#and I love every versions of him very much

[lexirosewrites]

for slick sunday:

Royal AU where Prince Edward has always been destined to be an omega, it’s “written in the stars” according to the seers in the castle. They’ve never been wrong, so everyone prepares for him to marry an alpha from another country when he’s of age. But he feels like they’re wrong, it feels wrong.

When he presents as an alpha, the entire castle, the entire village is shocked. His rut is much worse than any the healers have seen, and he’s becoming more aggressive the longer he goes without an omega to help him through.

Cue his childhood best friend Steve, who left the village for a while when he presented as an omega unexpectedly, finding out. He hasn’t seen Eddie in a few years, but he knows what he has to do.

The moment he shows up, Eddie calms. It’s like a switch is flipped and Eddie falls to his knees, buries his face against Steve’s hip, and whines. Steve brushes his hand through his hair and whispers as much comfort as he can while he shoos everyone from the room.

It’s a long two days, but Steve helps Eddie through his rut, does anything that Eddie needs. Eddie is good to him, softer than he expected. He’s still very out of it, but he’s always nudging Steve to drink water and lay down so he’s comfortable. He goes slow, even when Steve knows how much he wants to take charge, go faster, go harder.

When it passes, Steve’s prepared to leave. He did what he came to do and doesn’t expect Eddie to want him to stick around. They aren’t friends anymore, even though Steve will always love Eddie for seeing the real him, the version of him that Steve hid around others because it was too soft, too loving, too much.

But Eddie asks him to stay, have the healers look him over to make sure he’s not hurt. Steve insists he’s fine, but Eddie insists harder.

Steve stays.

And stays.

And he doesn’t leave Eddie’s side for weeks.

No one asks questions, they just accept that the prince won’t let Steve out of his sight.

When Steve misses his next heat, he feels like running. They aren’t mates, despite how inseparable they are, despite the love shared in Eddie’s bed nearly every night. A baby born out of wedlock, out of a bond, even in their case, would be considered illegitimate.

But when he tells Eddie his fears, Eddie’s ecstatic.

They meet with Wayne immediately, and he’s just as ecstatic as Eddie is.

“I worried when he presented as an alpha instead, that we’d spend years searching for a worthy omega. But I think I should be more worried that he isn’t worthy enough of you.”

They bond days later, and have a marriage ceremony shortly after that.

One night shortly before their baby is born, Eddie is holding Steve in bed, humming songs he’s made up just for him.

“I believe I was always meant to be your alpha.”

“The stars said differently.”

“Stars can be wrong. Fate is a mysterious thing.”

“So fate brought us here?”

“Fate brought you to me and I refused to give you back.”

“I’m glad you didn’t give me back. I quite like it here with you.”

omfg when you said Steve missed his heat my chest hurt because I thought he was gonna run away😭 I’m so glad they get to be happy together!!!

[thermodynamic-comedian]

god. janus sanders really is a character of all time, just in terms of concept. when you were a little kid, you did something wrong, and you got so scared of getting in trouble that another little guy was born inside you. and he loves you. and he wants you to stay safe. so he tells you to lie now, take care of yourself now, keep yourself safe. but all the other little guys inside you hate him. he's too mean, too selfish. the little guy that was born from your desire to do good and be good hates him the most, because you're a little catholic boy, and lying is bad. and you're a good boy. so everything inside you that isn't good has to be shut away.

he knows he's not wanted. he creates his own place to stay, a hidden corner where he can't hurt you. because all the others say that he'll end up hurting you, and he can see how scared you are of being a liar, so he lets himself be forgotten. hidden away. this is how he shows his love: by hiding himself, and every subsequent unwanted part that grows inside you, from you. if knowing about their existence is too difficult for you, then he'll hide them all. he loves you. you don't even know his name.

he watches you grow, still unaware of his existence. the others make their presence known, felt. you let them take the reigns, most of the time. he sneaks in his own little influence here and there; small, harmless lies, only when necessary, so you won't even notice. and in the meantime, he acts as a herder of sorts for all the other parts of yourself that you've subconsciously cast away. he keeps them in line. he sympathizes with them, yes, he knows what it's like to be unwanted. but letting you see them would hurt you, and he loves you. so he keeps them there, in the shadow, unknown and unseen, just like him.

one of them, one of his little dark, unwanted things, doesn't want to be hated anymore. he wants to make himself known. he wants a seat at the table. and, in an ultimate slap to the face for janus, he gets it. virgil gets everything that janus was denied from the start. acceptance. power. control. his effort is acknowledged, his necessity is embraced. he gets a seat at the table. he doesn't have to hide anymore. and janus can't help but resent him for that. maybe it's a good thing, then, that the hatred is mutual. not even his own cattle, the ones he kept safe, the ones he kept out of thomas' way, can stand his presence. fine. none of it matters. as long as you're safe, it was all worth it. he loves you. you still don't even know his name.

janus was always thomas' protector. even when none of it was ever seen or acknowledged.

i find his mixed motif really interesting too, because before we knew his name, we only knew him as deceit. the snake. the ancient serpent deceiver, the biblical snake of eden. but then we hear his name. janus. ianus bifrons, two-faced janus, god of beginnings, passage, transitions. i think that his name being revealed was very much the start of thomas beginning to see janus for who he actually is, instead of the heavily modified version of him that he's been seeing, courtesy of his catholic upbringing.

[tricoloreddango]

Phainon with chubby reader headcanons

contents: female reader / fluff and smut / insecurity and comfort / possessiveness / protectiveness / clingy behavior / mentions of marriage / riding / oral fem receiving / 69 position / cockwarming / soft and rough sex / service dom / period sex / aftercare / not suitable for minors

[Mydei version] [back to m.list]

SFW

—You are constantly made to be flustered. No, he won’t spare you any compliments, making sure they’re as poetic and detailed as possible. He’ll go as far as telling you how much he’d worship a statue made in the image of your body, leaving offerings for his ‘goddess’. But even if he can’t sculpt, he’ll gladly paint you if you give him a permission.

—Phainon wasn’t afraid to be constantly touching you, enjoying the physicality of you under his palms; being in public never stopped him from touching you either—he was just more subtle about it. He didn’t mean anything naughty (unless in a right setting), he just liked the fact you were there with him. Having your hip stroked or your waist wrapped with his arm, or even sleeping with his hand under your clothes just to feel your warmth was an everyday thing.

—Whenever you feel insecure, he’s not the one to just say “nah, don’t worry” and some compliment. He much preferred to get to the bottom of your insecurity and talk you through it until you no longer feel as if it was that bad—no matter how many times it takes you to fully solidify the fact in your head.

—Let him buy pretty or flattering clothes for you. One on hand, he didn’t like others having a clear view of your body; on the other hand, he wanted your shape to be enhanced and decorated—especially for others to agree with him that he’s indeed a lucky man.

—Phainon loved to take you to swimming sessions, somewhere by more isolated pools. His favorite part was you lying next to him on the blanket, the sun warming your skin, your body in a swimsuit and him having an excuse to spread open kisses onto your uncovered skin. You’ll make his heart flutter a lot if you giggle happily.

—Please let him rest on your stomach. He really liked taking a nap with him between your thighs, wanting an occasion to feel your soft body under him. You probably will feel ticklish with his warm breath teasing your skin, but he’ll fall asleep into a nap very quickly.

—All kinds of bodies were worshipped on Amphoreus, but should anyone end up spilling unpleasantries for your ears to hear you’ll have nothing to worry about. He’ll make sure to call out this person, not afraid to embarrass them in public either.

—Did I mention how clingy he is? On top of that, you’ll hear “I love you” on every occasion possible.

—Phainon knew you two should get to know each other well first. However, the ideas of marriage will fill his head rather quickly just in the beginning of your relationship… simply because he had feelings for you a long time before, and probably chased you for just as long.

