#also. to be clear. I don't see a character 'doing something' as making them a good character

[morthstaar]

Please, PLEASE Tulpar crew x a very shy/introverted reader who is like crushing on the crew really hard but way too shy and embarrassed to tell them but like the crew starts to slowly catch on to them and the way they act different around them. Also I don't mean the crew as a whole I mean the separate characters 😭🙏🏽

ask and u shall receive 😈

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OH GOD, YOU CAN TELL?

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Captain Curly

-oh.. curly knew from the moment you laid eyes on him that you had the biggest crush on him.

-there is no slow realization.

-not at all oblivious to it.

-everytime your eyes would seemingly uncontrollably and totally unconsciously drift to him he would try to meet your gaze with a friendly, boyish smirk.

-does that happen? HELL NAH. you are much too shy to even look the captain in the eye.

-your little heart almost beats out of your chest at any interaction. little or big.

-"Hey, just the person I needed to see. I have a little favor to ask you."

-oh god. suddenly words seem hard to pronounce and the entirety of the english language is no where to be seen.

-after a few weeks, curly would definitely find this endearing.

-i feel like since curly is so outgoing, he would be very intrigued by someone who is the complete opposite.

-curly wouldn't act much different when it comes to you, due to maintaining professionalism as his role as captain.

-he may due small acts like making a cake simply to indulge in your sweet-tooth that he somehow knew about you.

-"oh, we just had extra packets of sugar. i just thought id bake something. you like cake right?"

-cheeky motherfucker.

Intern Daisuke

-dude is so so so oblivious even though you make it perfectly clear...

-you could be making like.. making out with the guy and he'd be like,

-"yoo, we are literally besties right?"

-deadass, he prolly had no idea you liked him for weeks.

-you could be laughing extra loud at his jokes then realize ur laughing too loud, look at him while he isn't looking at you, sneak an extra sweetener packet on his bed when he isn't around,,,,

-his ass still is clueless.

-it takes either curly or swansea's help to realize that you had a massive crush on him but were just to shy to say something.

-once he realizes, he is now all over you and following you around like a lost puppy. not nonchalant at ALL.

-literally tries to pick up the polle statue to show his 'guns' but the statue moves only an inch..

-now he is hyper aware of your actions and reactions, he finds your shyness just SO CUTE WTFFF.

-compliments you to see what you would do.

-"man, have you always been this hot or is it just the sweetener talking?"

-runs away.....

-would steal sweetener packets just for you two to share :)

Nurse Anya

-i feel like she notices how different you act around her, but she just thinks its because you two are good friends.

-she never assumes anything, just her friend being friendly.

-even though you sometimes make it unintentionally obvious..

-like this one time you recommend her a book from your quarters library and her fingers lightly grazed yours reaching for it.

-oh shit. her soft hands touched yours. oh god what does a normal person do in this situation??

-"thank you for the-oh... book."

-well, they don't smile awkwardly, sweat pouring down their face and leave in a hurry with the book still in their hand.

-anya isn't stupid or completely oblivious by any means. she definitely knew from this encounter of your little crush on her.

-she is quite flattered honestly. someone so similar to her truly likes her?

-when she fully processes this information, she is very subtle with how she shows her affection back.

-during check-ups, she sometimes gives you a treat from one of her desk drawers for being a good patient.

-other times she lets you join her late at night in the lounge to just look at the pretty night time screen.

-"this makes me miss home. it's so beautiful."

-you'd look over at her and her eyes are not on the screen, far from it actually.

-her eyes are on you.

-so this is what a heart attack feels like..

Mechanic Swansea

-unpopular hot-take, swansea is actually a dilf and he often has younger men/women confess their feelings to him.

-so because of that headcanon, swansea definitely knows how you feel from the first time y'all met.

-your eyes would subconsciously peek at his open shirt revealing his chest. suspiciously, whenever he would look back, you quickly turn away shyly...

-he immediately thinks he is way to old for this shit. he just got out of a divorce and prolly never wanted to try again. especially with someone younger.

-"what is with this damn younger generation with old people.."

-he tries to avoid you even though you two are co-workers and.. work together. on the same ship.

-as weeks go by, your shyness starts to grow on this grumpy man. he... he thinks it's endearing in a sense..

-he rather likes how reserved you are, and how are aren't as loudmouthed as daisuke.

-he won't act much different to you, but according to the rest of the crew it is obvious.

