who they Truly Are—heroic, helpful, selfless, often even compassionate, etc, and when antagonists behave that way, we dismiss it as just glory hounding or being selfish, when it can Be multiple things at once.
When ('bad') characters respond poorly to stressful situations—threatening harm, using dark magic to saved loved ones, being angry and cold hearted—we take that as who they are, and when it's the protags, we say they're stressed or coerced or any number of things... that are true for the antags often, too! And still true even if you don't like them or have as much compassion towards them.
But unfortunately sometimes people are rarely inclined to do the opposite. They're rarely inclined to take antagonists' good moments as honest statements of their character because "well they're mean/evil" and often dismiss protagonists' complicated or less than stellar choices because "well they're good and they feel bad" (Viren saying he'll never forgive himself for the things he's done even when they saved his son, and Claudia crying over what she's done to save her father? yeah those scenes don't exist anymore sorry).
The fact of the matter is that, at least in TDP and in many other works (including my own), actual antagonists are not always evil and awful and morally bankrupt 100% of the time, and actual protagonists are not always perfect or good or making the right choice (because sometimes there isn't one, tbh).
Who your character is at their best and their worst, regardless of circumstance, is ALL of who they are. It all has to be taken into account. No cherry picking. Rayla can be selfish and dismissive and a liar who routinely fails at whatever she sets out to do and is awful at communicating, and Viren can love his kingdom and his family and genuinely believe that's what he's doing everything for, and neither encompasses their whole character. A perfect example is Claudia, who we cheer for when she chooses Soren over the world-saving mission of the egg in 2x07, and despair at when she chooses Viren over the world-saving mission of maybe not freeing the dangerous imprisoned Startouch elf in S4 and S5. Same principle, character, motivation, different circumstance, but we're happy about Soren (because he's not Viren) and bummed about Viren (because he's not Soren), and because character traits are consistent, and whether those traits are good or bad is inherently circumstantial. Claudia's loyalty can be great, and it can be a terrible, awful justification. Both of those things are true.
To be clear, this isn't to argue for false equivalency: Viren and Claudia and other antagonists are far more often Wrong than the protagonists are, and the protagonists are routinely more Right than our two favourite dark mages are. TDP likes its complications and circumstantial stuff, but there's still some things that are Bad No Matter What (like gaslighting your child, or routine dehumanization). And some of our associations are because antagonistic characters tend to be routinely cruel and mean, which are part of the horrible things they do, and protagonist characters are routinely kinder and more compassionate to the people around them, and protecting each other / innocent people is part of what makes them a good person, but... There's no inherent difference between a lot (not all, but some) of the actions the characters across the board take, particularly in arc 2, just their perspective and who we're personally more attached to and thereby more willing to justify their decisions surrounding.
Like idk my main WIP protag buries people alive en masse and tortures someone vindictively because they killed her friend and I'd still classify her as a Good Person (fictionally), and it's just always wild to me when people don't take All Parts and Choices and Relationships of a character into account especially because TDP spells it out for us over and over that we Should with quite literally every single character, whether those actions are good or bad:
Once again I am asking for encompassing wholes and character nuances where the only time a character should be like "well it's totally fine that you did a Thing actually" (Rayla towards Callum's dark magic use or Callum towards Rayla lying to/stealing from him) or "totally not okay that you did a thing" (Runaan about Rayla sparing Marcos, or Claudia doing dark magic) is taken as an aspect of Character Bias, not a definitive Narrative get off the hook slant or condemnation, because neither of those things Get us anywhere in a writing or analytical sense thank you
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Can I come and tell you my deepest pain?
We should have had Morzan alive. I mean yeah, it would fuck up the whole narrative but imagine Murtagh being afraid of his father. He hates the king but fears his father.
Imagine him and Thorn; Morzan sees them, and he has problems with booze in canon, just how drunk he'd have gotten after Thorn learned to talk? There he is with his nameless dragon, half of his heart and soul, that he had to watch descend into stupidity. (Does he have its name written up here and there, does he watch it every day just to think about how he could make it real again?) Would he dream of killing his son and taking his dragon to himself? Would he want that even though he despises that sick joke of a connection that is in between Galbatorix and Shruikan?
And then Galbatorix finally discovers the name of the names. How would he beg for the king to use it to heal his companion?
Also, it would be very funny to watch our main characters run for their lives with an angry dragon after them, but y'know.
Should I write a fic about this
Oh you absolutely should write a fic about this (and let me know when you do! I’d love to read it!), and I should go back through my WIPs to find my time travel AUs…
I usually write more about Selena than Morzan, but I do love the idea of getting to see grown-up Murtagh’s reaction to seeing his father, especially in a context where Murtagh has lived without him for a while—whether that’s because Brom didn’t kill Morzan and Selena got both her sons to Carvahall, or because resurrection or time travel shenanigans happened.
As for Morzan still being around when Murtagh gets captured… I think there’s a 50/50 chance he gets Real Weird about the torture, in a “I was pretty sure up to this point that I didn’t actually care about my son but now my best friend is torturing My Son and I don’t like it actually” way, and I think that would be really fun to explore; I think, also, that when Thorn hatches and Galbatorix prematurely increases his size, Morzan would again be Real Weird about it because, like, that’s a baby dragon the size of an adult. He hasn’t lost his name, he just hasn’t really developed one yet; he’s a weird, warped mirror of Morzan’s own dragon. And when Thorn does, eventually, with difficulty, start to ‘grow up’, Morzan’s probably going to get twitchy about it—it’s been at least a century, more than two thirds of his lifespan, since he’s even MET a somewhat psychologically stable dragon; how much has he forgotten of their true intelligence, their real personalities? And when Galbatorix does find The Word, if Morzan asks him to heal his own dragon… honestly I don’t know if Galbatorix would be able to. Having power and knowing how to use it are two different things, we saw Murtagh figure that out in his own book with The Word. Would the king even know where to start? Would he allow Morzan to try for himself? Morzan probably wouldn’t have a clue where to begin, all we ever hear about him from people who’d met him is that he’s a powerful spellcaster, but not a very clever one.
Honestly, the whole situation might drive Morzan to split from Galbatorix; and even if not, it would still probably drive Morzan to be extremely destructive, to himself and everyone around him.
Also he’d be so pissed to learn about Eragon’s true parentage. Not even in a “my wife cheated on me?!” way but in a “oh my god can Brom stop being SO OBSESSED with me for FIVE MINUTES” kind of way.
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