#am i even a writer anymore

[dreamlandforever]

So… I have never written a Stranger Things fanfic, or even a fanfic (beyond a very vague prompt) in over seven years. But, I haven’t been able to get this idea out of my head.

Edit: I have started writing a fanfic on this premise! Part 1

Eddie, who his whole life has thought himself a coward. Who only knows to run, to hide, to lie his way out of every situation. The Munson name is not something you live up to, is something you live in spite of. Back from the dead, recovering from literal hell.

An Eddie who doesn’t know how to explain to Hellfire how or why he became friends with no other than Steve Harrington.

Eddie who hasn’t realized that what he has been doing so far wasn’t running away, it was surviving. Hide the drugs. Hide the weirdness. Hide his sexuality. Hide himself. So when one day, Garrett asks him why the hell are they holding Hellfire for the second time in a month in the Harrington residence, he doesn't think for a second before lying through his teeth.

"Look, man, I know Harrington is an asshole, but I am taking one for the team here. Do we or do we not have a big enough space for campaigns now? And the King even comes with amenities!" All sarcastic, holding the juice box Steve had laid out with the rest of the snacks.

And he meant it as he did most things, a way to hide who Eddie Munson is and protect himself. Except he knew he had fucked up big time the moment Dustin looked furious, but he wasn't looking at him; he was looking behind him. And there was only one force strong enough in this side of the world that could keep Dustin Henderson quiet.

And sure enough, as soon as Eddie turned around he could see Steve Harrington standing behind him, a tray full of nachos in his hands. He looked as calm and collected as ever, even a smile on his face. But Eddie knew that look and that face. It was his Family Video pose. It was his retail worker face. He had never looked at him like that before.

And Steve Harrington, who had learned to trust in the last three years those who he never thought he would. The Steve Harrington who had become the forever babysitter, and now felt more comfortable with a bat full of nails than with a basketball. A Steve Harrington, former swim captain, who now only got in the water if it meant saving someone else. A Steve Harrington who had worked so hard to leave The King behind and become Steve.

The same one who, once he find out Eddie Munson was one of them now, had received him like one of their own. A brother in arms, of sort. A friend, for sure.

Just smiled his customer smile, set the nachos down and said, “That comes free of charge, Munson. No need to pretend to be friends. Please lock the door on your way out.” And just turned to leave.

Steve had never joined a single session of Hellfire, but had started sitting in and listening to the stories, at the children’s insistence. Now, he turned around and left.

Both Dustin and Eddie made to stand up and go after him, but Mike’s voice stopped them. “Let him leave, he doesn’t like the game either way. Let’s just finish this”. And to Eddie’s surprise, the boy’s voice is full of venom directed solely at him.

Dustin turns to Mike and after a short silent conversation just sits back down, not turning back to Eddie.

Steve doesn’t come back. Eddie and the other teens are thrown out almost as soon as the game is over, only the Party staying behind.

….

I am not really sure what comes next. But my guess is Steve plays his part, a gracious Host who is doing Okay. No, he’s not hurt and the kids can stop worrying. And Eddie believes him. Wants to ask for forgiveness still, explain the situation. But Steve was the King of Hawkins, and not for nothing. He will play his part to perfection, while giving Eddie 0 chance to talk to him alone. They are Not Friends, and he needs to come to terms with that (Steve or Eddie or both). So yeah. Maybe I writes maybe I don’t. If someone knows of a ff similar please let me know.

If you read this far thank you. Also, I am sorry.

[princessofguineapigs]

[brightnote]

*gets to the chapter of the fanfic I have been most excited to write and have been setting up through countless chapters*

Me: *stares at blank screen*

Me: *starts a totally different fic*

[sailforvalinor]

"We need not look anywhere but to the eyes of our Savior for our true identity, an identity which is profoundly complex, unfathomable, deep as the sea, and yet can be boiled down to one little word: beloved. That's it. And that's why it's so silly (and perilous) to use your gifting to clothe yourself with meaning. Those clothes will never quite fit.

I once heard someone suggest that in the new creation, the work of our hands will at last be equal to what we were able to imagine. But in the meantime, living as we do in dying bodies in a dying world, our best work always falls short of the initiating vision. Toil and trouble, thistle and thorn, we push through the brush and come out bloody on the other side, only to realize we've ascended a false peak. It's difficult, yes. But it doesn't change a thing about who we are."

-Andrew Peterson, Adorning the Dark

[thatbuddie]

i'm sorry. i have kept quiet about this for so so so long. but i can't any longer. i'm just sorry.

if you call buck "evan" you don't understand him as a character. if you call buck "evan" you don't understand the show.

the minute someone refers to buck as "evan" they are immediately telling on themselves.

[thenonbinarydetective]

There's something that always bothers me about people saying "Barbara going back to being disabled" doesn't matter if it's positive, negative, or neutral. It's the "going back" part because it's just not true. She wouldn't be going back, she would just be without assistive medical technology.

