#and I didn't get to do any of the really good stuff

[thankskenpenders]

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

[sad-wet-cat-hannibal]

(Essay incoming so I'm adding a read more)

I think you've said some good stuff here, and I too get annoyed or even angered by people using the term in a way that I interpret as flippant; but I'd like to add that as someone who frequently described distressing books and films as "traumatising", it turned out that that word was rather apt - because my intense response was caused by my trauma being triggered by those very same things, too often in ways that felt like reliving it.

Here's the kicker. I didn't know I *had* any trauma. All I knew was that engaging with these works made me feel distressed and disturbed as if I were personally traumatised by these things. Like they were real. Like they damaged me. Just from reading them or seeing them. They'd haunt me for weeks, sometimes months, sometimes years. Sometimes they gave me weird symptoms I couldn't explain. So, naturally, I was hyper-avoidant as fuck.

That intense sensitivity and hyper-avoidance, combined with my ignorance to the fact that my psyche was not experiencing these things from an untraumatised position, meant I thought that "intensely distressing/traumatising" was just the normal effect these things had - except lots of other people seemed oblivious, and even delighted in the exact same works. Sometimes none more so than the kind of motherfuckers who actually like traumatising people.

So I figured, as incomprehensible as it seemed, everyone else had to be either too numbed out/oblivious/naïve to realise how awful this shit was, or were actually big fans of bad things happening in real life.

Because if to me it felt too real, capable of destroying my peace of mind for weeks, then surely to some extent that must be the same for everyone else, right? (Obviously not, but I was younger and working with what limited knowledge I had.) From that logic it's really easy to buy into censorship, into propaganda that claims that the symptoms of a society with a dysfunctional approach to life are often born of the media that echoes them, rather than the other way round. It's real to you. It's your only explanation. (You don't want to feel like this. You don't want anyone to feel like this. It's inhumane.)

What I'm trying to say is that not everyone knows they're traumatised. I think as many as those who do, do not. Perhaps far more. And for those people, the only time they are able to touch on the truth of their half-veiled iceberg is when they tell you that The Bridge to Terabithia "traumatised" them.

(I know it "did" me.)

Telling them they're exaggerating, and misusing language that doesn't apply to them runs the very real risk of making it harder for them to treat their feelings with the consideration and weight they deserve, and enabling them to begin the process of unraveling their denial and tending their wounds. It runs the risk of reinforcing the (potentially forgotten or minimised) messaging they may have already received, during and after the trauma, that it doesn't matter. They're exaggerating. They're making things up. Other people have trauma, other people have it so much worse, other people suffer - but not you. Your account of your experience is unbelievable. Silly. You will not be seen or heard or understood, not by anyone else, and not by yourself...

Yet. Hopefully one day. But I think it often takes other people being willing to shine a light on the pain, and say, "Yeah, it's real. It's caused by things. You aren't alone and you aren't exaggerating."

I think the flippant watering down of the word is potentially very unhelpful too, but there's a section of society who want to push the narrative that the vast majority of people speaking seriously and from a place of relevant psycho-education about their trauma are just special snowflakes jumping on a trend. Maybe I shouldn't, but I feel wary of adding fuel to their fire by trying to gatekeep trauma. I don't know what the solution to these two conflicting uses of the word is, or if it's even possible to create a solution that doesn't simultaneously police the traumatised out of expressing their pain the only way they currently know how. Which would set back the whole thing of trying to help people... We get enough trauma olympics ingrained into everyone as it is.

Oh yeah!! Just remembered, Gabor Mate said in either his book from 2024 or an interview about it that he considers everyone to be traumatised, the question is simply one of degree (if I'm remembering correctly). So from that it may in fact be possible to argue that books and films can traumatise people, although perhaps not necessarily to the extent we might associate with PTSD or CPTSD.

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[hellsslibrary]

Can I request what rin, sae and hiori would do on the reader's birthday (you know nsfw stuff ♡)

Happy Birthday to Me or How I Lost the Ability to Walk Even Though I'm a Top (This is a quote from some manga I can't remember the name of but it fits here).

MASTERLIST is here.

#a.n. : I have absolutely nothing to say but if anyone is reading this on their birthday then happy birthday to you sweeties!!

!!Warnings: male!top!reader, bottom!characters, they're all sub but Sae is a little bit of a dom (I'm just a sucker for the "pathetic" top trope or something, you don't get it), Hiori's scenario is very funny and weird, very. In Sae's mentions clothes (you know), in Hiori's mentions video games (yeah), Rin is nothing special, he's the most normal one in this scenario I swear. Otherwise just praise, a little teasing and a very enthusiastic reader here.

Hiori Yo

"Is this...? What is this, Yo?" you ask in incomprehension, staring at his computer screen, trying to figure out what you actually see here.

Well, more precisely, you understood what you were seeing, but you clearly didn't understand why he was showing it.

"This is us, in Sims 4... Having sex. What is unclear?" he answers by tilting his head to the side with a slight blush coloring his cheeks, looking first at the screen and then at you.

"So my gift is watching porn with us, or rather with toy models of us?" you laugh when two people who look like you change their positions in a game that looks very good... unrealistic, but who really cares.

"No," Hiori shakes his head slowly, removing the headphones around his neck and placing them on the table, then poking you in the chest. "They can do it on any surface and in any position... If you like a certain pose, then we'll try it in reality."

You just blink like an owl, not understanding anything at all, but taking the mouse from him and poking it on the countertop, choosing random poses from the list, watching how sim of Hiori literally bends in different poses, which looks pretty hot, even if stupid.

It takes about fifteen minutes while you're pointing at various pieces of furniture and looking at all sorts of poses from different angles, sometimes you both giggle at some strange animations until one catches your eye.

"It," comes out of your mouth, and Hiori stares at the screen, watching his sim sit on the table while the life is practically being fucked out of him, judging by the pace of the thrusting.

"Really? Dear, it's a little..." the word doesn't come out of his mouth when he bites his lip in embarrassment, but after hesitating for a couple of seconds, he gets up from his chair, taking off his sweatpants along with his underwear and sitting on the edge of the table. "I'm already prepared, so you can just slide inside."

You immediately smile like a child who has received the most coveted sweet, and you almost frantically undo your belt, which is not particularly possible because of the trembling in your fingers. So you just unbutton your fly and take out your dick.

"Really? Can I do it raw?" Hiori hums in response to this question, and then shrugs his shoulder vaguely, spreading his legs as an answer, and squeaks when you squeeze his hips right there.

Hiori's back arches when he feels your cock sliding in at a much more gentle pace than your sims, who continue to fuck behind Hiori's back. His fingers grip the edge of the table, his knuckles turning white as his feet lightly scratch the table.

"Wrap your legs around me, please?"

Yo silently obeys, grabbing your shoulders instead, absolutely spoiling the pose, but neither of you really care anymore. After all, today is your day, and if that's what you want, then Hiyori wants to obey.

He moans softly into your neck as his legs lock over your tailbone and an intermittent whimper escapes his lips when your cock finally touches the right spot inside him. A point that makes him see the stars and the moon, which only you can bring.

The blue-eyed man feels his cock twitching against his stomach, and his orgasm is approaching embarrassingly fast, he just wants to cum. Why is it so fast? Who knows... But obviously not from the disgusting sounds of the game in the background.

"Cum for me, come on," you whisper, sliding your lips over his neck, making him tilt his head back in bliss.

Your teeth outline his adam's apple, causing his breathing to stop and his nails to dig into you this time. He bubbles something unintelligible when he feels your hand on his cock, rubbing its current tip, making him cum almost at the same second, which makes you slow down the thrusts slightly, making them deeper to prolong his pleasure for a couple of seconds.

"... More, go on," Hiori mutters after a dozen seconds, licking his dry lips and lifting his half-closed eyes at you and exhaling. "I'm all yours today, so keep going... I'll tell you when I'm at the very edge."

Sae Itoshi

"Are you going to stare at me with that expression for a long time? At least close your mouth," Sae says, looking at your surprised face in the doorway while you stare at him for about a minute, still trying to figure out what's sitting in front of you.

"That's... you... wow..." something inarticulate weakly escapes from your lips until you finally leave the doorway, closing the door and approaching Itoshi.

Of course, nothing too surprising was sitting on the bed. It was just Sae. In your usual T-shirt. In regular shorts. With a normal expression on his face. With damn attractive thigh-high stockings that accentuated his thick and muscular legs too well. Yes, you know, the usual Tuesday of any person.

"Do you like it that much?" Sae asks when a slight smirk blooms on his lips, watching you sit down in front of him, spreading and sliding his legs as you please.

"Yes, it suits you damn well, it's simple gorgeous... Strangle me with them," you whisper, squeezing his hips and exhaling contentedly, feeling the elastic muscles under your fingers.

Sae's fingers lift your chin and he gives you a light peck on the forehead before kissing you on the lips. His kiss is slow, almost savoring, as he weaves your tongues together, tugging at your shirt to get you up.

You lower Sae to the bed, continuing to kiss him, and then pulling away, lowering your lips lower, kissing and occasionally sucking on the delicate skin of his neck, causing a soft sigh to escape his lips before he stopped you at the edge of the T-shirt.

"Too fast. Don't go any further than the neck... Today is your day, but you have to earn it," the Japanese man whispers against your lips and then you feel his fingers slide into your pants while his other hand unbuttons your fly and releases your cock.

Your breath catches when you feel his fingers wrap around your heated flesh, and your face immediately finds itself in the curve of his shoulder, causing him to briefly pat you on the head.

"I'll give you what you want anyway. Just wait."

You bite your lip to keep from whimpering when Sae's thumb runs over your slit, and images of what he might let you do to him when the time comes are already spinning in your head.

Your hands are clutching the sheets on either side of his face, and his lips are lazily sliding over your neck, sucking on your skin, forcing you to push into his hand, which he freely allows.

"Sae... I will cum now, please," you exhale and feel only the nod of his head at your side as he speeds up his hand movements a little, making you come embarrassingly quickly with a groan.

