#also. i hate little women. there i said it

[mamaclownhunter]

I read a few but I am kinda soft for the idea of System!SY but like a player in a Video game.

Specifically I am thinking of the game Off! Where the player is their own entity the character it kinda aware of.

So SY dies and wakes up when Binghe lands in the abyss. He is given the objective to help Binghe out of the Abyss and steer him towards the best ending!!!

SY is excited because he!!! Gets to help Binghe!!

Binghe is pissed his seal came off and now he is being ordered around by some green spirit. His powers are still sealed and slowly being released by said kinda annoying ghost.

The worst part other then the Ghost being overly excited to be in Hell and seemed to be too elated about one of the worst fucking moments of his life-

The Ghost is actually fucking helpful. ‘Shen Yuan’ (what a fucking joke to give him a ‘Shen’ as a guide) knows more about monsters and their weaknesses, has an idea on what is edible what isn’t, he knows what plants to avoid, what areas are safe- and he also seems to genuinely want to keep him safe.

SY has a the video game advantage of either knowing when attacks are coming or knowing how heavy an attack will be. He also knows what Binghe can do at anytime/is controlling the attacks to some extent- either pokemon style or like the game OFF! Where is auto attacks or manual where Binghe can’t attack unless SY! Chooses.

For the first little bit Binghe resists or does the opposite where SY directs him only to- shockingly- get hit.

So I feel like for the longest time they were just at odds and bickering before SY puts it on auto and just plays it like a turn based game. Like for him sometimes time is slower except for Binghe, so he has faster reactions and honestly is more in canon with the “protagonist halo”. Where he can spend points and has his own little influence if things are dire otherwise he is more or less following his favorite protagonist through the story.

And Being such a big Binghe fan he is more than happy to just Let Binghe have the power only taking control when things look dire. He is the biggest hype man, offering information and support, offering insight or knowledge only him as a strange green figment that only Binghe can see.

He vanishes when Binghe flirts with women though. He goes off and explores or watches monsters, he hated this aspect of the book and if Binghe wants then he should- he only gets protective and sticks around if he feels like Binghe is getting taken advantage of- (though the first few times Binghe snapped at him and told him to scram- so he did in his own pissy fit) they go right back to Bickering but fuck SY still cares and he kinda likes how he can see this part of Binghe’s story.

They can’t go far from each other (I am thinking about as far as camera can scroll out) but SY can turn off audio and stuff on his side.

Though eventually Binghe just starts to trust SY. If SY says right he is moving right, if SY says between the eyes his sword is inbetween their eyes, if SY says run and hide he vanishes from the field. Because for all the bitching, raging and ranting- Binghe does notice a lot is on his sake.

And you know…. In the Abyss he isn’t alone. He isn’t figuring this shit out by himself he has someone who floats next to him asking what he wants to improve. Attack? Speed? Health? He has someone that he can mentally connect with and they just both viciously attack low IQ villian and plots where only they can hear.

The angst that the only person to interact with SY is Binghe. Who he can’t hold when Binghe has nightmares, who he can only heal if he has the resources and to produce medicine/fast heal, but is also the only person who sees and hears SY. So if he is ignoring SY- SY is alone- and I think deep down he is a social person. Binghe is subjected to a flood of questions SY wants to ask.

And Binghe has one person who cares about him and is always at his side (even forced SY never implies he feels forced in fact he seems always excited to be next to Binghe)- and Binghe can’t touch him, can’t feed him (‘I would love to try your food- but I can’t.’), can’t cherish him.

SY who is nice, who is considerate, compassionate, he cursed like he lives in a brothel and rages like a demon- but he also scolds Binghe for ignoring people, he snaps when Binghe doesn’t actually help- just takes what he wants and leaves, he believes Binghe is so much better for the world if he only got over himself and stopped thinking with his rage and anger. He thinks Binghe is smart, he thinks Binghe is strong, he thinks even half demon- Binghe is meant to be good.

What a kick in the stomach.

They can’t touch but Shen Yuan is trying his fucking best to get Binghe through hell. He apologizes for bad calls, he gets better himself, he takes his hands off the reigns but I think there are times he can’t help it. They fight, they talk, they are together.

Shen Yuan always loves Binghe and maybe he still ends up a little blackened but Binghe is quietly determined to make SY corporal. Pull him from that control panel and somewhere Binghe can hold him close. Maybe tuck him away in a nice little cottage where there is a little farm and greenhouse with all the plants SY can tend to, bookshelves filled to the brim with books and stories, in a place where SY can see all sorts of creatures to his hearts content.

The “Video Game” character being protective of their “player”

SY being a rage gamer also is so funny to me, Binghe is the only one he hears the absolute filth and insults SY throws at their enemies and frankly he either repeats it or relents that he isn’t as creative.

Binghe maybe not aware of his protagonist halo but aware of the little green ghost who can just barely manipulate the world if Binghe is in enough trouble. Shen Yuan being the only one who gets quests and updates of things Binghe needs to do and being limited on what he can tell Binghe.

The soft apologies when SY can’t control where they go or what happens can only help Binghe respond.

