#an icon for a good reason
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beevean · 9 months ago
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Mega Man Zero 3
Cannon Ball
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noperopesaredope · 1 year ago
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I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
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gummi-ships · 20 days ago
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Kingdom Hearts 2 - Shadow Stalker & Dark Thorn
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edwinisms · 3 months ago
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i get such a sense of primal envy when looking at edwin’s clothes up close because god you can just tell his coat is real wool and made to last and not cheap flimsy mass produced garbage and auggagghhhh that was just STANDARD in his time. by no means am i saying i was #borninthewronggeneration because i like having vaccines and household appliances but. man. to have a personally-tailored coat like that that’d last for years and years……. and fabrics of fine thread-dense quality………. if only
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lerios · 3 months ago
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also wow Romana is COMICALLY corrupt lmao. like queen i love you but holy shit
"i dont have friends, just allies" yes bitch, because you keep elevating your only friends to political positions and destroying laws so that you can force your point on your pet causes 😭
2 episodes ago she was making dodgy backroom deals with known criminals because She Wanted To and anything is permissible to her if She Wants To. she knows Brax is committing 24/7 crime and its fine because her besties can do whatever they want. no shit she's a good candidate to become imperiatrix, she fundamentally sees no real issue with herself having ultimate power, that's practically what she's already doing lmao 🙃
like bestie WHAT is wrong with you. i went into this series expecting the main personal problem to be Narvin being a wet pathetic neurotic babyman but god Romana is a legitimate fucking car crash already (politically and otherwise)
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jarpadandjensens · 5 months ago
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244/1000000 why i love jared : you can lift an entire Jensen
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godhateswhores · 5 months ago
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This is us in my head btw (he hates me)
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art-soboro · 7 months ago
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PICK UP THE RECEIVER, I'LL MAKE YOU A BELIEVER
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fuumiku · 10 months ago
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Happy new year!!
Some doodles I did today to unwind + test a lineart brush
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bonefall · 7 months ago
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I'm not in 100 years reading wind, so what's the nightstar stuff as well as the harelight execution scene?
The Nightstar Stuff is that they're constantly making it clear they KNOW that cats can lie about getting the 9 lives, they KNOW that a murderer can receive the lives, and they KNOW that StarClan has never rejected an evil cat before... but then they handwave it away because they don't wanna do anything.
Nightstar/Nightpelt gets namedropped six times and vaguely alluded to a dozen more, but it means nothing to the story. You could have just forgotten him entirely and the plot would happen the same way.
Most of this book is the leaders finding excuses to sit on their butts, but I really only need to share one exchange to demonstrate just HOW stupid this is,
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"I'd like to think that the ancestors would speak up." A+ logic Squirrelflight. Just believe that reality won't happen. If you cover your eyes it makes the maneating lion bowling towards your face go away. Soblem prolved.
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les4lesbushfire · 8 months ago
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Partycore Eevee icons!
requested by @partypup! like or reblog if using/saving- thnx!
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findafight · 10 months ago
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I think the better version of the Roy and Jamie fight should have been cut like canon except when they stand in front of Keeley's door all bedragled she should be like "you gonna tell me what happened? You fight over me?"
To which Roy says no
And Jamie gingerly touches his nose and says "ah, no. But he did come at me like Heath Ledger in that cowboy movie."
Keeley's going ?????? but invites them in. They all get around the table and sit down with frozen peas etc.
And Roy is sighing. Says "what Jamie is trying to say is we've been talking--"
"and doing better things with our mouths..."
"and we realized that while we... Both still have... strong feelings for you... We also have feelings for each other."
Jamie grins behind the peas. "Romantic, like."
Roy grumbles etc but doesn't deny that. So Jamie continues "so we thought, maybe, since we like each other, and we love you, and you have, in the past, liked both of us individually, maybe... Ah. Maybe you'd like us together?"
"the... Three of us?"
"yeah"
"yes"
"oh." And Keeley is sort of stunned because it still absolutely looks like they got in a fist fight and being propositioned a throuple wasn't something she was expecting. "But then... Jamie why is your nose bleeding and Roy's shirt ripped."
"he's clumsy" says Roy.
"Told you, kissed me like Heath Ledger in Brokeback Mountain, nearly broke my nose. Then I lost my balance, grabbed his shirt, and fell into a trash bin and got all icky."
