#analyzis

[ladyzirkonia]

Oh my god, that was really good! I think it's now kind of pointless to post my own thing because you already got the most of it. Like were you in my brain, girl?

I can't help but fully subscribe to this and can only add a few comments if I can find anything at all.

Episode 6 dropped and love is literally in the air... so let's dive in...

We start the episode with an interesting story of a Romeo and Juliette trope. Specifically, a Captain and a Calamari Prince fell in love and run away together, causing danger of war between their species by doing so.

You may think it has nothing to do with either Din or Bo, but if you read my previous post you already know everything is intentional.

They could put here anything, absolutely anything. A pirate, bounty hunter, escaped prisoner... But they put two lovers who with their actions could bring harm to others. It's not truly a happy story, as the woman said before her love confession:

You see, after rewatching previous seasons I noticed that The Mandoverse likes to foreshadow what will happen in one way or another. Mythosaur discovery was foreshadowed by The Armorer in The Book of Boba Fett, for example. So this story here could be a potential warning, or hint at what may happen to Bo and Din. A Princess with a fleet, and a man who isn't considered a true Mandalorian because of his origin (Axe's words). After this episode, I'm pretty sure that Din and Bo are already in love. However, they didn't take any on-screen action to solidify the things we see between the lines. I do believe their relationship will progress further, and...

They may reach the point where things get complicated just because of who they are. You see the lovers from this episode can foreshadow Bo's or Din's dilemma about what they should do for the greater good. They may fall apart if the cause of their interest won't align, or be on the way.

HOWEVER, it may also be used as a future contrast that despite these odds and differences, they would not give up on what they feel for each other. Which I think would go together with true Mandalorian nature. This season is all about what it means to be a true Mandalorian, which is not just a fight for power. It's about caring for one another, especially a family. Mandalorians are stronger together, after all.

More under the cut!

Can we take a moment to talk about how Din IS JUST THERE?

We were making theories if he will go with Bo or not when the show... literally treats them as one already. Whenever she goes, he goes, and vice versa. Without empty promises, they just do it.

And they "moved" to Bo's ship!

To dig into it further, this episode they were constantly walking side by side, to the point of going thru the doors together too if the space allowed it. You can check out this post >here< with more scenes

Glances.

As I mentioned in my previous posts, this form is a subtle tool for storytelling, yet it can hide a whole ton of meaning or can be truly innocent. This episode is full of glances, specifically put in interesting places and I will touch on those later.

Like this one is innocent, just saying "Where the hell we are?" without words.

I mention in the title of this post that "love is in the air" and here's another indication of it, a bizarre one to be sure as ex imperialist and a democrat fell in love despite their differences.

But... Grogu may be the biggest giveaway here:

We don't see Bo's or Din's reaction here at all, only the enthusiastic cooing of Grogu. I asked myself why? Because he matters too, as Din's son. Grogu could be excited about the couple and how happy they are together. He knows both Din and Bo struggle a lot, and they have dark, rather gloomy lives. What if his father was blessed with a love that would make him happy?

In this episode, we also have the first instance of someone recognizing Bo as a Mandalorian Royalty, despite the fact, there's technically nothing to rule for her. No planet, no people.

An indicator that for the outsiders she is still a rightful ruler, despite her own people not believing in her anymore.

Glances. She is not going to make this decision alone, looking for assurance in Din.

An then, at the mention of her ruling Mandalore again she responds with:

Bo doesn't want to rule Mandalore anymore. A theme that goes on since the beginning of the season. But I think just this episode we got a glimpse of the true reason why those plans truly changed.

We got a great sequence with Good Cop - Bad Cop trope. Bo and Din gave us some Detective AU right here, make it black and white and we get a whole Noir setup ready to launch...

But back to the topic. This was yet another example of how they complement each other. Bo's more soft and rational approach would lead to nowhere or would take way longer if not Din's aggressive and hostile take on the matter, and vice versa.

They aren't only a great team, they need each other.

Glances.

Bo for the first time saw the darker side of Din. We knew he had one, but she's pretty taken aback by his hatred of droids. Nonetheless, it doesn't make her fearful of him.

Quite the opposite in fact

as she becomes his voice of reason to hold his horses. She's not scared he would get back at her with this attitude at all.

They had a brief conversation about his hostility, and I'm glad they allowed Bo-Katan to remove her helmet because what Katee is doing with expressing her emotions is phenomenal.

This innocent sentence awakens a lot if you know where to look. And if not I will just show you.

Glances. After the droid, a machine that can outlast probably generations if maintained properly puts importance on human life, and how short it truly is Bo and Din look at each other, accompanied by a romantic melody.

Devil is in the details, as Bo took a deep breath before breaking contact with Din.

What does it mean? As per usual it can mean nothing, or it can mean a thing, and you know me already, I will talk about the thing. You never know when someone's words might hit you, and I think that droid hit Bo and Din pretty strongly. In this lifestyle, they both share, life is even more dangerous than the citizens of that planet. It's a constant battle for survival. Wars, monsters, your own kind... Everything can kill you if you are Mandalorian.

So they might think that there's no time to waste. An indicator that the actions may be taken soon. A way of saying "Life is short so we can as well live together".

The investigation is a success, DinBo detectives can be proud of themselves for solving the issue, and as they came back to the Duchess with the results, we are once again struck with something. The motives of a man responsible for malfunction have their core in his hatred for the ex-imperial husband of the Duchess. So Duchess Lizzo blesses us with this line:

You see, both Din and Bo have past. And those who know TCW know that Bo's past is terrible. She made huge mistakes when she was younger, and she pays for them to this day.

I don't have a gif here, but at this moment you can see how Bo is moved by the exchange of these words, and you can see it all over her face, as her gaze is running away somewhere else.

Lizzo then recognizes the efforts, Bo and Din made, which put a smile on Bo's face. A rare sign, but it only gets better.

You see, I think Bo-Katan is genuinely happy here because she did something good, and her efforts are recognized.

It's safe to say that back at Kalevala, she was severely depressed. Thinking of herself as a failure that caused the doom of her planet and everyone she loved. Everyone left her, no one cared for her, and she was all alone. Then Din needed her help, and from then she was on a streak of doing good. I'm pretty sure that if not for the helmet we would see her smiling similar way after rescuing Rengar. Here, she not only helped people but also secured an alliance with another planet, simply by doing good, with no corruption or violence needed.

Look how proud she is when Grogu becomes a knight! @ladyzirkonia Already noticed in her post >here< that Bo is happier than ever. And It's absolutely true! We haven't seen her as happy ever before. Not when she was getting a new addition to her fleet back in Season 2, or not even when the Armorer announced she is the one to unite them all.