This is long and I am still pulling thoughts but I am slowly getting brain rot

[certifiedsexed]

hey there! i don’t mean this in bad faith at all, and i’m not trying to use a term that’s a fascist dogwhistle. i promise i’m just confused😭

so i’m not a guy, nor have i ever been perceived as one, but in one of your recent posts, you said that men can’t experience oppression solely based on the fact that they’re men. which was kind of confusing to me — i don’t think you’re wrong, i think it’s me but i don’t know how to get to how you see it like that.

because in my experience, men can experience oppression because they’re men, although i don’t know if i’m saying that right or conflating the meanings of certain terms. i’m probably wrong, and would just love some clarification?

for example, my brother and i were always held to different standards growing up — it was expected of me to always cry and be emotional, and i was a ‘stone cold bitch’ if that wasn’t the case, but if my brother wanted to show negative emotions like sadness he was treated like there was something wrong with him too. and i know it wasn’t my brother — i spend a lot of time working with my high school’s diversity team, and in a lot of the events we organise, guys talk about how they feel enormous pressure to be angry and never sad, and to have stereotypically masculine interests and never deviate from that norm.

i also know men who’ve struggled to get jobs such as teaching as those are viewed as ‘female’ jobs and it’s a common view that men who want those jobs are ‘only in it to be around kids’. i’ve heard many women around me perpetuate sentiments like that, so i know they’re not making it up, even if it isn’t equal to the systematic oppression women face in almost every aspect of their careers.

i’m not providing these examples to prove you wrong, since i do think you’re right. i’m hoping that a window into the way i’ve always thought might help you clarify this in a way that can help me to change my mind, since i just think i’m lacking some clarity or context here. i think i’m conflating abuse and stereotypes with oppression, but i’m really not sure. any advice would be really appreciated!

i’m so sorry if this comes off badly, i don’t mean it that way. i’m just trying to learn, i promise i’m not trying to promote the kind of hate and close mindedness you’ve been seeing in your inbox as of late.

Hi! As always, I do not mind answering genuine questions!

The things you're talking about growing up and seeing boys around you pressured to present only certain emotions, that's part of the patriarchy!

Certain emotions are supposed to be "feminine" and thus boys shouldn't show them, while girls are often always considered "emotional" in some fashion. That's not oppression based on those boys being men that you're talking about.

It's the backlash that the patriarchy, and by addition trans/misogyny has on men. It's boys being pressured not to show certain emotions because those emotions are "feminine" and they're supposed to associate feminimity with weakness and shit.

What you're talking about there is also trans/misogyny!

The idea that men who do things perceived as feminine are predators, the idea that specific jobs are "female" jobs [while even in those specific female jobs, men are generally paid better and find it easier to get into those jobs than women trying to get into traditionally "male" jobs"]

[Though obviously this varies based on race and whether they're trans, etc, etc.]

To be a little more clear, all of the things you're talking about don't primarily affect cis men/boys. They fuck up transfems, because it's trans/misogyny.

You're right! It's not systemic oppression.

You might wonder if it's social oppression, which is also a no. Social oppression would require a historical/systemic oppression behind it. But that doesn't exist in this case.

What it is is the common issue oppressors run into. While they benefit greatly from oppression, there is also backlash they face from their own systems of oppression.

Like white people who fall into suicide cults trying to work towards white supremacy, or TERFs who fall into groups where they slowly pick each other off as they discover they're not all exactly the same and wind up accusing each other of not being "real" women, systems of bigotry simply do not work out perfectly even for the oppressors.

They never do.

To create the patriarchy, you must establish trans/misogyny, you must establish intersexism and you must push people to conform to those ideals, even if they hurt your own.

It's similar to how white supremacy can harm white people, despite white people obviously not being oppressed racially. The backlash of oppression hits even the oppressors sometimes.

Suppression, as a term, would honestly work far better to describe what you're talking about.

So yes, it's stereotyping, yes it's abusive to tell your children not to show/feel their emotions but it's not oppression based on these guys in your life being men! It's part of how trans/misogyny, transphobia and intersexism are enforced.

I understand exactly where you're coming from! It doesn't sound bad and I genuinely don't mind answering questions! Especially since you've got some good ones!

I'm not sure if I rambled too much to explain this properly but I hope this helps! Let me know if you have any other questions and/or need me to clarify anything here. <33

[bickbickbarnes]

Hello! I'm a black woman and I just wanted to say thank you to the large number of Jews who showed up for Harris. It made me feel a little less alone and a little less sad. I also wanted to say i'm sorry about the absolute nightmare levels of antisemitic bullshit going on. I don't understand how these people sat through history classes, saw the horrors that were enacted upon Jewish people time and time again, and think what they were doing is ok.

Oh god, I feel weird about being thanked for voting in like. A bare minimum of morality. And I really really don’t want what I said prior to sound like I want anyone- let alone black women- to owe/give me any thanks for that. I don’t think it’s owed. We’re all voting for our- collective- survival and benefit.

When I talk about being hopeful that other groups, especially the black creators I see talking about it, notice that Jews showed up- I really mean the second half of what you said. We shouldn’t be alone. We shouldn’t feel alone. We’ve been connected in the states since the civil rights movement (and in many cases, before- they were exiling Jews from the south prior to the civil war). The same groups hate both of us. We don’t need to have friction with eachother.

And while I could write an essay about racism in the Jewish community and antisemitism in the black community- it….really would be an essay.

So to sum up: thank you for recognizing antisemitism. Thank you for noticing it’s rising. Thanks for listening to us. Thank you for either knowing Zionism wasn’t the propagandized pure evil it was made out to be this year- or for taking a minute and rethinking that. Thanks.

[cigarettessmokeandberries]

Fixer Upper Part Three (Melissa Schemmenti x reader)

The day has worn on Y/N and even Melissa has seemed to notice.

