#also. look at the way people think about India

[idontwanttospoiltheparty]

It is truly fascinating how the common tumblr narrative around John and Paul somehow makes the guy who literally got violent multiple times over people insinuating he was queer appear more "on board with the whole gay thing" than the guy who said some awkward/dated stuff in interviews a couple of times.

[megumi-fm]

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[room-surprise]

Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost

(EDIT: This post is an excerpt/remix of Kabru's section of my larger essay about the real world linguistic and cultural references Dungeon Meshi. You can read the essay on AO3 here. I also have another post about what part of South Asia I think Utaya is based on here.)

Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world. 

Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.

So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)

KABRU’S NAME

The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.

KABRU THE MOUNTAIN

Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.

“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

WHAT DOES KABRU’S NAME MEAN?

Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name. 

Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling. 

This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.

The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.

"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar)  “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.)  “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”. 

WHAT ABOUT UTAYA? IS THAT INDIAN TOO?

Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.

Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.

In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.  

The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages. 

Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences. 

JAPANESE MEANINGS FOR UTAYA

Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry

In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.

The Utaya disaster happened a long time ago.

If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.

 Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.

In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.

Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.

Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.

The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it. 

The infinite could refer to the dimension the demon comes from, or to the sky above the mountains. 

Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism. 

With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well. 

It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.

WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?

In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it. 

Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.

Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.

This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.

CULTURE

In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.

The white balls in Kabru’s dessert are very likely meant to be  an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.  

Rasgulla are also popular in Nepal, where they are called rasbari. 

KABRU’S PHYSICAL APPEARANCE

Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either. 

(Indian man with blue eyes)

Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.

Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.

Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party. 

CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?

Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.   

THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?

Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.

This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.

I don’t think this is what Ryoko Kui is doing in Dungeon Meshi. 

UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME

In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source. 

It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people. 

Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names. 

Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations. 

(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)

Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.

Kabru having light-colored eyes is central to his story, and Kui talks about it.

KABRU’S STORY AND WHY HIS BLUE EYES MATTER

Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.

This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.

In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this. 

WHAT IS THE “EVIL EYE”?

The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon. 

In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.

One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer. 

HOW DOES THIS APPLY TO KABRU?

Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.

I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do. 

This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”

To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education. 

CONCLUSION

I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.

This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve. 

But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.

ANYWAY…

If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!

[katrafiy]

I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.

In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.

Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).

There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."

Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.

The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."

In other words, to the transmisogynist, all cis women are women, and all trans women are something else.

"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"

Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.

I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.

They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?

Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.

And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.

And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.

That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.

So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.

If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing

A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!

And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.

The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.

This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.

And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.

And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.

To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.

I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.

There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.

I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.

You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.

There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.

The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.

The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.

I guess what I'm really trying to say with all of this is that we're all family y'all.

[dear-ao3]

Sorry i tried to scroll past but, i know nothing about f1 other than max verstappen is fast, my dad doesnt like lewis hamilton, fast car goes in a loop and sometimes expodes. Could you give me a crash course in f1 drama? Im very intrigued. Whats the tea as it were?

a terribly loaded question, but i will do my best. i’ve talked about some of the drama before like the red bull second seat and the chronicles of haas but allow me to briefly try my hand at explaining the nightmare that is the upcoming silly season

under the cut we go

silly season is when the drivers go through contract renewals, extensions and switches. usually it’s confined to the first half of the season (march-july) but it has been known to extend all the way to the last race of the season and they like to switch people around at random sometimes. driver contracts are complex, there’s a lot of money involved and basically You Are The Face Of The Team so if you have a shit season then you make the team look bad. but at the same time you could have a shit season because you have a shit car. it’s sticky stuff.

so. there are only twenty seats in formula 1. 10 teams. each team gets two drivers. (there’s also reserve drivers but we’re not going to get into that). who ends up with a contract is largely up to the teams, they can pull the contract out from under people they can also cut you mid season. they’ve done it before.

of the 20 drivers on the grid, 14 of them have contracts expiring at the end of the year. yes. 14. you see how this could get complicated.

so let’s meet the teams.

red bull racing. they came first this year (and last year) in the championship. like aggressively first. like they won the championship by over 350 points. they are definitely the team to beat. but if you end up with a seat at red bull, you do have to deal with max verstappen being your teammate and he won all but three of the races last year. he’s the golden boy. red bull are also notoriously silly when it comes to contracts and famously swap people mid season who aren’t performing.

mercedes. merc is home to 7 time world champion lewis hamilton and they have won the championship a great many times, though not since 2021. they are kind of in their flop arc and their car the last 2 years has been pretty garbage, but they have still made it work because they were able to come in second last year.

ferrari. god help the poor little meow meows with a ferrari contract. ferrari is a notoriously great team and they’re trying to get back to the top again but their strategy every single time has fallen short. to the point where their drivers are the ones doing the strategy in their cars while driving. they came in third last year and have been decently consistent at getting first in qualifying and then getting beat by max verstappen on race day.

mclaren. they’ve definitely worked their way up over recent years. they ended fourth last year and have had some championship wins before but not nearly as many as say merc and ferrari. their team ceo (owner? director?) is a little interesting and their car started out a pile of flaming hot garbage at the beginning of the year but they did manage to get their shit together.

aston martin. they are owned by canadian billionaire lawrence stroll, father of lance stroll (one of the drivers for the team). they’ve undergone several name changes over the recent years (force india, racing point, etc). they positively slayed at the start of the season and then one day they sucked. they finished fifth in the championship.

alpine. the frenchest french team. they’re (i think?) still partially owned by the french government. both of their drivers are french. (their drivers also hate eachother but we’ll get to that. just know they’re in the middle of a modern french civil war). they had the opportunity to have a good rookie driver (oscar piastri) this past year but in a thrilling twitter battle, he publically flamed the shit out of them and went to mclaren instead (and slayed). they're usually solidly middle of the pack. they ended sixth in the championship.

williams. williams has been one of the back of the grid teams for the last many years but they have finally started to get their shit together and don’t quite suck as much as they used to. all of the points this year were scored by only one driver though (except one but we’ll get there). they came in seventh.

alpha tauri. they are the sister team of red bull. so technically redbull owns both teams (meaning they can swap drivers between teams. they like doing this.) they’ve just kind of been There for awhile but they did slay towards the end of the season when one of their drivers led the race for several laps. basically tho, this team is the gateway to redbull. they came in eighth.

alpha romeo. recently renamed to stake f1 team (but sometimes they are going to be called kick sauber. this is a whole other drama post and i’m not getting into it). they’re also just kind of there. generally unproblematic. seems that really great drivers who get ixed out of a contract for a younger driver end up here or young drivers who are in their early years are here before they go to a better team. they ended ninth this year.

haas. oh haas. goofy team. they suck. point blank they suck. they keep loosing sponsors because they suck, they don’t win ever (one time they came first in qualifying last year). they cursed themselves in australia in 2018 by not tightening their tires and its been downhill ever since. they came 10th. their team principle got let go (fired?) who’s to say today.

so those are the teams. it is important to note that:

-there is a cost cap. each team is allowed to spend no more than 135m per year.

-not all cars are equal. some things are standard. they all undergo the same testing. but the cars are all very different. so you can be a good driver but stuck in a shitty car. which makes it impressive if you are doing well in a shitty car.

let’s meet our drivers!!!

starting with the guys who’s contract is not ending in 2024:

max verstappen. 3 time world champion. 26 years old. general beast on the track. he dominated the whole season. he’s currently racing for red bull and has a contract with them through 2028.

lewis hamilton. 7 time world champion. 39 years old. he drives for mercedes. he will not leave mercedes until he retires. he really really wants to win an 8th world championship and is willing to stick it out a few more years as long as merc still believes in him. his contract expires in 2025.

george russell. the other merc driver. 26 years old. hes aggressively british and says thinks like blimey unironically. walking meme. got his merc seat in 2022 right when they entered their flop arc by getting his tractor of a williams to finish second in qualifying in the middle of a rainstorm. his contract expires in 2025.

lando norris. mclaren driver. 24 years old. he has notably never won a race in his five years of formula one (mostly because right when his car finally was good enough max verstappen was 20 seconds ahead of anyone) but he is regarded as Very Good. he has only ever driven for mclaren. and even though there is another year left on his contract there is mass speculation that he will not renew his contract with mclaren after it expires and he may move up to one of the top teams (red bull, merc, ferrari) (tho i think he doesnt hate himself quite enough to go to ferrari). his contract expires in 2025.

oscar piastri. the other mclaren driver. 22 years old. this was his rookie season and he positively slayed. like people compared his rookie season to lewis hamiltons rookie season. he also had the positively funniest start to his rookie year because alpine announced that he would be driving for them (he had been their reserve driver and in the alpine academy) and he posted a tweet that basically said yeah thats false i never singed anything with you and im going to race with mclaren instead (he dodged a bullet) and then alpine tried and failed to sue him for $4m USD. he signed a contract extension with mclaren this year and his contract expires in 2026.

lance stroll. aston martin driver and son of the aston martin owner. hes doing ok, tho there was conspiracy that he wanted to quit and have a tennis career awhile ago. but basically since his dad owns the team it seems that hes guaranteed a seat for as long as he wants one.

so now. moving onto the good shit. the people who have contracts expiring in 2024. hold onto your hats people.

charles leclerc. (everyones favorite slutty little soup can). 26 years old. he is currently at ferrari and he has been since 2019. notably, he was given the longest contract in the history of ferrari after a stellar rookie season at sauber (renamed to alpha romeo, renamed to stake f1) where he got the tractor of a car consistently into the points. having the longest contract in the history of ferrari was a flex at the time, but now its likely how he will introduce himself at therapy sessions. ferrari have fucked this man left right and center up the ass with a plastic lunchroom spork. hes talented, he can drive, and he can drive well. but the strategy that ferrari has absolutely sucks. either something is wrong with the car (see him blowing out his gear box on the formation lap in monaco, his car completely crapping out and spinning into the barrier in brazil before the race even started) or they fuck up his pit stops or put him on the wrong tires and honestly its just frustrating. but will he leave??? likely not. you'd have to pry ferrari out of his cold dead hands and at this rate that might be where this is headed though there has been some minor speculation of him going to another team like merc or red bull, but merc doesnt have any open seats and red bull is a whole other dumpster fire of drama. ferrari are going to have to pay him a boatload of money to make him stay.

carlos sainz. the smooth operator. 29 years old. ferrari driver. previously carlos was at toro rosso (renamed to alpha tauri), renault (renamed to alpine), and mclaren before signing with ferrari. he has been at ferrari since 2021 and has voiced that he would like to stay with them for however long he can. there is speculation that lando might replace him at ferrari (but landos contract is not up until 2025) and there is also some speculation that alex albon might replace him. while charles is clearly the golden boy at ferrari, carlos is slightly slower but also definitely consistent. he was THE ONLY non red bull driver to win a race this past year, in Singapore after max verstappedn was knocked out of qualifying by alpha tauri reserve driver liam lawson (more on him later) and because he basically came up with his own strategy in the car while he was driving.