In the closest real-life example, not everyone who uses similar technology is considered "cured" as the removal of the device would mean they are no longer enabled. In only a few cases have I ever seen "cured" but that's potentially dependent on injury/cause of disability where it was possible the device just made recovery easier and there are many different causes to SCIs/paralysis/similar conditions. Others have no chance of recovery but have a chance of being enabled. But still not fully becoming an able-bodied person. Even some of the ones who recovered their ability to walk were still limited in what they were capable of (and therefore still disabled)

So honestly now, it's just coming to me how bad representation the chip is of similar realistic treatment and disabled people who use that treatment. Before anyone is like "But Barbara's isn't real" I know that, but now I'm literally seeing people say the same shit about REAL PEOPLE who have had nearly THE SAME TREATMENT because they're letting poor representation in a comic book determine how they view this course of medical treatment.

TLDR: No Barbara Gordon wouldn't "go back" to being disabled without the chip. Writers and fans aren't good at writing disability and it shows

[theerurishipper]

Season 4 and 5 made it just so difficult to truly believe that Marinette really loves her Kitty. The Fandom and show can scream about vague soft eyes and "she loves her kitty so muuuuuuch! <3" however they want, but it says alot about Marinette's character that this vague "I love my kitty" never really gets any more specific.

Saying "I like you / I want you around" doesn't mean anything whne the actions themselves paint the picture of her basically taking Cat Noir for granted and not thinking a single second about his actual well being or his perspective in any of this.

It's like in Glaciator 2 where a good part of the episode Marinette spends either screaming at Cat, manhandling him however she pleases and even invalidating any of his emotions by screaming in his face that HIS emotions don't matter in any of this, this is about HER and her only when she used him not knowing Marinette is Ladybug against him by secretly forcing him to practice with her her confession for Adrien.

She's literally screaming at him that his emotions are irrelevant to her. She just wants him to do whatever she wants and however she wants it bc apparently thats the only way she can stand being around him. And that she got in season 5, how Lovely.

And then later when Cat voices that he thinks Ladybug can't stand him anymore because she screams at him and gets seriously physical Marinette is like "No, no, that doesn't mean she hates you <3"

When, like, yes Marinette. Under anything resembling to normal morality you constantly reducing him to a rag doll, screaming, insulting, replacing him, leaving him behind on the battle field for your own and your friends' benefit and brushing him off would be a perfectly reasonable thing for another person to view as a bad thing. Only YOU would demand of someone to view that as unparalleled depictions of fondness, and that hasn't changed much by Elation.

Her ignoring his discomfort in the kissing scene (closing her eyes again) and then almost turning into Cat's enemy for daring to tell her "no" one time is one unnerving sight to behold. She basically immediately went back to season 4 mode the moment she didn't get what she wanted. I don't even want to imagine what she would have done to him by impulse if that moment had happened in Ladynoir (I hate how CONSISTENT this is...)

and even by the end of the episode she's still only asking him to validate her when he brings her back.

And well, then she leaves.

It's difficult to actually believe that Marinette really values Cat Noir alot. It feels much more like she values and likes how little genuine efforts she has to make in their dynamics to reach a normal standard, and that he's just the most convenient person for her regarding any kind of ugly dirty work or her worst tendencies not coming with regular circumstances. So of course she would like that.

If I had an anger problem, I would probably like the person too who had to learn from me that that's "perfectly reasonable behavior" they should view as GOOD in a dynamic bc i like using them as rag doll, punching bag and tool.

But just because I personally would find comfort in a person accepting that I can do that to them as my way of "showing affection" doesn't it mean that that's a good thing to make soft eyes about.

But the show is not GIVING us much more to work with. Marinette only on rare occasions voices anything she even likes about him. It goes mostly unsaid so you can claim whatever you want about her feelings for him.

She likes that he's funny, only that the show isn't showing that alot. If at all. Marinette telling Alya in Hack-San to laugh at his jokes because he likes taht is kinda out of left field because Marinette herself honestly doesn't do it alot. The normal reaction is her being annoyed, shutting him up and even insulting him, down to any kind of "slapstick".

And the most I can remember her having SAID about being in love with him in season 5 was being thirsty about how hot he is. I don't wanna be mean but no wonder Alya basically disregarded Marinette's crush. It's not like she ever named anything serious, and tahts....honestly awful.

With Adrien as Cat Noir there was NEVER a question if he values her for more than her being pretty. He loves her brilliant mind, her determination, her drive to help people. Him complimenting her for being pretty was just the cherry on top.

But only towards Joan of Arc did she mention that she likes his loyalty, but that got ruined by her straight up AGREEING with her whne she insulted Cat and the "loyal" part was only to save her own face. She literally agreed with someone insulting Cat right in front of him and only said "yeah, but he's LOYAL" which of course made him insecure. He couldn't see Joan of Arc, how many people are there and what the insult was Ladybug just agreed with. He can't defend himself and saw that Ladybug literally WON'T.

So which one is it, Marinette? Is he hot or a runt who's lucky he's loyal? Why was Joan's opinion of you the whole episode the only thing you actually cared about to the point where you were fine with throwing the person you love oh so much to the dogs again? And Cat looking bad and humiliated again was barely an afterthought to you, as long as it wasn't YOU?

If she actually loves and value him then why is she still treating him as if he merely spawns into existence for akumas or her entertainment and benefit as her care taker? Why isn't Marinette trying to make up for how she used her civilian side to make him do whatever she wants several times by now, as if she never even conciders how this will look like once they reveal (I would loose sleep if I did that to a person!)?