Sae kisses you on the temple, removing his hand after a couple of seconds, when the buzz finally subsides and gently pushes you to your side, sitting up straight and taking napkins from the table, wiping his hand and your penis from the sperm.

"Good boy. Take a break and let's continue... There's a lot more under my clothes," Sae whispers, turning away to the trash can and deliberately bending over too much, exposing a thin strip of panties under his shorts, which makes your soft cock twitch in anticipation of the next round.

Rin Itoshi

"Is that really all you want? You can ask for more, you know," Rin whispers, leaning over you, shaking his head slightly and taking your condom-wrapped cock in his palm, stroking it a couple of times.

"Yes! Definitely, that's it. Please? I just want you to do this," you whisper, making Rin sigh, but nod and lower himself onto your cock slowly.

He exhales sharply as he takes you completely and places his hands next to your head, considering that he's almost lying on top of you and looking up at you with his turquoise eyes.

You just smile and kiss him on the cheek, which makes him frown slightly but blush, and he begins to gently move his hips. Of course, it's not very convenient in this position, but he promised.

"You're wonderful from this angle, otherworldly, Rinnie," Rin just tightening around you from the compliment, leaning in even lower and gagging you with a kiss, but hey, you're not complaining.

You put your hands on his cheeks, knowing full well that he's going to scold you, because he wants to take at least one round without your support, so you're not taking any chances.

Your tongues slide against each other, and then he pulls away with heavy breathing, resting his forehead on yours, maintaining his slow rhythm, looking down at where you connect.

"You're very deep, I want more," he whispers breathlessly, closing his eyes and focusing on his movements, trying not to rush too much, but to make it pleasant for both of you and not cum faster than you, not this time.

"Then take more, I don't mind," you close your eyes too, feeling his eyelashes lightly brush your forehead as his face slides forward a little and you squeeze his biceps, absolutely enjoying him.

"I love you. Happy birthday again," Rin says, forcing you to open your eyes and you are met with a surprisingly soft smile, albeit almost imperceptible on his face but fuck.... "...Did you just cum?"

"Uh..." You laugh shyly, grabbing Rin's hips to stop his movements, when they get a little painful from your sensitivity. "I love you too."

"The gods... Fuck me already, you're pathetic when I ride you," the younger Itoshi mutters, although there's no real mockery in his words, he just sighs when you flip you over, switching places and wrapping his legs around your waist.

[creamecafe]

Fate by "Design" | Salesman x Artist!Fem!Reader

Summary: While doing art in a subway, the Salesman offers you to play Ddakji, a chance to win money. But you wanted his number, when you win your acquaintance with the salesman becomes much more.

Pairing: Salesman x Artist!Fem!Reader

Warnings: fluff, flirting, allusions to smut/sex, but not explicit

Word Count:

Author's Note: This was requested by Crazy4herluv on my Wattpad book Squid Game Imagines/One-Shots. This is also my first Salesman work, so I hope you enjoy!

*Icon used for this header above that I made in PicsArt is from Pinterest. Divider is from @cafekitsune in this post*

Want a request for a Squid Game character like this one? Check out my post, read my request guidelines and send a request!

Read on Wattpad & AO3 here

The sounds of the almost isolated subway and people walking is the highlight of your daily routine. You had moved to Korea to work for a art company and you do sketches by hand.

It paid very good money but in your free time you liked to be in the subway and do art for others like New York. People would walk and stop to see what you possibly could be doing.

A lot of the time, couples, parents with their kids or even old people would ask for a drawing each day and you get paid at least $130-200 at the end of the day.

Your art simply consisted of charcoal sketches of the person who requested for the art as semi-realistic as possible with a watercolor splash in the back if they ask.

Sometimes you notice while you're drawing or sketching away looking for people to draw, you would see a man in a black suit.

He had black hair and was always carrying a suitcase with him. He was also very handsome, you thought. When you took the time to actually analyze him or look at him, not in a creepy way you thought, you noticed that he would throw something on the ground and slap people.

This guy must be insane, you thought. Slapping people everyday, but it didn't stop you wondering who he really was. You thought of going up to him and asking if he would like his own portrai. But you were nervous of asking such a good looking guy and you are an artist in the subway, so he was way out of your league.

Today felt like any other day. Until one person, the guy in the black suit came up to you. You were going to pack up for the day when you accidentally dropped pencils and other supplies on the floor, then rolled around. As you were on the ground picking up the supplies, you saw polished black shoes stop and turn in front of you.

You look up and see him. The guy in the black suit looks down at you while you're trying to pick up your stuff.

"Good evening ma'am. I have a question for you."

You got up from the floor and brushed off the germs from yourself from the subway ground.

"Hello sir. I finished my hours for the day drawing so I can't accept any art requests right now I'm sorry. You could always come back tomorrow if you like."

"I'm not asking for a drawing. I'm asking if you would like to play a game."

A game? Is this guy Billy the puppet you thought?"

"What game?" You asked?

"It's called Ddakji. Have you heard of it before?"

Ddakji. It should sound familiar but you felt like you don't know it.

"I don't think so. What is it?"

"It's very simple. You fold two pieces of paper, usually of bright colors as it's a children's game like an envelope and the goal is to throw down the paper as hard as you can so the other person's paper flips over."

"What's the point of playing the game?"

"If you win, I'll give you money. A hundred thousand won."

Your eyes widened at what he said. A hundred thousand won? That amount of money to get while doing art in a subway could take a year or two. Yet here's this handsome well kept money offering to you.

"And if I lose?"

"Well usually I slap people until they win or just give up." That explains why you see this man in the subway grounds slapping people and throwing stuff down.

"But seeing how creative you are. How about a portrait of me? Use all your creativity and imagination you can and give me something."

"Ok. I'll play. But I can change something?"

"What is it?" He turns his head to express curiosity. It's rare that people would ask for a change of things while playing, conducting he's the one in charge.

"If I win, I get to have your number."

The salesman is surprised at your boldness to ask him out.

"My number? You could walk out with a hundred thousand won. What could my number offer to you?"

"Well I might see a better prize than money. I see a real piece of art right here." You raised your eyebrow smirking

He smirks at you. This was going to be interesting he thought.

"We have an agreement then?"

You nodded. "I lose, you get a portrait. But if I win..."

"You get my number." The salesman nods smiling. "Five in a row you have to win." He then pulls out two colored orgami tiles of red and blue from his suit jacket.

"What color would you like?"

"Red/blue" you said.

"Alright then. Ladies first."

You look at him and then the ground. 10 in a row you can do this. You took a deep breath and slammed the envelope on the ground. The guy then slams his envelope on the ground flipping yours around.

It created a loud slapping sound and echoed that it startled you. You look up scared he was lying to his word and might actually slap you. You close your eyes and prepare for it.

"What are you doing?" The salesman asks

"Aren't you going to slap me?"

"You don't have to worry. I wouldn't slap a pretty face like yours. I only want a drawing."

Opening your eyes you took a deep breath. At least you wouldn't be slapped.

"1-0" The guys says. You assumed that was his keeping score

You pick up your envelope and roll up your sleeve. You threw it down but it didn't flip the salesmans. He picked his up and slammed it down flipping yours again.

"2-0". Now the chances of getting this guys number seems low and you might look like a fool. You were weren't to give up just yet. You relied on your skills of carrying an easel and so many supplies per day to the game.

Taking a deep breath, you slam down the card and it flipped the guys. You were smiled wanting to jump for joy.

"2-1" You put up 2 fingers with one hand and 1 finger to the guys face.

He said nothing but smirked. Talking wasn't his thing, you noticed. Probably why you found him attractive.

The salesman picks up his card and slams it and your flips over. It was a continuous picking up and flipping cards. You were getting better as the points were getting higher.

Now the score was "7-8". You were becoming tired and kinda wish you were home right now, sleeping. But

The salesman threw down his card and flipped yours. Now it was 8-8. A tie. Just two more and you get his number. You threw yours down and it flipped over. 8-9. Another slam from the guy and it was 9-9.

This was it. You weren't sure you would have enough energy to draw that portrait of his that he wanted. But you needed enough energy to finish this game.

You slammed it down and saw it flipped over. I won, you thought to yourself. Did I actually win? You thought.

"Congratulations. You won ma'am." The salesman smiled.

Those words felt unreal. "Yes! Yes!" You jumped around happy.

"Now, you asked for my number. I suppose you wouldn't have a piece of paper to write down my number, would you?"

What kind of question was that? You were a artist. Blank papers is all you carry. You grab your sketchbook from your bag and a pen to give to him.

He took it from your hands and wrote down his number fast. He gave it back to you and you saw it.

"What do you plan to do with that number, Miss?"

"I was wondering maybe you want to go out?"

"We can do that. Can I pick the place?"

It was the least you could let him do as he offered you money and kept true to his word to give you his money.

"Sure. I'll text you when I'm available. I might see you here too. Who knows?"

He nodded your response smiling.

"You have a good day madam"

"You too" God how you loved how formal he was and calling you madam and ma'am, even though you weren't really that old.

When you went home, you were exhausted but still smiling and excited that you got the guy's number. You texted your name so he could have yours saved as well. You went to bed, wondering what it could lead to. Possibly just one date or even more.

The next day, was the same thing. Wake up, eat breakfast, pack your things and head to the subway. You kept fixing yourself up for the salesman, wondering if he would come by.

He always comes by, you thought. He just has to. You scanned around the subway to see where he is as you didn't want to move your spot. After an hour had passed, it looked like he hadn't been around.

Maybe asking for his number was a bad idea, that he was avoiding to talk to you, you thought. A man walked by and dropped something not that far from you. It looked like money. Seeing this you get up, pick up the bill and try to call out for the man. But it looked like he was already gone. It was

Written in a black permanent marker, it says “Look at your phone ma’am”. Without thinking you check your phone and see a message. Meet me at the park at 4:30 PM. No need to dress so fancy but wear something you feel pretty in.

Blinking your eyes rapidly, you couldn’t believe what’s in front of you, more likely what’s on your phone. He’s actually texting you. The weird quiet but handsome black suit guy is texting you. You packed your things and went home and went to get ready to meet him in the park.