sergio perez. aka checo. red bull driver. 33 years old. and oh boy here's where we open the can of worms. checo was previously at racing point (renamed aston martin) and it was very near the end of the 2020 (?) season and he was out of a contract. he had a bonkers race where he was knocked to the back of the grid and then overtook everyone and somehow ended up winning (there is more to that story but just trust me) and christian horner, red bull team principle, mr ginger spice and definite disney villain called him and said congrats sir you have a seat at red bull! well. fast forward. hes been causing problems. problems as in crashing a lot, generally not doing great and pissing the crap out of red bull. it is basically guaranteed at this point that he will not be getting a contract extension. there was actually talk this year of him losing his seat mid season to one of the alpha tauri drivers, because remember, red bull owns both teams and they can switch them whenever they want to (and they have!) but ultimately this did not happen. even though checo has a seat at red bull until the end of 2024, its mass speculated that he is going to get switched with an alpha tauri driver, probably daniel ricciardo (more on him shortly) mid season because there is a speculated clause in daniels contract that says that if checo isn't performing well in the first few races daniel is getting his seat.

daniel ricciardo. 34 years old. alpha tauri driver. man oh man what a guy. outside of being the prankster of the paddock, he has one of the most batshit careers of anyone currently on the grid. he started out at red bull and was showing real talent and skill and was on track to win things (and was!) and was there until the end of 2018 when max verstappen (his teammate) started getting preferential treatment and also red bull started having a lot of problems with their engines (which were being outsourced from Renault (now alpine) and another team on the grid) and well very very long story short he made the surprise move of the century and decided to sign with Renault (which makes no sense they're the one with the engine problems) and was there for 2 years before moving again to mclaren where he was reportedly not treated very well and had a hard time driving the car so they mutually ended his contract with them early and he basically retired at the end of the 2022 season and became a red bull reserve driver. then halfway through the 2023 season alpha tauri ixed one of their drivers, nyck de vries, because he wasnt doing well and promoted daniel back up to a full time driver at alpha tauri (which we know is only a step down from red bull) but then he broke his hand in a crash in zanvort (?) and then he was replaced for a few races by formula 2 driver liam lawson (who we will also talk about) and then he came back to finish out the season in alpha tauri after he was cleared. daniel has admitted openly that he never should have left red bull and he was given bad advice to do so. hes towards the end of his career at this point and its well known that he Really Really wants to finish out his career at red bull again. he and max have already been teammates before and they do work well together and daniel is great driver (see his comeback in texas (or maybe it was brazil?) this year). so. Pretty Sure that daniels going to get either an extension at alpha tauri or go up to red bull. thats what we all want. get this man in a red bull we need him there biblically.

liam lawson. now technically liam is not actually a formula 1 driver. hes a formula 2 driver, but he was daniels replacement for five races and there has been some speculation and some confirmed news about him so hes getting included. when he was racing for f1 he was at alpha tauri. hes 21 and looks like he belongs in the movie grease. no one was expecting him to slay in formula 1 and he positively knocked everyones socks off. the scene: Singapore. which, if you'll recall, is the one race that a not red bull driver won. this was largely because liam lawson slayed the absolute game in qualifying. the qualifying part of racing determines what order the cars start in on the grid for the race and theres three parts, the first two parts the bottom 5 drivers each time get knocked out and then the top 10 complete for the last 10 spots. liam lawson knocked BOTH max verstappen and checo perez out of qualifying in the second round by going very slightly faster than them, effectively fucking up red bulls race and allowing carlos to win. and he also scored points in that race, which no one was expecting. now thats all fine and dandy, but here's the speculation: hemlut marko (im pretty sure) (who is somehow decently involved in the decision making at red bull though i couldn't tell you how) said that he thinks that liam lawson will be in an f1 seat no later than 2025. meaning that he will probably get offered a contract this year. and hes already raced for alpha tauri. red bull have sunk a good amount of money into him. they clearly want him. so if he gets offered an alpha tauri seat in 2025, that means theres a good chance danny rics is going to red bull. do you SEE how the plot here is THICKENED

yuki tsunoda. age 23. currently at alpha tauri. and fun fact, the only alpha tauri driver to race there the whole year. he had three separate team mates. he is slaying and hes often slept on. he has a bit of a temper and likes to shout on the radio and also hates working out (they had to force him to move to italy or something to work out, long story) but hes been kinda killing it. he led several laps in the abu dhabi race this year and hes decently consistent. people think theres possibility that he could get moved up to red bull on account of the fact that he is younger than daniel and clearly has more years in him,, but there is also possibility that he might not because red bull like to make stupid decisions. and if he doesnt get moved up to rebel, will he stay with alpha tauri? we don't know.

alex albon. age 27. currently a williams driver. alex albon is another one with a batshit career. he started out his rookie year in 2019 at alpha tauri then got moved up to red bull halfway through the year when red bull decided that pierre gasley wasnt doing a good enough job (more on him later) and stayed with red bull for a solid year and a half until he lost his seat in 2021 to checo. he has been with williams for the last two years and is basically carrying the team. like. williams as a team scored 28 points this year. and alex albon scored 27 of those 28 points. and as we know, williams is still kind of in their shit arc (though they are doing much better. they didnt score any points for a solid 2 (?) years. so this is an improvement.) and if you can get a shit car to perform you catch the eye of bigger teams. now, alex has already been a red bull driver. and he was on the cusp of podiuming two separate times when lewis hamilton ran into him. this (among a few other things) basically killed his chances at getting resigned at red bull because he wasnt ""performing"" and red bull are bitches who love to win. but some people think that red bull should give him another shot. like daniel, hes already been max's teammate and he can definitely drive. but theres also talk he might go to ferrari because ferrari think that he might compliment charles's driving style (or something). but going to ferrari at this point is kind of suicide. so.

logan sergeant. age 23. the only american on the grid. the other williams driver. he just finished his rookie year. he scored a grand total of one single point this season, in texas, and it was because charles leclerc and lewis hamilton both got disqualified because the floor of their car had more wear (by literally less than millimeters) than it was allowed to, bumping him up from 12th to 10th. he has never done better than alex albon. he was also the very last driver to get a contract for 2024, with williams waiting until i think december of 2023 to announce his contract extension. clearly, hes on thin ice. but people have also said that he needs time to get used to formula 1 (other people have pointed out that oscar piastri slayed his rookie season this year and this statement about needing time is largely false). where logan ends up next year though will largely depend on how well the 2024 season goes for him.

fernando alonso. 42 years old. many people like to point out that oscar piastri is actually younger than fernando's racing career. he won tiktok creator of the year (somehow) and is also a 2 time world champion. he retired a few years ago, just to show back up again and slay. during the first half of the season when aston martin had a zoom zoom car he killed it, and then they had problems on top of problems and he didnt do well. except for that one race in brazil where he came in third, beating checo by literally .05 seconds. he hasn't really made any hints about retiring a second time and he is kind of carrying aston Martin right now (he scored 205 points this season, coming in 4th and tying in points with charles leclerc, lance stroll only scored 74 points this year.) and they did have their best year yet this year. (though they are relatively new).

pierre gasley. 27 years old. french. drives for alpine. the french team. previously he raced with toro rosso (now alpha tauri), then got promoted to a red bull driver in 2019, then halfway through the season they decided he wasnt doing a good enough job and he got demoted back down to alpha tauri. then he won a race with alpha tauri just to stick it to red bull. after the great oscar piastri contract twitter war, he was signed as alpines second driver, with Esteban ocon being the other driver (more on him soon). estie bestie and pierre (both french) were childhood friends and now hate each other for unknown reasons and basically feuded on the track for most of the season. french civil war at alpine. he scored 62 points in 2023 and came in 11th. not really sure where he will end up, it is possible that he will stick it out at alpine.

esteban ocon. 27 years old. also french. currently driving for alpine. another one with a silly bonkers career. he started out at force india and had a baller few seasons there but his teammate at the time was checo, and checo didnt really cooperate with him too much and caused some drama that cost estie bestie some places and some points. max verstappen also beat him up in the garage once. thats not really relevant but it did happen. anyway, after the owner of force india was arrested for .... i don't remember what maybe it was embezzlement or bankruptcy or something money related, the team was backed by lawrence stroll and became racing point. but all of that happened mid season and lawrence was basically like look ill back you guys for now but next year my son gets a seat (lance) so one of you two (checo and estie bestie) have to go. and ultimately they let estie bestie go even though he was more consistent because checo had more sponsors and they needed money. so he was out of formula 1 for a few years (but was a merc reserve driver) and then went to Renault, which then became alpine. he did come in 12th though overall this season, just behind pierre. so. will alpine keep both him and pierre and keep the civil war going? whos to say.

nico hulkenberg. 36 years old. haas driver. in his 200+ f1 races he has never been on the podium and he really really wants to be on the podium. unfortunately this will never happen in a haas because haas fucking sucks. and everyone knows it. he is getting towards the end of his career though. though! stake f1 will become the mario Andretti and audi team in 2026 (don't question it) and they have supposedly voiced interest in nico. so we will see if he hangs on that long to end up at audi. for now tough, hes definitely hating it at haas. though, haas are going to have a different team principle next year so maybe that will change things. i have a sneaky feeling through that haas will probably end up with another 2 rookie drivers because everyone else is smart enough to not race for them.

kevin magnussen. 31 years old. haas driver. hes another deeply interesting character. he has had one podium. in his rookie season. in his first race. and none since. kevin started at haas in 2017 and then left at then end of 2020 when he basically got kicked off because the team needed money and they wanted to bring in drivers with more sponsorships. these drivers were mick schumacher and nikita mazepin. so kevin basically was forced to retire after the 2020 season. this went decently well for haas. until russia invaded ukraine right before the start of the 2022 season and, well, nikita was Russian and it was never distinctly proven that his dads company (who was sponsoring the team) wasnt also funding the invasion. so nikita got fired and they were literally like 2 weeks out from the start of the season, down a driver. who are you gonna call? kevin magnussen! and hes been back ever since. but hes clearly getting annoyed with haas. there was one great clip from this year where his car caught on fire and he kind of just stared into to, clearly hoping it would burn for a long time. so the likelihood of him extending his contract is looking slim.

valtteri bottas. 34 years old. currently a driver for stake f1 (alpha romeo, kick sauber, whatever you wanna call it). previously, he was a mercedes driver and notoriously helped lewis hamilton win a great many championships, until he lost his seat to george russell in 2022. there was a rather awkward part of the 2021 season where valtteri knew that he was out of a merc seat the following year and kind of just chose violence. he slayed. then he went to alpha romeo, grew a mullet and made a calendar of his ass. quite the glow up if you ask me. hes also very interested in cycling. honestly though, i have my own personal speculation that hes going to retire at the end of this year.

zhou guanyu. 24 years old. driver for stake f1 (alpha romeo/kick sauber, etc etc). hes doing alright. he just finished his second season, in his first season he was majorly out qualified by valtteri but this past season he managed to out qualify him a good 6 times. which is decently good for the tractor of a car hes driving. its possible that he could get a contract extension, but like logan, its probably going to depend on how the 2024 season goes for him.

and thats all the drivers. theres also a few others i didnt talk about, like some other f2 drivers who want seats and mick schumacher, who is currently a merc reserve driver, all of which could be contenders for f1 seats. but one things for sure. this is going to be the silliest fucking silly season.

feel free to add on and peer review me

[raven-at-the-writing-desk]

Kalim’s favorite food is coconuts because the coconut is the hardest food to poison. Meaning he likes it because he knows there is a very slim chance it would be poison for him. 🥺🥺🥺🥺🥺

Kalim’s favorite food is actually specified to be coconut juice! This is important because (as I’ve speculated about in this post):

Aside from being a refreshing beverage, coconut juice has historically been used to reverse the effects of poisons and drug overdoses in both India and Africa. We know that Kalim has had multiple attempts on his life, including intentional poisoning of his food, so this may be why Kalim has acquired a taste for coconut juice.