Why was she still perfectly fine with him being completely isolated and having no one in a case of emergency, meaning she always continued letting him run the risk of ending up the way he did in the season 5 finale? Cat being found as a civilian by Hawkmoth was from day 1 one of the most obvious things that could happen and even after 2 what if episodes this fate of his was never actually avoided, because Marinette always just prioritized getting HERSELF out of the equation more than him truly being safe.

That's a risk she was apparently from start til the end perfectly willing to take.

5 entire seasons and the only safety thing she cared about in their dynamic is that if he gets caught and is at the villain's mercy, he does so as quietly as possible so she isn't bothered by it and can close her eyes, cover her ears and go "Lalala".

If Marinette in any of these 5 seasons thought Cat deserved help too than she sure never acted like it, and in fact demanded the complete opposite for her own comfort.

How am I supposed to believe that Marinette loves and values Cat Noir as a person when non of that or his entire personhood goes beyond what little she wants for her own comfort? If you love a person you would actually want them save and not remain in harms way but accept that you shouldn't be asked to care about that? Or remain completely isolated in the dangerous lives you lead without being allowed to ask muvb of anything from you support wise?

Or constantly ditched on the battle field, being done who knows what to so YOU and your friends are fine while you execute the actual plan with the others.

You would ask questions if they're okay and if they need help too, and not just take any half an indicator your being given to write off any concern because you apparently don't actually wanna think about any of that.

You would actually think about them in any decision you make because this is not just about you and their well being should mean something to you. You would tell them things so you don't risk them getting hurt by having to find out themselves the worst way (and here leading to akumatizations).

You would let them made their own choices, have agency and not just when you're forced to. You wouldn't casually execute a plan to trick them into revealing their important secret identitiy to two people without their consent or knowledge, and ESPECIALLY not when the god damn angry authority figure, who already doesn't lie your partner, would fucking use it to get rid of them behind YOUR BACK TOO.

You wouldn't want physical harm being done to them instead of even being a main source of it, and never taking accountability for that while demanding to never get touched and spoken to in a single wrong way. You wouldn't want that they accept that you don't owe them anything as their LEADER but they owe you EVERYTHING because you said so and can't handle anything else in a "partnership".

(Only to feel sorry about it for 2 minutes when you loose everyone else but, well, not really I guess? Or else she would have tried making up for it in season 5 more than just surface level stuff that was once again mostly for HER benefit anyway. But more than that never happened)

You wouldn't want to think they're stupid for not thinking like you and draw the line at any "back talking" you're being given bc you apparently concider anything else but absolut obedience and blind faith as your little puppet as you being "disrespected". So they must walk around you like on eggshells and only talk in soft compliments and supportive words cause who knows how you would react otherwise?

Dude, no wonder Ladynoir is fucking dead. Good for Adrien, and I hate that we've come THIS far. Such a thing is one of the last things I ever wanted to say when I started watching the show. Now I can't be angry taht Ladynoir is fucking dead and Cat Noir didn't made it out of the partnership for the finale, because wtf else was this supposed to result in??

I just cannot fathom the type of "Love" and fondness Marinette supposedly has for Cat Noir. Whatever fondness she feels for him gets drowned out by other 20 red flags about her not actual treating him like a real person.

And man, I HATE that...

Yeah, literally. This is probably harsher than what I think, but it's more or less my thoughts on the matter.

Thank you for your ask!

[darlingeames]

reblog for sample size!

[mermaidsirennikita]

sometimes it drives me literally insane to see romance requests that are like

--I want a romance wherein it's basically the happy epilogue throughout the book

--I want a romance that has great communication and they never withhold anything from each other ever

--no "miscommunication trope"

The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?

Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).

If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.

I just don't understand the point.

[fallowtail]

fighting for my life to try and get back into the groove of commenting on fics instead of just leaving kudos like a loser but the depression adhd brainfog is so severe i'm barely managing to read the fics in the first place. aughh god i am such a bad friend/supporter

[chirpsythismorning]

Hi.what make you believe byler is endgame and how do you think The Duffer will make them endgame?

There's a lot of different factors for why I believe byler is endgame. If it was only one or two or three or a single digit amount of things, then I'd probably be more skeptical. Instead it's so many things that I don't think I can even quantify with any number?

Long post ahead so queue for later if you must!

I used to ship milkvan back in the day, and that's probably because I watched the show once and fell for the whole boy meets girl trope as peak romance, without even thinking about it? Like my first time rewatching the show pre-s3, I remember only focusing on their scenes and even going as far as to skip entire episodes in s2 without them in it, so it's really no wonder I missed details that might have helped me understand the full picture.

I also don't get queer-baited, like ever. I have watched shows like Teen Wolf where fans loved sterek, and even though that show had a gay show-runner, it was obvious to me they were never going that route, despite kind of feeding fans over the years with banter between them. The problem was the details weren't pointing to them being endgame, they were pointing to stydia. With stydia, they were using color coding in their costumes and had the fucking red string of fate in the frame with them multiple times and they were having entire plot lines built up around sort of their feelings for each other. Then there's all the other shows out there like Supernatural and Sherlock, and to me, it just felt like two guys that had chemistry that fans read as romantic and were having fun with it, only for the writers to try to profit off of that hope fans had, just sort of fucking with fans for years without really going for it literally in the text of the story.

