#also we've collected the whole set!!

[docotokautism]

@krabkrab-wontshutup @purplelilacs-deboibands we're the holy trinity of May i'm not a girl not yet a woman profile pictures

[am-i-the-asshole-official]

UPDATE What's up, it's the proposal guy. You said you wanted to know how this turned out, so I figured I'd tell you. First some context though, because I'm mean and I wanna keep you in suspense longer.

1- I don't wanna doxx us so I'm not telling you where we live, but suffice to say, neither of us are American, and gay marriage has been legal here for less than five years. For both of us, this is the first relationship we've had where marriage was even an OPTION, and I think that's where we've been getting some of that whole 'this has to be a REAL proposal with EVERYTHING' idea.

2- I gotta figure out how to explain this properly. So, I'm pretty used to being the GUY guy in relationships? I was always the one who did the nice gestures, not the one they got done for. Before I met my dream guy, I didn't really notice or care that it was such a thing, I just assumed that's how shit worked. Also, I promised I wouldn't talk a lot about his stuff here, but his last boyfriend before me SUCKED. Anyway point here is, it turns out we both REALLY like feeling swept off our feet sometimes, and a big part of finding each other has been getting to feel special for once? That's a stupid sappy way of putting it the point here is I think all that's what morphed into "I need to be the one getting proposed to, also it has to be completely perfect", and then our Petty & Extra genes got involved.

So I'm sitting in bed thinking about all that up there, and watching all the comments coming in basically being like "Dude, you are BLOWING this" on repeat, and telling me to compromise, and I look up and see him flossing in the bathroom and making all these doofy faces at the mirror, and it's like a switch just flips in my brain, and I'm like "Oh, I'd rather he gets to have his perfect proposal than we both have an okay one". I'm gonna do it.

Morning rolls around, and while I'm 'out for my jog like normal' I hit up a pawn shop for a temp ring (the ring pop thing is cute but NOT HIM). I found one I was at least confident wouldn't get ruined the first time he got his hands greasy (he fixes old machines as a hobby it's hot as hell), got back home, and hid the box in the toe of my nasty ass workout shoes in the bedroom closet, since I figured he'd check there last.

He was still asleep, because he stays up late no matter what and then is SHOCKED he's tired the next day, so I called and booked a table at our usual anniversary spot. (Side note about the 'he picks bad restaurants' thing. This isn't an 'I like Greek, you like Chinese' situation, dude's just BAD at finding places. He either assumes pricey is tasty and I get to eat some overrated gourmet bullshit, or he'll try and find something hip and underground and risk giving us food poisoning again, and he REFUSES to give up and pick somewhere we've been before when it's his turn to plan date night. I'm obsessed with him <3.) Date was set, I'd propose on the 21st.

Some of you might have noticed this, but fun fact! It's currently the 16th.

Last night I'm doing dishes and he's been sent to our room for mug collection duty, and he's taking FOREVER, so I go check just in case he found the ring, because the man's a gift tracking BLOODHOUND. Turns out he hasn't, he's found my Angry Box.

I assume other people have an Angry Box? Basically, we had this huge messy fight right when we first moved in together, and I never wanna let it get that bad again, so I have this shoebox where I keep a bunch of our stuff I can look at if we're fighting and hopefully cool off. There's one of those photo booth roll things, letters we wrote when he moved back with his parents for COVID, the wine cork from our first date, shit like that. Anyway, he's just sitting on the floor staring at it, and I explain about the Angry Box, and then he! Proposes!!! Kind of.

He definitely didn't have anything prepared, because by 'propose' I mean 'ugly cried & rambled at me for several minutes before I figured out it WAS a proposal', but once I got on the same page it was amazing. I said yes, and he had to admit he didn't have a ring for me because he was CONVINCED he'd win and I'd do it, so I grabbed mine because, yeah, he was right. He was like "this is the ugliest ring I've ever seen" and I was like yeah well the plan is to replace it later and he went "No. You can pry this off my cold dead fingers. After I'm buried with it." So I guess it's not a temporary ring anymore.