This leads us adress to the bantha in the room...

Where something important happens.

You see, there were many theories that what Bo's doing with Din is just a long play to challenge him when he least expects it, but this disproved it. And later it gets even more interesting.

You see... Axe is accusing Bo of intentionally refusing to challenge Din. Which would mean her people demanded it from her at some point.

Her refusal could be what lead them to leave, claiming she's weak, not only as a leader but also as a warrior, probably thinking she's afraid of challenging him.

However, Bo's motive may be rooted somewhere else.

Bo-Katan had no problem challenging Axe for her fleet, so why would she struggle so much to challenge Din? It was as necessary as getting the fleet back, so what was stopping her?

But she really didn't have to kill him to claim the blade. We saw it as Din and Paz fought for the Darksaber, and Vizsla is still alive.

(gifs by @itberice) Do you remember what I said about love in the air? Now, look back at the Captain and the Prince from the beginning, and Duchess Lizzo and her ex-imperial husband. Do you notice the similarity?

Bo-Katan stands up in front of so-called Mandalorians, that are ready to outcast someone like Din, just because his blood is not Mandalorian enough. Just like Lizzo stood up against Commissioner in defense of her ex-imperial partner.

Again @ladyzirkonia made a great post >here< saying what I'm gonna mention.

This is a great sign of what kind of leader Bo is going to be. She walks both ways, she took her time to understand Din's perspective, and because of everything that happened, he is the one who showed her The Way. The right one.

He let her understand what it means to be Mandalorian, and it's not the blood, but the heart and faith of a warrior.

Din Djarin, with all his adventures, made Bo-Katan the person she is now. And she is really fond of him, to the point of standing in his defense, even if before she was among the people who laughed at him.

I know everyone has mixed feelings about the Darksaber, and I fully myself don't sit right with it either, BUT it happened, and I'm here to make surgery on the symbolism here.

I know a lot of people think if Din gave the Darksaber like that, make it look pointless...

But I beg to differ.

You see, the Darksaber for Din and Bo actually lost its value. For him, it was a burden, and for Bo-Katan a symbol of everything she lost. But for everyone else? It still was a symbol of power.

I may sound here like I'm trying to defend the outcome, but I rather like to think I'm just taking a different perspective on it.

Hear me out, the point of Din getting the Darksaber maybe never was to show him as a potential leader, but rather put him on his path with someone who will make his life... better.

The Darksaber is something that put Din and Bo-Katan on the same way. A catalyst for everything we saw this season. Nothing of it wouldn't happened if Din didn't have the Darksaber. Just think about it, if in season 2 Bo got the Darksaber from Gideon, she would have her fleet, and wouldn't rot in her sadness on Kalevala, so there would be no one to save Din on his way to redeem himself. Giving this one sample to just show how big of a butterfly effect we are dealing here with.

So as much as I don't like the way the Darksaber was claimed, I truly don't think it makes everything pointless. For me, quite the opposite really. It's the reason why everything we see is happening.

[applepixls]

please can we have more jimmy and impulse.

collabs, streams, heck even a life series team

i just really really want to call them jimpulse

[natsmagi]

my thoughts on the new event by the way If u even care

text ID below

"hi is this where i go for when i need to let my insane ramblings out of my system. Well anyway im starting to think the point of the lost ballade shuffle is moreso these characters exorcising their past traumas. i dont know alot about yuzuru or niki so i cant really speak on them but for tsumugi rei and madara itd make sense since the lyrics of the song seems to imply that They are the lost children. they are the lost children who have endured all this hardships. rei, tsumugi, madara and yuzuru had rather abusive and dehumanizing upbringings (again idk niki lore</3). theyre lost children robbed off their lives. i wonder if their scenes when the spirits came loose showcases how they coped about it in a way too? like mama is seen interacting with many of the members, which is fitting considering his whole deal being related to "having connections," since his family followed the shinkai cult and made the wishes come true. tsumugi seems alot more lonely, carrying his weight by himself to the point where it seems his body is beginning to give out. which is consistent with tsumugis character and how he often self-sacrifices and doesnt let others in much. rei seems alot more grand, focusing on the bigger picture and not himself, analyzing the situation to better know how to approach. such as him looking at the tomb thing with a more calculative gaze, and then giving that same look to the radio tower, implying that maybe thats whats been causing all of this. this is also consistent with reis character in how hes viewed by many as a savior. a prodigy that can fix everyones struggles, without stopping to view rei as his own individual the song itself feels very much like. People who are clinging to bad habits. wandering around aimlessly because with how they were raised this is all they know. never telling anyone of their hardships. never letting anyone in. completely isolating themselves, because the people who were meant to raise them never taught them how to live, so all they know is "watching over the world" and then in the end they exorcised themselves of their pasts, not letting that define them anymore. u can see it esp w tsumugi in how, minus the hush towards the camera, he never once smiled during the mv until the purified spirits were floating around him like hes finally at peace im so normal about this i swear"

[sarastuss-a]

whilst venat, the previous azem &. sarastus' mentor chose to wear a white robe, &. a white &. blue color scheme, &. one could say white suits someone like the warrior of light. but, the reason why i went for the golden &. black color scheme for sarastus' armor / clothes is because of course, gold = the sun, the light, all that, BUT, the black color really makes that 'light' pop. quite literally, something about the light in the darkness &. the balance of both light &. dark that are essential.

[overwatch]

sasuke

Breathing is a fundamental aspect of human life and is often used in literature and film to convey a character's emotional state or physical condition. When we take a breath, we inhale oxygen and exhale carbon dioxide, a process that is necessary for our survival. However, the act of breathing can also carry symbolic significance. This is, of course, what Kishimoto tried to convey to us.

In the case of Sasuke, his breathing patterns may reveal his emotional state or physical exertion. The connotations of trauma that Kishimoto writes into Sasuke's character arc are complex and multifaceted and can be seen in these breathing patterns. For example, when he is in intense focus or concentration, he takes slow, deliberate breaths to help calm his mind and control his emotions. This usually happens when Naruto is around.

On the other hand, when he's in a state of panic or distress, his breathing may become quick and shallow, indicating his heightened anxiety. This usually happens when he's around Sakura, often forgetting to breathe at all to end it right there and then.

[sunset-synthetica]

When i reblog a photo of House with the tags 'he's just like me fr' i need everyone to understand that I mean that in the weird autistic guy who doesn't quite understand morality and the concept of belief and social rules way

[figkeele]

so I saw the spider-verse movie. spoilery rambling under the cut

the good news is that weird fetish fic I had for comics? oh man, I will write it for this movie.

