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Ancient Egyptian Healing: A Divine Knowledge from Higher Beings
The ancient Egyptians were a civilization that has fascinated the world for centuries. Their knowledge and achievements in various fields such as architecture, mathematics, and astronomy have left us in awe. However, one aspect of their civilization that is often overlooked is their advanced understanding of healing practices. The Egyptians were not just masters of building grand structures and studying the stars, they also had a deep understanding of the human body and its connection to the spiritual realm.
The Egyptians believed that the human body was made up of different energetic layers, and any imbalance in these layers could lead to physical or emotional illness. To maintain a healthy state, one needed to maintain balance and harmony between these layers. This belief is similar to the concept of chakras in Eastern medicine.
What makes ancient Egyptian healing practices unique is that they believed it was not just humans who possessed this knowledge, but it was also passed down to them by higher beings. The goddess Isis and goddess Sekhmet were revered for their healing abilities and were often depicted as healers in ancient Egyptian art.
Isis, known as the goddess of magic and medicine, was believed to have the power to restore life and heal the sick. She was also associated with fertility and motherhood, symbolizing the nurturing aspect of healing. Sekhmet, on the other hand, was known as the goddess of war and healing. She was believed to have the power to cure diseases with her fiery breath. These two goddesses were highly revered by the Egyptians and were seen as divine entities with the power to heal.
Source Url - https://thetranquillity.co.uk/ancient-egyptian-healing/
#THE TRANQUILLITY Meditation classes#Transcendental Meditation#Ancient Egyptian Healing#Personalized Tips#Spiritual coaching#Wellbeing Advice#One-to-One Q&A sessions#ancient Egyptian healing practices#ancient Egyptian
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"Unveiling the Mysteries: E. A. Wallis Budge's 'Egyptian Magic'—A Scholarly Odyssey into Ancient Mysticism"
"Egyptian Magic" by E. A. Wallis Budge serves as a captivating portal to the mystical world of ancient Egypt, where the realms of magic, religion, and spirituality seamlessly intertwined. Published in [year], this seminal work by Budge, a renowned Egyptologist, offers readers a comprehensive exploration of the magical practices and beliefs that permeated the daily lives of the ancient Egyptians. The title itself hints at the enigmatic allure that beckons readers into a realm where the boundaries between the mundane and the supernatural blur.
Budge, known for his extensive scholarship on Egyptology, brings to life the magical traditions of ancient Egypt with meticulous detail. The title "Egyptian Magic" acts as a prelude to a journey through the spells, rituals, and incantations that were integral to the spiritual landscape of this ancient civilization. Budge's prose, though rooted in academic rigor, retains a sense of wonder that makes the subject accessible to both scholars and enthusiasts alike.
One of the strengths of "Egyptian Magic" lies in Budge's ability to contextualize magical practices within the broader religious and cultural framework of ancient Egypt. Each chapter unfolds like a chapter in the Book of the Dead, revealing the layers of meaning behind the magical spells and their significance in the Egyptian worldview. The title becomes a guide through this esoteric terrain, inviting readers to decipher the symbols and incantations that held profound meaning for the practitioners of ancient Egyptian magic.
Budge delves into the different categories of magical practices, from healing spells to protective amulets, showcasing the diverse ways in which magic permeated every facet of Egyptian life. The title "Egyptian Magic" encapsulates this multifaceted exploration, promising readers a glimpse into the rituals that sought to harness cosmic forces and commune with the divine. Budge's meticulous research and translations transport readers back in time, allowing them to witness the rituals and ceremonies that were once an integral part of the Egyptian magical tradition.
The inclusion of hieroglyphic illustrations and translations of magical texts further enhances the immersive experience of "Egyptian Magic." Budge's expertise in deciphering ancient Egyptian scripts provides readers with a firsthand encounter with the original magical incantations. The title serves as a doorway to an ancient scriptorium, where the secrets of Egyptian magic are inscribed in symbols that continue to captivate and mystify.
Beyond the academic discourse, Budge's work touches upon the spiritual dimensions of ancient Egyptian magic. The title becomes a metaphorical key, unlocking the mystical teachings that guided the Egyptian magicians in their quest for spiritual enlightenment. Budge sheds light on the deep connection between magic and the afterlife, where spells and charms were believed to secure a favorable passage through the realm of the dead.
In conclusion, "Egyptian Magic" by E. A. Wallis Budge stands as a magnum opus that unravels the complexities of an ancient civilization's magical traditions. The title invites readers into a world where the mystical and the mundane coalesce, where words held the power to shape destinies and unlock the gates to the divine. Budge's meticulous scholarship, coupled with the evocative title, ensures that "Egyptian Magic" remains a timeless exploration of the enchantments that once echoed through the sacred temples and burial chambers of ancient Egypt.
"Egyptian Magic" by E. A. Wallis Budge is available in Amazon in paperback 11.99$ and hardcover 19.99$ editions.
Number of pages: 196
Language: English
Rating: 10/10
Link of the book!
Review By: King's Cat
#E. A. Wallis Budge#Egyptian Magic#Ancient Egypt#Mysticism#Magical practices#Religion#Spirituality#Enigmatic allure#Ancient civilization#Spells and rituals#Book of the Dead#Esoteric terrain#Symbols and incantations#Cosmic forces#Communing with the divine#Healing spells#Protective amulets#Egyptian worldview#Hieroglyphic illustrations#Translations of magical texts#Deciphering scripts#Original magical incantations#Scriptorium#Spiritual dimensions#Quest for enlightenment#Afterlife#Passage through the realm of the dead#Academic rigor#Hieroglyphic symbols#Ancient scripts
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Reclaiming the Ancestral Power of Kemetic Reiki
Blessings and vibrant energies to all who find themselves here! I am Reiki Ra-ess, your guide on this enlightening journey through the ancient and sacred art known as Kemetic Reiki. Today, we delve deep into the heart of Kemet (ancient Egypt) to rediscover a healing tradition that predates and informs what many know as Reiki today. Join me as we explore its roots, its journey through time, and…
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#body#mind#Ancestral Healing Techniques#Ancestral Wisdom and Legacy#Ancient Egyptian Healing#Ancient Wisdom for Modern Living#Chakra Balancing#Connection with Higher Self#Energy Healing Practices#Energy Work and Meditation#Healing Power of Intention#Healing Symbols and Rituals#Holistic Health and Wellness#Kemetic Reiki#Kemetic Spiritual Traditions#Ra Sekhi Healing#Sacred Healing Arts#Spirit Harmony#Spiritual Awakening and Growth#Spiritual Wellness#Transformative Spiritual Practices#Universal Life Force Energy
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"Unveiling the Mysteries: E. A. Wallis Budge's 'Egyptian Magic'—A Scholarly Odyssey into Ancient Mysticism"
"Egyptian Magic" by E. A. Wallis Budge serves as a captivating portal to the mystical world of ancient Egypt, where the realms of magic, religion, and spirituality seamlessly intertwined. Published in [year], this seminal work by Budge, a renowned Egyptologist, offers readers a comprehensive exploration of the magical practices and beliefs that permeated the daily lives of the ancient Egyptians. The title itself hints at the enigmatic allure that beckons readers into a realm where the boundaries between the mundane and the supernatural blur.
Budge, known for his extensive scholarship on Egyptology, brings to life the magical traditions of ancient Egypt with meticulous detail. The title "Egyptian Magic" acts as a prelude to a journey through the spells, rituals, and incantations that were integral to the spiritual landscape of this ancient civilization. Budge's prose, though rooted in academic rigor, retains a sense of wonder that makes the subject accessible to both scholars and enthusiasts alike.
One of the strengths of "Egyptian Magic" lies in Budge's ability to contextualize magical practices within the broader religious and cultural framework of ancient Egypt. Each chapter unfolds like a chapter in the Book of the Dead, revealing the layers of meaning behind the magical spells and their significance in the Egyptian worldview. The title becomes a guide through this esoteric terrain, inviting readers to decipher the symbols and incantations that held profound meaning for the practitioners of ancient Egyptian magic.