-swansea leaves little sticky notes reminding you to eat or sleep because and the sticky note quotes,,

-"..the crew doesn't need you passin' out while doin' your job. so eat or i will make you."

-swansea is also much more soft-spoken with you than anyone else.

-he has never raised his voice or spoken down on you. his usual brashness and snarky remarks are now toned down (but not entirely) around you.

-"hey. i didn't say you had to leave, did i? stop puttin' words in my damn mouth and sit."

Co-captain Jimmy

-jimmy prolly doesn't even acknowledge you at first.

-you could be looking at him, thinking he doesn't know that your eyes are skimming over his face and body.

-oh but jimmy.. he does know,,, but he never shows that he does.

-he likes the attention on him. your eyes looking him over when she doesn't even know that he is soaking it up.

-im sorry but he definitely gets off to the fact that you are shy and get flustered easily.

-he loves how malleable and submissive you are due to your shyness. and he uses it to his advantage.

-he shows his affection strongly after he knows your crush.like sometimes he would purposefully follow you places and when you turn around he'd be like..

-"do you mind? you're in my way.."

-i feel like he wouldn't know how to properly express his feelings so he would be kind of unnecessarily mean and cruel.

-and after he would be mean he would be nice and extra affectionate so you would still like him.

-like you could be working on something and is critical about your work.

-"are you serious? tsk.. move, since you clearly cannot perform a basic task."

-then later he's like..

-"im glad someone on this ship is helpful, like you."

-basically, he purposefully plays with your feelings to get you to confess bc i feel like he likes when women cone to him.....

[tossawary]

Recent "Star Trek" reboot universes have really tried to sell me on three different romances for Spock with other TOS characters whom he did not have romantic relationships (at least not positive ones) with in TOS, which makes it particularly annoying when some fans try to squirm away from the idea of ST ever doing a future reboot or remake in which Spock/Kirk are explicitly queer.

Like, "But it's not in the original! They want to be faithful to the original!" really, REALLY does not pass the "I think you might just be discomforted by queerness and you should work on that, rather than making appeals to the authority of textual accuracy to avoid being called a homophobe or transphobe" check here. Because it's not as though these reboots care about perfect faithfulness on pretty much any other front. We'll accept that the costumes and special effects get updated to move with the times, we'll accept wildly different characterization choices that essentially give these characters new personalities, we'll accept new timelines that change the entire political map of the galaxy, but you as a fan draw the line at "What if this character was bisexual this time?" Really???

To be clear, I am not trying to dunk on Spock/Uhura, Spock/Chapel, or Spock/T'Pring here, I am merely trying to illustrate a frustrating double-standard. TOS Uhura does notably flirt with Spock several times! I see it! I remember TOS Chapel's feelings for Spock being one-sided, but I also don't think it's a bad thing to try to update TOS's more misogynistic writing choices regarding female characters. TOS T'Pring did... kind of try to kill Spock because she didn't want to marry him, but again, I don't necessarily think it's immediately a bad thing to try to explore her as a character and her betrothal to Spock. It's fine! It's fine by me to explore new takes in new AUs.

It's just that none of that evidence from TOS for those relationships holds much of a candle to whatever the fuck Kirk and Spock had going on to inspire The Premise. "Amok Time" is an Experience. There's only so many times that Kirk can say something like, "The cost [of abandoning Spock] would have been my soul," before you want to put your face in your hands. They are taking shiny pebbles from TOS and trying their very best to sell them to me as the basis for romantic relationships in reboots, sure, while they are standing in the shadow of Spirk Evidence Mountain (TOS).

(Yes, I have seen the recent "Unification" short film. Yes, I enjoyed it. No, I will not consider Spirk "officially canon" until all plausible deniability for the squirmy folks has been completely, explicitly destroyed by a HUMAN kiss onscreen.)

And okay, I must admit, at the moment, I don't actually want Spirk to eventually happen in "Strange New Worlds" now that they've finally met. I'm mostly indifferent to their Spock and Kirk actors, personally, and the writing for every canonical romantic relationship in both SNW and "Discovery" so far has gotten a solid "well, they certainly are standing next to each other" from me. (Yes, even the gay marriage in "Discovery". I just haven't been into it so far.) I think the writers would fumble Spirk if they tried it in this specific show and then annoying fans would use the fumble as "evidence" never to try to do Spirk or queer retakes on other TOS characters ever again, or as "proof" against other queer ST in other shows characters generally.

