#and I don’t talk about it often

[himblebo]

I’m just. So interested in the relationship between grief and trauma and arousal and anger.

[cerastes]

As a licensed therapist, let me tell you that the most success I’ve found with patients is not being uwu soft happy thoughts guy, and instead being someone that validates all the rage, anger, frustration and sorrow they have. Curbing it with fake positivity is unhealthy and self-destructive. Express it. If you need to cry, you cry, if we need to rage, we rage, if you aren’t good with words, we can do something more physical; I bought cheap plates one time, for this 16 year old girl who just couldn’t communicate and convey properly, then we smashed them together whenever our slow conversation touched on the things that truly hurt her, the idea being that giving a physical component to speech could help her organize ideas better, and it worked.

And after we get all that rage out of you, after we validate and shape it into something that’s nothing to be ashamed of and that needn’t be kept in a little cloister until it blows you to kingdom come, then we talk about how beautiful shit can be once rage and frustration are things you can grab by the throat. Yeah it’s not going to solve everything because a lot of psychological issues are symptoms of a greater root problem, and a lot of times, you don’t have mental illness, you simply don’t have money, but with that wholly on the table? Yeah it becomes easier to navigate potential solutions and increase resilience.

But seriously, “fake it until you make it” has a lot of merits but there’s a big red line that says “FAKE HAPPINESS” that you shouldn’t cross. Can’t blame you if you do, because we are taught “negative” emotions exist (they don’t) and that we have to repress and never ‘fail’. Fuck up a lot, and learn from it, learn how to get angry in a way that helps you and doesn’t hurt others. Way more productive than thinking happy thoughts.

[blossoms-phan]

thinking about what it means to be chained together, work, life and social, to quite literally be beside each other in life and… still make the confirmation that phil is indeed the funniest person he knows sound like the most earnest and sincere thing in the entire world? to spend so many of your days and years together now, with evidence of all those smiles and laughter written all over your face. something about the simplicity of these questions, timeless ones but untainted by social media or meme speak, leaning fully into the girly sleepover night energy but also just… answering so honestly, in a way that’s funny and charming and completely them but walls down. thinking about them trying to make dil and tabitha best friends and being disappointed when that reduced their romance level. thinking about “i think 14-year-old dan and phil would have been friends”, about more than just romantic, about i didn’t have a best friend for the first 18 years of my life, real best friends. their friendship is so important real lovers are friends first etc etc

[rosieyart]

repaint of an older art piece…

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[shorthaltsjester]

it is quite funny to me as someone who studies philosophy and has had to have the conversations that bh and ludinus have been having many times over and often with people who like ludinus do not have any reading comprehension and truly like. the notion of “this shouldn’t exist” is almost always one that comes up regardless of whether it’s a discussion on the metaphysics of a potential God(s) or divinity, high political powers, or vehicles of systemic oppression. and what anyone who cares about people more than their ideals (even, sometimes, ideals that started out being about people but quickly come to be about the ideals themselves) realizes very quickly in a philosophical discussion about what should and shouldn’t exist is that it does not matter if what you’ve decided ‘shouldn’t’ exist does in fact already exist. like that tends to be the difference between sociopolitical philosophy that actually has teeth and substance in the world — a willingness to engage with the world as it is, not as it should be. because you can have the perfect image of a just and wonderful future world, but if you do not at every step reckon with the unjust world from which you are aiming at that future, you’re doing nothing. ideals are helpful because they aim us toward goals and hopes, but they’re nothing without a reality that grounds them.

and so people like ludinus, who in the real world would play the role of a graduate student with critical thinking skills that make every professor he comes across question how he arrived at his level of study, they don’t have Wrong ideals, there’s obviously plenty of reasons why an exandria without gods might in fact be a better place for mortals (there are also many Many reasons why it would not). but ludinus has also chosen his ideals to weigh heavier than the mortals he claims to uphold them with. i think ashton is also interesting, because i think a lot of their positions have a fun fluctuation between being ideal focused and person focused, where sometimes they’re focused on how unfair life is in a very nihilistic position, and at other times they seem quite clear about how much ideals help no one if they’re not second to the desire to help others. and i think that made their role in the convo with ludinus in 102 especially interesting and irritating (but in a narratively fulfilling way). anyway, truly so fun watching ludinus argue with the amount of fallacies and undeserved confidence of like right wing first year students in an ethics class explaining how actually the ends justify the means and thanos had the right idea actually if it means no more starvation. get a grip old man.