Budge delves into the different categories of magical practices, from healing spells to protective amulets, showcasing the diverse ways in which magic permeated every facet of Egyptian life. The title "Egyptian Magic" encapsulates this multifaceted exploration, promising readers a glimpse into the rituals that sought to harness cosmic forces and commune with the divine. Budge's meticulous research and translations transport readers back in time, allowing them to witness the rituals and ceremonies that were once an integral part of the Egyptian magical tradition.
The inclusion of hieroglyphic illustrations and translations of magical texts further enhances the immersive experience of "Egyptian Magic." Budge's expertise in deciphering ancient Egyptian scripts provides readers with a firsthand encounter with the original magical incantations. The title serves as a doorway to an ancient scriptorium, where the secrets of Egyptian magic are inscribed in symbols that continue to captivate and mystify.
Beyond the academic discourse, Budge's work touches upon the spiritual dimensions of ancient Egyptian magic. The title becomes a metaphorical key, unlocking the mystical teachings that guided the Egyptian magicians in their quest for spiritual enlightenment. Budge sheds light on the deep connection between magic and the afterlife, where spells and charms were believed to secure a favorable passage through the realm of the dead.
In conclusion, "Egyptian Magic" by E. A. Wallis Budge stands as a magnum opus that unravels the complexities of an ancient civilization's magical traditions. The title invites readers into a world where the mystical and the mundane coalesce, where words held the power to shape destinies and unlock the gates to the divine. Budge's meticulous scholarship, coupled with the evocative title, ensures that "Egyptian Magic" remains a timeless exploration of the enchantments that once echoed through the sacred temples and burial chambers of ancient Egypt.
"Egyptian Magic" by E. A. Wallis Budge is available in Amazon in paperback 11.99$ and hardcover 19.99$ editions.
Number of pages: 196
Language: English
Rating: 10/10
Link of the book!
Review By: King's Cat
#E. A. Wallis Budge#Egyptian Magic#Ancient Egypt#Mysticism#Magical practices#Religion#Spirituality#Enigmatic allure#Ancient civilization#Spells and rituals#Book of the Dead#Esoteric terrain#Symbols and incantations#Cosmic forces#Communing with the divine#Healing spells#Protective amulets#Egyptian worldview#Hieroglyphic illustrations#Translations of magical texts#Deciphering scripts#Original magical incantations#Scriptorium#Spiritual dimensions#Quest for enlightenment#Afterlife#Passage through the realm of the dead#Academic rigor#Hieroglyphic symbols#Ancient scripts
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Dictionary of Esoteric Terminology
for your next poem/story (pt. 2)
Esoteric—designed for or understood by the specially initiated alone; may refer to the occult
Aeon - either an indefinite or infinite period of time; the Gnostics used the word to represent eternal manifestation emanating from God
Aniadus - the virtue or efficacy of things; life force
Buddhi - wisdom independent of knowledge or learning
Candali - literally, "fierce" or "wrathful"; Vajrayana word for a kind of heat generated and experienced during certain types of meditation practices; this heat burns through impurities and confusion
Chayot - the "lightning flash" described by Ezekiel; it is sometimes used to describe states of spiritual ecstasy
Daka - literally, "one who goes into the sky"; "hero" or "warrior"; formally, a masculine Yidam of semi-wrathful appearance; generally, a type of protector or messenger
Erodinium - an omen, hidden until after the fact, then a presage signifying a recurrence of the event; a ripple or node of synchronicity
Glyph - from Greek glyphe, meaning "carved work"; a symbolic figure or character usually incised or carved in relief
Hsin - the intuition; the original mind; the pure and distilled essence of the vital force, ch'i
Hsu - an important Taoist concept meaning "emptiness" or "nonexistence," in the sense of stillness and receptivity
Ignis Leonis - elemental fire; also called Fire of the Lion, Aether, Pyr, Aethos, and Jupiter Argos
Insufflation - to blow or breathe upon; frequently used in healing to transmit the life force; some practitioners recommend alternating cold and warm breath; many shamanic healers also use the technique of drawing out harmful energy or spirits using the breath
Kamea - a "magic square" used in talismanic magic to produce sigils, which are produced by converting a word or name into numbers and then tracing the numbers on the kamea appropriate to the force being channeled
Khaba - an ancient Egyptian word for a part of the soul of a human being; the astral body
Khaib - the shadow; an ancient Egyptian term for the Body of Habits, the part of the human soul which leaves the body at death and may continue an independent existence; symbolized by a shadow cast in sunlight
Loka - place, locality, world, or plane; there are rupa-lokas (material spheres) and arupa-lokas (spiritual spheres)
Maqam - the continual awareness of the presence of God; grace
Necessitas - the mother of the Three Fates in Roman mythology
Otz Chaim - the Tree of Life
Phantasmata - a thought-form capable of communication
Spagirus - a person who can separate the true from the false, the good from the bad, the pure from the impure, yet reject duality and cleave to unity
Tiamat - the Babylonian goddess of the primeval chaos ocean, usually described as an immense dragon; she was eventually slain by Marduk and split in two, one half becoming heaven and the other half becoming earth
Vril - a mysterious, universal force responsible for evolution and spiritual transformation; the fire of the gods
Wakan - an American Indian term for the force which suffuses the world and maintains cosmic order; it is the force behind magic and reveals itself in visions and prophecies
Zos - the body considered as a whole; was used by Austin Osman Spare to refer to the total field of sensation and awareness; is symbolized by the hand
Source ⚜ More: Word Lists ⚜ Part 1
#esoteric#terminology#writing reference#dark academia#writeblr#langblr#spilled ink#writers on tumblr#poets on tumblr#writing prompt#literature#poetry#creative writing#lit#light academia#novel#writing inspiration#writing ideas#george romney#writing resources
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[Title]: Taglocks: How to Target a Person or Place
Related to Taglocks
Threshold Theory Binding Basics Introduction to Gnosis Energy Work Fundamentals Anchors Energetic Constructs Spell Logs Path of Least Resistance Blood Magic Spellcasting Basics
Introduction
A taglock stands as a fundamental element of spellcasting, bridging the material world with the energies, places, and people practitioners seek to influence. A taglock is, at its core, a tangible object that establishes a direct link to a specific target. This object serves as a conduit through which energy can be directed, manipulated, or harnessed in various spellwork and ritualistic practices.
The term "taglock" itself is derived from the concept of 'tagging' or marking something with a specific identifier, and 'lock,' which implies securing or anchoring a connection. Thus, a taglock effectively anchors the essence or energy of a person, place, or thing to the practitioner’s ritualistic focus. This tangible item could be something inherently connected to the target, such as a personal belonging or a biological sample, thereby ensuring that the magical workings are precise and targeted.
History
The use of objects to establish a connection with a person, place, or entity is a practice that can be traced back to ancient civilizations. The principles underlying taglocks are fundamentally tied to the broader concepts of sympathetic magic and animism, both of which have been integral to human spirituality and ritualistic practices for millennia.
Ancient Civilizations
Mesopotamia and Egypt: In ancient Mesopotamian and Egyptian cultures, magic was an integral part of daily life and religious practice. Objects such as amulets, talismans, and personal artifacts were often used to protect, heal, or curse individuals. These items were believed to carry the essence or influence of the person or deity they were associated with. For instance, in ancient Egypt, hair, nails, or pieces of clothing were sometimes used in magical rituals to exert influence over an individual, embodying the early concept of taglocks.
Greece and Rome: The Greco-Roman world also embraced the use of personal items in magic. The Greek Magical Papyri, a collection of ancient magical texts, includes numerous spells that call for the use of personal objects such as hair, nails, and garments. These items were believed to create a sympathetic link to the target, enabling the practitioner to influence them from a distance. This practice reflects the underlying principle of sympathetic magic, where "like affects like," a foundational concept for the use of taglocks.
Medieval and Renaissance Europe
Folk Magic and Witchcraft: In medieval Europe, the use of personal items in folk magic and witchcraft was widespread. Cunning folk, wise women, and witches often employed objects belonging to their clients or targets in their spells and rituals. These objects served as conduits for magical influence, much like modern taglocks. For example, poppets (dolls representing individuals) were frequently stuffed with hair, nails, or clothing scraps from the person they were intended to influence.
Grimoires and Magical Texts: The grimoires and magical texts of the Renaissance period also provide evidence of the use of personal items in magic. The "Key of Solomon," a well-known grimoire, includes instructions for using personal items in rituals to bind or influence others. The "Malleus Maleficarum," a notorious witch-hunting manual, documents the belief in and fear of witches using such items to cast spells.
