#nothing just ramblings

[ayyy-pee]

waking up freezing and shivering, teeth chattering every night because your husband is a blanket hog. you know it's not on purpose. he just can't help it. doesn't even know he does it most times. you'd think after years together you'd be used to it, but waking up curled into the fetal position as you try to retain even a smidge of warmth is something you don't think you'll ever adjust to.

so you reach behind you, feeling your spouses large form wrapped snug as a bug in your shared blanket and you grip onto the fabric. you pull as hard as you can but you don't manage to move him even an inch. you try once more...same result.

"ken..." you whisper, wrapping your arms around yourself. no response. "kento..."

he doesn't budge. you're tempted to just get up and go grab another blanket, but your husband, despite his seriousness, can get quite pouty when you do that. so you tap him hard instead sure to jab him in the spot you know is his most sensitive. this seems to do the trick as he grunts in response.

"I'm cold," you tell nanami and he sits up quickly, realizing what he's done. his pajama top hangs off one shoulder. his blonde hair is pointing every which way and sleep is heavy on his eyelids, threatening to weigh him down again any minute.

"I'm sorry, love," nanami speaks, voice rough and deep with exhaustion, but the sincerity in his apology clear.

then he's throwing the blanket back over you both. only he adds in a little extra warmth as he wraps his arm around your waist and throws a large leg over your body.

nanami buries his face in your neck, adjusting himself so that he can be as close to you as possible. only a few seconds pass before you hear his light snoring behind you. and you know the warmth you feel is from more than just his touch.

[meatgrinder-0]

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[figkeele]

so I saw the spider-verse movie. spoilery rambling under the cut

the good news is that weird fetish fic I had for comics? oh man, I will write it for this movie.

I hate that the trailers told me everything. basically, in the first hour, I was just waiting for some new information. they really didn't kid when they begged us not to watch the material they were advertising the movie with. literally, shots from the last 20 minutes were also in the trailer.

so it was not a movie, it was a half-movie, and I hate it. it was both too long and too short - lol. the whole thing felt like a set-up for the big action scene/climax we didn't get to have.

I'm still not over the fact that Miles is an anomaly - but his universe didn't collapse. but now it would? if he saves his dad? how are those two universes okay if the canon events differed so much? what are you not telling us, Miguel?

I still hate Miles/Gwen, this movie did not sell me on that part.

I felt every character was underutilized - I mean, okay we didn't need Peter, but Jessica, Hobie, and Pavitr did nothing for me. I'm sure the fanfic and fan stuff will be good, but movie-wise they felt like cameos. Which I know you can argue that is FAIR, but I wanted more depth?

I hated how everyone is against Miles but sure we will have to forgive that lol

It didn't let me feel emotions because everything was always just moving too fast.

There were way too many plotlines but also way too few? I mean, we have the canon events stuff, and Miles being an anomaly itself, then Spot, then the ending. (And I will be pretty pissed if the ending villain is not a main villain. SPOT&MILES TEAM UP, I DEMAND IT!) But because everything was just the buildup, it didn't feel like a story with any weight.

what I LOVED was THE ENDING. YOU KNOW ME. I am always yelling about Ultimatum and Selim, and yeah, yeah, it's MM-42, but it parallels Ultimatum and Selim!!! What will become of Miles without Peter? THIS! Also, I love that even though his dad died, and oh, what a formative experience it would be (said the Spidey Society probably) Miles just went nuts!

plus the toxic self-sacrificing thing from the Spider-Man/hero mythos was nice, would have loved to see more of THAT.

[k1tty5]

the simplest words

[lazylittledragon]

i refuse to believe that boycotting is hard. my favourite thing in the world is ordering maccies after a late night at work/a concert/getting drunk. yes i do miss it sometimes. but the other night i ordered from a small place near my house instead and it was the most orgasmic burger i've ever had in my life. i very rarely say this but fucking suck it up people are DEAD

[shyshitter]

[chronicowboy]

[bluerosefox]

Gray and Graysons

One of the Bats has a secret. Something they never told to the others.

They were so very young but they have memories of a sibling, so small and tiny. They remember the burst of warmth they had in their heart when they held the tiny baby for just a moment.