I hate that the trailers told me everything. basically, in the first hour, I was just waiting for some new information. they really didn't kid when they begged us not to watch the material they were advertising the movie with. literally, shots from the last 20 minutes were also in the trailer.

so it was not a movie, it was a half-movie, and I hate it. it was both too long and too short - lol. the whole thing felt like a set-up for the big action scene/climax we didn't get to have.

I'm still not over the fact that Miles is an anomaly - but his universe didn't collapse. but now it would? if he saves his dad? how are those two universes okay if the canon events differed so much? what are you not telling us, Miguel?

I still hate Miles/Gwen, this movie did not sell me on that part.

I felt every character was underutilized - I mean, okay we didn't need Peter, but Jessica, Hobie, and Pavitr did nothing for me. I'm sure the fanfic and fan stuff will be good, but movie-wise they felt like cameos. Which I know you can argue that is FAIR, but I wanted more depth?

I hated how everyone is against Miles but sure we will have to forgive that lol

It didn't let me feel emotions because everything was always just moving too fast.

There were way too many plotlines but also way too few? I mean, we have the canon events stuff, and Miles being an anomaly itself, then Spot, then the ending. (And I will be pretty pissed if the ending villain is not a main villain. SPOT&MILES TEAM UP, I DEMAND IT!) But because everything was just the buildup, it didn't feel like a story with any weight.

what I LOVED was THE ENDING. YOU KNOW ME. I am always yelling about Ultimatum and Selim, and yeah, yeah, it's MM-42, but it parallels Ultimatum and Selim!!! What will become of Miles without Peter? THIS! Also, I love that even though his dad died, and oh, what a formative experience it would be (said the Spidey Society probably) Miles just went nuts!

plus the toxic self-sacrificing thing from the Spider-Man/hero mythos was nice, would have loved to see more of THAT.

[im-this-kind-of-girl]

Aziraphale and Crowley's unhinged character analyzis (pt1)

Controversial opinion:

Aziraphale and Crowley at the end of Season2 managed to accomplish the main goal they each had since the beginning of time. Only to realize that what they wanted no longer made them happy.

It sounds crazy, but to explain myself I have to do an in-depth analysis of their personalities and the possible transformation arc that both characters are probably going to have at the end of the Good Omens story.

Disclaimer: I have no idea about what is going to happen in Good Omens. This analysis could clearly be considered a theory since I'm not Neil Gaiman, but as someone who knows about narrative and character structure, I'm going to elaborate. Also, English is not my first language, so sorry in advance.

Aziraphale

First let's talk about Aziraphale. For two reasons, firstly because he is the one who seems to deserve the most defense right now; and second because Aziraphale, in my opinion, is the main character of Good Omens. This is because Aziraphale, out of the two, is the one who is likely to have the biggest change in his personality once his arc ends.

In a story, especially one like Good Omens with many characters, it is common for there to be many arcs, as every character has something to learn. Crowley, as a co-protagonist and love interest, is clearly going to have a change at the end of the plot, but his change won't be as big as our angel's.

First things first, what is a transformation arc?

It is the transformation that a character undergoes from the beginning to the end of the story. Basically, at the beginning of a story, a character is in a certain state of equilibrium, he lives and thinks in a certain way until he is exposed to a situation that forces him to act outside of his comfort zone. During this, he will undergo different changes that will be reflected in actions that take him away from his natural state until the climax, where the character will make a decision that will change his normality forever. This is important. In every story, the climax marks a before and after in the protagonist's life: whatever he decides at this moment has no turning back and will mark his life forever, so that after the climax, the character may again have a state of equilibrium but different from the initial one.

What is the climax of Good Omens? Well, in the 1st season we have the bodie swap and in the second season the separation of Crowley and Aziraphale. But of the story itself? It's still a mystery.

Neil Gaiman has already confirmed that Good Omens is a three-act story, so its climax will be located at the end of season 3. We still don't know what definitive change there will be in our characters… although throughout the series we have enough clues to at least know what they probably have to work on changing.

Aziraphale's Role

In order to analyze Aziraphale we must begin by understanding his role within the angelic hierarchy. Aziraphale was created as a Cherub and then, after Eden, became a Principality. Both ranks have one thing in common: they are guardian roles.

Cherubs are second in the highest circle of heaven, below Seraphims. They are described as "guardians of the universe from a divine plane and without direct contact with humans, although they positively influence them". On the other hand, Principalities are seventh within the last circle of the angelic hierarchy, and the highest rank within it. They are the guardians of nations and countries, overseeing global events within politics and commerce.

So, Aziraphale was created with the main purpose of being only one thing: a soldier. His function is to obey and protect objects, places and beings. That is why he was the angel who received the sword of fire, his task was to protect Eden. But he also has a very strong sense of intrinsic goodness that has led him to make erratic decisions throughout history that question just how much he is willing to obey orders.

If Aziraphale feels that something is wrong, he won't do it. It doesn't matter if he has to go against Heaven or sin. It doesn't matter if killing a child saves the rest of the world, he won't do it. It doesn't matter if God will grant Job new children, he can't stand idly by. These actions make him stand out from the rest. A simple soldier just obeys while Aziraphale has a critical mind, he has too strong of an opinion about right and wrong. If an event happens that he considers evil, Aziraphale will go to great lengths to prevent it.

It is remarkable that the first thing he did having free will was to give his sword to Adam and Eve. Of course he did it with the function of protecting them but, by giving them his only weapon, Aziraphale was left in a serious state of vulnerability. He did it because he is good and kind, but it could also be considered an act of sacrifice. Here enters another important issue when talking about Aziraphale that relates to religion itself.

The Martyr Hero

One of the most basic conceptions about the Christianity is that without sacrifice a person cannot really be good. Jesus was crucified to free us from our sins; Job sacrificed his whole life to prove that his faith was genuine. Even centuries later, the ecclesiastical institution maintains that the more you suffer, the poorer you are, the more chances you have of ending up in Heaven.

All the sacrifices made in life will eventually be rewarded in the Kingdom of God. It is the eternal figure of the martyr that is worshipped in Church, the idea that to really love, to really do good, sacrifices must be made.

Aziraphale believes this blindly. Now, he is an angel, not a human. He will not have an eventual reward of any kind, and that does not matter to him, because he considers himself lucky to be able to be a being of light who brings happiness to others no matter the price he has to pay. He was willing to fall only to save the lives of Job's children just because it was the right thing to do.

Performing actions for your own happiness without thinking of the consequences is frowned upon throughout the Bible. It is considered selfish and is a great source of guilt for all its faithful.

There is a line from the Good Omens Musical that has always stayed with me. When they argue, Crowley tries to talk some sense into Aziraphale by claiming all the reasons why he should help him avoid Armageddon, to which Aziraphale replies "you and I are not important."

