#and I can't stand people saying that when it makes ZERO sense

[austenpoppy]

Dumbledore didn't give Ron the Deluminator because he knew Ron would leave

This claim makes no sense. How was Dumbledore supposed to know that Ron would leave? Ron didn't leave in any circumstances. Ron left after being badly Splinched but never recovering properly, all while starving and freezing for months, while being mentally tortured for about 12 hours every 24 hours for months, while feeling hopeless because the trio was not moving forward with the Horcrux Hunt, and then again only after he learned that his sister had been cruelly punished, that another of siblings had probably been injured, after feeling invisible and useless while wearing Voldemort around his neck, and after a fight during which Harry himself unwillingly confirmed Ron's worst fears and told him to leave three times.

Ron would have never left otherwise, especially if you remove the "mentally tortured for months" part.

Was Dumbledore supposed to guess Harry would have the brilliantly stupid idea of putting a Horcrux around his neck?

And even then, Ron only wanted to leave for a few minutes - no, scratch that - for a few seconds after he Disapparated. He just couldn't come back right away because of the Snatchers. Think about it: if Ron hadn't fallen right into a gang of Snatchers after Disapparating, the Deluminator would've been useless ! (and side note for the people who think Ron couldn't have come back because of the wards put around the tent; Ron definitely could until Harry and Hermione left, in fact Ron did come back to the spot where they were though it was too late, and Harry and Hermione themselves knew Ron could technically come back since they dragged their feet before leaving and waited until the very last moment).

This to me relies too much on unlikely probabilities to make sense.

Even worse is the fact that the Deluminator only started to work once Hermione said Ron's name. Let's even assume that Dumbledore somehow read the future and knew Ron would leave and wouldn't be able to come back; somehow the object you give to him to ensure his way back doesn't work on its own? Ron can't just want to come back, he has to wait for somebody else to say his name first?

What a half-assed plan.

And for the geniuses who somehow claim that Dumbledore knew all along that Ron would leave: if Dumbledore had such an insight into Ron's character even if it made zero sense for Ron (Ron!) to want to leave Harry, how come he didn't predict that Harry would not want to hear or say Ron's name again if Ron left, and that Hermione would follow his lead?

None of this making any lick of sense, I'm presenting to you the more probable idea that Dumbledore knew the trio might be separated at one point (this was already way more likely, there were many scenarios in which the trio could be separated... for example, the trio was even separated at the Ministry even if it wasn't their plan !), and knew that whatever happened, Ron would want to be reunited with his friends above all else (like, for example, Harry not only feared his friends would leave him, but was also tempted to go on the Hunt alone; had the friends split, he might have thought that somehow this was for the best and that looking for them would endanger them), that Harry and Hermione needed Ron to function properly, and that out of the three of them, Ron was the more likely to get the trio together again.

Thus having the Deluminator work when Harry or Hermione said Ron's name makes more sense: if they were separated, one of them could call Ron for help and Ron would come to them no matter what.

[balkanradfem]

Debunking the 'males follow reason, women follow emotions' myth

A woman makes a rational demand to a male, he denies her. She gets frustrated and upset, he accuses her of being overly emotional, and the reason why women can't make good decisions. It's a situation we've seen repeat over and over again, and we've gotten convinced. After all, m*n don't get emotional, they make rational decisions, they don't have that annoying trait of having to cry or care too much, they just do what is right in any situation, while a woman could never stand in their place.

Historically, m*n have been making a lot of these, rational, non-emotional decisions, so let's analyze how they've been doing. Historically, a lot of m*n have both started, and fought in wars. According to them, this is a logical, hard factual decision they've made, and they're proud of it, wars are integral to humanity, we have to fight if we want peace, and so on. So rationally, what do wars achieve for humanity? Mass destruction, mass murder, terrorism, mass rape, mass famine, intense trauma, destruction of environment, destruction of animals, destruction of culture and property, sea of corpses. But, m*n have decided that this is reasonable, because to the country that's been doing it, it can bring new assets, colonization of land mass, new natural resources to exploit. Massive damage to one part of the population for the benefit of another part, this they say, is rational.

If you're a male, it's rational for you to cause damage to countless individuals if there is some sort of benefit to you in doing it. This is presented to us as a reasonable, human and rational thinking. They've not only indoctrinated us to believe this, but put this into their laws. They've created laws that allow them to commit murder under the circumstances of war. They've made sure to give themselves a way to commit murder to get what they want, and not be punished. Again, this is presented as inevitable, cold hard factual thinking.

I would argue that the emotions followed here are greed, sadism, pride, and deep sense of egotism. Deluding themselves into believing that the entire world is turning around their personal needs and wants, and any amount of damage made for this cause is irrelevant. This isn't rational thinking, this is selfish, valuing themselves to the point where other human lives have zero value to them; it's irrational. A woman who puts herself before others is immediately informed that she is objectively selfish, irrational, unrealistic, self-centered, and deserves any kind of harm going her way. M*n have been operating like this from the beginnng of human life, and expect to be praised as 'rational and objective', by these same women they call selfish for not acting as free servants for a second.

Let's look at another 'rational' concept males have created and developed: capitalism. Cold hard logic is – if you can exploit other people to the very maximum, and take the value of their labour for yourself, you should get to do it, and if you can't, work until your health gives out and you die in pain. Again, a group of people gets power to exploit another, resources are given to those with financial power; those who do not have it, have to fight to survive. We know at this point it's caused deaths, sicknesses, mental illness, hunger and low quality of life to the majority of the population, we also know it's caused massive environmental damage, to the point where the climate of the planet is threatened, and animals under mass extinction. Was this a logical move? Was it a normal, rational system to build? Yes according to m*n, because they get to use their financial power to rape women they wouldn't otherwise get to rape.

I would argue again, that the emotions followed in this case are selfishenss, cruelty and greed. When a woman tries to exploit people around her for her own benefit, she is called the worst slurs and names imaginable, and no punishment is too cruel to inflict on her. While m*n have been doing this for centuries and apparently we need to acknowledge that this is in fact, smart, rational and reasonable way to live, and also inevitable.

So let's see what women have been doing on earth at the same time while m*n were busy murdering people in wars and inventing financial systems that bring destruction; women were creating the human population. We were making sure that everyone alive gets to eat, drink, clean clothing, care. We were putting our labour and our minds in taking care of our family members, and fighting for our human rights whenever the situation, or the information we got allowed for it. We struggled to stand up to power-hungry m*n in our life who would exploit us, we studied and invented, we found our ways in every trade, every school, every cultural institution that did good to the planet, and we outpreformed m*n almost immediately after we got in. We gave our lives to make sure the human race isn't erased by the amount of murder and terrorism going on. We put our efforts into protecting the environment, we figured out medicine and then got destroyed for it, we lost countless of our own to murder, rape and torture, we tried to keep safe the ones who got hurt.

While m*n 'rational' and 'logical' thinking lead us closer to destruction, we've been fighting to preserve life.

Having the creatures in charge who believe themselves more rational, but function out of a place of empty pride, absolute ignorance, endless hunger for power, endless greed and insatiable sadism, is not a reasonable way to lead the civilization. In fact, it's been proven over and over again, that this causes low quality of life for everyone, creates practices that allow and support cruelty and destruction, and deals massive trauma and pain to the most of the living humans.

What is 'reasonable' to them, is for them to ignore everyone else's emotions, well being, safety, even the right to exist, and follow only their own. The reasoning they follow has nothing to do with being rational, it has to do with being selfish, proud, ignorant, and I can't stress this enough, being incredibly and utterly stupid. They're destroying the land they depend on to live, and feeling proud and rational to do so, while calling women stupid and selfish for wanting human rights.

It's been enough of this. A rational male has not been born or seen on this planet. We need to assume that every time a m*n says something, he has absolutely no clue what he's talking about, and is likely attempting to cause some damage for his own benefit – in all cases we will be right. We cannot let someone with a track record like this to be in the charge of decision making, nor should we respect their decisions. They couldn't even make laws that protect human lives. They couldn't even base their own accomplishments on the things they achieved – they had to take credit for our achievements over and over again. They are irrational, power hungry creatures that stop at nothing, humanity means nothing to them, human lives have no meaning to them. But they do to us.

We can make decision that make sense, specifically because we care about not destroying lives or the environment. We are capable of making the 'tough calls' because we will make the call that will not result in mass destruction! The only thing they keep holding over our head is that we don't have experience – but we can get it. And experience never helped them make less destructive, less stupid choices.

Male emotions are based on self-delusions. They refuse to see any consequence of their action, and play ignorant to the very end. Their empty pride, empty self-importance, empty confidence and empty arrogance is based on nothing but the lies they've told to themselves. Even slight factual analysis and statistics that come from male decisions, make their reasoning crumble into pieces.

Women's emotions are substantiated by facts. In every case when a woman has been told off for being emotional, she's getting gaslit and turned away from the cause of her emotion, which is always factual. It is reasonable to be upset at being treated as less than a human being. It is reasonable to care about the lives of other human beings. It is reasonable to care about the state of the world, state of the environment. It is reasonable to stand against destruction and loss of human lives. And yet we get told off for having the most substantiated, reasonable responses to male violence and terrorism.

And then there's one emotions males love to use to pretend they're not emotional: anger. It provides them with enough threat to stop women from analyzing and pointing out the failure of males, it works to protect them from the realization of how useless, harmful and destructive they've been. Making horrid, harmful and selfish decisions and exploding in anger if anyone comes close to pointing it out, coupled with blaming everyone else for having an emotional reaction to being harmed, is their primary 'reasonable' way of managing life. And this is what we have in charge on earth. A creature who causes damage, and then uses emotion to hide the damage they've done, while pretending to be an ignorant little baby, blissfully unaware of anything he does having any consequences.

We're done believing their lies.

[homunculus-argument]

I love it when there's people in the comments of supremely bizarre and absolutely incomprehensible videos providing context so you get a better grasp of whether something that makes zero sense to you actually makes any sense at all. Like you can see shit like a video of a teenage boy standing on top of an exercise ball that's lager than he is tall, inside something that appears to be a barn, holding a length of rope, triumphantly yelling something completely incomprehensible, clearly about to do some kind of a stunt, failing immediately and slamming into the barn wall, falling right through. And there's people in the comments providing context like:

"That's not just unintelligble nonsense btw, he's speaking [language], but I can't quite tell what he's saying because he's speaking in such a strong [region] dialect that I can't make sense of it. Something about the sky, springs, and nut butter." "[Region] native here - he's announcing that he is going to anally fuck the sky until the sky prostate orgasms peanut butter. It doesn't make any sense to me either." "I'm not trying to question the validity of your translation but how do you fit that much meaning into like three words." "That's actually five words but two of them were compounds. And yeah [region] dialect has a specific slang verb for 'to anally fuck someone until they nut from a prostate orgasm." "Why the fuck do you need a specific word for that?" "Nothing else to do around here I guess."