—Teasing was just a big part of his personality. That’s why he liked to act like he’s your husband already, with that being done in front of others (it’s beneficial to him anyway, as no other man will think you’re an option anymore). Other form tease came from his touch you in small amounts throughout the day, just to get bit breathy and thinking of him.

Not to mention asking things such as “and who’s this pretty girl, huh?” or “what would you do if I was to kiss you all of the sudden?”—all whispered right into your ear, leaving him with a satisfied flicker in his eyes at your provoked tremble.

NSFW:

—He’ll set any warm and fuzzy setting you wish to have. Candles, essential oils, massage oil? You’ve got it. Sex wasn’t some mindless or animalistic ritual to him. He wasn’t using you, he was making love to you.

—You’re being fondled everywhere and I mean everywhere. He’ll become a whiny creature if he has to separate his hands from your body for even a second. It’s like during the day where he can’t keep his hands away from you, with a difference that this time it’s done in a really desperate and erotic way.

—He loved when you get on top of him. Any weight was enough for him to handle; he loved to see your beautiful body being exposed when you were sitting on him. He’ll squeeze and knead your flesh, while spilling out praises and encouragements.

—Every part of you was sweet, that’s why your pussy was no different. Phainon couldn’t get enough of eating you out on everyday basis, sometimes even stopping you in the middle of something just to drop down on his knees to pleasure you. You’re cooking? Great, turn off the stove for a moment and turn around to face him, before you spread your legs for him to sit between. It will be a perfect argument for him to touch and feel your thick thighs.

—69 position was arguably one of the best in his humble opinion. He could feel the weight of your body, the flesh of your chub against him on the bed; while you both exchange the beautiful act of mouthy-pleasuring like two true lovers. He’d service you anyway, yet he adored you wanting to make him feel good as well. Really, you were growing more and more lovable to Phainon everyday.

—Another perfect position was you both on your sides, with him either behind you or in front of you. He’ll hold you regardless, wanting sex to be something more than just fucking. He craved the intimacy with you… which of course didn’t mean he didn’t get rough with you occasionally, especially if he stared at you throughout the day than usual and needed to release his tension.

—Romantic gestures didn’t have to be cliche. One of his idea was you cockwarming him to sleep, in case cuddling wasn’t enough.

—Forgive him if he sometimes sounds too loud (high pitched even) or if he squeezes your hand too tightly (an intimate gesture he couldn’t deny himself of). It’s just that every time you laid each other on your shared bed, he was becoming a man thirsty, desperate and weaker than ever…. you’ll kill him too if you choose to be same amount of loud or squeeze violently around his cock. Perhaps you’ll force loud vulgar words from his mouth as well.

—He didn’t care if you or someone else found it nasty, he wouldn’t mind sleeping with you during your bleeding. It’s just a matter of placing a towel under you for him. He’ll gladly help you with your cramps by pushing orgasms out of you, and the fact you’d let him trust with your body even on your vulnerable time of the month made him feel a step closer to you. It’s just another way of him fully accepting you.

—Aftercare was as intense as possible. You need water? He’s already on his way. A towel was ready next to the bed. If you feel cold, he’ll keep you warm or help you dress up. Any soreness you had, he’ll gladly massage (and feel your plumpness with that). Not to mention all the pretty praises you’ll hear, even through your ears ringing post-orgasm.

[crossbackpoke-check]

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[emotionallychargedtowel]

The em dashes in this example don’t exactly “belong” to Emma (the character) though, right? I’m pretty sure this is a summary of Mrs. Elton prattling. I guess I just don't want it to sound like they're Emma's responsibility, which adding them to her name seems to do. Unless they are her responsibility. Hm.

She is the reader’s point-of-view character. She's arguably the one who summarizes Mrs. Elton in this way. If she took Mrs. Elton more seriously it doesn't seem like her words would be summarized in this way. But then we’d have to read every word Mrs. Elton says here—verbatim. No thanks.

I was wondering if the reason Emma is such an em-dash outlier might be because of Mrs. Elton and/or certain other tiresome or longwinded characters (I'm thinking of Miss Bates, of course), along with Emma’s halfway listening to them.

So I cracked open my copy. And now I'm taking a perfectly good joke and turning it into a detailed discussion of my hyperfixation. Well, hopefully it's of interest to others anyway.

The short version of the answer to my question is that Emma's em dash quotient doesn't seem to be entirely, or even mainly, attributable to any specific character, including any propensity of Emma's as our point-of-view character. It's mostly just that Austen goes all out with the em-dashes all over the place. Now, I love em dashes and overuse them habitually. But the em dashes in Emma seem downright excessive to me.

Check out this bit where Emma and Harriet are looking at Mr. Elton's house:

“…there could be no possibility of the two friends passing it without a slackened pace and observing eyes.—Emma’s remark was— ‘There it is. There go you and your riddle-book one of these days.’—Harriet’s was— ‘Oh! What a sweet house!—How very beautiful!—There are then yellow curtains that Miss Nash admires so much.’”

They really are extraneous here.

At other points, they seem to serve the usual purposes in dialogue, like making a sentence into a sort of aside or showing when someone has been cut off by another person. And sometimes they accomplish other worthwhile things. For one thing, as in the Mrs. Elton summary, they often do the work of helping to condense a bit of small talk. There's also a part where Miss Bates goes off at length twice in quick succession, in which the em-dashes show how abruptly she jumps from one topic to the next.

Mr. Knightley's response when he thinks Emma is upset because of the revelation of Frank Churchill's engagement to Jane Fairfax makes good use of them in a related way:

"...[S]he found her arm drawn within his, and pressed against his heart, and heard him thus saying, in a tone of great sensibility, speaking low, 'Time, my dearest Emma, time will heal the wound.—Your own excellent sense—your exertions for your father's sake—I know you will not allow yourself—.' Her arm was pressed again, as he added, in a more broken and subdued accent, 'The feelings of the warmest friendship—Indignation—Abominable scoundrel!' —And in a louder, steadier tone, he concluded with, 'He will soon be gone. They will soon be in Yorkshire. I am sorry for her. She deserves a better fate.'"

The em dashes show the abrupt way he switches from one phrase or exclamation to another. If his tone is "steadier" at the end of this passage, the em dashes seem to show how unsteady he was at the beginning of it. He's not just changing his tack repeatedly, he's doing it because he's agitated.

So, yeah. Austen does some worthwhile things with her preponderance of em dashes in Emma. But for the most part, she was just wilding out.

An ode to em

One of the reasons that I love Jane Austen's work is that she loves an em dash. Just how much does she love an em dash? Behold:

That's right, baby—Emma has 3102 em dashes in it! Not hyphens—this is just the count of true em dashes alone. It's glorious.

Let's all bask in the em dashes in this famous Emma passage:

“The best fruit in England—every body’s favourite—always wholesome.—These the finest beds and finest sorts.—Delightful to gather for one’s self—the only way of really enjoying them.—Morning decidedly the best time—never tired—every sort good—hautboy infinitely superior—no comparison—the others hardly eatable—hautboys very scarce—Chili preferred—white wood finest flavour of all—price of strawberries in London—abundance about Bristol—Maple Grove—cultivation—beds when to be renewed—gardeners thinking exactly different—no general rule—gardeners never to be put out of their way—delicious fruit—only too rich to be eaten much of—inferior to cherries—currants more refreshing—only objection to gathering strawberries the stooping—glaring sun—tired to death—could bear it no longer—must go and sit in the shade.”

31 em dashes in that sequence alone! And that's not even the whole paragraph—there are 9 more em dashes in the rest of the paragraph before that quotation! Iconic.