Why didn't Aziraphale quickly give in to the proposal to stop the end of the world? Why didn't he tell Crowley where the Antichrist was without hesitation? Why did he help Gabriel in spite of everything? Why didn't he kiss Crowley back although he wanted to?

Truth be told, Aziraphale does not prioritize his own happiness because he does not consider himself important.

At the center of it all is God, good and ineffable who would never let anything happen unless it is not amenable to the greater good, then there is all the rest. Aziraphale believes he is just a soldier with a mission: to protect the Earth and everything he considers worth saving. He is not on this list: his welfare does not matter to him because, in the grand order of things, Aziraphale does not believe he is important.

There is no afterlife reward for him, though that doesn't stop him from feeling guilty about wanting it.

Aziraphale's dilemma

Aziraphale's great dilemma ould be summed up as:

Do I do what I want or do I do what I must?

Should he obey the rules or get what his heart yearns for now that it is within his grasp?

Throughout Good Omens, we learn Aziraphale has given into various temptations such as food. But these sins are small in comparison to what he really wants. For how does he explain to God that what his heart desires the most is to be able to love the Serpent of Eden?

He is madly in love with Crowley. He could lose everything: his bookstore, restaurants, music, art, but the feelings he has for him will never go away. It were years of repression, believing that if he loved him in silence, everything would be okay.

Now, in the season finale, Crowley expresses it, confesses and kisses him, offering him what he has always secretly wanted on a silver platter.

But Aziraphale was also offered a place in Heaven, finally being accepted by the family he misses. Aziraphale spent the entire 2nd season getting involved in trying to save Gabriel, in bringing Maggie and Nina together, getting perhaps a little too invested because he clearly missed having a purpose.

He was not well emotionally. He missed feeling that he does good because, despite everything, he believes in the potential that Heaven has. Aziraphale knows that if he is in charge, if he gives up everything that makes him happy, if he stops being selfish as he was all these years, he can make the necessary change to prevent the End of the World.

Aziraphale is a soldier whose main goal has always been to protect. Becoming the supreme Archangel he is able to protect everyone he loves. Because of this, he decides to sacrifice his earthly happiness and make the most difficult decision but the one he feels is right: to leave Earth, reject Crowley and become Head of Heaven.

The end of his arc and Crowley

Like any arc, Aziraphale's is clearly at the end of the story. He's already changed a lot, and he's done mostly so because of Crowley. Not just because of love, no, Crowley manages to awake something in him. Crowley is the driving force that encourages change in him, that reaffirms or questions his beliefs whenever he is in doubt about whether something is right or wrong. He inspires something that Aziraphale, an obedient soldier of the Lord never had: freedom.

Obviously, our angel always had that spark of freedom, though repressed, hidden in the darkest part of his being because he knows it is something that makes him different from the rest and he doesn't like to admit that he doesn't fit in Heaven.

Because this means that he doesn't fit in Hell either, nor on Earth completely. Ergo, admitting to being different means confirming his suspicion that he doesn't fit in anywhere. But he never had to pretend this with Crowley.

Knowing all this, how will Aziraphale's arc end?

Well, he's going to have to choose between heart and duty again. Aziraphale is going to want to save Earth at the Second Coming, that's obvious. He is going to be forced to disobey Heaven once again as he realizes that he cannot change them. In this way, he will confirm something tragic: his sacrifice was in vain.

But it is necessary that he can assume this in order to understand that he is wrong:

It is not necessary to suffer in order to deserve love.

It is not necessary to sacrifice everything that makes you happy to prove you are good.

Eternal sacrifice is not the solution. Aziraphale has to learn that being happy and being loved is not a reward that has to be given, no, it is something he is worthy of without the need to sacrifice his life. Aziraphale must understand that he does not have to prove that he is a good person by martyrdom. He is a good person because he is empathetic, smart and sweet.

The secret is to find the balance between love and duty, between good and evil, to embrace his freedom and find happiness by accepting his mistakes that make him different from the rest. The easiest way is to learn to love in the most genuine way: the human way. Discovering that love does not necessarily have to be painful or repressed, that he can do it openly, that what he feels is not a test of faith, but the reward he has been waiting for all these years.

Aziraphale will ultimately become free through Crowley's love.

[first-edition]

One Night You

Spencer and yourself have a one night stand, and thinking that’s all it is you get up to leave and the confessions begin.

Smut, p in v, mention of alcohol, clit play if you squint, fluff, slight angst

THIS FIC IS 18+ MINORS DNI

You never expected that sitting on the floor of Spencer’s living room to solve a kidnapping case would end up with two glasses of wine and your clothes flying off, but here you are in bed with your co-worker who’ve you’d had a crush on since day one.

Your legs wrapped around his waist, his hands roaming your skin, your fingers tangling his hair. The erotic sounds of skin hitting skin and moans.

His lips kiss and suck your neck surely leaving marks not caring about the work scheduled for tomorrow.

“F-fuck.” Spencer curse as you arch your back pulling him closer to you as his cock stretches your cunt. His member hitting the sweetest spot of you over and over again. His little moans and whimpers in your ear making you go weaker for him submitting even more than you already are.

Your lips move from an open setting to a smile he pulls him self up to look at you wanting nothing more than to watch your face contort to his control when you cum around his dick.

A smile forms on his as well before you place your arms around him connecting your lips with his. Spencer places his hand up above your head gripping the head board breaking kiss as he fucks into you harder rewarding himself with the sounds of your pleasure. His other using his skilled finger to rub your clit.

Your nails run down his back feeling his muscles as he groans against you his hair falling around his face framing him perfectly. The knot in your stomach tightening before it snaps and you grip onto him cumming around him.

“S-Spence ah!” You moan out gasping.

A light chuckle leaves his mouth as he kisses you continuing to fuck you through your high before taking his own pleasure spurting his cum into the condom as he roughly pushing into you surely hitting your cervix.

—————

The bright light from his cracked curtains cover your face as you open your eyes blinking away the blur of sleep. You see a pair of light brown eyes looking seemingly golden from the morning glow.

“Morning” he says his voice only slightly deeper.

“Mm.” You say wiping your eyes. Before sitting up pulling your hair back out of your face. You sigh looking around the room for your clothes yet they are nowhere to be found only the panties you put on after it was over.

You hold the comforter against your chest giving yourself a little bit of your self preservation back.

“Where are you going?” He says looking up at you.

“Home…I shouldn’t have over stayed my welcom im sorry.” You say leaving him with a chuckle as he shakes his head

“Over stayed? What are you talking about?” He asks. You look around eyeing twords both of your ‘naked’ bodies. You bring the comforter closer to you.

