#am I making any sense. no.

[daisyachain]

Sam Guthrie is a character I love very much but don’t often talk about, I feel like we’ve seen about as good as we’re going to get for him that’s possible in comics in X-Force 19, there’s nothing really more to worry about because he’s already achieved the perfect writing condition. Still I do have a proprietary fondness for him that means I will complain about how he’s currently written. Sam I think is a character driven by fear, or more specifically awareness. His reaction to the hardships dealt to him is to remember that they happened and try to avoid the same situation. His memory is long. He’s cautious but not cowardly, he’s awkward but not dumb. Every move of his is made after carefully considering what to do, and why, and what could come ricocheting back at him if it goes wrong. Doesn’t mean he notices everything. Does mean that what he does notice, sticks.

That’s why he’s the social leader of the New Mutants. He pays attention to everyone’s faults, foibles, needs, wants in a way that Dani has neither the time nor the inclination to and he remembers them. That’s why he cements the split from Xavier in the first place. He can’t reconcile his own experience (hopping from peril to peril to the wreckage of the mansion) with Xavier’s philosophy. To believe that passive defense and non-violence work would require him to forget or deliberately ignore the evidence of his own eyes. He wants to play things safe not in the sense of avoiding conflict, but rather in the sense of anticipating it and heading it off. Any festering issue can spread. The infected portion must be removed. Sam isn’t about to wait around for things to bite him in the ass.

That’s also why he’s a good tactical leader to X-Force. Separated from Dani and Cable, he does hold his own because he can carefully catalogue the ins and outs of a battlefield. However that same attention to detail that makes him a natural mentor also makes it tiring for him to call the shots. He can, does, and will act well as an executive leader, only with more regret over the mess that comes with making decisions that Dani and/or Cable would leave firmly in the past.

Comparing with Sunspot as not his foil (that’d be Dani) but the character who’s always there to mirror him, this driving force becomes more apparent. Sam and Berto both have loved ones die shortly before getting recruited. Sam reacts to his father’s death conscientiously. He steps into his role to bring in income. He knew it was coming, he feared it, he planned what to do to recover.

Berto, on the other hand, is more driven by grief. Juliana’s death was a shock that I think is still the single most important event to him. While his home life wasn’t always the best, I don’t believe Berto ever believed that he could experience the sort of life-or-death hardship his father had until that point. Ever since I think he’s been trying to stop that from ever happening again. Through New Mutants he lashes out in danger, assumes the worst in mishaps (Fallen Angels), shows willingness to sacrifice himself for the greater good. His perpetual state is of surprise and horror at how the world is and a need to intervene.

That’s why his Avengers characterization gets a pass, because it feels like it grows from that solid base where Sam is just [insert normal guy here]. Berto spends that run reacting, lashing out at the idiocy the other Avengers get into. Sam might create a third Avengers faction to nope out of there and productively do his own thing, because he can see the civil war coming. Dani might do it because nothing’s going to get done if she doesn’t do it herself. Berto creates one because he can’t stand watching these people get into stupid spats while the world is ending, he physically can’t stand by.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[chimifuckinchanga]

why is deadpool just straight up the most shippable character of all time. this man can be with anyone and it’s adorable. logan?? goes without saying. spidey?? for sure. vanessa?? totally. cable?? why not.

it’s becoming baffling at this point like. is he drinking magical ship juice. how did this man harness such lovable magnetism

[wardingshout]

Zelda goes mushroom girl

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[thetisming]

amatonormativity: a romantic partner should be the most important person in EVERYONE'S life

NOT amatonormativity: MY romantic partner is the most important person in MY life, but i understand this is not the same for other people

allosexnormativity: EVERYONE should have sex and sex is something EVERYONE needs/wants/should want

NOT allosexnormativity: I PERSONALLY enjoy sex and love having sex because it makes ME feel good, but other people dont feel the same and that's okay

platonormativity: having friends is important for EVERYONE and EVERYONE needs/has/should have friends

NOT platonormativity: having friends is important to ME and I PERSONALLY love having friends, but there are people who dont and theres nothing wrong with that

faminormativity (is that the word?): family is important for EVERYONE and EVERYONE needs to have their family

NOT faminormativity: family is important to ME and I PERSONALLY need my family with me, but other people dont feel the same and i understand that

lovenormativity (again, not sure if this is a word): EVERYBODY feels love and there's something wrong wiith you if you dont

NOT lovenormativity: I PERSONALLY feel love and love people, but not everyone does and that's completely okay!