[worksby-d]

They Can't Take What's Ours

Pairing: Andy Barber x fem!Reader

Summary: You overhear some people talking about your and Andy’s relationship and you don't want Andy seeing that it bothered you, but he's too attentive. 

Warnings: Age gap, established relationship, terrible coworkers, hurt/comfort-type vibes, sooo soft. 

Word count: ~2,200

a/n: A lovely anon asked if I could write something inspired by Ours - Taylor Swift so this is my take on that <3

Divider by @.saradika

Your hurried steps come to a pause right outside the door to Andy’s office. Closing your eyes, you take a deep breath in, but can’t get yourself to let out more than a few shallow ones. 

Normally you’d be elated to have an excuse to see him for a few seconds in the middle of the day, but you know as soon as you walk in his face will drop. You can only conceal so much from him. He knows you too well and will see your bad day written all over your face, even if you are somehow able to muster a fake smile real quick.

Walk in, grab what you need, and walk out, you tell yourself. 

Someone turning the corner into the hallway you’re stalling in is your final push to finally walk in so no one else passes you and wonders what you’re doing outside his office.

Your eyes are on the ground, but you hear his voice, telling you he’s on the phone. You’re able to let out a discreet breath of relief as you reach for the file you came for and quickly turn to walk back out. 

The doorway is within reach when you hear him tell whoever’s on the other end of the call that he needs to put them on hold for just a moment. 

“Y/N?” 

It’s not like you to be in such a hurry with him. He caught a glimpse of your face and just needs to know you're okay. 

Overly conscious of the fact anyone could be in earshot, you answer with, “Yeah, Mr. Barber?” 

He knows for certain now that something's off since you didn't just use his first name. There’s zero reason for the formality right now. 

You avoid turning back to him, but he’s a step ahead of you, making his way across the room to gently grab you before you can walk out. He swiftly closes the door so there's no chance of anyone seeing you guys. 

“Stay, please,” he asks, letting go of you for just a second so he can step back to his desk to pick the phone back up and let them know he has to call them back. 

He waves his hand for you to follow him into the meeting room connected to his office for a better sense of privacy. 

“What's wrong?” 

The concern lacing his voice makes you feel bad, and you know he'll stand here with you all day if he has to to get something out of you. 

“I'm fine,” is the best you can offer.

You haven't allowed your eyes to meet his once though. He brings a hand up, using his fingers to gently move your head so you're finally looking at him. Your eyes look puffy and your makeup looks different than it did this morning, like some has been rubbed off. 

“Have you been crying?” 

“Can we talk about it later, please?” 

He pauses. He doesn't want to wait until later. He wants to help make you feel better now.

“I promise I'm fine, I just need to get back to work.” 

A small defeated frown tugs at his lips. 

“Okay… Later,” he says softly, but it's stern too. He’ll hold you to that. 

He leans to give you a quick kiss before walking you out, but you turn your face so his lips land on your cheek.

He holds back from pressing it any longer though, following as you walk out so he can open his door for you. 

“Meet me back here later so we can decide where to have dinner tonight?” 

“Sure,” you nod, forcing a small smile before leaving. 

He’s never ready to leave on time, so you walk into his office quietly when you come back at the end of the day, not wanting to interrupt anything. 

“Hey…” You speak softly to get his attention. 

He looks up right away, greeting you with a smile. “Hey, sweetheart.”

His glance lingers, taking in the sight of you looking better than when he last saw you. Your eyes aren’t swollen anymore and you’re not so tensed up.

“I knew you wouldn’t be ready to go yet,” you laugh a little, closing the door behind you before making your way across the room to sit on his lap. 

“You know me so well,” he teases. “I’m almost done, I promise.”

Truthfully, he’s not getting any closer to being done, only pretending to finish up while he waits for you to address the elephant in the room. 

When you don’t say anything, he breaks the silence for you. 

“It’s later… You wanna talk about it?” 

You shake your head, letting out a short laugh. “Not really.”

He has a hand resting on your thigh, holding you in place. He strokes his thumb gently telling you he’s ready to listen. 

“I overheard some people talking about us today when I walked by one of the breakrooms,” you start. 

Finally looking into his eyes, you expect him to start asking questions, but his brows just knit together, waiting for you to go on. 

“About how they don’t get us, assuming I’m somehow using you,” you recall. You wish you would have just walked away, but you couldn’t. “And something about you not being able to date anyone closer to your age because no one older than me would put up with your baggage, or whatever.”

“Who?” He asks quietly, but he sounds serious. “I’ll take care of it–”

“No, please,” you beg softly. “That’ll make it worse.”

“I don’t want anyone around here making you cry.”

“I know,” you chuckle, sniffling a little. “But you doing anything would just give them more to talk about.”

The look on his face softens, and he brings a hand up to wipe a few tears that escaped off your cheeks. 

“It’s not like we’re all over each other. It just caught me off guard to hear anyone talking about us, I guess. I don’t know why they would be…”

You’re both conscious about keeping your relationship private at work. You’re aware that most people probably know you’re together since you come in together and show up to events together. But most days you go without seeing each other at all until you meet like this to go back home at the end of the day.

“Sounds like they need more work to do if standing around talking about other people in the building fits into their schedules…”

“Andy,” you laugh a little, shaking your head at him. “It’s okay. I don’t know why it bothered me so much.”

He lets it go, pressing a kiss to the side of your forehead. 

“I know what it’s like to hear people talking behind your back…” He says softly.

Of course he does. Anything you heard is minuscule compared to what he’s probably dealt with before. 

He kisses the sympathetic look off your face. “I know what’ll make you feel better though.”

His hand leaves your leg so he can reach into one of his pockets, pulling out your engagement ring. He only proposed a couple days ago and you haven’t worn your ring at work yet, but you ask him to hold onto it for you so it’s not laying at home. 

“Can I give this back to you?”

“Yes please,” you giggle, holding out your hand for it. 

But he insists on putting it on your finger for you. “Let me.”

You smile at the diamonds glistening back at you, but it quickly fades as you look back up at him. 

“I’m sorry I don’t wear it here yet,” you whisper.

“You don’t have to,” he shakes his head. “It’s okay.”

He knows it’s not insecurity about your relationship. Your yes when he asked you to marry him a few days ago came out faster than he could have ever hoped for. It doesn’t cross his mind to question you over leaving it off just these few hours each day. He knows you like to keep things private, that you’ve never been one to overshare at work. It’s a wonder how he somehow broke through your guarded exterior all those months ago and became such a big part of your life. 

“I love you.” You kiss his cheek and move to get up. “I’ll let you finish up.”

“No, this can wait,” he says, quickly tidying up his desk, and gets up behind you. “Let’s get out of here.”

Your hand instinctively finds his, intertwining your fingers as you walk out together. You freeze for a split second though. “Oh– We didn’t decide on dinner…”

“I got it figured out,” he assures, giving your hand a squeeze to keep you walking. 

The car is quiet as he drives, your exhaustion from the day setting in now that you've gotten away from work. You let your heavy eyelids fall closed, only as a means of resting your eyes, but the way you jump when you feel Andy’s hand on your shoulder, you figure you did accidentally fall into a light sleep. 

“We’re here.” He gently shakes your shoulder before getting out of the car so he can walk around to open your door for you. 

You kind of knew where he was taking you based on the direction he headed when you left work. 

Luckily, he and you share a favorite restaurant. You frequent it as often as you can, the staff always joking that you're keeping them in business each time you walk in the door. 

You know something is up when the hostess at the front doesn't walk you to a table though.

“I know where we're going,” Andy winks at her and she just smiles, laughing at the questioning look you flash at each of them. 

He swaps which hand he's using to hold yours so his other can rest on your lower back as he guides you to one of the secluded corners. None of the tables are being used except one that’s set nicely with some candles and already has glasses of water and appetizers on it. 

“Is this for us?” 

Andy laughs at how you do that thing again where you stop in your tracks and he gets tugged back too because he's holding your hand. 

“How did you do this?” 

“I asked them very nicely and promised a lot of big tips for everyone who helped set it up,” he explains, pulling you closer to wrap his arms around you. “I called shortly after you were in my office earlier. I just wanted a nice evening alone with you.” 

“You're crazy,” you whisper against his chest, letting out a small laugh. 

“Maybe,” he teases, dropping his hands from your back to grab yours again to bring you to the table. 

You pull him into the same side of the booth with you before he can pretend he doesn't want to. 

As soon as you're settled, a waiter is greeting you guys, helping move the plate and set of silverware on the other side of the table to the side you're both on. 

“Can I get either of you something else to drink?” 

“Uh, yes,” you chuckle, definitely in need of alcohol after the day you had. 

Andy orders a drink too and expects the waiter to walk away right away, but he looks back to you. 

“Could I see your I.D. quick, miss?” 

“Oh! Yeah–” You have to dig through your bag to find it. 

“You don't wanna see mine?” Andy scoffs, joking with him. “What are you saying, man?” 

“I mean, if you wanna show me yours too…” He laughs, holding up his hands as if to say by all means. “But I believe you.” 

“Unbelievable–” 

You playfully swat at Andy. “Leave him alone.”

Reaching across with your card, you tell the guy to ignore the pity party he's throwing.

He likes to joke about these things, but you can tell he goes through small bouts of seriously realizing he's getting older. 

“Don't pout,” you tease, bringing a hand up to his face to physically turn his frown upside down. 

“I'm not,” he grumbles quietly.

He pulls you closer and you rest your head on his shoulder, feeling completely relaxed for the first time today. 

“You know what bothers me the most, right?” You break the moment of silence by reflecting on why you were so upset today. “I thought about it on the way here.” 

“What is it?” 

“It's not about people talking about our relationship,” you shake your head. “I know what we have and it's nobody else’s business. But I hate hearing anyone’s negative thoughts like that about you. You're the nicest, kindest guy and it hurts to hear anyone doubt that or doubt that I'm the luckiest person in the world for being with you.”

“I do have baggage though…” He tries to joke. 

“But that doesn't matter,” you chuckle. “Everyone does.” 

“Don't you worry your pretty little mind about me,” he whispers, turning enough to urge you to lift your head off of him. “I don't care what they say.” 

“I love you,” you smile, leaning to give him a kiss. 

“I love you, too.” 