I'm just gonna go ahead and skip to this morning. I pointed out we still have the reservation, and he said I should propose there anyway because "We can get a free dessert. They have those creme brulee shot glasses you like. And for love, or something" and I said ok deal, but that means you gotta get me a ring to keep it fair, and his eyes LIT UP. When I swung by his work for lunch he was still on the phone with a jeweler and he had a whole page of notes on three other ones. Pray for me.

OH PS: I was RIGHT that he'd been the one behind the cat biting me, but it wasn't about the proposal stuff, it's because I paid my baby sister three dollars to shout 'fuck you' every single time he enters a room she's in for (if you ask me, he should be madder at my sister for charging so little), and he did it by giving her a bunch of treats for biting his hands too, so now neither of us can pet our baby girl without oven mitts on. HOLY SHIT I love this man.

Oh my goddddddd I love everything about this <333 I awwww'd out loud on a voice call, like, six times while reading. You two are friggin perfect for each other and so obviously smitten with each other and I wish y'all all the happiness in the world

PS Are y'all planning to have a big wedding? If so oh boy I can't WAIT to get that one in the inbox

Original post

[firestorm09890]

the City setting in Project Moon's works is great because it starts you off with a bunch of fantastical monsters and then it goes surprise! it was all science fiction this whole time! and gives you fucked up scifi explanations for all of it (specifically referring to abnormalities being drawn from the collective human subconscious here instead of actually coming from the places their observation logs say they do) and then it's just like haha we've tricked you again there are actual vampires in the city. the dark forest with the apocalypse bird trio is a real place. the healing technology is nanobots? wrong! it's actually tears we got from this giant crying eyeball. how did that eyeball come into existence? some guy wished upon a star. with the AI Ethics Amendment and the thing about all non-humans being banished to the Outskirts I mistakenly drew the conclusion that "non-humans" just meant "artificial intelligence" but nah they straight up got gnomes out there. also airplanes don't exist

[manikas-whims]

LADS men + Halloween Costumes

Now with Sylus solo banner upcoming, the possibility of getting a Halloween quad banner is nil. And i’m happy for it cuz this has saved me from making a really bad financial decision 😆

anyways here's some mulling over the LIs costume choices..

SYLUS

Option 1: Vampire

If we consider Sylus’s overall aesthetic, then Vampire is the most obvious choice for him. He can't go out in the daylight for some inexplicable reason; definitely a creature of the night. He has red eyes that glow in the dark. And even during Destiny Café interactions, he playfully sinks his teeth into your palm. No doubt he'd enjoy sinking them more into your neck 🤭

Also like imagine a 5 star Sylus Halloween card where MC begins suspecting Sylus to be a vampire. And the whole card revolves around her trying to collect evidence. Even Luke and Keiran begin to suspect Sylus thanks to MC and the 3 join forces. The card ends with Sylus playfully scolding all of them 😆 and laughing in disbelief, in that deep cadence that he has 😊

Option 2: Demon

Another obvious choice. If not a vampire, then the red eyes and dark aesthetic are also quite befitting for a Demon attire. A very charming demon who lures you into sinning by offering his black card 🤭 and ofcourse you willingly sell your soul to him.

Option 3: Bounty Hunter

You know those charming sorts of outlaws that everyone loves and roots for? Yeah, that would fit so well with Sylus. Especially the steampunk aesthetic. So yeah..a steampunk style, bounty hunter Sylus with an array of weapons strapped all over. He only works solo but will definitely make an exception for you 😌

Option 4: Crow

Unlike the other two, this option involves a big, poofy bird suit. A crow outfit to be specific. And he looks simply adorable in it 🥺 Imagine yourself trying not to laugh as you sneakily take millions of photos of him in this outfit 🤭 while he sneers at you but there's no actual anger behind his gaze.

XAVIER

Option 1: Werewolf

It may sound unusual upon first thought but this will play so well into his overall persona of the “wolf in sheep's clothing” or “wolf in bunny clothing”. He did nibble on your finger and sniffed your scent in the No Restraint card. And I'm damn sure he has a thing for biting and marking. So just imagine him putting on the wolf ears, claws and fangs, and he starts acting more sly than ever, saying he's only playing the part 😉

Option 2: Royalty

Another obvious choice. Xavier is pretty used to this cause he is royalty afterall. So assuming a position of power comes easy to him (remember Floral Blessing?). Maybe some sort of chivalrous and gallant prince because he can easily add his swordplay skills to it. Seeing him regard you as his queen will be a treat sweeter than all the candies 😌