But they weren’t allowed to keep them, their family couldn’t raise them. Money was tight, just enough for three but not for four, despite their shows always bringing in a crowd it was getting harder and harder for the world to be wowed by them in the new age and their sibling was too small and tiny and needed to be cared in a single place than for them to be on the road. Their lifestyle was not good for his tiny sibling apparently.

They had to watch as their parents gave his sibling away to people in suits, them promising to give his baby brother to a loving family when they find a ‘home’ for him. He watched his parents try to be strong only for his mother to break down once the car left down the road, his father holding her and apologizing, the rest of the circus troupe all silently coming over to give the heartbroken family condolences.

Richard ‘Dick’ Grayson had tears running down his face when he last saw his baby brother.

A brother he got to name before he had to be given away.

Daniel ‘Danny’ Grayson.

-x-x-

Dick never told the others. If anyone dug deep into his past they might find his brother’s birth records maybe, if someone got around to digitizing the paperwork for him but given the fact he was placed in the US childcare systems just a few days after his birth and the fact that Dick was still pretty young they most likely believed he didn’t remember his baby brother now. Not after so many years.

But they were wrong, Dick remembers. And he kept the secret close to his heart and memories.

And the only physical evidence he had was a single picture of him holding his brother, a smile on his tiny face towards their father who had taken the photo of them together. When he had lost his parents, lost most of the things that connected him to them, to his past in the circus that had been his whole life, had been taken from him in Gotham’s ruthless childcare system, he held on tight to the picture in secret. Hid it away from anyone trying to rip it from him, hid it from Bruce when the man took him in days later, hid it from Alfred despite how gentle the butler was towards him. He couldn’t, wouldn’t risk losing his photo at the time, he hadn’t trusted anyone and by the time he did he didn’t have the heart to reveal it.

So yes, the existence of his baby brother Danny was his most guarded and best kept secret.

So that’s why Dick, as Nightwing, nearly died from a heart attack when leaving a Justice League meeting he spotted a familiar face among one of the new engineers working in the Watchtower.

It was like seeing a young version of himself. Only, Dick could see that the young man was more than a copy of him, so much more than a clone. He held many traces of John Grayson but also had a bit more of Mary Grayson than Dick did. Small details that Dick foggely remembers taking note when he had held his baby brother.

“Hey, hurry up with that report Gray!” Shouted the head engineer from down the hall, his hand beckoning the young adult to come over.

“Coming! And boss, I told you Danny is fine!” Danny shouted back before hurriedly leaving a stunned Nightwing.

[the-great-kraken]

if you see a male character kiss a male character, you assume they are gay.

if you see a female character kiss a female character, you assume they are a lesbian.

if you hear a character say they don't feel like their gender, you assume they are trans.

so why do a-spec characters have to jump through so many loops?

a character saying they've never had a crush or don't want a relationship or that they don't understand romantic love is so often ignored or used as fodder for other queer or autistic headcanons (reinforcing stereotypes that aroace people are secretly gay or always autistic)

why is it that our stories are always "up to interpretation"? why do we have to wait for the words aromantic or asexual to be said to be taken seriously? why is it that even when characters say they don't want relationships, fans will scream and cry about sex/romance favourable aspecs and qprs?

when it comes to gay and trans characters, even the likes of bisexual lighting is often treated as though it canonises their sexuality. for aroace characters, even the most explicit coding possible is swept under the rug in favour of other "interpretations"

i'm so tired of fighting for representation just to have it ignored and minimised by fans. let characters be aroace. please.

[turrondeluxe]

something about giving your only little bro a matching set of lab glasses idk i just wanted to draw them together in the lab :]

[cangrellesteponme]

wife

[sainz100]

2024 Brazilian GP | x

[merrymongoose]

There's something so crazy about the fact Buck found his place (amongst the 118) because Tommy left. Like how insane it is that Tommy became the root of Buck's healing, discovering himself and finding his place in the world. He did that once by leaving, and he's doing it again by coming back into the story.

[galdrgobrrr]

I find it endlessly fascinating how much Alhaitham outside of his character stories is portrayed as someone solely defined by the present. He never mentions his family ever. You don’t even know he’s an orphan unless you read them, or even that his grandma was such a pivotal figure in his life (and inspired some of his current views). He’s so divorced from his past you could be convinced he just popped into existence one day with no fuss.

[lazylittledragon]

do i have to post an in-depth tutorial on how i make my frappes at home if it'll get people to stop going to fucking starbucks