#and I definitely need to draw my own version of the next generation characters for LoZ

[valjeancrazylover2]

Javert's Inspirations

So, neither option won that poll, so I'm making this post first. This is probably going to be me ranting more about Javerts I like than actually talking about my own Javert.

The characterisations of other characters have been taken from either one primary source, musical actor, or my own personal take. For example, Cosette is mainly inspired by the 1982 film, but has some influence from musical actresses such as Beatrice Penny-Touré.

Exeptions to this is the versions of the characters post-barricade, as from there is where my story mainly diverges, as most Javert & Valjean Live AUs do. Most of that is my own interpretation, since they are no longer in "normal" circumstances.

As such, Javert has been very fun to work on, because there have been many different characterisations that I find VERY entertaining. They all seem to lean into one aspect of his character more than the others, which makes him... strangely versatile, for such a rigid character?

So... what does this mean for my favourite baldie?

-

Let's start with the guy who started it all, and my blog icon: Todd Alan Johnson. There will be several musical Javerts listed here, but nobody was doing it like TAJavert. I blame him in part for getting me into Les Mis, as I had been a fan of TAJ for a while, when I stumbled across him in 2021 in Little Shop of Horrors as Orin Scrivello (my favourite character - can you tell I like villains). After being introduced to Les Mis through the work experience I was doing in Feb 2024, i revisited TAJ, finding out he had in fact played Javert - first in the third national US tour, and a few other times in smaller productions.

Thats when I found the pictures from Surflight's 2013 production.

And thus Chauvert was cemented in the brain. simply couldnt have it any other way. he just HAD to be bald. Because of this, and at the time I began designing him I didn't know anybody else who played Javert (this would later be changed when I saw stewart clarke live, but nothing really changed after that except for the javert bug eye truth to be solidified)

I really wish there was more footage of this production past these photos, because I NEED more of his bald head as Javert. And look at those sideburns! They're all-natural! Plus, i thought his face was a good fit in general for Javert. It's less obvious with his sideburns, but he's got that big jaw, talks with his bottom teeth showing, intense eyebrows, big buggy eyes when he wants them to be.

Pic from him as Sweeney Todd. My Javert's face is just a heavily cariacaturised version of his.

Additionally, I'm sure you're all familiar with jadenvargen/melancholyarchivist's art. I was a fan before, so finding out there was les mis art too was huge. My Javert was always a bit on the larger side, but that one drawing with Javert and Valjean labelled something like "tremendously large man" and "bigger even huger man" or whatever, cant find the piece right now. anyway that definitely confirmed for me that they were BOTH gonna be built and fat, rather than the lanky javert that I see most people draw.

So, that was the foundation.

From here I'm not really sure in what order inspirations came, but next was probably Anthony Perkins in LM1978, because you just dont get more diva that that. We all know how much of a drama queen Javert is, and in fact Perkins was so good at this that the first thing I did after watching this film was go downstairs and ask my mother if Perkins was gay (to which she replied "Oh, absolutely flaming")

My inspiration for Javert usually comes from small, inconsequential little actions or demeanour that catch my eye... Perkins had plenty, as well as a ring on his finger, which I always forget to draw, but my Javert is supposed to have.

Here's a select few bits I like of his, that have directly influenced my Javert. There's probably more, but I can't remember off the top of my head.

1) the walk. 2) the way he hold's the cane??

3) this whole scene, but specifically the there is no monsieur in this room! there is only a scoundrel! line. 4) the way he reacts to finding out valjean is still alive. VERY similar to how it goes down in my canon, just in a different setting/scenario.

outside of 1978, there havent really been any non-musical adaptation Javerts that have particularly stood out to me. I havent watched 1998 but he doesnt look like he'd be like my Javert, and 1982 despite being my favourite adaptation ... did not have the most memorable Javert.

Even in the radio dramas, which i love to death, don't really have much influence over my Javert, since I already have a very clear idea in my head of his speech, and most inspiration comes from visuals. the CBS radio drama probably comes the closest to the way he speaks, though. (his voiceclaims are either roger allam, todd alan johnson, or some random french guy with a really deep voice who came up on my instagram feed once. yes, I'm serious, my javert sounds like that.)

My javert is not exactly expressive, or outwardly "sassy", per se? I think he's more subtly camp, perhaps with the way he stands sometimes. Don't worry, he's still the absolute drama queen he is in the brick, with "would you like my hat?" and all, but he delivers it in a much more flat way. that's why I don't exactly look at the way perkins delivers "monsieur, monsieur le inspector now!" for my javert. yes, he'd say that, but with a little less visible sass, if that makes sense.

Pre-seine, he's expressive in his own way. whenever he loses control a little he's prone to getting visibly angry; distressed (see: losing valjean when chasing him through paris); when you can see him setting his jaw with a visible vein in his head, short-tempered and curt; or that sort of sinister glee with his "bark" of a laugh or patronising sneer. But other than that... you've gotta hear it in his voice. Sorry to all the cuntvert fans out there, my Javert tries to keep it professional when he can, but he's still trying to out-diva everyone at any given opportunity!

So we return to musical Javerts, then.

I've seen a few, so it's hard to gauge who's had an actual effect and who hasn't. There are a few I do know for a fact I have taken little bits from:

Terrence Mann is familiar to everyone I'm sure. sass-central, which contradicts the above paragraph, but he does it in a wonderfully weird and kind of menacing way which i LOVE. My javert leans more into that menacing side of things. He's always JUST in the shadows, just so that you might not notice him, but if you were wary of authority, you'd see him lurking. his stature, you might think would make him a bit lumbering, but he's shockingly agile and snakelike. Think of a tiger. (oh yeah, shere khan from the jungle book is another inspiration i guess, but I won't include him here - we know.) Terrence Mann is delightfully snide and insane and I love it.

Gifs of small bits of his performance I like.

And his soliloquy? oof.. believably absolutely losing his mind.

The Javert who has probably influenced mine the most is Hartwig Rudolz, from the german Duisburg production in the 90s. He's commanding, he's dignified and haughty, he's even got the sinister chipperness about him from time to time (he's chummy with Madeleine in the cart scene, even laughing and smiling with him. While not really my Javert, it's worth a mention. Also does a condescending chuckle when Thenardier asks to be let go before Stars.)

More gifs of bits I like!

Bonus gif, cus that wig is loooong!

Three more would be Nic Greenshields, Jordan Simon Pollard and Michael Ball. They are all great Javerts (which might be a hot take, I'm not sure if ballvert is popular but I've been a fan of his for 5 years so maybe i'm biased.) I can't say TOO much on Nic and Michael acting-wise, because Michael Ball has only been in the arena tours, and the footage ive seen of Nic Greenshields is not the GREATEST quality - but they all have an air of haughty dignity about them, which obviously i try to give my Javert.

Jordan I've had the pleasure of seeing in person, twice, as well as meeting the guy. He's been the understudy for a while. He takes quite an expressive approach to Javert, using mainly his eyebrows, which i definitely think makes up most of my Javert's expressiveness. He really knows how to use his face to act - seriously, I can barely believe it's the same guy ! He usually has quite a furrowed brow, with his chin jutting out a little, standing with his chest puffed out. He's 6'3, and quite broad-chested (seeing as he works out) so you can imagine what kind of a presence that creates.

Both Nic and Jordan, being in the same production (Jordan was Nic's u/s in the UK tour, is now Stewart Clarke's on the West End) had this moment, but after Thenardier asks to be let go, on "it was me what told you so!", they turn and step forward so that Javert is basically chest-to-face with Thenardier (and the guy playing him at the time was like, a foot shorter than the both of them). I liked that a lot. Absolutely something my Javert is doing. He's got the height and the tits for it, there's no way he isn't, cmon

Also, both Nic and Michael also have the benefit of being broader than most Javerts, Nic especially, as he stands at a whopping 6'6, so he's a SERIOUS presence onstage. My javert is around that margin at 6'6-6'7, so that checks.

I know a lot of people say Ballvert is "too cute" or whatever, and i'd totally agree as a michael ball fan, but if you ignore the fact it's Michael Ball, i think he seems a bit more "unsuspectingly cruel" than outwardly intimidating. While this doesn't exactly reflect my Javert, he DOES have some good bits. From my notes when I saw him in the arena tour:

the wway he takes off his gloves in the confrontation was not only kinda sexy (sorry) but a bit foreboding. he has a nice amount of sass, which of course is always appreciated. his general attitude in Stars, too, like he's truly earnest, and someone mentioned how he sings it like a love song - yuuup. His soliloquy is also amazing, the way he portrays Javert as being just so scared of what's happening, but lapsing into anger... ouuh.

I have not fully planned out my Javert's suicide (attempt) yet, how he would be responding, but I've been leaning into the more fearful approach. I mean, his entire worldview has been shattered like that, the entire structure of which he built his life on has just crumbled in front of him, i'd be frightened too.

Anyway, random detail - if you were interested in the origin of Javert's scar, like, from a meta perspective:

Adam Robert Lewis, of course, with his cool nose scar.

My javert had a scar anyway, just a small cut on the lip, probably from a nasty hit to the face which never quite healed right and scarred, but something about ARL's scar really worked... so the scar extended a few inches up the face. It's changed places since then, originally going from the lip to the nose, then from the lip to below the eye, but now it's branched off to both. I still don't have a specific origin for the scar in canon, so you can make one up yourself.

Linking to that scar, and also linking back to Michael Ball - i mistook a shadow on his eye for a burst blood vessel, and thought it would be an interesting look for my Javert. I'm a sucker for temporary details (Javert's moustache post-msurm, for one), so I've given him a bad eye for early M-sur-M. Very recent development.

HONORABLE JAVERT MENTIONS, THAT INSPIRED ME SLIGHTLY OR CEMENTED A SPECIFIC IDEA:

Stewart Clarke. He was the first I physically SAW, and also the one I've seen the most, since he's the current West End Javert. Very good javert, unsettling with those eyeballs, very spitty, which I totally forgot to mention is also an integral part to my Javert. So, thanks Stew! His soliloquy is also just out-of-this-world, seriously. Seek out a recent audio of his if you haven't heard him. He's nuts.

Jeremy Secomb. Sir Eyeballs Supreme. If you want a Javert with an unsettling stare, he's your guy. And he's currently the Bishop in the arena tour! What a way to convince Valjean to be a good guy, just staring him down with your evil fucking peepers. When partnered with Peter Lockyer, they form THE valvert duo, they kissed on video in costume, so many cute photos of them together, and they LOOK the parts. Jeremy looking like those toys you sqeeze and their eyes pop out vs Peter's soft face and kind smile like a golden retriever or something. Seriously perfect.

Nick Rehberger. Current US Javert. Great at really minor acting choices, sassy man apocalypse. Very dignified. VERY handsome. Bit gay. Amazing voice. What more could you want?

Roger Allam. Now, I'm getting a bit ahead of myself here. I've already mentioned he's one of the 3 people I cycle through for my Javert's voiceclaim, and there's like NO (publically available) footage of him. I am planning on viewing the footage they do have, but that's some time in the future. The OLCR is my personal listening choice when I'm listening to the musical soundtrack, so Allam is kind of burned into my brain. I know it probably sounds crazy but the way his voice sounds really influenced the way I have Javert physically speak, with his heavy jaw. Anything about his specific physicality is completely imagined - but hopefully not for long.

Chris Murray. Another german Javert I really like, from a 2007 nonrep production. If you like unhinged Javerts with eyeballs for days, he's your man. He's also just greatly unsettling. He almost made the cut with gifs, but unfortunately Terrence Mann won out. He was just a little TOO chipper about things. But i do love how his amiability is very obviously a ruse, with the way he holds a stiff smile in The Robbery on "But where's the gentleman gone / And why on Earth did he run?" (or, the German lyrics, whatever. It's that part of the song.)

Preston Truman Boyd. One part only. He's the reason I gave Javert a moustache and weird little chin beard thing post-msurm. I just thought that was important enough to get a mention, other than that I haven't really seen much of him enough to say.

ANYWAY, that's about it !!

There's probably more i've missed, but it's 5.30am right now, and I'm flagging. Plus, the post is long enough as is.

If you've read this far, I gotta know - who's your favourite Javert, or at least top 5? Have they influenced the way you view Javert in any way?

If you're like me and like taking tidbits from different sources, what are yours? Im curious to know !!! PLEASE tell me!!!!!!

Much love to my favourite bald freak <3

[ragdolls-and-such]

MP100 WONDERLAND AU!!!

I will probably never write a real fic for this, so I'm gonna explain the general plot and ideas and lore and stuff as a way to introduce each character. Or you can just not read and look at the designs instead

Ritsu is our Alice,

and Sho is the rabbit he chases after. Unlike the white rabbit, Sho isn't anxious - he's mischievous more than anything. While he IS trying to be on time to the Queen's croquet game at first, teasing Ritsu as he fails to catch up with him becomes his main priority.

Tome and Goda (do people in this fandom call him musashi or goda?? i have never seen anyone talk about him) are the first characters Ritsu meets. They play the roles of the mouse and the dodo from the book. After the whole pool of tears thing - I'm assuming you know the general story of Alice in Wonderland - Tome infodumps at everyone, much like the mouse does in the book. Goda is basically like "that's BORING we should EXERCISE the water off of us" and then the caucus race happens!!

The scene where Alice gets stuck in the Rabbit's house does happen but I have no character assigned to Bill so I didn't draw anyone for this.

Next stop is the caterpillar!! Played by Dimple. He's the ghost of a caterpillar that looked forward to becoming a butterfly, but died before reaching the chrysalis stage, and has since become a little crazed about the butterfly idea. He finds Ritsu kind of annoying but keeps talking to him because he enjoys the attention.

Mezato is the Cheshire cat! Psycho Helmet is not a thing in Wonderland so her time is more devoted to being mysterious and cryptic and taking photos of people and things. Plays the cheshire cat role pretty straight.

And now! The moment everyone's been waiting for! The three characters that people usually care the most about in aiw AND mp100.

Reigen started the hat business with his good pals Serizawa and Mob and then went a little bonkers. The Queen sentenced him and his coworkers/friends to eternal teatime for being annoying basically. (There IS lore there, but aiw is my special interest and i could talk about that forever.) He's still very Reigen-y but always a little on edge. Basically, think about Reigen's most high-energy yet pathetic little meow meow moments, it's just that.

Serizawa is just like - imagine you teleported Serizawa into the March Hare's place without warning and he just had to figure out what to do about it. That's not what happened, but that's basically how he behaves.

Mob is the dormouse, but like the book version of the dormouse, he gets his time in the spotlight. (anyone out there know about the three girls in the well?? no? just me?) Because this is Ritsu's dream, nobody needs to wonder whether mousemob is humanritsu's brother. Just don't worry about it

Finally, we have Teru as the Queen of Hearts. His personality definitely matches his pre/during-that-fight-with-mob self. Violent, self-absorbed fashion disaster. Sho, being his messenger, has a very "siblings who kind of hate each other" dynamic with this Teru, in my eyes.

That's it!! If anyone wants to write or draw a wonderland au based on this casting, that's totally fine because I in no way own the idea of a wonderland au. That's like, the most basic "what if this media was actually this other story?" au concept.

[karakulialiny]

This also could not but be illustrated.

And yeah, Red, don't be surprised that I draw for you so often these days. I just like your headcanons, and they deserve a couple of accompaniment drawings.

And now I just had a cute thought.

After Jakahl was born Purah didn't want to let go of him for the first few hours, she needed rest so Robbie had to tell her that he'll watch Jakahl while she sleeps. Took a little bit, but he finally got her to hand Jakahl to him and sleep.

The mama bear instincts are strong when he's a baby so she was usually always holding him every chance she got. Even after Jakahl is a couple months old Robbie still has to get Purah to nap. Which is ironic because he himself needs sleep too.

Robbie: Purah, you need to go take a nap. I'll hold Jakahl while you sleep.

Purah: Yeah, there's no way that's happening.

🥺💛

i have nothing to add bc i am simply laying in a pool of my own feelings ;v;

[mystycalypso]

Any HN/HNWTRB blogs you recommend or just think are really cool?

Anonymous you have no idea the basement door you've just unlocked.