A/N: i apologize for any formatting issues

  The most pressing thing Y/n has tried to help Melissa with, is her double classes. Y/n had contacted the school board, spoke with Ava about possible budget changes (though, Melissa would have hated it if that were the case) and even tried to convince an Addington teacher to switch over with the expense of a pay cut (a desperate and last ditch effort) . It seems all avenues Y/n went through, none led to a successful outcome.  

Meanwhile, while Y/n spent her days trying to help Melissa, Melissa now had a new task: finding out if Y/n is scheming something with her niceties. Melissa had grown a liking to Y/n, or rather more of a tolerance to the member of the enthusiast gang. But, that didn’t mean Y/n wouldn’t butter her up for something. Melissa knows it would be nothing malicious, but doesn’t know what she would name it. She almost thinks it could be a “crush,” but only chuckles at the thought.

Walking into the teachers lounge, Melissa notices two things: Y/N looking worse for wear, and a mess of police tape around the coffee machine. Melissa takes her seat, setting her things down on the table.

“What’s up with you?” She throws over her shoulder before turning to face Y/n. Y/n faces Melissa with a sigh.

“End of the year reports,” Y/n says before taking a sip of her coffee- out of a paper cup that looks rather familiar. But, Melissa stares at it only for a moment before speaking.

“I know ya’ have more than a month for that, you gonna tell me or not?” Melissa sighs and waits a moment for anything other than silence. A too long silence passes before Melissa rolls her eyes, turning to her phone.

The lounge remains silent until everyone else piles in a minute later. Janine takes her seat next to Y/n, fixing a smile her way before seeing the defeat in her eyes. “End of the year reports stressing you, too?” Janine questions with a sympathetic nod.

At Janine’s sentence, Melissa turns around, “Yous started those,” Janine looks towards Melissa with raised brows.

“Of course?” Janine replies surprised that not everyone had.

After hearing Janine’s response, Y/n perks up, happy her excuse has defense.

“Yeah,” Y/N comments with a little more confidence. Melissa looks at both women with a confused expression furrowing her brows before deciding her time would be better used for some other meaningless morning task.

---

---

Y/N’s fingers were sore, her brain was fried, and now she had made a mistake she would surely regret by the end of the week. Y/N had talked Ava into splitting Melissa’s double class with another second grade teacher. She knew Amy, said teacher, would soon be marching to her desk with more than a few ugly things to say. Y/N had told a slight lie to Ava, saying Amy was more than willing to take on more students. She nearly got on her knees and begged Ava to switch up the classes, and Ava was surprisingly reluctant. She is slightly convinced Ava only agreed to the switch to teach her a lesson, knowing the other woman also had an inkling of Y/N’s little crush.

Y/N’s head rested in her palms as she leaned her elbows against her desk and a headache brewed. She felt too hot, even in her short sleeves, and she could almost swear her forehead felt a little warm. She hoped she wasn’t getting sick but she knew that the stress was getting to her body. Just as she was ready to face the day, lift her head high, and finish her reports, Amy walked through the office. A nearly audibly groan left Y/N’s lips before she was able to snuff it out.

Amy walked up Y/N’s desk and the next few moments were a barricade of insults and nasty words.

---

---

Y/N’s eyelids felt like weights as her shoulders hunched over her desk completing paper. The last bell of the day rang and all the students rushing out just caused Y/N’s head to pulse more. It felt like someone dropped a paperweight inside her skull as each set of feet hit the ground. She had skipped lunch to nap in her car but yet the headache still prevailed. A sigh of relief left Y/N’s lips as soon as the last of the students made it outside. She rested her head on her forearms and now definitely felt a fever coming on.

A loud familiar voice rings out not more than a few moments later causing another ring to sound through her head. Melissa made her way into the main office, ready to foil whatever plan you had been working on. A twinge of something went through Melissa, one she was sure to ignore now, when she saw the state Y/N was in. To Melissa, the woman looked worse for wear with her tired eyes and slouched shoulders. Melissa was quick, though not too quick she reassured herself, to plant her feet in front of her desk before speaking in a tone she considered gentle.

“You look like the Eagles just lost against the Cowboys,” Melissa’s tone takes on a harsher note at the mention of the Cowboys (don’t mention the Cowboys, Y/N notes even in her sickened state) but nonetheless sounds softer than normal.

Melissa reached over the desk and placed the back of her palm against Y/N’s forehead and was relieved to not feel the warmth of a fever, but that only made her eyebrows furrow. Melissa had no idea why she cared so much at the sickly state Y/N looked in but her heart constricted in her chest at the thought that you were coming down with something. Melissa chalked it up to her appreciation for the speech. However, before Melissa could speak anymore, Ava waltzed out of her office.

“Melissa-” Melissa’s worried brow creased more as Ava told her about her class transfer, especially when told she was sending most of her class to one of the bitchiest teachers , and it finally made some sort of sense. The coffee cup from this morning was now fresh in her mind, but priority number one was whatever the hell was wrong with you right now.

As soon as Ava walked off, an almost scowl painted itself onto Melissa’s face. She wasn’t angry but the conclusion she had reached had her feeling a way she couldn’t describe, so her only option was to block it out. Why was Y/N doing all this for her? And why was it making her feel some kind of way? Melissa did not have the strength to deal with it after thinking all day about what Y/N could want, but she did have the strength to make sure you at least got home okay.