[slytherinshua]

➷　CUPID SOCIETY　( 엔시티 위시 )

      summary . . . nct wish hyung line as cupids in training!!

genre fluff , cupid au , headcanons , nct wish hyung line x reader   cw arrows and potion consumption lol , like usual i struggled with yushi so i'm sorry if his sucks idk why i'm so bad at writing him :') , not proofread   wc 650   request no   note this was supposed to be an ot6 headcanon but i was running out of ideas for maknaes :( i will probably write the maknae line ver of this soon tho!! for now just the hyung line </3 maknae line version now posted   net @kstrucknet @chrimatanet

OH SION ﾐ 오시온

does not take his cupid training seriously at all

once he gets his own bow and arrows this man is a menace

shoots arrows at people for his own entertainment

will play evil cupid

if two people on campus hate each other he’s gonna shoot an arrow at least one of them and giggle while watching them fall for each other

his matches have a surprisingly high turnout rate though

once the effects of his arrows wear off the couple is usually still infatuated with each other

this inflates his ego though

will not use his “skills” on demand for anyone

no matter how much another student offers to pay him 

and his ability to refuse any offer he gets just makes him get even more

and this boosts his ego even more until he’s almost insufferably full of himself

his ego is eventually shut down by you though

when you start to compete with him over who can be a better cupid

and eventually one of your arrows ends up hitting him

the boy is down bad for you from that moment on

perhaps that was your plan the entire time 

MAEDA RIKU ﾐ 前田 陸

riku is the type of student that everyone loves

he’s always showing people around and helping them out

as if he’s been attending the school for decades

knows all the in’s and out’s

is somehow friends with every teacher

even knows secret pieces of knowledge about cupids and their magic

and he really likes to share the things he knows with people close to him

builds up a reputation this way as someone that is impossible to dislike 

and he’s seriously popular with the girls as well

not that any of them land a date with him though

the one thing he does keep secret is the person he’s been crushing on since he first stepped into the school

although he is very talented with a bow and arrow

and can also concoct a pretty strong love potion

he knows not to use his magic on you

it would be wrong to make you fall in love with him like that

and he would feel too guilty about it 

so he stays admiring you from the background hoping one day he’ll get the courage to ask you out

but lucky for him he won’t have to wait too long :)

TOKUNO YUSHI ﾐ 得能勇志

he’s quite inconspicuous  

doesn’t talk very much and is quite shy with other students 

so no one really gets to know him well

if they did, they would find out how passionate he truly is as a new cupid

he spends most of his time sharpening his arrows or trying new potion recipes

he even concocts his own potions that have never been done before

he doesn’t have anyone to test them out on, so he has to be his own test subject

they’re usually ineffective despite his attempts at researching

when the potions go wrong, he goes missing from classes for days at a time

you’ve noticed yushi from the sidelines and became curious about his disappearances

you decide to become his friend to find out why

which is hard at first because he’s incredibly awkward and it takes a while to get comfortable with him

but, with persistence, you do 

he tells you about his potions, which you find fascinating 

and finally having someone who is genuinely interested in him and what he’s doing is the push yushi needs to gain some confidence

you become best friends and always hang around each other

eventually, you test out one of yushi’s new potions with him

and it goes a little wrong right

yushi is so used to his potions failing that he hadn’t expected this one to work quite so well

now he has to deal with his best friend utterly enamoured with him every second of the day

but maybe that isn’t such a bad thing

nct wish taglist (bolded could not be tagged): @kangtaehyunzzz,, @eternalgyu,, @lexeees,, @nyukyusnz,, @planetkiimchi,,

@haecien,, @talkingsaxy,, @thesunsfullmoon,, @hursheys,, @mjupis,,

@lilly-cherry7,, @kpopandbookschild,, @taroddori,, @lexeees,, @voikiraz,,

@xikskrrrs,, @cupidslovearrows,, @yvshi

[prettyboykatsuki]

wait fang........ what about isagi as a girl dad? v_v do you think she humbles tf out of him too like oliver's or she's sweetie pie like barou's? or there's a balance? :3

(normal about this question and whatever its answer is please don't perceive . Please v_v)

i have spoken abt it before i shall have to go find it but i think with isagi specifically u give birth to a mini version of you and isagi is absolutely adoring of her no matter what she does or says. like he weeps a little every time she adopts another one of your habits or mannerisms bc he loves you so much that seeing you in her all the time just makes him so whipped

i think she’s less likely to humble him but sort of riffs with him in a joking way. like they very much have comedy duo energy duo about them. she’s very intelligent and specifically clever. so the most balanced.

[nightblackowlbat]

Ghost King & Master of Death

A meta-commentary on Danny and Harry. Think of the parallels, the potential!

(Slaps car, "you can fit so much fanon into these bad boys!")

So without further ado, let's get started.

Green eyes: green like ectoplasm, green like the killing curse

Death didn't stick: Harry is the boy-who-lived. Danny is the boy-who-died.

Death-scars: Danny is often written as having Lichtenberg scarring from the accident that killed him. Harry is famous for his lightning bolt scar, received from the killing curse.

Power thrust upon them: Danny defeated Pariah Dark to save his town. Harry collected the hallows by accident/Dumbledore to defeat Voldie. Neither wanted their titles.

Eldritch entity: MOD and GK are portrayed in fandom as beings beyond time. They are not bound to one universe. Death is all-encompassing, it reaches ever corner of the multiverse that contains life. Thus, so do they.

Eternal teenagers: Depending on the depiction, there's a lot of takes where Danny and Harry stopped aging due to their titles/species.

Tired and timeless: AKA Overpowered and overworked. There's a lot of bullshit that goes on behind the metaphysical veil apparently. Being a god-like being isn't easy. There's paperwork and shit. Being immortal sucks.

Vacation AU: What do said immortals do when they need a break? Run away to a random universe for a new start. Hey, maybe here they can finally live a normal peaceful life, right? RIGHT? (It would be a pretty boring crossover if that happened, so sorry Danny/Harry. You're getting a love-interest at the very least.)

Antagonists obsessed with their moms: Vlad and Snape

(ok, that last one was added as a joke, but im not wrong)

------------------------------------------------------------------------------

So. Where does that leave our deathly boys? What paths can this lead? So many.

Just two Death Gods chillin' in your dimension: Danny and Harry are work colleges, just two dudes, two pals. Every century or so they pick a universe to dip in to live and relax a little. They're just a couple a eldritch tourists, no need for the locals to get so freaked out, honest.

Summons unclear: Maybe there's some mixup over which universes fall into who's jurisdiction. So when a cult tries to summon a death god they get two. And then Danny and Harry immediately start bickering and bitching. "No, I very clearly stated that this realm was/wasn't my problem!"

Alternates: They could be alternate versions of each other. Does something go wrong with the multiverse? The balance of life and death? Maybe they take each other's places or end up body-swapped. Or they could be reincarnated versions of each other and something unlocks memories of their previous life.

Godly matchmaking: Death and Time see their protégées suffering alone and set them up to support each other. Partners through the pain of eternal responsibility. Could just be platonic.

Soulmate AU: Matching death scars are morbidly romantic, right? Or it could be a write on your skin situation, where they write to each other and only meet once they've ascended. And it comes with the bittersweet knowledge that while they were destined to be together, but they were also destined for greatness born from suffering.

[heaven-s-black-box]

Notes- Blabber Mouth Pyro Men

Return to File

Recovery date: February 4th, 2025

Description: Pyro version of Blabber Mouth

Notes: CW surprise pregnancy in Thoma's part I considered adding Lyney but, I wanted to keep it consistent and he's 17. Which, I thought he was the same age as Childe?! Him and Lynette being 17 makes more sense, but, ya. Gaming is somewhere between 18 and 20?! Kind of thinking I should have just done everyone... Anyways, no pronouns but reader can get pregnant.