Alright let's get into it. (Not gonna post any art, but highly recommend just looking at the blogs for yourselves <3) also hope you guys don't mind getting mentioned lol

First up, @ravenbrookz

I genuinely didn't know if there was WTRB art that wasn't uh... deviant art based before I stumbled onto their Tumblr and fell in love with their art style. It's so squishy and adorable and I love their aus, especially Alien Trinity

Ru in general just seems super awesome, highly recommended

Next, @welcometoravenbrooksz

Another one with a scrumptious art style, they don't post as often but when they do it's very worth it ^^

@thewokemachine

My life has been made better by DuckTales on the ps3 jokes. Also like Ru did in making me love Tricky, they've made me absolutely adore Nenzo. Their art is silly (I need more ways to describe art but literally I'm just here nibbling on any hello neighbor art I can find like a raccoon in the garage)

@dogrwo

Ivan >>>>>>

Ivan art needs more love. Ivan needs more love. Please go look at the Ivan art guys. Pls pls pls-

@emiscringe

Yknow what else is yummy?

Edits.

Even more so bc I can't edit for shit

Also it's really fun talking theories with them hehe

@simming-squadz

Another incredible artist (tumblr is where all the best Hello Neighbor artists hide /hj)

They also made the running memes for wtrb and those things make me giggle sm every time.

Their hn memes in general are great

@powertooled (the @ doesn't work for some reason sob)

Have you guys SEEN the way they draw Trinity?! It's amazing, incredible, stunning. Not to mention their theorizing, I probably wouldn't have rewatched it 50+ times if it weren't for stuff like theirs making me look even closer at tiny details

Last but not least @daradiostarzz

GOD TYSM FOR CONVINCING ME TO READ THE BOOKS

Also yes. Again, incredible artwork and I love their 1980 au as well as Trans Aaron <3

But seriously if it weren't for how they talk about the books and specifically their character tier list I wouldn't be able to work on my own au to be so much more character accurate and also I'd still hate Jay and Luanne... now I only hate the in show versions /hj

Pls go give all these guys love (if you're not already following them all with w/notifications on because any slightly Hello Neighbor-related post makes me so excited)

Theres also definitely more great blogs out there as well and I can't wait to find them hehe

[pastel-rights]

I LOVE your art style! How did you came up with it?

huh? my art style??? uhhh, i mean i uhhhh if you want, i can explain how I got to this point but. sometimes, things just. happen yknow???

honestly my old art compared to the more recent of what I've done probably looks. very very jarring side by side since it looks like it was drawn by completely different people lol. For example, look at this early 2017 character concept verse a late (November) 2024 character concept.

It's. Definitely a lot to take in so uhm. Buckle up! [cue a heavy metal version of bye-bye-bye playing for atmosphere reasons]

So, I've been drawing as a hobby since about... 2009 give or take? However, the earliest art I have on hand is probably from... 2016 or 2015 tbh??? Although, I only really started keeping a fr fr log of my art from 2019 and onwards so, let's start with what I actually have to show.

It's all about the basics, anon!

Growing up, my art was inspired by the shows I watched growing up! in particular, shows like "Codename: Kids Next Door" and "Tom and Jerry" were my rock in childhood times (since I wasn't allowed to watch Spongebob until I was much older and a majority of my "childhood" tv shows didn't start airing until later in my life, like Bubble Guppies (which aired in 2011) and Team Umizoomi and Octonauts (which both released in 2010) which, by then, the television was run by my younger brother's needs mostly, and I didn't get a say.)

So, I guess you could say my art was inspired by those two shows mostly???? of course, not... fully? hold on let me show you guys the earliest art I have to work with here-

these are all from 2019 since it's the furthest back I was able to save my art but. Looking at it, it doesn't look like it was inspired in the way artists are normally inspired by their environment. At least, that's not how it feels to me.

my art at this point was very... a lot of it was traditional in comparison to now, for starters. The color grades are completely off, the lining is. interesting. A lot of one shot one result type of shenanigans. Of course, it shares its origin with my childhood entertainment in general, which is being very cartoonish in style! On traditional grounds, I fucked around with a lot of different methods, some just pencil, some with markers, blah blah blah yada yada yada.

which, character design is my passion /ref if you couldn't tell. but my art style has always been very cartoonish and stylized, even in my earliest days. Big eyes, wild hair styles, noodly limbs, you know, the cartoonist hallmarks! If nothing else, my art style is more reflective of who I am as a person?? like the cartoons that formed me, it's very expressive and full of color and whimsy and in its own way, it's my way of thanking the world that taught me happiness and joy, and I draw to give others that same feeling.

Whether that be my friends' OCs or silly shitposts, I draw for the joy others get seeing it! Here look at this picture of my friend (@sxftriina)'s OC, Ocean, I draw way way back when lol

...

but at some point, I realized. My art didn't make me happy anymore. I didn't have fun drawing anymore. and it just became more of a chore to make than a fun hobby or a good time. I couldn't find the joy in art anymore. And I couldn't create anything I was proud of either.

I got stuck. It didn't matter what I drew, what things I tried. I couldn't make myself happy again. and while my art might not have suffered.

I did.

art was nothing more than a chore. something I had to do because I wasn't good for anything else.

and it made me severely depressed, among other things happening during those times.

so what does a burnt out depressed artist do in crisis times??????????

...

he joins tumblr, of course.

I wish I was joking. I'm not.

anyways so it was like 4am and I was like "let me join tumblr why the hell not maybe I'll find something there" and uhm. well I didn't find anything initially. and every day was as depressing as the last, and I eventually just. felt like giving up. I ran an askblog and drew a ton still because while it made me unhappy, I felt unhappier just. doing nothing. Lesser of two evils I suppose?

that was until I uh. I met someone really special to me. Even now.

if you're reading this, uh. hi lupi!

This was around the time I found Identity Five at the end of 2020, and began drawing fanart for the game, which restored... some joy to art? Not completely, but, I wasn't so miserable drawing during this time of my life. It felt like a chore still, but, at least now I was having some semblance of fun doing it. Not completely fun though... I was still stuck in a funk. I didn't know why.

And then, I met Lupi. At the time, she was following me through her askblog account (she still does) and I got curious and decided to check it out for myself and. I think if I never checked out Lupi's blog that day, my art wouldn't have taken the direction it did, and, I would have never regained my love for my craft.

Of course, I feel silly even talking about it so... I took a different direction with my art after scrolling through Lupi's art, which sometimes I'll do, even to this day just for fun sake. And this time... I don't know.

It just felt different this time. It wasn't the best, and it certainly wasn't easy either. But for the first time in over a year... I had genuine fun drawing again. No negative feelings attached.

Just... fun.

A lot of fun at that. A lot of things from this era of my style stuck. Like... a looooot. My color choices, my mini style, the flow, a lot of what I learned from this era stuck with me, even now.

it retains so much of the past yet it means so much more. it's still cartoonish, still small and squashed, funky hairstyles, noodle limbs, fun clothing... the whole nine yards.

Of course... this is only 2021 art. My art now, while similar... it's not the same. And it's all thanks to ONE RED HAIRED MOTHERFUCKER. not ginger, red haired. apples are red, not orange. /ref

It was the first time in. several years that I've drawn something just for me. Even if it was something small and silly while waiting for an after-school activity to start. It was something I remember really fondly, a feeling that wasn't just fun but. actual joy.

Not only that but, for as simple as it is, it marked the start of a very, very... very long long of stylization like never before. You take what makes you happy... piece by piece, bit by bit...

you learn... you grow... you improve upon skills you have... body language, expression, detail... all those things. You meet some really cool people along the way... you talk, you laugh, you cry.

you get inspired and you want to show them something new, something cool... and in doing so, you make something you never thought was possible. Not with your skills, and not in a million years.

But, you learn. you laugh. you watch. you grow.

you figure out what you like. cool colors, fun dynamics, shading, lighting, storylines... things like that. you inspire others, and those people inspire you in turn.

you learn some cool new poses, you draw some fun fanart for your friends aus, you try new things and those end up sticking.

sometimes it's just you and one other person, who stuck through, watching you draw until a piece's very end. because they like you for you. and they care. sometimes they never leave your side, and they continue to inspire you to this very day.

you have fun with what youre doing. there's not really any need to rush, you know? you look at new media, you talk to the people you care about the most, you make things to surprise them with. and they're happy. and you're happy.

and you want to keep drawing.

but you can't forget to draw for yourself sometimes. something just for you that others can enjoy, but, it wasn't made for others. it was made because you love yourself and you deserve something special. it's important to draw what you want for yourself.

and sometimes, it becomes your staple.

you put your best foot forward, you give it everything you've got! because it's not a chore. it's fun. it's a hobby.

and it makes you happy. your art becomes recognizable, people compliment it and enjoy its presence. even in passing.

...

I love my art style too, anon. i know its been a long while of me talking. telling my story, my experience with my art. how it built me. how it ruined me. and how I found myself again.

I didn't know how to answer your question when I first got this ask.

Because, I didn't know how I came up with it. In my mind, it just happened. But, I think I have an answer for you now.

For real this time.

My art style is a culmination of everything and everyone I love. Navi, Pins, Beth, Yuu, Tae, Klai, Joe, Rina, Lupi, Four, pretty much everyone I surround myself with on a day to day basis. Bit by bit, piece by piece, my art style is fueled by the love I have for my friends.

Every improvement over the years has all been so I can show them something fun, something new. So I can keep surprising them with each new piece I do.

But, it's not just my friends.

It's you too, anon. Whoever you are. Wherever you are. Every like, every reblog, every comment and compliment. Every ask, every live reaction.

Thank you.

Thank you for helping me find my joy again. I hope I didn't disappoint.

[aseaofbutterflies]

!! Follow up post to this post !!

So I'm now fully caught up (i think) to ch50! A lot to take in so bear with me here but here are my thoughts:

(Please ignore any spelling/grammar I'll fix it later)

The Rakuzaichi Arc:

Probably one of the best arcs I've read in a while! Opens up the world of Kagurabachi really well and introduces to lot of different dynamics within Japan. I find it interesting that sorcerers are allowed to be out and about in public and it's just kind of normal ? Also that fact that everyone just turns a blind eye to the auction..... Also the Kamunabi's decision to buy the Shinuchi... doesn't sit right with me.

Hakuri

Oh boy oh boy was I excited when Hakuri was introduced. Yes ive seen the numerous yaoi kagurabachi posts....

Hakuri what a sad little guy.. love sad little guys <3 But his insane evolvement in this arc i thoroughly enjoyed!! I think his sorcery is very cool and his version of the storehouse is so interesting. It seemed like an open space as opposed to his father's structure storehouse.

Hakuris storehouse it seems was built out a subconscious need to protect himself from his brother's abuse. The things Soya used to abuse him 'dissappears' when in fact Hakuri subconsciously transports them so they cant be used. Its awful and horrific and yet such an interesting way to show subspaces can manifest. His other power Isou has the potential to be very powerful and deadly. Through guidance he learns to control his spirit energy which has been active for most of his life again subconsciously. What if things had been different?

I think Hakuri ultimately is a sad character, the Sazanami clan aren't a loving family. They just raise and manipulate the next generations in order to keep the auction (and in tune the family) alive and afloat. The Sazanami clan rely on unwavering loyalty to the cause, which of course Hakuri doesn't agree with. His experience of sibling abuse and his conversations with the Ice Girl opens his eyes to dark reality of his family. Once Hakuri realises that its hard to turn a blind eye.

At somepoint everyone needs to experience a homoerotic relationship with their friend and boy oh boy....

His relationship with Chihiro is interesting... it seems he admires him as a samurai. Chihiro took interest because he was a Sazanami. I think they are also both each other's first friend around their own age. I think Chihiro and Hakuri have similar goals which is why they work well together. There is something i think drawing them together but I dont know what... Im excited to see how their friendship progresses!! Also what do you mean Hakuri smells of Chihiro????? It is because he's registered???

The Kamunabi and The Hishaku

Finally got introduced to the Hishaku and Yura the leader. They killed Kunishige so that Yura could own the Shinuchui.... WHY !!! Obviously this is BAD BAD BAD. Very cool villian design though!

Again I DONT TRUST THE KAMUNABI!!! How the hell are you going to look in the eyes the son of a legendary sword maker and tell him that YOURE ENTITLED TO HIS SWORDS!!!! THE SWORDS BELONG TO CHIHIRO TO THE ROKUHIRAS!!! Also, some members had no idea Chihiro exists ??? Hmm, someone definitely leaked the Rokuhiras location to the Hishaku.... but who...

What happened that made some of Kamunabi hate Kunishige ??? Where has this entitlement come from??? WHY DO THEY HAVE THE SWORDBEARERS ??? I dont for a second believe they truly care about protecting them.... they want the swords therefore they need the owners... then they can transfer ownership. Again, like in my last post I said they reminded me of the Jujutsu Kaisen higher ups.... fishy fishy fishy.

[incarnadinedreams]

This isn't really new, but it's actually really interesting to me what a sticking point the 'enemy of the cultivation world' line is for people who have a less favorable interpretation of Jiang Cheng's character.

When I first read the novel, it honestly just seemed obvious to me that it was part of The Plan with their staged falling out/defection from the Yunmeng Jiang clan. Whether it was a good or likely to succeed long-term plan or not is up for debate, but considering that we know the entire duel and 'falling out' was staged, I thought it was a given that was just part of it.

So I was actually pretty surprised to see so many people adamant that even if the duel was staged, that statement was a specific lie/betrayal on Jiang Cheng's part. Because of the duel/defection situation being generally light on description in the novel, there's not enough detail to say conclusively and definitely either way.

The first time we hear about the 'enemy of the cultivation world' declaration is actually in the prologue, where some dude is telling the "citation needed" summary version of the Yiling Patriarch's life story (7S version):

"[...] The former Jiang sect leader raised him like his own son, eh? But look at him: publicly defecting from the clan, making himself an enemy of the world. He’s embarrassed the Jiang Clan of Yunmeng utterly and almost doomed them to the same fate of extermination. [...]"

Of course it's not until the end of ch. 73 that we really know the circumstances of this defection. Where the duel is described the style of narration shifts noticeably to that very detached, third-party narration, the tone shift that indicates throughout the novel that this is the story the public believes.

The ExR translation phrases it this way:

They fought quite a fight in Yiling. Negotiations failed. Both resorted to violence.

Under Wei WuXian's command, the fierce corpse Wen Ning struck Jiang Cheng once, breaking one of his arms. Jiang Cheng stabbed Wei WuXian once. Both sides suffered losses. Each spat out a mouthful of blood and left cursing the other. They had finally fallen out with each other.

After the fight, Jiang Cheng told the outside that Wei WuXian defected from the sect and was an enemy to the entire cultivation world. The YunmengJiang Sect had already cast him out. From then on, no ties remained between them—a clear line was drawn. Henceforth, no matter what he did, they'd have nothing to do with the YunmengJiang Sect!

The official translation from 7S makes it even clearer that this is the 'what the public is meant to believe' type of thing by formatting it this way (including the italics):

Following the duel, Jiang Cheng made this public statement: "Wei Wuxian has defected from our clan and become a public enemy. The Jiang Clan of Yunmeng expelled him and has broken all ties with him, drawing a clear line between his deeds and our own. No matter what this man does going forward, his actions have nothing to do with the Jiang Clan of Yunmeng!"

Whether it's a verbatim quote or not doesn't particularly matter for my interpretation (I don't particularly doubt the statement itself happened), but I would be interested in how it's presented originally; unfortunately I can't read it, so as always there's the 'going off translations' caveat here.

Immediately in the next chapter we see the aftermath of the duel and Wei Wuxian's nonchalant attitude to it, and then later in ch. 75, when Jiang Cheng brings Jiang Yanli to visit Yiling and show off her wedding robes and she reveals he suggested she have Wei Wuxian pick her son's courtesy name.

That's where we really realize just how staged it was (bolding mine):

Jiang Cheng raised up his bowl, "To the YiLing Patriarch."

Hearing this, Wei WuXian remembered the proudly fluttering banner again. All that was in his head was the ten golden words ''all hail the supreme Lord of Evil Patriarch of YiLing', "Shut up!"

After he drank a mouthful, Jiang Cheng spoke, "How's your wound from last time?"

Wei WuXian, "It healed a long time ago."

Jiang Cheng, "Mn." With a pause, he continued, "How many days?"

Wei WuXian, "Less than seven. I told you before. With Wen Qing, it was nothing difficult. But you really did fucking stab me."

Jiang Cheng ate a piece of lotus root, "You were the one who smashed my arm first. You took seven days, while I had to hang my arm up for an entire month."

