#and I don’t think that’s good

[leavememorieshere]

Hi, It’s been a while, I know, sorry about that. <3

I’m back tho!!! And I’m writing a Maddie Rooney and Parker Rooney, sisterly-brotherly one shot.

They’re SIBLINGS if some of you don’t know and it’s NOT incest.

Summary of the story plot: Maddie is making Parker do her science project/assignment for her.

But I’m currently stuck on how I move forward, like should I make something go wrong and make Parker get hurt? not like seriously hurt but like hurt that it kind of concerns Maddie, with a sparkle of sibling fluff

OR should I make Parker force Maddie into helping out with her own science project/assignment? That also includes Sibling bonding/fluff in its own way???

Or should I just do the first example but Parker just messing with Maddie?

[theres-rue-for-you]

my brother works on a boat so when he rants about his job I can’t take it seriously because he keeps angrily referring to his boss as “captain”. like sorry ur having 19th century sailor problems my guy

[starbuck]

i say i like tragedies and everyone’s all like ‘why do you like sad stories? are you depressed?’ and never ‘how was the catharsis? was the catharsis fun?’

[versasfanficwastedump]

and while i’m on a self indulgent thing? i think that any of the kids calling Bruce “dad” changes his whole demeanor. it helps him know that whatever they’re talking about is serious.

hearing his name shouted across the house does nothing for him. a hundred people say his name all day, including his kids. whatever the situation is can be fixed.

but hearing “Dad!”, cried out in battle or screamed from the other room, has him rushing to their side. what is it love and i’m here you’re alright and shh i’ve got you

“Bruce, I need help” = can’t open this large jar, have a question about math homework, need someone to look at this case file for me

“Dad, I need help” = I am hurt. I am scared. I am in danger. I need you to make things better. I need you to protect me.

[angelfic]

annabeth and grover frantically submerging percy in water the way you’d put an iphone in a bowl of rice

[daredussy]

trying to be a responsible functioning adult and set myself bed time 😔

[adjit]

I think we need to get more comfortable with the idea that sometimes shitty, racist, homophobic, bigoted people are still incredibly talented.

I feel like every time I see a post addressing someone’s shitty behavior the post also takes the time to mention that they’re not even good at [x] anyway. And that’s just not always true? Equating being good at a skill as being morally good is just not necessary. Someone can be a fantastic writer, can have a beautiful singing voice, can create breathtaking artwork, and still be a horrible person.

I know part of this is probably just the instinct to dislike everything about a person when you dislike them, but I also think this mindset leads to people defending creatives way past where they should, because if bad people create bad art, then if this person creates art that I like and resonates with me, then they can’t be a bad person!

And you know. That’s just not true. Those two things are simply completely unconnected and I think it’d be healthier if we all started disconnecting them in our heads.

[xthe-moonletx]

“You mean, like a sudden rainstorm forces them together beneath a canopy

they look into each other’s eyes

and realize they were made for each other.”

_____________________________________________

Here’s a revamp of a piece I drew about a year ago, now fully rendered and refreshed! It’s a spin-off of Pierre Aguste Cott’s The Storm that I thought fit the ineffables perfectly :)

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[acidgirl]

[greykolla-art]

Unstoppable villain, meet immovable agent of friendship!

I was wondering in what circumstances Charlie would just OFFER her soul to Al.

And he would short circuit as all his manipulation plans become unnecessary.

Cause Charlie cares about her friends and if they need help she won’t hesitate.

[s-ccaam-era-crepe]

i think everyone who's ever had migraines should be financially compensated forever btw

[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[a-sketchy]

figment

[rogueshadeaux]

“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?