“I don’t know your end game or what you have planned to throw at me, but when I find out-” Melissa stops herself mid-sentence when Y/N looks up at her, her eyes slightly glazed and her face paler than normal and another twinge shoots through her chest. Melissa found it hard to lay out a threat to her. Oh god.

“Come on.” Melissa’s sentence was not a question, it was a command, so quickly Y/N stood up and grabbed her bag, a slight pang going through her head at the same time a flutter echoed in her stomach. Two fools.

---

---

The drive to Y/N’s apart felt longer than it should have. The air in the truck felt thick as Melissa focused on the road. For most of the trip, Y/N had been watching the passing of the familiar landmarks but as soon as they passed the coffee shop that Melissa frequented, her attention shifted away as if Melissa could read her mind. Soon, her eyes were drawn to Melissa as she drove. Her hands gripping the wheel lightly as she breathed softly against the heat in car, just now getting warm enough. Her freckled skin, Y/N even found her eyes focused on Melissa’s pores. As if Melissa could feel the heat of Y/N’s gaze, she turned her eyes from the road for a moment to put a question on her face.

Y/N’s mouth would not form any syllables, her tongue weighted down by her nervous thinking. Melissa bit back a smile with a short chuckle before focusing back on the road. The inside of Y/N’s stomach started to somersault.

---

---

“I would say to come in but I think I'll just pass out,” Y/N found her words on the welcome mat in front of her door. When the road marks started to spell home she had left Melissa to her driving while she thought about why she was doing this.

When Y/N had done the good deeds for Melissa it was a pull inside of her. Whenever she would see Melissa stressed or upset, her heart would ache with a pang of guilt. Y/N saw the most in Melissa and to see her suffering, even the tiniest bit, sent a feeling of service through Y/N. All the thoughts she had would wander back to Melissa and how she could rein in her struggles. Her brain could not go a day without fixating on something of Melissa. One day its the accent that drips from her tongue, the next its an eyelash that had the luck to fall on her cheek. How she wishes she could kiss it off and make a wish.

Even now, on her front stoop, Y/N is completely enamored by the way the light has shone Melissa hair auburn. The blue sky outside was a stark contrast to the raging storm inside of Y/N’s head, but even through the thunder of her brain, Melissa found a way through.

“Just get some rest, kid,” Melissa said the word 'kid' as if it didn't send a steel blade through Y/N’s chest. The veil of peace in her mind soon thundered as loud as her headache, shaking until it crumbled right down into her stomach. There was no chance there for Y/N, the fantasy was just that: a fantasy. Melissa had decades on Y/N and Y/N had a broken heart on Melissa.

Y/N’s head nodded mechanically as her mouth struggled to form any more words. ‘I’ll blame the headache’ mantra-ed in her head as Melissa turned to leave.

[browsing-and-anon-asking]

Hellooo first post

I was embarrassingly, watching back on one of my fav mlp redesigns videos and was like 'hey that would be cool... but with Fallout characters!!

Piper:

As you can see, I didn't mm change much. (Thank you Piper for your hate being easy to draw) However I assumed she's hot as fuck in all those layers and since she rarely goes out into the wastes, I thought of lessening the amount of clothing. Giving her a plain undershirt and jeans, her famous pretty jacket that has a 'closely matched' patch of cloth over one of the bigger holes in it. Also, all of her buttons are gone. So she has to have a belt to close her coat!

I also put her hair up bc I think she looks nice like that! Maid her hair a lil curly.

Gave her those belt bags to add on the 'women's clothes never have pockets' thing.

Gave her make up, since most reports before her wore it for charisma, I assume she picked that up.

Nail polish, I just think she'd like it to hide her dirty fingernails

Only does small smiles to hide her missing back teeth

Cait:

I changed a lot about her, bc honest!! I hated most of her design elements.

I forgot to put on her pit paint, so imagine this after going eirh sole survivor.

Took away her corset. Because I HATE that they would put a female cage fighter in ANOTHER unrealistic outfit. Let this woman breathe. Also, I made her tank top greasy because yes.

Made her more muscular, with more scars to show off. She's SO COOL!!!

Shortened her hair because hair is a BIG thing to grab in fights, and she's probably annoyed with how much people try to go for that. So she hacked it off! She did it herself!

I made her eyes a bit more detailed than the others to show off the drug abuse and trauma it left behind. It's not a lot, but it's a little detail, along with the needle holes in her arm.

So many missing teeth, and she's proud with a lisp.

Preston:

I love this man so much shut up.

Bethesda, let people of color have their hair! And have it be matted bc this man is too depressed to take care of himself instead of others

Made him less muscular and more on the skinnier side bc depression

Eyebags bc... depression.

I like his og coat, but again, so many layers are hard to run in, so I kept it to a minimum, like with Piper. His scarf, undershirt, slacks, and coat.

Give him more facial hair bc let that man actually look depressed bro.

Gave him earnings bc it just looks pretty on him. Small face scars he's clearly ashamed of and has tried to hide with makeup.