NOT amatonormativity: i dont have friends/have any desire to have friends, i am happy with other relationships/no relationships at all

NOT platonormativity: i dont have any desire to be in a romantic relationships, and i am happy with my platonic relationships

NOT allosexnormativity: i like hooking up with people and having one night stands or friends with benefits

NOT faminormativity: i care about my family deeply and am close with family members

NOT lovenormativity: i feel love for people i care about

it's not normative to personally enjoy something, so long as you respect that other people simply arent like you and aren't going to like the same things as you. taking down normativity is a two way street, allos and aspecs need to do it. support your local aros, aces, apls, afams and other aspecs today! remember to challange all normativities, and to not enforce other normativity by saying how bullshit other normativities are!

nothing is universal. romance is not universal. sex is not universal. friendship is not universal. family is not universal. love is not universal. nothing is universal.

[meamiiikiii]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[ameliadoesstuff]

something about s1-3 zane is just. oh this guy is so silly and friend-shaped. look at his friendly boy swag. like????? how could you ever hate him. the ultimate silly

not to hate on his titanium era because frankly it is very cool. but the essence of s1-3 zane is unique and uncapturable. he is just a little guy you can put in your pocket. his default facial expression is so inherently funny. there are no thoughts behind these eyes. i would trust him with my life.

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[dreamsteddie]

Steve and Eddie childhood friends is my kryptonite.

They meet in the woods outside Steve's house when they're eight and nine years old. Steve is out exploring because his parents are fighting again, something about a secretary and a jazzercize instructor that Steve really doesn't understand or want to listen to. He's done it before, venturing outside to explore the forest like it's his own private world. They never notice when they're fighting like that anyway and Steve always finds his way back.

Eddie, on the other hand, is new to Hawkins. He's nine years old and was just dumped on his uncle's front porch because his dad "doesn't need some brat who cries when the wires spark." Eddie was heartbroken and mad and scared and he loved his uncle Wayne but he didn't want to be comforted so he ran into the woods, Wayne too slow to catch him but calling his name.

After running a while Eddie trips on a root falling on his hands and knees, blood slowly blooming from his palms. He looks up and realizes he has no idea which way he came from or how to get back and releases all the tears he kept locked up tight since that night with the car.

That's how Steve finds him. He makes his way over, calling softly to the boy crouched by his favorite tree. The boy looks up, and the first thing Steve thinks is that he looks a little funny. His head is shaved down and his eyes are a little buggy and he's lanky in a way Steve's never really seen before. His second thought is that he always keeps bandaids in his shorts.

Together they sloppily patch up Eddie's knee and left palm, Steve pressing a smacking kiss to the other boy's knee like he's seen the other moms do for their kids at the park. They introduce themselves and Steve takes him to all his favorite places in the woods. They play knight and dragon and talk about how mean dads are until the sun starts to set.

Eddie gets nervous when the sun starts to set, not used to the unique darkness of the woods, but Steve is used to it. He takes Eddie by the hand and asks him where he entered and guides him home. Wayne finds them like that, he's clearly been doing his own forest wanderings in his search for Eddie and is quick to sweep his nephew into his arms and hold him close. Edde excitedly introduces his uncle to his "new best friend, Steve," his mood lifted significantly since that morning.