Wei WuXian grinned, "How could it seem realistic if it wasn't hard enough? It was your left hand anyways. It didn't hinder you from writing. It takes a hundred days to heal a wound to the bone. It wouldn't be too much even if you hung it up for three months."

[...]

Before they parted, Jiang Cheng spoke, "We won't see you off. It wouldn't be good if someone saw us."

Wei WuXian nodded. He understood that it wasn't easy for the Jiang siblings to have come out here. If someone else saw them, all those things they did for the public to believe would be wasted. He spoke, "We'll go first."

We don't actually know, exactly, to the letter, what the plan was. Everything after Wei Wuxian says they could cut ties to protect the Jiang sect and Jiang Cheng saying they should have a duel is very light on the actual details.

Even with that wiggle room, I just don't buy the interpretation that the 'enemy of the cultivation world'/'public enemy' line was some extra betrayal behind Wei Wuxian's back, totally unknown to him, some sort of sneaky move meant to simply make everyone hate him even more for no reason.

They were clearly concerned with the possibility that nobody would truly believe that they'd actually fallen out, and felt they needed to go to fairly extreme lengths to sell this story to the public. While there were definitely some hurt feelings (on both sides) at this point, there was definitely still some hope that things would work out in the end, somehow.

I think this part of the novel works better with them both clinging to a thread of tenuous hope, a desperate last-ditch effort to somehow figure out a way to keep both the Yunmeng Jiang sect and the Wens safe because neither one of them can back down but neither can really let go yet.

If anything I'd say it would be a bit weird to take the public statement made after an event we know is staged to deceive the public... and assuming that for some reason, that specific line of it should just be taken at face value.

As with many aspects of the novel, the public story and what actually happened are just not the same thing.

[onetragicalnerd709]

💫Space....the final frontier....these are the voyages of the Starship Enterprise ....Crew Cards!💫

Every space-faring hero needs their own Collectible hero cards! Why not Ponify and Trek them at the same time?!

Made these character cards a while back. Essentially, I wanted to solidify pony designs for each of the Star Trek Next Gen characters and crew... but as my mind moved a mile a minute... I got caught up with other shenanigans and forgot to continue. *whoops*

Fear not Trek nerds! I'm hoping to continue to put a spin out on some more Pony Trek characters soon!

If you are interested in seeing a specific character ponifed..let me know in the comments! I do have some designs already sketched up and hidden from public view cause ...well, I'm lazy. But I'd be happy to show them or try a few new designs!

Top Left: Lieutenant Tasha Yar

Species: Human, Plant of Origin: Turkana IV

Rank: Lieutenant, Position: Chief of Security

Assignment: U.S.S Enterprise NCC 1701-D

My beloved bad**s blonde, how I miss you! I'm still fuming that her time on the show was cut short and all because of a vat of tar. I did appreciate Gene bringing her back "alt timeline wise" in "Yesterday's Enterprise" as well as the final episode of the series "All Good Things"...however I would have enjoyed her character played out further with Data, Worf and the rest of the crew.

Thankfully, in the PC RPG game, Star Trek Online Tasha gets more screen time, and I have thoroughly enjoyed playing the game alongside her characters (alternate, evil, and all)

For her design, I matched her coat color with her vibrant blonde hair and added some giraffe like prints on her neck and legs. It is slightly different from the way I draw Trill markings, but I wanted to showcase that Tasha is not purely earth born. Turkana V is shown as dark, dirty, and desolate..her markings I imagine, are an asset, a way to camouflage amongst the darkened streets, messily but beautifully placed on her scar marked body.

Top Right: Commander William T. Riker " Will Riker" #1 or "Will" *Imazdi*

Species: Human, Planet of Origin: Earth Alaska, U.S.A

Rank: Commander, Capt, Position: Number 1

Assignment: U.S.S Enterprise NCC 1701-D

Couldn't resist drawing the "Jazz HUNK" of Star Trek TNG, a goofball of a man whose character always makes me crack up. Riker may not have been my favorite of the crew, but I always have respected his generosity and loyalty to his crew. Johnathan Frakes is a proud Trek actor who appreciates and strives to celebrate his characters legacy, even if the main memories celebrated involve the famous "Riker Chair Maneuveur.

Even though I'm not a big fan of facial hair.. I was definitely desperately "willing" him to put the beard back when I saw the character clean shaven in Star Trek "Insurrection" He's too good for the baby man look. It was unnerving 😅

Of course, this handsome stallion version of Will had to flaunt the musky red coat and his ever charming smile. I was eager to give his characters beard justice. It is scruffy thick but well kept. The eyebrows are bushy and ready to romance any and all "mares" * alien* or not.

Bottom: Counselor Deanna Troi "Deanna" "Counselor" *Imazdi*

Species: Betazoid/Human, Planet of Origin: Betazed

Rank: Commander. Position: Ships Counselor

Assignment: U.S.S Enterprise 1701-D

I sometimes feel that my empathy would rival that of the true empaths- "Betazoids" like the gorgeous Deanna Troi. However, hearing everybody's thoughts and feelings would get quite tiring and cumbersome.

Stunningly beautiful and sharp witted, Deanna Troi stepped out of her original season 1 "sex icon/romance trope" mold as the series moved on and became the strong resilient women we see emanated by the new age Trek screen ladies today. Deanna was not afraid to speak her mind and show who's boss. However, she still led her life with rock solid empathy and humor.

She's definitely the caring but fun aunt figure that I would have attached to if I was among the crew. Her love of chocolate cake may have rivaled my own sweet tooth.

For her design, Blue hues were, of course, a no-brainer. Her most popular costume was the blue dress, so I had to have her rock that frock again. In regards to her mixed heritage, I decided to give her a marbled textured coat and a mix of unicorn and earth pony characteristics. Thick furred/legged but still emanating silky undertones in her fetlocks and elegant frame. Everything flows smoothly, even the curls of her brilliant mane.

Two of my design choices are both references to her betazoid heritage. Anatomical characteristics I imagine to be common amongst the species.

Her double ornate horns are in reference to her empathetic skills. One horn (shorter) is used primarily for basic magic. The other (other) is used for emphathic probing and emotional mind reading. Horn length within the Betazoid Culture signifies skill level and familial hierarchy within the community. Her longer probing horn signifies her privileged status in Betazed, due to her illustrious mother - Lwaxana Troi, Daughter of the Fifth House, Holder of the Sacred Chalice of Riix, Heir to the Holy Rings of Betazed".

Second - her long beard. Beards have no gender in Betazed. They are a symbol of beauty and grace. A style to be well kept and maintained throughout a Betazoid's lifetime. Decorative jewelry can be used for cultural practices and celebrations and / or worn for meer pleasure.

*I've seen personal AU designs of many female MLP unicorns with beards and have always appreciated the design choice*

So as you can see...I enjoy this very much. More will be coming soon.

Go ahead, explore your own ponymashed designs. It's so fun!

Till next time 🖖

[gettinshiggywithit]

izueli-deactivated20221211 asked:

Jay!!! Can you do a izuku version of the one you did with kiri with a artistic reader? 😭

Izuku x artist!reader? Okay lets try this!

!Izuku x Artist!Reader!

Scenario:- izuku with an s/o who is artistic!

Pairing:- izuku midoriya x gn!reader

Type:- headcannons

Hmm i think he’d really observe you a lot

Like while ur drawing hed sit and watch you silently

Not in like a creepy way ofc

But he wants to improve his own art skills so he’s falling back onto his ‘observe and learn’ tactic(like how he did with learning about pros!)

I feel like hed slowly be taking notes too

But if you ever say its distracting hed sorta just get flustered,apologize and then leave

I mean we all know how he can ramble when he gets lost in thought and while that isss adorable it can be kinda annoying,especially when you’re trying to concentrate 😅

He’d watch tutorial videos and attempt to make his own art style just so he doesnt have to bother you for help

Bby doesnt wanna be a burden(he isnt and bestie youd better tell him he isn’t ☺️🔪)

He definitely tells you that you should make a tutorial based you tube channel

Hypes you up and tells you that you’d DEFINITELY get millions of views because you’re just that amazing 😌(and yes,yes you are!)

Art afternoons are your go-to dates where you just spend time together bein silly and making stuff!

All the pieces that came of these sessions are all over ur apartment too🥰

It really makes ur place feel like,well, your place

If anyone ever even tries to say ur job isn’t really a job hed hit those karens with a detroit smash’s worth of facts (did that pun land?😭)on how hard bein an artist really is

I mean bestie is just spittin statistics and complete facts and even like ur personal stats

Like how many hours a day you create and shit

Like honestly even i dont know how he remembers or even WHY he counted but i guess he’s just good with numbers 😅🤷🏻‍♀️

Needless to say all the haters get the point and most of em tip veryyy generously when they do commission you for a piece

He definitely brags about you to his other pro hero collegues too!

Like goin on and on abt ur creative genius and how cool your stuff is

Even on like press tours this man is hyping you up!

(Slayy bestie slayyy)

And needless to say the next day ur inbox and dms are full of commission requests and official offers to design logos and merch and honestly to create ANYTHING for a whole bunch of upcoming pros too!

But if you ever feel burned out or like creating is just getting too tedious and chore-like;and when you just really need a break

Hed be the FIRST person to tell you to take a step back and recouperate(i just KNOW I misspelled that😩)

And if you ever chastise yourself for “not creating enough” or “not pushing yourself further” he’d get mad serious and tell you that overwhelming yourself isnt the answer and that you taking a (much needed) break is more than okay

He knows all too well what overwhelming yourself and having too many expectations and goals can do so he doesnt want you to push yourself past the point of no return

Oh and if You ever need fresh ideas

Hes your go-to guy

He always manages to inspire you and you honestly love that about him 🥰

WE STAN THIS BOI AND HIS PERFECTNESS ISTGGG

You go bestie!!! Slayy!!!!

Tagging:- @izueli

please dont repost my work here as your own on any platform all rights belong to me except that of the mha characters used,their right belong to their respective owners.but this story? mine.

feedback,likes,reblogs and comments are so very appreciated tbh :’)i hope you enjoyed and ill catch ya next time!

Comments & Reblogs w/ tags >>>>>>>>>>>likes please

[lunaastoir]

fluff/relationships w the mondstadt crew

characters included: diluc, kaeya, and jean

gn! reader as always <3

tw: fluff??? domesticity??? crack??? ideal relationships w people who will never be real??? also mentions of alcohol!

an: so i’m back w a sequel to my “fluff/relationships w the liyue crew” since you guys seemed to really like it <3 thank you my heart is literally melting 😩 this post was getting too long so i excluded some of the characters but expect a part. 2 (more like part 3 but part 2 to the mondstadt version)! 

-------------------------------------------------------------------------------------------

diluc

man. this MAN.

that’s it, that’s the headcanon. 

he would literally be the most doting lover in the softest ways

SUCH a soft romantic like you thought you knew love??? nah this man will show you what love is

will constantly leave you things around the winery to convey his silent thank you’s and appreciation for you putting up with him being busy for most of the day

it’s always the most thoughtful things ever too like-

you mentioned how nice it would be to have some fresh lemonade with the hotter weather outside but it was too late in the day to actually go to the market in search of fresh lemons 

the next day you walked downstairs only to be greeted with a pitcher of cool lemonade with a side of lemon bars

there was a note attached to the handle of the pitcher <3 

“i recall you mentioning how lemonade would be perfect for the warmer weather so i decided to make some for you this morning. i hope it’s still cool by the time you drink it. love, d” 

pls sir your hand in marriage

he secretly loves it when you usher him to bed after waking up in the dead of night to see him working by candlelight on reports 

soft hands on his cheeks gently whispering about how, it’s been far too long and come to bed, darling and there will be time for this in the morning

his protests are light given the dark purple hues under his crimson eyes but he’ll still make a little fuss 

don’t let this man fool you tho he’s so so touched that you care enough to check up on him and drag him to bed!!

sometimes on the days he has a bit more free time, the two of you will quickly grab your dinners and race to the highest spot in the winery to watch the setting sun

these moments are always filled with laughter, something you’ve found you’re easily able to pull out of diluc, simply because it’s you 

uncontrollable sobbing

he would let you paint his nails black like the angsty man he is 

frankly he would let you do anything to him if it makes you happy <3 

ok but wait diluc w bLACK NAILS?? AND RINGS??? i would die on the spot ⚰️

on the topic of makeup, this man is surprisingly really good w it 

i like to think he learned after practicing on kaeya when they were younger bc kaeya was really into makeup

you found out after babysitting klee one day and trying failing to draw eyeliner on the sweet girl after her “big brother ‘bedo!”

you hastily grabbed some wipes, gently wiping off the messed up design before attempting to dive back in 

diluc however, had some down time so he decided to check up on his favorite chaotic duo 

only to be met with a pile of dirtied makeup wipes, your frustrated expression, and klee’s growing jitteriness 

swiftly moving to your side, he quietly asked if you needed help 

you glanced up quizzically before handing him the eyeliner, already looking around to find more makeup wipes when this inevitably goes wrong 

to your utter surprise tho the eyeliner is perfect??? two perfect winged lines??? in less than a minute??? WHAT

you just stood there like 😦 before diluc got back up and handed you the eyeliner 

you were short-circuiting, klee was ecstatic, diluc was worried about you 

ok last thing abt diluc 

crack! warning but the both of you like lowkey pranking kaeya 

for diluc it’s revenge on his annoying brother; for you it’s good - natured sibling rivalry fun 

every time the two of you see kaeya, one of you always swipes something of his 

small things really, it could be a pen or a handkerchief

one time, diluc swiped kaeya’s spare eyepatch and from the looks of it, kaeya’s only spare black eyepatch bc he was frantically looking for it yk he’s desperate when he even asked diluc if he saw it

the two of you spent an hour nearly laughing your asses off 

all in all, life w him is so sweet 

kaeya

pretty boy? pretty boy. 

while i can’t guarantee stability, life would never be boring w this man that’s for sure

piggy back rides 🗣 piggy back rides 🗣 piggy back rides 

he LOVES it, the feel of you on his back while he’s walking around mondstadt most likely carrying you to your commission 

he finds it comforting especially since he can hear the rumble of your voice against him while you recount stories, or just babble on about everything under the sun 

he is SO dramatic so obviously when y’all reach the site of the commission he has to kill all the monsters even tho the both of you agreed to split it up evenly 

he makes quick work of his set before stealing some of yours much to your chagrin 

you scold him but can you really be mad at him when he looks drop dead gorgeous freezing the hilichurls the answer is no, no you cannot be

oh my god ok wait-

he does this thing where he tries to spook you in public 

so say you’re getting groceries at the mondstadt general store

you round the corner just minding your own business, looking around, taking in the sunshine 

and suddenly you just hear someone drop in behind you but before you can register anything you hear a soft “boo” and hands circle your waist 

you jump SIKE let’s be honest you shrieked 

meanwhile kaeya’s just laughing his ass off 

you can hear his rich peals of laughter while you attempt to regain your bearings 

he does this so often you SHOULD be used to it but you really aren’t bc mans is SNEAKY-

he cards his fingers in your hair whenever you’re speaking 

he doesn’t know why, it’s just a cute habit and he finds the feel of his fingers in your hair soothing

oH on the topic of comfort, kaeya really likes resting two fingers on the back of your neck???

ik he seems like the type to throw his arm around your shoulder which yes he totally is but during more serious conversations his hand automatically seeks out the warmth of your neck 

your neck feels amazing especially during the warmer months due to his chilly fingers contrasting with your warm skin  

he likes that he’s able to access such a vulnerable part of you and you would willingly let him 

HE GETS YOU MATCHING OUTFITS

no i will NOT take criticism on this i just kNOW he’s that type of guy

it would be those stupid “i’m his” and “they’re mine” sweatshirts like BYE 

it’s so cringy but for some reason it’s oddly adorable and you truly despise it but you can’t seem to say no whenever he asks 

you pretend to ignore the look of pity diluc throws your way whenever he sees you like this

kaeya really loves accessories so i think he would be the type to give you a promise ring or something similar to show that he truly does care for you 

he would brush it off, flirting a little like usual before handing you the ring 

with the way his cheeks softly darken though, you know he’s being genuine 

TICKLE FIGHTS ik i mentioned this for childe but shhhh

he has tickle fingers??? his hands just loOK like they’re itching to tickle someone so you’ll most likely be the unfortunate victim 

he will not show you mercy. at all. he’ll tickle you until there are tears streaming from your eyes, your face is hot, and your voice is hoarse from laughing so damn hard 

it gives him such a rush of serotonin its SO CUTE 

i feel like this goes without saying but he’s super into pda,,, anything and everything is on the table 

hand holding? duh. ass grabs? ofc. carrying you bridal style around mondstadt? why not 

ik he’s typically very playful but once the relationship reaches a certain stage, he’ll slowly start to let down the walls that surround his facade 

very very slowly show you the more realistic parts of him 

the real, damaged pieces of his soul 

he’ll be carefully monitoring your reaction though, any sign of fear or disgust will have him recoiling within himself again and you most likely will never see his true nature ever again 