And even if they did (albeit extremely subtly) that's when you would see shows tend to kill off the characters. Because after years of queer-baiting, the only solution is to kill at least one off, after tricking a sector of your audience for so long. Because unfortunately, no, they're not going to end up together, so we just have to get rid of one of them to make it clear that it won't happen.

While I don't vividly remember the moment I dropped Milkvan and picked up byler, I do remember watching s3 for the first time and feeling like something was off. And then to humor my confusion, I went online and came across an analysis for the end of s3. Even though it did really made me think like 'woah.. what was that?', in the moment, I was still in a position to not want to fall for it because of all the queer-baiting out there. I'd never fallen for it before and I wasn't going to start now basically.

And then I didn't read any more theories after that, I just basically jumped into rewatching the show for fun again, without really thinking about it even, and without skipping this time. And I vividly remember the shed scene definitely had some romantic undertones going on. When the camera was focused on Mike talking to Will, we didn't get any reaction shots in between of Joyce and Jonathan. Whereas when Joyce and Jonathan talked to Will, we got Mike's reaction and both Jonathan and Joyce's kind of reactions to each others speeches in that moment, which was to obviously convey the familial bond going on. And so in contrast, seeing Mike's monologue to Will be isolated, without any cuts to the others reactions during, with intense close-ups of Mike and Will, with Mike literally having one by one teardrops falling down his face and him repeating softly you said yes, you said yes... That... Like it made me really start to consider it in that moment, based on my new potential understanding of the end of s3 and based on what I had found upon rewatching that time.

Even still though, I didn't let myself believe it. And maybe in large part it was bc I did like the idea of byler I guess? And so that made me want to be more cautious? Other times when I came across fans shipping queer pairings that weren't canon, it felt like harmless shipping to me, where like I got the appeal, but didn't like feel genuine intentional slow-burn chemistry? It was always a thing that at most I liked merely as fanon. And so I guess I was trying to prepare myself for that inevitable disappointment that it wasn't going to go any further than what it had?

Maybe it was also because I was holding onto this idea of milkvan I had at the beginning? An idea that in large part contributed to my ability to get hooked with the show in the first place? Boy meets girl is like the most universal trope in our society and it was easy to just go along with it when everyone else was.

But more than anything I do think it was because I thought it just had to be queer-bait like it's always has been. At best I thought maybe it would continue very vaguely in the subtext in s4, with like 1 or two scenes at most hinting at attraction? But we all know that's not what happened..

S4 promo dropped, and I remember being like well here goes. It had been over a year, almost two since I'd been exposed to the possiblity of byler, though I was going into it prepared to see Mike and El being perfectly in love and that they were just going to act like nothing had ever happened between Mike and Will.

But then that Cali poster dropped. And that had me reeling. I remember sending a text to my sister like 'QUEER-BAIT?' and she was like yep queer-bait. But that's also because she's in the mindset of someone that hasn't seen anything outside of watching the show, and while half paying attention at that. This is the first piece of evidence she is being presented with and so of course she is viewing it from a don't hope or assume that could ever happen bc it never happens lens.

Even that I took as maybe a reality check, that this meant nothing, but also at the same time, this is the Duffer Brothers? They're smart? Why would they apply the if boy is pointing his feet at you he is in love with you rule via New Girl, with Mike and Will in the Cali poster, for shits and giggles? When the whole point in those posters is to hide foreshadowing?

Regardless of how much it genuinely shocked me they were appearing to really play with this concept of Mike having romantic feelings for Will, I still didn't fully let myself think about it too much...

And then as s4 got closer and more stuff dropped and there was like a lot of promo hinting Will having feelings for Mike, that's when it really kicked in for me. And that's when I went back and rewatched and holy shit it suddenly became clear as fucking day. My excitement for Vol. 1 was insurmountable because I was just about to have all of these recent built up theories confirmed or denied.

When Vol. 1 finally premiered and it turned out Mike couldn't say I love you to El? And Will very clearly had feelings for Mike, staring at him constantly when he wasn't looking and conveniently with Mike's POV missing by comparison? There was just too much at play that perfectly set-up byler.

Mike having a hard time telling El he loves her, while also having a best friend beside him who is in love with him, like, that's sort of what makes it clear that this is them trying to create a conflict that easily transitions into this revelation that the reason why Mike couldn't commit to El was because he was struggling over repressed feelings for his best friend.

And then that doesn't even include all the details along the way that support it. Like closet scenes for example weren't able to be harmless anymore post-s3, they just weren't. That scene at the end with El and Mike in Will's room established this idea that Mike is in the closet, and s4 did not let up on that idea whatsoever.

We were being bombarded with very basic film techniques that any filmmaker would be thinking about to establish the story and setting and create a feeling to convey a message through all of that.

They did not need to have Mike sitting in front of his closet at the very start of s4. They did not have to have a one way sign pointing to it. They did not have to have two dudes with muscles on his walls while most of the other guys either have stuff completely unrelated to the human form or bikini clad woman. They did not have to show Mike in focus more while staring at Eddie fondly as he talks about DnD and getting out of Hawkins. They did not have to have Mike go searching for DnD replacements in the wrestling room and the art room followed by saying, I hate high school.

The I hate high school line is viewed by most of us as a throw away comedic sort of line. But it really isn't. In fact it's arguably as deep as without heart we'd all fall apart, which is why they literally had that be Mike's quote alongside that one being Will's quote for the season.