Hydro Dendro Cryo Pyro Anemo Electro Geo

Back to directory

Diluc

I think, as head of his family he always figured kids were in his future

I imagine he has business partners bugging him about it

But he doesn’t give it too much thought until you get married

And then he’s got a nursery planned as soon as you decide you want children

He’s worried that he won’t be a good father, but he holds your baby everything kind of clicks for him

Definitely wants at least two kids

Despite everything that happened between him and Kaeya, he has fond memories of their early years and hopes your kid can have the same thing

You’re actively trying for a baby when you get pregnant, but you’re not checking every week

So you get busy, and it’s winter so you think you’ve just caught a bug if you’re having morning sickness

Your first kid comes over one evening before Diluc puts them to bed

They kiss your stomach then ask to be picked up

Diluc short circuits until your first born asks for a bedtime story

He’s so happy

Thoma

He likes the thought of having kids, but he’s very focused on his service to the Kamisatos

Once you start to settle down together I think he gets baby fever

Sees kids around festivals and in the streets and is just like, yup

Your first is planned, and he knows he wants more because he had a few siblings on his own

I think you agree to have another eventually, but when you actually get pregnant it’s a surprise

Love Thoma, I think he’s a very cautious person, I also think he’s a bit reckless when it comes to you

And he’s kind of like, what are the odds

Not zero, that’s for sure

Ayaka is babysitting your first born while you and Thoma go on a date

And when you pick them back up later, they run to you instead of Thoma

He’s so shocked, you think he might cry, but those tears quickly turn to happy ones as your kid showers your stomach in affection

He did the same for his siblings, so it clicks for him pretty quickly

Picks you and your kid up and spins you around, loves being able to hold his entire family at once

Gaming

Definitely wants kids, he’s totally a family man

His dad definitely asks when you two are gonna have kids, Gaming tells him you’ll get there when you get there

Encourages your kid to follow their dreams, has led to interesting moments when their dreams include being a rock

Teaches them the Wushuu dance and lets them “help” with deliveries

It’s one of those days that your little one spills the beans

You just think you’re a bit under the weather or about to start your period

Your little one barges into the house with Gaming on their heels as they return from a delivery

They skip over you and go straight to kiss your stomach

They’d been kind of clingy before leaving, and now with how off you’ve been feeling it kind of clicks

Gaming picks you both up and you nearly hit your head on the ceiling

Your kid scolds him for not being careful

He’s overjoyed

[a-most-beloved-fool]

for the wip title game, 1 and 2? 👀

but also aroace spock from the tags?? I know you haven't written much about it but i will eat every crumb 🥺

title ask game!

No One Can Read Spock: Newly-minted Captain Kirk has heard rumors about his soon-to-be first officer Commander Spock, and none of them kind. He braces himself to meet someone cold and uncaring - cruel, even - but when he beams aboard the Enterprise, what he finds... isn't that. Instead, he finds someone who is kind, compassionate, funny, and genuinely likeable - and he figures that if no one else is going to befriend this Vulcan, he damn sure will!

(Originally, this was conceived as something fairly lighthearted and silly, but... it's kinda turned into Kirk vs xenophobia, ft. Spock Making Friends.)

Everyone Can Read Spock: This one features a lot of POV Outsider, a very-obviously-in-love Spock, and a Captain Kirk who... doesn't seem to notice. Somehow.

At one point, I wrote an abridged version of a scene towards the end of this because i was going to make it a tumblr post and then i decided that there was a very real chance it would get a lot of notes and i would feel guilty taking forever to write it if that happened, but, because i do think it's a banger scene (even very abridged), I'll stick it below the cut.

Aroace Spock: This one was born because I came across a few too many pieces of media that featured asexual people """Becoming Normal""" and shippy things which acted as though it were The Worst Thing Imaginable to be aromantic (OR to be in any sort of relationship with someone who was aromantic) and i got mad. Very little of it is written so far, but essentially, the plot will be thus:

Spock accidentally walks in on Kirk and Bones discussing Kirk's feelings for Spock, and then immediately flees. Kirk panics, because ohfuckwhatifiruinedourfriendship.jpeg. Spock avoids Kirk for three days or so before finally appearing in his quarters to talk. Spock feels wildly guilty about not reciprocating Kirk's feelings (because Kirk is the most important person in his life, and shouldn't that translate to love? why isn't he in love with him??). Kirk assures him that it's perfectly fine that Spock isn't in love with him - their friendship is more than enough for him. The conversation ends, and their friendship is unchanged, and both are a bit relieved and a bit disappointed. Later, Spock learns about queerplatonic relationships and is like "hey wait a minute, this could be perfect!" He brings the idea to Kirk, who is like "are you SURE you want this, and you aren't just suggesting it because you think I want it?" Spock assures him that no, he wants it, too. Cue relationship negotiation while they try to balance their various wants and needs.

Eventually, after a great deal of watching Spock Blatantly Pining, McCoy says something offhand to Jim about how Spock is in love with him. And Jim just blinks at him, confused.

"Spock isn't in love with me," he says, as though it's simple fact.

Bones raises an eyebrow, incredulous. "Jim, there's no way you haven't seen it. The damn fool loves you. He's as near to head over heels as I've ever seen!"

Stubbornly, Jim shakes his head. "I'm telling you, Bones. He doesn't love me."

"He does!"

"No," Jim insists. "I'd know if he loved me!"

McCoy crosses his arms, scoffing. "Well, I'd have thought so, too, considering how obvious he is about it, but clearly not!" McCoy knows, though, that he won't convince Kirk of the truth by simply arguing well. So, instead, he asks, "Why do you think you'd know, exactly?"

"Because Spock's a touch telepath," Kirk declares, as though that solves the matter.

"Jim," Bones says, kindly, "touch telepathy only works one way. You can't feel a Vulcan's emotions by touching them - only they can feel yours."

Kirk doesn't look very impressed by that argument. "Yes, I know that, Bones," he says. He looks almost insulted that McCoy would feel the need to explain that to him.

"Well then why the hell do you think his touch telepathy would make a difference?!" McCoy snaps.

"Because Spock would tell me, if he loved me!"

McCoy can't quite follow the argument that Jim obviously thinks he's making. "What?" he asks, clearly baffled.

Frustrated, Kirk explains step-by-step, as though describing something basic to a particularly stubborn two-year-old. "Spock's a touch telepath. I touch Spock all the time. I always have. He picks up emotions from me frequently. Therefore, there's no way Spock hasn't realized that I'm in love with him. If he loved me back, he'd tell me. He already knows where I stand on the matter."

Kirk punctuates this declaration with a self-satisfied little nod, even as his composure cracks just enough to expose the old ache of unrequited love - one which had been remarkably well-hidden until now. But, his self-pity session is rudely interrupted by McCoy bursting from his seat, expression apoplectic. A blood vessel looks near to bursting in his forehead.

"WHAT?!"

And then McCoy chucks Jim bodily at Spock and the two fools finally figure things out.

McCoy is then gifted a very nice shore leave. He's put up with enough. He's earned it.

(and actually, because why not, here's a chunk of that scene in my real writing style (though bear in mind that it'll probably go through another three rounds of editing before it's Actually Done):

McCoy blinked at him, mouth agape. “You can’t have not noticed,” he blurted, incredulous. “Jim, the man is smitten. He’s as near to head over heels as I’ve ever seen!”  

Kirk just shook his head, a wry sort of smile sitting on his lips. “Yes, yes. That’s a very funny joke, Bones. Now, I’ve got work to do, you know,” he said, and made to pick up his padd once again.  

Without thinking, McCoy reached across the deck and slammed the padd back to the table. “Damnit, Jim!” he snapped, feeling angry all of a sudden, “I’m being serious! Spock’s got feelings for you. Real, honest-to-goodness, romantic feelings!”  