SO BE CAREFUL 👹

once you’ve seen the parts of him he’s offered to you, the hushed whispers of his past, and the uncertain lines of his future, he will take off his eyepatch 

pretends like he’s not super nervous but he’s SWEATING- 

the prettiest thing you’ve ever seen though hands down 

you can understand why he covers it up but you would like it if he felt comfortable enough to take off the eyepatch occasionally when he’s with you 

also!!! sleeps with his eyepatch side facing you (in the event he wears it to bed) 

if this happens you KNOW he trusts you bc it’s his blindside <3 

anyways life w kaeya will never be boring but he is a very complicated man 

stay with him though, i promise it’ll be worth it 

jean

the key to jean’s heart is coffee and food 

GET HER COFFEE AND FOOD

i am begging you she deserves it 😭

the poor woman works so hard bc the knights are so mf understaffed, this is literally the best way you can ever show her your love and appreciation when she has work

she will MELT if you have a hot shower and dinner waiting for her when she inevitably returns later than she promised

will completely refuse at first with, “you did not have to do this, it’s too much” but shush her as you shOULD bc she deserves the entire world 

she’s the definition of “you do something for me, i’ll return the favor ten times grander”

you leave a flower on her desk bc it reminded you of her??? you’ll wake up to find a whole bouquet of the prettiest windwheel asters you’ve ever seen the next morning along with a thank you note

she’s so sweet BYE

she gets flustered extremely easily so you obviously use this as an opportunity to tease her 

when you’re in public rest your hand on her waist and inch it higher until your hand is underneath her shirt and in contact with her warm skin 

she’ll actually short-circuit its quite adorable 

sometimes y’all will be cuddling and you’ll hear whispers of her insecurities 

“am i a good grand master? will i ever be as valiant as vanessa?”

reassure her!!! tell her that she doesn’t need to be like vanessa, she’s already amazing as jean 

if you haven’t seen her in awhile, track her down and schedule a lunch date 

she never misses appointments and if it’s for you, she’ll gladly make time to see you even if she has to stay up even later than usual 

OH-

GIVE HER MASSAGES 

she has so much tension and the sorest muscles from hunching over papers and running around on errands 

if you sneak into her office and quietly stand behind her before gently pushing down on the sore tendons of her neck, she’ll genuinely fall over on her desk 

so make sure you steady her 😀

after you feel how tight her muscles are though, you drag her to barbara bc she needs a healer asap 😭

while most of your time is spent in her office - you helping out in the ways you can while jean is overseeing knight duties - you still have your fair share of life outside of the favonius headquarters

jean never likes to sit still so whenever you have free time, the both of you head off looking for monsters to clear

bouken da bouken???

adventuring w jean is seriously the funnest thing you could ever do 

it’s just non-stop you accidentally getting into trouble and her having to come help you 

even tho the both of you are dead tired after fighting, what? 20 hilichurl camps now??? the laughter and joy in your eyes shows how you both truly loved every minute of it

it’s both a stress reliever, good fun, and a work-out <3

you’re definitely prone to getting dragged to angel’s share w kaeya 

kaeya and jean sometimes hang out after work at the tavern so inevitably you’re dragged along too 

all three of you are drunk out of your minds which just makes everything a MILLION times funnier 

kaeya slurring over his words makes the two of you start cackling endlessly while diluc just shakes his head making sure to not give you more wine despite your pleas 

angel’s share ft. kaeya and bartender diluc are always the best times fr fr 

life with her literally feels like y’all are married 

so much domesticity it’s so NICE ALJDKSFH

your house is always so clean and the color scheme is impeccable bc jean has such a good eye 

you have a chore schedule 😎 but it almost never works out bc jean ends up doing everything without you knowing- 

you always confront her abt it and she’s like 😁 “i had some time so i did them! no worries tho” like i- time??? where bitc-

oH- she has amazing style so you can bet shopping w her is literally the best experience 

she takes you to all of the hidden gems some places lisa recommended and helps you pick out things 

will 100% get really blushy if you come out in something and ask her for her opinion tho she’s literally the cutest

basically jean is a sweet girl who deserves the entirety of teyvat that is all. 

thanks for reading! if you have any requests don’t hesitate to send them in <3 

[wutheringmights]

Can I be greedy and ask for all of the boys ? And any characters you have strong opinions on? Pretty please? With lots of cherries and chocolate on top? ( for the ask meme ofc)

Anon, I'll finish up all of the boys in the Chain just for you. And trust me, I have an Infinite Amount of Strong Opinions. You have no idea how Opinionated I Am.

If anyone is coming in late to this, here are the boys I have done already and a short summary of my thoughts (click the hyperlinks to get the full Opinion):

Warriors: he's best when he's the trashy anti-Link, and I like him so much

Twilight: kind of boring, but I have a soft spot for him anyway because you never forget your first

Wind: should have been aged up a little so that he can have that identity crisis I'm craving

This... gets long. Really long. 3-hours-of-work-long. Before you read, please note that even when I speak negatively about something, it’s not to diss anyone who does like the thing. I’m not vague posting or being passive aggressive. This is all written in good humor and good faith. 

That being said, let’s a-go!

-Sky-

What I love about them: He has one of the best character arcs of all the Links. I love that he starts off being lazy and kind of a jerk, but grows as a person because he wants to save his friend. And I love that he's truly the most courageous Link. He has no other successful hero of past or legacy to lean back upon to reassure him. He walked into that fight with Demise with no assurance from anyone that he would succeed. Yet, he does it anyway. Because he's a true hero and someone had to be one. And he's rewarded with a curse that he does not initially take seriously. He thinks he's saved everyone, yet he's cursed his spirit, possibly his bloodline, and his entire legacy of the kingdom of Hyrule into a doomed cycle of destruction. All because he dared to face evil incarnate. I love him.

What I hate about them: You know how I called Twilight boring? I should have saved that critique for Sky. LU Sky is actually the most boring interpretation of his character. All of his negative traits? Gone. All of his positives? Also gone. He's the blandest version of himself, and like Twilight, I now feel like I gotta add some spice to him to make him more interesting while still keeping him recognizable. Even so, he's still one of my favorite Links.

Favorite Moment/Quote: When he kicks Twilight's ass at sword fighting. That's stuff is *chef's kiss*

What I would like to see more focus on: You would think that there would be more angst out there about him realizing that he's actually been cursed, but it's still kind of hard to find. He's the Cursed Knight! The beginning of a terrible legacy! Imagine meeting a bunch of heroes for the first time, and instead of being relieved at having someone who understands your experiences, you're filled with horror at realizing that your victory was a false one. You didn't win. Your spirit will never be at rest. Imagine dealing with that realization for the rest of your life. You could never be at peace.

What I would like to see less focus on: I love that he loves his wife, but he's more just the fact that he's married, y'know? I would like to see a little less blind devotion to Hylia and Zelda, and more complicated feelings about being manipulated into being the hero.

Favorite pairing with: Sun/Link/Groose OT3! I have no reasoning behind this other than I like Groose and Groose definitely had a crush on SkSw Link.

Favorite friendship: I won't answer Groose again even if I want to, so I'll say Warriors. I cannot begin to describe how elite this friendship would be if you gave it a chance. They're just two boys dealing with unique positions of leadership and responsibility. They would probably even bond over being shitheads at different ends of the shithead spectrum. It's so good, okay?

NOTP: Ghirahim. I'm not too adverse to this one, but the ship hinges on whether you can redeem Ghirahim or not. In my opinion, Ghirahim is awesome because he's such a fun villain. Redeeming him ruins the fun.

Favorite headcanon: I have a whole life story planned out for Sky. Basically, he lives to be close to 500 years old by the power of the Triforce. He is the Link throughout the Era of Chaos who banishes the Dark Interlopers to the Twilight Realm and seals the Triforce in the Sacred Realm. He actually seals himself in the Sacred Realm as well to keep the Triforce safe, and he fought Ganondorf in when he broke in. Sky, like Time and Wind, does not get a happy ending.

-Four-

What I love about them: Four is origin of the heroes of Hyrule being known for being children. What a legacy to leave behind. He's such an interesting case of an incarnation of the Hero's Spirit, too. He fought Vaati, and he did his job so well that Demise's next incarnation had to be Ganondorf. Four did his job the best out of everyone, and it came at the cost of creating a magic sword that changed him permanently. I like to think that the Four Sword was not meant to split him, that it was a mistake he made with the design. And it's sad, isn't it? You made a defective sword, and like any good sword, it has a symbolic double edge. It gifted you with so much, and yet he can never be the same again. And his story is never well-remembered because it is overshadowed by the Links who fought the King of Evil. He's does so much, yet his legacy is underappreciated.

What I hate about them: I want to prepare you for this Opinion, because I know it's unpopular. Are you ready? Okay. I don't like the Colors. I'm sorry. I want to like them, but they don't interest me at all. Because they are parts of Four’s personality, they have to be one-note archetypes which does not make for exciting storytelling. I also haven't found a fic yet that has been from Four's POV that did the internal monologue of the Colors in a way that wasn't a pain in the ass to read. Maybe if someone can figure out how to do the Colors in a way that doesn't feel like a drag, I would like them more. But in the end, I think Four himself is more interesting than the Colors.

Favorite Moment/Quote: The fact that he didn't want to touch the Master Sword because he doesn't trust magic swords. That is every I need to know about his opinion on his own adventures.

What I would like to see more focus on: I want more of Four as Four. It's getting harder to find content of Four being his own person first and the Colors second.

What I would like to see less focus on: Four being the Colors first and his own person second. There is something about viewing Four as this cover identity for the Colors that doesn't feel right. There's a balance that needs to be strike between his ability to split, how that affects his every day life, and his own identity of being Four. I think I may have read one fic that hit that sweet spot for me, but still.

Favorite pairing with: Shadow. I'm such a sucker for befriending and falling for the enemy. That is all.

Favorite friendship: Dot! Their friendship is super cute. I like the idea of them being super close when they were younger and struggling to keep the friendship going as they age due to how much their paths in life diverge.

NOTP: This isn't necessarily a Four or an LU problem, but people who ship the Colors together? Bro. C'mon.

Favorite headcanon: I'm torn between two different Four and the Master Sword headcanons. On one hand, Four thinking that the Master Sword is just legend until he meets Sky and everyone else is just a fun idea. He sees the legendary sword for the first time and his mind is blown. On the other hand, I also like my Four with a side of hubris. What if he had the option on his quest to draw the Master Sword himself? What if he could tell that if he did that, the consequences would be terrible. He's not sure what would happen, but he knows it would be terrible. So he decided to make his own sword instead to disastrous results. Wouldn't that be tragic or what?

-Time-

What I love about them: Last winter, I did a two hour powerpoint for my friends about the Legend of Zelda timeline. During that powerpoint, I was rating every iteration of Link. What I said about the Hero of Time then holds true to my thoughts of LU Time now. Time is the original Link, more so than Sky in the lore and Legend/Hyrule in real life. Every other hero is a reflection of him. So the fact that his story is about the loss of childhood and the tragedy of that is incredible, and you can see those themes reflected in every other game. Moreso, he’s the only Link with a confirmed tragic ending. Not only does he end his life unsatisfied, but his adventure is failure on every timeline. In the adult timeline, Hyrule is swallowed by the sea. In the child one, Ganondorf returns again. In the fallen timeline, Hyrule fell. I like the idea since that the games themselves are the legends that are past down about each hero, Hylians have also remembered Time as a tragic figure. Yet, they also remember that the happy moments for his life come from small acts of kindness. Even someone as sad as him finds joy in helping others, even if it’s just to small deeds that will not be heralded as grand heroic quests. It’s beautiful.

What I hate about them: This is more about Mask than Time, but Mask is not an adult in a child’s body. He did not rewind time in Termina enough to be considered mentally an adult. He’s a young teenager at best, and that’s me being generous. He is a child who was forced to be an adult and despite the gods being done with him, he cannot conceive of ever having a childhood again. So he can say all he wants that he’s an adult, but he is not. That’s just what he thinks he is.

Favorite Moment/Quote: Anytime we get a flashback to him being a younger adult is great. I want to see more of his in this his early adulthood.

What I would like to see more focus on: I think I just want more of Time being... not a bad leader, but being an imperfect one. I honestly think he’s only the leader because he’s the oldest and enough of the heroes recognize the title of Hero of Time. But he is not the leader type, and he is struggling to keep it together and has to defer to Twilight and Warriors for help a lot. 

What I would like to see less focus on: I’m not the biggest fan of Dad!Time for any of the Links. He’s not emotionally ready for it. And I think he defaults to treating the boys like adults because that’s how he wanted to be treated when he was their age. 

Favorite pairing with: Malon. He has this great partnership of equal respect with her and it’s just. So good.

Favorite friendship: Linebeck. I know. This exists only in my head. But if these two ever meet, you cannot convince me that they would not get along swimmingly. It would be so good (once Linebeck gets over his crush on Time and stops hitting on him, of course).

NOTP: Child Timeline Zelda. Let me explain: I fully believe in Bi Time supremacy, and when in OoT, he definitely had a crush on Sheik. However, one of the worst parts of rewinding time and being in the child timeline is that Zelda is a completely different person now. They may have been friends in the other timeline, but her life experiences are completely different now. She is not the same person as he once knew. And it’s tragic to know someone as who they could have been, not as they are.

Favorite headcanon: After Termina, Time spent a lot of time with the Nabooru because out of everyone he knew, she’s the only who took him seriously even as a child. She has big older sister energy, and he considers her a part of his family. However, being treated as such made it easier for him to ignore his issues and put off his healing process by a few years.

-Legend-

What I love about them: Veteran of Heroes! What a freaking title. I love that he keeps on finding adventures, and that he keeps hustling. Even if he complains about never getting a break, you can tell that he loves helping others. He loves being on the road, never settling down, and finding adventure after adventure. Honestly, if any of the Links had a calling to be a hero, it’s him. Is he tired? Sure. Is he a little jaded after having saved Hyrule and a bunch of other kingdoms multiple times? Yes. But at the end of the day, he likes being a hero. This is who he is. His complaining is not genuine; he just plays the martyr because, at this point, he’s earned the right to.

What I hate about them: If you can’t tell by now, I have a, uh, different interpretation of Legend from popular canon. Fandom Legend is not right to me. He is unrecognizable. It is hard to write him because I feel like I have to balance what other people think Legend should be versus how I think he is. The people who are big Legend enjoyers probably feel the same way about my version of Warriors, and that’s fine. I’m not going to gel with every character and I don’t expect everyone to gel with how I see characters either. It’s goes both ways, y’know.

Favorite Moment/Quote: I like how subtly he tried to approach the Wolfie problem at first, trying to ask questions and get more proof before confronting Twilight. It’s a good touch.

What I would like to see more focus on: If I had to choose one thing, it’s this one throw away line about him never wanting to settle down. I’m telling you, folks! He likes his lifestyle! And did you see him when he does presenting the origins of the hero? He’s not bitter about being a hero! Legend is moody, but he is not angsty about the whole hero thing. Have fun with him please!

What I would like to see less focus on: If you can’t tell by now, Legend is my least favorite Link. There is a lot I want to see less of, but just to name one thing, it’s the headcanon that Fable is his sister. I live and die by common born Link, and whether he’s a legitimate heir or the royal bastard, I am more than bored with the persistent Prince!Legend content.

Favorite pairing with: Marin. It’s a good tragic story and I like it well enough. She’s cute, and he’s cute with her.

Favorite friendship: Warriors. I’m with everyone else on these two have peak sibling energy. They tease and pick on each other, but only they are allowed to mess with each other. They’re each other’s bully, and it’s always good to see.