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[starrystevie]

18+ | modern office steddie au | cw: public sex, undernegotiated kinks, unsafe sex | crossposted to ao3 here

eddie doesn't do it often. okay, maybe that's a stretch. frequently might be a better word for it, more accurate. but he wouldn't say he does it everyday or anything. it's just a little break from the day, an escape from the monotony of corporate america.

he's only been in this new tech support job for a few months but he's already comfortable enough that working on his next novel at his desk doesn't give him anxiety anymore. he isn't afraid someone is looking over his shoulder all the time like he did when he first started with the company.

the thing is, eddie's good at tech. he's good at finding the problems, finding even better solutions. half the time all he's doing is updating and restarting people's equipment that hasn't been refreshed in years. so he finds himself with enough free time at his desk to work on the second installment of his fantasy novel when the problems seem to be at a low.

as he waits for his laptop to boot up, eddie cracks his knuckles and grabs his phone to send a text to his editor that may or may not also happen to be his best friend so he could cut back on over exuberant editing fees. he doesn't read the message over, just fires out a text to nancy quickly before pocketing his phone.

he only realizes the typo once he gets a laughing emoji in return and cackles at what he actually sent.

"getting ready to write some smut on the cock!!!!!"

it doesn't take long to send a winky face before correcting himself to say " on the clock obviously", before pocketing his phone and opening the document where his novel is. just as eddie is about to start typing, a voice behind him makes him jump out of his skin.

"what was so funny?" steve asks, arm propped on the top of his flimsy cubicle wall, legs crossed over one another, smirk on his face.

eddie forces himself not to swoon. he takes in the way his white button up stretches across his chest, dress pants oh so snug over his thighs, hair pushed back in the way that only steve harrington could pull off. he may have only been at the office for a few months, but ever since he first saw him, steve very quickly became the only thing eddie could think about.

"i'm sure you wouldn't find it funny," he starts, tilting his laptop screen halfway shut so steve can't catch him doing his other job, his favorite job, while at work.

steve smirks again, his cheek lifting enough to crinkle his eye. "try me, munson."

with a dramatic push, eddie rolls in his wheely chair and stands up so he can keep his voice low. "i sent my editor a dirty text on accident."

if steve's surprised, he doesn't show it.

"editor, hmm? for what?" his voice is as low as eddie's and it makes the cubicle feel even smaller than it is. like everything in the world has zeroed in on their whispers to each other.

"i might be writing a book. well, technically i've already written a book. this is just the sequel."

steve's eyes flick from eddie to his laptop and then back once more. "is it anything i'd know?"

he cackles again, picturing steve reading his smutty fantasy novel, eyebrows furrowed as he tries to make any sense out of the haphazard world map eddie drew for the back page. but then again, he could easily picture steve in the world he made. he'd be a prince- no, scratch that, an elven prince- just like the one he's writing about in this one.

"i do read, you know. i'm not entirely up to date with everything but i do like books." steve says it like he's almost hurt and it makes eddie look back up at him, mellowing out his wide grin into a softer smile.

"oh, i wasn't doubting that. i just doubt you read elf porn in your free time."

whatever hurt was lacing through steve's face is gone, replaced with wide eyes and eyebrows to his hairline and a bright smile pulling at his cheeks.

"yeah," he says a little breathless, "yeah, definitely not the first thing i'd reach for."

eddie gives him a told-you-so head nod and brings a hand up to run through his hair, tracking steve's eyes as he follows the motion for a moment. having his eyes on him rushes through eddie like a wave crashing and he's halfway tempted to do it again if he didn't think it would look forced.

"well you probably don't know mine then."

as he turns to go back to his chair, he hears steve cough to get his attention back, arms crossed over his chest to make his shirt pull taut over his beautiful, gorgeous, annoyingly perfect biceps. "so what was the dirty text?"

"well, it was actually a typo," eddie starts, cocking his head to the side with a smirk as he pulls out his phone, "so an unintentional dirty text. but still funny, none the less. and i don't think i can say it out loud without getting hr called on my ass so-"

he holds up his phone so steve can see the brief conversation between him and nancy, watches his eyebrows shoot back up to his hairline, watches as his mouth drops open for a millisecond before giving eddie another goddamn smirk. steve leans back, drops his arms to put a hand on his hip, and looks eddie less than subtly up and down.

"so... do you want to?"

eddie can feel the moment his heart stutters in his chest. a combination of steve's general... steveness plus the implication of what the text said and his mind travels to a dirty, dirty, not meant for work place until he pieces it somewhat together and asks-

"...are you asking if i'm gay?"

steve huffs out a laugh and takes a step further into eddie's cubicle. there already isn't much room and with him coming in the tiniest bit closer, their toes are almost touching.

"sure," he says like it's the easiest thing to say on a thursday afternoon. "it can be a two-part question if you want."

a few things run through eddie's head all at the same time:

steve's close enough that he can feel the heat radiating off of the arm he now has resting on his desk, and he's really about to come out to a coworker which he normally leaves for at least 6 months into a new job, and that he thinks he's going to pass out if steve is actually asking what he thinks he's asking.

do you want to write smut while you're on my cock?

he doesn't know where he finds the courage, honestly. call it a slow thursday, call it a little extra motivation for his novel. eddie scoots closer and throws caution to the wind.

"then yes to both."

he's never seen steve's office. he's been to the top floors before when some higher up needed him to install a web browser on his new desktop so he has kind of an idea of what the private offices look like.

eddie didn't expect the first time that he got to see steve's office would be spread out, bent over his desk with his novel pulled up on his laptop while steve runs his hands over his ass.

"here's how this is going to work," steve whispers close to his ear while he lays against his back, snaking a hand up to undo the knot of eddie's messy tie, popping open a button on his dress shirt in the process. "you stop writing, i stop fucking you."

with a hum, eddie presses his hips back, up on his tiptoes with his off brand dress shoes pinching his feet tightly. "i think i can manage that."

"i'm not finished," he bites gently at eddie's ear lobe, returning his hands to palm over his ass cheeks. "everything i do to you, and i mean everything, needs to be written down. turn me into a character or something, i don't care, but i expect you to be thorough."

he doesn't mean to moan at the instructions, really he doesn't, but it's so easy to picture steve morphing into a character in his world. his mind races trying to figure out how exactly to write him into the scene that had already started, but with a snap of his fingers as the idea clicks, he writes out a quick line and looks at steve over his shoulder for approval.

"who's sylvar?" steve asks, pronunciation clunky on his tongue.

"sylvar is an elven prince, might as well make you him. besides, you both have an s name."

steve chuckles, his breath ruffling eddie's hair. "okay, fair. prince, huh?"

he doesn't have to look over his shoulder again to know that steve's smirking so he rolls his eyes and finishes the sentence, only breaking away to gasp as steve brings his hand between his thighs to spread them further apart.

"i'm gonna take a wild guess and say that elidyr is supposed to be you?"

eddie nods and pulls his tie off the rest of the way. "let's see, he's one of the prince's newest attendants, known for being a bit out of control, gets chastised for staring at the prince's ass in his khakis too much-"

"you're making that one up, huh?"

he tosses his tie to the side and brings a hand up to tangle in steve's hair, pulling his lips down to his neck and waiting for him to get the hint and start kissing. "steve, i'm making all of it up. that's the way writing a book goes."

"is that so?" he murmurs playfully against his neck, teeth pressing against the skin as he smiles, hands yanking on his hips to get eddie flush against his cock. "...i don't see you writing."

eddie huffs and shakes his head before writing out quickly how sylvar grabbed elidyr by the hips roughly to show him how excited he was. steve takes the typing as the go ahead and quickly undoes both of their pants before running his hands up eddie's now bare thighs.

he didn't really have any idea of how well he'd be able to hold out to steve's ministrations while having to write them out at the same time, but any confidence he had in himself leaves when steve's palm cups his cock through his briefs. eddie cants his hips forward and brings his hand back up to tangle once more in steve's hair.

and just like that, the touch is gone.

"oh, come on!" eddie whines and brings his hands back to the keyboard, typing in random filler words until suddenly he has no underwear and hands pulling his ass cheeks apart.

"gonna fucking take you apart... shit," steve whispers and eddie doesn't think he was supposed to hear it, but he writes it into the scene anyway.

there's a cool dribble of what must be lube on his hole and he fights against the shiver it sends up his spine. "you have lube in your office?"

"no, i have lube in my briefcase. big difference."

eddie doesn't really see how to the two are different, but he laughs to appease steve before getting cut short as a finger starts to enter him. he must whine, must jerk or do something wrong because it's leaving almost as soon as it had arrived.

"steve, i swear to god," eddie groans, head dropping down as he types without looking. poor nancy is going to have a hell of time reading and editing over this draft.

they both sigh when the finger presses into him once more and steve weaves his other hand into eddie's hair to pull him up and look at his screen. "there you go, just keep typing. write about how good it feels."

and shit. that's hotter than he expected it to be.

it goes well for all of a few minutes, eddie typing and steve reading over his shoulder, scissoring his fingers to get him nice and wet and open. they both somehow manage to keep their composure, filthy words being muttered out loud that then end up on the screen.

it's after steve gets him cock in him that it all goes down hill.

"oh fuck-" eddie moans as his leg gets hoisted up for a better angle. steve's grip on his hip is brutal, bound to be leaving bruises, as he pulls eddie back to meet him in the middle.

his chest is rubbing against the pleather desk cover, nipples catching on just the right side of painful when steve pushes his shirt up and out of the way. his dick is flopping against his thigh with every thrust, the lack of friction driving him insane.

he swears he only takes his hands away from the laptop for a second but then steve's pulling out quickly, dropping his leg and getting eddie off balance. he whines like he's throwing a temper tantrum before bringing his fingers back up to type more nonsense, gasping when steve slides back in like no time has passed.

"read it," he huffs next to his ear, "tell me how perfect you make fucking me sound."

"oh my god," eddie croaks, eyes rolling back as steve lets go of his hip once more to pull his head upright. "sylvar fucks wi-without abandon, hitting every right spot possible inside elidyr, the heat of his h-heavy cock punishing him making him mad with lust."

"good, yeah that's good. like when i fuck you hard?" steve grunts out before pistoning his hips even faster, eddie's moans bouncing off the bare office walls. "tell me more, keep going baby."

"the grip he uses to hold onto elidyr's hair is the only thing keeping him upright. this is all he could want, tending to the prince's every desire, being whatever the prince wants him to be." eddie expects it when the fingers in his hair curl even tighter, his back bowing against the desk with the pressure, but he still keens loudly at the pull.

steve chuckles roughly, like he's barely holding on himself, hips stuttering before evening out. "is that what you want?"