Indigenous and Non-Western Cultures
African Diasporic Traditions: In various traditional religions and spiritual practices, the use of personal items for magical purposes is common. For example, in Vodou and Hoodoo, personal items such as hair, clothing, and personal effects are used in rituals and spellwork to create a link to the target. These items, often referred to as "personal concerns," function similarly to taglocks by establishing a direct connection between the practitioner and the individual they wish to influence.
Asian Traditions: In Asian cultures, particularly in traditional Chinese and Japanese practices, the use of personal items in magic and healing is also prevalent. In Chinese folk religion and Taoist magic, personal items are used in rituals to heal or protect individuals. Similarly, in Shinto practices in Japan, personal items can be used in purification and protective rituals.
Modern Revival and Adaptation
Contemporary Witchcraft: The modern revival of witchcraft, particularly since the mid-20th century, has seen a resurgence in the use of taglocks. Contemporary practitioners draw on historical and cross-cultural practices, adapting the use of personal items to fit modern magical frameworks. Books on witchcraft and magic frequently discuss the use of taglocks, emphasizing their importance in creating a tangible link to the target.
Neo-Pagan & Occultist Movements: Neo-Pagan movements, such as various forms of Wicca, have incorporated the concept of taglocks into their practices. These movements often emphasize the importance of personal connection and the use of physical objects to ground and direct magical energy. While these practices have evolved, they continue to reflect the ancient principles of sympathetic magic and the use of personal items to establish a magical connection.
How do Taglocks Work?
Energetic Connection and Sympathetic Magic
In the practice of traditional witchcraft, the efficacy of a taglock lies in its ability to establish a connection between the anchored spell and the target. This connection is primarily rooted in the principles of sympathetic magic, a foundational concept that posits that objects can influence one another through their inherent similarities or direct associations; as well as energetic entanglement, the process through which identical energetic compounds can interact without direct spatial contact.
Sympathetic magic operates on the premise that a taglock, due to its intimate connection with the target, acts as a proxy or representative. The energy directed towards the taglock is believed to transfer seamlessly to the target, facilitating the intended transformation or influence. This is often articulated through the maxim "like effects like," underscoring the principle that items connected by similarity or direct contact can impact each other even when physically separated.
The energetic link established through a taglock is akin to an invisible thread that connects the practitioner’s will to the target. This thread is not a physical entity but an energetic conduit through which influence flows. The strength and clarity of this connection depend on the nature of the taglock and the amount of genetic material it carries. For instance, a strand of hair or a piece of clothing with trace amounts of skin cells creates a more potent connection than a mere photograph or written name. This is due to the energetic compounds that are unique to each person’s genetic sequence and their higher probability to be energetically entangled. While a sympathetic connection works well in most situations, having an energetic connection is significantly more reliable.
Incorporating Taglocks into Spellwork
Anchoring is a necessary step in the utilization of taglocks, involving the establishment of a lasting connection between the taglock and the target within a spell. This process entails affixing the taglock firmly to the desired magical outcome, thereby ensuring that the energy directed through the taglock manifests effectively in the target’s life. Anchoring is not merely about physical attachment but the energetic binding of the taglock to the spell's energetic design.
To anchor a taglock, the practitioner must first select a taglock that has a strong and clear connection to the target. The effectiveness of anchoring is directly proportional to the relevance and potency of the chosen taglock. The next step involves ritually preparing the taglock. This can include cleansing the taglock to remove any extraneous energies, thereby ensuring that it is a pure conduit for the spell’s purpose. Common methods of cleansing include using elements like water, fire, or salt, each method tailored to the nature of the taglock and the spell.
Once cleansed, the practitioner imbues the taglock with the desired energy through a ritual. This may involve chanting, the use of symbols, or the invocation of natural forces to charge the taglock. The ritual acts as a ceremonial binding, infusing the taglock with the energy necessary to enact the spell’s purpose. During this process, the practitioner focuses intensely on the connection between the taglock and the target, reinforcing the energetic link.
Finally, the taglock is integrated into the spell structure. This can be achieved by pulling an energetic conduit from the taglock and into the spell’s anchor. This way, a solid circuit can be established. The key is to position the taglock in a manner that aligns with the natural flow of energy, ensuring that the spell’s influence is directed towards the target with minimal resistance. Just placing a taglock into a jar with other elements has a chance of establishing its own energetic connection, however it is not very likely.
Unbinding Taglocks
Energetic Dismantling
The most effective method of unbinding a taglock is energetic dismantling, which requires the careful and deliberate dismantling of the energetic connections that have been established during its use. Energetic dismantling is a method that involves consciously deconstructing the energic structures and pathways that link the taglock to its target. This process ensures that the influences exerted through the taglock are effectively neutralized, preventing any residual effects from lingering.
The practitioner utilizes their energetic awareness in order to visually and mentally map out the energetic connections emanating from the taglock. This step is crucial, as it allows for a clear understanding of how the energy has been structured and directed. Once these connections are identified, the practitioner then introduces energetic compounds that are of the opposite frequencies of the energetic connections. This will cause the energetic connections to cancel out and become inert.
After all the connections have been severed, the practitioner proceeds to cleanse the taglock to remove any residual energy. This can be done using elements such as water, salt, or incense, depending on the nature of the taglock and the preferences of the practitioner. The cleansing process ensures that the taglock is fully neutralized, rendering it inert and free from any remaining influence.
Anchor Destruction
Anchor destruction is a more direct and often physical approach to unbinding taglocks. This method involves the literal destruction of the taglock itself, effectively dismantling the anchor that connects it to the target. Anchor destruction is particularly effective when the taglock is a physical object that can be easily manipulated or disposed of.
The first step in anchor destruction is to identify the nature of the taglock and choose an appropriate method of destruction. For physical objects, this could involve burning, breaking, or burying the taglock. Each method carries its own symbolic significance and energetic impact. For instance, burning a taglock in a fire ritual symbolizes purification and transformation, reducing the object to ashes and dispersing its energy into the air. Breaking the taglock into pieces represents a forceful severing of the connection, while burying it in the earth signifies grounding and neutralization.
During the destruction, the practitioner may recite incantations or prayers to reinforce the unbinding process, so long as they do not cause the practitioner to break their state of gnosis. This could serve to solidify the practitioner's will and direct the energy towards severing the connection. As before, cleansing is also recommended afterwards.
Cord Cutting (Not candle divination)
Cord cutting is a technique used to sever the energetic cords or ties that bind the taglock to its target. These cords represent the strings of fate, or channels through which energy flows, maintaining the connection established by the taglock. Cord cutting is a powerful method for releasing these ties, allowing both the practitioner and the target to move forward unencumbered.
To perform a cord-cutting ritual, the practitioner begins by grounding and centering themselves, creating a stable foundation for the work ahead. The taglock is then placed before the practitioner, and a clear intention to sever the energetic cords is set. This intention is crucial, as it directs the focus and power of the ritual.
A common tool for cord cutting is a ritual knife or athame, though other tools such as scissors or even one’s hands can be used depending on the practitioner’s preference. The practitioner then uses their awareness to feel for the energetic cords extending from the taglock and uses the tool to cut through these cords. Each cut is made with deliberate precision.
During the process, the practitioner may also employ visualization techniques to enhance the effectiveness of the ritual. This could involve imagining the cords dissolving into light, evaporating like mist, or being absorbed back into the earth. These visualizations help to solidify the disconnection on both an energetic and psychological level so long as one is aware that visualization in and of itself is not a spell nor energy work.
After the cords have been cut, the practitioner performs a cleansing ritual to purify the space and themselves. This ensures that any residual energy from the cords is fully cleared away, preventing any unintended consequences or lingering attachments. The taglock, now devoid of its energetic ties, can be safely disposed of or repurposed as desired.
Cord cutting not only releases the target from the influence of the taglock but also frees the practitioner from the energetic investment in the spell. This liberation allows for a fresh start, unburdened by the previous connections, and opens the way for new magical endeavors.