But yeah, overall similar reasoning to what you proposed! It’s a way to fend off any ingested poisons and/or go minimize the chances of being poisoned in the first place.

When you think of it like that, it paints Kalim’s golden life in a darker coat. There’s the sinister implication that his preference for coconut juice originated from the anxiety of knowing anything else he put to his lips could end him. Recall that Kalim is also hesitant to eat anything that Jamil didn’t personally prepare for him or hasn’t been taste tested in advance.

Typically when we think of Kalim, we think of extravagance and perhaps the ignorance his insane wealth affords him. Those are valid things to associate with him. However, considering the numerous assassination attempts he has lived through, it’s possible to look at his opulence another way too.

Kalim appears to be acutely aware that others want him dead, yet he sparingly mentions it out loud and instead parties hard and tries to make others have fun with him. He lives every day to its fullest, because it may very well be his last. If and when he goes out—which could literally be any day now—he doesn’t want to live with any regrets.

I cannot imagine it’s easy to live with the burden of knowing people are out for your head simply because your exist or because you were born into the wrong family. Sure, you may be able to have any luxury your heart desires, but money ultimately cannot cover up or treat the ever-looming threat of death (and again, I must stress: for no crime you have personally committed but just the circumstances you are in). Yet whenever we see Kalim, he’s usually smiling and offering a helping hand to his peers. He’s still actively choosing to give his trust to others rather than be suspicious or condemn them. That’s a special kind of courage that I think Kalim doesn’t get enough recognition for.

[littleeyesofpallas]

So, with the new legends there's a neat way we can take a guess at some of the time frame. Although it's largely aesthetic and hard to gauge the intended historical parallels of, the not-Eiffel Tower at the center of the city could presumably have been completed in the late 1880s like the real thing. Interestingly that places it pretty concurrent to the construction of the Hokkaido Government building in the 1870s that served as the basis of the Galaxy Team HQ in the first Legends game.

But with the keywords being "urban redevelopment" the setting could only possibly be Haussman's renovation of Paris that took place from the 1850s-1920s. So given that the tower is already standing, that places Legends Z-A between 1889 and 1927.

And I doubt it would play into the setting of a Pokemon game but I think it's neat that it would mean taking place firmly in the 3rd French Republic, as that's not typically the most romanticized period of French history. (Kind of shocking given just how much Japanese pop culture loves to fixate on the Ancien Regime and Rococco architecture.) It's right at the height of the French Colonial empire and their rivalry with the British... Even if they don't address the history directly, certainly not the darker bits, I wonder if we'll see an ancestor of Rose* and some mention of Kalos and Galar's relation as a hint at the Pokemon world's equivalent of India. (Elephant, what elephant...)

*put a pin in that... Well come back to Rose later...

Also I know a lot of the stupid "leaks" that were just running with any/every rumor they could find had been talking about Celebi, despite there being no signs of it in the direct, but it's possible that the Z-A title and the fadethru of the sort of sci-fi looking city diagram into a pencil and parchment one is indicating going back in time --backwards, from Z to A, end to start.

and just so long as I'm just picking at edges of things...

The unknown are an anagram of, "POKEMON PRESENTS"(oh and the SOEYUE one at the end is just "SEE YOU") and the ""confidential"" stamp on the documents likely reads "Gokuhi" as in gokuhi[極秘]: "Top Secret," but the rest of the text doesn't seem to match either Japanese, French, or English,

Hito to POKEMON no kyouzon o yumemite[人と ポケモンの共存を夢見て]: "Dreaming of people and Pokemon's coexistence" Toshisaikaibatsu hassou MIARE CITY[都市再開発発想ミアレシティ]: "Urban Redevelopment Concept Miare City"

The obvious exception being that redacted text is clearly the romanized MIARE from the Japanese MIARE[ミアレ] and the English CITY, which is the Japanese name for what was localized as "Lumiose."

Curiously the word "Pokemon" is very clearly missing from the passage, and also in both cases there are too few "Galarian" characters for how long the phrases are in any actual language.

and finally, given some of the existing examples of handwritten Galarian in SwSh, I'm guessing the text on the big logo is as i've transcribed into the more standard Galar font, although I'm really uncertain about that second one, and a bit iffy about the big "X"s, but the little cyclone O, the V with the underbar, and the E seem certain enough.

Also there's a logo I know I remember seeing that looks like this one but I can't remember where it is or what it's associated with.... It's the logo on the Macro Cosmos power plant. Not Rose's personal logo with the stylized rose, and not the Cosmos business logo with the big star system orbital ring Cs, but the power plant in Hammerlock where you go to fight Eternatus specifically.

It would be really neat if whatever this organization is was tied back to an ancestor of Rose and Peony and the origins of Macro Cosmos somehow.

[jackoshadows]

It's so confusing and weird that Bridgerton introduced in world racism both with Lady D and Simon in season one of the show and in Queen Charlotte and at the same time they also want the audience to accept that somehow Marina Thompson or the dark skinned Indian Kate Sharma has more privilege and power than Penelope Featherington?

Kate Sharma was also poor, so much more than the Featheringtons. She depended on Lady D to host them. The Sharmas were looked down on by the ton because Mary Sheffield married an Indian. The Sharmas were disowned and ostracized by the Sheffields.

Kate was also an unmarried spinster. No one was asking Kate to dance. As much as Kate wanted love and romance and to dance at a ball wearing pretty dresses, she got none of that. She was also the woman on the sidelines watching as others danced and fell in love.

Racism and colorism is also very much a thing in eurocentric notions of beauty considering the setting and characters of Bridgerton is 99% white.

We got so little of Kate's backstory, of who her parents where - we didn't even get their names!! - of the trauma (explained for both Simon and Anthony using flashbacks) that had Kate overlooking her own happiness for that of her sister.

Despite bragging nonstop about the diversity of Bridgerton the showrunners thought that the white Featheringtons needed more screentime in season 2 rather than the South Asian family.

And Kate was planning on going back to India and work as a governess to pay for her livelihood. Because, you know, there's more honest ways of being a 'working woman' than running the equivalent of the regency 'Daily Mail' dragging other women down. The modiste Madame Delacroix, Kate planning to teach and Sienna in season one are all working to pay a living. Black, brown and lower class women looking to alleviate poverty.

And considering how much harder Kate already had it as an outsider in the ton, it wouldn't have been easy with Penelope using her gossip rag to describe the unmarried Indian woman as ' a Spinster of a beast'. What did Kate do to Penelope to warrant this? Nothing. Just a way for Penelope to make money at Kate's expense.

That's the thing I dislike the most about the way the character of Penelope is written on the show - her victims don't deserve her vitriol and are often in much worse circumstances than her. From Kate Sharma to the unnamed seamstress who apparently lost all her customers because Penelope wrote falsely about their work in the her tabloid as a bribe for Madam Delacroix.

And I think that's what I find problematic about the writing of the show and even the discourse surrounding it - when characters like Marina Thompson (the poor black cousin who would have ended up destitute on the streets because of Penelope) and Kate Sharma arguably have it far worse than Penelope Featherington as per the show's writing and yet we are supposed to have the most sympathy for Penelope because her crush Colin didn't love her back and she's a curvy white woman?

I guess that's the difference between how I perceive this world and these characters as a woc and the majority white female audience for this show and it's such a huge disconnect for me. I guess this is also partly because the show has this badly written and 'strangely toothless racism' as Ash Sarkar beautifully put it. As in the racism is treated in this world as a little problem solved by handing out a few titles to black people instead of being a white supremacist ideology which treated black and brown people as inferior, serfs and slaves.

From what little we got from season 2, Kate Sharma definitely did not have it easy navigating the ton as a poor outsider and that certainly contributed to her poor choices. She is also put through the wringer, treated like the other woman, is miserable for several episodes, had to apologize again and again and nearly die before Edwina forgives her!

In contrast Penelope's actions have hurt so many and yet she gets a pass by both the show and a fandom that wants Colin to grovel before her because of a single offhand remark and because he didn't return her affections.

Also making it clear here that I am not comparing Penelope to the male characters who always get the better writing, flaws and all. I am comparing Penelope to the female characters of colour - Kate Sharma and Marina Thompson.

I mean, Marina Thompson gets so much vitriolic and sexist hatred for not having told Colin Bridgerton the truth of her pregnancy. How dare Marina hurt this privileged white man Colin Bridgerton. When she was desperate to not end up destitute on the streets or get raped by old white men. And yet Penelope gets a pass for hurting women like Marina and Kate.

It continues a trend of white female characters never being held to the same standard as female characters of colour. Daphne sexually assaults Simon in season one and that was not even addressed on the show. Male rape is apparently no big deal because Daphne wanting children is what's important. It's Simon who has to apologize and within one episode resolve his trauma and accept being a father. This is despite both Daphne and Penelope having more screentime and more writing that builds their character unlike the stick thin writing given to Kate Sharma in season 2.

So yeah, I will be checking into season 3 to watch the ten minutes we get with Kate Sharma since we got so little of her in her own season and it's so singular to get dark skinned south Indian characters in a period drama romance like this. It's just the way the writing on the show, the production and even the fandom treats it's characters, especially characters of colour has been disappointing to say the least.

[reasonsforhope]

Study: Protecting the ocean helps fight malnutrition

"Protecting more of the ocean could slash the risk of malnutrition for up to 3 million people worldwide, according to a new study co-authored by Conservation International.

It found that fish catches in coral reefs could increase by up to 20 percent by expanding sustainable-use marine protected areas — that is, areas where some fishing is allowed with restrictions.

The benefits of marine protected areas in helping restore fish populations and ecosystems are well documented. However, perceptions persist that these protections come at the expense of local communities.