Mind you, all of this shit in 4x01 is happening after Mike just episodes ago, in the previous season, sort of treated playing DnD like it was something kids did and told Will he felt this way, by essentially saying he assumed they'd be getting girlfriends and moving on from this idea that they can play games for the rest of their lives.

So Mike in s3 went from I want to grow up and have a girlfriend and stop playing dnd bc it is childish, to in s4 Do you want to play with me? I will literally settle for an absolute stranger rn, literally anyone? No? Uh. I hate high school aka I don't want to grow up. Now he thinks that he's the childish one when really, it doesn't have to be, if he just opened his mind to it.

Watching s3-4 back to back is actually so real bc it's showcasing Mike's complete shift, a shift that basically got flipped from s1-2 to s3 to s3 to s4, and it's directly related to his relationship with El and Will (along with his parents who all of s2 punished him by taking away his toys when he acted out bc of trauma/called his toys hunks of plastic and to essentially be used as collateral bc he's going to need to grow up eventually anyways). And we see how that is conveyed when he shows up to Cali unlike his true self, he just reverts right back to trying to be someone else like in s3. Only now he's trying to pull off a Cali look on-top of it, wearing sunglasses as he mumbles an incoherent sound, something like, 'eahauw' as he rushes up to kiss and hug El, putting the flowers between them so he had an excuse to separate sooner than later, followed actually voicing words to will, moving his duffel back out of the way to hug will properly, w/out sunglasses, visibly very happy to see Will, only to not even be able to hug him by cutting it short. AND for Argyle to confirm our suspicions by calling him a knock off?? NOW I'M REALIZING IT'S TOO MUCH YELLOW? Come on!?

That's another thing, the end of s3 hug between Will and Mike literally ends with Mike looking like he is in physical pain. Like dude looks like he was burned. He looks like a mixture of angry and heartbroken. And so having that, followed up with Mike barely even being able to properly hug Will properly 2 episodes later..? Gee I wonder why?

And then it just spirals from there.

The entire season Mike is by definition emotionally cheating on El, assuming that they are even technically still together atp. There's a reason they had her say From El, and it's so that there was this sense of maybe they were technically broken up now or even just on a break rn, since they wouldn't see each other for who knows how long? Maybe never again? And so that was a writing choice made in large part to allow all of these moments between Mike and Will throughout the season to feel romantic coded and for us to comfortably view them as such. Same with how they did that with Jonathan and Nancy in s2. They create conflict that is near breakup territory, without outright saying I want to break up, and then they throw them with their other love interest and create tension.

When it comes to like how I think s5 could go down with byler, I have a few different thoughts about how that would play out. Obviously I love byler but there's a lot of other stuff going on so this would just be one aspect of the greater overall story. But for the sake of this post I'm going to focus on Byler possibilities.

Them holding off until Vol. 2, literally 2 weeks exactly after the premiere, to have Noah officially release a statement saying We now know Will is 100% gay and in love with Mike, that is them clearly knowing the gravity of revealing stuff too soon to an audience that might not be ready for it. They saw the reaction to s4 and they waited and then they made that choice to discuss it the way they did. That was the point they decided they were willing to tell the truth of the situation, including Noah admitting for the first time, that they've been hinting at Will's feelings since s1, and so he had to always be vague about things to avoid spoiling the Duffers surprise. And while they're doing this, when they talk about Mike's feelings about the situation, it is always that he has absolutely no idea.

There would be no justifiable reason to hold off on admitting Will's feelings for Mike outside of canon, only to admit they've been hinting at it since s1, if there wasn't actually something yet to see be revealed, making this revelation so late in the game, justifiable.

The main thing that we get from Mike being oblivious of Will's feelings, is that if Mike doesn't know, then technically he hasn't rejected Will yet. Because how can he have rejected Will if he has no idea? Answer, he can't!

And so now there is one season left and they are choosing to hold off on Mike's knowledge about Will's feelings? After they just finally admitted after 4 seasons that they've been avoiding telling us about Will's feelings, despite hints from the beginning because they didn't want to ruin the surprise?

What surprise though bro? Slow-burn unrequited love??? There isn't any such thing. Because that wouldn't be satisfying!

It takes us right back to the line Will makes in s3 (mid-series) to Joyce about how he's never gonna fall in love. It's not that he doesn't want to or even hasn't yet at all, it's that he doesn't believe experiencing mutual love with the person he has feelings for is in the cards for him, bc odds are, that person is going to be straight.

But... How is it satisfying to hold off on even admitting Will's feelings for Mike until the second to last season, only to hold off on Mike's POV of the situation until the last season, just to say at the last minute, Well, Will, you were right!...? Like, no.

And so I genuinely think the same thing they did with Will is happening to Mike in a sense, in that by sort of dancing around the situation with answers that don't even allow you to answer the question, by saying Mike is clueless, they can avoid delving into what exactly Mike would think. They can just say Oh of course he will accept Will and leave it at that.

The thing is, if I'm supposed to be rooting for Mike and El, these choices that they've been making, to practically infect all of their scenes with Will in the frame looking like a kicked puppy, it's not giving endgame, it's giving I should be praying for this kid to get a happy ending who is fully convinced that he won't get it.

The main question I have, is are they going to hold off the slow-burn for as long as they can, or are they going to do something unprecedented and make it happen sooner than anyone expects?