Taglock Alternatives
Taglock alternatives are useful in situations where obtaining a physical item linked to the target is impractical or impossible, such as when working at a distance or in covert operations. Methods like visualizations, sigils, memories, elemental representations, and astrological correspondences may still establish a sympathetic link to the target. However, these alternatives often lack the direct energetic connection that taglocks provide, making them less efficient. The inherent uncertainty and reduced potency of these methods can lead to weaker or less reliable spell outcomes, requiring greater effort and near flawless spell design from the practitioner to achieve the desired effects.
Sigils and Symbols: Creating a unique symbol or sigil that represents the target can be a powerful tool. This symbol can be charged with energy and intent to direct the spell's effect.
Visualization Techniques: Instead of using a physical object, practitioners can employ detailed mental images of the target. This involves deeply focusing on the target’s attributes and characteristics during the spellcasting process.
Memories of an individual or location: Using specific memories that encapsulate the essence or identity of the target can serve as a focal point. Repeatedly recalling or chanting the target’s name or a descriptive phrase can help direct the spell.
Elemental Representations: Associating the target with a particular element (earth, air, fire, water) and using that element in the spell can establish a connection. For example, water could be used to represent a person with a flowing, adaptable nature.
Astrological Correspondences: Using the astrological sign, planetary influence, or birth chart of the target can provide a non-physical link. Aligning the spell with specific astrological times or planetary hours that correspond to the target can enhance the connection.
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Kemetic Influences on Fire Emblem Three Houses (Part 1)
I know I have made a more unstructured post regarding this before; however, I am certain in my assessments that the influence of Ancient Egyptian mythology had on 3H is vast and more varied then I, personally, have seen people discuss. Yes, we know of the etymology behind Sothis and Seiros' names, but I believe these connections go much deeper than the surface level. This will be structured with me discussing what I am most sure in to what is more interpolation on my part. This part about Sothis is so long that it needs to be it's own post entirely. Sothis is based on Hellenistic/Roman period worship of Lady Isis
As we know, Sothis' name can be traced to one of the names of Sirius, specifically the Hellenized name of Sopdet the goddess of said star. However, this is surface level. Sopdet was often syncretized with Isis during the Hellenistic period and in Lady Isis, I believe, there are more clear allusions to Sothis and how she acts as a deity within 3H's world. Lady Isis is an Egyptian deity who was worshiped across the Mediterranean during the Hellenistic and Roman period. Sothis in her mythology, actions, and how she is depicted in-game shares remarkable similarities to Isis. The images and sources I will be using as a reference come from Dr. Andrew M. Henry's (ReligionForBreakfast) video on the topic and FEDatamine for everything regarding 3H.
Sothis and Isis are both "great mother" deities who act as supreme goddesses to their followers.
Even before coming to supreme status in the Mediterranean, Isis was an incredibly important goddess within Egypt. She was the bringer of magic, a guardian of women, a compassionate goddess who wished to relieve all human suffering, and much much more. All of these traits are extremely close if not direct parallels to Sothis. We know that magic within Fodlan is directly connected to Sothis through the visual of all the magic circles (save for Agarthan dark magic) and it can be postulated that, like Isis, Sothis magic was beyond the capabilities of other humans or other deities. Faith magic in particular is directly correlated with the ability to heal and protect, which is one of the main domains of Lady Isis in antiquity and modern day. She was the healer of the sick and injured, so much so that she often traveled in human form so that she could aid those who called out to her. I don't believe it is a coincidence that healing magic was reskinned as faith in this game given that context. And the connections continue beyond that. Consider this text from a temple to Isis in Cyrene:
During the Hellenistic period, Isis' power and prominence grew to wear she became a supreme goddess within these polytheistic societies. She was believed to be the ruler of time and fate itself, and, as stated here, one of the creators of the cosmos who first set time to course. She was often depicted holding a steering rudder or with the planet beneath her very feet as the goddess through which all fate flows.
Next, take this quote from Lucius Apuleius: The Golden Ass a text from a satirist, but nonetheless believed to hold elements of truth to Isis' worship during the Roman period.
Once again, we see the language that would describe a supreme, cosmic deity. Compare to similar wording in The Book of Seiros Part 1: "The goddess is all things. She is heaven above and the land below. She is eternity incarnate. She is the present, the past, and the future. Her eyes see all. Her ears hear all. Her hands receive all."
Due to this language, it is believed by some religious scholars, and presented within the video, that within the mysteries of Isis there was an element of henotheism at play. A philosophy within religious practices where one god is worshiped a supreme deity whilst not denying the existence of other gods, and such a system of worship is what I believe to be happening within Fodlan's religious context. Other gods are known to exist, they are spoken of in the Book of Seiros; however, Sothis is supreme goddess of Fodlan.
Now, I ask, what is Sothis' primary characteristics within the Church of Seiros and as depicted in game? She is the supreme Goddess of Fodlan, who's depicted with having control over time and fate itself (literally divine pulse), spoken of as a savior not only in the past but also through the actions of her vessel Byleth, who created all life (or at least the Nabateans) as "The Beginning", and the arbiter of souls as an explicitly afterlife related deity.
All of these traits are direct parallels to Lady Isis, and I am not even finished listing all the similarities. First take this quote from The Book of Seiros Part 2: "In the beginning, amid the great cloudless ocean, Fódlan came to be. At the end of a long journey, the goddess glimpsed that land and there alighted. Upon that sacred ground, she breathed life into the world and created all of the creatures upon it.
By the goddess's hand, plants took root, birds took to the sky, and animals roamed the land. Last of all, she created humanity." Within multiple Egyptian creation myths one of the prevalent and constant features is the primordial ocean of Nun. It was place of nothingness and chaos all at once, a "cloudless ocean" if you will. And from that ocean came the first land, the benben, and from there any number of gods created all life. This includes Isis, who within the inscriptions at Philae, is described to have created all life and the cosmos itself (Žabkar 1988, pp. 134.): "Indeed, she is the Lady of Heaven, Earth, and the Nether World, having brought them into existence through what her heart conceived and her hands created..." Both of them are related to the afterlife and are explicitly called out as deities of fate. Once again from the story of Apuleius:
Lady Isis' connection to the afterlife as she who guides the soul to it's fate goes back even further in Egyptian texts and she has been a funerary deity all the way back in Old Kingdom Pyramid Texts. Take that in context with Rhea's line of Sothis being the "arbiter of souls" and much of her cosmology in-universe revolving around the afterlife you have another link between them. Isis was said to be able to prolong a person's life if they were to follow her mysteries as she knew the lifespan of all people and could manipulate it with her magics. She also typically interacted with her followers via dreams. This is something Sothis is shown to do constantly with her appearing in Byleth's near death moments, within their dreams (at the beginning of the game and later during her speech regarding Fodlan's plight. And can I say, Sothis being aware of the blood being split and awakening Byleth to explicitly put it to an end is a very much like a savior goddess). Then, in Rhea's backstory, she said that she heard Sothis' voice within the Holy Tomb (or within Enbarr) and that is what lead her to take up the name of Seiros and begin to fight against Nemesis. Sothis inspiring the creation of the Adrestian Empire through Seiros, and Byleth's place to chose the fate of Fodlan, directly correlates to Lady Isis' role as a goddess of kingship. Her protection was explicitly called upon both during the defense of Egypt and during campaigns of military conquest, and that she alone was comparable of armies of soldiers. Isis and Sothis both are also transparently related to nature. They are callers of the rains (cited in the Philae Hymns for elsewhere and in-game for Sothis) and related to bounties of the harvest. In this way, Sothis may also cross into the sphere of Osiris who was more explicitly a fertility god and the ruler of the dead/judge of souls. An interesting similarity can be called to the myth of Osiris' death and dismemberment at the betrayal of his brother Set, Isis' incomplete resurrection of her husband, and Horus' becoming king of Egypt after contending with his uncle where he avenged his father; with how Sothis herself was killed and dismembered for her power, then Seiros' creation of Adrestia (where he also chose the first king) to avenge her mother, and her inability to resurrect her due to Sothis' body being scattered and incomplete (at least, until her ib/Creststone was placed within the intact khet of Byleth). But that is an aside for now. I want to finish this off with a look of the physical similarities between depictions of Isis and Sothis. Once again from Apuleius:
"Firstly her long thick hair in tapering ringlets was loosely spread over her divine neck and shoulders, and her head was crowned with a complex garland of interwoven flowers of every kind. At the centre, over her brow, a flat disc like a mirror or rather a moon-symbol shone with brilliant light. Coiled vipers reared from the right and left of her coronet which was bristling with erect ears of corn. Her multi-coloured robe was of finest linen, gleaming here pure white, here a saffron yellow, there flaming rose-red, with a woven border flowing with flowers and fruit, and what dazzled me most of all was her jet-black cloak with its full sheen, wrapped gleaming about her, slung from the left shoulder, knotted at the breast, and sweeping over her right hip. It hung in sweetly undulating complex folds down to a tasselled fringe, and along its borders and over its surface fell a scatter of glittering stars, round a full moon at the centre breathing fiery rays. And she bore a host of emblems." To me, there are some similarities between this and the depiction of Sothis plus how Rhea dressed and Byleth's Immaculate One outfit. The floral motifs of lotus flowers, the crisp white of Sothis' mural appearance and those of Rhea and Byleth, the crowns of flowers and star motfis, the way Isis bears many emblems around her, much of it bears some similarities to Sothis. But this is not the only depiction of Isis, let me show you some visual representations. Let us compare this mural of Sothis to some depictions of Isis:
Here are two of Isis from Pompeii with one being a mural and another a famous reconstruction of a statue:
Again, while not 1:1 there are some visual similarities in design. The white linen of her dress and the cut of it are fair similar, as are the wings that are associated with nearly every depiction of Isis. To show and example from Egypt:
The fact that Sothis is shown with feathered wings in particular feels important given her other similarities with Lady Isis. Plus the throne hieroglyph that represents Isis and often often seen above her head looks exactly like the throne of Sothis as seen in the Holy Tomb. Lady Isis is also known as the "Lady of the Throne" just like how Sothis is called the "Girl on the Throne." The amount of connections between them does not feel like coincidence to me. If you want to take the Romance into account as well, both Sothis and Isis are associated with floods in that case, especially with floods that are said to be caused by their sorrow. Sothis is a savoir deity who protected and saved from Fodlan from the destruction of the Agarthans; she is said to have caused a flood in the one, possible, Agarthan account we have. Her name is Sothis, transcribed from Sopdet, lady of the blue star, who was syncretized with Isis who also became manifest within Sirius. I think I will make one more note: the Rite of the Goddess' Rebirth is transparently related to Wep Ronpet, the cosmological new year in Kemetic religious practice. Both take palace in late July (or into early August for some dates of Wep Ronpet), both are related to the rising of a particular star (the Blue Sea Star is based on Sirius, this fact), both are related to the rebirth of the world and the gods, and both are a day of celebration with family and friends. As one final aside: in Kemetic practice, worship of the gods has always been an intimate and close affair, both in antiquity and in modern practice. Gods are active and immediate presences within the world, and they are presently felt within physical parts of the world. Ra, Aten, and other solar deities are all the sun, Nut the sky, Shu the air and wind. Various "truths" about natural phenomenon could all be true at once and created a multi-facted view of existence. So Sothis having the Blue Sea Star as her "home" are acting as her spiritual double entirely makes sense within this framework. Sothis' laws are also fairly similar to the Laws and philosophical underpinnings of Ma'at; however, delving into that is outside the scope of this post. So I will need to leave things off here.
#fe3h#fire emblem three houses#fire emblem#sothis fire emblem#fe3h meta#stars rambles#i'm sorry if this feel unorganized i've been trying to synthesize my thoughts for days#sothis having all these allusions to lady isis has been very obvious to me for years#so i'm happy to have post laying it all out#and obviously this isn't the only influence#but one that i feel doesn't get talked about enough#and it's important to me#so with that#dua lady isis
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Sekhmet is a prominent goddess in ancient Egyptian. She is often depicted as a lioness-headed deity and is associated with war, destruction, healing, and protection. Sekhmet is considered a powerful and fierce goddess who could both cause and prevent epidemics and plagues. She was also seen as a protector of pharaohs and a symbol of their strength in battle. Sekhmet's worship was widespread in ancient Egypt, and she played a significant role in their religious beliefs and practices.
Sekhmet was often invoked or summoned for various reasons, including:
1. **Protection**: Sekhmet was seen as a fierce protector, particularly of the pharaohs and the Egyptian state. She could be called upon to guard against enemies and threats.
2. **Healing**: Paradoxically, Sekhmet was also associated with healing. She had the power to cure illnesses and epidemics, and her wrath could be turned into a force for healing.
3. **Warfare**: Sekhmet's fierce nature made her a symbol of strength in battle. Warriors might invoke her to grant them courage and victory in conflicts.
4. **Crisis Management**: During times of crisis, such as plagues or natural disasters, Sekhmet could be summoned to mitigate the damage or bring an end to the calamity.
#knowledge#spirituality#karmicstar#ancestors#ancient egypt#sekhmet#bastet#kemet#egyptian#egyptian mythology
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MA’AT
WHO IS SHE?
Maat or Maʽat comprised the ancient Egyptian concepts of truth, balance, order, harmony, law, morality, and justice. Ma'at was also the goddess who personified these concepts, and regulated the stars, seasons, and the actions of mortals and the deities who had brought order from chaos at the moment of creation.
BASIC INFO:
Appearance: a woman who is either sitting or standing with an ostrich feather on her head and, in some cases, she was depicted with wings.
Personality: she is often depicted as maintaining the cosmic order and preventing chaos. In some depictions, she is shown as a stern and fearsome deity, punishing those who go against her principles.
Symbols: scales, ostrich feathers, and Ankh
Goddess of: truth, justice, cosmic order, harmony, wisdom, morality, and balance
Culture: Egyptian
Plants and trees: papyrus, orris root, frankincense, aloe, lotus, and rose
Crystals: jade, turquoise, clear quartz, and blue calcite
Animals: vulture and ostrich
Incense: frankincense, rose, and myrrh
Colours: white, gold, blue, and green
Numbers: 2, 7, and 8
Zodiac: Libra
Tarot: Justice, Temperance, and Judgment
Planets: Mercury
Days: Wednesday, Yule, new moon, New Years, and Opet
Parents: Ra and Hathor
Sibling: Shu
Partner: Thoth
Children: Seshat
MISC:
Ostrich feathers: represented truth and justice, as a symbol of Ma'at's role as the goddess of these principles.
Ankh: life and the breath of life, as the Egyptians believed Ma'at was responsible for the cycle of life and death.
Scale: justice and balance, as the instrument used to weigh the heart of the deceased against her feather.
Papyrus: truth and knowledge, as it was a common writing material and symbol of written records.
Eye of Horus: healing and protection, as Horus was the god of the sky and healing, and the eye of Horus was a symbol of health and regeneration.
Sceptre: she was believed to wield the authority to maintain the cosmic order and ensure that truth and justice prevailed in the world. The sceptre symbolised her power and authority as the goddess of truth and justice.
Lotus flower: rebirth and renewal, as the lotus would emerge from the mud and bloom each day.
FACTS ABOUT MA’AT:
Ma'at was believed to sit at the scales during the weighing of the heart, determining of the deceased was worthy of the afterlife.
She originally determined the daily course of the sun.
Ma'at was the counterpart and balance to chaos, and it was her role to maintain the cosmic order and prevent chaos from winning over.
She was also associated with the Nile River, which was seen as the lifeblood of Egypt and a symbol of fertility and renewal.
In some accounts, Ma'at was seen as the mother of the Ennead, the nine creator gods of Egypt.
She was believed to weigh the heart of the deceased in the afterlife, along with the help of Anubis and Thoth.
HOW TO INVOKE MA’AT:
Meditate on her symbolism and the meaning of truth, justice, and order. Use divination tools like tarot or oracle cards to call upon her guidance in decision making, perform rituals or ceremonies centered around honesty and integrity in the self, use visualizations to connect with the energy of Ma'at, focusing on the qualities of balance, order, and truth. Incorporate crystals associated with Ma'at, like clear quartz, blue calcite, jade, and turquoise into your spiritual practice.
PRAYER FOR MA’AT:
“Oh goddess Ma'at, you whom we celebrate and honor on this auspicious day. We call upon you, great goddess of truth, justice, and order. Hear our humble prayers and answer our supplications with grace, with your mighty scepter, bring balance to our souls and our lives. Guiding us with your divine wisdom and protecting us from the traps of chaos and disorder. We offer praises and gratitude for your infinite goodness and wisdom, may your light always illuminate our path, Hail Lady Ma’at.”