Option 3: Lumiere

You think it's the most hilarious inside joke— Lumiere hiding in plain sight amidst the crowd of Linkon on one night where a large majority would be dressed as their legend. Their hero. Xavier absolutely hates it! And he hates the amount of people he spots in Lumiere costumes. But he'll put it on upon your insistence. Just be ready for the consequences later on cause this man is jealous of his own superhero alter-ego 😭

Option 4: Angel

Xavier with large white wings protruding from his back would be another fitting sight with his overall white/silver aesthetic. Imagine him as your guardian angel, always watching over you, protecting you and trying his best to guide you on the right path, despite his own desires for you.

Option 5: Bunny/Alien

If not the above choices, then some cute/sexy bunny costume (though we've already got our bunny butler). Or a really silly alien costume that somewhat resembles his sticker set. We know he'll look squisher than ever in those 🥺

ZAYNE

Option 1: Mad Scientist

Something similar to Dr. Faustus or Dr. Frankenstein (yeah Frankenstein was NOT the monster but the name of the guy who created the monster..in case some people still don't know 😭). Zayne’s personal goal– his obsession and drive– to keep MC alive is somewhat similar to Dr. Frankenstein’s obsession with unraveling the secrets of life and well..ultimately beating death by bringing someone to life. And Zayne's hunger for knowledge is also similar to that of Dr. Faustus’s who readily sells his soul to the devil in exchange for knowledge.

So yeah..Zayne as a mad scientist, obsessed with knowledge and the drive to keep you alive would be intense 💯/💯

Option 2: Tutor

He'll sigh, take off his glasses and pinch the bridge of his nose in annoyance, like he always does. But you'll somehow convince him to do it because he's incapable of saying no to you.

It starts as a silly costume idea but the moment you see his legs clad in those unusually tight-fitting slacks and the pointer stick in his hand, you realize you might have a tutor kink and that you wouldn't mind misbehaving cause you'd actually enjoy getting punished by him 🫣

Option 3: Snowman/Penguin

The cute option! Definitely Dr. Carter, Yvonne and his other co-workers coaxed him to put it on for the little kids visiting Akso hospital throughout the week. When you stop by for a scheduled check-up and stumble upon him, you can't help but take loads of pictures of him with the kids 😊

RAFAYEL

Option 1: Merman/Siren

Just like Xavier as Lumiere, Rafayel as a merman on halloween would be such a spectacular inside joke.

At first he'd be offended because the fake tail you bought for him would feel like an insult to the real thing. He would pout and narrow his brows but after your constant cajoling and sweet-talking he'll agree to indulge you. And it's all fun and games until you realize why all those sailors in fiction are so terrified yet turned on at the mere sight of a merman/siren. He'll entice you so easily with his velvety voice 😵‍💫

Option 2: Assassin

Don't fall for his pretty face. Rafayel can be cunning, deceptive and deadly when he wants to be. (in the main story and also as Abysswalker). As such, putting on the attire of an assassin would come easy to him. His charm is as lethal as the numerous daggers he conceals within his clothes. He’ll strike you right in the heart. Can totally imagine him doing finger guns at you 😉

Option 3: Chick

Pouty babie in an adorable chick costume with a beret and paintbrush, like his sticker pack. Imagine him struggling with the bulky costume, trying to waddle towards you in annoyance, demanding you to immediately help him take off the costume. Despite it all, he'd let you hug him and take selfies. He'll hate every minute of it but still pose properly when you take pics 😆

these are just some silly thoughts..what are your costume ideas for each LI 🤔

» MASTERLIST «

[seirindono]

What are Sloth Sans/Demon Sans Powers; relationships; what is he like in the other runs???

Ok, let's talk about Demon! Sans!

The embodiment of idleness, he's the predator of many emotions and states linked to this sin, such as apathy, depression and resignation.

We've already talked about his use of illusions (music/ hypnosis) to charm and disarm his victims, dreams being his preferred hunting ground, and one his unique ability (your personnal sleep paralysis demon), but he's just as much as a threat in real life!

His preferred strategy is to lower the enemy's stats (DEF, ATK, HP, etc) so he can finish them off with a single strike or, better yet, let their body slowly die while he lulls their soul into an endless dream.