The new study challenges this view.

“It’s easy to think of protected areas as putting people and nature in conflict by restricting access to much-needed sources of nutrition for locals,” said Conservation International scientist Alex Zvoleff, a study co-author. “But what this study shows is that protecting nature isn't about walling off resources from people; protected areas can actually enhance what nature provides for people."

The study analyzed fish counts in nearly 2,500 coral reefs across 53 countries, focusing on the nutrients found in fish that are critical for human health. Researchers looked at sites with a range of protections — from complete bans on fishing to open access for fishing — and found that sustainable-use marine protected areas have on average 15 percent more fish biomass than non-protected areas.

The study pinpointed countries with the greatest potential to improve malnutrition through sustainable-use marine protected areas, including Bangladesh, India, Indonesia, Kenya, Madagascar, Mozambique and Nicaragua.

More than 800 million people face malnutrition worldwide, according to the World Health Organization. In many coastal communities, fish can be the only source of vital nutrients — particularly for children and pregnant women.

However, pollution, overfishing and climate change are severely degrading the coral reefs that support these fish. And though coastal communities make up a small portion of those struggling with malnutrition, the study shows that fighting food insecurity can go hand in hand with protecting nature, said Daniel Viana, the study’s lead author.

“There is often a push for marine protected areas to completely ban fishing — our goal is to show that it does not need to be all or nothing,” Viana said. “Allowing regulated fishing in marine protected areas can support healthy fish populations, while also having a positive impact on the quality of life of surrounding communities.”

The study’s findings are particularly significant as global efforts are under way to protect at least 30 percent of the planet’s land and marine ecosystems by 2030. Currently, only about 8 percent of the ocean is protected."

-via Conservation International, September 17, 2024

[manicpixiefelix]

head, heart, hand. {Felix Catton/Reader/Oliver Quick}

Part 7.

Summary: A chance to look through Oliver Quick's eyes as he watches through windows, decides he wants to be loved, and finally takes a chance with the reader. Until it comes crashing down because Michael Gavey called Felix a slag, and it's made Oliver's problem.

{ masterpost }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.

Warnings: SMUT (we see reader topping felix from last chapter but through oliver's perspective, cockwarming, vague somnophilia because of that i guess??, reader getting head and reader giving head but reader's AGAB is not specified), also some vaguely unsettling imagery i guess, and the scene in felix's room with the cleaning is made even more tense and uncomfortable

A/N: 7084 words. POV shift to Oliver! Also this chapter is FUCKING HUGE, i tried to find a good place to maybe split it, but couldn't find one. so you're stuck with 7k, eat up friends! also i would really appreciate if anyone has any thoughts about how i've written oliver, id love to hear them, i don't want him to 100% like the reader, and i think ive managed to have him come across more uh, cerebral i guess im going with? yeah thoughts good, would love some. holy shit this chapter goes so many places.

TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)

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Y/N's been rambling on about reading Anna Karenina for one of their classes ever since they'd met Oliver after his final class for the day, but he's barely able to focus on their words. Usually he likes to look like he's paying attention to their words, he knows it makes him seem attentive, and everybody loves to feel heard, but Oliver's mind is elsewhere. It's in the garden outside of Y/N's window. It's outside their door where he'd sat patiently, giving blithe smiles to your dormmates and telling them he was simply waiting for you to get dressed. The doors of the Oxford dormitories were thick, but not thick enough to hide sound on the other side from an ear pressed up against them when the hallway was empty.

It's not even close to the first time he'd seen you in these moments together; how no-one else in your group of friends, apart from Farleigh he suspected, believed you two were sleeping together was baffling. Wilful ignorance is a hell of a drug. He hopes the two of you never learn how to close your blinds.

But there was something different about yesterday.

"Any of youse seen Felix? Or Y/N?" He'd approached the group on the grass with the same kind of hesitancy he'd always put on for them, never wanting to seem too arrogant, to comfortable in their presence. He knew they didn't like him, but people like this liked feeling powerful over the 'lesser folk'. Anyways, it's not like he was particularly keen on befriending any of them, it was okay to hold them at arm's length.

Farleigh, beautiful, condescending Farleigh, looked up at him through his lashes; there was no sun in his eyes, the squint was more likely to be him half-pulling a face of contempt with plausible deniability.

"Maybe." Unhelpful.

"Y/N came through here like a fucking hurricane," Annabel told him; Oliver could only think of the irritating nasal in her voice as she'd listed off all the things she hadn't liked about him to Felix when they hadn't known he was around. Oliver fought not to make a face of his own.

"Took Felix and headed that way," a blonde boy -Rex? Reg? Oliver hadn't even bothered to retain his name - nods in the direction of the dorms.

"They're so co-dependent sometimes," India shakes her head, strange little expression on her face. Perhaps she did know and was trying to convince herself otherwise.

"Yeah," laughed Annabel, "they could have at least tried meditating or something."

"I don't know," Farleigh shook his head, clicking his tongue, "I don't think they have any other coping mechanisms apart from their co-dependant shit."

"They've always been like this?" India actually sounds a little fond.

"It actually used to be worse," Farleigh snorted, and Annabel pitched herself back in the grass, claiming that it couldn't be true.

"I mean, with that kind of money I think Felix is allowed to be weirdly close to his cousin," India says with a shrug. What? Why was the group laughing like it was an in-joke.

"They're cousins?" Oliver asks; Farleigh he knew about, but no-one had ever really talked about how Felix and Y/N had gotten so close. Considering all he'd seen them do together -

"Kissing, codependent cousins," Annabel sighs, sitting up.

"Hot, kissing, codependent cousins," India wraps an arm around her in solidarity, and the girls share an exasperated chuckle, though from looking around it seemed that a lot of the group shared that sentiment.

"You're hot too, Farleigh -"

"Thanks, but I'll stick with just that for now, I'm happy being the non-kissing, non-codependent cousin," he chuckled, before turning his attention back to Oliver, still awkwardly by the edge of the group as everyone else continued to gossip. However, catching Farleigh's eye, for the barest moment, his wolfish grin, Oliver had total and complete confirmation that Felix and Y/N were in no way actually related.

Which, if he were to guess, meant that Farleigh definitely knew the two of you were sleeping together.

And judging from all the times Oliver had spoken to you both, neither of you were aware of this well established gossip in the group, Farleigh was never ever going to correct anyone, considering how damn funny he clearly thought the entire bit was. It at least explained how the rest of the group was so unphased by the closeness you and Felix shared, while still apparently - kind of - dating other people.

Eventually, tired of putting up his awkward façade, though he was grateful for the slim amount of information he'd learned, he clears his throat.

"So -"

"That way," Farleigh doesn't look at him this time, voice flat, thumb jerking towards Y/N's dorm.

Its the afternoon, grey, most people are at classes, so the courtyard outside of your dorm room is empty of any other living souls. Whenever he stops in, or even walks past, he checks in your window out of habit to see if you're in; you don't close your blinds often so it's an easy way to tell. Anyone passing by wouldn't be able to see anything, not unless they stopped and made an effort, but Oliver wasn't most people, and knew the layout of your room and how to search it when granted even a sliver to look through like today.

And today, not only are you in your dorm with Felix, as predicted, but the sight of you both makes his mouth go dry.

Felix Catton on his back, arching, perfect mouth open in some kind of wanton, whorish noise undoubtedly as you masterfully worked his cock with your hand. Fuck, Oliver knows he shouldn't be here, shouldn't be watching this.

He steps forward into the bushes. They rustle, his heart jumps, but neither of you seem to notice.

He can't see your face with your back to him like this, but you must be saying something, because Felix's lips are moving and his chest is heaving as he's gasping out words. Oliver knows he's embarrassing flush, embarrassingly hard in these fucking slacks, but the courtyard is still empty, and he knows all too well how little the outside world matters to you and Felix in these moments.

He can feel his heart beating in his throat, in his ears, painfully against his ribs as you slide one leg so smoothly over Felix's hips, hand between your own thighs as you hover yourself above him. You're toying with Felix, taking your time, taking full and total control in a way Oliver's never seen you do. He didn't know anyone could make Felix act like this, look like this; he never thought Felix would let anyone. But he shouldn't be surprised that it's you of all people.

When you lean down over Felix, your chest against his, like a proud lion over its prey, Oliver feels sick with himself, with how he wants to burn this fucking image into his brain, with how fucking perfectly he can watch from here as you take the entire length of Felix's cock. Its impressive, both his length, and how fucking easy you make it look. You're kissing him. You're fucking him. You're riding this Adonis in a way that makes him pliant and desperate beneath you.

Oliver steps back from the window, finally glancing around to double check his surroundings. No-one peeking out of windows, no-one around. He heads inside. He knows he shouldn't but he does, pulls out the sweater he'd loaned from Felix and folds it in his lap when he sits with his back against your door, both as an excuse should anyone walk past, and to hide the visible hardness in his pants.

Sometimes you're too quiet to hear, but the way the bed creaks and the two of you moan, it's some kind of debauched symphony. Oliver swears he's not a masochist, but it almost hurts to hear you both like this, like something out of a dream or a fantasy, and to remain stone-faced at your bedroom door -

"I want everyone else you ever fuck to be jealous of the way you let me fuck you."

Oliver can't even begin to imagine the things this means, the things you want to do to Felix, but then he hears -

"Yes, fuck, yes- my Y/N, anything you want - please." Felix gasping, begging like Oliver's never heard before. Sounds he knows only you could have elicited from the man who makes people around him fall in love with him by accident.

Oliver Quick is never going to get these moments out of his head; he's never been so desperate to be wanted by anyone in his life, let alone two people. There is a shameless, lascivious kind of love between you both that he vows to get the chance to drink from the source.

It's again changed his perception of you, perhaps made him a little bolder once more. So the day after, walking to the pub after class, barely listening to you talk about your book, he's trying to see if anything's changed. As far as he was aware, your encounter with Felix the day before was unusual for you. Perhaps something's changed, and perhaps he's not subtle about looking.

It's something unspoken between you, it ebbs and flows depending on Oliver's mood, how bold he's feeling. A quiet, voyeuristic exchange you share, the pleasure of being watched, and the pleasure of watching. The roles reverse and your eyes are on him in the way eyes rarely are.

More the observant than the observed, he'd told you, yet he took pleasure in feeling your gaze upon him, taking the time that he knows is so precious to you to watch him. You are familiar to him in a way that is so foreign; you are watching and adapting and anticipating the desires around you. Not action, but reaction; a people-pleaser down to your bones, wrapped up Felix's brand of hedonism. You get off making people feel loved, but Oliver can't help but wonder about the desire you keep to yourself, just below the surface.

Neither of you have spoken about the night at the club; Oliver's desperate to see how long it will take you before you act, rather than get pushed into reacting. He doesn't know how long he can last.