I'm mostly just mildly annoyed that I have to keep watching Spock specifically, famously read by many people as a queer man, be straight and messy about it, especially when there has not really been a significant queer relationship onscreen in SNW yet, unless you count M'Benga's daughter Rukiya and her glow cloud friend named Debra, which I personally don't, honestly. I'd like an onscreen relationship with a main character with zero plausible deniability. There's definitely nothing yet that comes remotely close to the screentime that Spock/Chapel, Spock/T'Pring, and Kirk/La'an have all been given so far, unfortunately. (Sulu is not here yet. Scotty has just shown up. If Scotty gets to make out with a guy next season, or Uhura or Ortegas gets to make out with a lady, without it being part of some god-like-being's fantasy world, then I may be satisfied.) (Also, yes, I am aware of queer characters and relationships in other "Star Trek" shows, thanks. I very much enjoyed Mariner having her incredibly silly breakup with her girlfriend in "Lower Decks".)

"Star Trek" is one of those properties where some people's double-standards regarding romantic interpretations of the original series really jump out. "They can't do Kirk/Spock because they want to be faithful to the original!" Get real.

[plumpybread]

Asking because of the previous ask, are you not a fan of Ethan anymore? If so, why?

It's complicated, I suppose (rant where i talk abt ethan but then also my OCs in general)

I really do not like the first version of Ethan I made like 3 years ago. Obviously I like indulging in devilish ideas but I don't know, it ended up turning into something I didn't really end up liking too much.

Then I revisited and sort of rewrote his story a bit a while back when making the OC archive site (I'm aware the site is not available anymore for the people who asked, I took it down myself) and was much happier with it for a while.

Don't get me wrong, I like Ethan, I know he's the OC people seem to like the most, but it's still like a personal mental battle of like maybe it's too effed up? Even when I draw characters going through unwilling/accidental extreme weight gain, I make them either ambivalent or accepting of their situation, but for Ethan it's kind of like torture, and I can't bring myself to get like..aroused and excited to draw more of that *personally*.

Changing up his lore wouldn't really work either since his story is based on helplessness and stuff, and it'd be disingenuous to make him be happy with his situation, so I've just sort of subconsciously decided to leave him as is and treat his content as its self contained story more than nsfw art to goon to, if that makes sense. I don't know, maybe I'm just thinking about it too much, but just wanted to say what goes through my head.

I also don't really revisit Ethan for the same reason I don't tend to draw much of all the past OCs I've made, as I see each of them as a way to explore different facets of how weight gain can manifest and adapt into a character's life to create a story around it, and I feel like I've covered most of the ground around them already.

All of my OCs come from a sudden short prompt that pops up in my head, usually out of nowhere. I suddenly wanted to make a big-hearted southern farm guy who was super massive and I immediately ran to draw Rudy, for example.

I draw them a little reference, with my typical bullet points next to them with basic info to get an idea of what their dynamic is like, and a more lengthily written backstory or description if I'm feeling fancy under it, and then for the next week or two it's all art of them and answering questions about them... and then another idea pops up, and a new OC comes in.

It's not that I get tired of them, but I just simply do not know what to draw with them. Ethan is the biggest outlier in this case, since he is my fattest OC and half immobile, you just don't really know how else to bring something new that's not him laying on his bed at a slightly different angle.

I guess that's why I always do OC asks, I sort of need them to be able to know what to draw with them, since I struggle coming with things like that by myself, and you know I always like avoiding drawing a character in a void with no context.

The Genshin Obesity AU is my longest running like "project"?? thing just because there is an endless amount of content I can pull from since there's all these characters, places and possibilities I can write from. My OCs are obviously much more self-contained and moreso serve as individual experiments to explore different people and scenarios, so after the 10th drawing of them... I genuinely do not know what else I can add to them.

I hope that was a bit insightful. I know most of you guys love Ethan, and I love him too! But I don't know, I guess this is why I don't tend to have immobile/near immobile OCs, since the potential art ideas for them drop to just them sitting on a mattress or sitting on the floor and I'm just left confused on what to do with them.

Maybe Ethan in his college days is something you guys might be interested in? Or I don't know, I'm just writing this post as my thoughts enter my head.