It was nothing special that you wore. Just a simple sundress/pantsuit but it was still one of the nicest outfits you had in your wardrobe. You kept wondering just what the man in plan for you. Walking around the park, you see the man still in his suit, hands in front looking around, possibly waiting for you, you thought.

Smiling, you walk up to him. When he sees you, he smiles with no teeth but still showing joy. He reaches out a hand. Looking at it hesitantly, you took his hand. The salesman then took your hand, bowed a little and kissed the back of your hand gently. You felt your heart skipped a beat when he did that.

“Hello ma’am. We meet again.”

“Hi. Were you the person that gave me the bill?”

“Maybe, a beautiful woman like you deserves more.”

Was this a dream? Were you dreaming or is this real. This man seemed to good to be true. You two walked to what would be your first date. The place he picked out for the first date was an art museum. It displayed the finest arts across the worlds and many different paintings. The salesman would ask about each piece and how did it make you feel. You responded to many of his questions but kept looking around. You guys kept talking and asking each other questions to get more acquainted with each other.

After the museum, he took you a some place to eat. Then you guys went to get ice cream. He paid for everything and asked if there’s anywhere else you would like to go. If you tried to pull out your card or even cash to pay for your own things, he would refuse so and said he got everything and that anything you wanted he’ll get for you. It had been late, so he dropped you off home and asked how was everything and if you enjoyed it.

You couldn’t thank him enough for the wonderful day you had comparison to just drawing in a subway for hours. Before you left his car, there was a slight tension between you guys that it could be cut with a knife. The man wanted to say something else but couldn’t stop looking at your lips. Looking at him, you see his hands reach towards your face and cup it as his lips softly touches yours.

His lips were so baby smooth and his cologne was so sharp from his neck, it felt like a gas hyptonixjg you. You cup his face, grazing it with your thumb. He pulls away, still looking at you with such yearning. Your thumb still on his face grazed his lips as you said goodbye and gave him a kiss on the cheek.

Ever since that night, you two have been dating. He would take you on dates to other places. Mostly just walks in the park or art related stuff that you like. Your small kisses would turn into small makeouts into something more. He would sometimes, well mostly go over to your place and sleep over. In the mornings he would make breakfast in his underwear. You wish you could draw him right then and there.

He loves to pose for your art or whatever reference you need for your assignment in class. Once a month, he'll take you out to the art store to get whatever supplies you need. Your messy clothing consisted of paint or oil pastel stains is opposite of his clean, ironed and steamed suit. But he loves it either way.

The only time that he was out of the suit was when he was in bed with you. But other than that, you wanted him to be a bit more fun. You wanted to him have more color. Seeing those videos of online of couples doing painting of each others to see both of your art skills.

You begged the salesman to do wit you and he finally agrees. Squealing you get everything ready, canvas, paints, brushes, water and paper towels. You had 10 minutes to try to get each other’s features as accurate as possible

Time passes and both of you guys are done. You show your art of him and it’s him in his suit, pretty accurate and semi realistic but some details were missing. He nods and says it’s impressive of how much you can get done in less than hour.

You ask for his painting and he turns his Canva around and you see you in an almost renaissance like painting. Your mouth dropped and all felt like years of your art skills go away to just 10 minutes.

“What! How’s that even possible? Why didn’t you tell me you were good at art?”

“Well two people can’t be the artists in a relationship. One has to be a muse, to inspire the other.”

You scoffed at his bullshit. He just didn’t want to brag. An idea came in your mind. You grab a paintbrush and leave a stroke of red paint on his face.

“If you want to be a muse, why don’t you have some color on you?”

Smirking, the salesman takes this as a challenge and grabs his paint brush and paints across your face too.

Now you guys were having a paint battle. You tried to paint him more but he lightly grabs your arm and stops you. He leads you the floor, where he’s now on top of you. Seeing this as an opportunity, you grab a bottle of paint that’s open and smeared on his white shirt. He laughs at this and rolls you over where you’re now on top of him, straddling him.

Nothing was said between you both as you kept looking at each other. Like that night of your first date when you guys first kissed. Putting your head down you kiss him and he put his arms around on your back. The paint on your guys’ face mixed with each other. Breath was running out so you decided to stop. Your heart was beating so much just as he was trying to catch his breath too.

Now you’re forever grateful you asked for his number then taking the money. It’s a better reward than what the salesman had to offer you, as you got him, yourself. It felt like a dream come true. Even if it was, you didn’t want to wake up. Everything of being with him was like straight art. Maybe it was meant to be. That day you accidentally dropped your pencils and he came up to you. It could be called fate by others. Fate by design you like to call it.

He was right, one has to be the muse in a relationship and the other an artist. But to him, it was the thing he was missing the most. An new reason to be in the subway that fateful day.

Taglist:

@deffreal, @cocofia143, @sorry-meme, @elizabeth-hatake, @nini-0808, @hobinistaworld, @ineedsmootching, @alittlebitofeverything , @happyfrog7681 , @tiuhiatus, @goofiestgoober27, @jayyyourbabe, @ninahorikoshifr, @ikeithy , @vampiregirlxoxo, @ouwioworuuu, @cloudysxkura, @l4venderia, @anthea1239, @iidontwannadiealone,

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[suiana]

fellas, have you ever wondered if a man could ever be as adorable and cute as a baby kitten? well now you can experience and love on in real life! suiana presents to you innocent! yandere and smitten reader ❤️

your very own innocent boy who doesn't even know what NNN or OF means. his instagram feed is full of baking and and clothing ideas, he goes out to help stray animals, and he goes on daily walks to the park to reconnect with nature. he has no idea what a skibidi toilet is, brain completely nourished with the books he borrows from the library. yeah, this guy smells like bread and cookies too btw, he does lots of baking. and cooking. have i mentioned he's completely skilled in the kitchen? yeah, he is.

by some stroke of luck, you meet him one day and... look, he's just the cutest thing ever! i mean, he's fashionable, smells good, and was even defending a stray dog from being bullied by some kids. so you ask him out on a date, but the second you ask him the question you swear you could just die on the spot... because tell me why his entire face is red and he's genuinely so happy??? all smiley faced and blushing like a tomato???

oh it's his first time getting asked out and he's flustered??? he's never been approached by anyone before??? he thinks you're really attractive and he would like to go out on a date too??? oh my god guys, he's even asking if you're comfortable with him rambling like this and not trying to get too close without your consent😭

anyway the two of you go out on a date and you think you just might marry him on the spot with how much of a gentleman he's being??? INSISTING on paying for your meal, respecting your distance and being genuinely curious about you on a deeper level. no mention of hooking up, being casual fwb or anything like that. he's... actually looking for a serious relationship unlike your previous partners? holy shit? so you asked him his thoughts on cheating and some other stuff...

"so what are your thoughts on cheating?"

"cheating?"

"yeah, like when you get with someone else when you're dating."

"isn't that illegal?"

HELLO??? he thinks cheating is ILLEGAL??? you had to spend the rest of your date trying not to cry or hug him because he ended up finding out some devastating news.

"yes... cheating is illegal unfortunately."

"I don't know why. it should be illegal, that is a very bad thing to do 😦 do people actually cheat? really? no way."

UGRHGRGR you two end up dating and he's the sweetest guy you've been with. cute date nights, reassurance that you're perfect and enough, handmade gifts and deep talks into the night that deepen your bond together... the only problem is just that maybe he's a little too sweet.

he's constantly buying you gifts, telling you how much he appreciates you and just... being the perfect boyfriend? the perfect clingy boyfriend.

at first you found it cute. but...

why is he so in love with you? why is he so nice? you don't know what to do with a man as sweet as him and can only give into his seemingly harmful actions. you used to think that he had an ulterior motive but... you don't know whether you're being deceived or not. why would you? he's not being manipulative. how could he ever be manipulative? he's just a sweet and nice green flag!

asking you to always be with him? that's just a romantic thing everyone else says. chasing away any people who shows the slightest bit of interest, even if it's not confirmed to be romantic? what kind of boyfriend would he be if he didn't do that? asking for your location if you ever try to go out without him? silly lover, why would you worry him like that?

no no, he's not being possessive. okay, maybe he is. it's just a tiny bit though! surely you're fine with that. after all, he's still treating you like the royalty that you are. he should be allowed some grace for his unwillingness to share.

you're not sure whether or not he's truly innocent or not. was he even innocent to begin with? maybe, maybe not. perhaps it was all just an act...

but you shouldn't think that. why would you think badly of your boyfriend who's only ever been sweet to you? even during fights, he doesn't raise his voice and actively listens to you, trying to resolve the issue. he could never want to hurt you.

after all, he's your innocent boyfriend that you're smitten with, right?

[thebreakfastgenie]

#honestly it might help some of you to read bigoted ramblings#because so many of you waste a lot of time anxious and arguing about beliefs that these people don’t even have#if you’re going to be anxious anyway you might as well know what they’re actually saying @femalegothic

Yeah I originally included that qualification because of the timing of when I made this post, I didn't want people to assume I was validating the conservatives having meltdowns because people they hate didn't want to talk to them. But I think you're right.

Obviously there's a limit to it, there's a point at which it becomes unhealthy, and that point is different for everyone. But I have been worried for a while about the culture on tumblr that creates a belief that seeing even one bigoted post will trigger an intense meltdown in a marginalized person. I think the "I am actually shaking" and cry-typing posts of yesteryear were so popular because tumblr gave people the idea that that's how they were supposed to react. I think there's also an element of tumblr only being able to take bigotry seriously if it does a certain amount of tangible "harm," which on tumblr looks like provoking an extreme distress reaction in an individual. Bigotry does do harm, including to physical health, but it's generally cumulative exposure that does it. Most people are not going to fall apart if they see one bigoted post, and anyone who is needs to get help coping with it because it's an unfortunate part of the world we live in.

So in some ways you have to pretend this stuff just doesn't exist, except not really, because you still have to care about social justice. So you're supposed to feel righteous anger at theoretical bigots, without ever engaging on any level with the real ones.