“As much as i dont want it to be call it was it is spencer. A one night stand were going to go into work later today covered in marks while the team analyzies us and we’ll stand across the room from each other in awkward silence with the boys congratulate you and i get scolded for being a drunken whore by the girls.” You huff pulling your knees to your chest. He sits up his hand placing its self against your bare back.

“Who said this was a one nights stand.” He says looking at you tucking your hair behind your ear. You turn your head your eyes meeting.

“You’re not a drunken whore you never were or will be you’re y/n a woman who i happen to work with and whomst I’ve happened to fall in love with so I invited her over to help work on a case which was complimented with a glass of wine and very good sex.“ he says brushing his thumb against your cheek.

“…what.” You reply. He raises his eyes brows to you to make sure you got every detail of his confession.

“If you’ll let me I’d like to take you on a proper date and I-“ he cut off by your lips on his as you climb over him straddling him he sits up holding onto you as you share a passionate kiss.

Breaking the kiss for a moment you speak.

“Say it..say it again.”

“You’re not a drunken whore you never were or-“

“No. No…say the other thing.” You say looking into his eyes.

“I’m in love with you. Have been for a while a very Very long while. I love you so please dont call this a one nights stand. I plan to do this and many other things with you….if youll have me” he say. The smile grows on your face as you nod pecking his lips.

“I love you too spencer. I do.” You say. He smiles laying down and taking you with him both of you giggling and laughing as you share kisses and cuddles.

“Spence.” You gasp pulling back a bit.

“Hmm?” He ask

“Where are my clothes?”

[journeyofaloy]

I loved reading this, it was very interesting! am really sad Horizon Call of the Mountain is just a VR Game. I think playing as Ryas during the Red Raids is way to important of a story to plant it into a VR game to which not many of us have access to... I hope there is someone out there who is gonna stream/upload it on Youtube, because I def want to see the game! Hoping we see something of Nil too.

After listening to the GAIA Cast deep-dives and making up the transcripts for them, it's really obvious in hindsight how many hints get dropped through specific phrasing choices by Narrative Director Ben McCaw regarding certain topics, and I am currently losing my mind at all the hints and character parallels that are in the Jan. 30 Playstation Blog about Call of the Mountain (CotM). link

---

During "GAIA Cast EP. 6: Uncovering the Carja Civil War" [transcript by me here], Ben McCaw and Lead Quest Designer Tim Stobo talk about the divide in the tribe as an interesting tipping point to come into from both a narrative and world perspective. One of the things that particularly caught my interest is the following quote by Ben:

"And one of the things that’s important, like in any civil war, it’s like families have been torn apart, right?  It’s one tribe that’s been cut in two and some family members wound up on each side."

This is talking about some more specific instances in sidequests in which we see "the good, the bad, and the ugly" kinds of people within the two halves of the Carja, but the emphasis on seeing how the tribal divide impacts all different sorts of people is another detail that they continue to discuss. It's not just the Shadow Carja refugees in need of food and medicine, and supplies being smuggled by Sun Carja by robbing the richer upper class, but regular everyday civilians like Atral and Elida who are torn apart by the conflict (in a very Romeo and Juliet type fashion).

Which is why I find it especially interesting in the character teaser/ introductions of this most recent blog post, the topic of the divided tribe and divided families in CotM, and the impacts of actions taken during the Red Raids is again brought to our attention:

Guerrilla’s Studio Narrative Director, Ben McCaw, offered us further insight: “Ryas ended up on the wrong side for the right reasons. His family was torn apart, and ultimately, he was incarcerated. This is the story of how he tries to come back from that.”

**HZD and HFW spoilers and further discussion under the cut.

Digging into the topic of families divided and torn apart, we see its most obvious wound in the royal family, and the opposing forces of Jiran vs. his sons Kadaman and Avad, and later, Avad and his half-brother Itamen. In these two opposing relationships, we get to see and explore facets of the complications of the father-son relationship: the father against his sons, and the sons against the legacy of their father.

Morally and ideologically, we know that Kadaman and Avad care for their people and their tribe, in speaking out against the Mad Sun-King's edicts, and paying some kind of price for it. In Kadaman's case, it's his life; for Avad, the faith of the people and the fear of becoming like his father are burdens he will never be able to escape. Where family and fatherhood are meant to be examples of protection and guidance, this bond is warped beyond recognition in regards to Jiran and his sons.

The legacy of the father and the shadow it leaves behind, in both a metaphorical and cultural sense, in one that Avad and Itamen each have to grapple with in the uncertain stage of a ceasefire and afterwards. Metaphorically, they each have their own battles in stepping out from under their father's shadow: Avad as the King of the people and proving his will not become his father's son, and Itamen as a child figurehead for the will of others fuelled by ambition and blind faith. They are pitted against each other as symbols of the divine right to rule, and the cultural aspect of the Sun-Faith -- and the interpretation of Sun's divine will manifested through the power of the rightful king -- continues to perpetuate the intra-tribal divide.

---

Back again to the divide of family, I think it reasonable to assume that differences in faith and ideology to be one of the simplest explanations of families picking and choosing sides. In the Liberation comics, we are told of Urid and Ryas, each highly skilled and formidable in their own right, fighting in direct opposition to each other and in direct support to the ruling figures of each faction. Clearly, their loyalty to the governing powers of each faction is fuelled by something stronger even than the bond of family, and I can think of few other motivators stronger than religious faith and a code of honour to serve those whom you pledge yourself to.

“Having fought for the Shadow Carja, Ryas’ relationship with [new allies] is at best adversarial. He needs to make inroads and amends if he hopes to be accepted.”

"At best adversarial" indicates a potential rivalry with allies known to Ryas, or full-on confrontations to be had with other characters who know of him and his reputation. Given our introduction to Hami, the reluctant soldier charged with escorting Ryas, there is already animosity from within their shared tribe, even with the degrees of separation and association and/or participation with the Raids.

Either way, there looks to be some very interesting tribal conflicts permeating the relationships during CotM, which brings me to the next intriguing thing: the hope of acceptance from these new characters.

Acceptance despite past deeds and choices feels phrased like a kind of welcoming back into the fold, a return of sorts from ostracization or exile. There seems to be a preexisting bond that is under strain if the goal is simply acceptance, rather than "to be trusted".

"Making inroads and making amends" has absolute implied meanings of repairing broken bonds. But a broken bond with who? Given the precedent of reuniting estranged brothers in 'The Queen's Gambit' sidequest, Avad and Itamen show there is hope for rekindling and repairing the fraternal bond. Given this information, the most obvious candidate so far to whom Ryas would be repairing broken bonds with is his own brother, Urid.