Sorry for the rant, I sure do love typing, hope this clears up some questions people might've had

[heavenlymorals]

Do you have any tips for how to write Arthur Morgan’s personality in general? I’m trying to write a fic but I feel like no matter what I do it somehow just makes him feel out of character haha. It’s probably since I’m writing one with a reader/oc character x Arthur. Like I don’t want to remove Mary from the story because she shaped so much of his character’s pain (since in my opinion I assume that Arthur probably got Eliza with child from a one night stand trying to bounce back after Mary had told him that she was engaged to some other man). But I also don’t know how to really write Arthur as he’s completely over Mary and how he is instead with someone he considers the love of his life, cheesy I know but I had too haha. I’m also trying to somewhat do a slow burn and trying to instead have Arthur seemingly brood over his love for the reader rather than how he did with Mary in the game.

I don’t know if this makes sense and feel free to ignore it LOL

Ahah here goes nothing- my consensus on a general understanding of Arthur Morgan-

I think the biggest thing that people should focus on when writing Arthur is his personality differences between men and women. There is a pretty clear divide between how behaves with men compared to how he behaves with women. It can change slightly between how close he is with the people, but it's pretty much the same.

With women, Arthur is very respectful and chivalrous. He even gets mad at other men if they don't behave accordingly. He is more interested in them as well in the sense that he'll listen to their dreams and hobbies and either add to the conversation or encourage them in some way that seems more meaningful, even if it can be at times superficial, just a way to be polite. However, he is no push over. You know that meme that's like "Me and my girl don't argue, she tells me to shut the fuck up and I do"? Yeah, that is NOT Arthur. He can raise his voice, call them out, etc etc. when he feels disrespected in some way or if the person is doing something stupid. We see this with Mary, Sadie, and Abigail. He is also more likely to talk about his emotions with women, but not really BE emotional. Idk if that makes sense, but I don't know how else to say it.

However, Arthur is more inclined to be disrespectful to women who don't fit into his view of life and the status quo of the time (ie. Prostitutes, masculine women, etc.)

Honestly, just think of that when writing him with your oc (I'm going to assume they're a woman 😭). Is Mary a big part of Arthur's character? Yes and no. He can obviously make time for her, but she isn't controlling his every action and thought process. His main focus is the collective of the gang and once the gang is safe, that's when he'll actively start looking for love because that's when he'll have the time and energy for it.

Now with men, Arthur is much more rough. He is very much a suck it up kinda guy with other dudes. There is clearly a hierarchy in the game and he enforces it, especially with the men underneath him. He forces them to work, doesn't take their excuses really, will call them out, will be mean, and will even make threats (ie. Sean). He likes men who are hard workers and are always on the go (Lenny) and is more likely to be jovial, open, and willing to talk. He also will take NO shit from other men and that will either leave the other man read to filth or a black eye. Arthur also does not disclose feelings of fear or inadequacy to other men, but he will show more active emotions like joy or anger.

Honestly, whenever I feel like writing Arthur, I just think of the average older American outdoorsman and it helps me out pretty well. Chivalrous and respectful with expectations and a no bullshit attitude.

Hope this helps and happy writing 🫶🏼

[buffkitties]

I notice a lot of people speaking of Komaeda's "beliefs", and their tendency to mark him as a person that puts others on toxic pedestals or strongly upholds them (he doesn't, but that's on another topic), but I never actually see people discuss Hinata's approach towards the system in Danganronpa. I feel like Hinata is closer to upholding those beliefs than Komaeda ever was, even putting aside the Kamukura project.

It's important to mention here that most people overlook Hinata's behaviour due to protagonists being generally pushed into a box, labelling them as morally pure, or somebody that you can see yourself through. While it is the case for a lot of media, Hinata does not belong in that category, and he has a strong character of his own.

One of the most visible traits he possesses are his deep insecurity and jealousy, which ends with him taking a lot of questionable or inherently harmful actions towards himself and other people, and really highlights how far he would go for something he really thinks he desires.

I'm putting emphasis on the "thinks" part here, since Hinata doesn't seem fully satisfied even when he does gain what he "wants"; nothing feels enough for him, and it leads me to believe that his problem goes far beyond just talent.

However, due to how the world is structured, talent seems to be a thing he latched onto since it was meant to be the greatest thing. Even so, it's his notable lack of self-worth that was really at play, and the idea of talent just seemed right, it being out of his reach and all.

Anyway, I'm going off of Hinata's mindset in SDR2 since I believe that the anime is not a reliable source at all, seeing how it mischaracterised everyone and even changed important aspects of the plot.