I guess for now I think that it's the most likely they will hold off until 5x07 for like the big obvious endgame moment? Slow-burn tends to thrive in it's true form, aka slow-burn until the very end. So it would make sense to have these barriers in place that prevent Mike and Will from truly realizing they have mutual feelings or something of that nature, and then acting on it. That doesn't mean the audience wouldn't be clued in on those feelings earlier in the season, but I think them both accepting those feelings and coming together and choosing to be together is something that won't be like established fully until the end.

THOUGH I will say there is one scenario I could see them manage to have Mike and Will realize those feelings sooner than we think and it's because of the satanic allegations... If Will and Mike were to ever get caught in a precarious situation, by someone in the town already accusing these kids of being the cause, specifically Mike as a member of Hellfire and specifically Will as the kid who has been connected to all of this, it would be sort of visceral seeing how that could play out with them being viewed as like a symbolic indicator of the incoming apocalypse.

Though then again, they still might not get together until like episode 7, bc with the last couple episodes being like 2 hours long, it's possible the homophobic/satanic aspect of it could come into play around then. I think it would be really critical to see other peoples reactions in the story to them getting together, including their family and friends, but also potentially the community bc that would go full circle with what went down in s1 and how like the whole community had an opinion about Will's sexuality even as a kid.

Early s5 is a big indicator of how everything will go down though. I don't think that they'll get separated and be apart the whole season, bc they made a point to convey in s4 that they want to make sure to give the audience a lot of groundwork to root for them and so I think s5 has to be much of the same for it to end in a way that has most of the audience full-on rooting for them and just screaming at their screen for them to kiss already.

However, I do think it's possible we could see them get separated for like 1 episode, maybe 2 but probably not 2 full episodes, I think the reunion would happen sometime at the end of 1 or 2 episodes.

I think Will is likely going to be targeted by Vecna, arguably already was at the end of s4, and then there's birthdaygate to address. Maybe he gets forgotten by everyone as a result of the memory/time trickery that Vecna has going on. And so we could see that play a role in them being separate for a bit while that is resolved, which would likely be early s5, to sort of mirror early s1. But then I think they would reunite by like the 3rd episode and work together most of the season as a team. And we will probably be aware of Mike's feelings in these moments because we would've just presumably gotten a bunch of parallels to s1 and considering Mike and El are broken up, it's going to be difficult to see Mike be so up in arms about Will after all of that romantic subtext, only to be with him and be looking at him like he hung the stars and shit. Even if Will isn't doing the same bc he's like convinced himself at this point Mike doesn't like him back, that would just make it even more clear bc it would be them finally showing us Mike's POV, after hiding it so much in s3-4. It would also sort of wake up those fans who had insisted Mike couldn't feel the same bc there would be no reason to do all of that for nothing.

Another way I could see it going down is by Mike basically somehow making 'a deal with god' (Vecna) that takes him instead. Maybe it's about saving Will who is trying to sacrafice himself already. Or maybe it's a way to save Max and it's sort of a last minute thing that is intended to cause them a lot of grief. Bc we know Vecna loves fucking with them. This would fit into the whole without heart we'd all fall apart, and the whole how am I gonna survive a whole week w/out you guys and Mike getting out in the DND game at the start of s4, along with like the whole theory about how if a paladin breaks an oath they basically have to go on a mini self discovery journey and can essentially be reinstated and forgiven by a cleric (Will). That would fit very very well into the imagery we got of Mike sitting down on Jonthan's bed with the upside down tapestry behind him, followed by Will sitting down beside him + Mike sitting down on the upside down couch at the cabin, followed by Will sitting down beside him. Meaning basically Mike would end up in the upside down and Will would follow behind him.

And I think in that scenario we might be seeing some things from Mike's POV that we have overlooked before, or maybe even things they have deliberately kept from us for the sake of saving it for later. Maybe that unused footage of him crying biking home after they found Will's body, or maybe they re-contextualize the cliff scene in a way that sort of frames Mike as feeling like he deserved to die that day bc after everything that happened with El, maybe he doesn't feel like he deserved to be saved by her, like Vecna just overwhelms him with the guilt that's been piling up for years, which led him to that failed monologue.

Also I think there is a very specific reason they chose to not use the song Time After Time in Max's memory of the Snow Ball in s4, and that's because they're saving it for s5. Every Breath You Take was regarded by most the fandom as a Milkvan song, and if anything it fit with all of them dancing more than it did specifically with Max's memory from that day. So them bringing that back for s4 felt like a combination of the Vecna foreshadowing and also them refusing to use Time After Time quite yet... Time After Time started playing right when Lucas asked her to dance, they easily could have used that song instead and left Every Breath You Take for s5 for a milkvan montage, hell Time After Time even would have fit well with the whole clock theme going on in s4.

But, I genuinely think it's because they're holding off on fully, in canon, re-contextualizing our understanding of that Snow Ball scene when it comes to Mike and Will's perspective of it. And how that song would fit into that revelation is a little to perfect to pass up, again on a show that has made a big deal about clocks and also has connected Will/Mike to the clock in Starcourt with the Yellow and Blue hands ie you say go slow I fall behind-- the second hand unwinds is fucking clock coded bro???