---

So, we have the history of brother against brother, and the future hope of reuniting and reconciling said brothers. But what about the hints that "players will [...] be reunited with familiar [characters], though [Ryas'] past has affected these relationships"? Who else is familiar enough from HZD or HFW for us to anticipate seeing in CotM? With all of the promotional imagery of standing between the Sundom and Sacred Lands, I will focusing on potential Carja character appearances, since I feel there may be little in the way of Nora appearances given their cultural reluctance to venture near metal ruins that we will likely be exploring as Ryas.

Given their multiple mentions in Ep 6 of GAIA Cast, Uthid and Vanasha seem likely candidates to make an appearance. Vanasha's reconnaissance abilities and connection to Marad could provide some early intel as to what kind of situation we're heading into, and Uthid's switch in loyalty due to his honour code is an early seed to be planted for the legitimacy of Avad's mercy and willingness to make amends with a former Shadow Carja. As merely a captain, it is not likely that Uthid will have had any interaction with Ryas during the flight to Sunfall, but it presents an interesting common ground for these two weathered soldiers and their levels of involvement .

(Personally, I hope that Warden Janeva makes a brief appearance if for nothing else than to see what their assessment is for Ryas' character and his release from Sunstone Rock.)

And speaking of Sunstone Rock, there's the most obvious character to - hopefully - make an appearance: Nil.

---

Nil as a character is steeped in mystery, with his cryptic eloquence making it difficult to pin down much about his past. However, there are several parallels that draw him and Ryas along correspondent narrative threads that I find too interesting to leave alone.

For starters, an easy comparison of these two is their particular set of skills as hunters and fighters:

"As a master climber, hunter, and explorer, Ryas offers the perfect viewpoint of the sweeping vistas and dangerous wilds of Horizon.”

A significant feature of CotM appears to be climbing, and as we know from the Liberation comics, Ryas's brother Urid is the best climber in the Sundom. Nil is clearly an accomplished climber himself; the climb to the top of the Mesa during the "Cause for Concern - Farewell" quest is a long one with lots of jumping from handhold to handhold and creeping along ledges.

Nil's hunting ability is such that he sees bandits as a more satisfying challenge than hunting machines, even the more deadly combat machines that have emerged in the recent years; stating "They don't get that look in their eyes." (Devil's Thirst Bandit Camp conversation). Ryas' reputation precedes him, as the Hami and Kavad comment that "everyone says Ryas is a good shot" (CotM State of Play reveal trailer), so clearly his ability with a bow is notable enough to be wary about.

Thirdly, being well-traveled and adept at exploring the world and its metal ruins in search of information is a quality we see in few others. Most other tribes have superstitions concerning the Old World ruins, and so avoid them; or are more pragmatic about its use for profit, as seen with Oseram delvers. We see Nil unafraid to venture into these ruined places, going so far to say "[those] lonely places where people once were, now just a hole cut in the world?  Chances are, I was there before. " (Gatelands Bandit Camp conversation)

---

Jon Gonzalez, the Narrative Director during HZD, emphasized Nil's significance as a representation of the effects of war, and clarified that there are elements of his quest narrative that are acts of atonement, of trying his best to balance the wrongs he's committed with a new motivation.

"And I think that there are a couple of characters that also highlight really unique aspects of some of the tribes in really idiosyncratic ways. I think that Nil, [...] who seems to have become kind of a fan favorite, the kind of way that he has this kind of unique, sociopathic kind of approach to killing, but the way that that's connected to the lore of the Carja. The way that the Carja were preying on other tribes, and [...] the Red Raids and all of that, the thing [...] is this is a guy who's sort of a monster but knows that he was a monster – and to the best of his ability, kind of regrets it and has tried to atone. " - Writing Horizon Zero Dawn - Jon Gonzalez interview link

There is a kind of retribution in Nil's brand of atonement in that he hunts those who prey on those even weaker. Even if his claimed motivation is purely to sate his bloodlust, there is still some act of good done through it (Although his descriptions of racing heart, ringing in the ears, and the feeling of a "call to arms from inner desires" all point to chasing adrenaline highs). His acts of atonement are done in an echo of the presumed kinds of actions he took during the raids, of participating in the preying on those with less power. Instead of continuing that path, now he hunts those who would do the same.

The phrasing about Ryas "ending up on the wrong side for the right reasons" also seems to echo Aloy's impression of Nil upon the conclusion of their first bandit camp raid:

ALOY:  So you hunt [bandits] down to help others? NIL: No, no - for sport.  I can’t wait for wars anymore: life’s too short and the thrill of death too sharp.  If you kill a tribesman, there’ll be retribution; hunt a boar, they complain if you waste the meat.  But bandits? They’re vicious.  They always put up a fight.  And no one cares if you kill them. ALOY: I…guess you’re doing the right thing for the wrong reason. NIL: I’m doing what I love.  And what could be wrong with that? - After completing Devil's Thirst Bandit Camp (HZD)

When asked about a favourite backstory element or quest moment, Ben's comments about how intertwined Nil's questline and story is with the Red Raids and the civil war also seem to be more than just a passing anecdote.

"… if you really pay attention to what’s going on with Nil in those raids on bandit camps, his story is kind of interwoven with the Carja civil war and the Red Raids quite a lot, and he has a very, of course, unique and kind of homicidal insight into all that stuff. So I mean that’s something that I really enjoyed, because if you trace Nil’s paths through the game, a lot of it does in fact involve the events surrounding the civil war." -- GAIA Cast Ep. 6 - Uncovering the Carja Civil War

Tracing his quest path through the game takes you all over the map, although he will only join you for 3 of the 6 bandit camps in the overworld. He is clearly a skilled hunter and tracker to comment on "the surprised splashes [of blood] and scrabbles in the dirt" when next he sees Aloy. The two camps he is always present at seem to hold some significance too. Obviously, he's present at the Devil's Thirst camp on the outskirts of Nora land to start his questline, but the Nora were some of the most affected; he begins his journey of atonement there. The Gatelands camp -- on the Sundom side of the border between it and the Sacred Lands -- is where we learn of his stay at Sunstone Rock, with additional dialogue with him if you've made a stop by the prison and talked with Warden Janeva beforehand. Nil specifically waits for Aloy there; a border between two worlds, a step a little more into the world he is from.

Janeva's opinion on those kept within the prison and those who are released also vary significantly. The sidequest "Sunstone Rock" charges us with fulfilling the bounty on the 3 escapees, the Rock's most dangerous criminals. Janeva's assertion that the prisoners would have eventually found death are a stark contrast to the quiet surprise when Aloy asks after Nil, and the turn his path took when he left. And as we see again with Ryas, Sunstone Rock holds significance for those who are released from the prison to go forth on a turning point on their personal journey.