Steve waves goodbye and slips away before Wayne can insist on taking him home in the truck, but that's far from the last they see of Steve. After that night, every time Steve's parents get in a fight or his parents go to one of their long, important business dinners without him he makes his way through the woods and to the Munson trailer. The first time it happens Wayne doesn't even know what to say. Steve looks every bit the little Harrington that he is with his little Khakis and perfectly pressed polo knocking on the trailer door all proper-like.

"Hello, I'm here to see Eddie. He's my best friend."

Before Wayne can figure out what to say there's a blur of oversized black hand-me-down clothes barrelling through the door and tackling the younger boy to the ground.

"STEVE!" Eddie absolutely screeches. Wayne is half worried he might take out one of the kid's eardrums, but seeing the wide smile Eddie has plastered on his face, Wayne decides not to say anything.

From there on Steve and Eddie are thick as thieves. Steve spends all his free time at the Munson trailer playing with Eddie and the stray animals. Despite some of Wayne's concerns, their friendship remains strong through the years. With Eddie in the grade above and the grades almost completely separated, they hardly get to interact at school, which only serves to fuel Eddie's disdain and Steve's disinterest in school. Middle school is much the same. They spend almost every waking moment together in the woods or in the trailer but live almost separate lives at school. It's not even that they're trying to hide it, it just never comes up.

When Steve starts climbing up the social ladder it isn't intentional at all. He doesn't have a lot of friends in his grade, certainly not any that come close to Eddie's status in his life, so he kind of just talks to everybody. He plays on the middle school basketball and baseball teams and does well, and before he knows it people are suddenly flocking around him and vying for his attention. He doesn't pay it much mind honestly.

Eddie on the other hand never fits in anywhere. Steve and Wayne are just about the only people in his life he cares about, and despite their overwhelming love and acceptance he can't help but turn out cynical. He struggles with anger management those first few years with Wayne, frustrated with being abandoned by his dad and separated from Steve and it all culminates in him being ostracized from his peers.

It isn't until high school that the rest of Hawkins clues into what's been in front of their faces the entire time. The high school is much less separated so while they won't be sharing any classes, there are many more opportunities for them to hang out.

On day one of Steve's freshman year he's already on the roster for both the basketball team and the swim team and there's already a small group of boys hanging around his locker ready to ride his coattails. They notice Steve seems distracted, turning his head back and forth when he's not struggling to get the lock undone. When he finally manages to wrestle the thing open, Eddie makes his move.

In a move reminiscent of that first day on Wayne's front porch, a blur of black second-hand clothes and dark curls barrels into Steve from the side taking him down to the linoleum floors. The guys around Steve's locker are ready to step in and beat this guy to a pulp until they hear raucous laughter coming from the both of them. They are treated to the sight of rising King Steve and established Freak Munson rolling around on the floor like unruly puppies and don't know what to do with themselves.

When the boys calm down and stand up, arms slung comfortably around each other's shoulders, they're met with the very confused faces of Steve's kind-of-friends.

"You know this guy Steve?"

"You and Munson are friends?"

"What the fuck was that?"

Steve and Eddie share a very confused look, neither of them having realized that people have no idea they're friends. They look back at the guys with two devastating "are you dumb" faces and say:

"Uh, yeah, Duh."

--------

Years down the line, after queer awakenings, a healthy dose of heartache for them both, and a properly dramatic star-lit confession Eddie and Steve both absolutely love regaling anyone who will listen with their love story. Steve insists that he knew from the moment Eddie looked at him with those big bug eyes that he would love Eddie Munson for the rest of his life. Eddie, on the other hand, insists that's bullshit and instead insists that he was the one who fell first "it doesn't count if you were a child Sevie you didn't understand what love was!" that day in the hall when he realized how tall and handsome his best friends had become when they got up off the floor.

Either way, they both eat up the looks people give them as they share their tales of pining, self-discovery, and true love.

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[gunsatthaphan]

[...] internal summer. the taste of summer that looks like you."

[ryllen]

and some extra unused stuff while they are in affectionate mood