These twin expectations create this paralyzing environment of fear. People are scared of things that are not actually happening. People are making up guys to be mad at and, I think more harmfully, afraid of. It's not pretending to be oppressed, a lot of these people face real oppression, they're just guessing at what that oppression looks like. There's absolutely no good in that! And sometimes the real bigotry is just so stupid that it's actually not as bad as what your anxious brain can conjure up. Sometimes it just takes the sting out of it to see what absurd things grown adults actually believe.

And of course it's a cliche, but if you want to do something about it you have to know what you're fighting. It's a lot easier to combat bigotry if you know what people are actually saying and what they actually believe. Even if you're not going to convince the bigots, you need to know what arguments they're using to try to radicalize regular people so you can counter them.

So yeah it would do a lot of you some good to read the bigoted ramblings a little bit I was just trying to put forth the most basic possible baby step of readings things you disagree with because I wasn't sure how much tumblr could handle, lol.

I really think a lot of you need to read things you disagree with more. Not bigoted ramblings but just opinions you don't agree with. So many people on tumblr are terrified of seeing a take they don't like about their favorite show, let alone anything serious. I think it comes from a lack of confidence and security in your own opinions and that leaves you vulnerable to manipulation. Reading an opinion you don't agree with should help you articulate your own opinion and why you believe what you do, which strengthens your position.

[alastor-x-reader-stories]

Could you do a one-shot where alastor is super nervous when meeting reader, not really on his face but more his body language where when she shakes his hand he continues shaking it or doesn't let go immediately. nervous smile too lol, thanks love your stuff!!

Heeey I wrote it hope you don't mind some interpretation on my part! You didn't mention why Alastor was nervous so I just did whatever ¯\_(ツ)_/¯ Tags: Oblivious Alastor, Cartoonist Writer, Humor, awkward affection, Alastor is either oblivious or in-denial, Nifty is Nifty and you should all love her

-----------------------

Alastor’s introduction to you was not a willing one. Charlie had started a bit of a bookclub at the Hotel as some odd attempt at bonding. Alastor wanted no part of it, but after the 532nd time Charlie asked him he said something particularly scathing and the princess was cruel and told Vaggie, and the ex-exorcist would NOT stop stabbing his door until he finally relented.

Of course, his choice of book was one called ‘Blank’. It was a notebook with nothing written in it. Very easy to discuss at a bookclub.

Charlotte was not impressed and Vagatha once again starting throwing vague threats in his direction. How tempted he was to just kill both of them, but alas this hotel has been the greatest form of entertainment he’s had in years (is what he tells himself.)

Darling Nifty came to his rescue, offering up a variety of different light-reading to be discussed in the future. Most of which were….not to his taste. Nifty’s interests highlighted most definitely, but Alastor quickly chucked the books out the window when the story turned to ….that.

As the number of books dwindled, he was just about prepared to give up on this stack entirely and fetch something meaningless to pretend to read (who’d check, anyway?).

He picked up one, a flimsy comic-book like thing and rolled his eyes once before giving it a go. The story wasn’t anything particularly interesting. The plot was just two bunnies going to get some ice cream. But the wordplay, the exaggeration of all the smallest obstacles, how self-aware and absurd it was gave him a good laugh. The Radio Demon’s first introduction to your work.

Although the bookclub idea ended up going nowhere, Alastor found himself seeking out more of your works. Another about a man just making a taco, one about a woman folding her laundry. So many little, day-to-day situations amplified to a ridiculous amount. Clever one-liners and humorous puns sprinkled throughout kept it intelligent enough for him to maintain interest despite the absurdity of it all.

Eventually he got a cartoon you drew that seemed just the same as the rest. Some random cute cartoon raccoon drawing some random little cartoon things. There was a scene in it though that stuck to Alastor’s mind (and dare he say, heart) like glue.

In it, the raccoon was confronted by a shark. “Why do you bother making these?” the shark sneered “No one reads these but you, no one looks at them but you, there’s no point.”

“Why does there need to be a point?” The raccoon said. Alastor’s ears straightened up on their own accord as he read “Even if no one sees it, it’s something I made and it’s some I enjoyed making.”

“Even if you put it out there, no one will care about it.”

“Someone will. They might not say anything but there’ll always be at least one.”

“Do you know how stupid you sound? No one gives a crap about your ‘passions’!”

“I do.”

“Do you know how stupid you sound-“

And then the raccoon pressed a button and an anvil fell onto the shark, comedically turning it into a pancake. “Your argument doesn’t have any depth.” The raccoon said. The story moved on from there.

It struck a bit of a chord with Alastor, he could admit that much to himself. And the raccoon’s way of dealing it was something he’d keep in mind for his next encounter with an annoyance. He didn’t put much stock in it, as storytellers and their stories don’t always agree on all things.

Your comics were a little joyful distraction when he needed them, that was all. Nothing deep and profound.

“BOSS!”

Alastor slammed shut the book he was reading, his grin never faltering though his twitching ears indicated a slight nervousness. He tilted his head in acknowledgement. “Hello, Nifty! Did you need something?”

Nifty scamped up his chair and onto his lap, settling down andstaring up at him with her one big eye. “BOSS BOSS BOSS BOSS I MET THE DEMONESS WHO DRAWS THOSE CARTOONS YOU LIKE”

Alastor’s eye twitched “Oh? Well, that’s neat.”

She stood up, squishing his face between her hands and stared more as her grin grew wider and more manic “Did you want to meet her?”

Yes

“Now, now, Nifty.” Alastor said as he removed her hands from his face “There’s better ways to waste one’s time.”

Nifty tilted her head, staring at him as though it would allow her to see into his mind. Her expression shifted into….One he hadn’t seen on Nifty, admittedly. The best way he could describe it was ‘smug’. But what would she have to be smug about?”

“If you say so, Boss!” She chirped, hopping off his lap and trotting off “But yeah I was at the Evermore Book-Store and she was there working ‘cause I guess that’s what she does for a livng….” Nifty’s voice faded away as the little maid walked off, not caring her rambling were being said to no one.

After Alastor had finished his errands for the day, he happened by that very store…for…Reasons. Upon entering it, he realized he had no idea who- what- he was looking for. The store itself wasn’t large. A couple patrons, one large hulking demon with tiny spectacles at the desk and a much smaller one organizing shelves.

One of the workers, then?

Not that he cared.

“Pardon me!” Alastor chirped to the desk demon. Their big eyes seemed to move in slow motion to him, a low grunt accompanying the acknowledgement. “I’m looking for someone, yes? The author of some silly comics?”

The demon slowly narrowed their eyes, lips curling up into a snarl as a growl emanated from them.

“Ah, so she is here?”

The demon planted their very large hands on the desk, pushing themselves up to stand at their full height. They were taller than Alastor by a good three feet, and much more muscular as well. Their nostrils flared, blowing hot air into his face.

Alastor wasn’t the slightest bit phased. (He found it funny, actually). “So may I speak to her?”

The large demon opened up their gaping jaw-

“That’s me, hi! How can I help you?” The shelf-stacking demon interrupted, getting between Alastor and the clerk demon. A nervous little lady with a wobbly unsure smile and bags under her eyes that looked like they could carry the entirety of Hell in them.

Alastor held up one of your comics- a book that has been very obviously well-read “You’re the creator of these splendid little things?”

“Splendid…?” You repeated him, trailing off into an amused snort “Er. Yeah, I wrote and drew those.” The Clerk behind you closed their mouth, setting back down on their chair and adjusting their spectacles. The glare didn’t leave Alastor.

“Well, my dear, I find I quite enjoy them! It’s quite a pleasure to meet you.” Alastor said, not paying the larger (glowering) demon any mind. He found himself wondering why you were so tired and so timid. A woman like you should be so much more cheerful! Alastor was a tad offended….Because you weren’t smiling like he did. That’s it. Really.

“Well. I’m glad you like them.” You said. “It’s nice to meet you, too.” You offered your hand for him to shake.

One of his ears twitched. You must be fairly new to Hell, to offer a handshake so easily. Or perhaps a bit sheltered or on the naïve side. Alastor briefly considered making a sly deal to take your soul, but… Well, there was no need for that.

He took your hand and gave it a firm shake. Your hand was so much smaller than his own, but it felt as though it warmed his entire body. This was strange. Perhaps you were casting some spells on him? Why was he finding it so hard to focus- why did he feel like he didn’t know what to say next- why-

The Clerk gripped Alastor’s arm in between two fingers, gently but assertively pulling it away from you. You took half a step back, cradling your arm to your chest as if he burned you. Alastor glared up at the Clerk “Is there a problem?”

The large demon growled. You intervened again “Er….You were just. Holding my hand for a while. It was……kind of weird.”

“Ah.” Alastor cleared his throat, straightening his posture with a flourish “My apologies! Mind was elsewhere, you know how it is with us creative types.”

You blinked. Then your timid smile turned a bit more confident. A bit more…like a smirk. “Er. Yeah, I guess so. Well. See you around, I guess?”

“If I have the time, I suppose!” Alastor grinned “Well then, I must be off! Ta-ta!”

You watched as the strange demon disappeared into shadows and slivered off. As soon as all trace of him was gone, you laughed quietly into your hand “Well, I can certainly say for certain I know someone ‘awkward as hell’ now.”

Your friend groaned, gently pushing you over as they continued their own work.

[luwritesstuff]

Breaking Point

Spencer Reid x reader

notes: angst/arguing followed by fluff/comfort, gn!reader, no use of y/n

wc: 884

Every relationship had their weakness, the one thing that tested how strong two people really were together. You and Spencer found out months into dating that your relationship's pressure point was exhaustion. It hit you both after two back to back cases across the country in one week, a friend’s wedding on Saturday, and a dinner with your parents on Sunday. By the next week, the two of you were stretched thin.

For you, the exhaustion made you irritable. Things you usually had patience for were getting under your skin and turning you into, quite frankly, an asshole. Spencer somehow had the most patience in the world and this only pissed you off more. Why wasn't he annoyed that your neighbors kept taking up two parking spots? Why was he so calm when you lost power for 12 hours?