Felix shows up to the pub with Annabel and a strained smile that doesn't reach his eyes. Which is better than Annabel's outright scowl. They sit in chairs across from the rounded bench that always took up half the table your group liked to tension filling the ample space between them. As the last to arrive, everyone else's attention was drawn to them, going quiet as everyone picked up the couple's sour mood.

There's a moment where Oliver catches the way Felix looks at you across the table. No-one else picks up on it, since in the next moment Felix raises his hands to cover a cough, and what Oliver suspects is a grin, but you've turned your head sharply, sniffing loudly and almost managing to press your face into Oliver's shoulder. After a beat you fake a sneeze, and apologise. Oliver brushes it off, and fights off a smile of his own. He doesn't have all the details, but clearly you made good on your promise to make Felix's other future fucks jealous.

"You know what? I'm desperate for a pint, anybody else -" Felix goes to stand, attempting to break the tension, but immediately Annabel scoffs.

"Desperate sounds about right." And she's not quiet with her scorn.

"Can you not do this now? We've been here two minutes, you want a drink?" He hissed, trying to keep up a positive façade despite the faint anger and embarrassment in his eyes. It doesn't last, of course, not with all eyes on the pair of them. It's Farleigh who speaks up first, not even bothering to hide his smug smile.

"You okay there, Felix?" He wears a grin that's all teeth.

"What?" Felix frowns, but Oliver can see exactly what Farleigh's talking about. When he brings it up, however, he does his best to sound genuinely innocent, concerned even.

"Have you got yourself hurt, Felix?" And when Felix meets his gaze he knows it's come across as intended, the conflict and frustration still somehow looking beautiful in his brown eyes.

"No, I'm fine," he tugs at the collar of his shirt, hoping it sits a little higher, hides the hickey that's clearly there.

"Burn yourself on a curling iron, Felix?" India teases, matching Farleigh's earlier energy, and while it did nothing to help Annabel's mood, at least Felix no longer seemed conflicted.

"Had a run in with a particularly aggressive vacuum cleaner?" You piped up from beside Oliver, and the minute Felix sees your own triumphant grin he starts to go pink around the ears and has to duck his head.

"Try several vacuum cleaners," Annabel snapped to the table, "or one whorish townie girl!" For just a moment, the group is quiet, contemplating what she'd said, the upset in her voice, but it's short-lived.

"How many vacuum cleaners?" Farleigh leans forward, elbows on the table and chin on his hands with a grin like the Cheshire cat. Felix tells him to fuck off, but his blush is still distinct.

"They're all over him," Annabel sticks her nose in the air, arms crossed and looking especially petulant. The lads at the table did actually cheer at that, much to her continued frustration.

"You spend entire nights hitting on other guys in front of me! You made eye contact while one latched himself onto your neck as I was trying to dance!" Felix argued back, and the jury of their peers began to shake their heads at this new information. Annabel pouted for a moment.

"That's different -"

"It kinda isn't," India tried to shoot for sympathetic, wincing as she said it, which was enough for Annabel to sigh dramatically, standing from the table.

"Fine, I do want a drink," and she immediately made a furious beeline for the bar. Felix, however, hesitated for a moment, watching her leave before he turned back to the group with a cocky smile, yanking down the collar of his shirt to show off several more bright, scandalous hickeys.

"Best vacuum cleaner I've ever had," he tells them all smugly, before standing up straight and righting his shirt, "okay, this round's on me." A cheer rises from the group, but as Felix walks off, Oliver catches the way he winks at Y/N. You snort a quiet laugh, but Oliver's pretty sure he's the only one who heard it.

Christ, you two weren't even trying to be subtle half the time.

Still, for all her apparent frustration at Felix's mystery partner, it seemed to only make Annabel cling to him further. No more flirting with strangers, no more sitting apart. She reeks of insecurity, but Oliver just watches you watching her. There's something in your eyes in these moments, like a lion too sated to be bothered with the hunt, but the instinct to pounce could resurface at any moment.

But Oliver's obsession with the intricacies of your lives still lead him outside of Felix's window after one of countless parties. Still watching with animal curiosity and a cigarette in hand, as Annabel works hard to stake her claim on a man she desperately wants to own.

Annabel is an unenthralling understudy, Oliver thinks.

Throwing the butt of his cigarette into the bushes, he can't bring himself to stay. He knows where he needs to go, knows what he needs to do; in his mind Annabel is a lithe and graceful performance of extasy, and Felix is all quiet focus and hard, gorgeous muscles shining with sweat from the exertion of it all. But there's no love. It's all performance, a pleasurable performance for them, he's sure, but it's just two beautiful people smashing their bodies together in sloppy ecstasy.

Fuck.

No only is a creep, and a pervert, but now he's a picky, creepy pervert.

But his thoughts stop in the courtyard outside of your dorm. You light is on. Your window is open all the way, and there you are, looking like a dream in your pyjamas, sitting on the windowsill and having a smoke.

"Ollie!" He'll never get sick of how you say his name, how you smile when you see his face. There's a split second where he has to make a decision, has to figure out how to approach you in this moment. At the club you'd all but folded on the spot at his bold approach, he knows he could have had you practically there and then if he'd been inclined, but part of him can't stop thinking about how you'd had Felix on his back, practically begging.

Oliver feels like every time he thinks he's close to figuring you out, he learns something knew about you that makes him rethink it all. He wants to know all of you, your hopes and dreams and the grotesque desires you will never tell the world, desperate to keep testing you and your reactions, and perhaps even your limits if it ever came to that, to figure out how to get underneath your beautiful skin the way Felix had. Part of him feels like you're never going to stop surprising him, one way or the other. You are intrigue and unexpected and he wants to carve a home for himself in your bones.

"Thought you'd still be out," you tell him, back flush with the frame of your window, one leg up on the ledge while the other dangled over the gardens he'd watched you from more times than he'd like to admit.

"'s not the same without you," he admits after a moment, hands in his pockets. Your endeared, bashful smile is predictable, but no less heart-warming to see. He loves the way you react to him.

"Is that why you're here," it sounds teasing, but he can hear a hint of something that almost sounds hopeful. When you look back at him again, there's that same look you've been giving him since he'd held you, kissed you, ghosted you at the club.

"I don't know," he lies softly, "I just started walking."

"Come on then," you grin, stubbing out your cigarette on the windowsill, "you came all this way, why not have a sleepover," and you swing your legs inside, hopping off the ledge. He moves automatically towards the window, but when you hear him moving, you frown over your shoulder, "door, Ollie."

He's never been inside your room at night.

It glows with the same gold light that all these old building with their old lamps glowed, casting all your knickknacks in shadow and sharp relief. Only your bed lamp was on, book open on your bed. Jane Austin's Emma.

"Sorry, I don't mean to impose," Oliver's voice matches the rest of how he wants to appear; small. Sitting on your soft, patterned duvet, he looks not at you, but around at the room you call home, cataloguing everything in this new light, trying not to think about Felix and Annabel fucking, Felix and Annabel laughing, Felix and Annabel joking about how -

He's a scholarship boy who buys his clothes from Oxfam; no-one wants to sit next to fucking Oliver.

"I love you Ollie," you tell him blithely, easily, truthfully, "you never impose."

Annabel grates on his ears and his nerves and his fucking memories. Your smile is like a balm for that the burn that snobby bitch leaves in the back of his mind when he thinks too hard about her.

You move with such ease around the space, not that he should be at all surprised at that. Perhaps it's more that he still feels like a stranger in his own room at times. Planting yourself against your headboard legs crossed and looking so at ease in your summer pyjamas, you ask, tone light, "you don't mind if I read for a bit, I'm not going to be up much longer, but like I said, you're always welcome to stay."

"What are you reading?" Oliver lets himself relax in your presence, lays himself back on the bed, looking up at the sculpted ceiling of the old building. He knows what you're reading, he just likes hearing your voice.

"Emma," he can hear the rustle of the pages, had seen the worn spine and yellowing paper, wonders if it's vintage, wonders how you got it if it is, "Jane Austen for my lit class."

"Finished Anna Karenina?" You make a quiet hum of acknowledgement. More silence and the warmth of company and lamp light, "it's been a while since I've read any Austen."

"Do you want me to read some to you?" Of course there's humour in your tone, but Oliver can hear it for the genuine offer that it is. When he looks at you, he can't help but smile. There's such fond affection in your eyes as you look at him over the top of the book.

"Please," he says it so softly, so sweetly, and it's enough to see you smile before you disappear behind the book again.

"I'm near the end, you won't get the context -"

"Doesn't matter," he sits back up, pulls off his jacket, kicks off his shoes, and settles back beside you.

"Settled?" Your voice is a murmur, barely a whisper, and when he laughs quietly, he knows you can feel the way it rumbles within him.

When you start, your voice is soothing, halfway through a chapter, through a conversation between characters he has no clue about. He's never read Austen but he'd devour her books if you were the one reading them. It feels like an almost perfect moment.

"- Seldom, very seldom," his head is on your shoulder, eyes scanning the page, the words as you read them, "does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised or a little mistaken, but-”

"I did come here for you," something about the line makes the hairs prick on the back of his neck, he can't keep quiet; there is want still simmering beneath his skin, and each time his mind drifts to Felix and Annabel, something furious and desperate coils in his gut. You fall silent, book still open and aloft, cheek still resting against his head where he's kept it on your shoulder. When you take a deep breath, he feels it, both of you move in sync, "of course I came here for you."

This time, he doesn't reach out, doesn't touch you more than he is. Every time he's reached out, he's gone against the pattern you've observed of him, he's always made a connection with you where you know he holds back from others. This time, he waits with bated breath.

"If there's nothing more you want from me than moments like this, I'll never say another word about it," he assures, as if trying not to spook or pressure you. But still he waits.

"What do you want, Ollie?" To pick you apart like a vulture, to see the desires you keep so close they're written on your bones.

"You," he says instead, all gentle words and just as gentle breathing, "if you'll have me." Tell me what it is you want. Tell me you can want. Tell me you know you can want things for yourself, want things beyond a reaction to the wants and needs of everyone around you -

Carefully, you reach over to your bedside table, trying not to jostle either of you too much, and keep your place with a bookmark before you put the book down.

But you do make the first move. You take his face in your hands, holding him like he's fragile and perfect and porcelain, shuffling to face him properly. This kiss tastes almost like home, like finally from you both, until his tongue runs along your lips and you part willingly for him, the kiss turning quickly more passionate. Oliver's not even sure how he came to be straddling your lap, nor how he didn't notice you undoing half of his shirt buttons already, but when the kiss breaks he takes your hands in his.

"Of course I want you," tumbles from your lips, sounding heady, needy, and for just a moment, Oliver breath stutters in his chest. But he slows things down again, leans in to kiss you sweetly once more, before he's pulling off your pyjama shirt.

"I want to know what you want," he murmurs against your lips, kissing his way down your jaw slowly as he speaks, "wanna know how to make you feel good."