NOTP: I do not have enough energy to have a lot of strong opinions about Legend’s romantic relationships, but I will mentioned that I have lost a lot of love for Ravio recently and am liking seeing him with Legend less and less. I have no better reason for this than the fact that I finally played ALBW and hate how many of my hard earned rupees he’s taken from me by withholding important, lifesaving items. Rat bastard.

Favorite headcanon: Remember my headcanon about him being the coolest bad boy folk hero on the block because everyone thinks he kidnapped Zelda? Yeah, I still stand by that one. I did good there.

-Hyrule-

What I love about them: If there is any Link that I would call a gutter rat, it is this one. I struggle a bit to talk about Hyrule since his games gives us so little, but in the end, I always fall back on him being a hero of the people. He is the one who has nothing and relates the best to people who are at their lowest. Yet, he is still a hero. He earns the right to be a hero because he helped Impa in her time of need. He’s selfless and competent. Even if he never got a traditional education, I bet he’s wicked smart too. He is the Link that symbolizes all of the parts of the Triforce the most. And, god. I cannot talk about him without mentioning the blood sacrifice part of LA. It’s such a cool concept, and I cannot imagine what it must be like to go from being the rough and tumble, win-at-all-costs fighting to protecting yourself first because if you don’t, the consequences are disastrous. It’s paradoxical, and it must be such a different mindset to fall into. But it must also be a blessing in disguise since now he has a reason to finally care about himself.

What I hate about them: Who started the Hyrule is innocent headcanon? Come over here because we need to exchange some words. If there is anyone who would be a realist and know how the world works, it’s this guy. And while we’re here, who came up with the Hryule is always lost headcanon? I also have some words for you. And you know what? WHILE WE’RE HERE, who let him be named Hyrule? I’m have more than choice words for you. His name scheme is the bane of my existence and the express reason why I don’t write him more. God.

Favorite Moment/Quote: That one panel where he takes utter delight in Warriors hiding from his scorned lovers? That is a central pillar in my understanding of Hyrule.

What I would like to see more focus on: Again, his relationship with other people. Even if his games are lacking in NPCs, we know from lore that he’s a good guy who will jump in to help others. He must know plenty of people, and I want to see who exists in his world with him. 

What I would like to see less focus on: I have an on-going joke with my brother that certain characters are Catholic, even if Catholicism does not exist in the world of the thing we’re watching or playing. Of course, we’re not being serious. we’re just joshing around. So imagine the gut punch I feel whenever I see people say Hyrule is Christian and realize that they’re being serious. I just can’t take it seriously.

Favorite pairing with: Aurora. It’s cute and I’m a sucker for that hero and royalty dynamic, especially when the hero is a peasant. It’s so cheesy, but I love it.

Favorite friendship: Legend. But not the way everyone else pairs them up as the grumpy one and the sunshine one. I think of it more as them being the pinnacle of boys being boys. They’re shitheads. They do stupid shit together. They both have a dark sense of humor. They joke that they’re practically the same person sometimes.

NOTP: uhhhhhhhhh.... Is he paired with anyone else?

Favorite headcanon: I love the idea that he just likes his way of life and refuses to accept anyone saying otherwise. Legend wants to teach him to read? Sorry, but he’s never had to read before in his life so he’s pretty sure he’ll never need it anyway. Want to participate in the treasured Hylian tradition of piercing your ears when you come of age? Why would he ever do that when a monster could rip those earrings off? He’s stuck in his ways and it frustrates everyone else to no end, but he has no interest in ever changing.

-Wild-

What I love about them: When I was 9, I spent my time online on Legend of Zelda forums. I remember one of my forum friends saying that they wanted a Legend of Zelda game where Link lost. And I think of that friend whenever I think about Wild. BOTW Link is the best Link that has ever been. He is the epitome of every trait we associate with any Link. He’s smart and sassy. He’s hard working and kind. But underlining all of that is the fact that he’s still the one who failed. If Demise’s Curse in SkSw is the set-up, the Great Calamity is the payoff. And I haven’t even talked about how confirming him as being non-verbal before the Calamity does so much for his characterization. I don’t even know where to start or how to articulate it. By game storyline alone, Wild is one of my favorites.

What I hate about them: You guys knew this one was coming, but I’m going to have to say it anyway. Fandom Wild.... not good. I’ve said it for half of these boys so far, but god is it true. I have a way I see Wild that is rarely done in the fandom. Fandom Wild has a lot of the traits I also see in Wild, but to all of the extremes. I will mention one thing in particular as being a pet peeve, and it’s how some people headcanon him as always being nonverbal. I know what they’re trying to do, and I think they’re on to something, but they’re also missing the point of what BOTW Link’s character arc is. I just wish more people would forget fandom and work more off of the games for how to characterize him.

Favorite Moment/Quote: Weirdly enough, my favorite moment is when he got mad at everyone for making fun of his Gerudo outfit, so he dumped Goron Spice in his cooking. It’s encapsulates a part of his character I think a lot of people forget about.

What I would like to see more focus on: I think he has a really complicated relationship with his past. He said himself that his old self felt like a different person, and I think that should be explored a lot more. That idea actually fascinates me so much that instead of CTB, I almost wrote a character study fic about Wild. His emotions are not as simple as feeling guilty about letting his friends die and not preventing the Calamity. His emotions would be so complicated and because I don’t have the time to explore it, someone else needs to do it for me.

What I would like to see less focus on: There is a weird fascination with Wild having memory loss and essentially being like a kid again. And this feels infantilizing to me. It honestly bugs me a lot every time I see it.

Favorite pairing with: I can’t decide between Zelda, Mipha, and Revali. They’re all different dynamics and they’re all good.

Favorite friendship: Paya. I firmly believe that Paya is Wild’s best friend. I am the only one in the world who believes this. But I am also the only one in the world who is correct. 

NOTP: Wild is good with everyone. Good for him!

Favorite headcanon: An essential scene of my Wild character study I will never write is one where his horse dies. He goes into shock and walks back to Kakariko to talk to Impa. But once he goes to her, he breaks down in tears and has an absolute melt down over the horse. And Impa sagely says, “It’s not about the horse, is it?” She’s implying that he’s actually mourning the loss of his friends, Hyrule, his life, everything-- but through his tears, he keeps tell her that she’s wrong. He barely remembers them. He doesn’t know them. He doesn’t have any feelings about them. He just really loved that horse. But Impa refuses to listen to him, just repeating over and over again: “it’s not really about the horse.”

And that’s it! That’s all of my opinions! I know a lot of my opinions are polarizing, but everything I said is in good faith, and I am not trying to diss anyone for how they approach these characters.

I welcome you to send me your Opinions on the Links, even if it’s just to disagree with me. I’m cool with it, and I like knowing what everyone else thinks!

[clown-cult]

Joker and Harley for the character thing. The Batman version

The Batman 2004 is the only valid version~

Joker first!

How I feel about this character: I absolutely adore The Batman’s version of Joker. He’s a king. The only version of the Joker we can say for certain 100% fucks. I’ve been obsessed with him since I first watched this show with it aired. It’s the version of Batman and his rogues I grew up with and I’m at the point where I stubbornly accept no other version. I love the character of the Joker in general, yes, but this version is far and above the best.

All the people I ship romantically with this character: Batman of course. Batjokes was not only my first OTP but also the start of my sheltered ass realising gay folks were not only a thing but that I, in fact, might be one. This is also one of the few versions of Jarley I ship cuz it’s like…not toxic. I also ship J with the version of Riddler from this show and I like to think they’ve got history.

My non-romantic OTP for this character: Does Joker and Harley count here too? Honestly this version would be just as good as friends as a couple. They’re both sassy and like yelling at children. Otherwise definitely Joker and Penguin. They have one of those friendships where they communicate by insulting each other.

My unpopular opinion about this character: I’m gonna be a bit shady here but I feel like despite it being extremely obvious, interpreting the 2004 Joker as black is still an unpopular opinion. It shouldn’t be, but it is 🙄

One thing I wish would happen / had happened with this character in canon: you see what I just wrote above this? Yeah, that. Erase whoever the fuck that skinny white ginger nerd was cuz he is NOT the Joker. Idk if you can whitewash a character that’s technically already snow white but damn this sure feels like it. I have an interpretation of my own that I write about and draw quite a bit here where I explore who he is and would have been before he became the Joker.

Harley next!

How I feel about this character: Harley Quinn is not a character I’m tremendously fond of as a rule but I do like The Batman’s version a lot. She’s sassy, street-smart and not really scared of shit because why would she be? You get the impression she’s had to scheme, demand and fight for what she’s got and she’s not going to take it lightly if that gets taken away from her.

All the people I ship romantically with this character: I’ve said I ship Jarley if it’s this version and I still do. They’re fun together and I love that Harley gets the upper hand in the dynamic a lot and she’s got no issue giving command to Joker if need be. HarleyIvy is out of the question for this version but I also ship her with Catwoman. They have this sarcastic, bad bitch, do what has to get done and flee the consequences vibe. Also BatJokes plus Harlina is peak mlm/wlw solidarity.

My non-romantic OTP for this character: Harley plus Marty the hacker that we meet in metal face of comedy. We get the impression he’s only there cuz he’s a friend of Harley’s. They probably game together. This version of Harley also acts as a tough love older sister character to Ivy as well and that’s fun to watch. They come up with plans and Harley kind of gently nudges Ivy in the right direction or holds her back when necessary.

My unpopular opinion about this character: I actually like that she’s not a psychiatrist who got lured into being a criminal by the Joker. She’s extremely up front about how vapid her psychology show is but she’s still very intelligent. The fact she’s not a real doctor doesn’t mean she’s not smart. She uses her show and her audience (that it’s implied she got through more scheming) to explore just how much she can put people through and the reactions she can get out of them, behaviour she even uses on Joker. She’s fiendishly intelligent but without the naive bubbly innocence other versions have. I understand a lot of people don’t like it but I love it.

One thing I wish would happen / had happened with this character in canon: I think Harley deserved to have more appearances than she did. She gets to go on her own little adventures in the comics and she’s incredibly fun to watch in action. She really just doesn’t give a single fuck what anyone thinks.

[sandibullock]

I was wondering if you could do a tutorial on this gifset that you did i really like ittt

Thank you for sending this in, anon! I’m glad you liked it and wondered how it was made :) Fun fact: the day before you sent this, I had just started working on my next set in that “Select Filmography” series. I hope you like that one too when it’s ready!

I think I should start by saying I’m pretty new to giffing myself and there might be more efficient ways of getting to the same result. However, the point here is to show you the process I went through to make this gifset and hopefully help you understand how to make a similar one.

To follow this tutorial, you will need some version of Photoshop and some giffing knowledge. I know there are multiple ways of making gifs so I’m just letting you know I’m using the timeline and the “Convert for Smart Filters” option (I don’t really know how else to call it).

Now let’s get started!

STEP 1 - CHOOSE THE SCENES

It might sound obvious but, in my opinion, this is the most crucial step. It’s also the one that takes the longest (along with step 7, aka the coloring).

At this stage, you need to have a general idea on how you want your set to look like so you can choose the scenes accordingly. In my case, I knew I needed two types of shots for each movie: one close-up for the main gif and one mid shot for the shape. I also needed to take two other criteria into consideration: the movement (because of the shape) and the lighting (because darker scenes are such a pain to color). Last but not least, I didn’t want the characters to be talking (but that’s just a personal preference).

With all of that in mind, you can start saving a few screenshots of scenes that meet your criteria (or at least some of them). In the end, there won’t be that many to choose from so be prepared to make compromises.

STEP 2 - MAKE A DRAFT

Now that you’ve preselected a few scenes, you can make a first draft. This will help you turn your general idea into something more concrete.

Basically, this is your opportunity to organize your thoughts. What size do you want your gifs to be? What shape are you going to use? On which side do you want the close-ups to be? Do you want all of them to be on the same side or do you want to alternate from one gif to the other? Do the scenes you chose work together (gif-wise but also set-wise)? Are you happy with the way it looks, overall?

By answering all of the questions you might have now, you’ll save yourself a lot of time, trust me. Of course, you can totally skip this step if you already know exactly which scenes you’re going to use and how you’re going to present them together.

To give you an idea, this is what my draft looked like for Atomic Blonde.

STEP 3 - PREPARE YOUR GIFS

Once you have a clearer view on how you want your set to look like, you can finally start giffing like you usually would (i.e. importing, cropping, resizing, etc.).

It should then look something like this.

The important thing to mention here is that you want both of your gifs to be the same number of frames (32, in my case).

Ideally, you should also aim for the ~same~ coloring (especially for the skin tone, since both gifs will be so close to each other). This bit is particularly difficult when you chose scenes which have opposite lighting (see my two uncolored gifs below). Remember how I insisted on steps 1 and 2? It was to help you avoid this. So my advice would be not to choose these types of contrasted scenes, unless you can’t do otherwise and you’re ready to suffer!

STEP 4 - MAKE YOUR SHAPE

To make your shape, you can click right on the Shape Tool (U) and select the last one, Custom Shape Tool. From the Shape menu appearing on top, you will be able to choose the shape you want from the drop down list and start drawing on your gif.

To be more precise with the dimensions, you can manually adapt the length and height from the Shape menu itself. I decided to go with the same ones as my gif.

Once your shape is positioned like you want it to be, you can drag and drop the shape layer under your gif. Next, you will have to click right on the gif layer/smart filter and select Create Clipping Mask. The result is as below. Note that if the size of your shape was smaller than your gif, you would still be able to reposition your gif with the Move Tool (V).

You can now export your shape gif, reopen it in Photoshop and convert it again to the video timeline and to a smart filter. This is where I’m not sure it’s the most efficient way of doing things but it’s the only way I found to keep the coloring of each gif separate. I also find it easier to work with a smart filter.

STEP 5 - COMBINE YOUR GIFS

To add your shape gif to your main gif, you can simply click right on the shape gif you just reopened and select Duplicate Layer. You can then choose the project which contains your main gif to duplicate it in there. Now go to your main gif and reposition your shape gif where you want it to be (how many times did I say gif here?). Finally, you can draw a new shape, using the same dimensions as in step 4, reposition it and choose any color you want from the Shape menu.

Since you will be repeating this process with your following gifs, I suggest you add a few guides so you know exactly where you should place everything to make all of your final gifs look the same.

(In case you’re wondering, the “Base” folder contains my adjustment layers/basic coloring for the main gif.)

STEP 6 - ADD THE TITLE

This step is pretty simple: go on the web and type “[name of the movie] title”. Download the png you like most, open it in Photoshop and resize it to a length of about 150-200 pixels. Next, duplicate the layer to your main gif and reposition it. In case you need to resize it again, select the title layer and go to Edit > Free Transform (Ctrl+T).

This is optional but in case you want to change the way it looks, know you can always duplicate the title layer and play with the blending options (see below). The good thing with a png is that you can also add some effects by clicking on the “fx” button.

STEP 7 - ADD COLORING (OPTIONAL)

To be honest, I had not planned on coloring my gifs. But I had already spent so much time on them and I was still unhappy with the way they looked. I mean, see how grey-ish they are? Not great...

So the only thing left for me to do was to add some colors. Now, since coloring is worth a tutorial on its own and it already exists, I suggest you read through becca’s mega coloring tutorial (and especially steps 3 & 5). Seriously, shoutout to her for making this incredibly useful tutorial. She is so talented and I love everything she makes!

My Atomic Blonde gif barely even needed coloring so I’ll show you what I did for my Tully and The Old Guard gifs.

For the first one, once I had found which colors to use with which blending option and opacity level, I only had to remove the colors from the left side of the gif because there was barely any movement in that scene (phew!). For the second one, on the other hand, I decided to color frame by frame because there was way more movement, in comparison. This is quite a tedious process, which is why you want to limit yourself to a certain amount of frames.

I’ll conclude by saying there are so many things you can do with coloring and what works with one scene might not work with another. So experiment with it: try different colors, play with the blending options and opacity levels, add some gradients and/or gradient maps, etc. Just know it will take some time to get to a somewhat satisfying result!

And that’s it... I hope this tutorial made sense and was somehow helpful. Of course, don’t hesitate if you have any questions! Also, if you do end up making a similar edit, pleeease send me the link or tag me in the replies or something ‘cause I would definitely love to see it!!