As much as you ranted, Spencer listened. He made it a point to be a good boyfriend even on your worst days. This didn't mean that the exhaustion didn't get to him too. Spencer’s lack of sleep brought out his insecurities. The more irritable you got, the more worried Spencer became that he was the one annoying you.

On a normal week, you had more control over your emotions. You were thoughtful about how you spoke to Spencer and you were able to let the small stuff roll off your back. But this week wasn't a normal week and you couldn't stop the anger that kept slipping out of you around every corner. Spencer’s solution was to give you space, but deep down, you didn't want to be alone. Not even on your worst day did you want Spencer not to be curled up on your couch with you.

And how could Spencer say no to you? He wasn't evil, if you asked him to stay, he'd stay. Even if you had a permanent scowl on your face and didn't offer any conversation.

“Spencer!” You groaned, fighting the urge to stomp your foot like a child. “Why do you keep putting your wet towel on top of mine? There's another hook behind the door and every time I go to use my towel, it's wet!” You brought the towel out to Spencer and threw it onto the couch. Before he could finish his apology, you were continuing, “It just drives me crazy, honey. It makes me cold getting out of the shower and-”

“If you hate having me around so much, then why am I even here?” Spencer cut you off, raising his voice in a way you'd never heard directed at you before. Anyone who didn't know Spencer well would see his words as anger, but you knew Spencer well and you could feel the hurt and insecurity seeping out through his voice.

You both froze, staring at each other in silence while you replayed his words in your head. After a beat, your shoulders sagged and you moved to sit on the opposite end of the couch from him. “Shit,” you sighed and grabbed the towel to start folding it, “I'm being mean, I'm sorry. I do want you here,” you promised and looked over to find Spencer staring at his lap.

“It's fine if you don't, just… tell me that. I don't want to keep pissing you off and making things worse,” his voice was calmer now and your heart ached. Spencer, the light of your life, felt unappreciated and unloved, because of you.

You reached out to take both of Spencer’s hands into your own and gave them a squeeze. “Hey, I want you here. I love you,” you emphasized, “having you here helps and I'm sorry I haven't been showing it. This week was just… you know how it was. And my parents just get under my skin, but I shouldn't have taken that out on you. I'm sorry, sweetheart.” Spencer couldn't hold any anger towards you if he tried and the thought made you want to cry. Your Spencer, that you were cold and bitter to, still held your hands tightly and pulled you to his chest after your apology.

“I'm sorry I put my wet towel on top of yours. I know you like having a warm towel after your shower,” he said softly and kissed the top of your head, “and I'm sorry I raised my voice at you.”

You sniffled and shook your head against Spencer’s chest. “No, don't apologize for that. You should've raised your voice at me sooner, I was being a brat,” your voice was muffled by Spencer’s shirt but he took every word in, rubbing your back as you spoke.

After you'd both calmed down, Spencer took you to bed where you both slept a solid three hours. You woke up feeling lighter than you had all week and Spencer felt relieved to have you back to your usual self. “There you are, my beautiful love,” he whispered and brushed your hair from your face.

“You're one of a kind, Spence. Let's not overdo ourselves like that anymore. Next weekend, we’re taking both days off and we���re not seeing anyone but each other,” you promised and rolled over until you were straddling Spencer’s hips. His thumbs traced shapes into your hips and he agreed eagerly by pulling you down into a kiss.

[novascharms]

teach please me — tutor!reader x soccer player!rafe

reader's life is meticulously planned, from high school to becoming president of the country—she knows exactly where she's headed and every step to get there. but her airtight plan hits a snag when the principal ropes her into tutoring rafe cameron, the school’s star soccer player, who’s failing algebra and at risk of being benched next season. the team needs him on the field, and reader needs the principal’s glowing recommendation to secure her spot at her dream school. balancing her ambitious goals with rafe’s chaotic charm might just throw her perfectly crafted plan off track.

word count — 2.3 chapter index — prev. chap. — next chap. masterlist

eight

sunday, february 2nd

you've gotten the question 'how do you do it?' a couple of times in your life. you've always been the kind to never stop running, never stop moving, never stop working, just never stop. never even take a break, really. any 'free' time was an opportunity to do something useful or productive.

you're pretty sure you never really 'cracked the code'. the code was kind of built inside of you, weirdly embedded in your brain. you've always been disciplined, you've always known that small, deliberate actions over time were the only way to stay consistent. it does help that you've always had this purpose or reason to do it.

you knew what you wanted, who you wanted to be.

you knew that commiting, sticking to the plan was the only way to get there.

in order to stick to a plan, there had to be a plan.

it makes sense that you wrote out an entire two page document, detailed and in depth with graphs, sources and pictures explaining your complete approach to getting over rafe and putting some much needed space between you two.

you're picking your nails, a habit you'd abandoned years ago after a rather brutal pull that ended with you in tears while your dad disinfected your bleeding thumb.

now here you were again, staring at the dining room table you'd temporarily transformed into a desk for rafe's tutoring session. step one of your plan was distance, of course. you had to block him away emotionally and him wandering around in your room, letting his smell linger, leaving his clothes or his stuff sitting there for days, lying in your bed. it was too close. too personal.

your room was a sanctuary, it was essentially your place of work and your home all at the same time. it had to feel serene and cleansed from distractions like feelings for boys.

the table was set up the same way your desk was: his notebook, pencil and calculator neatly placed on the table. you even placed a bottle of water right there so he didn't need to go wandering into your kitchen for anything. there was no need for him to walk around your house.

you would sit diagonal to him, working on the valentine's day cards which you were super behind on because you spent multiple days being too upset to even look at a heart-shaped-anything.

your dad was also sitting in the living room working on his laptop which somehow made it feel even more impersonal. it was perfect.

the doorbell rang and you froze for a moment. "are you gonna open that..or should i?" your dad called from the living room and you jumped into action. "uh! no, it's rafe. i'm going, sorry." you're rushing to the door and take a deep breath. "just be casual, be normal." you whisper to yourself before opening the door.

don't even think about how good he looks or smells or just how good it feels to even be in his viscinity. don't. don't. don't. shut up. don't.

"hey." he says as you move to the side to let him in. "hi. was the..drive good? any traffic?" what kind of a stupid question was that? this town had less than 50 000 people. there was never that much traffic.

he seems to be confused by the question as well, "no, no..traffic. it's sunday.."

"that is.. good. really good." you stand there with your hands behind your back as he takes his shoes off and when he walks over to you, in front of the stairs, he gives you a look and raises his brows. "are we gonna go up?" he slowly asks and you press your lips together and shake your head. "so, actually. i had this really fun idea that we could just..stay down here." you gesture to the dining room down the hall.

he looks at where you're gesturing before he looks at you again. "you want to stay down here?" he questioned, eyes boring into yours. "mm, i would like to stay down here..it's..i—it doesn't really matter where we sit, right?"

he blinks at you, lips parted. "right," he says softly and you nod and repeat after him before turning and heading into the dining room. he followed and his eyes immediately went to the table set up before glancing at your dad. "hey, y/d/n." he says and your dad greets him back, this big smile on his face that kind of makes you want to shove him. this boy broke his little girl's heart and he was just smiling at him? okay, sure, he doesn't know that it even happened but he should just sense those things. is that too much to ask?

you don't waste any time. the minute rafe sits down, you're getting into the lesson. "alright, last lesson we covered how to solve systems of equations by graphing, substitution and elimination. do you feel like there's one or multiple methods that you struggled with the most when you were doing the exercises?"

he looks at you, seemingly lost for a moment. "before we start, can we just—"

you tense. "maybe during the break. so, any issues?" it seems like he sees the momentary panic in your face because his eyes soften before he nods and exhales, "i..i guess with the graphing, i struggled with the overlapping lines and the parallel ones and for substitution, isolating variables and variables in general is still a shaky one."

you nod and stand right next to him, reading his notes carefully. "you're not gonna sit?" he looks at you. you don't look at him. "i'm okay, so, for the overlapping lines and parallel, what you need to remember is overlapping lines represent infinitely many solutions and parallel lines is the concept of no solution or an inconsistent system. it's kind of confusing but once you can set those apart and remember what they mean, it gets easier." you flip his page then, "and for the variables, i can see that you forgot to solve for the second variable a couple of times. remember that after finding one variable, you have to plug it back in to find the other."

"wait, but i thought when i did this, i was solving for the second variable…?" rafe points at his page, eyebrows furrowed as his pencil drags under a line of equations. "because i brought this one over."

you lean closer, bending over his notebook to see what he’s pointing at. "no," you say, tilting your head toward him. "i explained this last time, but you were too busy trying to braid my hair instead of listening, remember?"

he cracks a lopsided smile, the kind that always threatens to make your knees weak. "just trying to grow my skillset," he murmurs, glancing at you out of the corner of his eye.

you roll your eyes but can’t help the smirk tugging at your lips. "anyway," you say, nudging his pencil aside gently, "what you’re actually doing here is moving the term over to isolate one variable first. see? once that’s done, then you substitute it into the second equation to find the other variable."

you wait for his usual reaction, the quiet "ohhh" that always follows whenever he finally pieces something together. but the silence stretches, and when nothing comes, you turn to him. "you get… it?" the words falter on your lips as your gaze meets his, and the rest of the room seems to fall away.

he’s already staring at you, his eyes steady and unrelenting. they’re warm, piercing, and hold a depth you can’t even begin to describe. you don’t even have time to process how close you are, how his breath brushes faintly against your cheek, or how the faint furrow of his brow softens as he takes you in.

you feel caught, anchored by something invisible yet impossibly strong. your heart hammers so loud in your chest you’re sure he can hear it. the air around you thickens, heavy with unspoken words and unacknowledged tension. it’s as if the world has narrowed to just the two of you, and nothing could pull you out of this moment.

remember the plan. remember the plan. you try to tell yourself but then his eyes flicker down for the briefest second, not enough to seem deliberate, but enough to send your pulse skyrocketing. when they meet yours again, it feels like he’s trying to tell you something without saying a word. it’s overwhelming, consuming, and utterly impossible to look away.

your breath catches, the intensity growing unbearable. you’re drowning in the weight of it—this connection, this magnetism that shouldn’t feel as monumental as it does. and just when you think you might give in, might let yourself fall into whatever this moment is, you tear yourself away.

your eyes drop to the notebook in front of you, your hands fumbling to straighten the page unnecessarily. "so, um… yeah, just try the new exercises i made and i'm here if you need help," you say, your voice a pitch higher than usual, and you can feel your face burning. you bee-line for the kitchen before you actually make the situation worse.

you paced in the kitchen for a couple of minutes before casually walking back into the dining room. you slid into your seat and could feel rafe's eyes on you but you refused to look up. you willed yourself to focus on the notes and hundreds of pink and red enveloppes in front of you.

the entire session went the same way. you worked on your envelopes, and rafe worked on his exercises. you answered his questions when needed, but you never moved from your spot.

near the end of the lesson, your dad's voice carried from the doorway, casual and warm. "rafe, are you eating dinner with us?" it had become a bit of a routine—your sessions almost always wrapped up around dinner time. but tonight, you’d planned for this.