"Anything you do -" you try, but he looks up after pressing a kiss to your sternum.

"You need to be needed," he says softly, punctuating each statement with a kiss, refusing to break eye contact with you, "and you want to be wanted," his warm lips on your belly, he sees the conflict in your eyes, the desire and embarrassment all at once, "and you're very good at those things, one of the best, I'm sure." Hooking his thumbs into the waistband of your underwear, he pauses, "is this okay?" You nod quickly, enthusiastically, and he gives a warm smile.

"You're like me, sweetheart," he says softly, resting his cheek on your inner thigh for a moment, watching you still. Reaching out, you card your fingers through his hair, fingers trailing down his jaw, and he turns his face to kiss your palm, "I know that if I gave you half a chance, you'll figure out how to be all I could ever want, but tonight I want everyone to hear how you sound when someone's making you feel good-" he doesn't realise he's quoting something he should not have heard from Felix until it's too late, but you cut him off. You didn't even seem to realise.

Then your other hand is in his hair, a new look in your eyes, a newfound determination, a nervous excitement. You grip on his hair tightens.

"Yes?" He gives a cheeky grin, and you finally smile like you mean it.

"I get it," you roll your eyes, but there's nothing malicious about it, especially since the gesture has Oliver pressing his own chuckle against your thigh, "now you have one guess as to how I'd like you to shut up." There's that confidence he'd heard the other day, the confidence that was burned into the back of his mind, the confidence that had been part of the reason he'd spent a good hour in the shower after hearing it.

"Only if you turn out your lamp," he smirks, though inside all he can think about is how bright the whole room is through the gap in the curtains. It doesn't seem to bother you, it never has, and though he was grateful for it when he was on the outside looking in, there's something about being the one potentially being watched that causes him a faint sense of unease.

You call the moonlight more romantic anyways, and Oliver doesn't need to be told twice to go down on you.

When Oliver wakes the next morning, still in your bed, still in you, he almost wants to pinch himself. It's a childish sentiment, but you're in his arms, wrapped up in him and this early morning light through your curtains. Though he tries not to jostle you too much, the arm beneath his head is asleep and getting more uncomfortable by the second. Except the movement just makes you mumble around a breathy moan, hips moving against his.

"Fucking hell," he groans into your ear, and he gets a sleepy, contented chuckle in return, turning your face a little more towards him to give an affectionate bump against his forehead.

"Ollie~"

For just a second, Oliver thinks about living in this moment for the rest of his life.

"You okay?" He murmurs, watching your smile grow. Everything about you looks so pleased, so content, so satisfied.

"Never done that before," you admit, wiggling your hips a little. Oliver swears under his breath again, but judging by the mischievous smile you wear and the twinkle in your eyes, you knew exactly what you were doing. Then, with all the casualness of any other conversation, you manage to catch him off guard again; "anyone who thinks you don't fit in has clearly never fucked you; you fit perfectly -" his teeth sink into your shoulder before he can even properly figure out how he should have reacted.

But instead of finding it strange or off-putting, you let out a breathy laugh, tension easing in your shoulders. Your hips begin to roll against his, consistent, deliberate. He wonders how many people you've let fuck you like this, like they love you, like they care about you. Oh he knows you fuck your friends with love on your tongue, treat them like they're your last meal, like they mean something, but Oliver gets the feeling you don't expect them to return the favour. He's seen the kind of company you keep, he's pretty sure they never do.

How many of them have seen you grateful the way you look now, bathed in the morning light of Summer, laughing and unable to stop talking with such casual fondness in your eyes and on your lips.

When you go down on him in the shower, Oliver thinks he sees hearts in your eyes.

There might just be something very fucking wrong with you, and he's grateful for it every day.

But it doesn't last.

It's on a Summer day that's too hot, less than a week since he'd spent the night with you. Summer days around here seem to always be too hot, but this might be the worst. Felix still doesn't close his blinds, sun painting him golden where he lay on the floor of his room with a cigarette. Oliver had perched himself on the windowsill as you'd taken up residence on Felix's bed, sitting with your back to his headboard, engrossed in what appeared to be notes, or some kind of file.

Oliver has no idea if you've told Felix, or what you would have told him. The dynamic between the three of you appears to have remained otherwise unchanged. Sometimes, however, Oliver catches Felix looking at him out of the corner of his eyes, head tipped, curious like he was about Oliver's past; his expression is always unreadable, but it's started pitting in Oliver's stomach whenever he catches it. Felix always looks away. Felix has been looking at him less lately, that too causes some kind of anxious feeling Oliver would rather not dwell on.

"I don't like Michael Gavey," you announced from your relatively dark corner of Felix's bed. How did you even know Michael Gavey?

"Who?" Felix makes a face in the sunlight, whole expression wrinkling up, as if trying to wrack his brains. But you're looking at Oliver. There's no affection in your eyes, manila folder in your hands.

"He's-" Oliver feels like he's on the back foot again. All the comfort and good will he'd built up around the two of you feels suddenly so far away, "he's in my year." There's no precedent, no road map in his mind for where this could be going.

"He likes you," it's accusatory coming from you. Oliver looks to Felix for a moment, if only to avoid the intensity of your gaze, but he's closed his eyes, staying out of it.

Oliver considers bailing out of the window, but thinks better of it.

"He, erm, kind of was my friend, I suppose."

"Kind of was your friend?" Felix's voice is almost cold, surprising Oliver, but apparently not you. It's clear you're both looking for some kind of elaboration. Why did this feel like an interrogation? What had Michael done? Why was Oliver on trial for it? Felix cracks his eyes open as he takes a long draught of his cigarette.

"Back at the start of the year," Oliver wets his lips, fidgeting, focusing his attention only on the folder you held, desperate to know what was in it.

"Nasty friend you had," you tell him. It's so cold it almost stings.

"Is he the one who got you all riled up the other week?" Felix finally appears to connect the dots, sitting up on his elbows. Thankfully, however, his amusement breaks the tension, and you have to hide your face behind the file as you opened it and began to read. Oliver could feel his heart in his throat, confused, anxious -

"Impressive mathematic record across the board for his first semester, as well all throughout sixth form," you rattled off, eyes narrowed as you look at the paper, "several documented attempts to contact the Head of Math, Phys-Ed, and Life Sciences to," you cleared your throat, shaking your head with surprising disdain, "beg to be exempt from any potentially mandatory Humanities or Social Sciences courses. Unsurprising," you rolled your eyes, "since he bombed his English and French GCSEs, and I think he's the kind of person who prides himself on a perfect GPA."

Every fact you list you do so with such casual cruelty, momentarily folding the file closed and leaning down to make sure you could see Felix.

"He went to high school with us apparently," so casual it actually hurts Oliver a little to hear, "year below us he said," and you wiggle the file in your hands, "looks to be true."

"Still don't know him," Felix shrugs, like he doesn't give any kind of a shit how you got your hands on all of this information. Sitting back, you continued;

"Applied for scholarships - didn't get them; turns out you have to play sports to get a sports scholarships," you click your tongue as you flip through the pages of Michael's file like you were reading the newspaper, "no clubs, no social life, and a notably arrogant prick." You snapped the file closed, levelling a look at Oliver that he'd never seen you make. It was nothing, like a void, demanding a reaction, a response from him. Accusatory yet without any hint of blame, there's something about this look of intense, demanding neutrality that makes him feel actually sick, like you'll be able to know when he lies, know all his secrets if you look at him long enough.

Felix settles back down on the ground, seemingly immune to the tension so thick Oliver felt like he was choking on it. Even if he looks away he can feel your eyes boring into him, like a spider watching a futile fly in it's web.

"What's your problem with him?" Oliver can only bring himself to look out the window, bringing his hand up to scratch at his nose. Maybe if he covers his mouth he won't spill his guts under your gaze. Then, almost so fast it gives Oliver motion sickness, the tension drops.

You sit yourself back, kick your feet out in front of you, and toss the file to the end of the bed. That can't be legal.

"It's sweet that your friends are protective, but he knows you're your own person, right -?" God your light, flippant tone all but rings in his ears. Still, Oliver knows a warning when he hears it.

"He's not my friend; he was, but he's not," Oliver quickly insists, desperate to be on the other side of this deeply uncomfortable conversation. The tension eases in your shoulders when he looks over to you; the right answer. Something about the relief he feels doesn't sit quite right; why had you brought Michael up now of all times? Why had your gaze felt so constricting, even when he and Michael weren't even close; all you would have had to do was ask -

"Said some nasty things about us is all," your voice goes quiet, rueful even, and he follows your gaze to the edge of the bed to where you knew Felix lay, "called Fi a slag."

But there it was; the true audience for your show of force, and the blade that sliced so cleanly through any other attachment people think they have with Felix, all in one.

Its a simple nickname, the most basic nickname anyone could give to a guy named Felix, but no-one else calls him anything but Felix. No-one else calls him Fi the way you do, they wouldn't dare. He wears your nickname like a collar and he doesn't even realise.

"What a cunt," Felix groaned, so infuriatingly uncaring.

In the moments that follow, Oliver almost feels like his head's spinning from the interaction that had just been forced upon him. There's so many questions, new, anxiety-inducing implications for the information you've brought to them both today. Felix doesn't seem troubled by it, but that seems to be the point.

"So fucking hot," he sighs into the afternoon heat, finishing off his cigarette like none of what you'd said even mattered now.

"I know," Oliver finds his voice again, barely. He can't look at you, at the way you're lounging in what he could mistake for triumph. All he can see is Felix, the centre of the fucking universe.

There's something grotesque about you both in this moment, in this room, beautiful and terrible; the perfect picture of privilege and squalor.

"What's that smell?" Pizza, mostly empty drinks, plates and cups unwashed, dirty clothes -

"Uh," if Felix thinks about it, he isn't thinking too hard, clearly, "I don't know." Smoke rings from his pretty lips aren't enough of a distraction from the moment, from the filth of it all now that Oliver's starting to properly look around.

Again he finds himself realising that he has no idea about your background, how you came to find Felix. Sitting with your back to the headboard and eyes closed, even you seem to not care-

"Can't believe you let him live like this," Oliver actually scoffs, hopping from the windowsill, needing to do something with his hands, move, shake off the layer of moral grime that your verbal attack on Michael Gavey had showered him in.

"What?" Felix barely even props himself up, "what are you on about?"

"It's disgusting, Felix."

"It's fine."

"Right, I'm cleaning up -" Oliver moves without thinking, picking up a the waste paper basket and throwing out trash from every surface he can reach. He can't look at Felix, can't look at you, but you're both watching him, "only rich people can afford to be this filthy," he hears himself say. Then, after barking a laugh with no humour in it, he turns his shallow gaze on you, "and what's your excuse? Just picked the habit up after all those years?" For a moment you look at him with genuine confusion, but you give him no real response before Felix tells him to fuck off. But Oliver doesn't stop.