"sorry about that"
"don't be"
And Keeley finally goes "okay! Well, since you didn't beat each other up like I thought you might've, how about you both get cleaned up and we can... Talk more?"
Which leads to all of them smiling or grinning in some way (because lbr hurt nose or not Jamie would be grinning like mad) and all hustling upstairs, which is where the scene ends.
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kustas · 3 months ago
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I recently witnessed someone on twitter with the spicy but interesting position of: the only people vehemently bitching against 2D puppets are the animators who have to use them. So, what's the tea, why's this debate even a thing, and is one side wrong?
Rigged 2D animation, also known as puppet animation, and prolly other terms I'm not aware of. Most 2D animators I know treat it with disdain as something they're forced to work on to survive instead of "real" animation (=hand drawn in this case), and while I've encountered less negative sentiments towards the medium coming from fans, I have seen several people complain about it unknowingly, correctly nailing visual aspects they don't like without knowing their cause. Additionally, it can be really hard to tell apart what's rigged and what's hand drawn in 2D, with many series mixing both to their advantage.
The reason for rigged stuff being so prevalent is that it's cheaper and faster. Where hand drawn requires redrawing your entire character/thing frame by frame to make it move, puppet animation uses, well, puppets, ready-made articulated models you just need to pose. It's also possible to use interpolation - instead of deciding by hand every image between two poses, you let the computer calculate it and come later to tweak how each part moves to make it look good. There is little to no drawing involved in rigged 2D, asides of rare shots that need a little part drawn over when the puppet can't do something specific, or drawing the eyes/mouths/hands/etc when you're making the puppets themselves. Notice I said series and not films in my previous paragraph - this is because animations with longer runtimes and/or shorter production times benefit strongly from this medium. You will not need to clean, to inbetween, to color and whatever other steps can go in hand drawn 2D when you have puppets. You can use the interpolations to your advantage on some movements. It's near impossible to be off model. You don't even need to draw!
And most animators uh, they're here because they like to draw. You can say animating and drawing are two different things, that is true, I've even heard it from the mouth of an insanely talented hand drawn animator called Liane-Cho Han who described himself as a poor drawer despite an impressive 2D portfolio. Poor drawer, good animator, it blew my mind at the time but when I started animating I understood what he meant. But puppet animation is still animation, and much closer to how 3D animation works, with stop-motion being comparable to hand drawn in terms of difference between these mediums. Yet you don't see industry-spanning bitching about 3D vs stop motion! This leads to my next point: puppets are limiting.
One of the advantages of hand drawn animation compared with other animation techniques especially those using character rigs is that you're not limited to said rigs. You can just draw anything, regardless of digital puppet constraints, of art style, of physics. If you can put it on paper, you can animate it. Puppets, both 3D and 2D, have limitations - the art needs to be made (sculpt, drawings) and be placed on a complex invisible digital skeleton allowing you to correctly manipulate your character, which is a job in itself. The more stuff you want your character to be able to do, the more complex it gets. You can't automate all of it. This means productions with lower budget and/or ambitions will tend to have simpler rigs which allow less. An example is angles: when you're hand drawing a character and want to pose them, you can pick whatever angle you'd like for all body parts. Rigs might not give this as an option, especially subtler angles of the head and foreshortening. This might make some movements you had in mind impossible, with a need to stylize your poses and your breakdowns. Not being able to have these angles can make for animation that looks stiff or awkward and can be very annoying to work with depending on the animator.
That artificial stiffness is to me, one of the telling signs something is rigged, and part of the reasons I don't like it myself! That's right, I'm with the haters here. Except stiffness doesn't necessarily mean something used digital rigs, and stiffness isn't inherently a bad thing - as with all art styles, it can just be that, a stylistic choice. Enters a director who's work I'll use as a counter example to the dislike of 2D puppets, both from an animator's and a hater layman's point of view on the results: Michel Ocelot.
Famous in France and way less internationally, two staples of his work are his fixations on fairytales and Africa. Fittingly, his most famous movie is probably Kirikou, a feature film which mixes both. Ocelot's work is stylized in a way unique to him, which can make his work very repetitive, but also makes it instantly recognizable. Some of his staples include static shot compositions, actors that talk like they're reading their lines out of an old book, busy backgrounds and folk tale tropes. Stiffness is just a part of what his movies look like, as are art styles that take inspiration from traditional art and past periods. He started out working before digital puppets were a thing, and while he's embraced digital techniques, releasing a full CG feature film in the 00s before it was the norm, he has worked without, including on Kirikou which is animated the old way.