I mean, every word I said beside his head, they could change each other. For the better or worse

Thanks for reading! I'm gonna do a poll of other compainions to see which three I should do next :3

[endlessxdreams]

The little hints that are easily missed part 2:

1. When Charles said to Declan (I’m paraphrasing because I don’t remember exactly the lines) that he and Rupert are the same, stubborn, workaholics and want their way always winning I feel like it was a for shadowing for the dynamic between Declan & Rupert’s relationship with each other. They are the same person that in another universe they might be the other way around (Rupert married with kids and Declan a playboy). Regarding that, I feel that it was intensionally assigned as a scene to showcase that Declan’s hate was influenced by Tony but also reasonated the reason why Taggie is entangled with Rupert. Electra’ s syndrome where women fall for men that have the same personality as their father. She sees a lot of her father (which she admires) in Rupert. It may be far fetched but hear me out. Maud is a really bad mother to her children, especially Tags, which she is jealous because of her youth and beauty and she calls her retarted and stupid. Declan on the other hand, has a drinking problem, is a workaholic who rarely goes to his house, has anger issues and has been in a weird relationship with his wife (he enjoys other men watching Maud, lusting after her, being desired and sleeping with them) but as a father he loves Taggie (I think she is his favourite because in their house she’s the only person that is not problematic and tries her best to care for them).

2. Declan immediately saw the way way Rupert was watching Taggie at the pub and said “Stay away from Taggie, you’re old enough to be her father”. So if Taggie is 20 years old (in the books she’s 18) that makes Rupert 40 (in the books he’s 38). The dirt he gathered for Rupert and his secret weapon he will use it when he finds out about AngelBlack (I love the ship name, kudos ❤️❤️ to the person that suggested it).

3. The way he calls her “Angel” is his way of seeing the celestial light, she is an innocent creature, full of love, care and compassion for animals, people, her family. She’s an introvert who loves her own space, likes to provide comfort and love to others but also she didn’t choose this role. She’s not the typical 20 year girl. She’s like a mother figure, she takes care of the household, she cooks, she tries to help other people, her father, her sister while at the same time she tries her best to make her life better, to overcome her own difficulties (dyslexia)- As someone who has dyslexia I can assure you that is difficult, I’m lucky in a sense because while it was 20 years ago (I was in first grade) and it was when my teacher noticed and informed my parents, they didn’t dismissed her and they took me to speech and occupational therapists and is not bad (I read-write-think perfectly without a grammar mistake and when I tell people that I have dyslexia they don’t believe me because I’m the devils advocate and they tell me I should be a lawyer because I’m always 5 steps ahead. But I have a terrible ADHD brain disorder and I can’t remember stuff I read a day before and I can’t concentrate to read and understand what I’m reading/I have also a bad anxiety disorder so while I read I can’t get my mind to remember shit and get anxious and start crying and feel like I’m an idiot because I read the same paragraph 15 times to comprehend what I’m reading and wherever how hard you study and you try you always fail miserably). Mind you that this was 20 years ago in Greece which is not a place that people have empathy or tolerance toward someone else being different than them (even some teachers back then didn’t want me in their class or they didn’t want to help me study because they though I was slow and dummy and some of my classmates were the same). Therefore, I love the representation of people with learning disabilities and how difficult is for them to navigate life. And in the 80’s when so little things were known back then. Thus, Taggie is a fallen angel, she pays for other people’s sins, she is a pure sensitive soul, who from a young age she is always puts other people’s needs first, she keeps her distance, doesn’t try to make herself visible to others, doesn’t take space, attention, affection and love (only her siblings love her continuously as we saw at the hug scene of the NYE episode but I feel like the love her like a mother figure and not as a sister). Rupert’s sees all of that, her sacrifices, her fierce nature to others and her willingness and is drawn to her like a dog needs water, he is the devil and she will redeem him from himself. Someone on Tik Tok mentioned that the bedroom scene from the NYE episode was directed to Rupert’s emotional state. He is in a cold place, he doesn’t care about anyone or tries to give this impressions, he doesn’t see his children because his ex wife didn’t want him anywhere near them, he finds comfort between women’s legs but is temporary and he is a shell of himself and his glory days. And as he puts Taggie to sleep and they look at each others eyes, the celestial light shines bright making Rupert feel warmth inside of him, like all his sins will be consumed.

4. From all the people in NYE episode he was the only one that went into the kitchen and told her to relax and have fun, no one other cared to bother to remember that she existed (expect Patrick and Caitlin). He took care of everything that needing to be taken care of, he protected Charle’s photo of panic attacks getting on paper, he payed the DJ’s, cleaned up and went home. Acts of service. He saw Taggie in an fragile emotional state, feeling unlovable, unworthy, unable to cope with all of this pain and wanted to help her. He talked to Freddie and wanted all three of them to make the franchise in order for Taggie to not leave and because she was devastated by her father losing his job, credibility and leave the town she liked for once in her life. Rupert saw all of this. She had the world on her shoulders at such a young age and wanted to make her happy.

5. The line “What if no one ever loves me?” is a parallel to Rupert’s own thoughts. He confessed to never have been in love in Declan’s show.

6. The way that he was jealous of Ralphie and said that she can do so much better than him and watched intensely and wanted to throw hands for hurting her in the worst way, of Seb who took her to the movies meanwhile he was fucking Cameron.

7. He cared about her opinion of him. He doesn’t give a fuck or pretends to to other people’s opinions but with Taggie he’s eager to learn what she feels of him and he starts slowly to unmask himself from his persona. He gave her an egg jewel and not something mainstream which he would get for other women (for example the bracelet). He was pleasantly surprised by the fact that she accepted his apology but not his gift, because he is so used to pay his way into women’s hearts-pants and Taggie returns it. Also I believe that the egg jewel was a personal gift in which he choose himself whereas all the others were picked by the Jewerly stuff or his assistants.