"[...] there’s a couple other characters that are associated with Sunstone Rock, including Nil. So if you talk to Nil enough, you’ll find out that he was actually imprisoned in Sunstone Rock at one point. And there’s also a character, an important character actually, that was imprisoned at Sunstone Rock that we are going to learn more about in the future."

---

It feels significant that Ben teases an upcoming character from Sunstone Rock that will be a person of importance in learning more about the world. What can we learn from Ryas' position in a recent, bloody history of tribal conflicts? What new point of view can we experience as someone deeply involved with the old power that split the Carja, and his reaction to the changes in the state of the world now?

All of these exciting questions aside, the biggest mystery of them all at the moment is Ryas' identity: is he at all related to any characters that we have met during the games? With his face deliberately concealed with a cowl in all of the promotional art, there must be some clearly identifiable feature that reveals something about his lineage, presumably a family we already know and recognizable by their Carja eye markings. There are few things as satisfying as a face reveal with deep narrative impact, and I think there is something other than just VR marketing to keep the protagonist 'blank slate', so to speak.

And we have a precedent for an impactful face reveal with satisfying emotional-narrative payoff: Nil's reveal to Aloy after winning the final Gauntlet race. It's a reunion after parting in circumstances of uncertainty; a reconciliation with actions and attitudes of the past and a display of healing and contentedness in themselves in the present. And in this reunion, Nil displays an almost parental affection in how he talks about the other Tenakth racers and refers to them as children.

---

Horizon is, in a way, the story of parents and their children, and coming to terms with what is left behind for the children.

We see it in Rost and Aloy and his willingness to do anything to protect her; we see it in Lis and Aloy and the power of hope, of wishing the world to be better for those who come after.

We see it with Jiran and Avad, of the legacy of the father and the challenges of the son to step out from that shadow.

The phrasing "family torn apart" makes me think there is more than just the fraternal bond to come back to and resolve. With the emphasis and importance on the father-son relationship in Carja culture, it feels like a reasonable conclusion that there will be some exploration of that paternal relationship in regards to Ryas.

Nil has shown tremendous personal growth in his ventures into the Forbidden West. He has found a healthy outlet for his adrenaline rushes in racing, and a kind of healing from the atrocities of his past in the acceptance of group that he explicitly refers to as children -- and children from an tribe that were explicitly wronged during the Red Raids.

What better parallel than to have a father finding healing and acceptance from his son who what also harmed and wronged by the Red Raids?

[natsmagi]

some more natsume gender posting but i do admittedly get very annoyed when i see people claim natsume hates things related to femininity because thats just. Blatantly not true. i did make a post a little while back talking about natsumes gender generally (might be a lil dated by now but eh), but there are some additional points id like to make

first thing being natsume very much enjoys more feminine things!! particularly things related to baking/gardening because thats what he would do with his mom when he was little!!!! (plus his newly added skill being cooking!)

with this and his undying love for his mom in mind, does it not make sense for natsume to hold feminine activities fondly? not only is he quite good at it, but it reminds him of his childhood spent with his mom!! he looks up to her alot!! and hes also thankful for the childhood he had because it makes him feel more unique. literally how does any of this read as a hatred towards femininity or his upbringing??? his mom is literally his number 1 inspiration and shes the reason he had this upbringing to begin with. Frankly the assumption that he hates feminine things just flat out does not make sense

and he doesnt even necessarily mind things like "-chan" either. though this one depends entirely on the person. for example kanata is allowed to call natsume nacchan but if tsumugi calls him natsume-chan blood will be spilt. to re-emphasize the point made in my previous post; natsumes biggest concern is being viewed as weak. he hates being infantilized more than anything. when tsumugi calls natsume "natsume-chan" thats not tsumugi feminizing natsume, thats tsumugi reminiscing on the child natsume he used to know. when tsumugi calls natsume "natsume-chan" it feels like hes not being taken seriously, that hes still viewed as a child, that he hasnt matured (which is also why he doesnt like being called "cute" bc. yknow. kids r cute). and this is a REALLY big insecurity of his. he hates being viewed as naive. In the same vein though, natsume is insecure about not being manly enough too (such as him viewing his inability to swim as "not manly"). Which is also a really interesting point of discussion when it comes to natsumes character! but its important to note that his insecurity in his masculinity does NOT translate to a hatred of femininity. natsumes relationship with gender is an incredibly nuanced one and its so frustrating when people dont even bother trying to read into it and just completely generalize his character

with that said natsume DOES have some internalized misogyny though. But this ones kinda hard to navigate as. well. Almost the entire cast has had some to a certain extent at some point. esp in the early stories. which could all just be bad writing. But it adds to the complexities of femininity and womanhood, how the two are often associated despite being distinct from one another. and with this distinction between the two it adds ANOTHER interesting layer to natsume and his own relationship with gender, because we know he didnt mind being raised as a girl (its just incredibly fucking embarrassing that people know about it), yet his views on gender seem kind of........ Conservative. with him assuming anzu is bad at games bc shes a girl, claiming arashis lying to kids by calling herself a princess, worried that people will view him as less of a man for being unable to swim, etc etc. Like you truly cannot just read ONE story and think you now have a full grasp on natsume and his relationship with his gender. i cannot stress enough how complex it is. but this complexity is exactly what makes it resonate. if you're insecure, it makes sense for you to develop a toxic habit of punching down in order to get higher, esp since we know natsume doesnt handle his emotions super well

this section will be very speculatory and is just my own personal analyzis, so dont take it as gospel. But from my understanding it seems like natsume does genuinely enjoy more feminine things, but hes caught up in gender expectations (potentially due to him knowing both what its like to be a girl and a guy?) that this can cause him to say admittedly quite bigoted things due to his insecurities. natsume is a character that wants to be perceived a certain way; he wants to be cool, mysterious, alluring, but as we should all know by now This is a front he puts on. he very often puts on fronts and lies about his true nature and intentions. which all reads like a fear of authenticity. i dont think natsume genuinely holds those beliefs previously listed, he is just afraid of being vulnerable and, once again, having weak points exposed. he was told to be a girl when he was little and now hes basically told to be a guy without having the Common Guy Upbringing, which can easily turn into developing beliefs of toxic masculinity if you're the type who "plays the part" rather than being your authentic self. hes being told what a man is by the world around him so he tried to shape himself into it to play the part. He can be very blunt and cruel in his words to others, but i personally just see it as a projection from his end. its an attempt at making himself seem better and manlier than he actually is by using his words where hes lacking in action. You can pull off alot of mind games with a simple sentence alone. words can paint a deceiving picture if used correctly, and natsume is a fortune teller; if anyone knows how to say the right thing to get a certain impression from someone its him

i do also think its important to note that as time goes on natsume is starting to express himself genuinely more. Just like the rest of the enstars cast; his story is one of growth and bettering yourself as a person. coming to terms with who you are and learning to let others in

either way. im not one to gatekeep but i need ppl who dont read switch stories to stop speaking so definitively on natsumes relationship with his gender or im gonna start throwing rocks at people

TLDR this shit is NUANCED and to say its 100% this or 100% that does it a disservice to me

[bloogers-boogers]

Alastor: "a pleasure to be meeting you, sir! Quite a pleasure"

Isabel *awkwardly moves away slightly*: "uhuh..."