The earliest of his films I've seen is called Princes and Princesses, it's already got everything typical of his work, and one of the latest of his films I've seen (and among my personal favorites of everything he's done) is called Black Pharaoh, and while decades and different techniques separate these two, they're both based around, you guessed it, puppets. P&P is a blatant hommage/reference to animation pioneer Lotte Reiniger, who used literal paper puppets to animate fantasy movies who's style is very reminiscent of the graceful, slightly simplified illustrations popular at the time. Black Pharaoh uses digital 2D puppets and is entirely animated using the (meticulously researched) style of ancient egyptian wall paintings. Both of these films tell a story, not like movies usually do, but like an orator retelling a tale does. And it works! The characters don't move in a 3D space, but it doesn't matter, they're from a fresco or are paper. The character's don't move realistically and it doesn't matter either, they're not trying to trick your eyes into looking real, they're characters of a story. Ocelot's films are a case where using puppets and their limitations works in favor of the film, not otherwise, and his stuff that's not made with puppets looks like it could be.
I'll briefly talk about a film I hate here to make the final point before my conclusion, netflix's Klaus. This is a film who's insanely impressive animation has floored people regardless of how much they know about animating. Unlike a lot of "this looks very cool" (actually p easy to make) animations you see going viral online, here everyone's right, it is indeed insanely hard to animate like that. Klaus was hailed because of it's uncanny ability to look like modern CG while being entirely hand drawn, which I think is stupid, because it's a lot of effort and talent wasted for a result that looks incredibly generic. Would this film have been bad if it had used CG? Why do people think hand drawn is better than CG in the first place? That I can't answer but the reason studios use it is money: either because it's trendy and will make more money because it's trendy, or because it's cheaper to make, which depends on what you're trying to achieve. In the end, they're techniques. Techniques have pros and cons and things they're better at than others. Time and money are essential to producing a film wether you like it or not.
So: are people wrong to hate on puppets? Nah, it's a question of taste. You can hate the look a technique gives and that's fine. But "ugly" is subjective and it's important to be aware of that if critiquing stuff is your job.
Was that tweet right? Yeah, pretty much, lol. For many if not most animators it's a technique they're forced to use, that removes a major reason they like their job from said job, and can be frustrating to work with. It's worth noting a lot of the work you'll get nowadays is on cheap productions, and the techniques they'll use most will be associated with the slop they are. Doesn't mean you'll inherently make slop. A technique is just that, a technique.
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whos-hotter-jjba · 2 months ago
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Hottest JJBA Outfit Bracket - Round 1 Match 60
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deus-ex-mona · 1 month ago
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if the trope works, it ✨works✨ y’know~
#(aka chizuchan manga ch5 is coming out in 18 1/2 hours and im too excited to sleeeeep)#(s o im reading rofan isekai manhwa as a bedtime story☆ but the story is too interesting to lull me to sleep☆ ✨sad times✨)#still thinking about this rofan webnovel i binged over the weekend with a dynamic like this^#the dude pined for over a hundred chapters before going from 0-100 the moment they were in an enclosed space together it was so funny#the fact that his interest in her started bc she gave him tips on tax evasion was iconic tbhhh#m a n i cant forget that dumb biscotti boi no matter what i do… that novel was pretty good and it had reasons™️ for why the fl was so op…#thinking about them and their hilarious dynamic again kinda makes me want to see lxl in a rofan setting tbh#they’d have the pettiest of arguments esp in a ‘formal’ nobles setting#i d o kinda have a draft/stuff for a lxl villainess isekai au fic… but i think it’d be too sad if they dont un-isekai themselves back#so i havent done much with it… hm. maybe some day…#b u t on another note fanart of meoto rofan aus are always fun to see#their costumes are so complex yet the artists always draw them so beautifully… thank you for the food lxl twt#but… demon x human sacrifice is. lowkey. kinda… beauty & the beast-esque… right…?#except for how demon!aizo prolly wasnt cursed into demonhood. but. still.#oh well… maybe that’s enough rofan lxl thoughts for one day… see y’all when chizuchan ch5 drops later~~~~~~
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oifaaa · 2 months ago
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You are the simpsons queer now congrats
What if you came to my house and stabbed me
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