"no, not today," you answered for him.

your dad hesitated, clearly surprised to hear your voice instead of rafe's. his confusion deepened when he glanced at you, taking in your stern expression. after a moment, he nodded sharply, muttering, "got it," before disappearing down the hall toward the kitchen.

"what was that?"

"what was what?"

rafe stood, pushing his chair back with a scrape. for a moment, you thought he might just leave, but instead, he stopped at the doorway, turning back to you. his eyes pinned you in place. "come here," he said firmly, his voice low but unyielding.

you blinked at the demand, your body rooted to the spot. "what—"

his jaw tightened. without repeating himself, he walked straight to you, his movements deliberate, his frustration radiating off him like heat. you thought he’d just grab your wrist and tug you to your feet, but instead, he did something much more dramatic.

"rafe, what are you—"

before you could finish, he bent down, his arms looping around your waist as he hauled you over his shoulder with ease.

"rafe!" you yelped, your voice higher than you’d like as you squirmed against him. "what the hell are you doing?"

he didn’t answer. didn’t even flinch. he just turned and started walking, his steps firm and purposeful as he carried you up the stairs like you weighed nothing. you slapped his back and demanded to be put down, but it was like talking to a brick wall.

he set you down, right on the edge of your bed. you jumped to your feet immediately, but he was already there, standing in front of you, so close you could feel his breath. the proximity was overwhelming, so you sat back down again, instinctively creating space.

"rafe—"

"no. i’ll do the talking now." his tone left no room for argument. he pulled your chair from your desk, dragging it a little too roughly across the floor before sitting down, facing you. you felt the weight of his gaze, the intensity of his stare, and for a split second, you felt small—like a kid about to get scolded by the principal.

"i don’t know what happened last week. i don’t know why you won’t talk to me. i can’t help but assume that you either aren’t ready to talk or just don’t want to talk to me, but i can figure out that i’ve done something to upset you. i can’t force you to open up, but if you don’t… i won’t know what the hell i’m doing. i’ll apologize, because, honestly, i just want this," he waved a hand toward you, your whole being, "to stop."

he leaned forward, his voice steady, firm. "you’re ignoring me at school, you barely answer my texts, and we won’t even talk about how you yelled at me on wednesday because clearly, you don’t want to talk about that either. i’ll never bring any of it up again, if that’s what you need from me. but now? you’re shutting me out completely. we can’t even sit in your room? i can’t stay for dinner, you won’t sit next to me—what the hell is this all supposed to mean?"

his gaze was unwavering. "i want to fix it. i want to make things right. but if you won’t let me, if you refuse to even try, you can’t act like i’m the enemy. you can’t be pissed at me, not tell me why, and then shut me out and act like i'm somehow misunderstanding the situation. that’s not how this works."

his voice was tight, but there was no shouting. just a clear, deliberate force.

"okay." you nod after a moment. "okay?" he repeats and you nod after him. "you're right. i'm not being fair, it's just..i d-don't really—i w-want to—"

he stops you the moment you start to struggle, "don't. don't force yourself to tell me anything if you don't want to. i just don't want to lose this. " he says and your mind immediately flashes to him with adriana before you can even delusionalise yourself into thinking he meant that in a romantic way.

"i know..and our friendship is important to me too. i just.." you start slowly and he's looking at you with these, big, kind, hopeful eyes. "i am a very type-a person—"

"you don't say."

you glare at him, "—and i work well with planning, order, organization. i don't like mess. i don't like things that don't go my way. now, please, do not take this the bad way because i promise, i don't want you gone, you aren't a burden," you beg quietly and he nods reluctantly, "but..this..situation we've found ourselves in has significantly.." you pause and search for the right word, "upset my balance and i think that the bonfire was a bit much. that is all. i j-just..got my period that day and i've been doing all this stuff that i usually don't do like not following my schedule by the letter so i needed to let it all sink in a bit and i process things in a very specific way which makes me lose sight of other people's feelings sometimes but i'll try to stop. i promise." you say and rafe raises his brows, "yeah?" he asks and you nod, faint smile on your lips when he grins because it's impossible to not smile with a grin as contagious as his.

safe to say you didn't stick to the plan.

chapter index — prev. chap. — next chap.  taglist — @rafeysworldim19 @my-name-is-baby @pogueprincesa  let me know if you'd like to be added to the taglist & interact with post to remain tagged <3

[satchels-and-socks]

"Yes that's the stuff I didn't get to try any of that stuff until Pat started to watch us. He's the one that kind of let me be somewhat of a kid. I mean I know I'm not really a kid anymore being 19 but hey I'm still a teenager." Lindsey smiled

"Aaron I can't tell if you're being serious or if you're insulting me or something." Spencer said softly

"I'm not insulting you Spence I promise. I really do think it's a good thing." Aaron smiled.

@spencermatthew32

Tender love: Ashley hey I'm at the hospital don't worry I'm not hurt bad.

Aaron shifted in the bed groaning slightly he looked at the window and she texted Ashley.

Tender love: Hey I'm sending someone to your apartment so you need a place to lay low for a little bit they actually saved my life

( @baus-designated-dad )

Old Man 🫶🏻: what do you mean you’re at the hospital Aaron what happened?

Old Man 🫶🏻: not serious according to who?

Old Man 🫶🏻: um sure okay that’s fine

[the-inkwell-variable]

author ask tag

thank you so much for the tag, @the-golden-comet! ooh this is gonna be fun!

i'm going to focus on my current wip, Why Should I Be Careful? I'm Going To Die Anyway! because it's still very much in the planning stages (despite how much I'm writing for it) and I have Thoughts

What is the main lesson of your story? Why did you choose it?

I'll be honest, I haven't really thought that far ahead. I suppose, if there is a lesson to take from WSIBC?IGTDA!, it might be that you should always chase your goals and desires, and screw what other people think. Maybe put a little more thought and planning into yours than Aura does hers, though. I mean, she almost dies due to her recklessness. Don't be like Aura.

What did you use as inspiration for your worldbuilding?

Well, it's a zombie book - I love zombies, in case you can't tell - so the world is an amalgamation of zombie stuff I love. The zombies are based off of the Train to Busan zombies. This is a self-insert mess, so I'm using the town and people I know in the town as location and characters. Little tropes here and there that I love in movies and books alike. It's just a big chimera of stuff that I grab from stuff I remember and shove into it. It definitely needs polish when it's done, but I'm having a blast so far, so I'm'a keep doing it :3

What is your MC trying to achieve, and what are you, the writer, trying to achieve with them? Do you want to inspire others, teach forgiveness, or help the reader grow as a person?

Uhhhhhh this is a tough question. Right now, Aura is trying to make it to Roger's Grocery Mart to save her girlfriend, but most of the time, she's just trying to have a good time in the zombie apocalypse and hopefully not die. She does eventually grow into a character that (mostly) thinks things through and takes other people's situations into account, so I suppose the lesson is "the world doesn't revolve around you - be kind and helpful to others"?

As for what I'm trying to achieve... mostly, to be honest, I just want people to pick up my book and have a good time reading it. I want to write a zombie book because it's my passion and because there aren't enough zombie books out there. I guess I'm trying to inspire others? To show them that you can survive an impossible situation if you work hard and think things through?

How many chapters is your story going to have?

The only time I've written a full-length book (sorry, the only two times, forgot about Zero: ALPHA), it had about twenty-odd chapters. Z:A had...uh...thirty? That was a long time ago and I sadly no longer have that draft. This one is going to go until it's done. Hopefully more than thirty though!

Is it fanfiction or original content? Where do you plan to post it?

Original content! I have no idea where I'm going to post it. I'm torn between Draft2Digital (originally Smashwords) or Substack. Thing is, I'm really bad at marketing and keywords and all that technical stuff that goes into publicizing, so I'm really hesitant to share it at all. I'm the type of person that gets absolutely morally devastated if my own self-inflicted goals aren't met, and I'm not sure if I can handle that kind of crushing heartbreak with this one lol

So yeah. Might publish, might not. Unsure right now.

When did you start writing?

My dad set up a Windows 95 computer for me in his office, his old one, and taught me the basics of using it. I was five, about to turn six. I immediately sat down and wrote a story about unicorns. I've been writing ever since.

I didn't start writing fanfiction until I was thirteen and had just binge-watched Lord of the Rings for the first time. We don't talk about those works. They were awful.

Do you have any words of encouragement for fellow writers of writeblr? What other writers do you follow?

Write it. Oh it's cringe? Who cares? Write it. Oh, it's a rare pair? Write it. You're worried people will hate it? Fuck the haters. Write it. Writing is about having fun. Writing is about pouring your soul onto the page. Writing is about getting those ideas out of your head so they don't drive you insane. It's about reaching that one person that finds your work and loves it. Even if no one reads it - you still accomplished something. You still wrote it. And no one can take that from you.