SIGNS THAT MA’AT IS CALLING YOU:
Repeated thoughts or dreams of order, balance, and justice.
Unexpected opportunities to help others or uphold moral principles.
Feeling a strong connection to the number eight (representing the eight petals of the lotus and the eight elements of the soul).
Unexplained urges to study ancient Egypt or its mythology.
Encountering symbols associated with Ma'at (such as a feather, a scale, or a lotus flower) frequently.
A feeling of a guiding presence or inner voice that encourages you to seek truth and uphold justice.
Being attracted to the colour blue.
Increased intuition and a sense of empathy for the suffering of others, as Ma'at represents the compassionate aspect of justice.
Sudden encounters with people or situations that prompt you to defend truth and fairness.
Synchronicities or divine signs that relate to the justice system, such as dreaming of a courtroom or witnessing an injustice.
Deep desire for truth and honesty in all aspects of your life, leading to more authentic relationships and decisions.
A growing desire to be of service to others and stand up for the rights of the oppressed, reflecting Ma'at's role as a defender of the weak.
OFFERINGS:
No drugs and alcohol.
Cold water.
Bread.
Tea with milk.
Dates.
Plums.
Fish.
Chicken.
Olive oil.
Vinegar.
Books or scrolls.
Hummus.
Barley biscuits.
Reeds.
Gold jewelry.
White linen.
Grains.
Flowers and plants that symbolize growth, renewal, and abundance.
Mirrors.
DEVOTIONAL ACTS:
Daily meditation on her symbolism and the principles she represents, such as truth, justice, and order.
Recitation of prayers, chants, or invocations to Ma’at.
Performing daily acts of justice and truthfulness.
Practicing honesty and integrity in all your relationships and interactions.
Participating in social justice causes and promoting equality and fairness in society.
Setting up a shrine or altar dedicated to Ma'at, with symbols of her such as a feather, scepter, or scale.
Regularly reading or studying texts on Ma'at's mythology and symbolism.
Practicing self-reflection and introspection, examining your own moral compass and making efforts to align yourself with Ma'at's principles.
Making charitable donations or offering acts of kindness to those in need, as Ma'at is associated with compassion and benevolence.
Exploring ancient Egyptian practices associated with Ma'at, such as the ritual of the weighing of the heart or the performance of the Opening of the Mouth ceremony.
Embracing the divine feminine energy of Ma'at through dance or movement.
#fyp#fypシ#fypシ゚viral#fypage#fyppage#tumblr fyp#witchcraft#witches#witch community#deity#deity work#ma’at#maat#egyptian mythology#ancient egypt#information#masterlist
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Herb Spotlight: Thyme
History & Origins
Thyme (Thymus vulgaris) is a perennial herb that has been cherished for its culinary, medicinal, and spiritual properties for thousands of years. Originating from the Mediterranean region, thyme was used by the ancient Egyptians for embalming, while the Greeks and Romans valued it for its antiseptic properties and burned it as incense in temples to purify spaces.
The name "thyme" is believed to come from the Greek word "thymos," meaning courage or strength. Roman soldiers would bathe in thyme-infused water to gain bravery before battles. In the Middle Ages, it was also tucked under pillows to ward off nightmares and given to knights and warriors as a symbol of courage.
Where & How to Grow Thyme
Thyme is a resilient, sun-loving herb that thrives in well-drained soil and can be grown both indoors and outdoors.
Climate: Thyme prefers warm, sunny climates with at least 6 hours of sunlight daily. It's drought-tolerant and does well in zones 5-9.
Soil: Grows best in well-drained, sandy soil with a slightly alkaline pH. Avoid overwatering, as thyme doesn't tolerate soggy soil.
Growing from seeds: Start thyme seeds indoors 6-8 weeks before the last frost, or plant cuttings directly in the garden in spring or early summer. Thyme can also be propagated easily by root division.
Spacing: Plant thyme about 12 inches apart in a sunny location. It can also be grown in pots or as a ground cover, as it only grows to about 6-12 inches tall.
Harvesting: Harvest thyme when the plants are dry, preferably in the morning, by cutting sprigs just before the flowers bloom. The leaves can be used fresh or dried for later use.
Health Benefits
Thyme offers numerous medicinal benefits when used orally or topically.
Oral Uses:
Respiratory support: Thyme is a natural expectorant, helping to clear mucus and ease symptoms of coughs, colds, bronchitis, and sore throats. Drinking thyme tea or using thyme honey is particularly effective.
Antimicrobial properties: Thyme contains thymol, an essential oil with antibacterial, antifungal, and antiviral properties. It helps fight infections and boost the immune system.
Digestive aid: Thyme is excellent for relieving indigestion, bloating, and gas. It can also help regulate gut bacteria and support digestive health.
Antioxidant support: Rich in vitamin C and other antioxidants, thyme helps reduce oxidative stress, supporting overall wellness and aging.
Topical Uses:
Skin health: Thyme can be used as a natural antiseptic for treating wounds, cuts, and infections. It also helps soothe skin conditions such as acne, eczema, and fungal infections due to its antimicrobial properties.
Anti-inflammatory: When applied topically, thyme can reduce inflammation and swelling, making it useful for treating skin irritations or minor burns.
Hair growth: Thyme oil is often used in natural hair care products for stimulating hair growth and treating dandruff due to its antimicrobial properties.
Magical Properties
Thyme has long been associated with purification, protection, and courage in magical practices.
Purification: Thyme is used in cleansing rituals, either burned as incense or added to baths to cleanse one's aura or energy field. It is believed to purify spaces, removing negative energies or spirits.
Protection: Thyme is often carried or placed in doorways for protection from harm or ill intentions. It can also be worn as a charm to ward off negative energies and bad dreams.
Courage & Strength: Thyme is associated with bravery. In magical workings, it’s used to summon strength and courage, especially when facing difficult situations or challenges. It can be carried as a talisman or burned before spell work to empower the caster.
Healing: Thyme is often used in spells related to healing, vitality, and renewal. It's added to healing potions, incense, and sachets to promote physical and emotional recovery.
Love & Attraction: In love magic, thyme is believed to attract love and affection. It’s often included in love sachets, charms, or baths to draw positive relationships and strengthen existing ones.
Using Thyme in Your Practice
Thyme tea: Brewed as tea, thyme can be sipped to promote healing, clear the mind, and fortify the spirit before rituals.
Burning thyme: Burn dried thyme as an offering to deities, or use the smoke to cleanse and purify spaces, objects, or yourself.
Thyme oil: Dilute thyme essential oil in a carrier oil and use it in healing rituals or anointing candles to promote health and protection.
Thyme is a versatile herb with deep roots in history, known for its medicinal, culinary, and magical uses. Whether you're growing it in your garden or using it in your magical practice, thyme offers powerful healing, protective, and purifying qualities that make it a must-have in any herbalist's or witch’s collection.
#herb spotlight#herbs#plant magic#herbalism#plant medicine#thyme#witch#witchy#witchcraft#kitchen witch#green witch#witchblr
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Eye of Ra Talon Abraxas
The Eye of Ra carries several layers of symbolism and meaning.
The symbol is often invoked as a protective amulet to ward off evil and provide safety. It is believed to offer the wearer divine protection against harm and danger. This feature of the eye is usually depicted as a lioness or a uraeus (i.e. a stylized, upright form of cobra in ancient Egypt).
The eye represents the incredible power and authority of the sun god Ra. It serves as a reminder of his control over creation and the forces of the universe.
Also, the symbol embodies duality and balance. It can switch between benevolence and aggression, creation and destruction, highlighting the concept of harmony and equilibrium in the cosmos.
In some contexts, the Eye of Ra is associated with healing and restoration. This aspect is linked to the myth of the healing of Horus’s eye, which was damaged during a conflict with Seth (Set) and later restored by Thoth.
According to scholars and some Egyptologists, ancient Egyptians saw the Eye of Ra as a celestial symbol. They believed that it was connected to both the sun and the moon. The eye’s waxing and waning can be seen as a metaphor for the phases of the moon, while its fiery nature ties it to the sun’s light and energy.