Kirk stilled, and looked at him more closely, expression shifting to something kind, and, oddly, almost sad. “You are serious, aren’t you?” he mused, voice gentle. “Well, I can see how you might come to that conclusion. But – you’re wrong, I’m afraid. He doesn’t love me. Not like that, anyways.” 

And Kirk, in spite of all the evidence he had been given over the years, clearly believed it. When Spock had been being obvious, having clearly made attempts to instigate a relationship in both the Terran and Vulcan fashions before settling into his current state of “plainly in love, but not acting on it.” Had Jim simply – not seen? Not noticed? Did he pay no attention to the man he claimed was a friend? 

“Of all the oblivious–” 

“Bones,” Kirk said, raising his voice just enough to cut him off. McCoy obliged, but glared at Kirk, mutinous. “I’m telling you: he doesn’t love me.”)

[overnightheartbeats]

The love he had for his mom seemed so evident just in his smile, the kind of contagious smile that just seemed to catch on to everyone around him. "Your mom sounds like a very wise woman," she shared with a warm smile. "I hear you share what your mom said, and it's like hearing my dad." It seemed they all had a family member who pushed them for more, even if they weren't ready for it. "I bet she's really proud of you," she reassured. Her head shook at his comment, though amusement danced in her eyes. "Uh-huh, hm maybe we're both next." What was that one saying, love hit when least expected?

Her words were a jumbled, silly mess, weren't they? His smile certainly pointed in that direction, or at least she began getting caught in her own head. Too bold, too fast. But, one moment she was internally freaking out that she had tripped over her words, and the next she was internally freaking out about the soft touch gliding on her lips. Was the caffeine making her heart race or was it his touch? One look into his eyes, and it confirmed that the caffeine was not powerful enough to evoke this feeling. Her breath hitched in her throat as he drew closer, his soft lips causing a burst of joy spread through her. The warm drink she had tried just moments ago, now being tasted on his lips. It was soft, brief, and perfect. Her dazed smile could only follow, until words caught up. "Y-yes, yep that definitely counts."

Kiké being a pillar of support, something she quickly got used to since meeting him last year at the school. Danielle rested her chin on her palm, leaning into the table as he spoke. The way he spoke, it almost made her sound like a completely different person. A more courageous, cooler version of her. Someone she'd like to be. "Well, you make me sound much cooler than I am. I suppose you're right though, courage to take a chance. Well, lucky for you I have a, take a chance moments once every couple of years. And, it's been a couple of years since my last one." That was definitely true, no one questioned that one. "Okay then, I'm in. You're my family emergency today."

Her laughter vibrated on her lips, his question was right on the money. "You caught me, yeah. I don't think you're serious about taking me. The aquarium, oh that's such a good one!" she tapped his hand excitedly before standing up from her seat and taking her coffee cup. "I can't think of the last time I went without a slew of kids following behind me." On the way to the aquarium, she pulled her phone and sent a quick text, something along the lines of a family emergency and couldn't return to school. Just like he said, no one questioned it. This had to be the biggest chance she was taking yet.

Talking about his mom always brought a smile to his face. "She loved that I found my passion but she wanted me to settle down in one place. Anywhere really but wanted me to plant roots. Start a life not follow the job. So now I'm honoring her wishes. Or trying to." Kiké smiled and shrugged. "Oh yeah? Maybe you're next too."

His smile couldn't be contained at that and that alone had his head tilt. "I don't know, let's see." The more he looked at her the more his smile showed. His thumb glided on her lips and raked his eyes slowly up to lock with hers. Maybe it was the daring nature of the coffee boost or just because he wanted to test it out but he leaned in being inches away from her lips before he pressed very softly against hers and pulled back. Licking his lips afterwards. "I think that counts?"

"Not embarrassing. Courageous. It takes courage to say no and stick to what you want to do. Everyone is always telling you what to do and how to do it but the real test of bravery is doing something you know could cause you to fail." Kiké encouraged. "Family emergency. No one questions it." Had he used that before? Once or twice in his life. "You think I won't actually take you? Mark it in your calendar. May. Our adventure takes us to the aquarium."

[astralhope]

One of my favorite details in the manga is how Astral, at the beginning, had an indefinite and vaporous body, but as his adventure with Yuma progressed, he seemed to have gained a more concrete form, and towards the end, he became completely tangible.

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[aikoiya]

Huh! Maybe it's just an American version thing? Though, if so, booo! Not nice Nintendo!

Also, oh my gosh, THANK YOU!! YOU'RE A GODSEND!! I've been losing my ever-loving mind!

Like, the fruit still has some of the most creatively bankrupt names I've ever seen, but at least I have a frame of reference!

And thank you so much for the link!!

Also, yes. Psychonauts is very interesting & a little bit crazy. Though, it also has some really dark stuff, but it mostly only turns up if you explore & go out of your way to find everything & 100% the games (which, to me, is totally worth it). But what I love is that the subtext sort of gives you insight into how the trauma of the characters affected them as individuals. Though, you also get a bit of a similar environmental storytelling experience from games like Persona 4 (with Shadows) & 5 (with Palaces). Both feature this whole “getting a look at one's inner world” sort of thing & I eat that stuff up. Though, you're not always gonna get things told to you explicitly. It's more so something you have to look around the environment. Or, you can watch analyses on YouTube. Always fun to listen to someone else's interpretation of things. Like, it even goes so far as there being a power in the game that can let you literally see how other characters view Razputin & I just find it super cool because almost every single characters, plus numerous animals, each see him in a way that gives you a bit of a hint as to their relationship with him & I love that!

Also, don't listen to Sasha Nein. Those lamps are beautiful & it's just his childhood trauma getting the better of him.

But, I'm not going to go too deep into it because I fear spoilers.

Hmm… Sounds promising. Whatever helps with the worldbuilding.

To be fair, the Door of Time would likely only open the once in order to let Link out, then would shut & be unopenable without the other stones & the song. (I mean, why wouldn't it have an automatic lock mechanism without the keys to opening it present? Similarly, it has to open from the inside, otherwise that's just shit building code.) As such, so long as Ganondorf wasn't literally there at the exact moment that Link was sent back & left through the door, I don't really see too much issue. And, my guess is that the time was specifically chosen because Ganondorf wasn't looking.

I will say that I do sort of view the Master Sword as being fairly important to how Link traveled in OoT, otherwise I don't think it'd be quite such a big deal of him utilizing the sword as a means of travel. This is part of why I hc the Master Sword's handle & the Ocarina of Time as both literally being made of the Timeshift Crystal from SS. Because then it gives a bit of “oh, I see!” To the whole thing. Otherwise, it wouldn't be so important for Link to pull the sword from the pedestal in order to go forward & for him to return it in order to go back. For all we know, it acts as a sort of anchor to bring his consciousness back to him.

So, yeah, I think you've figured out a cohesive means of explaining what went down in OoT that leaves as few wrinkles as I can see! 👍

Now, I can also sort of see the Triforce being somewhat unaffected by time too, but that's mostly because of its role as a representation of the literal creators of Hyrule's reality. So, to me, this means that it likely exists outside of time, at least to a degree.

Thank you! I really enjoy finding plausible explanations to things & I just really can't help but wonder who it was that built the qānat if that is, indeed, what allows that spring to flow?

Same! It would've been so neat to have a Farore centered game & I hope that, if they ever do remake the 2 Oracle games, that they take the chance to also make the third! Though, I think they should go with something like “Oracle of Mysteries” or “Oracle of Runes.” That way, there won't be any confusing it with Oracle of Seasons the way it would be with the commonly hc'd “Oracle of Secrets.”

Really? Hmm… I was thinking that it'd be the building itself, which would also include the restaurant inside of it, but I guess that the brasserie should have its own name, huh?