I have so many writers in my follow list. Uhh. I have no idea how many are still active, so I'm just going to tag who I know and hope for the best lol

@idyllicocean, @keeping-writing-frosty, @bloodtiesnovel, @asher-writes, @kitswrite, @theink-stainedfolk, @karkkidoeswriting, @lavender-gloom, @orphanheirs, @aquixoticwrites, @alinacapellabooks, @marlowethelibrarian, @flock-from-the-void, @dyrewrites, @storycraftcafe, @writer-imagination, @toragay-writing, @inseasofgreen, @stephtuckerauthor, @thatndginger, @finickyfelix, @eternalwritingstudent, @drchenquill, @paeliae-occasionally, @the-golden-comet, @talesofsorrowandofruin, @watermeezer, @goldfinchwrites, @winterandwords, @badscientist, @clairelsonao3, @i-can-even-burn-salad, @leahpardo-pa-potato, @mjparkerwriting, @rowanwriting, @oliolioxenfreewrites, @emelkae, @rita-rae-siller, @rebelxwriter, @kaylinalexanderbooks, @stesierra, @francineiswriting, @sunset-a-story, @chauceryfairytales, @hollyannewrites, @jaydenswaywrites, @captain-kraken, @violets-in-her-arms-writes, @romy-thewriter, @pure-solomon, @writingmaidenwarrior, @koiwrites

go, go follow them. they're all so good and make my timeline glow.

[ninja-confession-go]

I'm not here to start any arguments really as I'm sure there has been plenty I'm just here to share a bit of the whole ""#jayinwomenfields"" stuff cuz I think I may be able to explain it in a way that non Jay fans can understand as a non Jay fan myself who kinda agrees with them

As someone who's has at least been an og watcher of the show I honestly don't blame Jay fans for believe that Jay revoles entirely around Nya cuz the show doesn't do a good job showing otherwise

Liek Jay from the beginning was infatuated with Nya and as such so many of his actions were made to impress her

His biggest(and honestly only cuz I do NOT count Prime Emprie) arc that led to the most development for him was entirely brought in by his desire to get Nya back. Sure it wasn't the only focus and it wasn't the only thing in that season that led for Jay to change but their relationship WAS the catalyst for everything that followed and was even the catalyst for the conclusion(it was due to Nya dying that Jay was able to find the correct words to resolve everything)

And then from then on Jay...ceased being a complex character

Jay became more and more simplifed down to just being the comedic relief, his intelligence, his skill with machinery and inventing skills were all wiped away and he became a dumb, goofy character with nothing else too him who's main focus (and honestly only interesting thing) was his relationship with Nya.

His relationship with Nya was THE one thing they kept and as such was pretty much the only good and relevant thing about Jay in those seasons

Than PE showed up and it was finally the chance for Jay to get some developement.. it was all set up to finally have a season focused on him that didn't involve his relationship with nya

But then...the rug was pulled out from under Jay fans feet

The seasons had nothing to do with Jay, in fact he got NO focus except for the final episodes where he talk-no-jutsu'd his way to victory

Stripping Jay fans of thier shot of seeing Jay get some individual focus

Now about Nya

She was treated like absolute shit by the writers In the early seasons I'm not even gonan fake. She was barely a character and while she had some good moments (aka being the badass samurai and her intelligence with machinery) she still suffered from misogynistic writing

But then eventually the writers got their head outta their ass and realized that she should actually be a character and staring working on such

In the beginning it was ROUGH as they were trying their damn hardest to undo all the misogynistic shit they had about her

Eventually though they started fleshing her out. they started giving her hopes and desires and a wish to choose her own path and it was exciting to see! Nya was finally get some interesting development!

Than she became the water ninja and we really got to see her shine even more! She just kept growing and becoming better and it was awesome to finally see her get the development she deserved!

Fron then on Nya became better and better, she got more and more development and became more complex to a point where i would say she was becoming more complex than the boys

Than seabound happened and that's where it hit peak for her character. She became so much more and got the praise from the citizens of ninjago that she deserved they mourned her loss so much more than the others ninja. She was essentially a legend and it's what she deserved.

So why bring this up?

Simple.

The reason many Jay fans say they believe Jay's Arcs revolve around Nya oz cuz the writers had one Arc for him that essentially did and proceeded to do nothing else with him. Stripping him down to nothing and making his relationship with Nya the only interesting thing about him in the later seasons

As time went on Jay became more and more simplied down to a bare bones character while Nya became more and more complex, a more individual character with perhaps the most development out of all the ninja! She went from being a character with no personality to being one of the most complex characters in the show

While Jay went from being a decently complex character to being one of the least with his relationship with Nya being the ONLY thing interesting about him in those later seasons

Nya got development that didn't focus on jay

Jay's only Arc was driven by his relationship with Nya and then his relationship with her proceeded to be the only interesting thing about him later on

If it sounds like I'm repeating myself a bit that's cuz I am. I want to drive home that these reason are why Jay's fans feel the way they do and why as someone who isn't a Jay fan I can kinda agree with them

Alright I'm done with this I've been typing for waaaaay too long I just wanted to share this cuz it's been in my head for a while

Sorry lol

.

[marvelandponder]

I'm gonna speak from my experience and it's probably going to be different than OP's and that's okay

I had super bad social anxiety from about 10th grade through most of university. I straight up believed that if I didn't have anything "worthwhile" to say, it was a burden to say anything at all, because then you'd be subjecting people to a painfully awkward social interaction they didn't want

So basically everything I had to say wasn't "worth it" and I felt like I was failing every social interaction, or cowarding out by hiding myself away when it became too exhausting

I think over the course of those years I had about 4 or 5 therapists?

Each was helpful for different reasons but the one that was the most helpful was a guy who had me write out what I believed about socializing. And we picked them apart until we got to the underlying truth

The one that really stuck out to me was we basically got to a point where he was like "so you believe human beings are inherently judgemental"

That didn't feel right. Like, yeah, we have automatic passing thoughts, but most people don't really care about what's weird with others for more than few seconds. Then they're focused on themselves again

So that stuck out to me as a belief I could revise. Where were examples of when people didn't care about me being awkward or not knowing how to socialize?

We devised a plan to test the new theory

I was in university at the time, and there were scheduled meet ups in our LGBTQA+ centre's on campus. That seemed like a pretty safe place to try things- I had even been there before

So I went. I went a few times. It was still tough sometimes but I started to feel more safe saying things, contributing to set discussion topics, or just being quiet when I didn't have anything to add (and not beating myself up for having nothing to add)

That built a little bit of confidence, then I had a few job experiences that helped too. At first those sucked - I would have panic attacks sometimes. But then around the time I was doing this therapy, I got one where I could tell my managers first thing, hey, I've got anxiety, this is what it might look like if I have a panic attack. And I didn't have a single one that term, or the term after.

I built up confidence just by reinforcing my new beliefs that people really weren't as hyperfocused as I was. I became more social - I had a cubicle of three other students around me, so I joined in on their discussions and even had a good time

Fast forward a few years, I'm now more comfortable and confident in any social situation than ever. I call with friends every week, I go out with my partner and do all sorts of stuff together, I have this huge community of people around me in all kinds of capacities!

I'm not you, and what worked for me isn't gonna be what works for you. Also? It's valid as fuck to not be in a place where you can at all comfortably socialize with any human beings at all, and to be there for so long that you just straight give up. Or maybe it's all you've ever known

That's fucking valid and you don't need to feel ashamed for it. And also, in my personal experience as someone who couldn't socialize without anxiety for several very formative years, people can become social

Doesn't mean you have to, or that one is better than the other. I'm just saying I was in a big doomer place before about my own ability to socialize and if I was talking to my past self, she'd be so fucking relieved to hear that things get better and she doesn't have panic attacks about talking to people anymore. She actually likes it

people are way way too generous in assuming that you can just “learn to be social” and everyone will welcome you with open arms and forgive you forever for all the years you spent not talking to people. sorry no. if you don’t start out social you never get the opportunity to become social. people assume that’s just how you are and treat you accordingly, and it becomes a self-fulfilling prophecy

[kingmakerpod]

Might be an uncouth subject, but I was wondering if you'd be willing to share some insight on what kind of money goes into producing audio dramas (specifically when it comes to reaching out to/compensating vocal talent.) I know a lot depends on what tools and connections you already have; I'm just looking for a flexible baseline to start from and make sure I'm not cheating or insulting folks by asking them to work for peanuts. Having a target to save up for would be a huge help. Thanks so much!

(And yeah, I'll totally admit this is partly just me wondering how you fine WANA folks managed to nab Jonny Sims and Tiana Camacho for Killjam XXX; let me know if this is a question better posed via email and I'll get out of your hair, sorry for bothering!)

This isn't an uncouth question at all. It's actually a great question and we'll be happy to answer it!

It's hard to give a definitive baseline for budget beyond the cost of web hosting and audio equipment, which in itself can vary quite a bit. The yeti mic and arm set we (Meg and Henry) bought for Less is Morgue (and still record a lot of Killjam and TKH on) cost about 200 dollars. If I remember correctly the hosting costs for Less is Morgue were about 30 a month, and for Kingmaker it's 14 dollars a month. Those are the only two things you absolutely need to spend money on, so it's definitely possible to make a good quality audio drama for under a grand. In fact, we would absolutely not recommend going over a grand at this point. You definitely don't want to shoot too high with the budget for your first project. Spoken from experience, you will end up spending it on things you'll later realise weren't worth it.

The most important thing is just to put something out there first so the actors can tell that the project is real and you're not just stringing them along. The few episodes of Less is Morgue were pretty much all done in-house with a cast that was mostly people we were already friends with, and we didn't do any open auditions until midway through the season. Another way to do it is to start off as a single narrator podcast then gradually introduce a full cast as the show goes on. Other shows have released a pilot episode to the public that then serves as an advertisement for what the rest of the show will sound like. Once you have a sample of your work out there, you can start reaching out to actors.