Finally, the myth of the healing and restoration of the Eye of Ra reflects themes of renewal and rebirth. This symbolism is closely tied to the cycles of nature and the regeneration of life. --Eye of Ra – Origin Story, Meaning & Importance Ra Egyptian God of the Sun: 9 Ways to Work With Him Ra. His name feels primal when spoken. Powerful when written and read. As an Egyptian God of the Sun, Ra’s cult spanned dynasties and regions in ancient times. Some would argue he is perhaps the most important Ancient Egyptian god, syncretizing with other sun gods over thousands of years and adapting to new politics and belief systems. In this article, we travel to the land of the pharaohs and learn more about Ra the Egyptian God of the Sun, Ra’s symbol, powers, and how to work with him in your pagan or spiritual practice. You’ll find he is a protective, enlightening god with a desire to be honored by modern practitioners.
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Ancient Egyptian Healing: A Divine Knowledge from Higher Beings - +44 – 7944876046
Explore the transformative power of Transcendental Meditation with the Panchakshri Mantra, Om Namah Shivaya.& Discover how this sacred practice harmonizes the five elements to deepen your meditation, connect with divine guidance, and enhance your intuitive abilities. Unlock profound insights on your spiritual journey!
Ancient Egyptian Healing
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Ancient Egyptian Medicine: Study & Practice
In Europe, in the 19th century CE, an interesting device began appearing in graveyards and cemeteries: the mortsafe. This was an iron cage erected over a grave to keep the body of the deceased safe from 'resurrectionists' - better known as body-snatchers. These men would dig up freshly interred corpses and deliver them, for cash, to doctors wishing to study anatomy. Dissection of a human being was illegal at the time, and until the Anatomy Act of 1832 CE, the only corpses a doctor could work with were those who had been executed for capital crimes.
These did not provide physicians with the number of corpses, nor the assortment of causes of death, they required to better understand anatomy, physiology, and pathology. Doctors recognized that the best way to treat a patient was to understand how the organs of the body worked together and what could affect them, but they were denied access. These physicians paid the resurrectionists large sums of money over the years for dead bodies and would most likely have been surprised or even amused to learn that, in ancient Egypt, the practice of dissection was routine but that no one in the medical field of the time thought to take advantage of it.
The ancient Egyptian embalmers did not discuss their work with the doctors of the time, and the doctors never seem to have given a thought to inquire of the embalmers. Physicians in Egypt healed their patients through spells, practical medical techniques, incantations, and the use of herbs and other naturally occurring substances. Their understanding of anatomy and physiology was weak because although Imhotep (c. 2667-2600 BCE) had argued that disease could be naturally occurring in his treatises, the prevailing understanding was that it was due to supernatural elements. A study of internal medicine, therefore, would have been considered a waste of time because sickness came to a person from external sources.
The Nature of Disease
Until the 19th century CE, the world had no understanding of germ theory. The work of Louis Pasteur, later confirmed by British surgeon Joseph Lister, proved that illness is caused by bacteria and steps can be taken to minimize one's risks. The ancient Egyptians, like every other civilization, had no such understanding. Disease was thought to be caused by the will of the gods (to punish sin or teach one a lesson), through the agency of an evil spirit or spirits, or brought on by the presence of a ghost.
Even in cases where a diagnosis suggested some definite physical cause for a problem, such as liver disease for example, this was still thought to have a supernatural origin. Egyptian medical texts recognize liver disease but not the function of the liver. In this same way, doctors understood the function of the uterus but not how it worked nor even its connection to the rest of a woman's body; they believed it was an organ with access to every other part of the body. The heart was considered the seat of intellect, emotion, and personality while the brain was believed to be useless, even though there are documented cases of brain surgery. It was understood that the heart was a pump and that veins and arteries moved blood through the body, and heart disease was diagnosed and treated by measures recognizable today (such as changing one's diet), but the root cause of the disease was still thought to come from supernatural agencies.
Continue reading...
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A Lesson on Sympathetic Magic
{My post is cross-posted from The Cobalt Athenaeum aka my original post. You can find the server at the bottom of my pinned post.}
Always take my words with a grain of salt and do your own cross-referencing and research on a subject. Never take my words at face value. Self-study is important.
What is Sympathetic Magic?
“Sympathetic magic, also known as imitative magic, is a type of magic based on imitation or correspondence." - Wikipedia
Another example is
“Sympathetic magic is a magical modality that involves symbolically imitating the desired outcome. It may involve acting on a physical representation of a target or creating a physical representation of the outcome or recreating the desired outcome through motion and art. In this way, the practitioner might cause change at a distance in time or space.” - magickalspot.com
Sympathetic Magic Broken Down
Sympathetic Magic might sound difficult but I promise it is not. Let’s have a bit of a history lesson. Sir James George Frasier first outlined the underlying principles of sympathetic magic in his (1890-1915) book The Golden Bough (Ch 3). He explained that it was based on two basic principles which we now call the Law of Similarity and the Law of Contagion or Contact. There was also a book written by Richard Andree called Sympathy-Enchantment which was written in 1882. The idea of some form of sympathetic magic has existed since prehistory.
There has been talk of Ancient Egyptians using sympathetic magic within their rituals, from use of charms and amulets. We can see examples of sympathetic magic in Kemetic practices, some history is never forgotten.
It goes like this:
Principle - Explanation: Examples
Law of Similarity - “Like produces like”: Uses of a poppet to create a direct link to a target for healing, baneful work and other means
Law of Contagion - Objects or beings/things in contact retain a connection: Using a taglock (hair, nails, body fluids) in a spell to influence the target or as a representation of yourself
Law of Correspondence - Symbolic associations create connections: using for example a pink candle for self-love or a black candle for protection or baneful work. This would follow colour magic for theory
Law of Association - Linking two entities establishes a connection: Placing a photo of an ancestor on an ancestor altar or using a photo as a Taglock for a spell
Sympathetic Magic is the correspondence itself within witchcraft practice. It’s the main driving point behind a spell that uses materials. Without mastering sympathetic magic, your spells may not work as intended and may not have the power behind them that you so wish. Even materials in magic sometimes need a taglock of sorts for a spell to be as effective.
Law of Similarity
The Law of Similarity states that things that resemble each other have a connection on a metaphysical level. Examples include a poppet being used to represent an individual, either yourself or someone else. Its similarity to the target. This is what would drive the spellwork, as it would influence the target as intended. This is the basics of the law, the very base of representations in spellwork.
The Law of Contagion or Contact
The Law of Contagion states that things that were once in contact remain connected after separation and that whatever affects one can still affect the other, and whatever energy was in the original remains in the removed. We see this in taglocks, taglocks that were once connected to a being, living or dead. This can be physical taglocks (hair, nails, body fluids) or even a business card this person once possessed or an item of clothing. Alternatively, if you were out of options a name and birthday or a photograph would work fine. In a pinch, you work with what you have.
Types of Sympathetic Magic
Similarity
That of which resembles something that represents or substitutes an object or thing to do with the working. We can look at alchemy in this sense, we would alchemize an ingredient as a substitute. Pomegranates have been seen as a substitute for blood as t’s connected with life/death, vitality and mortality/immortality. It shows this symbolism through myths throughout different cultures and some folklore (ex. vampires). You can thank our Maven Satan for this fun fact so I can look into it further.
Contact
That of which something came in contact with something that can represent an object, thing or person. Examples include taglocks (hair, nails bodily fluids) or even moon/sun water as its rays have “touched” the water, blessing it a certain way. It can be UPG, SPG or VPG.
Imitation
While being close to similarity, it's not quite the same. It involves the act of creating an imitation object. Things like Poppets are great examples of alchemizing an ingredient for a working. The important thing is that it looks like the thing/person you are creating, however, a close imitation works just as fine (alchemy). Correspondence Correspondences are essentially the idea that something can influence another thing because of its relationship or resemblances to said thing. Let's say for example a correspondence to a deity, Roses are seen as a correspondence to the goddess Aphrodite or Keys for Hekate. You can also have something like Peppermint that represents the planet Mercury, as it rules under such. Correspondences can look like colours, plants, minerals and objects. As long as it represents that thing you are working with, it is a correspondence.