He gradually deprives them of the desire to attack or defend themselves, amplifying the fatigue (physical and psychological) and sense of powerlessness, of helplessness hidden deep in their souls.

If he's in a playful mood or if his victim has upset him, he takes great pleasure in awakening their traumas by peering into their unconscious and projecting nightmarish hallucinations. Making them super aware of their situation is also effective: they can't defeat him, and even if they could or if he decided to spare them, only death and more pain awaits them at the end of their journey, by the hand of another Lord or bc they're litteraly in hell. However, his habit of granting a “peaceful death” is viewed as merciful compared to the other Lords (or cruel and messed up by others)

A word of advice, however, to intruders venturing into his Snowdin territory: if you stumble upon his collection of ice statues or a suspicious pile of snow, keep walking and don't touch anything.

----

I'll focus on the relationships showed here

Gluttony - His brother. He practically raised him and supports him to this day, going so far as to share the territory where they grew up (Snowdin). Demons tend to avoid such close ties, as it can become a weakness, but the Skeleton brothers are a rare exception, having proven time and again their ruthlessness.

Lust - They don't usually interact but Lust suspects he's hiding something from the other Lords. + there was the time he teleported in his sleep onto the set of Lust (live broadcast), putting everyone in the audience to sleep. He doesn't remember but Mettaton might hold a ti~ny grudge.

Pride - A combination of distrust and disapproval of some of the King's past decisions. He remains loyal to him, but doesn't mind the distance between their respective territories.

Wrath (former) - Lord from the past generation. He was close to them and received a lot of help from both him and their skeleton friend. Both disappeared overnight, their names erased from the archives as Undyne took on the now vacant role. He can't openly look for them bc of the King's order, but he assumes they must have found a way to hide somewhere…

Frisk - The kid that somehow managed to become friend with his brother and is now cosplaying as an imp. He has no interest in directly harming them, only playing tricks on them and witness how far they can make it with that puny soul.

---

Other runs:

This part is still a WIP since I've mostly worked on a "neutral route" so far lol Also, Demons are, well, "bad", so the genocide run requires more reflection

Neutral:

Mischievous and willfully neglectful, he tolerates Frisk and the player on his territory, but doesn't go out of his way to help them since his brother is already helping.

Pacifist:

Still playful and unbothered, but Papyrus has told him all about Frisk's adventures and how they became friends with other Demons. He is curious and may appear at randoms moments in the run to help the player (tell them about a secret passage in Waterfall or come and play an instrument for Lust's show and put the whole audience to sleep).

.Gives Frisk a bone instrument (a very tiny violon) to celebrate their friendship and shares some secrets with them, like the origin of the bells on his and his brother's horns and how hell used to be before the Queen left.

Genocide:

Same as neutral until he kills Frisk for the first time. He'll trigger a blizzard on the next playthrough to block the door leading to HOME, trapping the player in the empty ruins to observe their reaction. If the player manages to find another way out (or force their way out), Sloth will appear to them only as illusions, asking what they are and mocking them for thinking they can defeat what is already dead, nonetheless sans is willing to watch them try.

.Observes and creates illusions along the way to hinder Frisk. He reveals that sinners can't escape hell until they're freed from their sins, and that the player will undoubtedly end up in the hands of Pride, the King and Demon who rules over those with egos as big as the player's (=that's why he and the other Lords are just toying with the player, they don't see them as a real threat and nobody wants to double-cross the King anyway).

.He's not that bothered by the actions of the player, they're demons and it's hell after all. He might even enjoy watching this more than the pacifist run at first....

edit:

Hm.... Actually, maybe I should rename these. Something like : Redemption or Sinner route idk the expectations are different from canon UT, Demons are USED to killing and stuff. Even if one of them die, a new demon reappear. No, the real surprise would be if someone tried to do good for once, wouldn't it?

As I said, it's a WIP

PHEW, there you go. That was a lot, enjoy!