[maiji]

2 19 29

From the Weirdly Specific Artist Ask Game: https://maiji.tumblr.com/post/705739707798159360

2. Is it easier to draw someone facing left or right (or forward even)

Oh god yes. For me, facing left is definitely easiest. Facing right has gotten significantly easier over many years of forcing myself to do it, and sometimes when I flip the image to check I don't even need to make any changes! ...Facing forward is still really hard. Drawing symmetrically is excruciatingly difficult for me, and that’s probably why in my previous answer there is no fully facing-forward Hokushin.

Allow me to demonstrate. 

Here’s a quick base sketch for general positioning.

[image: loose doodle of three heads facing the left, forward, and to the right. They’re little more than ovals with necks, and a cross through where the faces would be for roughly positioning eyes and noses.]

Next, first pass drawings, quick portrait doodles of three not-so randomly picked characters. 

[image: quick digital ink brush drawings layered over the previous doodles. Hokushin from Yu Yu Hakusho facing the left; Cloud Strife from Final Fantasy VII facing forward; Raiden from Metal Gear Solid facing the right and gazing back over his shoulder/at the viewer.]

I’ve drawn Hokushin a bajillion times; I haven’t drawn Cloud Strife in probably at least a decade; and I believe this is my first time drawing Raiden. Not too bad, I think? Let’s flip to check them oh god what the heck aaaaahhhhrrrgggh

[image: previous image flipped. Hokushin looks OK overall; Cloud Strife's face/jawline seems unbalanced/shifted more in one direction and his shoulders also seem unbalanced; Raiden’s features, in particular the bridge of his nose, seem a bit off.]

I imagine everyone has different levels of sensitivity, and I think it can be different looking at your own art versus looking at someone else’s art. In this case, it’s super jarring to me. There's also an aspect of subjectivity and perspective/brain processing information to it, as with looking at something in the mirror - I've had situations where a drawing looked very off to the point of being not-straight, lopsided etc., but when I actually used a ruler to check it wasn't. Here I drew Cloud in the middle hoping that his asymmetrical hair would help with the face forward symmetrical challenge; clearly it did not. 

Fixing…

[image: previous image updated. No change to Hokushin; Cloud's jawline and shoulder, and Raiden’s nose/eye/hair/chin tweaked a bit and without the base positioning doodles.]

Retouched version flipped. That’s a little better, I guess!

[image: previous image flipped. Again, no change to Hokushin; Cloud’s face looks a little more balanced; Raiden’s features a bit more natural.]

These drawings are significantly more confident, with much more minimal fixing, than I would have been able to pull off years ago. And still lots to learn!

(By the way, guess what these three have in common? They’re all voiced by Horiuchi Kenyu! Hokushin and Raiden are fairly obvious; the Cloud connection may be a little obscure. Cloud was played by Horiuchi Kenyu in his first-ever-incarnation-with-a-voice, a cameo in the arcade version of the Ehrgeiz fighting game, as I talked about here years ago.)

19. Favorite inanimate objects to draw (food, nature, etc.)

Hmmm… maybe clouds! The nature kind, not the Strife kind, since nature is counting as inanimate. They’re fun and low pressure (haha) to draw, and they can fill up spaces so nicely too! Super versatile, and can help make things look cute, or moody, or epic. Everything can be extra cool with swirling ink clouds! Although thinking about it now, these probably aren’t technically nature clouds either, more like cloud-shaped motifs… so perhaps flowers are a more appropriate answer. But again, I think I love them for similar reasons - forgiving organic forms, feels low pressure to paint or draw, wonderful pattern and environment/mood potential in art.

29. Media you love, but doesn't inspire you artistically

I really wracked my brain on this one, which is partly why it took so long to respond to this ask. I was going to assume or interpret "doesn't inspire you artistically" as meaning "doesn't inspire you to create something in that same medium", because otherwise my answer would be "there is no such media" since inspiration and ideas come from everything and everywhere! But then I realized there's actually another question that seems to address that (#7). And “media” could also be a specific piece of media that is consumed.

And… I’m still really struggling to think of something I love, that I thoroughly enjoy experiencing/consuming, that doesn’t have some kind of influence on how I perceive or think about the world. That to me is all part and parcel of inspiration and thus artistic creation. I suppose that is reflective of my worldview though; I guess it’s what happens with an “everything is empty of self-existence!” perspective! I’ll update this if I do manage to think of anything…

Thank you so much for asking these! So much fun (and also hard!) to think about; good opportunities for self-reflection!

[sineala]

Tony Stark and Arthuriana

Coming to you by special request, a very long post about 616 Tony's interest in Arthuriana, with a focus on all of Tony's run-ins with Morgan le Fay!

I feel like I should disclaim the extent of my knowledge here, which is that I still haven't managed to read anywhere near every issue of Iron Man -- at least, not yet, anyway -- so I'm just going by the things I know I've read, and Morgan le Fay's Marvel wiki entry is frustratingly under-cited, so it's very possible I've missed something relevant, but I'm pretty sure I've got the big stuff down. My other disclaimer here is that I'm not as big an Arthurian nerd as Tony is, which is to say that most of my familiarity comes from modern retellings -- T. H. White's The Once and Future King, Marion Zimmer Bradley's The Mists of Avalon, Mary Stewart's The Crystal Cave, Rosemary Sutcliff's Sword at Sunset -- and not so much the usual classic sources on the Matter of Britain, though I've read bits and pieces of them.

(This is because I wanted to read versions of them that were as close to the original as possible but so far have not ended up finishing any of them because, well, that's hard. So I've never read the Mabinogion because I do not know Welsh. I've got the Norton Critical Edition of Malory's Le Morte d'Arthur, which is probably the best student edition if you're looking for something without modernized spellings, as I was. I've also got -- well, okay, it's my wife's but I'm borrowing it -- a relatively recent Boydell & Brewer edition (ed. Reeve, tr. Wright) of Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain), which is, you guessed it, in Latin with a facing English translation. I haven't gotten very far in it because, in case you didn't know this about Latin texts, the beginning is pretty much always the hardest, so I gave up and read some Plautus adaptations instead. Anyway, if for some reason you too want to read Geoffrey of Monmouth in the original Latin I'd recommend that one, but I can't recommend any particular English translations because I've never read one by itself. I bet you didn't think you'd be getting Latin prose recommendations in this post. I mean, maybe you did; it is me, after all.)

Okay. Right. King Arthur. Here we go.

We've got:

Flashbacks to Tony's childhood in late Iron Man volume 1

A brief discussion of Morgan's origin story and Avengers #187

Iron Man vol 1 #149-150: Doomquest

What If vol 1 #33: What if Iron Man was trapped in the time of King Arthur?

Iron Man vol 1 #249-250: Recurring Knightmare

Iron Man: Legacy of Doom #1-4

Avengers vol 3 #1-4: The Morgan Conquest

Civil War: The Confession

Mighty Avengers vol 1 #9-11: Time Is On No One's Side

In terms of universe-internal chronology, we know from Iron Man #287, from 1992, that Tony has been a fan of King Arthur since childhood. This is an issue of a fandom-favorite arc which features Tony having a lot of childhood flashbacks, including the famous "Stark men are made of iron" line (in #286) that for some reason MCU fandom decided it loved; I mean, seriously, I've seen that quoted in way more MCU fic than 616 fic. But slightly later, in #287, we get an entire page devoted to Tony's love of King Arthur.

The narration reads: "Over the next few years, I learned as my father intended. Discipline of body. Strength of character. But in what free time I was allowed, I worked my way through the school's library. At thirteen, I discovered Mallory [sic], who showed me a whole new world. A world of dedication to a cause greater than oneself. Of chivalry and honor. And the fantastic deeds -- of armored heroes."

The art shows Tony as a child sitting under a tree, reading a book labeled Mort D'Arthur by Mallory [sic] -- no, don't ask me why nobody at Marvel checked how to spell either the name of the book or its author -- and daydreaming of King Arthur, the Sword in the Stone, knights, et cetera. Just in case you somehow missed the extremely blatant hint that we are meant to understand that Tony's knight obsession heavily influenced him becoming Iron Man as an adult, we see one of his armors mixed in with all the drawings of knights. So, yes, canonically Tony is Iron Man at least partly because he's a giant King Arthur nerd, which I think is so very sweet. I love him. He's such a dork!

(This issue is currently in print in the Iron Man Epic Collection War Machine, should you need your own copy.)

This isn't actually the only reference to Tony as a King Arthur fanboy in this era of canon, either; a little later, in IM #298, we see that one of Tony's passwords is actually "Mallory." (Yeah, no, they still couldn't spell. But it's cute.)

But in terms of actual publication order, this is definitely not the first time we have seen in canon that Tony is into Arthuriana, as I'm sure you all know. I would assume, in fact, that giving Tony a childhood interest in Arthuriana is because Doomquest is one of the most beloved Iron Man story arcs of all time, and that all started at least a decade before IM #287 here was published.

The villain of Doomquest -- the one who isn't Doctor Doom, at least -- is Morgan le Fay. Yes, that Morgan le Fay. Yes, Arthur's evil half-sister Morgan le Fay. Yes, all of this King Arthur stuff is canonically real history on Earth-616. Morgan's first appearance in Marvel, per the wiki, was in Black Knight #1 (1955), which I have not read, and judging by the summary I feel like this is probably just supposed to be a straight-up comic retelling of Arthurian legends for kids; I don't think Marvel really had the whole Marvel Universe in mind as a concept in 1955, so I'm not sure this was meant to connect to anything else. I feel like this is another one of those instances of Marvel discovering that they can write comics about characters in the public domain for free -- like, I'm pretty sure that's how we also ended up with, like, Norse, Greek, and Roman mythology wedged into 616.

As far as I can tell from the wiki, the first time Morgan tangled with the Avengers (or indeed the larger 616 universe) in any way actually predated Doomquest -- it was in an early arc in Spider-Woman (#2-6) and then Avengers #187, which came out in 1979, actually right when Demon in a Bottle was happening over in Iron Man comics. If you read #187, Iron Man is not in it because he's off the team due to his drinking problem and also his accidentally murdering the Carnelian ambassador problem. So Wonder Man's filling in instead. This issue is part of Michelinie's rather sporadic Avengers run, which makes sense, I guess, considering where we see Morgan next.

Anyway, Avengers #187 is the classic issue where Wanda is possessed by Chthon, but what you may not remember from Chthon's backstory (I sure didn't!) is that he was summoned by Morgan le Fay because she was the first person who tried to wield the Darkhold to summon him. As you can imagine, this did not work out especially well for her and her followers and they had to seal Chthon away in Wundagore Mountain, which was where Wanda found him. (The Spider-Woman stuff is only slightly earlier and also appears to be about Morgan and the Darkhold; the Darkhold is not one of the areas of 616 canon I am especially conversant with, alas. It's on my to-read list.)

Doomquest, as you probably know, was a classic Iron Man two-parter in Layton & Michelinie's first Iron Man run that set up Tony and Doom as rivals; Doomquest itself was IM #149-150, in 1981, and then in their second IM run they came back and did a sequel in 1989, Recurring Knightmare (IM #249-250), and then the much later four-part sequel to that was the 2008 miniseries Iron Man: Legacy of Doom, which was also by Layton & Michelinie but generally does not seem to be as popular as the first two parts. They've all been reprinted, if you're looking for copies; I have a Doomquest hardcover that collects the first four issues and then a separate Legacy of Doom hardcover. Currently in the Iron Man Epic Collection line there's a volume called Doom, which confusingly only collects the 249-250 part of the storyline (as well as surrounding issues), because for some reason the first Layton & Michelinie run isn't in Epics yet but the second one is. So the beginning of Doomquest isn't currently in print, as far as I can tell. I'm sure you can find it anyway.

So what's Doomquest about? Okay, so you remember how Doctor Doom's mother's soul is stuck in hell for all eternity? Well, Doom's obviously interested in getting her back, and the strategy he has embarked on is to try to team up with other powerful magicians who can help him out, and he thinks Morgan le Fay would be a good choice, for, uh, his quest. Doom's quest. A Doomquest, if you will. (If you've ever read Doctor Strange & Doctor Doom: Triumph & Torment, you're familiar with the part where he later ends up waylaying Strange for this and they go to hell together. And if you haven't read Triumph & Torment, you really should, because it's amazing.)

So Doom is off to his time machine to go team up with Morgan le Fay and Tony thinks Doom is up to something -- Doom has been stealing components for his time machine from a lot of people, including Tony -- and he follows him and it turns out one of Doom's lackeys has a grudge and wants to trap Doom in the past forever, and Tony gets caught up in it. Now they're both in Camelot. Surprise! #149 is actually all setup; they don't get to Camelot until #150.

IM #150 begins with Doom and Tony thrown back into the past; there's a fandom-famous splash page of them locked in combat, only to realize that they have found themselves in Camelot.

They are then discovered by knights; Doom would very much like to attack them, but Tony, who naturally would be happy to LARP Camelot forever, persuades him to play nice. Also Doom thinks Iron Man is only Tony's bodyguard so he keeps referring to him as "lackey," much to Tony's annoyance. Somehow everyone thinks they're sorcerers. Can't imagine why. The knights take them to meet King Arthur himself, and Tony has clearly had his introduction all ready to go, as he introduces himself in a timeline-appropriate manner, says he's here to apprehend Doom, and demonstrates his "magic" by levitating Arthur's throne. Doom's response is essentially "I'm the king of Latveria," which is, y'know, also valid. So they're guests at Camelot for the night while Arthur figures out what to do with them.

We then have a page devoted to Tony alone in his room, musing sadly about how alien he feels, how he doesn't know if he'll ever get home, how he could never fit in here without his beloved technology. Then a Sexy Lady shows up to keep him company for the night, and he decides maybe it's not all bad. Thanks, Marvel. I guess they can't all be winners.

Doom is using his evening much more productively; he compels one of the servants to tell him where Morgan's castle is, because he's still interested in having that team-up. Then he jets off. Literally. He has a jetpack.

The next morning Arthur's like "one of you is still here and one of you has punched a hole through the castle wall and flown off to join Morgan so I guess I know which of you is more trustworthy." He then explains to Tony who Morgan is, because Tony professes ignorance, because clearly we had not yet retconned in Tony's love of Arthuriana. Tony offers to go fight Doom and Morgan with Arthur; meanwhile, Morgan and Doom have teamed up and Morgan has offered to help get Doom's mother out of hell if he commands her undead armies against Arthur because for Reasons she can't command them herself anymore. So that's a thing that happens.

So, yes, it's Tony and Arthur versus Doom and Morgan. Fight fight fight!

Tony tries Doom first but then decides to hunt Morgan down, and in the ensuing fight we get what I think is Tony's first ever "I hate magic," a complaint that we all know he still makes even to this day.

Anyway, Tony freezes a dragon with Freon (mmm, technology) and Morgan gets upset and disappears, so the battle comes to an end, and of course Doom is extremely mad at Tony because he blames Tony for Morgan not sticking around to save Doom's mom, because I guess Doom trusted her to keep her word? Weird. (Like I said, for the next chapter of Doom saving his mother, go read Triumph & Torment.)

Doom says if he and Tony work together, the components in both of their armors can send them both home. So Tony has to trust Doom. Which he does, because he really has no other choice. They build a time machine and Tony makes Doom agree to a 24-hour truce when they get back, so they can both get home. So it all works out okay, and they end up in the present, and Doom tells him, ominously, that they will meet again. Okay, then. That concludes the original Doomquest. It's fun! You can see why fandom likes it.

So that's all well and good, but you might have noticed that Tony's ability to get home hinged on Doom actually being trustworthy. And Doom was. But what if Doom hadn't been? What if he'd just stranded Tony in Camelot forever As you may have surmised from the form of that question, that is in fact a question Marvel asked themselves, because, yes, there's a What If about this! What If v1 #33 is "What if Iron Man was trapped in the time of King Arthur?"

The divergence point from canon, as you can probably guess, is the very end of Doomquest. Instead of Doom bringing Tony home, he deceives him and leaves him in Camelot. And since Tony cannibalized a lot of the tech from his armor to make the time machine, he doesn't have a way to go home.

This is not a story where Tony comes up with a way to go home after all. He really doesn't get to go home. But instead of drowning his sorrows in mead -- because, remember, Demon in a Bottle has already happened and Tony is sober now -- he decides he might as well just play the hand he's dealt. So with what's left of his armor, he defeats some enemies that Morgan rounds up to send against Camelot. And for his services, he's knighted. He is now Sir Anthony.

Tony acknowledges that he is both living the dream and would also like very, very much to go home.