"wha-" eddie murmurs, not trusting his voice much more than that, his brain turning into mush. "is what what i want?"

"want to tend to my desires, want to be for me to use however i please?"

and the thing is, realistically, eddie knows this whole thing is weird, blending his two worlds together in a way he's never done before, but it doesn't stop him from forgoing the rules and bringing a hand down to work over his cock. "god, don't stop. please, please, please..."

steve must be tired of the game, too, because he doesn't even attempt to quit what they're doing to punish eddie as he stops writing. he barely has time to appreciate that the game is finally over because the hand in his hair slides around to rest gently around eddie's throat, pulling him up so his back is to steve's chest, every thrust punching out another gasping breath.

"answer the question," he says, punctuating each word with a snap of his hips. "gonna let me use you how i want?"

eddie has died and gone to heaven and the cause of death is a mixture of steve's tongue, hands, and cock. his mind wanders to what else they could do together, what else he'd let steve do, what else he wants steve to do. he sends up a quick thank you to whoever is listening that he saw the job posting for this company so he could be here in this moment with a possible sex god in his midst.

the hand that he had braced on the desk for support makes its way up to cover steve's on his throat, a barely there pressure combined with his quick fingers on his cock that sends him over the edge.

he breathes out a "yes" as he shoots come across the stop of steve's desk and see stars dancing in his eyes. steve fucks him through it, whispers filth of what he wants to do to eddie right into his ear, and when he comes back to himself, he digs his nails in the top of steve's hand.

"want it, want you, however you want me-" he chokes out.

and when steve finally comes inside of him, eddie makes sure he bends back down with his cock still pounding into him to write some line about how nice elidyr thinks it feels to filled up from someone who probably shouldn't be giving him the time of day. he tries not to find parallels as steve kisses up the back of his neck as he rocks his hips for the final time.

eddie's bare ass is in a mixture of their come as they maneuver him around to let him sit up and wrap his legs around steve's hips, pulling their spent cocks together while they lazily make out. steve's hands dance softly over his bare thighs, eddie threads his fingers through steve's hair.

"how does it end?" steve whispers against his lips.

"i don't know yet," eddie says truthfully, his mind wandering as kisses start to trail down his jawline. "how do you want it to end?"

"i don't suppose they have bars in this elf world, do they? one where they can go on an actual date to before going back to the palace or whatever to ravage each other?"

eddie grins, tipping his head back to catch steve's lips one more time in a slow kiss. "i can arrange for them to go to the tavern. i think they'd both like that."

the next morning, slightly hungover and draped over each other in steve's way too large bed, eddie ignores a text from nancy asking why the names change halfway through the draft and wondering who the fuck steve is. eddie silences his phone and goes back to sleep, so glad that he didn't double check his first message yesterday for typos.

[twisted-wonderland-but-gayer]

Hello there. I've seen your blog for a while but I'm finally requesting. What about a male yuu who has the personality of someone who looked into the eyes of God and fist fought him? A yuu who will kick someone's ass for breathing the same air as him. Azul and Leona don't stand a chance.

Fighty yuu to Idia and Malleus- Oh dear. Oh dear, gorgeous

Fighty yuu to everyone else- You fuckin donkey. *beats them with a chair*

Fighty Yuu

Oh yeah I also made Yuu stupid strong for the memes. I did the first 3 dorms cause I ran outta ideas. He him pronouns used

Ever since you first arrived at NRC, you have given zero fucks. After all, having constant visions about coming to NRC combined with the fact that you were woken up in a mysterious world after being kidnapped had already got you on edge. What really set you off, however, was the fact that nearly everyone around you was an asshole.

No seriously, you can't even have a good relationship with someone at this school without people thinking you're weird. On top of that, there's one dorm dedicated to being "alpha males". It doesn't help that everyone's mentality here is kill or be killed and the strong should rule the weak.

It only makes sense for you to try and blend in, right?

You truly tried to pick your battles sparingly. Truly. After all, fighting everyone would be a waste of time and energy, and yet on the very first day here, you had already gotten into your first big fight.

Forced to go to some dumb cave all because a trio of dumbasses already soured your mood. On top of this, there was now some sort of monster in the mines you were now in that wants to kill you, and unlike those three idiots Deuce, Ace, and Grim, you will have nowhere to go if you get kicked outta NRC.

This is how your main friendship trio soon learned about your fighting skills and knew even better not to mess with you. They even tried joking about it with their other dorm members who just brushed it off as an exaggeration… oh how wrong they were

Heartstabyul

It took everything in you to not jump Riddle the second he started insulting you. He wasn't worth it. Not in the slightest, so when given the opportunity to finally get back at him, who were you not to take it?

"Everyone evacuate the dorm right now!" Trey yelled out, guiding dorm members out of the front with Crowley as everyone ran from cover. "What's happening?!" Grim shrieks as Riddle's visible veins start to become black, a shadowy figure looming behind him as he changes shape.

"Overblot! It's an overblot!" Cater yelps, pulling Ace and Deuce by their sleeves to guide them out. "How do we stop it?" Deuce asks as he fights against Cater's tug. "You aren't seriously thinking of fighting it are you?" Crowley practically demands. "No, I'm with Deuce, we have to save him!" Trey pleaded with the Headmage as Ace butted in. "Yeah! I'm not letting him off the hook that easy!" Cater stared at his dorm mates, closing his eyes before sighing loudly. "Oh fine! I'll guess help, cay cay?"

"Wait…" you paused, thinking for a moment. "If we knock him out we can save him," you asked, glancing over at Crowley as the wind swirls and blows harder. "Well yes essentially—" The headmage didn't get to finish his sentence.

"Yuu what the hell are you doing?!" Ace squawks as you immediately charge Riddle. You practically pummel into the dorm leader, making him stumble back before swinging, getting a few quick jabs on him. You didn't even register the insults he spewed at you as he began summoning spell after spell to fire at you, which you dodged by sliding and flipping over.

The group behind you immediately acts as support while trying to get you to calm down. The battle was over quickly, much more quickly if you decided to try Trey's plan. Once the blot left Riddle's body, Trey immediately got to his side to start healing up every single bruise on his body…

"Who has the shitty upbringing now?" "Really Yuu? Right now?" Grim glared at you. "I'm just saying!"

***

Not many dorm members were there to witness your aggression, everyone sort of just thought of it as a joke. You're magicless, right? There's no way you did that much! Yet little did they know you were just getting started.

The Unbirthday Party afterward was a pretty good success, and you did apologize to Riddle for going a little overboard. (The group with you now knows to never cross you) and was an overall pleasant experience… up until someone invites you to play croquet against them…

There were many casualties that day.

Savannaclaw

"Sorry, you can't play with us Yuu, you don't have magic shishishishi!" Ruggie cackled as you sat down on the bench. "Beat their asses for me you four" You nodded your head over at Ace, Deuce, Grim, and Jack who were now fighting for your honor, investigation be damned.

Watching the boys was depressing. The four were completely uncoordinated. Running into each other and fumbling the disk. Idiots. It was their own faults they were so competitive. Through all the running and the spells, you overheard some snide remarks from the other team. Them insulting you is disrespectful. Them dissing your boys is a violation.

Ruggie flicks the disk over to Leona, who is poised ready to catch it. Merely inches away from his casting range, you snag the disk. Almost amused, Leona smirks. "You realize you're only allowed to use magic to make the disk float, Scavenger." The smugness in his voice was beyond irritating.

To prove a point, you slammed the disk through the air, sending the disk flying across the field and into the scoring ground, creating a small crater. "I don't need magic." You sneer at the lion whose eyes were wide before he narrowed them. "Come on guys, we're wasting our time."

Walking off with your squad, you don't miss how all the all Savanaclaw students you played against, especially Ruggie, gawk as you guide your homies off. The whole way, Jack asking how the hell you did that.

"Oh hes just like that Jack, shoulda seen what he did to Riddle!" Grim beams as Jack makes a mental note not to cross you.

****

The overblot incident with Leona was solved within minutes. Leona got got.

Octavinelle

You would think that Floyd, who is surrounded by two of the most informed people on campus, would know not to mess with Yuu. Chances are, however, that even if he did know, he would have actively sought Yuu out to mess with him anyways.

Floyd smirked down at your usual trio. "Crabby… Mackerel… and Baby Seal, ehe..!" The eel chuckles, satisfied with the name he has created for your group. "And then you…" Floyd turns to you, standing there with your cafeteria tray. The eel interrupted you before you were even able to sit down.

You keep your blank and tired expression as the eel approaches you in an attempt to intimidate. "You're a weird one, huh, little prefect?" You take a step back from him, trying to create a comfortable distance between the two of you. "Floyd, don't be rude to the Ramshackle Prefect now, that's unprofessional." His brother Jade gives his usual sadistic smirk as he places his hand on his chest politely, standing next to his brother.

"Aww but Jade! I'm just trying to give 'em a name… mmm…" You took another step back. "Hehe, the way your backing up reminds me of a lil shrimp!" Floyd laughs to himself. "I think I'm gonna call you Little Shrimpy hehe!"

"Um… OK... can I go eat now dudes? I have class after this…" A mischievous glint appeared in Floyd's eyes as his grin started to show his sharp rows of teeth. "Aww little Shrimpy is trying to be tough! How cute~"

"Don't call me that." "Oya? What's that?" Jade asked, his eyes narrowing at you as he smirks. "I said stop calling me that." Jade glances over at Floyd who absolutely beams. "Oh yeah, whatcha gonna do about little shrimpy?" You gripped your cafeteria tray tighter.

The twins looked at each other, chuckling, thinking you wouldn't do anything. Floyd leans in, voice dropping lower. "Well?" And like that, you slammed your tray into the side of Floyd's head.

The entire cafeteria turned to watch as you grab onto Floyd's hair and hit his head on the cafeteria tables and dragging him across the whole thing sending food trays flying in the air. The second Floyd got back his bearing he immediately started to kick and swing. You admit he did hit you pretty good a few times.

Your grip on his hair tightened as you continued to swing at him. The people in the cafeteria cheered at the sight, many chanting fight over and over. Every time Jade tried to step in both you and Floyd pushed him away.

It took a good amount of staff and your friends to separate the two of you. Even Azul had to hold back Floyd as he snarled fiercely, thrashing in an attempt to get at you. You ended up pulling out some of his hair as you both were forced away, he nearly lost his entire black locks of hair.

The Octavinelle trio will have to keep your personality in mind when it comes to future negotiations… Azul must make sure that his right-hand men stay by him when it comes to it…

Also congratulations! You unlocked a sparring partner!