[shelleysmary]

lots of fans have made valid points and written well-thought-out posts about the trop ai drama, so i'm not gonna rehash them, but i do want to bring up something that no one seems to be talking about and it's the impulse that leads people to plug these things into ai generators in the first place.

fandom over the last year especially has become increasingly toxic to the point that actual billion-dollar corporations are afraid it. the result is subpar, pandering films, books, and television shows that break no new ground, recycle old tropes, and sacrifice story integrity to avoid catching heat from the loudest, most entitled people in the room. i'm calling this an issue of entitlement first and foremost because the idea that the audience should have any say over a non-crowd-created media project is preposterous. deciding that the cons outweigh the pros of watching something and choosing to walk away without making a fuss is a lost discipline now because everyone with an internet connection and a social media account believes that their vision reigns supreme. "how dare this show downplay my favorite ship! they were supposed to kiss! that was the whole point! the absence of this one thing i had on my wishlist is a crime against me personally!" so they turn to ai and click some buttons and now these gifs exist and are being circulated with an air of "i've righted a wrong." worse, the use of ai in this way is being conflated with the creation of fanworks???

there are reasons why i don't believe the ai saurondiel kiss is on the same raft as, say, making them kiss in a drawing or a published fanfic, but my main concern is with the spirit behind each. fanworks are made in homage to the source material, even the fix-it fics. there is an acknowledgment, a separation even, between the television show and the fanwork. this separation is necessary and i would say even integral to the nature of fan creation, while ai closes that gap until it no longer exists. the elimination of space between creator and audience also happens on social media, when disgruntled fans who have taken umbrage with a fictional character or creative decision directly harass the writers or the actors involved. more and more, fans are demanding to be in the rooms, in the minds, and to exert control over the people who tell their stories, and it has only ever worked to our collective detriment. now i'm not saying that if you liked and shared the saurondiel ai kiss that you're the same as the internet trolls who harass (mostly) women and people of color online. but i'm begging you to do some self-reflection and ask yourself why you feel entitled to seeing what you want on your screen.

what has changed in the last few years that would make you dissatisfied with, say, reading someone's fic or making your own drawing? is it a matter of "the tool is there, so why not use it?" is it "i believe it should have happened and it didn't and i feel cheated?" or maybe there's been a pattern you've noticed in your recent media "consumption" (god, i hate that word) where, unless a show or television series goes the exact way you want it to, it feels like you've been defrauded somehow? i'm not being facetious. i'm inviting you to notice that what you're feeling is probably discomfort, disappointment, maybe even cognitive dissonance because you imagined it going one way, and now you're at a loss because it didn't. you built it up in your head, you had something to look forward to, you were convinced that it would happen, it was exciting and you were so eager to get to that point, and then.... and then...

we've all been there. and it sucks. but i also want to remind you of how important it is to preserve the separation. this space is ours. the writer's room, the filming set, the editing room, those spaces are theirs. the actors' likenesses are theirs. thinking beyond trop, the separation is how we get creative works that challenge us politically, emotionally, that make us uncomfortable and tell us important truths. writers shouldn't have to - and shouldn't FULL STOP - do what we want them to do. sometimes that means knowing when to walk away, when to say "i no longer enjoy this show, i will no longer support it" or "i will continue to watch but pretend things went differently," the latter of which has been the spark that has moved so many online fans to draw, paint, write, or sew. it's a type of creation that allows "canon" and "fanon" to exist parallel to one another. moreover, the effort it takes to make anything with your own two hands, with your own time, and with your own energy increases your appreciation for the creative impulse. films and books and television stop being "products" for your "consumption" because you're aware of what goes into them, and it becomes easier to look at things you don't like or disagree with and say, "you know what, i'm gonna pass," or "not in my headcanon."

oh, and by the way plugging things into an ai generator? is theft. the same way that it's generally frowned upon for people to use ai to, say, write the rest of an unfinished fic without the express permission of the fanwork creator, using the actors' likenesses to make them kiss goes against everything the actors' union fought for last year. i'll also add that it's incredibly creepy. almost all of us are in agreement that intimacy coordinators are a good thing because they act - again! - as a separation between what's "real" and what isn't, the same way going on ao3 and reading a fic that very clearly says on the tin that it's a fanfic, unaffiliated with the official ip, is a separation. it's another beast entirely to normalize fan-use of ai, to say you support creatives, support actors, support unions, and then do this in your personal life. i repeat the question: what impulse leads anyone to believe that this is okay other than a feeling of misplaced ownership?

tl;dr: ai nonsense does not belong in fandom spaces. (in my home state of california, it is illegal to use digital replicas of an actor's voice or likeness in place of their actual services without their informed consent [which, in spirit, is what you're doing by using ai to make your gifs]). we all just need to mind our own business and go back to writing our fix-it fics and complaining to our friends in relative peace. if you're finding it impossible to do so, ask yourself why. remember that fanart is our longstanding tradition. stop outsourcing it to an unregulated technology just because your two faves didn't kiss.