Let me give it a think… Maybe something with shells or pearls to represent being sort of the “jewel of Lanayru?” Maybe even have the food served in large, cleaned out clamshells? NO!! The shells of Shell Blades! With silver & nautilus shell wine flutes! Oh! I just found a picture of some that are near perfect!!

I think that I'd need to give the stems some pretty designs to spruce them up a bit. Though, nothing too extravagant. Just something pretty, but stylish. Like… Maybe make it look like the shell is being balanced on a spray of water, like from a fountain? Simple, but elegant. Though, they also NEED to have shell wine baskets on a sort of coral base.

Also, a single chandalier made from sea glass, pearl, nacre, & shell.

Anyway, what about la Perle de la Lune Brasserie du Clos or la Perle de Conque Brasserie du Clos? I was looking for a good reason to use moon, but I couldn't find the right place to put clair de lune. But I think this is fine.

Either way, I really like it! Plus, it can also be a reference to the Moon Pearl of LttP.

Thank you! Much appreciated! Always grateful for the gentle linguistic guidance!

Also, I had zero idea, but I now completely refuse to change it from Marée-Chant, because I love that not only did I somehow manage to make a pun, but also one that's super fitting! So, yeah. It is now an intentional pun! :D

True, at the same time, you could possibly try to find ways of spinning the Zelda sightings in a less jocose way. Oooo! I do know of a comic that shows a great way to depict the sort of havoc that the Yiga taking on Zelda's guise probably had on Link! Especially involving their hideout on the Great Plateau!

But it's a long one! Arggg!!

I'll come back with the link to it if I can! It's really good!!

Hmm… For the Hateno Village quests, maybe have Reede mentioning the increase in monster activity alongside the Gloom & the return of the Blood Moons & have him mention how he was keeping the election going in an attempt to try & help keep the citizen’s minds off of things. Possibly insert a bit of an undercurrent of unease that's most visible when no kids are nearby. But even the kids know that SOMETHING'S up, just not quite what, yet. Ya know? Possibly even have it so that Reede is sort of exaggerating his end of the Reede/Cece conflict for that reason. (Which, btw, I'd still keep the whole Cece Hat thing, but have it so Link absolutely roasts her regarding the hair & make-up choice. Like, shame her. Because, good grief Cece!)

Also, you may wanna consider having Reede set up a curfew, that way, you can maybe make the nighttime attack of the Stals on the Sun Pumpkins into a more serious issue. Like, it isn't just the pumpkin patches they're attacking, but the town itself. Possibly have some of the new militia set up at what's left of Fort Hateno to do what they can to curb the bulk of it? (Btw, why is there no Stalynel??? And, can you imagine actual elemental Lynels? And a Staltantula boss in the Depths? That'd not only be so flipping cool, but also complete nightmare fuel!!!)

But, regardless, if it was too peaceful for your tastes, try shifting the tone so that it's more of a strained, maybe even slightly delusional peace? Think about it this way, these people had been tormented by the Calamity for 100 years & only recently did that nightmare end.

It wouldn't be surprising if a lot of the civies tried to keep up a veneer of peace in a vain attempt to try & maintain hold on the fraying edges of that tranquility. (I think I've brought this up as a possibility already, just with Zelda...)

Now a dungeon in Necluda is an idea I can get behind! Love that idea!

Oh, heavens! Yes! Absolutely, same! Like, don't get me wrong. I don't mind strong women or tomboyish girls or maybe 1 or 2 strong women that aren't interested in relationships. But not the absolutely flipping wave of them that we've had lately! And, you know what? Yeah, I'm very similar. It's part of why I made my oc the way I did.

Actually, I'd like to bring up something that someone else mentioned a bit ago! Did you notice the hairstyles & designs of the Gerudo in TotK's past? If you notice, most of them weren't really very feminine. And, this suggests that they probably weren't dressing to “attract the male gaze.” But, (& this is me switching to canonical TotK game talk) if that's the case & the Gerudo had also been in a war with the other denizens of Hyrule before Rauru came like I theorize, then this makes you wonder how they were getting males.

Just something to think about. Like, I know what my theory is, but I'm not so sure how dark you wanna go with their portrayal. Because, trust me, I can go SUPER dark. 😈

I tend to think similar, personally. But, for me, I tend to look at examples where a singular old man defeats an entire professional women's soccer team IRL & think quietly to myself that, despite being much taller than most male Hylians, I actually think that a single well-trained Gerudo vai would only be around as strong as a single well-trained Hylian male. And, she'd likely need to utilize her greater height against him to win. But, once more, that's just me.

As for the Rito, I tend to think that the scales from Valoo was how the Zora were initially transformed & that this new design for them is just how they evolved afterwards. Not in that this is how they evolved after WW, as I know you're not going that route, but more so that maybe something similar happened that required some of the Zora to transform into Rito in your timeline. And then, after that initial transformation, generations pass with the Rito slowly gaining more & more bird-like features alongside the remaining Zora also further evolving.

And, I actually think it's a great opportunity to have the Ancient Sage of Wind, alongside the Ancient Rito being much closer in design to WW Rito, so as to showcase that there was a change. Same with the Ancient Sage of Water & the Ancient Zora being closer to either the OoT or TP designs. Or maybe even have Zelda discover that there were once 2 tribes of Zora with the Zora of the modern day being the descendants of both?

Remember that your gonna be sending the girl at least 10,000 years into the past. Also, something else to play with? The possibility of the Ancient Goron still learning Ancient Hylian, because they had only recently resurfaced from living in Gorondia. So, I’d like to think that they’d be learning the language.

Also, I totally see Zelda frantically creating a sort of underground study with a vault of specimens, including seeds, maybe even have a few smaller critters in containment cells? Ooo!!!

Oh, wait… I forget… You're not doing the Secret Stone thing, are you? If you were, I'd have suggested making it so the Stones just sort of enhance their powers & gives them a specific ability like the ones in the game, but that it doesn't prevent the owners from learning other abilities of a similar nature. So, I guess that what I'm saying is that Zelda could've learned how to use Stasis after lmastering Recall, ya know? Though, if you're having it so that the Sheikah Slate is still a thing, maybe you could make it so that she figures out a way to use the Stasis Rune to make those containment cells. That way, she can sort of… Oh, gosh! I think that I'm essentially creating an entire dungeon! One based on Noah’s Ark! But one that travels the sea of time! XD

What if that's the dungeon in Necluda?! What if it's this massive facility in the Necluda Depths that's essentially a massive museum, library, zoo, & botany vault! That's totally the sort of thing that Zelda would flippin' do!

Anyway, I get what you're getting at with not wanting to make the Gerudo outcasts, but eeeh… I dunno. I guess that I feel like they're outcasts anyway & that it's kinda because of their own choices. Like, just their culture as an all-female race that keeps their daughters seperated from their fathers is going to make them as such.

Though, for me, part of the reason for my depiction of them as being cursed is somewhat so I can have that curse broken eventually. Like, to me, it's really little more than an opportunity that I'm trying to use in order to highlight the fact that they once had even worse practices & that it resulted in karma coming to bite them. However, because of that & their humbling, there's supposed to be a slow progression of their depictions over the timelines being something like a case study in how all cultures, all societies, have black spots & things to be ashamed of. But that it doesn't have to be the end &, in fact, the Gerudo are much much improved. So, there's hope.

You know a sort of race wide redemption arc!

As such, my point in it is, I guess, using it as motivation for the Gerudo to improve as a people.

Also, & I know it was more of a joke on your part, but at the same time, if you do go with the idea that the Sand Goddess made Gerudo voe so that the vai only get something nice to look at every hundred years, then you should probably consider how that would affect the voe, as well as the overall perceptions of the vai towards males in-general because of it. Specifically, imagine it from the perspective of the voe. What if your creator made you to have no real purpose beyond looking nice? Imagine that your entire existence revolved around that alone.

Depressing.