Even since the prologue, we can see that he feels uncomfortable with the whole idea of not remembering his own talent and the implication that he didn't belong in the group. When it is revealed to him that he does not have any talent, despite the (I dare say half-assed) reassurance, he still takes it to his heart as if that burnt him, while no one other than him cares about it. He becomes more bitter and clearly appears to feel lesser than them, even if his treatment didn't really change. Again, that is because it's his own problem. Also, I don't know if that's just me, but Hinata appeared rather defensive about it.

Moving on, that and a lot of other things he does really show that it is important to him to be a part of that system and most of his thoughts of it being unfair or unjust in some way are because of himself rather than it posing an actual problem. Actually, his mindset is closer to that it fixes people's lives, something that the majority believes.

While it isn't fully his fault, compare it somewhat to a mindset of a person that has internalised homophobia, or ableism, or anything else. A lot of people don't even truly believe it, but they feel as though they should and depend on other people's validation and opinions. It makes them need to conform, but doing so never feels good. I feel like what he does here is pretty close to not worrying about it as long as it isn't your problem, and not looking at the problem as something that should be prevented or considering the consequences it will bring.

It's just this: it's good, and I should be a part of it.

He constantly puts himself beneath others just because of it, and it's clear he sees his lack of talent as some sort of problem.

[greml1nb0i]

I'm fearing the day when human alastor design on screen as I feel like it's gonna really make the show seem very racist as they where willing to change niffty demon design from yellow to a pale pink. But wouldn't change alaster skin nor hair. Like I understand because people are used to the design, but on the other hand, viv probably should have just made alastor not use voodoo and just literally anything else

Omg yes, 2 points to be made here.

ISTG Viv only gave Alastor the "he's half creole" label as an excuse to not draw black features on him, while yes it is true not all creole men are dark skinned, they're still black and have black features, so Viv' excuse is thrown right out of the water, then and there.

For example:

Vs

you see how the melanin is still there even though these are all different images of light and dark skinned creole men, they still have their features that make them creole men. Alastor doesnt have that. All he has is dark skin in his human design and that's it, there's no other black features.

Also idk where she's getting this idea that Alastor would even be allowed his own radio show, especially in the 1940s-50s. He would've had the worst time just trying to get people to take him seriously. Black owned businesses were a thing back then, however it was so difficult because of the racism, that for him to be able to do it all without any sort of mention of discrimination or a hassle is telling me Viv doesnt think that hard about these time periods.

Viv is [imo most def] racists.

Point 2.

I am pagan, i was raised into it. So you can probably understand why a lot of people, not just those who actually practice spiritual/occult practices, closed or otherwise, get real fucking pissed whenever its used for "ooo evil, scarwy, oh no satan aaaa" type bullshit. Its 2024 people dont do this type of shit anymore for horror or evil characters unless theres a literal reason.

for example:

American Horror Story S3 The Coven, uses allusions to paganism, witchcraft, wicca and voodoo, BUT even though it's used in a horror show, the use of the occult practices is used for both morally good and bad reasons, cuz just like nature there is no good without bad and vice versa. This is made especially clear with the character, embodying the real life Voodoo Queen, Marie Laveau. Character Marie uses her practice for both good and morally bad things.

SPOILERS: She was responsible for giving Delphine LaLaurie an immortality elixir before murdering the LaLaurie family and burying Delphine alive. Then, Marie imprisons Delphine and hacks off her hand. For those who don't know, Marie is literally punishing Delphine for her actions towards others, [she's racist, watch the season if you really want to know her story and what all she did.]

Regardless of the moral implication, Marie used her practice for, what she considered to be, justice. She has a motive. Regardless of how some people may feel about AHS now, you cant deny at least they did their research.

However for Viv, Alastor's voodoo powers are strictly used for evil and there's no real reason given as to why he chose voodoo or even practices it.

Voodoo itself is a closed practice, for a reason. It also isn't something to make light of. How is it Viv can make a show that supposedly critiquing Christianity but she uses pagan and voodoo practices as stand ins for evil magic?? you are just perpetuating a stereotype that CHRISTIANS came up with. That the Occult/Spirituality is inherently evil.

& If Viv says "its cuz he's black and so he can," im going to actually scream.

Small correction: Alastor died in the 1930s so that makes his radio show an impossible achievement. Also the first black man to get a radio show host was in the mid 1940s. Alastor wouldn't have even had a chance.