[sweetcloverheart]

Clover Rants Miraculously: Unearned Defeat

Maybe it's the bitter Chloe Stan in me, but I genuinely do hate how her (And Lila's, frankly) "Downfall" in S5 was never actually about her bullying victims coming together as a community/group to finally stand up for themselves, but about the writers taking every opportunity possible to mock her (and her fans indirectly) because they were that desperate to get the audience onboard with her constant on-screen ridicule. Marinette wasn't allowed to actually stand up for herself against her, to get others to stand up for themselves, to get the class and their teachers to put their feet down in face of her cruelty and commands and finally say "No. I don't care if you're going to call your dad down to have me fired/expelled/exiled. I'm noting doing what you asked. I refuse to buckle under your threats anymore. The answer is no."

Instead, it's 27 episodes (and two specials) of "Isn't Chloe so stupid and dumb? Look at how stupid and dumb she is! She's too dumb to tell Felix and Adrien apart despite being their friend for years. She's too dumb to hide the fact that she hasn't been doing her own homework since Primary. She's too dumb to know Gabriel's tricking her into taking over Paris. She can't even spell 'Democracy' or scheme without Lila needing to hold her hand! What a moron, am I right?". Her friendship with Adrien gets ended over a randomly inserted event from a year ago rather than her steadily growing toxicity that's clearly changed her from the girl he befriended years before, just so Chloe can rant and rave about how evil (and stupid) she is, too much so to even apologize. Sabrina gets downgraded from friend/lackey to punchingbag/slave with nearly zero explanation on how the transition happened, before suddenly being inserted with morals during a scheme (when the upset's clearly more about her being upstaged by Lila) when she barely showed any remorse/reluctance before now and throwing Chloe under the bus to save herself under the excuse of "redeeming herself" to prove further that Chloe is too dumb and stupid to appreciate her friends. Her father, who constantly indulged her whims and turned the whole city upsidedown in her name even when unasked, calls her "Selfish and heartless" to a close friend, and barely reflects on how he might of had a hand in how that came to be, before tossing her to her neglectful mother as a "they deserve each other" punishment for her stupidity and evil. An entirely new character is introduced specifically to talk about how evil and stupid Chloe is and blaming her for her expulsion before getting casually tossed aside. An evil version of Marinette's existence is all but directly blamed on Chloe's bullying rather than the post-apocalyptic villainous dictatorship she lives under that forbids helping people, and even then, nothing comes of the mention as it just exist to remind the audience that Chloe is evil and stupid - even in alternate universes. We dedicated a section of the London special on how Chloe's too evil and stupid to change just to have it there (instead of actual being in London so the episode name would make some sense). Her defeat doesn't come from a clever plan, or the power of cooperation, or even love in the face of difficulty - instead, it comes from spyware and the heroes deciding "Nuhuh" as their transformation timers run out and the narrative shrugging before giving them a freebie by claiming they've "Grown up" without explaining how.

Even when Marinette is finally given the chance to shut Chloe down, it just...rings hollow, because it more about making Chloe look foolish and letting us laugh at her tears than making Marinette seem strong for finally standing up to the girl who's apparently tormented her since they were in diapers and yet somehow she's been beating the blonde down for the past 2-4 seasons with minimum effort. And even, it feels unearned because not only has Marinette not been allowed to build up to her defeat of Chloe to this point, she isn't the one who took her down anyways - convenience did the job for her and she just showed up at the right time to reap the benefits.

Marinette and all the people Chloe hurt should have been given this chance to grow and finally get back their agency from her, to finally defeat Chloe on their own - but instead, they're made passive players and props to the writers personal hit pieces against the loud fan minority on twitter, because a group of adults decided their personal hateboner against the fictional child antagonist they created was far more important than the story they were supposed to tell

[slay00ryu]

ronin hcs pls :3

I have barely any hcs but I will try my best!!!

Ronin headcanons made by yours truly, enjoy.

Fluffy ones:

- When you and Ronin decided to go and enjoy pride month on a parade the two of you saw a teenager. That teenager was carrying around their non-binary flag, but they were too scared to hold it out like most people did. You expected Ronin to ignore that, but instead he approached the teenager and held out their flag with them. You never saw him so attentive before.

- Ronin purposefully keeps some of his clothes in your wardrobe to see you wear them and then accuse you of stealing from him just for shits and giggles.

- When you walk past a stray cat and it happens to cling to Ronin he will stop to pat it. He would smile at the cat and say something like "Huh, you like rotten things too?" He would look at you after he said that.

- If you're also trans like he is and you have a dysphoric day he will make sure to help you with it. "Come on baby, you are who you say you are. And to me you are fucking perfect just the way you are." He would help you bind, or try to help you with your make up (probably will fuck it up on purpose if your mood gets better) or whatever else you need to help with your dysphoria.

- Ronin isn't really open about his feelings in words, yeah he will call you his darling or sometimes whisper an "I love you", but mostly he will show it through physical touch, he's touch starved after all. He will hold your hand, poke you to get a reaction, kiss your forehead, maybe even bite you. Big and small touches are just his thing.

- If you're having a shitty day then he will roll you up into a blanket burrito and watch some sappy shit with you so you would feel better. Ice cream craving? He already bought three different flavours? You want to smash something or someone? Baby, he's standing at the door with his crowbar and a baseball bat for you.

Angst shit:

- If you were to die but Ronin had zero control over it, he would be in despair. He didn't take your life, your death wasn't his plan or your pleading. You're just... Gone? He would feel empty for a while and then fill that void with more murder. If someone else dared to murder you they would be gone in a matter of days.

- If you and him broke up in bad blood and somehow you would leave that break up alive, Ronin would be closed off for some time. The server wouldn't notice the change unless they knew him really well. He would try to keep his edgy murderer persona, but if anyone even mentioned your name he would go quiet or leave the conversation.

- Sometimes he can open up about the mess in his head or what happened in his past. He wouldn't show how emotional these topics can make him, but if you've known him long enough you will see the change. Just be there for him, squeeze his hand and say that you need cuddles even if you know that he's the one who needs them, he won't cuddle you when he's sad, the devil doesn't feel sad.

Ronin™ type of shi:

- Ronin would push you until you kill him or a random person. He wants to corrupt your head completely. So as long as blood is on your hands then he will be satisfied.

- If you're obsessed with him then it will give him a strong sense of satisfaction. You not only need him, you can't live without him. His corruption worked out even better than he anticipated.

- If someone misgenders you, acts like an asshole or harasses you in any way, you can expect their aorta on a silver platter with a pair of eyes.

- Ronin will leave you a small message after a kill somewhere on a wall. "Love you rotten darlin'" or something like that. He will laugh at your reaction and say "Awh, but I thought that you would like this cheesy shit baby."

---------------------------------------------

That's all!!! I hope you're satisfied with these <3 I don't really make hcs so it was hard

Thank you for the ask!!!

Bye bye <3

Currently writing another rq, will try to post it tmrw

[m1ssunderstanding]

Get Back Rewatch 55 Years On: Day 20

I literally got second-hand anxiety hearing, “How many numbers do you think you’ll have by tomorrow?”. I was like. TOMORROW? They are Not ready. The only reason the rooftop works out is because they’re the fucking Beatles. No one else would pull that out of their butts so well. 

If only John could’ve listened to Glyn about Klein. smh

Classic Paul. Starts out saying “us” ends up just talking about John. “The best bit of us always has been, and always will be, is when we’re backs against the wall and we’ve been rehearsing, rehearsing, rehearsing. And he knows it’s a take on the dub. And he does it great.” It’s okay, Paul. We all know you like to get him up against a wall. No but seriously, Paul is not okay about John. 

Takes every opportunity to flirt, doesn’t he?

“I can’t wait to work here, you know . . . I mean, here in our life, it’s like home.” It’s the gentleness, yeah. But it’s the focus, too. Most people (I know I would) would be so done with him and his anxiety spirals and his neuroses and over-thinking on and on and on by this point. John probably is, but he shows no sign of that fatigue at all. He is zeroed in on working him through this. He’s done it a million times before, and he’s ready to do it as many more times as Paul needs. Ugh, they make me into such a sap!

“Yeah, well that’s why I’m talking to John, not you.” If Paul can talk like that to George Martin, one of the most respected men in his life, when he’s in the middle of a thing with John, imagine how he must’ve bullied other people that tried to worm their way in. 

That smile he gives George though! That’s how he got away with all his shit, isn’t it? So fucking cute.

“I agree with you, I think it’s disappointing, but all right, we only got to seven. Let’s do seven.” The tone of voice, man. So. Fucking. Gentle. No wonder Paul can't stand the projected "acerbic, tough Lennon" shit. If that was how someone treated you and took care of you? And then everyone acts like that part of them just didn't exist, and emphasizes the parts of them that they themselves hated and actively worked against? Yeah I'd be pretty pissed too.

Glyn reassuring Paul that there’s no reason they can’t come back and do a TV show later. Yeah, fifty years later. 

John’s eyes constantly flicking back to Paul as George is talking . . . 

George really does take so much better care of himself than the other three at this time. Pictured here, silently begging viewers like you to chip in just ninety-eight cents toward his freedom.

I actually think, though, that if Ringo had said he didn’t want to go on the roof either at that moment, that they wouldn’t have done it. I think they look to him for common sense in their decision-making, and Ringo saying he didn’t want to do it really might’ve broken the whole thing.

George’s reaction to Ringo voting for the roof VS John. It’s giving tragic heroine VS villain origin story

Honestly heartbroken at the “I love you, blue”. How many times did John just straight up say those words to Paul only for Paul to be completely unresponsive? That genuinely hurt to watch.

The tiny little looks they give each other. “Okay. We got this.”

“Fuck all that. I’m just gonna do me for a bit.” Good for you, baby. 

“I had a good dream last night, you’re black or you’re white, you want equal rights.” I know some people say it’s hypocritical or preachy or whatever, but I ADORE this John. Look how fucking happy he’s making Billy right now and then talk to me about how John’s political side is meaningless. I think it’s beautiful.

I think it’s actually too embarrassing for them at this point to sing Two of Us without being insane.

“We’re all sleeping at Georgie’s tonight. Get in the mood.” Oh how I wish they actually had. I mean, maybe they did. Someone write the fic!

Oh, the “who knows, Yoko,” moment. It’s so embarrassing. The fact that there was just no response whatsoever. Yeesh. 

So many nerves when I saw the camera zooming into that circled date with “Rooftop Concert” written on it. What is wrong with me?