Examples of Sympathetic Magic
Practice - Purpose: Example
Poppet Magic - Healing, cursing, influencing, or representing a person: Constructing a doll-like figure and using it as a focus point to a ritual
Mirror Magic - Reflection, divination, or reversing energy: Using mirrors to channel intentions, amplify energy, reflect energy or for scrying
Material Correspondences - Utilizing plants, minerals and colours for their symbolic associations: Selecting specific herbs or flowers from research for their correspondence to include in a spell or working
Charm or Talisman Creation - Protection, luck, or manifestation: Crafting a personal charm or talisman with an intended purpose like protection or invisibility
Sources
Sympathetic magic. (2024, August 25). In Wikipedia. https://en.wikipedia.org/wiki/Sympathetic_magic
https://magickalspot.com/sympathetic-magic/ (read this source with a grain of salt as it mentions things like voodoo dolls)
https://plentifulearth.com/sympathetic-magic-power-spells/ (again read this source with a grain of salt as it mentions voodoo dolls and other topics that are a bit of a yikes)
https://www.worldhistory.org/article/1019/magic-in-ancient-egypt/
Would you be interested in the rest of my posts? Check out the Masterpost.
#sympathetic magic#law of contact#law of contagion#law of similarity#witchcraft#witch#witchblr#paganism#the cobalt athenaeum#cobalt athenaeum
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Everything You Need to Know About Crystals: Chrysoprase
The Stone of Venus
Requested by @acovenoftwo
Chemical Formula: SiO2
Color: Apple green, lemon
Rarity: Easy to obtain as a tumble stone, finer quality is expensive
Hardiness: 7
Type: Chalcedony
Chakra Association: Heart and Solar Plexus
Deities: Venus
Birthstone: May
Astrological Signs: Gemini, Taurus
Element: Water
Planet: Mercury
Origin: Formerly Poland, Now Australia, Brazil, Madagascar, Russia, Tanzania, USA
Powers: Encouraging development, Compassion, Tolerance, Growth, Forgiveness, Connection to Nature
Crystals It Works Well With: Mountain “jade”, Tourmaline, Smokey Quartz
How It is Created: Chrysoprase is a type of chalcedony quartz with a microcrystalline structure. Its color comes from nickel deposits, and it can be found in pale shades through to brighter green. Raw pieces have a granular appearance, similar to pieces of coconut, and a waxy sheen when polished.
History: Chrysoprase, called Stone of Venus because in antiquity it represented the goddess of divine love, the famous Venus, is a magnificent apple-green nickeliferous chalcedony belonging to the family of microcrystalline quartz. The ancient Egyptians also used chrysoprase for practical purposes such as sealing letters, but they would also wear pendants, amulets and other jewelry made of chrysoprase. For hundreds of years, the only major source of chrysoprase was a region of southwestern Poland between the Czech Republic and Germany, formerly known as Lower Silesia. This area has a complex geology and is extremely rich in all kinds of mineral deposits, including gold, silver, serpentine, quartz, marble, granite, alabaster—and chrysoprase. Stone artifacts from as far back as the Iron Age show the long history of Silesian carving and masonry. In the eighteenth century, Frederick II, King of Prussia (now part of Germany), conquered Lower Silesia. In particular, he wanted its deposits of green chrysoprase, which he used to decorate the halls of his favorite palace at Potsdam near Berlin.
What It Can Do:
Known as the healer of the heart space and helps connect you with infinite supply of compassion and love
Supports cardiac health and provides a centered peace
Helps people suffering from melancholy and manifests optimism and joy
Can be placed by homegrown herbs and vegetables to boost production
Perfect to artist as it increases creativity and talent
Encourages fidelity, forgiveness, compassion, and nonjudgmental thinking in relationships, while banishing greed and selfishness
Helps with inducing deep meditative states and promotes the love of truth
Calming and nonegotistical, creating openness in new situations
Stimulates fluent speech and mental dexterity, preventing you from speaking out unthinkingly in anger
Lifts oppressive and recurrent images, preventing nightmares, especially in children
Is said to detoxify heavy metals in one’s body and stimulate liver function
Is said to enhance fertility, reverse effects of infertility that are caused by infection and guard against STIs
Increases the absorption of Vitamin C
How to Get the Best Out Of: Wear as a necklace, bracelet, earrings or even use it in an elixir. Carrying chrysoprase for long periods attunes to the devic realm, a band of frequency found present on Earth which can connect you to nature and the planet directly
How to Cleanse and Charge: Can be cleansed briefly under running water then recharged overnight among a host of rock crystals for a few weeks. Cleanse during a rain shower for optimized cleansing,
Crystal Grid:
Healing for Children (Nightmares)
Shape: Fruit of Life
• 6 “issue” or calming stones
• 4 grounding crystals
• 2 light-bringing crystals
1. Hold your crystals in your hands and state your intention for the grid.
2. Lay the central keystone to represent your child.
3. Lay six crystals around the keystone to assist with the challenge or issue. (These crystalscan either represent a single issue, or different ones—whichever feels best to you. However,it may be more effective to address separate issues by laying individual grids.)
4. Lay four grounding crystals to anchor the grid at each corner of the “square.”
5. Lay a light-bringing crystal at the top and bottom.
6. Leave in place until the issue or issues have been resolved, remembering to cleanse thegrid regularly.
Crystals to use: Chrysoprase, Amethyst, Prehnite, Bloodstone
Sources
#witchblr#witch community#witchcraft#paganblr#occulltism#nature#witchcraft 101#crystal witch#crystals#crystal grid#witch books#witch resources#requested#chrysoprase#geology#rocks#venus
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Amulets of Early Christianity ~
Firstly, what are amulets?
"Amulets are objects imbued with magical properties that protect against bad luck, illness and evil. Amulets are universal and are answers to age-old needs: to be healthy; to be virile and fertile; to be powerful and successful; to have good fortune." -Occult World
Back in ancient Rome, at the beginning of Christianity, early Christians resorted to the traditional practice of using amulets to protect themselves from harm and to bring blessings. Christian preachers insisted on their fellow Christians to make the sign of the cross or use holy water or holy oil from a priest or monk as a replacement for amulets, but the use of amulets still continued to be practiced by the early Christians.
Amulets composed of animal and vegetable matter have perished throughout the centuries but amulets made in the forms of figurines, carved stones, papyrus texts, parchment, potsherds, wood, and metal have survived. Written amulets give an insight on how Christian prayers and worship effected how these amulets were made, including a collide of Paganism and Christianity in certain texts. Some amulets contained short spells with artwork of Christian symbols. This is one example of a merge between Paganism and Christianity within the writing of an amulet, “I bind you, Artemisian scorpion, 315 times. Protect this house with its inhabitants from every evil, from all bewitchment, […] from the sting of scorpion and snake.” The spell then follows with, “Give protection, O Lord, son of David according to the flesh, born of the Holy Virgin Mary, O holy, highest God, of the Holy Spirit. Glory to you, O heavenly King. Amen.”
Some amulets contained Christianity mixed with a Greco-Egyptian chant. Other amulets had chants that were dedicated to calling out for the assistance of a saint or biblical figure, a common saying in these chants were “now, now, now, quickly, quickly, quickly”. These amulets also relied on the use of words snd works from the bible, rather than using such things from non-Christian amulets.
Many amulets consist of bible passages or passages from liturgical services. Psalm 91 was popular among amulets, even with Jewish amulets. The Lord's prayer was also popular. Occasionally, amulets spoke of the correspondence between Jesus and King Agbar of Edessa, for healing and protection due to this being in Jesus's promise. Some amulets seem to have the intention of being used in rituals to exorcise evil spirits with the use of the creed.
When looking at the amulets, they show the different skills of their creators. Some amulets seem to have been written by a high skilled scribe while others seem to have been written by people who could barely write. Most amulets were found in common places, documents, letters, and personal copies of books. Some words were written as they would have been pronounced, instead of in proper Greek. This shows how some amulets were probably written by memory for chants and devotional texts.
Here are some examples of amulets
Source: Archeological Views: Christian Amulets-A Bit of Old, a Bit of New
#folk catholicism#catholic witch#christian witch#ancientwitchcraft#ancientreligion#catholic#god#jesuschrist#yahweh#amulet#occult#occulltism
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