They are 100% saving that clock ass song for the end and that just tells me byler has to be endgame bc that song literally ended right before El entered the gym, it has no association to them, only to either Lucas/Max, Dustin/Nancy, or Mike/Will. That's it.

And so arguably the build up of Mike and Will is the only way to satisfyingly bring that song back full circle.

I guess I'll keep it simple and say that I think one of them are going to go missing/dissapear/be taken (something along those lines) early s5, and the other is going to find them and they're going to be a team basically. I think there could be 1-2 episodes of them alone sort of in the pits of the UD (Hell vibes). Maybe there's an almost kiss in those moments, or maybe even an official one bc them being alone finally is what grants them the courage to do what they haven't been able to do in the real world without the fears of the real world stopping them?

Though I do think that they will reunite with the others after 1-2 episodes alone. And so most of the season will be them teamed up with the og party and also having interactions with other characters along the way as well.

I do think a Murray/Byler confrontation is inevitable. I do think a Will & Robin confrontation is inevitable. I do think it's possible Mike could be exposed to the idea of having a gf then a bf (and vs) by Vickie in the case that Mike finds out bisexuality is real and an option. Bc tbh it's still something people today don't know about. So I don't think Mike Wheeler in 1986 Hawkins, Indiana would, though again maybe an interaction with Vickie could change that. Either that or Robin, Vickie and Steve are going to see Mike call Fast Times overrated and they're all going to share a look and that's when we'll know...

I do think that Will is going to have a hard time believing Mike could feel the same, even when presented with evidence? Not only does he have his insecurities in the way, but he also views El as his sister now (hell she might even actually turn out to be his twin). Even though Mike is his best friend, he's going to want it to be crystal clear that El supports it before Mike ends up being in their family via them being partners at some point. That's just who Will is as a character. He's just going to assume he is wrong for wanting that considering everything that has led up to this point.

And i think El is the kind of character that, no, she wont be like ecstatic about how this all played out and how she didn't need to get her heartbroken, but I don't think that feeling will last forever. I think they might have a little sibling talk about lying, assuming she finds out about the painting and what he said to Mike about her commissioning it. That would be a good parallel to her and Will at Rink-O-Mania when he chastised her for lying to Mike? Essentially an Oh how the turntables moment? Even so, when it's all said and done, she's going to make it clear to Will that she supports him fully.

And I think the same applies to Mike who also is going to want closure that they are okay and still friends and love each other as friends/family.

I think how all of this plays out would be very intricate, yes, but largely keeping in mind that they want us to like this ending and not be bitter about it, and so they're going to have to convince us that we want to fully let go of Mike and El and to root for Mike and Will.

This so called love triangle doesn't have equal stakes to the stancy/jancy one because we're dealing with an audience that has been completely left in the dark, now being bombarded. They have to try really hard to convince the audience to be on board with this, and also avoid homophobia in the process. They're going to have to make it very, very clear there are no more romantic feelings for Mike and El happening. Especially since we're ending the show with them in a sibling dynamic because of their relationships with Will. It would be gross to have this level of well maybe one day he could change his mind I mean he did that once before. Nope. It would be okay to have that sort of left unanswered with the stancy/jancy parallels bc we're not dealing with people being related to each other and swapping back and forth. That's why it needs to be clear in their situation.

And I do think that's why they did the whole I love you 9 times with Mike's monologue. Because it can't go up from there, there is nothing left for them to do after going all out like that, only to reveal Mike meant it deep down platonically? I mean what could they possibly do to backtrack? Have him give her another love confession where he says it 20x and adds no but fr this time?? No. They had to go all out like that to give those viewers what they wanted, the most they could possibly get and then say, sorry it's not happening. It essentially made it impossible to hope for it bc there's nothing left to hope for.

When it comes to byler and like these major moments that are bound to occur between them, I am genuinely most looking forward to them hugging again for the first time since the end of s3. That to me is going to be even more exciting than a kiss honestly (not saying I don't want a kiss but you know what I mean). And it's bc from a hug alone, I think we'll be able to tell that what's going on between them isn't platonic and that will in turn add so many layers to past seasons. I think it's also likely we'll get an almost kiss or two before the inevitable, and that would then make the slow-burn stretching until the end worth it, to me at least? Because just throwing them together never works when the formula has always been to hold off.

And that's also why the show has to end now. We can't have 6,8, 10 seasons of slow-burn, it would be exhausting. 5 seasons is the perfect amount. And having all of that angst and tension and heartache lead to a happy ending is going to make all of those moments in between that fans fought over for being critical of, sort of just dwindle to epic angst that was necessary to appreciate the happy ending.

[kusuors]

I HATE GEGE AKUTAMI

[mrslittletall]

You know we fanfic writers put our heart, soul and a lot of free time that we could spent differently on our writing. And all we ask in return is a little attention. To let us know that you read it and what you thought of it. The fact that almost nobody comments anymore is really really discouraging for any writer nowadays.