[outlanderskin]

Every time I see a picture of or clip of Sam with Caitriona, I see him with the woman in London. I can’t erase that. Maybe it was the hand holding? I don’t know. His appeal has gone downhill considerably. Not because he’s dating, it’s who. And walking down the street flaunting. She certainly wasn’t going to be missed by any passerby’s. Not the best judgement me thinks.

Dear Anon, Do you believe this paparazzi walk was a real thing?

Should we then consider that everything Caitríona and others said about him are big lies?

Shall we remember some of these lines? Let's go

"We're both going through the same experience, so that's great, we both really understand that. I hope I’m as good support as he is to me.”

"Sam's just so kind.  He always checks in.  I don't know, he has one of the biggest hearts and smallest egos that I know."

“Sam was cast in June, so he was already, you know working out, building those big muscles he has. I walked in and Sam was just this calm center and there was zero posturing, zero ego."

“We have a similar approach to life and a similar approach to acting and it just works. Sometimes you just get lucky. Sometimes the stars align. ”

" When I first met Sam at our chemistry test, which I always think is quite funny, he was the nicest guy and he just put me at ease. I was a little nervous and he's just that kind of solid, grounded guy".

" From the moment we met, we got along. Sam is one of the most generous people you’ll ever meet. Such a great guy, no ego involved.”

"You know, I’ve had the honor and privilege of acting next to him and with him for almost 10 years now, and I know how amazing Sam is…”

Or should we ask Priyanka Chopra Jonas?

"He’s such a fun and funny guy, and he’s nice. For someone who’s a Sam fan, they’d be really excited to know that he doesn’t just play a good guy in this movie, he’s a really, really good guy, a complete gentleman and super thoughtful as a co-actor as well"

I won't name other co-stars, but it's easy to find on the Web what people close to him say about him. Another important point to consider: the woman who most publicly praises him (aka Caitríona Balfe) is a feminist (like me). And normally women like us don't become (or stay) friends with men who treat other women like dirt, firstly because we can't stand toxic masculinity and secondly because they can't stand our questioning about their attitudes. So, does it make sense to you that this Sam mentioned above is the same one from Pap Walk?

[thursdayinspace]

Made up title: The Ginger Invasion

ohh okay. that is so very clearly sick!fic?!

Mulder is sick. He never gets sick, and it's awful. It's terrible. He can't even get out of bed, that's how terrible he feels. He tries, he does, but finds himself on the floor after only two steps. The room is spinning, his stomach is extremely angry at him, and he doesn't know how other people do it. He's been beaten up, he's been shot, he's been tortured, but he thinks this bug, whatever it is, might finally be the thing that defeats him. He can't even go to the bathroom.

Everything hurts. He's too cold, then too hot, his head is pounding and Scully will be wondering why he isn't at work. He should call her. What time is it? He doesn't know.

"Mulder?"

He just about manages to lift his head and there she is, Scully, in his bedroom doorway; she turns on the light and it hurts his eyes, but even as he squints against it the glow of her red hair in the sudden brightness is enough to make him let out a relieved breath. "Hi." He hates to admit when he needs help. But he needs help. And help just showed up.

"Oh god, Mulder," she says, crossing the room in a few quick strides, and as she puts a cool hand on his burning forehead, he knows he's gonna be okay now.

--

He drifts in and out of sleep. He's lost all sense of time; it doesn't matter. He opens his eyes and sees her hovering above him, hair falling over her eyes as she leans down to put a cool cloth on his head. He wakes up and sees a flash of red, turns his head to see her putting a cup of tea on his nightstand. She helps him to the bathroom, and even with how small she is she manages to hold him up -- he looks down on the top of her flaming red hair and feels such a rush of affection it makes his heart clench in his chest. The back of her head as she stands and looks out of his window. Her hair fanned out all around her as she naps on the other side of his bed, seemingly unafraid of catching whatever it is he's not dying of, she has assured him that he will be fine. He's already starting to feel better.

When he closes his eyes, the light of the room turns to orange sunrises behind his closed lids.

"You really don't have to stay," he tells her after the first time he manages to make it to the bathroom on his own.

"I know I don't have to," is all she says, and makes him sit in the chair she dragged into the room while she changes his sheets.

"I'd be okay on my own now," he insists.

She turns towards him, pillow case in her hand, and looks unsure. "If I'm invading your privacy -"

"No!" he interrupts her quickly. "No," repeats, shaking his head. He can do that again without making the room spin out of control. "You aren't. I promise."

"Good." She sounds relieved. "Just let me know when you've had enough of me."

The chances of that ever happening are below zero, he thinks. "What about work?"

"I called Skinner yesterday" she says," and told him we were both sick. He doesn't expect us back for another two days at least."

"What if you get sick too?"

To that, she just shrugs. "That's a risk I'm willing to take. I'm not just going to leave you here, Mulder."

This is not the right time to tell her that he loves her, he thinks, but it is one of those moments where it's hard not to. "I'd take care of you too."

"I know," she says, and gives him a smile. "I've never doubted it."

"Scully?" He waits until she meets his eyes again so she can see how much he means this. "I really, really appreciate your invasion."

She turns her head away but she can't hide the smile that's taking over her face. "Anytime," she promises, and he believes her.

There's a red hair on his freshly-washed t-shirt. She must have left it there when her head brushed against his chest as she guided him over to the chair.

He leaves it there.

[pomegranate]

Hi I'd like to ask about the mash timeloop theory is it so that they repeat every day as a timeloop or is it a loop that lasts 11 years? I know that there are some jokes that could be taken as them timelooping but is there like a primer of sorts with the rules of it? Does every character loop or only one of them?

Hi anon! Oh this is a fun question and thank you for giving me an excuse to talk about MASH and time loops. First off, I will say I don't think there's any one interpretation of the time loop idea that has any merit above others - some people see the time loop as being the act of re-watching MASH over and over, putting Hawkeye back in Korea after finishing GFA. The time loop is also inspired by the series' lack of continuity, which can be easily explained by MASH airing at a time when continuity was not considered for a long-running television series. The Korean War was a 3 year war and MASH aired over an 11 year period. Other people don't necessarily subscribe to the time "loop" theory but rather just that time itself is wonky in the MASH universe, which is why I like my dear friend @mashbrainrot 's "time trauma" tag that covers any sort of questionable references to time throughout MASH.

Because the thing is - the show starts off with a time abnormality. The second shot in the pilot has the text "KOREA, 1950 / a hundred years ago" - meaning the pilot is addressed to viewers in 2050, which is an interesting idea to consider. But does the text fit with the time loop theory? It doesn't necessarily feel like it's part of a "loop" but it's still noteworthy, considering this is how the series starts.

Throughout the show, we have one-liners about the length of time that the MASH surgeons have spent operating. Frequently they liken their time in the O.R. to an eternity or a lifetime, and if we want to take a Doylist approach to these references, it's just the MASH writers using hyperbole to stress how these surgery sessions are all the same, one after another, dragging on and on. But the time inconsistency comes up in other ways, like the episode "A War For All Seasons" - a season 9 episode which inexplicably takes place between New Years 1951 and New Years 1952. It doesn't make sense timeline-wise if you look at the other dates given throughout the series before this point, but the writers weren't thinking about previous seasons when they wrote it because that is not how episodic television worked at the time. And then you have stuff like Henry & Potter having kids/grandkids of different ages, depending on the episode. Potter has his first grandchild in s4 but in s5 "Dear Sigmund", he says he's got a granddaughter about the same age as a patient who is approximately 7. There is absolutely zero point in trying to figure out a "realistic" timeline for MASH, in the end. It was a television show made during an era where episodes couldn't be rewatched endlessly and continuity wasn't really a big deal. It was enough that characters like Henry, Trapper, Frank and Radar get referenced long after they'd left the show, but there was no "show bible" and no long-standing plan for how the series would turn out.

WHICH IS WHY it's fun to play with the idea that a time loop is at play; maybe the loop resets every time a significant character leaves the 4077th (this was someone else's idea but I can't remember who at the moment I THINK maybe Kit (@nedlittle)?) or maybe it resets when you as a viewer restart the show. Or maybe it resets in other little moments; maybe it's not one continuous loop but a series of loops throughout the series. I don't think there's one agreed-upon theory when it comes to the MASH time loop but I do encourage everyone to check out Helen's time trauma tag to see some really great posts about the concept AND share any ideas of your own about time wonkiness within the MASH universe! (ALSO there are two great videos on the timeloop concept that i will reblog following this post)

[genericpuff]

So I just read episode 275 and I’m sort of confused?

(I took screenshots, but the ask won’t let me include them so) At the end of the episode Hera summons these little balls of light(?) , maybe small stars(?) and then she casts them down onto Kronos.

I feel like that was really anticlimactic and not illustrated well. Along with the viewer not seeing Hera fight Kronos, a God that’s been tormenting her, her last attack(?) doesn’t feel right — like, there’s no power behind, if anything, I’d compare it to what a healers animation in a game looks like.

Rachel even emphasizes how strong and brilliant Hera is with Persephone, but then doesn’t show us anything. I know the scene was split between Hera and Hades dealing with Kronos physically and mentally (asleep), but it was sort of disappointing.

What I think really sucks about the setup for the Hera vs. Kronos fight is that, as cool of a concept as it is to have Hera and Hades both fighting Kronos in separate timelines, it fails on multiple levels:

1.) All the build up of Hera saying "I was created to destroy you" winds up meaning nothing because it cuts away to Hades for the entire fight

2.) When it does cut back to Hera, she's just kinda... sitting on Kronos? Like what did she do besides just breaking one of his fingers? Why weren't we allowed to see that? I think this is more so clearly Rachel's inability to write/draw fight scenes showing through, so she relied entirely on the Hades' sequence which was less physical fighting and more just Hades monologuing before turning Kronos into a diamond.

3.) And speaking of the diamond thing... so we're just expected to believe Hades could turn not just people, but Titans into diamonds? This whole time? How is he just suddenly able to do this? It feels like a shonen anime where the main character has a flashback to a scene from 3 seconds ago (in this case, Hades' conversation with Melinoe) and then unlocks a new special ability through it, but it somehow feels even less earned than it does in anime (and trust me, I can't stand that anime trope at the best of times LOL) Like at least in something like Naruto it's like... okay we have this ability Naruto's been trying to master and we've seen him work at it for a few episodes so seeing him finally nail it on the brink of defeat is like, really hype and fun. But Hades just turns Kronos into a rock out of nowhere when we had zero reason or build-up to believe that would ever be possible. Why not, IDK, have Morpheus finally master her ability to dream dive and use that to trap Kronos in an eternal sleep? At least that would have had some pre-existing foundation especially with how much of S3 was focused on the dream diving shit. IDK, the whole thing's really contrived and silly and relies a lot on the reader just going "okay! yeah that makes sense!"