When it comes to how you compensate your talent- just be upfront about how much money you're working with. The best way to not cheat or insult folks is by giving them realistic expectations. Don't promise money you don't have, and don't ask them to do work for something that you won't be able to finish. If you're honest and easy to work with, a lot of voice actors will be willing to adjust their rates or work for free. Speaking from a voice actor's perspective, Addison said she would be willing to work for free on a first time indie project if it seemed fun and interesting and she could tell that it was something the creator was really passionate about.

As for how we got some of our big names- it really is all about cultivating a reputation for being cool to work with. Maybe not the most useful advice for a first project, but it will be useful later, and it is true. At this point the WANA core four have been involved in The NoSleep Podcast, Congeria, Less is Morgue, The Kingmaker Histories and Mayfair Watcher's Society, and that's only counting the stuff that more than one of us have been involved with. Every project we try to make loads of friends. Eventually you will have enough mutual friends with enough people that you can just hit up Jonny Sims and Tiana Camancho, because someone you know worked with them on some other thing and they're willing to vouch for you.

[dear-satan]

Beginning Of the End II

player 230/Thanos x Reader

★ word count: 8k

★ CW: fem!reader, reader is a player 457, funding issues, fraud, mention of cigarettes, alcohol and drugs, mentions of death, blood, normal squid game stuff

★ previous part, next part

The headache was terrible - dull, radiating to every limb. A quiet groan escaped your lips, a hand rubbed your face. When you wanted to open your eyes, a bright light blinded you. It took you a few seconds to try to open them again and what you saw froze the blood in your veins.

You were lying on a metal, bunk bed - one of many. They stood in a huge hall, resembling some kind of warehouse. The walls were painted in two colors - white on the stone floor and turquoise on the middle. There were no decorations except for a large, digital counter with the number 457, hanging high above the door.

You looked at yourself. You were covered with a blanket and there was no trace of your clothes. Instead, you had some kind of tracksuit set in a similar color to the walls above. On the left chest there was a fabric sticker with the number, 457. There was no phone, keys, nothing in the pocket of the sweatshirt or sweatpants. You couldn't locate your purse either.

"Where the hell am I?" you asked yourself more than anyone else. Besides, after looking around you noticed that you were the only person who had woken up so far.

You slid quietly out of bed and started to walk down - your bed was at the very top. You walked slowly, staring at every sleeping person in your sight. You tried to remember anything that had happened after you got in the car.

The night was cold, really cold. You were wearing a light jacket that you had grabbed in a hurry. Slowly you began to doubt your actions, that you had decided to leave the house that day.. You didn't know who the people organizing the game were.. However, this man promised a large sum for winning, you yourself got 100,000 won for winning ddakji. So how much will you get for winning something else? 200, 300 or maybe 500 thousand? Maybe it wasn't much, but every injection of cash will come in handy.

The roar of the engine brought you back to earth. A dark car stood in front of you, with the window slightly open. You didn't see who was sitting behind the wheel, but you were asked for your name. You gave it with a slight hesitation and then the back door opened. You entered, despite your internal battle.

"Good evening." you groaned even though there was no one inside "Do you know where-" you stopped when a strange smell started to come out of the air conditioning, making your head spin. You tried to grab the handle, open the door but to no avail. You felt all your strength leave your body, and then-

"Su-bong.?" you stopped for a moment, blinking a few times. You walked over to the metal frame.

He was lying there, covered with a blanket. His orange hair was a perfect contrast to the white pillow. "Baby.." you crouched down next to him, touching his cheek with a trembling hand. On his chest was the number 230. "He must have joined earlier." you thought, resting your forehead on the mattress. Everything started to connect - where he got the money, who "beat" him and what "easy job" he found. He also met this guy, he also played ddakji.. And he also got stuck god knows where, with you.

・・・・★・・・・★ ・・・・

You squeezed his hand while standing in the crowd. You listened silently as outraged people began to complain, to shout. Guards in masks, dressed in pink jumpsuits explained everything. They explained that nothing was going to happen to you, that during 6 days you would take part in 6 different games, after which your belongings would be immediately returned to you. But what stuck in your mind the most was the win.

45.7 billion won.

Your legs gave way at the thought of winning such a huge sum of money. That amount would pay off any debt and provide a decent living for a very, very long time.

Did you hear that beautiful?” Su-bong leaned in to you, “I told you everything would go back to normal. We’ll be rich!” he left a small kiss on your cheek, causing whispers from the crowd of people.

Of course the young ones knew him. As soon as he woke up, he was surrounded by a lot of the more daring fans, and the shy ones stood far away, staring at you.

"Yes.."

Players, the first game will start soon. Please prepare and follow the rules.

You were let out into a pastel corridor with lots of stairs. First, you were told to take a picture. Then you went up the stairs to the upper floor. Large doors led to a square, the sun pleasantly caressed your skin. The walls imitated some kind of field and on the other side of the square stood a tall doll, staring at you blankly. Above it was a similar display to the room you woke up in.

The first game will be red light, green light. Players are lined up behind a white line and can only move when the music plays. Breaking the rules means the elimination of the player.

"That's it? Are we going to play a stupid kids game?"

A man ran out in front of the crowd - 456. He started shouting something about the game. That you can't move under any circumstances and that elimination means death.

Death.

You swallowed hard and your body shuddered, which didn't go unnoticed by Thanos. “Easy, señorita.” His smile didn’t make you feel any better. “He’s probably high on something.”

It's time to start the game

Music began to play from the speakers. The crowd began to hesitantly take steps forward, crossing the white line. When the music stopped and a "red light" was heard in the background, 456 shouted to freeze, which you did without any protest. It seemed pretty simple. It was literally a game that everyone probably played as a child. Elimination seemed really hard.. But not impossible.

196 standing near you started screaming and waving her arms. Then there was a moment of silence until suddenly a short, loud and sharp sound was heard throughout the entire area, after which the girl fell to the ground

Player 196 has been eliminated.

You saw blood on the sandpaper. Its metallic scent spread through the air, making your stomach twist inside you. The other players, seeing her dead body, began to run away, making the next series of shots echo dully in your skull. Red liquid sprayed across your face as the bullet went almost straight through the head of the woman in front of you. You felt the instant noodles you had eaten a few hours earlier rise to your throat, and your legs were giving way. But you kept standing. You had to.

"Don't move, do you hear me? I'm right behind you, everything will be okay.." Su-bong's voice slowed down your heartbeat.

The rules of the game were announced over the speakers again, after which the music indicating movement began to play. However, neither you nor a few other players dared to move. You looked up at the screen, two minutes left. Hearing the green light announcement, you wanted to take a step forward, you really did. But you couldn't. Your legs seemed to refuse to obey you, effectively grounding you. If you stayed here - you would die. That was for sure.

Panic began to take hold of your body as you barely refrained from moving as that damn doll scanned the crowd with its eyes. Luckily, you moved at the perfect moment when the music started. Thanos' hand grabbed yours and pulled you forward. "I've got you." Now you were following him. He was the guide who slowly led you to the finish line. There was only one thought in your head - loud and rational.

You wanted to go home, now.

・・・・★・・・・★ ・・・・

Hands were shaking as you sat on Su-bong's mattress. Your gaze was fixed on a point known only to you. You ignored all external stimuli since your feet crossed the safe white line. You ignored the questions Thanos asked you, his touch, warm words of comfort. You ignored how some boy with the number 124 approached him and since then he didn't leave him. You were terrified, although this statement was really a vague description of what you felt. You had never seen a dead person and you didn't think you ever would. It was a completely different experience than watching death on the TV screen. You felt it, you felt the touch of death on your own skin and it was the most disgusting touch you had ever experienced.

However, your attention was caught by the screams. Players started shouting about going home, about wanting to stop participating in the games. 456 mentioned something about voting. Everyone agreed, they wanted to vote. You lined up in the middle. The voting started with the highest number - you. You let go of Thanos' hand and walked up to two buttons - a red X and a blue O. You bit your lip, turning your head away. Su-bong was staring at you with a slight smile, his face still smeared with blood from one of the players. Then you looked at the pig-shaped piggy bank hanging above you - after you returned to the hall, it had been filled with cash.

45.7 billion.

You sighed heavily, looking at the buttons again. Your hand lifted and after a moment of hesitation, it fell on the button. The guard handed you a cloth velcro patch and you slowly walked to the designated spot, placing the marker on your right breast.

X - 1 O - 0

taglist: @ttokyocat @itsvaleriegarza @jdbxws @hyunjinieandlix @chrisstyle @the-iridescent-phoenix

[im-not-buying-it-ether]

I noticed you're a captain marvel fan and was wondering if you could guide me to any comic recs? I tried reading the one from (I think) 2023 and didn't really enjoy it that much but that's mostly because I usually hate whenever the internet or online culture is brought in media I consume

I haven't seen much Captain stuff apart from the comic from earlier, that one short film with superman in it and that comic were superman tells of the wizard for giving a child powers

BABY HOWDY DO I HAVE THE PEOPLE AND COMICS FOR YOU!

Okay so, pure Captain Marvel vibes and the soul of the character? Paul Dini and Alex Ross’s “Shazam: Power of Hope” It gets independent Billy down, shows his strengths and how this life can wear him down but the greatest thing he can do and hold onto is hope. Long as he has that he’s a good hero, plus we love some fatherly Shazam

“Shazam and the Monster Society of Evil” with Jeff Smith is fun and has a Billy that is truly 3 apples tall. I love him

Power of Shazam is the comic run that established him proper in the New Earth timeline and is one of the better long runs for him and the Marvel fam, odd choices here and there but all together a good run and a bunch of fun. He also has some JSA apperances and 52 ones that flesh out and contextualize his brotherly/nemesis relationship with Black Adam that I seriously love. With him you want to read “Black Adam: Black Reign”

And if you really wanna see Billy mess a guy up, check out “Day of Vengeance” as almost every magical person in the universe pools their power and support into Marvel so he can whallop the Spectre and then The Wizard deals the final TKO blow to his pale green cloaked butt

If you wanna talk more and see how crazy we are there also a Tumblr Community full of just about every Shazam fan I’ve found on this site