8. He wants her empowered and to speak her mind. In the episode of the killing of the birds which she did the catering, he pursue her to admit that she will not do another catering job for hunting/killing innocent animals.

9. Rupert’s worry of Taggie’s accident and the way they hugged each other, especially him, the realisation that shr could have been dead. He immediately drove the car and Taggie home because she was so upset that she couldn’t drive and when he heard the tape of the directions, he offered both of them to go to the tours around city promoting Venturer.

10. The way that I HATED HIS GUTS/ LOATHED HIM in the first episodes and couldn’t fathom the fact that they’re a ship and slowly we saw him change, yearning and longing for a glimpse of her, like he see his true self come to the surface and be vulnerable when he sees her . As Bas said “crushing like a school girl”. A 40 year old playboy with a lot of issues that wants his partners daughter which he promised that “she’s out of bounds” and everything is complicated, he could loose everything, his money, his house, his position as a minister, Declan, Freddie, Taggie and his entirety of his life. Talk about complicated and difficult.

[cherrycolored-punk]

take a bite out of these

just an updated list of all of my favorite creators so far! I’m sure there will be plenty more added 🖤

thank you for sharing your talent and your amazing creations!

this is a little long so all recs are below the cut !

can also follow my tag #el’s fic recs

Eddie -

crash + fall by @trashmouth-richie - an ongoing soulmate AU series about my favorite freak that I’m already so very in love with and is written so beautifully.

she fucking hates me by @littlexdeaths - I’m still foaming at the mouth over this bully!Eddie x reader fic. it’s so fucking hot and I don’t think I’ll be over it any time soon (or ever).

after hours by @hellfire--cult - I am fairly new to the omegaverse and holy fuck what an introduction this was. I love a dominate Eddie and oh my god did Roe deliver.

sailor’s delight by @dr-aculaaa - this fic made me YEARN in a way I wasn’t prepared for. Drac is an amazing writer and I just wanna live in this little world they created.

let's go, don't wait by @carolmunson - the fic that has me questioning why none of my online dates have ever been this good. I fucking love this story so much, just wanna live in a world where teacher!Eddie falls in love with.

daylight by @abibliophobiaa - while I tend to stay away from pregnancy!AUs, this one had me hooked. It's cute, sweet, hot. I need a dad!Eddie stat.

twenty-four hours / coffee shop blues by @ghost-proofbaby - ghost is hands down one of my favorite Eddie writers. She writes him in a way that makes me fall in love time and time again. as a bonus, if you're a fan of astarion, she's written the moon will sing (i love you like the sun) which is just as beautifully written as the rest of her works.

the biology tutor by @mrsjellymunson - I binged this in a day, the premise and the smut were so damn hot that I couldn't get enough.

everlong by @andvys - this was my first introduction to andy's work and it has remained a favorite ever since. has so many amazing stories but there's something about a secret relationship behind Steve's back that gets me.

the yes policy / wish you were here by @pinkrelish - the way I lost sleep reading through both of these fics. I love the worlds that Alyson created and the version of Eddie she gifted us with. I've read them over and over again.

to know you’re mine by @blueywrites - I read through this series in a day, losing sleep may I add, because I was that addicted to it. I will admit, at first, I didn’t think it’d be my jam because of the swinger dynamic but holy shit does Bluey make it both tender and hot at the same time. I almost combusted. I seriously couldn’t get enough. She is an amazing writer and I can’t wait to read more of her work.

for your viewing pleasure / shelter from the storm by @rebelfell - the way Sarah has me absolutely on my knees for Eddie every time I read one of her fics…they genuinely leave me UNWELL (in the best way). like for your viewing pleasure? I was a little unsure at first (would I get jealous over a fictional man having relations with other fictional women?) but then I devoured it. it’s so insanely hot and she is one of the best smut writers on here. and shelter from the storm? pllleeeeasseee Eddie show up on my doorstep to check up on me in a storm. Please offer to get me there.

Steve -

we tried the world / she drives me crazy by @upsidedownwithsteve - if there is an author I equate with a character, it's Emmy with Steve. I was a diehard Eddie girl until I read her stories and fell in love with my favorite dork again and again. All her works are seriously a gift that I always return to.

all i really want is you / colors by @loveshotzz - the first author that made me even consider an older!Steve let alone fall in love with him over and over in every way she writes him. I will never be over either of these fics and re-visit them all the time.

we'll call it love by @superblysubpar - I've said before that this is part of my top ten and still is to this day. I revisit it often, falling back into this world. dreaming of this steve. story is so witty, funny and hot while also remaining tender in many moments. Also, simply the best - the title is pretty self-explanatory because the story is already that…simply the best. It’s ongoing but I am already hooked. I love the Spider-Man!Steve AU and Taylor is an amazing writer so I know it’s only going to keep getting better.

asking for a favor by @wroteclassicaly - this struck me right in all the perfect feels and Kristen has a way of doing that. I have a long to be read list but Kristen is all over it. She's an amazing writer and I love all her angst / smut.

Jonathan -

rise and shine by @eiightysixbaby - I hadn’t read a fic for Jonathan before, or really considered it, but man…this fic managed to convert me. Now I need him in the biblical sense.

Billy -

no charge by @hellfire--cult - oh. my. fuck. what a fast conversion this was to a Billy fan. Jaw on the floor, wondering why I don’t have a hot hot hot Billy knocking on my floor to give me the ultimate striptease plus 8 inches extra.

honey honey by @pastel-pillows - speaking of my fast train to a Billy fan, this is the fic that really started it all. He is so sweet in this, and I just ache for a soft Billy since reading this amazing fic.