4.) So Hades turned timey-wimey Kronos into a diamond... but then it cuts back to present Kronos who's just been somehow defeated by Hera through ✨magic✨ and that's just it? What about present Kronos? Is he just still trapped in Tartarus now? Why isn't he also a diamond if Hades turned some past form of Kronos into a diamond? Or was the goal just to free Melinoe so present Kronos couldn't keep using her powers? But who's to say Kronos can't just do what he did again by reaching through time to grab Melinoe and start the whole thing over again? Especially now that Melinoe doesn't remember what happened and would be none the wiser that Kronos has attempted this before? Is it because this is present Kronos whose time abilities were 'exhausted' to him 'long ago'? Then how was he able to pull Hades into the time-bowl to begin with? Again, just like the diamond thing, this entire conflict relies a lot on readers just shrugging and accepting it because there's zero foundation for the concepts that are being portrayed and thus zero logic besides "just go with it".

I can go on and on about it but at the end of the day LO just isn't a comic that should have attempted having any big Marvel fight scenes. This is an issue in a lot of romance comics that have gone on too long, they start to lose the plot around their third season and then just throw everything out the window for some other big plot that makes no sense within the context of the story. Somehow LO, a Greek myth fantasy adaption, made fighting the God of Time seem out of place and boring.

God I can't wait for Hades 2.

[beauty-and-passion]

Stan's "Wheel of Shame" in thisisnotawebsitecom reveals that when Stan failed a history test so badly that he got a "mathematically impossible" F-, Filbrick's reaction was to make Stan stand outside for two days with a sign saying "Extra Stan-3 dollars or a better offer" and that (aside from an IRS agent) only Caryn showed up to his fake funeral, implying that Filbrick refused to go because he was still angry at him. What are your thoughts on what we learned about Filbrick at This Is Not A Website Dot Com?

Considering the new things we learned, I think it proves my point even more: Filbrick was a man of his time, unable to express his feelings in less stern, "tough" ways.

Leaving your own son out with a sign as if you want to sell him it's awful and if someone tries to do the same today, they should be put straight into jail and the cell key should be thrown into a lake. But for Filbrick's mentality (i.e. the mentality of a man from 1920 more or less), this was probably the only way to show how truly angry he was at his son's failure.

Failing in school wasn't a novelty for Stanley - so it probably wasn't a novelty for his parents either. But taking the worst grade ever (im)possible? It's very plausible that it lit Filbrick's short fuse immediately. So, once again, if we add:

his superpower of getting immensely angry immediately

the mentality of a man from 1920 - when getting good grades was essential and fundamental to prove your worth as a person

we get a punishment that made zero sense, didn't help Stanley in the slightest and only proves how angry Filbrick was. In fact, we never see Stanley trying to replicate or to take something useful from it: it was just a petty and useless reaction, period.

While not going to the funeral... I don't know why, but I just thought Filbrick was already dead and that's why he didn't show up :P

But if he wasn't dead and didn't show out of anger... well, I wouldn't be very surprised either. Old people are stubborn and old people from past years were even more stubborn. I have stories of people from my family / the town where my grandma was born, who held stupid grudges for so long, to refuse to show up to the other person's funeral. Maybe because the other person broke some stupid social rule or maybe because they couldn't do something that wouldn't have been "socially acceptable" or some other stupid shit.

Yes, unfortunately, that was a thing. And yes, it's as stupid as it sounds.

So, if Filbrick was still alive, I don't find it very weird that a man in his... what, 80es? 90es? refuses to attend his son's (fake) funeral, because he still holds a grudge and, according to the social conventions he followed for all of his life (i.e. a man should be tough and never say sorry), cannot afford to show any weakness - not even for his own son.

And if today we can look at these kinds of behavior and realize how stupid they are, I can't help but feel a bit of pity too, for how these people ended up wrapped in their own stupid social conventions and grudges for so long, to not back up even when facing death.

[cuephrase]

Of the DC comics you've read so far, what would be your top recommendations for people to check out/what have you enjoyed the most?

when i tell you i have been thinking about this all day- i have been thinking about this. all. day.

so disclaimer, as of writing this, i have only read 31 runs from start to finish and 18 arcs/events outside of those runs. on top of, everything i've read so far has been strictly robin-centric, so dick, jason, tim, and damian. (i have read all of steph's robin appearances lol, but i haven't gotten to reading material for her, like say batgirl 2009, yet.) i've also decided not to rec from any run i'm currently reading, so for example, you won't see any batman: gotham knights recs here. because i'm most well-read on the robins, i'm only going to rec for them.

also, i'm going to operate under the following assumption: you've got a basic knowledge of the robins. none of these are where i would necessarily recommend anyone start reading about the boys, but i do think they'd be pretty interesting if you're already somewhat familiar with them and don't want to commit to reading whole character backlogs. does that make sense? i hope that makes sense.

alright, let's do this!

DICK GRAYSON

oh god. this one is actually so hard because he has so much great stuff, but then also i have like a love/frustrate relationship with so much of it. like for instance, i really enjoyed The New Teen Titans, but also lowkey can't stand space adventures so whenever that went down i was like 😀👍. but okay. hmmmm.

i have two preboot recs, with explanations + caveats.

devin grayson's mob!dick arc, so Nightwing 1996 #99-100, 107-117. caveats: it doesn't really get to finish playing out/wraps up weird because of editorial changes/infinite crisis. but!! it's a super interesting look at how dick handles...failure. how he values himself in light of that failure.

tomasi's run, but specifically #147-153. (listen, i love the dick and tim moments in 'freefall' but the whole eternally pregnant lady thing was too weird.) this is classic, hyper-competent dick, okay? he's such a bad-ass. and an idiot- bro literally flops his severely injured ass over the bars of his glider and rides it UNCONSCIOUS back to the batcave. i can't with him. poor alfred. anyways, he deals with two-face, always a good time. and then at the end, as a treat, he cries because bruce is dead. so fun!! what was my caveat here? oh yeah, he has a girlfriend. i don't remember her name, she serves like...very little purpose, the whole relationship is very minor/background okay, but like it was so unnecessary. he can be single, dc, it's okay.

for post re-boot, just read tom taylor's run!! it's the best thing ever!! zero complaints!!

HA. yeah, just kidding. that run is very like/frustrate for me lol. oh man i'm struggling here. it's not all bad okay, i'm just really picky, and i haven't re-read any nightwing n52 and onwards since my first foray into comics (8 months ago) so my memories of these are the foggiest and i'm not sure how i feel about all of it in light of what i've read now. yk what, i'm just going to...not rec anything. sorry!!

JASON TODD

his comics either go so hard or they're absolute ass, why is there no in between. istg, i can't figure out why writers struggle with him so much?? well. i mean, i do have theories. but you didn't ask for those!

pre-boot:

detective comics #569-574. robin!jason in the hands of writers who like him is so much fun. which, don't get me wrong, i don't flat-out hate how starlin writes him, but i think you get a more well-rounded view of jason as robin when you also see him in 'tec. jason and bruce tangle with the joker, scarecrow, + mad hatter, and all of those adventures are...idk if they were intentional foreshadowing okay, but reading those and knowing where the story goes? oof. especialllllly #574. caveat: #572 is pretty light on jason, but he is great when he's on panel!

reboot:

probably a very basic answer but rhato rebirth (2016) #1-13, annual #1. i abhorred n52 rhato so i almost skipped rhato rebirth since it was still written by lobdell, but i'm really glad i didn't. i really enjoy jason's relationship with bizarro + artemis, but especially with bizarro because i think jason struggles a lot with feeling like a doomed creation, so yk, parallels. i want to say more but i know i'll get too wrapped up in discussing jason so i'm just going to stop myself.

i actually really enjoyed task force z, too. i think about tfz #8 so much, jason is such a manipulative little shit and i love it. he's so- i can't. i can't get into this rn, it deserves its own post(s).

overall for jay, i need people to read something other than utrh/lost days/b:ul 1-6. i love those, i do, but they aren't the only good pieces of jason content!!

TIM DRAKE

MY BELOVED!!!!!!!!!! in my heart of hearts, i just want to rec his whole robin run lmao. dick was my intro, okay, he is why i decided to start reading comics, but tim, specifically his robin solo is why i'm still reading comics. hooked me fr. and young justice 1998, ugh love. but it has been a minute since i read these as well, so hmm. okay okay okay

pre-boot:

batman: prodigal. short version, tim is robin to dick's batman. super fun. there's a solid amount of dick and bruce angsting too, which, love. tim is honestly just thrilled that jpv is out of the batsuit and even happier to working with dick. very cute.

robin #46. listen. they're all superheroes okay, they all feel pressure to save people. but tim...losses get to him. the amount of times that he gets shoved to a breaking point and then...gets back up. keeps going. *screams*. anyways!! this is not tim getting back up, okay? this is him being shoved way, way down. it's so good.

teen titans 2003 #20. tim's dad has died. he shows up for his weekend at the tower anyways. he is not okay. that's it, that's the pitch. i did not like...mmm at least 80% of this run okay, but a few of the issues HIT and this was one imo.

reboot:

*deep sigh*. look. tim is not tim for like basically all of n52, although there are moments here and there were he feels like himself. i did not like his 2023 solo, the best parts of young justice 2019 imo are the character designs, (except for his drake costume, what was that omg), and i haven't read any rebirth batman/'tec yet. except for zdarsky's run. which. tim is good there! but yeah, not really a whole lot of material to work with + very limited reading experience atm.

DAMIAN WAYNE

god, i love this kid. nature vs. nurture fascinates me, and so much of his story digs into that on top of trying to figure out who he is apart from all of that. i will say, i'm not a huge talia fan and by that i mean, i have no idea who she is "supposed" to be, like i have no frame of reference for that atm, so if you are a huge talia fan these recs might not hit for you because from what i've observed from her fans she is not well portrayed a whole lot since becoming his mother? i think one of the things that is normal is dick absolutely disliking her though, which cracks me up. there's this older batman story (batman #322-335) where bruce works with talia and dick goes running to selina and i was so entertained. what were we talking about? oh! damian!

preboot:

batman and robin 2009 #10-12. damian is struggling, with a lot of things. the fact that bruce might be alive, what that means for him and dick, and his mother's puppeteering. there's this line that kills me: "can't you just love me for who i am? not what you want me to be?" and the thing that gets me, is the use of who vs. what. because he could have said, "not who you want me to be", but he doesn't

reboot:

batman: shadow war. this is post-alfred's death, and honestly, most damian stuff post city of bane is pretty juicy, but there's this specific moment in shadow war: alpha #1 that had me speechless. just like 😧 i love bruce, but that man has some of the most chronic foot-in-mouth disease. oh but fair warning, for whatever reason they don't draw dami's mask connecting?? it's so- it drives me nuts.