Even as Felix is growing more fed up, insisting he'll clean up later, Oliver's own frustration rises. Felix will never do anything for himself.

Except he doesn't mean to say that part out loud.

That's what gets Felix on his feet, gets him to grab the basket, irritation and resentment on his tongue. Oliver feels like he's touched a live wire, like he's pushed Felix too far, watching him tall, frustrated, glowing with sweat from the afternoon heat. It's the heat Felix complains about as he blows about him room, resentfully stuffing rubbish into the bin, complains about the building and it's age and it's wood fucking panelling that can't be ruined with an air conditioner.

In the moment Oliver chooses to glance to you, he's surprised. You only have eyes for Felix, watching him with an expression Oliver can't begin to fathom, curled up in the corner of his bed. You are waiting. You are holding yourself back. You are desperately trying to let Felix prove Oliver wrong.

"Stressing about the exams?" Oliver tries to pivot, tries to redirect the conversation to something he can claw his way back from, that will keep these relationships from being unsalvageable.

"I'm not stressed about the exams, Ol," Felix sounds like he could snap at any moment, sitting on the edge of his bed, wastebasket held on his knees while his other hand reaches out to you. Still half a foot of space between you, and you keep yourself compact, but the intention is clear; Oliver wonders if he even knows he does that, or if it's just instinct for the two of you these days. Felix, however, is looking at him, that same look he's been giving Oliver since you'd slept with him, "you're driving me fucking -"

Felix seems to realise what he's saying, however, with a sharp inhale as he looked away, moving his free hand from beside you to run through his hair. What is there to say now?

Felix says he's got revising to do, that he'll text later about going to the pub. Oliver desperately wants to believe it, but can hear that it's a lie. Felix can't even fucking look at him.

Oliver finally throws a helpless, hopeful glance to you. This time you are looking at him, but there's apology in your eyes. It's enough. It's the confirmation he'd dreaded, that makes his stomach drop.

"Ollie," even just a few hours ago he'd been in love with the way you said his name. Never like this.

"I'll catch you round," he can't look at either of you as he retreats, cant bare your eyes on him like that, and Felix's turned away.

A million thoughts, desperate ideas, all circle the drain that is quickly becoming his mind as the anxiety and the anguish sets in.

Unsalvageable. Past the point of no return. Irrevocably, awfully different.

With all he'd learned of you both, however, he couldn't just let it go to waste. Oliver had worked for all he had in this life, this prestigious place, among these self-important people. Despite his ongoing attempts to figure you out, he at least knew that if he was good to Felix, he was in good with you.

And Oliver knew exactly who Felix Catton wanted him to be.

[thelesbianluthor]

Calling Kate selfish and saying she didn't care about Edwina's feelings is the most ridiculous statement ever made when she was the one that sacrificed everything FOR HER.

Edwina was naive and thought that Kate's multiple warnings were misguided protectiveness. Anthony never promised love to her, he stated he was not able to give it to her, but of course she didn't know him at all, she didn't understand him at all (and that was bc Anthony himself never intended to be open with her or anyone really) and that made her think that his courtesy could turn into love at one point. She thought her infatuation with the viscount was love. But she never really knew Anthony and that is not her fault.

I love Anthony but I will always say that most of the blame of Edwina's hurt falls on him. He was the one that kept following Kate, kept looking for her, could barely contain himself in her presence while still courting Edwina against Kate's loud protests and then proposed to the wrong sister.

Kate stopped being loudly against their union when Edwina said she didn't care about his disinterest in love and then pressed for the wedding with full intention on going back to India on her own because Edwina thought she loved him. Kate had never even considered the idea of taking anything when it was for herself. She had spent a life of service to her family and she would have done the same thing again, dismissing her feelings and wants in favor of her family, if Anthony had been able to keep his feelings in check.

Would that have been an incredibly sad ending and worst for all ? Of course it would have! Because Anthony would have never learned to let go of his trauma and would have spent his life keeping his family at arm's length. Edwina would have grown to resent Anthony because of his cold and detached demeanor. And Kate would have spent a life of solitude.

Anthony shittiest action was understanding he loved Kate and immediately going for the worst possible decision, asking Edwina to marry him, especially after what happened between Kate and him in the library. But I understand the reasoning behind his stupid actions. Do I still think he was a huge clown for it? Yeah obviously. But I know that it was a necessary stressful moment to amp up the angst and drama caused by his never addressed trauma and issues.

Either way the rules of their society, the stubbornness of everyone involved and the lack of honesty with themselves and each other plus years worth of unaddressed trauma are the reason behind it all.

I still think that some of the thing Edwina said when angry were not really fitting with the situation (i mean writing wise) but I can justify them if I think of them as words said in anger in the heat of the moment by a young girl who has spent her life following her sister like a guide and not having to worry about the world because her sister would always protect her and take the brunt of it all.

Also one thing that people that blame it all on Kate conveniently forget is that the moment she realized she had feelings for Anthony she WAS ready to tell Edwina, especially after Lady Danbury told her to be honest. But he proposed to Edwina and Lady Danbury told her it was too late to do anything basically and she should just swallow her feelings because the marriage was gonna happen at this point.

Not saying that it's Lady Danbury's fault because she is just trying to work with what society gives them and trying to keep the situation under control, like all the women in the show really...

The moment something was actually about to happen between Kate and Anthony she was gonna tell the truth but Anthony was a clown and society made it worse.

In Kate's mind, at that point, she was just gonna have to keep her feelings in check until the wedding because then she would leave for India and leave it behind.

I keep thinking I am done ranting about this but I see someone being a Kate hater and I have to ramble about all the shit my girl has had to deal with and defend her.

Also I am late to the party so I have many thoughts to express

[whenmemorydies]

See this?

Carmy is about to pull this shit. He is really about to go in and likely blow up one of the only good relationships he has left from The Beef. After yelling at Tina from the pass. After stressing out everyone and their fucking dog cos he thinks this is acceptable behaviour if its all in service of a star?

This part of 3x03 Doors was such a jagged scene for me because of a few things (including what I've said above). What else got me:

Tina is someone Carmy knows, that Carmy loves (go back to their scene in 1x08 Braciole talking about Mikey. Go back to Carmy's soft "hey Tina you go ahead, you take the night off okay? I got you.");

Tina is an older woman of colour who has made the commitment to skill up so that she can work at The Bear after working at The Beef. Carmy has seen the work she has put in but in this moment, he pays none of it any mind. Imagine being T. Imagine how that would feel. Imagine how it would feel knowing all we know after watching Tina's journey in 3x06 Napkins. The thing is, Carmy doesn't need to know all of T's backstory to know his behaviour is unacceptable. The fact that he knows some of it and proceeds to act in this way is just more evidence of his white privilege showing its ass.

Carmy does not have the self reflexivity here to look at his young, white, male self yelling at this older WOC and see how fucked this is: how he's become another white guy in a litany of white men barking at workers of colour, not seeing Tina for the whole human she is but reducing her to a means of production. The racial dynamics on this show are so evident but don't get talked about nearly enough. I know the writers have crafted those dynamics on purpose because as beautiful a character as Carmy is, he's also a product of his environment as a white chef trained in a highly racially segregated field. This has repercussions for his relationships in season 3, particularly with the BIPOC characters in his life. @november-rising speaks about Carmy's behaviour in relation to Black women's experiences of love and professional recognition devastatingly here. Read their post and the reblogs.

While this shit made me so mad this season, it was also in character - as I've said here - for a white guy trained in fine dining to revert to established patterns of behaviour. Though, I'm gonna need the writers of the show to show US that they did this on purpose and have Carmy ATONE for this shit in season 4. Otherwise, what kind of redemption arc will this man have? This shit is hurtful to the BIPOC characters and BIPOC viewers of this show in no small part because white men the world over have a LONG history of using BIPOC people as a means of production and as a means of production alone. If you're unsure about this, please go look up the Transatlantic slave trade. Please go look up the history of colonial indentured labour. Please go look up The British East India Company. Please look up the forced labour regime in the modern prison industrial complex. Please go read a fucking book. And no I'm not saying Carmy is responsible for the slave trade (LMAO please hold fire if this is where your mind is going). I'm saying BIPOC folks carry with us a long ass history, an intergenerational history of this shit. But guess who else does too? White folks. So don't act like they dont.

This shit is also hurtful because we know how respectful Carmy can be. We’ve seen him in seasons 1 & 2. We know he knows what being a practical ally looks like (even if he may not have the language to name what he was doing) when he made sure to bring the staff of The Beef with him to The Bear and invested in them accordingly. We know he loves and respects them, none more so than Sydney. But there were so many times where he did not act like it in season 3. And when folks have got histories - not just personal but cultural too - as long and as loaded as we ALL do, actions account for a lot. What you do is the shorthand for who you are in the world, whether you like it or not.

Ok back to the scene.

Who comes in and simultaneously saves Carmy's ass and ANOTHER of his relationships? Who protects Tina and keeps the kitchen from exploding AGAIN?

Who supervises her sous chef like a fucking pro?

Sydney. Sydney. Sydney.

And who knows that he's in the presence of greatness but doesn't know how to articulate it cos he's not integrated, not by a fucking long shot. Who needs to attend some anti-racism training along with Al-Anon and therapy (so he can get the benefit of understanding his role in this system and get a better understanding of his own mind)?

Yeah you Carmen, you.

Better get on that shit before you lose the woman who is the beat to your whole heart another means of production to a chef who's going to pay her better, give Syd insurance from the jump and total creative control. Just saying.

[reyboris]

AQUARIUS AND SCORPIO

Very few astrologers say it, but having a lot of Aquarius energy can be just as intense as having a lot of Scorpio placements. Aquarius, although it is a humanitarian and socializing sign, is also a sign of sudden cuts and changes, of rarity that even reaches madness and nervous illnesses. For example, a poorly aspected Uranus in the birth chart can indicate a lot of nervous tension. For example, I think that the movie about the butterfly effect is a movie that expresses that type of Aquarian intensity very well (in fact the leading actor, Ashton Kutcher, is an Aquarius). Likewise, I know an Aquarius friend who says she has seen ghosts since she was a child, and I have another Aquarius friend who has had to deal with very intense nervous emotions.

Likewise, in Vedic astrology, the month of Aquarius is an ideal month to carry out detoxifications. In fact it is said that the symbol of Aquarius in India is not a man with a jar of water, but a man with a jar of poison, which he is expelling to purify himself. In that sense it can be very similar to the Scorpio/Plutonian.

Let's look at some similarities and differences between Scorpion and Aquarian intensity. Both Aquarius and Scorpio have certain similarities: both are fixed signs, and both have two rulers. The ancients (Mars and Saturn) are both malefic and their modern rulers (Pluto and Uranus) are both transpersonal. Likewise, both signs are curious, revolutionary, vigilante, they are interested in investigating mysteries, they like strange things, unique music, suspense stories, conspiracies, etc.