Thank you to @bump-inthe-night for giving me the correct information, so to correct myself.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[fragmentedblade]

The "Dan Heng is Dan Feng" dogmatics annoy me a lot. It entirely brushes off one of the most interesting and prevalent questions posed by the game, incarnated by several characters and stories that give the question different hues with different potential answers, and a constant also in HI3, like a thread waving the two games together

[shimmerluna]

i do think there's probably something suspicious about the way everyone loves Ca$h and Quinni and their depth while essentially reducing Darren to their shared supporting character and/or the sassy black woman(/person in this case) stereotype, but I feel somewhat hypocritical bringing it up

[the-casbah-way]

FINALLY finished my outline for prodigal son it’s going to end up way longer than i planned </3

[deviousdiesel]

.

[tethys-the-aquatic-sea-godness]

One other thing that bothers me in the Bhaal plot of BG3 is that they made it sound like Bhaal created his Bhaalspawns as... servants? Puppets? And that's never been the purpose of the Bhaalpsawns? Ever? Every new Bhaalspawn he created in BG3 is counterproductive to his plan.

Bhaal knew in advance he would die, so he divided his divine essense into many mortal vessels. Then he charged his faithful (cough) high priestess Amelyssan to ensure every Bhaalspawn was killed after his passing, so that his power could be returned to him and he could be reborn.

Thats' the plan. A plan that's impeded, not helped, by more Bhaalspawns. It means splitting more of his essence.

Bhaal never wanted those spawns, he never intended to keep them, he never wanted a 'perfect child', they were fuel, born to be consumed for his return.

And that Larian has to make their dark urge the one true most *specialest* Bhaalspawn is just... pathetic. Can't find another word for it. They're trying to push aside Gorion's ward entire storyline, two incredible previous games, just to shove in their perfect, most special Bhaalspawn of all Bhaalspawns. And what flesh and blood of Bhaal is the Dark Urge made of? When Cyric killed him, he didn't have a mortal body, he was possessing one. Is the Dark Urge made of the dead flesh and blood of the guy he was possessing? Doesn't feel that special, but sure, go ahead.

I'm not saying their main charatcers shouldn't have been special somehow, it's part of the salt, but they should've have made it special with their own story. Not by trying too hard, and failing, to match the previous two games. I don't know, make the main character special reguarding something Illithid? You know, the supposed main focus of this game?

And yes, they do fail. The original game gives you the opportunity to become a god, in this one, your great evil achievement would be to be to work for a god. Congratulation, you've got a job. The one where you control the brain would be the only one where you truly achieve your evil overlord dreams. Surprise, surprise, that's the one connected to Illithid plot, not the Bhaal plot. They can do good work when they're not trying to one up their predecessors.

[obeymeow]

being neurodivergent is all fun and games until you remember those hourly quote bots on twitter and think well maybe I can't make a bot anymore but I could schedule a few quotes a day, that shouldn't be hard. it sounds fun to have a bunch of quotes of my favorite character Thirteen from hit mobile game Obey Me! and its sequel Obey Me! Nightbringer. and then you think about how arduous collecting the quotes is going to be but she's only been in the games for maybe a year and a half with little screentime and you love collecting things so you start but then you remember that you love collecting things so naturally you have ALL of her screentime in the game and suddenly you have 45k characters of quotes and are several lessons into season 4 (which is truly a trial in and of itself) but not nearly close enough to the end but you refuse to just stop collecting the quotes and make the account with the EXCESS of what you have already because you literally only have season 4 to get through and if you don't do it just seeing the bot (because now you've been informed you can make tumblr bots instead) will haunt you with that knowledge even if nobody else would ever know. this is a general anecdote of a situation that could easily happen to anyone though and not in any way related to my life

[marypsue]

me, encountering a photoshoot of or interview with an actor who plays a fictional character I am Not Normal about, out of costume and character and living their life as an actor, unexpectedly and abruptly reminding me that the fictional character does not in fact exist or have a life or interiority and is in fact portrayed by a Real Fucking Person who does exist and has thoughts and goals and dreams and a whole life entirely unrelated to that nonexistent fictional character, and could hypothetically stumble across my Being Not Normal On The Internet about one of many characters they pretended to be in exchange for a paycheque: ah lads not again

[dreamstar-moonlight]

👆👆👆

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.