@boltedfruit

@selineabanto

@xgumiho

@tubesock86

@stervrucht

@toktopus-art

@donttellunclesam

@littleststarfighter

@tellme-astory

@jemmacdraws

@obligatedart

@strangergraphics (graphics / headers / dividers)

@hugdealer (some of my favorites edited photos of Eddie)

@freckledjoes (photos / gifs)

@werewolfnat (formerly kingofscoops)

@djo

@steveharringtondaily

@batty4steddie

@emziess

most, if not all, of these are Eddie coded

you know I can eat you better than he can

getting hate fucked on your crushes bed by his best friend

post campaign pleasure with your dungeon master

your bully finds out you have a crush on him

[florsial]

Hi!!! What r ur thoughts on Snape???🙏

Hiii :D oh this will be fun!

I don't mind him actually! I think he's ONE of the most interesting characters in Harry Potter (Golden Era and during the 70s). I like him much more as a teenager, being a snarky and awkward kid navigating his social surroundings. I'm more sympathetic to him as a teenager (+During First Wizarding War) but I'm a little on the fence when he's a teacher (how he treated Neville and Hermione). I can understand why people dislike him for being a bad teacher.

I will be honest, I definitely think Snape is a HIGHLIGHT example of the Fandom's hypocrisy. There is a constant demand for morally grey characters in the fandom and yet when they are presented with a CANON morally grey character, they cower basically (and I mean this with Dumbledore too!).

I also do think he is demonized a lot, especially his friendship with Lily because it's the fandom's way of making up for the lack of women in every way shape, or form. Everyone is very careful about Lily (Jegulus shippers) and they fear portraying her in any negative manner because they think if they do they will get called misogynistic. So they put everything onto Snape.

If you ask me, his friendship with Lily is very complicated and I don't think either had a mass blame on the falling out. Snape thinks she was choosing his bullies over him and Lily thinks that Snape didn't think of her very highly, which makes it worse by the fact that she was muggleborn. I don't blame Snape for never getting over his hate of James, what the Marauders did to/allowed what happened to him was fucked up.

I was constantly picked on/made uncomfortable/chased around the school by a boy years ago and the adults didn't really hear me out, to this day I still feel uncomfortable. And it's been like what 7 years or so? Shit sticks and it is obvious nothing was done about it.

However, it is wrong of Severus to take it out on Harry! That I won't deny. Like I said before, I don't blame people for not liking him as an adult. It's just when they condemn a teenager for this?? Ehhhhh...

He as a character is interesting. I see him as a very "child imagination" character, going from an abused and forgotten (using that word loosely) kid to a war hero basically. It's almost like it's what everyone imagined as a kid. I think he definitely fantasized about something like that as a child. Being an abused boy and wanting out. And thinking back on it when he was dying.

When he was starting Hogwarts, I hc that he was very fidgety. Skining-picking habit, twitchy, not staying still, picking at his lip, and was physically all over the place. His friendship with Lucius can actually be pretty sweet. Severus cools out the longer he goes to Hogwarts.

[vindieselsfacebook-blog]

Omg I was positively foaming at the mouth reading this - thank you for sharing! As the self-proclaimed no. 1 AYITL defender, you're beautifully articulating so many of my opinions, too. I must chime in with some thoughts of my own:

I agree that it feels cozy and comfortable for me, too! It was never going to look as gorgeous as the early seasons filmed traditionally with Michael A. Price at the helm as cinematographer, but the colors and lighting are so much richer and beautiful than S6-7. I think a lot of people bristle at all the cold blues in the first episode, but babes, it's Winter - that's the point??? Fall is stunning. The sets look more expensive and lived-in than a lot of the original series does. On a cozy Sunday night, the episodes I most think about turning on for comfort-watching are the pilot, the last 3 in S4, sometimes the last 3 in S7, and AYITL!

AYITL has SO much gratifying closure and growth - I haaate when fans say they hate it because it feels like no one has grown and they've just been immaturely frozen in time. That's the point! They finally are!!! Wouldn't you prefer seeing that to being told it happened off-screen years ago?

I think the only thing I really disagree with you on is your more pessimistic takes on Lorelai and Rory, but especially Rory. "Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family." I totally disagree with this. I think Rory is a chronic people-pleaser with shaky self-esteem. Her family thinks the world of her and she often really struggles with the weight of those expectations. She's expected to succeed where Lorelai failed not just to justify Lorelai's entire life's ambitions, but heal her grandparents' wounds, too. Her father left her and shows little to no interest in her. Her paternal grandparents tell her to her face she's a disappointing mistake that ruined lives. It's not that she has no idea how to deal with not getting what she wants, but she has no idea how to deal with failure when she was doing all she thought she had to to succeed. She's a list-maker, a studier, a rule-follower - when things don't follow her obsessively planned plan, she melts down. Her worst decisions are made when she finally explodes after bottling up her emotions. People often say Rory never suffers consequences but that also isn't true? Headmaster Charleston enforces rules and punishments on her multiple times in S1 and nothing is simply handed to her at Chilton. She really struggles those first few episodes. Dean publicly breaks up with her and calls her out on her shit with Jess. She flounders her first year at Yale struggling to get her articles published then having to drop a class because she can't keep up. She tries to date and has a tough time connecting with people. Mitchum is an asshole to her and makes her doubt her entire career path. She doesn't get the NYT fellowship. The list of Rory's struggles, failures, and consequences go on and on. I really don't get why people seem to gloss over them? Because her mother loves her and believes in her in spite of these things...? Why do women in fiction seemingly have to "earn" love and support?