He does end up having some fun in Camelot; it's not all miserable. But he obviously doesn't want to be there.

So if you're at all familiar with King Arthur, you know how this goes, right? Arthur fights Mordred and Mordred kills him. And that does happen in this version. Except Tony is right there, and with his dying words, Arthur asks Tony to rule Camelot... and Tony agrees.

So, yes, Tony Stark becomes king of the Britons after Arthur's death and he never goes home again. The end. Man, I love What Ifs.

Heading back to main 616 continuity, there is still more of this arc to go. The original Doomquest was only two issues, yes, but it was popular enough that Layton & Michelinie did a sequel a hundred issues later, in their second run of Iron Man, and that's Iron Man #249-250, Recurring Knightmare. (In the intervening issues were Denny O'Neil's IM run, specifically the second drinking arc (#160-200), and then Layton & Michelinie came back and most famously gave us Armor Wars (#225-232). I would have to say that Armor Wars is definitely the standout fandom-favorite arc of their second IM run; for their first one, I think a lot of people would have a hard time choosing between Doomquest and Demon.) But anyway, yes. Recurring Knightmare.

Recurring Knightmare is... well, the best way I can describe it is "a trip." It is definitely a sequel to Doomquest, and it is also definitely not a sequel you  would ever have expected to see for Doomquest.

Much like #149, #249 is pretty much just setup. Fun setup, but the big action is in the next issue. We open with Doom in Latveria, on his throne, pondering which of his servants he should have disintegrated. Anyway, he's just hanging out there when a mysterious object appears. In California, Tony is suited up and entertaining the crowd at a mall opening when the same object also appears! He takes it to his lab. Please note that this is after the Kathy Dare incident, so Tony is still recovering and is walking with a cane. Doom sees on the news that Iron Man has found the same object, which cannot be carbon-dated, and he shows up at Tony's house. He criticizes Tony's taste in art.

Anyway, Doom basically orders Tony to work with him. Tony refuses, and then Doom sends some robots to attempt to steal Tony's version of the object because he thinks if he has them both he will be powerful. Doom manages to steal it, and when he puts the pieces together, both he and Tony disappear.

So where do they go, you might ask? Camelot?

Not exactly. The future! There is a great callback to the Doomquest splash page.

It turns out they are in London in 2093. Merlin brought them there. Tony still hates magic. And in the future, King Arthur is still there, except he is now a child, because he has been reborn. But he does remember Tony from Doomquest, at which point Tony kneels. Doom, of course, is not impressed. He asks why they have been brought to the future.

The answer is that things are going wrong in the future. If you do not personally remember United States politics in the 1980s, I need you to google the words "Strategic Defense Initiative" right now. I'll wait.

Back with me? Okay, so this is a future where Reagan's Star Wars program actually happened the way he wanted it to, and the satellites are still hanging around the Earth in the future and messing everything up, and Arthur and Merlin need Tony and Doom's help to stop them. Doom once again flies away with his jetpack, of course.

Tony is game to help, but he's not in an armor that can stay in space for long. This is when Merlin takes him and Arthur to the mall and Tony manages to get everything to upgrade his armor at Radio Shack. You see what I meant about this issue being weird.

Tony is out in space trying to disarm the SDI platform, which is where he runs into his future descendant, Andros Stark, who is in armor you will probably recognize from Iron Man 2020. He is referred to as "the resurrected spawn of Iron Man 2020" so I assume he's actually directly related to Arno rather than a direct descendant of Tony; Wiki confirms that Arno is his grandfather. This is all from way before Arno was contemporaneous with Tony in canon. Anyway, he's fighting Tony.

Oh, by the way, Future Doom exists. Future Doom would like to rule this future Earth and for some reason Andros would like to help him. Meanwhile, Present Doom finds out from Merlin that he can't leave except by magic and he can't leave without Tony, so he is reluctantly on Tony's side.

They need help from the Lady of the Lake, except the lake has been paved over and is now a parking lot. Merlin makes the lake come back and then of course they get Excalibur. Arthur is a kid, so he can't wield a longsword; Doom assumes he's going to take it because he is basically a king, and he's pretty grumpy when the sword picks Tony. Tony then uses Excalibur to destroy the space lasers, and I bet that is a sentence you never thought you would read. It's pretty cool. Tony concludes that magic has its good points. Tony stops Andros and Doom stops, uh, himself, and the world is saved and they get to go home. Also, Doom finds out Tony is Iron Man, but when Merlin sends them back he conveniently erases their memories, so neither of them remember anything about this and Tony's secret is still safe. And that's the sequel to Doomquest.

And if you think that's weird, wait until you see Legacy of Doom.

Iron Man: Legacy of Doom is a four-issue miniseries from 2008, also by Layton and Michelinie. Even though it's from 2008, it's set during a much more classic time in Iron Man, continuing on from where we left off in this Doomquest saga. We start with a framing story in 2008. Tony, who has Extremis now, is busy scrapping some of his older armors and reviewing his logs when he suddenly remembers that there was a whole thing with Doom that happened that he seems to have forgotten about until right now. So the whole thing is narrated by Tony in flashback.

Tony's in space fixing a satellite when a hologram of Doom shows up and summons him to Latveria. It's not really clear why Doom needs Tony's help in particular here, but Doom tells Tony that he's discovered that Mephisto would like to bring about the end of the world, which Doom finds, and I quote, "presumptive." So Doom has his Time Cube, and with it he takes Tony to hell.

(Yes, I promise this is relevant to Doomquest. There will be some Arthuriana shortly.)

Doom brings Tony to Mephisto, and it turns out it's a setup! Doom trades Tony for an item he wants from Mephisto, leaves, and Tony's going to be trapped in hell forever! Oh no! (I mean, he's not. But it's quite a cliffhanger.)

At the beginning of issue #2, we find out what the Arthurian connection is, which is that we learned that after the events of Doomquest, Morgan had been granted sanctuary by Mephisto in exchange for a shard of Excalibur that she had somehow stolen. Doom still wants Morgan's help with some magic -- he doesn't mention what it is here, but he says he needs someone of Pendragon blood, and that'd be her -- so he traded Tony to Mephisto in exchange for, I'm guessing, Morgan and the Excalibur shard.

I have probably mentioned this elsewhere, but Legacy of Doom #2 is one of my favorite issues of Iron Man ever, solely because of the next scene. We return to Tony in hell. Howard Stark is also in hell, and he is now a demon, and Tony has to fight him. Mephisto brings popcorn and watches. This is the one time in canon when Tony actually confronts his father, and okay, yes, it's a fistfight in hell and Howard is a demon, but that's comics for you. Howard spends several pages insulting Tony -- specifically insulting his masculinity, but that's a whole other essay -- until he finally insults Maria too, and that's when Tony fights back, because his mother taught him to be good. Honestly if you're a Tony fan I'd recommend this issue just for that scene.

Anyway, we go back to the Doom and Morgan plot, and Morgan casts the spell Doom wanted, which was fusing the Excalibur shard with Doom's armor. Then Doom sends her back to Camelot rather than hell, because he's still mad that she never helped him get his mom out of hell like she said she would.

Tony freezes Howard with Freon -- yes, the same trick he pulled on the dragon back in Doomquest -- and tells him, "You're no father of mine." It is immensely satisfying.

(I had been going to mention that I thought it was a shame that neither canon nor fandom seems to have really engaged with this confrontation, and I know canon never believes in narrative closure but fandom sure does -- and then, anyway, it occurred to me that since the framing story of Tony remembering this is set when Tony has Extremis, there's a very good chance that he no longer remembers remembering it. Goddammit, Marvel.)

(If I got to retcon one canon thing about Tony, I think "the entirety of World's Most Wanted" is up there. I mean, okay, a lot of things are up there, but WMW is definitely on the shortlist.)

Okay. Tony has now engineered his way out of hell, and he's back with Doom in Latveria. Doom has Excalibur. Doom would very much like to fight him. While wielding Excalibur. You get the sense that this is going to be bad. Another cliffhanger!

Legacy of Doom #3 opens with Tony destroying Doom's lab to buy time and running away from Doom and Excalibur. I should probably mention that Doom still doesn't know Tony is Iron Man (anymore), so he thinks he is dealing only with Iron Man, Tony Stark's lackey. Meanwhile, some scientists at SI think there's something weird going on with space. Meanwhile meanwhile, Tony is in a forest taking a breather when a mysterious old man walks up to him.

It's Merlin! Surprise! Merlin wants Tony's help to stop Doom from doing whatever he's doing with Excalibur. The sword makes you invincible and the scabbard makes you invulnerable, so Merlin sends Tony to Scotland on a fetch quest for the scabbard. Doom has now magically sent the sword in search of the scabbard, so the sword flies away to meet it and Doom follows. Turns out the thing that's wrong with space is a thing that's going to hit Earth at the exact place Tony and Doom are. What a coincidence! So Tony and Doom get trapped in a stone circle and fight some stone warriors and then Tony ends up with the scabbard. And by "ends up with," I mean it fuses to his armor. Next issue!

Legacy of Doom #4 is when things really, really get weird. A giant demon made of eyes (???) appears, and this demon is apparently what Doom had been preparing to fight (because it's mad that Doom stole one of its spellbooks), and now he can't, because the sword and the scabbard aren't together. Thanks, Shellhead.

That's when Merlin shows up and says all is not lost. They can defeat the demon... if they put the sword into the scabbard.

"But I'm the scabbard now!" Tony says, uncomprehending.

"Yes," Merlin says. "You are."

Then Tony gets it.

So, yes, Doom has to, um, penetrate Tony. With Excalibur. I love comics. I love comics so much.

So that's a thing that happens.

And then Tony flies off and, I guess, resolves to never, ever think about any of this again.

We head back to the framing story, in which Tony, now having remembered all of this, flies to Britain, buys the land the lake is on, and paves it over, presumably so it will be there for Merlin to bring back in Iron Man #250. The end.

Whew.

Okay, yeah, I know I didn't have to summarize the whole thing, but Legacy of Doom here really is one of my favorite Iron Man miniseries. And I just want to share the love. Please read it. It's great.

But the Arthuriana fun doesn't end there! In fact, now we get an Arthurian-themed arc that actually isn't in Iron Man comics. It's in Avengers! Iron Man is involved, though.

(There is also apparently a Morgan arc in Avengers #240. I actually haven't read it. It seems to be yet another Spider-Woman arc. I get the impression that this isn't really Arthuriana other than having Morgan in it fighting Jess, though, so it doesn't seem quite as relevant. Morgan also apparently has some appearances in FF, Journey into Mystery, and Marvel Team-Up, but those seem like more of just basic villainy. Also, probably not involving Tony.)

Kurt Busiek's 1998 Avengers run, volume 3, is in large part the kind of Avengers run that is a nostalgic love letter to older comics. Heroes are heroes and villains are villains and good triumphs over evil. The Avengers all live in the mansion and are BFFs. I love it. It does assume that you are already a fan of the Avengers, because it starts out by summoning pretty much everyone who has ever been an Avenger and is available to the mansion, and that is... a lot of people. Thirty-nine, by my count. Also, when the entire team is magically whisked away, we are treated to the following narration, as Steve disappears: "And Captain America's last thought, as the world goes white around him, and he with it -- is that Iron Man would hate this."

The narration doesn't tell you why Iron Man would hate this, or how Captain America would know that Iron Man hates this. This is not explained later on. But if you have read comics -- or if you have read the above summary of Doomquest -- you know that Tony is absolutely, one hundred percent, thinking, "I hate magic." And Steve knows it.

The reference is not relevant to the plot; if you don't get it, you'll be fine. But that's what I mean when I say this is a nostalgia run. There are definitely Easter eggs for people who have read a bunch of comics. Busiek does this a whole lot in his work -- there's a reason you can buy an annotated edition of Marvels -- and, yeah, it happens here too. Just know that there will be references you're not getting, if you're new to comics.

Anyway. So Busiek's run actually starts out with an Arthurian arc, #1-4, "The Morgan Conquest." The name is a dead giveaway. Yes, Morgan le Fay is back. Again. For once, Doom is not involved.

The Avengers are all back from their sojourn on Counter-Earth after fighting Onslaught -- don't worry about it -- and mysterious things are happening. There are a lot of monster attacks. So pretty much everyone who has ever been an Avenger is summoned to the mansion, at which point we learn from Thor about some mystical artifacts that are being stolen. (They are the Norn Stones and also the Twilight Sword. That sounds like something from a Zelda game, doesn't it?) The Avengers go to try to stop this, end up in Tintagel, and then they run into Mordred. He wants to capture Wanda, presumably for Magic Reasons. Morgan le Fay casts a spell on all of them, reshaping reality. Yes, all of them. Surprise!

So now all the Avengers are living in a medieval castle and/or town; Morgan is their queen, and thanks to the power of mind-control they are all basically living in Ye Olden Times. The Avengers are all some variety of knight, except for Wanda, who is chained up in the dungeon so Morgan can steal her magic and use it to fuel all this reality-warping.

Wanda calls for help, and that snaps Steve (Yeoman America!) out of the mind control (or altered reality or whatever you want to call it) pretty fast, because Steve's always been very good at resisting mind control, and then Steve promptly goes and snaps Clint out of it, because I guess Steve is also good at inspiring people to snap out of mind control. "Oh, man!" Clint says. "Not another alternate reality! Not again!" (I assume he's referring to Counter-Earth? Maybe?)

So Steve and Clint go around reassembling the Avengers and orienting them as to reality. They get Jan and Monica easily, but then Steve insists on trying to get Tony because, I guess, he likes Tony and would really like to hang around Tony, who is half-naked and asleep in his bedroom, and certainly I am reading nothing whatsoever into this. Clint tells Steve it's not going to work. Tony has historically been fairly susceptible to mind control; it was only pretty recently at this point that he'd been doing Kang's bidding in The Crossing. But the more serious impediment is that this is Tony Stark and he would obviously like to LARP being a knight forever and ever. Tony, therefore, does not believe Steve, and throws him and Clint out of his bedroom and into the barracks.

"Iron Man's a good guy, normally," Clint says. "But he's waaay too into his whole nobleman/lord of the manor trip. That spell musta hit him right where he lives!"

Clint speaks the truth, clearly.

Anyway, they go around and manage to make pretty much every Avenger in the room other than Tony snap out, and attempt to rebel against Morgan while Tony is stil fighting them because he is Still A Knight. There's a lot of punching, because some of the Avengers still aren't free; they weren't ones Steve found.

The day is saved when Wanda manages to channel Wonder Man and break free. This gives the Avengers a fighting chance against Morgan and the Avengers are all lending Wanda their power when Tony finally snaps out of it and is on the side of good. 

Then they take Morgan down, go home, and attempt to figure out which of these thirty-nine people should be on the active Avengers team. Hooray.

But that's not the end of Morgan le Fay showing up to screw around with Tony's life! There's more to come! Not much, but there is one that I know of, and at least one more memorable reference. 

(I haven't read all her appearances or anything, but one of them definitely involves Tony; I can't swear that he doesn't appear in any of the other books Morgan shows up in, but it'd be a cameo for him, because I only know of one more arc that she's in in a book that Tony stars in.)

In a few more years, we have now entered the part of Marvel Comics history where Brian Michael Bendis writes all the Avengers books at the same time for, like, seven years running. It was sure A Time. There were a lot of word bubbles.

And the thing about Bendis is, Bendis looooooves Doomquest. If you're familiar with the very end of his tenure at Marvel where he made Doom be Iron Man after Tony got knocked into a coma in Civil War II, you have probably figured out already that he likes Doom. But he also likes Doomquest, specifically.

I mean, if nothing else, the giant splash page in The Confession where Maleev redrew the climactic Doomquest fight while Bendis had Tony talk about how deeply meaningful to his understanding of the world this all was -- and how it allowed him to predict Civil War -- was probably a big clue, right?

As far as I am aware, Morgan le Fay makes exactly one more appearance in Tony's life. And that's in Mighty Avengers vol 1 #9-11. Only one of those issues is named, so I'm going to assume the arc is named after it: Time Is On No One's Side.