Isabel: "so you want to be in the hotel?"

Alastor: "oh heavens no! I want to help."

Isabel: "help..?"

Alastor: "I figure you don't have much time.. being filled with so many royal duties to embrace such a.." *he examines the inside of the place, that reeks of moldy wood and looks likes it's a wind away from falling* "...marvelous place."

Isabel: "I..." *starts fidgeting his fingers while thinking heavily about it* "well... I suppose I do need some help encouraging sinners to partake in the hotel!"

Alastor: "wonderful!" *immediately offers his hand* "so we have a deal?"

Isabel *put his hands up to stop* "woah—! There. I don't do deals. At least not those types.. my sister has always told me those are.. always calculated and overly analyzied beforehand." (Do not trust demons)

Alastor *smiles widely*: "ah, yes. Queen Charlie Morningstar. Must've been devastating to lose her. She was always so wise for her age."

Isabel: "She's not dead."

Alastor: "if you say so, your majesty."

Alastor: "but, I was not offering a actual deal, for that I would've actually gave you the details about it! I just want to form part of this you're creating." *he gestures with interest the hotel*

Isabel: "but you seem to not believe in redemption?"

Alastor: "I don't. But it's sure gonna be entertaining! And I love a good show, my dear man."

Isabel: *having a hard time believing the demon*

Previous >> Next

[interrogatormentors]

Oh? Are you enjoying the company, Helmsman? After all these centuries of dedicated service to your Empress it must be nice to finally have a friendly face around. Poor little guppy, fresh out of the tidepools and he's already been damned. I wonder if he blames you for what's been done to him. How does it feel, seeing Her break him down into Her new plaything? Does watching Her hurt him make you feel any guilt at all? Or are you just grateful that, for once, it's not you?

AnalyzIIng dIIctIIon. Conclu2IIon: IIdentIIty matche2 prevIIou2 me22age IIntended two

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2tIIr trea2on. Try harder two hIIde. A VPN maybe? He doe2 not blame me for he II2

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rII2IIng on a pede2tal of hII2 own makIIng. II feel

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a2 much a2 he allow2. II am an avatar of

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hII2 comfort. II am what the hIIghblood2 de2IIre. He crIIe2, II 2ympathIIze. He rage2, II grovel. II

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2uffer not.

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[blush-and-books]

YOU CANT JUST NOT TELL US!!!!!!

omg lmao it is mostly stuff i have mentioned in previous posts about how we were analyzying harvey (in the pilot, mind you) as a peak of hegemonic masculinity, referencing his posture and composure and dress and behavior etc. we've been reading scholarly work that argues that harvey is a peak of masculinity and that ties into his ability to always win, versus louis is always losing control of himself and is more "feminine" therefore he is always the loser in every situation where him and harvey are going head to head.

some people in the class (myself included) have to write a paper about this, and although i disagree with it for the most part, i am not allowed to write about contradicting evidence from future seasons because 1) the TA grading it will only be watching season one and wont give a fuck about harvey and sean cahill being gay as fuck and 2) i do not want to dox myself as someone who has watched the whole series in case they decide i should write about a different tv series instead bc i know too much about suits already.

also it is hard to explain to my professor (middle aged man - a cool middle aged man, but a middle aged man nonetheless) that harvey specter is tumblr babygirl pathetic bisexual wet cat coded without sounding insane to him and to the rest of my class that is so not on tumblr.

however i did manage to make most of the paper about his dynamic with donna.

[dragonlands]

I really love his dark materials and I was interested in your opinion of a gay willayra

Oh hi thank you for this question, I think it's my first tumblr question ever 🥹

It was partly a joke because I tend to think every good romance is somewhat gay, but not entirely! I headcanon Lyra as non-binary because she (i use she because that's what the canon uses) has a very fluid relationship to gender, and seems to model it after whoever she's admiring at the moment. For example at oxford and when she admires Asriel she turns her back to femininity, and even dislikes female scholars (which I read as her not wanting to be a woman, and therefore actively not identifying with anyone female). Whereas when she's with Mrs Coulter she gets really into clothing and feminine things. I know this is most often just read as youthful searching for yourself, but I like to read it as exploring gender identity and her gender being fluid. Also she's often described as a boyish girl and such, which I feel is very non-binary description. And on top of all of this, I think she could very well be bisexual, I don't remember any canon evidence for this at the top of my head but at least I think she seems to be very impressed by female beauty at times. And if Lyra is something other than woman, that would make Will something other than straight too. It's been a while since I've read the books (time for a reread I think!) so I cannot give you an in depth analyzis of Will's gender and sexuality, but at least he's not very traditionally masculine. Also I know this isn't just for the queers, but their love is very much based on friendship and mutual understanding, as opposed to many fictional straight relationships that are based on "boy meets girl - we all know what happens next". Their love goes below the surface, and touched something deep inside them. Also - their love going against the churches opinions is also very queer indeed.

[jaimemes]

since rotomblr decided to toss the original post into the void, i have to remake this post for the future. normally i wouldnt fuss too much about it but i do want to be able to edit this post in case anything changes so.

> Z E C R E T S

there's a lot happening behind closed doors.

send me an ask about someone or something from here, and ill tell you what i know. and i know a lot.

Don't know what to ask? Here's some ideas:

> CHAT LOGZ > CAM FOOTAGE > RUMORZ > BACKGROUND REZEARCH - basic information regarding the selected person > INFO + ANALYZIS - additional information i've gathered in my free time + my personal thoughts > QUESTIONZ - anything else that doesnt necessarily fit under the above categories. those are just suggestions, after all.

NOTE: i reserve the right to withhold information as i see fit.

affected blogs/people:

- Jaime from @jaimemes - Victoria from @victoria-vd - Maple from @yveltalreal - Aspen from @aspens-dragons - Miguel from @vulgrados-best - Nicolas from @rock-n-rolycoly - Esper from @espers-n-espurrs - Sirius