"Rory’s life rhymes with Lorelai’s." Obsessed with this line - what a beautiful way to put it!

I've truly never thought of a what a perfect metaphor coffee is for Lorelai's vices. You're soo right and it's soo good! Having Luke be the provider of her favorite coffee is also just *chef's kiss*

One of my favorite parts of AYITL is Lorelai redirecting Richard's inheritance from Luke's business to hers. In contrast to her begging for the tuition money in the pilot, this time feels like an empowered decision. Her dad wanted Luke to expand his business because he felt like his daughter's partner should be taking care of her. She says no, I'm the one taking care of myself and expanding my own empire - I don't need my husband to do that for me and I can honor my father's legacy myself. :')

Just to nit-pick, I must remind that Lorelai never "refused" to expand the Dragonfly - she literally couldn't and I think that added to her feelings of frustration and being stuck in place. There was no space at the existing building, protected wetlands preventing expansion, and she couldn't afford another property until she thought to use the money from Richard. Also, as symbolic as it would've been, the Dragonfly Annex isn't the Twickham House. Kind of glad tbh as I always found the Twickham House ugly as hell lol. I hate that storyline for multiple reasons, but the top is that it feels sooo not like Luke or Lorelai???

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly using one of the biggest monuments to her fear of commitment – the Twickham House. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[mzannthropy]

I've been on Tumblr since 2014, but I never interacted with anyone; if I did, it was only minimally. Until the last 10 months.

It's been good, but what I worry about is my unpopular opinions. I know that majority of the time I'm on my own, and I don't expect this to change (I'm not here to convert anyone, I don't even want to!), I just hope that anyone seeing any of my wild takes on any subject is okay with it. There's... certain things I'm always gonna be heretical about. So just don't mind me. I'm the crazy aunt living in the attic with her black cat.

[chessb0r3d]

i cracked the code.

[florida3exclamationpoints]

Already seeing Agatha hate after this episode bc yall can't handle a woman being a little evil and mean

[wowevenmoreloveonearth]

I really need to stop going into the general 911 tag bc some of y’all are so stupid and that’s ok but you’re also really mean and I’d like you to please keep it away from me (I have blocked so many people already)

[sskk-manifesto]

Ep 5!!!

[tls123]

Oh my god HOW DID YOU LIKE SVSSS!!!!!

i liked it more than i thought i would but overall less than i might have given the potential of the story, i think in general i really enjoyed the characters (mxtx never goes wrong with characters, she creates them in a way that makes me feel unhinged) and the world building but the pay off to the set up—which i really liked!—felt a bit........ i mean, just alright.

the dynamics too are pure mxtx, personally the bin/gqiu dynamic specifically really was the least interesting part of the whole story. to me!! but individually i loved both characters. my interest was just elsewhere because """elsewhere""" felt way more fascinating idk how to explain it

was very, very happy about the extra with airplane and the yue qingyuan / shen jiu one because that's exactly what i wanted more of in the story itself as well as just more shen yuan/qingqiu interacting with cang qiong mountain

maybe it's my orv brain but like i told jana a while back i think i would have enjoyed svsss way more if it was more about shen yuan (loner; hater; etc) suddenly finding himself among all of these people (disciples looking up to him; sect siblings relying on him one way or another; common folk admiring him; etc etc) and starting to.... live? again?

Shen Qingqiu hadn't noticed that, unconsciously, he no longer considered the disciples around him (...) to be mob characters the novel had described in a scant number of words.

^from volume one, he starts seeing them almost immediately because he's not actually that separate and he genuinely cares. all the time. about everything. even before that we get:

This was only a book, and all the people were constructs, imaginary characters. Logically, Shen Qingqiu was very clear on this fact...but when a character was actually being taunted and bullied right before his eyes, it was just flat-out unrealistic to expect him to be completely unmoved.

like why are you lying, shen yuan (<- svsss tagline if there ever was one)

just the idea of this really lonely detached guy finding a community, i know it's not the story mxtx was trying to tell but again, with the set up i really wanted to see it go in that direction.

there's one line from vol two where liu qingge goes "you fear becoming a burden to cang qiong mountain (...) but cang qiong mountain fears not your burden"

and basically what i'm saying is that i wish the story had been about THAT

(and also ning yingying's lines in that same chapter about shizun always taking on everything himself and why is it always you like that whole moment with the cang qiong mountain almost begging him to see that they care. idek what i'm saying but you know)

(also foaming at the mouth that we only got tiny tiny glimpses of shen yuan's life from before, those handful of times he mentioned his siblings i wanted to take a bite out of my kindle. tell me more!! dear fucking lord tell me more!! keep talking! elaborate!! he really felt very "kim dokja and his fourth wall" at times, sorry once more about the orv brain)

tldr: i guess i wanted a story about shen yuan/qingqiu but mxtx created svsss to be a story about bin/gqiu. and i just have to be okay with that.

[itspileofgoodthings]

that Bobby Bones interview with Taylor where he claims that the cookies she gave him made him sick and she tells him to stop lying is my Roman Empire because I can’t stop thinking about how, while keeping it still lighthearted enough for interview etiquette, she unequivocally shuts down his gaslighting and despicable toad behavior.