You remember Mighty Avengers, right? The deal with the Avengers books at the time was that after Bendis exploded the mansion and made the team disband in Avengers Disassembled, the main Avengers book was no longer called just Avengers. Instead, the main Avengers book was New Avengers, and that was the only Avengers book. Then Civil War happened, Steve got killed, and New Avengers became the book about what was left of the SHRA resistance (i.e., Steve's side) after the war. So about halfway through New Avengers, Mighty Avengers starts up, and Mighty Avengers is about an extremely fucked-up and grief-stricken Tony Stark trying to run the official government-sanctioned Avengers team, with Carol's help. This is the comic with the arc where Tony turned into naked girl Ultron. You remember.

So, anyway, there's this Mighty Avengers arc where Doom is Up To Something (there are symbiotes and a satellite involved) and somehow Tony and the Avengers end up in Latveria, punching Doom. Also, by the way, Doom is visiting Morgan in the past because he likes her. The Avengers attacking his castle made him have to come back to the present, so he's kind of cranky. And he fights Tony, and in the course of the fight, his time platform explodes and sends Doom and Tony and also the Sentry to... the past.

This is one of those times where you should definitely look up the comics if possible because the way the past is visually indicated here is that it's colored with halftone dots the way you would expect old comics to be colored, although they have modern shading and color palettes. It's very charmingly retro.

So the three of them are stuck in New York in the past, and naturally they would like to leave. There's one person in this time who has a time machine and it is, of course, Reed Richards. Doom and Tony have a lot of banter in this arc; I think it's entertaining.

Sentry has to be the one to break them all into the Baxter Building because of that power he has where no one will remember him. So they do that, travel forward in time, and end up in Latveria in the present again except Doom is gone and also things are currently exploding where they are.

Doom, of course, has made a side trip to visit Morgan again and he asks her to help him build an army, because I guess this is what their relationship is like. So the rest of the Avengers are captured by what look to me like Mindless Ones and are in a cave in magic bondage, because comics. Jess comments that at least they aren't naked, because she too is remembering that memorable New Avengers trip to the Savage Land. Doom threatens Carol in some creepy sexist ways and eventually it turns out that Tony and the Sentry are fine and everyone kicks Doom's ass. Business as usual.

And the last page of the arc is Morgan alone, wondering where Doom is. So technically Morgan and Tony don't come face to face here, but I think she counts as being at least partially responsible for ruining Tony's day here. And then Secret Invasion happens and Tony has a very, very bad day.

There are a few more Morgan appearances after this, but, as I said, I don't think any of them involve Tony. She shows up in Dark Avengers, apparently, which was one of the post-Civil War Avengers titles I didn't read, and I know that recently, on the X-Men side of things, she's been in Tini Howard's Excalibur one, which I have only read a little of. No Tony there. Just a lot of Morgan and Betsy Braddock and Brian Braddock and the Otherworld.

If you are interested in Morgan's other appearances, you might like this Marvel listicle that is Morgan le Fay's six most malicious acts. I pulled some of the Darkhold backstory from their discussion, but it's not really focused on Morgan and Tony.

So there you have it! That's everything I know about Tony's love for King Arthur and every run-in I know about that he's had with Morgan le Fay! One of two terrible people in Tony's life named Morgan! Actually, I don't think we've seen Morgan Stark in a while. I wonder if he's alive. There should be a Morgan & Morgan team-up. I should probably stop typing and post this.

The tl;dr point is that you should all read Doomquest and its sequels, especially Legacy of Doom. They're great!

[thechekhov]

Hi Chekhov! Really enjoying your white diamond au! I had a quick art question: How do you start comissions? I've been improving my drawing skills and thinking about drawing for others after having fun in artfight, but I don't know where to start? How much to charge, how to get paid, etc. Do you have any tips? Hope you're doing well! :)

Alright, since a few people have asked, I’ve decided to put together a few things about how to get started on commissions - what you need, what you should make, and how to keep things organized. 

This will get a little long, so I’ll divide it into 4 main sections:

1) Draw Art - Getting started

2) Get Commissioned - Making a commission sheet, Advertising

3) ??? - Communicating, Setting Limits, Running the Business

4) Profit - Pricing Yourself and Getting Paid

* Disclaimer: I’m an artist, so this How-To will be illustration-focused. I’m sure many of these tips can apply to ANY types of commissions, but I will be focusing on the type I know best. If you are proficient in other types of commissions for other types of art - music commissions, photography, etc - feel free to chime in and leave a comment or make your own tutorial!

1) Draw Art

I think this is probably the most obvious part, but it needs to be said:

Before you start making art for other people, you must first be comfortable making art in general.

I’m not saying your art has to be Disney-quality, or industry-level! Not at all. 

BUT! You must be comfortable creating what you sell. If you try to sell something you have little confidence in, you will stress yourself out and possibly end up losing time AND money.

Don’t shoot for the moon if you haven’t landed on it even once. Sell what you know you’re good at. Your commissions don’t HAVE to include full-body illustrations if you don’t know how to draw feet/solid stances. Limit yourself to what you can do.

Things you need to should probably have before starting commissions:

1. Access to art materials or a fully downloaded art program

DO NOT - Use a free tutorial version that will expire in a month and leave you without a way to draw! If you are having trouble finding a program, try free ones like MediBang Paint Pro. 

2. Free time to complete the amount of commissions you want to take.

DO NOT - Take on or offer commissions if you KNOW you’re going to be overwhelmed with school or personal life for the next 2+ months. Pace yourself, otherwise you’ll burn out, get stressed, and get discouraged.

3. A reliable way to communicate with your customers like a commissions-only email 

DO NOT - Use your friend/family/college email. It’s hard to keep track of things as it is, and creating new emails is easy and free. And keep it professional if you can! Not many people will reach out to dong-wiggles20434 to ask for a design. Ideally, your email should be close to your brand - however you want to brand yourself. Usernames are fine!)

DO NOT - Use Instagram/Twitter/Tumblr to collect commission info unless you are ready to do the organizing yourself. Some people make it work, but in my experience, if you use these SNS sites to communicate with friends and network... you’re going to be losing commission inquiries right and left and accidentally ignoring people. Email is much easier to organize and sort into folders.

4. A portfolio or at least 2-3 pieces of each type of art you’re planning to sell. 

DO NOT - Advertise commissions without having any examples of the art you plan to sell. People will find it difficult to trust you if you can’t even give them a vague idea of what sort of drawing they’ll be getting. 

Disclaimer: These are not hard ‘do not’s. If you have had a different experience, I respect that. I’m simplifying for the sake of streamlining this advice. 

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2) Get Commissioned

So - you have your art, you have your art program, and you’ve got all the time in the world. That means.... that’s right! It’s time to let the world know you’re taking commissions.

One of the most common ways artists signal to their audience that they can do commissions is by creating a commissions sheet. There are MANY ways to make this - and they range from simple and doodly ones to VERY complex designs. For example, here’s mine! 

There are many ways to organize a commission sheet. At its core, a commission sheet should display the types of art you WANT to be commissioned to make. Let’s go over a few ways they can be done!

#1.... Body Portion Dividers!

This sheet is most common with those who want to capitalize on drawing people and characters. If you want to draw lots of characters, this is a great way to offer several tiers of pricing based on how much of their character your customers want to see. 

#2... Complexity Scale

If you’re open to drawing many things but want to base your pricing off of how complex something is, you can split your tiers into done-ness. This type of commission is popular with those that draw characters AND animals, furries, etc.

#3....  Style and Type

If you’re more on the design side of things, or if you have various niche art styles that you can’t quite lump together, display a variety of your skills alongside each other! It helps if all the ones you have can be organized under a common customer - like those looking to advance their own business and get logos, websites, or mascots made for them!

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3) ???

You got your first commission... what happens now???

Well, ideally you have the time, tools and motivation to make things happen! Now all you have to do is... sit down and... draw.......

I’m going to say something that may be a little controversial: 

Commissions aren’t fun. 

No, no, hear me out: I have fun doing commissions! I genuinely enjoy drawing characters and coming up with designs. But even with all that said, commissions are, first and foremost: WORK

I’m not saying this to discourage you, I’m saying this to keep things realistic. When I first began commissions, I thought it would be just like any other type of drawing. I would sit down, imagine a thing, draw it... it would be fun! 

But then I realized that I couldn’t just draw what I wanted - another person had an idea in mind and had asked me to do it. I stressed over getting the design correct from descriptions. I stressed over not having the right reference for the pose the commissioner wanted. I stressed over not being able to draw the leg right in the way I had promised I would do. I stressed about billing. I stressed about digital money transfers. It was difficult, and time-consuming, and I did not enjoy it. At all. 

And a part of that is definitely on the commissioner - we, as artists, NEED to demand proper references or descriptions. We, as artists, NEED to limit the amount of changes we’re going to make at the flick of a finger. We NEED to demand clear instructions and set boundaries. That’s also super important. 

But also - don’t be discouraged if you find yourself exhausted drawing your first commission. MANY artists go through this. Adjust your rules, fix up your limits, practice putting your foot down on finicky commissioners who expect you to read their mind! It does get easier, but you have to communicate and put in the effort and act as your own manager AND your own customer service AND your own accountant. That’s what you’re looking at. 

Good limits and boundaries to set: 

Limit the amount of changes a person can ask to make. “I want blue hair.” Next email: “No wait, yeah, make it red.” Next email: “Actually I changed my mind, can I get the blue but like, lighter?” Next email: “No, not that light.” ... At some point, we have to stop. I personally allow 2-3 changes on the final stages of a commission before I start refusing or start asking for extra money.

Demand clear instructions and/or references. If something isn’t described, you have to take artistic liberty and design it, but that’s difficult! And if the customer is not happy with it but can’t tell you more? That’s not your problem - the burden of reference is on THEM. You cannot read their mind, and that’s not your fault.

Get at least half the payment up front! This is a good balance between the ‘pay before art’ and the ‘pay after art’ conundrum that will limit the amount of woes between artist and customer. (I’ll touch upon this a little more in the Profit section.)

Organization:

Where possible, create good habits! Tag your emails and organize your folders. I have a tag on my emails for active and finished commissions. I also keep my emails on Unread until I have time to sit down and properly look at/reply to them.

My Commissions in the folder are also organized chronologically and I mark down which ones are paid and which ones are not.

(I understand not everyone can do this, but if you want to give it a try, it does make things easier in the long run. Again, this advice is just what I have found personally helps.)

One last thing - I do not want to shame ANYONE for taking their time with commissions! Commissions are complex, and they take time and work. You can draw in 8 hours, but some things take research, materials, etc. Some illustrations realistically take up to half a year, or, depending on what’s involved, several years!!

THAT BEING SAID - it’s good manners to be upfront with your customers about how long you expect the commission to take. If you think you’re busy, just say that! Explain that you have a lot going on, and you will probably take (insert time period here).

And if your commissioners are worried, work out a system to keep them updated! I send my commissioners updates when I finish the lineart/flat colors/etc and I try to be clear about how long everything will take. I try to estimate with a +3-5 days buffer to give myself extra time... and recently I’ve been using it. Always say a bigger number than you think you’ll need. 

If someone wants a rushed commission... make them pay more. If ANYONE wants a commission done ‘by the end of the week’ - that’s an automatic rush-job for me because I’m juggling an irl job and several commissions at once. I WILL charge a rush fee and I won’t feel bad about it. 

If someone wants a commission within 24 hours...... Well, they better be paying you 3x your normal amount, or more. And remember - you CAN refuse! It’s perfectly reasonable to say ‘No, sorry, that sort of turnaround time is not realistic for me.’

Food For Thought - Invoicing

Many artists I’ve commissioned in the past have not used Invoicing, but I’ve recently begun to fill out invoices and file them in my Commissions folder just to keep track of things. It’s not necessary until you start getting into the Small Business side of Freelancing, but it’s not a bad idea to get into the habit early in case you might need to do it later for tax purposes. 

Here’s what my Invoice looks like, for example. 

I’ve optimized it to help me remember who, what, and how much is involved! It also contains important info for my customers like where to send the money.

Which brings us to...

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4) Profit

One of the hardest things for artists is pricing themselves. I’m not going to tell you which way is BEST - there is no BEST way, only the best way for YOU. 

One of the options available to you is pricing by the hour. It includes averaging out how long it takes you to draw a specific type of art (whatever you’re offering as a commission) and multiplying that by an hourly wage you’ve decided on.

When you do this, I stress - do NOT price yourself below minimum wage if you can help it. When you first start out, aim for the $15/hour mark and adjust accordingly. 

Other ways to price your art:

- Per complexity: Portraits vs full body should be scaled based on how difficult you find one vs. the other. You can also easily decide on a price for a sketch and double it for lineart, triple it for full color, etc.

- Per type: Look up for industry prices for website design and logo design. They may surprise you! You don’t have to charge that much, but it helps to keep things in perspective. 

It’s okay to change your prices! Keep your commission sheet image handy so you can update the amounts as you grow. :)

Payment up front or after completion?

Some artist take full payment up front. Some only demand payment after they’ve finished and sent out the piece. I personally think these are both risky for everyone involved. 

I recommend doing at least HALF of the payment BEFORE you start the commission. Calculate your full price and ask for half before you start working on it in earnest, to make sure the person can actually pay you. Then, when they receive the full piece and are satisfied, they can complete the payment. 

I personally work in this structure:

> Someone emails me with their idea/reference

> I send back a rough draft sketch that shows the idea/pose (only takes me 10-20 minutes so not a huge loss if they ghost) and quote them a price

> They can pay the full thing upfront OR pay half

> I finish the commission and send updates when I do the lineart/colors to double check anything so they have multiple chances to spot any errors

> If the person paid only half on completion, I send them a low-res version of the finished thing, they finish up their payment and THEN I send them the full-res version plus any other filetypes/CYMK proofs, etc. 

Many of the people who commission me pay me up front even though I offer they pay half - and I’m really flattered that they trust me that much! Because of that, I feel encouraged to update them frequently and ask for their input as I work, so they have the peace of mind knowing I’m actually doing their commission. 

Great, but how do I get PAID????

There are NUMEROUS ways - these days money is relatively easy to transfer over digital means, and you have a few options. 

Paypal is perhaps one of the oldest digital wallets and is geared towards businesses. By setting up a PayPal and connecting it to your debit card of bank account, you can tunnel a pathway from your online business directly into your hands in a matter of days. 

Paypal also offers Invoicing - you make an invoice, price it and send it to the person’s email and they can pay whatever way they need! (It also allows partial payments.)

Pros: transfers from PayPal to bank account are free, and take a couple of business days. It also has no upper limit to the amount of money you can move in/out each month. It can force refunds due to the nature of its business-oriented payment system.

Cons: Because it’s used by businesses for larger transactions, PayPal may demand a more rigorous proof of your identity. It may also take longer to set up and be harder to get used to. I’ve also heard that they can be a hassle when it comes to closing your account. 

Venmo is another type of digital wallet that acts much like paypal, except for a few key differences - it is NOT made for businesses (so depending on whether you’re officially registered as a freelancer, you may not be able to use it). I personally don’t use venmo, so I cannot speak to its usefulness, but I know a few people that use it for casual transactions. It’s easy and quick! :) 

Keep in mind that you cannot force a refund over venmo! The transactions are final.

There’s also CashApp, GooglePay (which could load gift cards but also allows peer-to-peer transactions) and I’ve heard good things about Due, though I’ve never personally used it.

Other ways to pay: I’ve had people pay me over Patreon by upping their pledge, and I’ve had people pay me over Ko-Fi by donating a specific amount. 

Many people even use Etsy - the website specialized for independent small businesses selling art - by listing their commission sheet and offering up several ‘slots’ of commissions, which allows you to track taxes AND allows your clients to pay using whatever they feel comfortable with.

If you’re in Canada, you can even pay by emailing money directly from bank account to bank account - check whether your country offers this type of service! There’s no shortage of ways to move money in the digital world.

Just like everything else, there’s no singular ‘Best’ way. It just depends on what works for you.

I think that just about wraps it up! I can’t quite think of what else to put here - but I’m sure other artists will chime in with their own advice. :) I’m very sorry this became so long but I hope it was helpful! 

Obligatory Disclaimer: I’m not qualified to give legal or accounting counsel. Please double-check the laws in your own country/state in regards to taxation of freelancing work and do your own research. If you are underage, DEFINITELY get an adult’s permission before you start doing commissions, and have the adult help you through the process.   

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OTHER POSTS YOU MAY FIND USEFUL:

An Extended Post on Pricing Yourself for Commissions

Dealing with Imposter Syndrome/Feeling ‘Not Good Enough’

Growing Your Audience

Advice for Starting Digital Art