JUST FOR FUN

these are just two issues that i enjoy for the brother content!

nightwing 1996 #25. dick and tim's relationship makes me ILL. *ahem*. this issue is mostly just super cute and fun, (there's like 0.2 seconds of angst when tim asks dick if he ever thinks about jason 😭) and i adore it sm. fun fact, it's actually one of the first comics i ever bought!

batman 2016 #16. unfortunately, tim is not here for this, but duke is! jason and damian's interactions in the background of bruce's Very Serious Speech are excellent. bruce is so dramatic and his kids are so unserious.

what i've most enjoyed

i've enjoyed the majority of what i've read, even titles/events i wasn't particularly looking forward to but had on my tbr for whichever character. i'm going to break down most enjoyed into two catergories, arcs that i loved top to bottom and then the guilty pleasures. this is not an exhaustive list, just what immediately came to mind.

top to bottom

bruce wayne: murderer?/fugitive. shocker, ik. but it's just, it's just so frickin good. i've said before, and i'll say it again, gotham war could NEVER. this right here is peak batfamily drama. the tension? the mystery? the angst? i knew nothing going into this okay, and truth be told, when i started it i was like "oh joy. another event." because i was just trying to read the 1996 nightwing run, but i'd committed to reading in full all the events it crossed over with. but i was invested so quickly. and like, i loved how the narrative supported the possibility that bruce was the murderer, because like, you know there's no way, but the more that comes out the more damning it is, and so you're like really dying to know what actually happened and i feel like the reveal was satisfying.

batman: city of bane. i'm going to cautiously put this here, because there might have been something i didn't like but i cannot recall it for the life of me right now. something about me is i love when the heroes lose. infinity war, empire strikes back? love. and ik bruce takes back gotham, but they lose alfred, okay, they lost. i also didn't expect to like this arc, i decided to read it because i wanted to know how alfred died. and first of all, i was shocked, even though i knew it was coming because i expected it to like happen towards the end. but nope. just *snap*. and then later when bruce is back in the manor and is confronted with alfred's body and his good-bye message? oh. my. god. i was bawling. despite my penchant for sad narratives, i don't tend to cry that much, but this got to me so bad. like i had to pause because i couldn't see. amazing.

red robin. his cowl is so ugly, but i really do love the run. i see a lot of discourse about it and also a lot of...interesting fanfic takes, so i don't really talk about it a lot here because it feels like most people are kind of tired of hearing about this run, which fair. i really enjoyed it as a sequel to his solo robin run. tbh, i almost put this in the guilty pleasure catergory, because there are a couple things i don't totally love, but like if the others are 10/10, this is 9/10.

young justice 1998. i love this comic so, so much. i don't even know what to say, i get so overwhelmed with joy when i think about this comic. nothing has hit the same way with this group since either, which is a crime. i need a title with this team so badly.

guilty pleasures

these are all runs/events i know some/most? people cannot stand and i totally get why, and i have problems with them, so i'm probably never going to rec them in good conscience but also like i can't lie and say i don't like them. these are not recs, okay? okay.

robin war. is it a hot mess? yes. but there is not a whole lot of canon content out there with all the boys working together, okay? so much of that event had me banging my head into a wall, but for me, there were a handful of pearls in there. i mean honestly, if i listed out pros and cons the cons list would be way longer but those pros are very precious to me.

batman and robin: eternal. very similar reasoning overall to robin war. plus cass finally came back!! i missed her. i love robin!dick and batman content, and the kids working together. this is probably my least favorite guilty pleasure though, okay, it's on thin ice.

grayson. listen, i love janin's art sm. i'm pretty neutral about spy stuff, so like i don't engage with it a whole lot. meaning, although i've heard it's tropey af in regards to the genre, i'm not familiar enough with the genre to be like trying to dig my eyeballs out with blunt spoons at the cliche of it all. the constant sexualization of dick got old super fast, and her name may have been helena but she wasn't- my list of dislikes is lengthy. but idk, i had fun with it. and imo it does have some genuinely great moments, i love dick in the desert with the baby, the ache i felt when dick wanted to come home and couldn't get ahold of bruce, issue #12 stabs me in the heart- the dick and dami reunion? stoppppp. i feel like this run and the ric grayson era are dick's most out there lmao

so yeah!! thank you so much for this ask, i had sm fun answering it. if you have any recs for me, feel free to drop them :)

[bunnakit]

my stand in ep 4 thoughts, feelings, etc

WOW WA WE WAA THAT SURE WAS AN EPISODE HUH - happy to report i went back through the episode slowly this week and took notes and really tried to gather everything i wanted to say (but i will inevitably forget something)

🌸 ok disclaimers because i have a lot of them for this particular episode 🌸

i'm just a silly guy on the internet, i'm not an expert in mental health, psychology, body language, whatever. most days i can't even take care of myself. i'm just saying things recreationally.

PLEASE do not put novel spoilers in my replies, reblogs, or tags without a warning notice. i've got an itchy blocking finger for it these days.

i am treating ming and joe and everyone involved in this show as if they were real life human beings. ming was not born some mustache twirling villain sent from hell to make joe miserable. joe is not some pure angel descended from the clouds to do no wrong. everyone in this show exhibits very human behavior and that can be distressing under certain circumstances. i'm just going to comment on them as humans. i'm not interested in a round table discussion on why a character is irredeemable, the scum of the earth, etc. i'm just putting my thoughts out there and you can take them or leave them.

🌸 alright yucky disclaimer time over 🌸

the episode really just picks us back up where everything left off - and yet joe still made ming breakfast, and ming isn't stupid (well right now at least,) he knows something is off.

i am confused why tong needs to get married on this specific day. and like bro how fast are you getting married? relax. the whole thing is just unstoppable force (trajectory of this producers career) meets immovable object (tong's fuckass stubbornness) and the collateral damage is massive.

and then there's the question of did joe ever want to play a lead? or did he let his impulsiveness and hurt put a target on his back? (only emphasized by the fact that everyone assumed joe would turn down the role)

i DO apologize for all my doubt surrounding wut. he, ja, and may are the only people in this show with any god damn sense. maybe jojo and yim. we'll see.

getting into the confrontation at joe's work, i really don't think it's that surprising when we keep in mind ming genuinely has no fucking clue what is going on. all he knows is joe woke up, was acting weird, didn't come home, and then told him to pack up his shit and leave with ZERO explanation. like, joe's completely in the right, but i'd also be confused as fuck. (i wouldn't go to someone's work about it but, y'know, we know ming acts in extremes.)

and to me this is where it really became obvious that joe has always been able to overpower ming, to get away from him, as we have seen joe's physical prowess, we've seen what he's capable of, but he never uses his body to move ming away from him - that's not who joe is, he's not someone that would put his hands on another person like that. it's just another way ming and joe are the direct antithesis of each other.

it's my thought that the argument escalates because ming is used to getting everything he wants - except for tong, and now joe. when joe begins to push him away and deny him his substitution for tong i think ming lashes out in his hurt with a thought of "it's happening again, why doesn't anyone want me?"

i will say while i do believe sol has good intentions for the most part his white knighting is getting a little irksome. while convenient, it just shows how much he's still hovering and laying in wait for a chance with joe - he, too, is not respecting joe's wishes. no is a complete sentence, sol.

and then things continue back at home and joe finally, finally throws ming's words back at him: if i'm so terrible to be with, if you're so great, why are you wasting your time with me?

and ming doesn't have an answer. what ming DOES have is another back embrace, arms wrapped around joe as he asks "don't you love me anymore?" but is he asking joe or tong?

"although i'm not as good as tong" even now joe's rampant self worth issues are still at play but at least he finally knows he's worth more than whatever this is.

then the phone rings and to me, ming looks skittish. he looks shaken. he's never seen joe so angry and he's scared and as the call progresses that fear morphs into rage when sol calls joe. and the thing is, regardless of who played the main role, ming was never going to be happy. it was either going to be joe or tong playing opposite sol and neither of those things would have been acceptable.

and then i said, out loud, in my quiet office: OH! and promptly lost my shit in the group chat.

ming doesn't look wholly present after his act of violence. his face is vacant, like he isn't completely seeing or grasping what he's just done. i get the impression that ming isn't mentally well; stress and fear and anger have a way of making people do really fucking stupid things and as these things happen you risk falling into the sunk cost fallacy - you've already gone this far, you can't stop now - which all aligns with the obsessive behavior we've seen from ming in the past.

as joe wakes up and they talk once again joe doesn't blame ming, he blames himself for not seeing the writing on the walls even though it was written in invisible ink.

"all these times we were together did you ever love me?"

"you can't tell?"

again, so much of the blame and emotional responsibility of their situationship is put on joe and ming refuses to communicate any of his feelings, perhaps because he doesn't know how to after repressing everything for so long.

WE DIDN'T GET HOT KINKY CHAINED UP SEX THOUGH, WHY DOES GOD HATE ME SPECIFICALLY

but the way joe looks at ming as they linger there in the wake of joe's request looks like a goodbye, the way his eyes soak in every detail of ming's face. despite all of this and the nightmare it has turned into he did love ming, perhaps still does, and he does have some of those good memories he was so desperate to keep.

though like.. joe.... maybe we could consider a different career path??? instead of just jumping to risking our lives? like sure food service sucks, cashiering sucks, etc. but you aren't in danger of falling off any cliffs, you know? and let's be real, he could just go into modeling with those looks.

it's my impression that when ming calls joe he looks haggard, like he's lost numerous nights of sleep (and we really don't know how much time has passed) but either way it does seem like he's at least done some amount of reflecting. his voice comes across soft, subdued, and sincere.

and after everything, back in the present, we see ming. he's still in the apartment, desperately calling joe's name all these years later, still unable to sleep and waiting for joe to come home just like he asked him to years ago.

maybe ming never wanted to enter the entertainment industry before, but he has now. perhaps it was never for the attention or the money, maybe he chose to promote those watches because it was a reminder of the gift from joe. and maybe this job, in this specific industry, is the closest he can feel to joe now. and maybe with new influence and connections ming can find out why he was never able to tell joe he loved him before he lost him.

WHO KNOWS, NOT ME, CAN'T WAIT TO FIND OUT THO