[moonlightdancer26]

Snape kneeling in Sirius’s room having a mental breakdown while surrounded with half-naked posters of Muggle women:

[were-wolverine]

thinking about. how both tim and dick lost their best friends. ones they never thought they would have to lose because of their powers. ones they never thought they’d outlive. ones they got back.

(this is about donna & wally/kon & bart)

[youcanbeaclock]

Do y’all also feel occasional OUTRAGE at someone else’s characterization of characters you love?

Like guys Dick Grayson is NOT “omg my baby brothers🥹 smol beans UwU I’m so ditzy and happy and emotional”

Jason Todd is NOT “omg it’s just the pit…he didn’t mean to kill people and become a crime lord…anyway he’s so sexy and manly and probably does xyz in bed”

(^yes I have personally seen ppl characterize him like this.)

…and the one I’m most passionate about…

TIM DRAKE IS NOT “ignored middle child who was so traumatized by his parents and now he’s just an anxious bean he’s so baby he cries all the time and he’s so nerdy and gets bullied by everyone…(plus the TRAGIC infantilization of his character by *some* of his diehard ‘fans’)”

…if y’all want more let me know -W-

[wikitpowers]

reasons why taller!ty means so much to me:

i think ty being taller would just look so so lovely like him next to smaller kit would be adorable

i really really want a herondale to be the shorter love interest, just once! please! pretty please!

i’m scared that if ty is shorter, he will be infantilised more and i really do not want that

ty to me just seems to suit being tall as hell??? like idk how to describe it, he just does???

i think it would be really hot if he was icl…

our blackthorns are tall hc needs to become true

[dykedvonte]

Why do you think did Curly let Jimmy go before the crash? I've seen the theory Curly briefly thought about crashing too but didn't expect Jimmy to go through with it

I generally believe it was shock and a bit of denial.

It’s the sort of thing where Curly knew Jimmy enough to know he blows up at things but he never would’ve expected him to go through with something so crazy. He gives Jimmy way too much benefit. It’s just his nature and the dynamics he has with Jimmy. They have a stable relationship as friends but it’s stabilized by the unhealthy toxic aspects that keep him in it. He’s like this with Anya, taking the gun is something he really shouldn’t have kept off the record, so is Swansea’s feigned hostility toward Daisuke. He doesn’t want to get people in trouble and doesn’t want to believe anyone would cause trouble other than to themselves. He’s a very lenient man.

I think the words were hollow in his head. Said but not really meant like all the times Jimmy lashes out and says something cruel to him or others. He never means it, if he did why would he still be Curly’s friend? Curly’s head wasn’t in the right space in that moment, he just got through panicking with Anya and if the sound design is anything to go by, was panicked and preoccupied going to confront Jimmy. I mean, the flash of the warning signs before he runs back are identical to the dissociative episode of sort he has when going to talk to Jimmy to do his Psyc eval.

There is this sort of assumption in fanon that Curly was the idealic person for the job and simply failed. None of them were the idealic people to be there, it’s Curly’s entire concern with the ladder he chose. I see more interpretations of him being purposefully ignorant where I see him as just always looking the wrong way or not in a place where he can see it. There’s something different about seeing something than being told about it in the human mind. It may just be the psych student in me but Curly def has some sort of cognitive dissonance just like Jimmy but when it comes to his role as a Captain vs who he is.

They blur in his head to where if you ask him if he was acting as a Captain or a friend or himself to his crew he couldn’t answer. Not with confidence even if he did. There are many times we see that Curly himself is not in the right headspace to lead the Tulpar and that’s outside of anything with Jimmy. He’s spacey, he’s not sleeping, he’s deeply unhappy with himself and life. It’s why there’s believability he crashed the ship. Maybe the others saw it, or maybe Jimmy heard enough of it to spin it in a way that made Curly seem suicidally depressed.

So the tdlr is I think it wasn’t so much letting Jimmy go, more so not seeing the severity of what he was allowing to transpire. In his mind it’s just another one of Jimmy’s bluffs, cruel words, off words but just words. Jimmy rarely ever acts, why would he now? Maybe he’s never seen it because Jimmy hides those actions? Either way, he just never thought he’d really do it.