[aenslem]

he does look good on his knees 👀

[evansbby]

Bestie please i BEG you you must stop referring to Steve as “HE WAS JUST BEING A GOOD OLDER BRO” CAUSE THATS NOT GOOD OLDER BRO BEHAVIOR!!!!! 😭😭😭

I get that we misunderstood the scene and i get your intention to not have him be a total sociopath but babe he basically manhandled his sister!! And if she’s shy and anxious around folks maybe dont push her to meeting new folks no matter how sweet they may be THATS NOT HOW YOU DO IT!!!! 😭😭😭

I have a really REALLY older brother and yes he teases and smacks for fun and is incapable of showing real affection even though he has TWO sisters but he is still somewhat kind!!! 😭😭😭

Steve imho is incapable of having normal emotions like he really needs to be in therapy because maybe his absentee parents didnt show any growing up so he didnt learn how to show any himself and anger and horniness kinda took over the place in his whole heart and mind instead

And also also yes i get they both SUCK and i get that the bar is set in FLAMING HELL but Ari still wins by a mile because he did share some sweet moments with reader despite it being in the privacy of her room and yes he fucked in front of a crowed while intoxicated but like baaaaaaaabe they’ve had sex before and she is very VERY into him!!!!!!! I get its a dark fic that’s drowning in noncon (which is my fucking niche and the hill i will probably die on and go to hell for) but their sex is not rape-y bestie not like how it felt with Steve 😭😭😭

PLLLLLZZZZZ 😭😭😭

What?!? He didn’t manhandle her?? All he did was put his arm around her?!?!

[not-poignant]

Hey there. Do you have any tips on how to stay consistent with writing, and how to stay focused on the task at hand?

Hi anon!

So firstly, I've answered versions of this question quite a few times so you might want to go into the 'Pia on Writing' tag because they'll be there.

A quick look has found:

How to write more words regularly - This one is good for just...straight up practical advice.

But I wanted to speak frankly which is - what works for me might not work for you! We all have different strengths and weaknesses and depending on how we orient towards writing depends on what those weaknesses are. For example, I need to learn how to take more breaks and rest more, and not write as much. The 'writing a lot and sometimes too much' comes pretty easily to me these days.

Not all writers are meant to be consistent writers. I don't have a daily habit and I haven't written anything at all in a week and a half. I have my monthly wordcount and that's it. Someone else might need to write or edit every day, in order to not lose sight of their projects. Someone else might need five intensive days a month. It will depend on their nature, their personality.

Not all writers have the same reasons behind why they can't stay focused on a task. I have ADHD, but I can also hyperfocus on characters and a storyline. Others have ADHD, and cannot hyperfocus on their characters or storyline long enough to finish a story. That's a problem I don't know how to remedy, because I don't have that kind of ADHD, so I've never had to 'solve' it before. Some writers are perfectionists which hamper them, I am not a perfectionist and I'd rather the thing be out in the world with some flaws, than on my computer talking to no one. I need the dopamine more than I need something to be perfect. So you see anon, sometimes the things that impact us just aren't universal, which means you need more specific advice. There will be perfectionist writers who will have lots of great advice, there will be ADHD writers who get bored of a story who have great advice. :D

What I will say is that pretty universally, writing consistently and staying focused are both like muscles in the body. I'm where I'm at today because I've had 9-10 years of practice doing this, and when you start out (which the above link addresses) you will need to aim more realistically and reasonably, and start there.

It's also worth having a really grounded sense of why you want to write more consistently / focus more on your writing. Is it for fun? Is it because you want to finish a project? Is that project something you'll feel good if you finish or are you over it? Is it because you want to make an income? (Have you considered there are approximately 40 billion easier ways to make an income?) Is it because you just want to see if you can do it?

Sitting down and thinking about your motivations here will help motivate you if you can keep your goals in mind. And it will also help clarify what you get out of writing in the first place.

Re: Staying focused. It depends on your distractions. I use music, that helps me. That might be terrible for you. I make sure I'm eating well - the brain needs carbs and fats, and my whole body needs protein and fibre - so I'll have a decent breakfast before starting out. Sleep is important. Drinking regularly is important. There's very basic things here which seem obvious that help a ton with concentration, but if you're not doing them, they're a good place to start. You'd be surprised how much just 'eating balanced meals, drinking regularly and sleeping enough hours' helps with concentration. Like, so much.

A friend of mine uses the Pomodoro method (that would drive me nuts), there's using write-ins like Twitch streams to basically 'body double' with other people who are writing at the same time (I find this very motivational). There's gamification like 4TheWords (love this site). There's 'I get to have a cookie if I write another 200 words.' There's 'actually I've lost focus because this part of the story might be broken and if I just do this the river will start to flow again' as a writing technique.

Mostly, you'll need the time and space to just amass the number of techniques you need to help with both focus and writing regularly. But in all of this, it's vital to be patient with yourself. You can't expect yourself to take a week to end up somewhere that someone else took 3 or 4 years to get to. And it won't be...consistent. Don't side-eye me or anything, but like, we're not meant to be machines, even people who write relatively consistently (like me) need breaks, get burnt out, get tired, are over it, and sometimes need brand new techniques to start working again. Knowing that it's not a linear upward curve of ever-increasing focus lets you also just...be compassionate and patient with yourself.

Oh yeah, because you'll have to get good at both of these too anon. :D Learning discipline and being firm with yourself can't work successfully if you also then mentally punish yourself for not doing it 'well enough' to the point where you don't want to do it anymore. Cultivating the 'I'll try again tomorrow' or 'I did great today!' parts of your brain help a ton with consistency. If you know you're going to be kind to yourself for doing well, and firm but compassionate with yourself when you don't, all of this gets way, way easier.