What is the difference? Speaking at the archetype level, Scorpio likes to discover what people are hiding (secrets, fears, taboos). In that sense, Scorpio likes to discover liars, he likes red-handed things, and he likes to blame. While Aquarius likes to discover the hidden itself, but not because someone hid it, but because it has not yet been discovered or classified by anyone, then Aquarius likes the Eureka.

Both analyze people very well (Aquarius is as good a psychologist as Scorpio, only he focuses more on discovering the new than the hidden) so Scorpio prefers to analyze, for example, pathologies such as Hitler, Charles Manson, etc. And Aquarius likes to analyze madness itself (effects of LSD, schizophrenia, etc.)

But I repeat, the energy of Aquarius can be difficult, especially for someone who has a moon or ascendant in this sign, because he will have to learn from the changes in the most abrupt way.

What do you think?

[liesmyth]

Do you think the Nine Houses follow a Marxist, Keynsian, or Austrians economic model

this ask made me SO happy you have no idea! some vague thoughts

The Houses obviously have to do careful resource allocation. I doubt they have a free market economy, at least not on a system-wide scale. I could see some of the Houses — like the Third or Fifth Houses, which are by all accounts wealthy and with a very large population — develop some kind of internal capitalist economy within the House itself. Namely, private actors who control and own properties, wealth accumulation, competitive markets etc. But ultimately I think even those are subject to strong (local) governmental oversight because, again, they live on space installations in a situation of constant resource constraint. I bet there are quotas for everything.

However! No way ALL the Houses have a market economy. I'm thinking especially those Houses that are very small and/or have a "mission" which means that societal development is carefully planned, and probably the economy is also centrally planned. (Ninth, Eight, Sixth, maybe Second and/or Fourth).

On an overreaching scale (within the Home System) I don't think "the Empire" (as in, John) is overly concerned with the yearly economic development of the Houses, partly because he's been historically absent for decades or even centuries at a time. Verging sharply into headcanon territory, I think the closest thing the Houses have to a real centralised government is military leadership (High Command or the Fleet Admiral, who's the head of the Second House) and when it comes to issues that concern multiple Houses but are more "civilian" in nature, is kind of a free-for-all. I'm thinking about how Harrow thought that writing to ask for help would result in the Fifth or maybe the Third cannibalising the Ninth House — it looks like there's an informal council of House leaders, but no properly organised central government.

Trade: travel and commerce between the Houses is regulated. You can't just take a spaceship and move from the Eight to the Second, for example — movement of people as well as goods depends on a ship schedule that runs on "routes" and I'd bet there's an immigration/emigration quota that's maybe decided between specific House leaders, or maybe a third party. My best bet is that one of the Houses (possibly the Third or Fifth) OR an ad-hoc organisation (which includes multiple higher-ups from said well-off Houses) are the ones who regulate shipping and travel, and either have an ownership stake in the shipping system or administrate it in the name of the Emperor.

The shepherded planets: putting the "imperialism" in "Empire". The Houses definitely exploit their colony planet for resources, as per AYU (talking about the "contracts" that the Empire signs with the occupied planets). However, it's also worth noting that 1) for at least 5000 years, the House system was self-sustaining and hadn't made contact with any other population; and 2) stele travel is kind of a hassle, and only seems to be limited to Cohort ships that we know of.

What I'm getting at is that I think the economy of the Houses is not dependent on their war of conquest — imo it's more of a mission of conquest for conquest's sake, see Corona thinking that the economy of the Houses doesn't quite add up, and Augustine talking like the ongoing expansion of the Houses is a whim of John's and little else. Basically, it seems to be a way to oppress the occupied planet for occupation's sake, and I wouldn't be surprised if the resources the Houses extract from the conquered planets go straight into financing yet more war and occupation and very little (if any) of any wealth they may accumulate makes it back to the Houses.

It COULD be that there's a necromantic equivalent of the East India Company, and my bet would be on the Second administrating it — Harrow doesn't seem to rate them at all, which tracks because Harrow's primary concern is Houses that could be a threat to the Ninth, and the Second being focused on exploitation that's external to the Home System could be an explanation for that. I've also seen speculation that making money from colonialism is the Fifth House's purview (*) but EYE think it makes more sense if the House that are more strongly associated with running the war effort are also the ones making money from it. Or it could be a joint operation.

(*) never forget the iconic tag #we regret to inform you that spreadsheets dad is maybe running the necromantic East India Company @katakaluptastrophy here)

Anyway. Sorry I haven't answered your actual question! GUN TO MY HEAD, if I had to pick ONE economic model to map the Houses onto, I wanna say soviet type economy (think: centralised planning, no inflation, little to no unemployment, tendency towards black market, little to no innovation). I have thoughts about what the consumer needs market looks like in the Houses but nobody needs to hear that. Also, it's def very limited

If anyone has thoughts PLEASE feel free to jump in, I'm always thinking about the logistical side of space imperialism in the necro empire!

[sofiareidings]

Falling For You

Summary: Spencer is completely oblivious to how madly in love you are. That's it. Warnings: fluff and swearing.

A/N: I feel like this idea has been done before, so if I subconsciously copied a fic, let me know!! Also, I didn't mean to do it, but this story is technically spencerxgn!reader so. Also, i'm back!! Another story is coming out at 9pm EST, so be ready!!!

Word Count: 0.9k

Song Suggestions: Wildest Dreams (Taylor's Version) by Taylor Swift

You two clicked immediately. It was strange, you were both so opposite. I guess that's what made it work. What he lacked you made up for and reversed. Not many other people knew much about your personal life except for him. Your favourite thing about him was his words. Everytime he rambled about the most random times you could listen forever.

Whenever he looked at you, you melted. When he smiled your face burned from blushing. And whenever he talked you just wanted to kiss him. But you had no clue if he felt the same. For a genius he was quite oblivious to your flirting and comments. If he liked you he definitely had a good way of hiding it.

There was only one issue.

***

The movie was about halfway through and you made sure to turn the couch into a bed, Spencer had come over to watch it with you. If someone asked you tomorrow morning what the movie was about you wouldn't be able to say, he'd been talking the whole time.

"...That actually isn't correct," He started, moving his hands around for emphasis. "In the wild, there are two formally recognised lion subspecies. The African lion is found in Africa, south of the Sahara desert. The Asiatic lion exists in one small population around Gir Forest National Park in western India. Wild lions in the west and central Africa are more closely related to these Asiatic lions in India than to those found in southern and east Africa. So realistically the characters would be..."

Listening to him talk was like heaven, but at the same time it was hell. He just looked so huggable.

No, kissable. The butterflies in your stomach made you giggle, he paused and frowned. Looking like a lost puppy.

"What? Did I say something wrong?" Stumbling over the words as he spoke, you stopped laughing and grabbed his hands while smiling.

"No, no you didn't. It was just…cute." You muttered.

"Thank you?" A confused look on his face when he responded. Your heart shattered a little, that was obvious wasn't it? Did his feelings not reciprocate? "Oh! Also, manes on male lions tell a story. Male lions grow impressive manes the older they get. These manes grow up to 16 cm long and are a sign of dominance. The older they get, the darker their manes go. As well as attracting females, their manes may also protect…"

His words trailed off again and he stared at you. "You keep being weird. You're all red. Did I say something wrong? I know that sometimes I speak for too long and I go on and on, which annoys people-" He sighed, "And I'm doing it now. I'm sorry."

"No, please. I love when you talk. It's calming." Grinning, you continued, "So what about protection?"

"Oh, um…manes can also protect their neck and head from injuries during a fight." He slowed down his speaking, like he was a little self-conscious about his words now. When he stopped talking everything was silent, except for the sound of the movie quietly playing on the TV in front of you.

"Spence? What's wrong?" Tilting your head and looking at him, he was staring at the TV but he didn't seem to be watching it. Just thinking, his eyebrows furrowed like they normally did while he was deep in thought. "What are you thinking about?"

"Have you been flirting with me?" He blurted out, looking back up and at you. You almost jumped, not expecting that question.

"What?" Still in shock it took you a minute to respond. Letting the silence fill the air again, he didn't speak. He just stared, waiting for an answer. "I-What would you think if I was?"

"I would've wished I'd noticed sooner." He sighed, making that puppy-dog face you loved. Neither of you really knew what to do and sat there for what you would believe could've been hours.

"Fuck it." You breathed out and as if he knew what you were thinking as well he leaned in at the same time as you, kissing you softly. After a couple seconds you felt his hands wrap around your face, holding it as he kissed more.

Your hands didn't know where to go, after a couple more seconds they finally found their place, one around the back of his neck and the other tucked around his waist. Pulling you closer to him.

A couple seconds later you both moved away from each other, only long enough to catch your breaths and muttering random words. Before you knew it the both of you were back to kissing, to make up for how long you guys spent not kissing.

The longer it went the closer to each other you got, his one hand started to slide down your neck and then your waist when suddenly your hand hit a button and the movie that was still playing turned up to full volume.

Both scrambling for the remote he managed to shut the TV off, surrounding you both in the darkness of the night.

The two of you continued to kiss every once in a while but it didn't take long for the darkness to make you both sleepy and you ended up just cuddling. You fell asleep with your head on his chest, listening to his heart beat. He had one hand holding you close to him, as if someone was coming to steal you away. The other hand tracing up and down your back until he too, drifted off to sleep.

[talulahsjusthere]

I don’t know if the rest of Beatles tumblr agrees with me on this but I low-key want the rest of the world to know how truly gay john and paul were yet I feel like when I bring it up in any place besides tumblr someone’s gonna ask for proof and I’m gonna have no idea what to do other then send them a link of those articles where Yoko talks about John being bi

Like I was thinking about the song “little miss perfect” and basically the song is about a queer girl who’s trying to hide that she’s is queer and is trying being like a perfect straight person (straight hair, straight a’s, straightforward)

Anyway the song has the line “I jam to Paul Mccartney” and I was like “as even he isn’t gay as hell lol” and I really wanted to like put that out on the internet but I knew if I did someone would go “proof?”

Look, learning about Mclennon and these two’s tragic yoai story was a slow process (I mean it only took me a week) and there is evidence to back me up. It’s just that I feel like sending you proof like articles and songs and all that jazz in one sitting isn’t the best way to truly amerce you in how gay these two were.

The best way, I think, is to go to tumblr, see people shipping them and be like “oh, shippers being shippers again”, look into it more and learn that John was bi and some of the stuff they did was kinda gay, and then dig yourself deeper and learn about India, certain songs, all the stuff Paul says about John post-1980 interviews unprompted and then dig yourself EVEN deeper and learn that were pretty much soulmates and literally so insane. And also you have an ao3 account now.

(Basically that one “7 layers of Mclennon hell post)

Like this shit was REAL I just don’t know how else to explain it to you other than for you to get a tumblr and experience the insanity yourself. I mean if qnyone can think of a better way I’d love to hear it