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal with his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[mumblesplash]

my favorite thing about comics specifically is how much it checks your ego if you think you know how to draw characters. like i’m pretty sure people who don’t do comics assume the hard part would be how *many* drawings are involved in making a comic, and sure that’s part of it, but i think the real challenge is having to accept you’re not as good at drawing characters as you think you are. being able to depict a convincing character, a dynamic pose, or even an expressive face out of context as opposed to within a narrative is such a different skill set in ways i don’t think a lot of people realize

[froggy-nebula]

honestly i just dont get why sometimes people get all weird about quadrants and insist they’re unhealthy always no matter what

like yeah im not stupid i know they CAN be fucked up and can be weird and toxic but so can any romance. human romance has been toxic and fucked up for me many times. tbh if we take a step back and just look at the basic ideas of all of them i don’t think any of those have to be evil and terrible necessarily

like oh no me and my boyfriend have a fun rivalry that we both like being in and both agreed to where we have fun competing with each other and talking shit and then make out! FUCK!!! that’s horrible i would NEVER want that! i would never be guilty of forcing my boyfriend to play tetris with me over and over and insulting him the entire time

oh no my boyfriend has anxiety and i calm him down! oh god we like cuddling and talking about feelings! we both agreed we like this relationship dynamic and feel fulfilled by it! AAA SCARY!!! GET SCARED!!!

oh no sometimes my boyfriends are both annoying and i voluntarily get between that and make people be less annoying! FUCK!!!!!!!! we are going to DIVORCE!!!

[edwinisms]

the reason i read niko as autistic so fucking fast and so fucking hard isn’t even because of the typical autistic character tv cliches (special interests, weird hobbies and/or collections, homebody/introvert, etc), it’s more than anything because of her difficulty reading social cues, tendency for being brutally honest or rude without meaning to be, difficulty fully understanding other peoples’ emotions when they don’t align with her own / when she can’t frame it from her point of view (see: the aftermath of jenny’s fucked up murder date and how niko focuses mostly on how jenny hates her, or avoids her, etc, even though she clearly cares about jenny– she just genuinely doesn’t seem to know how to empathize very well, which is a big autistic mood). and things of the like. i don’t even think she’s an introvert frankly, she just had a situation going on that pushed her into reclusion– once the sprites are out, and she has the support of friends, she’s happy to go places and do things and initiate conversations and so on– it’s just that, when she does so, it becomes more obvious that she’s not great at reading the room, and when she does it’s very simple and seems like stating the obvious (“that got dark”, “that’s sad,” etc), and she seems to genuinely not register when she’s crossing boundaries (see: jenny in general, her interfering with peoples’ relationships, asking uncomfortable questions, bringing up uncomfortable topics (like sex), etc).

and just……..yeah she’d be really good autistic rep imo if she were to be canonized as such, more so than any other character by a long shot

[1960z]

how people go about interpreting dr bashir I presume? really frustrates me sometimes ngl especially the “jules bashir died” scene.

like that whole scene is about julian revealing the depth of how deeply his augmentations fractured his sense of identity and who he is - which feeds into the themes of the whole episode surrounding how disability and then by extension disabled people are often viewed as a problem to be solved and because of that are often denied the ability to have fulfilling lives because the able bodied people around them don’t believe that they can.

but… idk, when the fandom talks about it there’s always seems to be a push to read a trans allegory into it that I don’t think is really there? I keep mulling over this post in my mind and when I initially reblogged it I didn’t really want to talk about this because the post is about how stories about racism can be hijacked by white people to be made about their own transness and it felt like as a white person, using that post to complain about ableism would be missing the point. but it really helped me articulate in my mind why the trans reading of this episode feels off to me because the same general principle seems to apply and that is taking a story trying to discuss a specific type of marginalisation and putting a trans reading above it because you can relate more to it personally.

“jules bashir died in that hospital because you couldn't live with the shame of having a son who didn't measure up!” this scene is the culmination of julian expressing his pain about what was done to him as a disabled child by his parents due to how they viewed his disability. but often when I see it being discussed, people aren’t really interested in talking about that. instead supplanting it with a trans reading instead which, in my opinion is an allegory that doesn’t even really work when you think about what’s going on in the broader context of the scene.

julian didn’t stop going by jules because he came to the conclusion on his own that the identity didn’t suit him similar to the way a trans person questions or rejects the gender they were assigned at birth, he stopped going by jules because he felt like the identity attached to that name was taken from him because of what his parents did. it’s not julian affirming who he wants to be it’s grieving over who he can’t be and to me at least, it’s honestly kind of harrowing.

and as an aside: when people read transness into a story about parents who change their child’s body and mind at a very young age without consent, which is literally a narrative projected onto trans people by transphobes to justify the curtailing of trans rights, that also doesn’t sit well with me. I think people latch onto this reading because of the idea of “killing a name” but again in the context of the whole episode the trans reading really doesn’t feel appropriate.

I think it’s okay for people to have trans headcanons about julian of course or literally any character they want to really, but I think saying that specific episode codes him as trans isn’t all that great honestly.