And if this were how it was, then the default preconceptions of the vai would automatically be, "men only exist for the enjoyment/use of women." Like, not even for the sake of reproduction because, again, like you said, they didn't need men to reproduce. So, the voe wouldn't even really have that until after the Sand Goddess was killed. And then, well…

The concenssus would likely have become deeply rooted in their ideologies (case in point, that one OoT Gerudo who mentioned that she thought Ganondorf was the only man worth anything). Then, it might've eventually resulted in a culture of misandristic exploitation not unlike one particular depiction of the Amazons of Greek myth. Possibly even culminating in a few generations where the 1 voe sort of becomes what amounts to a slave king & the designated stud for that specific generation. Likely even acting as a kind of feminist reversal of the orientalist harem trope. (And yes, I am fully aware of how yeesh that sounds. Because it IS.)

Also, there's the question of if the Gerudo were made to never need men & the centennial voe was little more than eye candy, then why the legend saying that he was destined to be king? Why the worship in OoT? Literally, how did he get so bad in OoT, HW, & TotK???

Does the legend refer to a true king or more so a pretty figurehead in a pretty crown? Like, maybe he was instead meant to act as the Gerudo queen's handsome arm-candy? A trophy husband or a sort of proof of her legitimacy as queen? Maybe even it being said that a vehvi produced from 2 Gerudo was thought to be exceptional or usher in some sort of Golden Age for the Gerudo.

I'm not saying don't. Just... maybe be aware of the implications these sorts of choices have & prepare yourself accordingly?

And, this one is more out of personal curiosity than anything: What does this choice say about the Sand Goddess? What did the choice to create the Gerudo as nothing but women with only one male every century, where the vai, rather than mating with men, instead went to the Sand Goddess in order to reproduce: What does it say about her & her intentions?

Why did she decide this? Did she have bad experiences with males that led her to do this, possibly believing that she was sparing her creations from grief? Is she an example of a tragic biggot? In this case, a misandrist who legitimately hates males of any kind, believing that they were the source of all the ills in the world, & wanted to create a species where they were commodities & treated as lesser? (An example of Tragic Bigotry. A very interesting way to make the typical bigotry thing more complicated than just “bigots are just jerks, who cares why?”) Or did she do this so that the Gerudo would be forever reliant upon her?

While it may not seem important, you'd actually be very surprised how it can spawn new ideas to explore the underlying reasoning behind these sorts of decisions.

Heck, if you go the route of the second choice, that could easily end up being an underlying reason to why Ganondorf can almost never seem to escape from his role, because in this case (though she likely wouldn't have meant it as such), it could be due to the Sand Goddess' perception of men becoming the basis for Gerudo voes' nature. In such a situation, Gerudo voe would've been created to be subjugated. Otherwise, they risk becoming too ambitious & devolving into demons. Because it would literally be the subconscious belief of the Sand Goddess, which could’ve bled into her creations without her realizing it.

Now, again, I'm not trying to tell you what to do, but I think it's important to at least acknowledge the thought process.

And, one final thing. I don't know if you brought this up before, but I think it's something that you’ll likely need to keep in mind when characterizing your version of Ganondorf.

Namely, how much of the Calamity did he have control over?

And, I need to really bring this into perspective. This… it was absolutely horrific.

Judging by the population density map, the Calamity resulted in the deaths of upwards of thousands of people.

And that’s no small number. Castle Town was sundered. And 7 entire settlements were destroyed, leaving Central Hyrule completely unpopulated. And Deya was the largest of them, but according to what I’m seeing, literally no one survived Deya.

If that’s the case, then that doesn’t just mean soldiers. It means E.V.E.R.Y.O.N.E…

Like, just take a moment to meditate on exactly how utterly horrible that is.

That means men, women, the elderly, the infirm, children, infants, pregnant mothers. Yes, I know, it's horrible. But, it's also canon.

Like, & I'm really sorry for this, but I really do think that it very much encapsulates my thoughts on what happened in the Calamity. Guilty of Wrath

Warning, it's actually pretty graphic.

Like, for me, I just think that it's really important to really take in the full scope of what happened & to properly characterize the Ganondorf that caused all of it, to ask just how aware he was of it all.

Because, I'm seriously considering making this part of my official canon for Meeting One's Match. (Not the part where Link is dead, but most everything else? Yeah, though I'm thinking of letting Rauru take the place of Link in this. Let him be the petty one to deal the final blow to Ganondorf’s psyche. However, now that I'm thinking about it. I may make him backed up by Sonia & the other Sages, then just before they leave, the Sage of Lightning points behind Ganondorf & he snaps around… Only to be met with a veritable sea of spirits… And he's suddenly forced to acknowledge the sheer amount of death that he caused… Ooohoohoohoo! This reminds me of a REALLY amazing one-shot idea I had! But we can talk about that later!)

Like, in my interpretation of events, I'm sort of making it so that he doesn't really know. As in, he was sealed underground &, I guess, sort of allowed his Miasma to run wild with a mindset of “just break everything. Break all of their toys,” but he never really thought about the full concequences of that choice. Never thought of the implications of his own words in certain scenes or what their logical conclusion would be.

So, in my story, one of the final hurdles that he's going to need to face will, in a way, be himself.

As, I'm sort of going with the idea of how hatred is an insatiable beast that keeps demanding more & the more you feed it the bigger it gets until you suddenly realize that it's taken on a life of its own & you no longer have any control over it. And I guess that I feel like it's important to nail down whether your Ganondorf really knew what he was causing. Like, for me, if he knew & was aware of the full scope of his crimes & was… I dunno… unaffected by it, then I just don't think that having him care about the Gerudo will be realistic. Like, it takes a very specific level of psycho to knowingly commit that sort of just… Horror.

Like, the Calamity was outright a flipping genocide, man. The Guardians weren't stopping. They would've eradicated Hateno too, which would've, at the time, left only Shadow Hamlet, Lurelin, & Tabantha Village. And we don't even know if they would've stopped with Hateno. We don't know if they would've stopped until the only one left alive was Ganondorf himself.

So, I feel like it's kinda important to establish whether your Ganondorf was genocidal in a very literal way. If he was, then I just don't see much hope for him coming across as any degree of sympathetic.

@aikoiya The post was getting long again so here's a new one!

I knew you were going to answer that saying "this is unfair" isn't real life logic haha (and I agree that life hasn't been fair to Sky and Sun anyway). It's just that such an ending would probably leave me feeling unsatisfied and even a bit robbed, and I think it would require a lot of other changes to be made to the story in order for it to work properly. But anyway you're right, as things are now this would just be happening behind the scenes so what I'm saying doesn't really make sense. But just thinking about it changes my perception of SS in a way I don't really enjoy, so it's not a theory I favor.

Yes in that setting I'm pretty sure that the other Sun would not make herself known to Link and Zelda and would let them have their happy ending. But I think Zelda would likely suspect her existence and know that something is wrong. I guess even Link could notice that the Temple's doors are suddenly open and would ask Impa a few questions.

I had no idea Tingle called Farore the Goddess of Wind in WW, so I went on a little quest to see if I could find the same quote in the French version of the game. Apparently it's in Tingle's description of Outset Island and I never had the chance to play with the Tingle Tuner mode. I can't find the same quote in French anywhere and I don't even know if this was included in the HD remake (I guess I'll have to wait for a Switch version to find out… if they ever release one). This has me wondering if this quote isn't something exclusive to the English version, but I can't be sure and I'd like to know what the original Japanese text says. The French wikis mention that Farore is the Goddess of Wind in WW but don't provide any quote, it just looks like the pages were translated from English but that they couldn't find the same quote in French. It's really frustrating!!

Anyway that's a bit weird because WW already establishes Zephos as the God of Wind, and he seems to be a minor deity compared to Farore. The way I see it, wind is just the element that Farore tends to be associated with, and since a lot of myths might have been lost with Hyrule in WW this could just be a mistake on Tingle's part. I mean this is the game that gave us the Golden Triumph Forks haha.

I'm not limiting Nayru/the Golden Goddesses to a singular domain, quite the opposite ^^ To me Nayru being the Goddess of Wisdom includes different concepts such as order, law, science, magic, etc., and even time (since she's introduced as the creator of the world's fondamental laws), while calling her the Goddess of Time doesn't include all of that. That's why I wrote that I found it a bit restrictive. But sure she could have both titles, the same way Farore could be known most commonly as the Goddess of Courage and also called the Goddess of Wind in some situations.

Oh I didn't think of the blocks from OoT! I would say though that they don't really use any time powers, they're just random blocks that appear or disappear for some reason when Link plays the Song of Time (it's just as absurd as playing the Song of Storms to open holes in the ground haha). But yes they were blue and associated with time, and of course Nayru is too. The difference with Hylia in my theory is that Nayru created the rules of time (if that makes sense) among other fundamental laws, while Hylia's power specifically allows her to manipulate time and foresee the future. In a way I see Hylia as Nayru's spiritual daughter who inherited some of her powers over time (and that's why the color purple she's represented with is very close to blue).

The Master Sword has also been depicted as either blue or purple though, so that asks the question of the true color of all of these things! Nayru is definitely linked to time so it makes sense that the timeshift stones are in Lanayru (and Hylia also doesn't have a province named after her).

"From the edge of time" could definitely just be a poetic way to say that Hylia kind of recorded a message for Link before dying haha. But I find it interesting that she would phrase it like that, I like to see it as a clue.

Well if Zelda simply sent Link to a point further back in time, wouldn't there be two Links existing at the same time in the Child Timeline? But sure Zelda creating a brand new timeline also raises a few questions that kind of... make my head hurt. I'm not sure what happens exactly, I've always wondered! All we know is that Link finds himself in the Master Sword's chamber with the Door of Time already open, which hints at things happening in a different way this time (because he definitely doesn't have the three spiritual stones and the Ocarina of Time yet since this is before Ganon's coup, and the ending seems to imply that this timeline's Zelda doesn't know him yet). That's why I believe Zelda might have done something a bit more complex than sending him to a point further back in time, but there's no way to be sure. The Triforce of Courage is also visible on Link's hand during the ending, and we also know thanks to TP that the Triforce is still separated in the Child Timeline despite Link and Zelda preventing Ganon from entering the Sacred Realm this time. So maybe Zelda isn't able to change everything? It's complicated haha.

Anyway, whether OoT Zelda creates a new timeline or just sends Link further back in time, that's still huge time powers and that's not something Link is able to do by playing Zelda's Lullaby.

I also believe it is more likely that Talon inherited the ranch. True, Talon might not always have been so lazy, but maybe if that was the case the game could have hinted at hit. All we know is that he leaves his daughter alone with Ingo and only comes back after Link deals with the situation, which does not make him look so great. And he only promises to work harder after that.

I'm kind of bad with names so I'm impressed you're going through all of that trouble to rename the settlements!!

I haven't gotten to developping the technology that much yet, but I'm really interested in seeing what the different races could do with it! I love the idea of using the Sheikah to infiltrate the Yiga bases. I wish TotK had done something like that and shown the Sheikah helping Link that way.

Same, I was so excited when I heard about these pirates… and then so disappointed to find nothing more than a bunch of bokos with no backstory.

Vignoble is not related to noble (though I kind of make the association in my mind, especially since vignobles are sometimes called châteaux).

Yes I thought you could maybe use clos! Aquaticlos is funny, it can work! Though maybe you could use the same logic as for the raisins (I love this Raisins de Terre idea by the way, it makes sense!) and say that what the Zoras call a clos already refers to something that's underwater, since that's probably the case for most of what they cultivate.

I don't mind helping you with French, I'm glad to do so! You put so much effort and thought into this, it's really interesting.

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[anghraine]

I was just thinking about the through lines of Elizabeth's characterization and her relationship with Darcy, and I'm really fond of this one:

[Mrs Bennet:] “Ay, that is because you [Bingley] have the right disposition. But that gentleman,” looking at Darcy, “seemed to think the country was nothing at all.” “Indeed, mamma, you are mistaken,” said Elizabeth, blushing for her mother. “You quite mistook Mr Darcy.”

-

Elizabeth tried hard to dissuade him [Mr Collins] from such a scheme; assuring him that Mr. Darcy would consider his addressing him without introduction as an impertinent freedom, rather than a compliment to his aunt; that it was not in the least necessary there should be any notice on either side, and that if it were, it must belong to Mr Darcy, the superior in consequence, to begin the acquaintance. [...]with a low bow he left her to attack Mr Darcy, whose reception of his advances she eagerly watched, and whose astonishment at being so addressed was very evident. Her cousin prefaced his speech with a solemn bow, and though she could not hear a word of it, she felt as if hearing it all, and saw in the motion of his lips the words “apology,” “Hunsford,” and “Lady Catherine de Bourgh.”

-

In vain did Elizabeth endeavour to check the rapidity of her mother’s words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation she could perceive that the chief of it was overheard by Mr Darcy, who sat opposite to them. [...] “For heaven’s sake, madam, speak lower. What advantage can it be to you to offend Mr Darcy? You will never recommend yourself to his friend by so doing.” Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her.

-

That he [Darcy] was surprised by the connection was evident: he sustained it, however, with fortitude: and, so far from going away, turned back with them, and entered into conversation with Mr Gardiner. Elizabeth could not but be pleased, could not but triumph. It was consoling that he should know she had some relations for whom there was no need to blush. She listened most attentively to all that passed between them, and gloried in every expression, every sentence of her uncle, which marked his intelligence, his taste, or his good manners.

Elizabeth was now most heartily sorry that she had, from the distress of the moment, been led to make Mr Darcy acquainted with their fears for her sister; for since her marriage would so shortly give the proper termination to the elopement, they might hope to conceal its unfavourable beginning from all those who were not immediately on the spot. She had no fear of its spreading farther, through his means. There were few people on whose secrecy she would have more confidently depended; but at the same time there was no one whose knowledge of a sister’s frailty would have mortified her so much. Not, however, from any fear of disadvantage from it individually to herself; for at any rate there seemed a gulf impassable between them.

-

During their [Elizabeth and Darcy's] walk, it was resolved that Mr. Bennet’s consent should be asked in the course of the evening: Elizabeth reserved to herself the application for her mother’s. She could not determine how her mother would take it; sometimes doubting whether all his wealth and grandeur would be enough to overcome her abhorrence of the man; but whether she were violently set against the match, or violently delighted with it, it was certain that her manner would be equally ill adapted to do credit to her sense; and she [Elizabeth] could no more bear that Mr Darcy should hear the first raptures of her joy, than the first vehemence of her disapprobation.

-

Lady Catherine had been rendered so exceedingly angry by the contents of her nephew’s letter, that Charlotte, really rejoicing in the match, was anxious to get away till the storm was blown over. At such a moment, the arrival of her friend was a sincere pleasure to Elizabeth, though in the course of their meetings she must sometimes think the pleasure dearly bought, when she saw Mr Darcy exposed to all the parading and obsequious civility of her husband.

-

"I [Lydia] am sure Wickham would like a place at court very much; and I do not think we shall have quite money enough to live upon without some help. Any place would do of about three or four hundred a year; but, however, do not speak to Mr Darcy about it, if you had rather not." As it happened that Elizabeth had much rather not, she endeavoured in her answer to put an end to every entreaty and expectation of the kind. Such relief, however, as it was in her power to afford, by the practice of what might be called economy in her own private expenses, she frequently sent them.

me, every time: oh, Elizabeth.