[reticent-fate]

h

hh

blacked out for two days and woke up with 72 sketched pages of an otherkin hrt comic

i wasn't expecting it to be longer than 30 pages but well now there's a folder full of the pages so idk

man that shit was cathartic to write though ngl

[yourplayersaidwhat]

[Context: We've been splitting the treasure more or less evenly between the five of us for the whole adventure and before and a shit ton of gold just got dropped into the party's laps.]

DM: [evilly] What will you spend it on? You can buy practically anything you want--

Fathomless Warlock : [wicked grin] I already know what I'm doing with my share!

DM: Oh?

Fathomless Warlock: I'm opening a shelter, soup kitchen, and free healer clinic to help the common people of the city. :)

Celestial Warlock: And this will be great as a warchest for my political campaign!

DM: ...Oh its not like you needed that money to complete the game or anything.

Fathomless Warlock: (ooc): What? This is what my character would do? This is clearly a serious societal problem for Waterdeep and it's really not safe for all these folks to be sleeping in the dungeons we're crawling through. I'm friends with a lawyer and a cleric and with help from our allies I sure we could swing this. And I just took my fifth of it, like we previously agreed? But look if it's plot important to have a lot of cash on hand, I can pay some of it back to the party pool from my own funds from what I inherited as a noble and just from the treasure we've accumulated on this adventure. You know I'm also still working for the paper and we've got the tavern and that should cover personal expenses...

DM: No no no it's not important.

[Beat]

DM: How much?

Celestial Warlock: And I'm not spending my fifth all at once. It's just sitting there until I use it. At first it's probably gonna be smaller expenditures like flyers and pins. And it's not like we have to pay for TV ads, just need to use my Book of Shadows to learn Skywrite...

DM: Oh, okay... So what will you all spend it on?

[Collective shrug]

Fathomless Warlock: I think you all should get yourselves a fine set of clothes so you don't have to rent a tux again. I already have one because like, you know...

Wizard: I'll be getting spell scrolls and inks to study my magics.

Fathomless Warlock: Cool!

Monk: I bought brass knuckles!

Paladin: Alright, then I'm buying plate mail.

Monk: They cost 10 silver. :)

Paladin: ...I'm still buying plate mail.

Celestial Warlock: That's cool! (Won't have to spend as many slots healing her.)

Paladin: Is that really all you're buying...?

Monk: [thinks for a moment] Steel toe boots? (Can I wear boots as a dragonborn?) ...A second silvered wakazashi in case I lose the first one?

DM: That's it?

Monk: I'm a monk. I don't really need material things. Though I figured I might buy some bamboo and knick knacks and things for our Tavern. If we need more money for the tavern (or the campaign) for the tavern I won a lot of prize money doing those mixed martial arts competitions that I don't really use or need.

DM: No no no that's okay...

[Beat]

DM: How much?

[still-a-morosexual-help]

God, this man has the absolute worst case of nostalgia based rose tinted glasses

In nightbringer itself Asmo says the day before they Fell he was hiding from Raphael for messing with him/pissing him off

All of Lucifer's siblings (minus Levi, as far as we know) were frequently sneaking into the human world while they were actively at war with the Devildom and while it was forbidden to interact with humans

Mammon used the angels as his own giant chess set????

Mammon used to sneak into the human world to collect pigeon feathers and sell them to angels by saying they were Raphael's feathers, which is hilarious but is also A FUCKING SCAM THAT CURRENT MAMMON WOULD ABSOLUTELY PULL

The others actually thought Mammon would Fall long before he did because he was such a shit head

Asmo used to have his Asmo parties or Asmo nights or whatever up in the Celestial Realm despite Raphael saying parties are bad (I feel like the actual word he used was "immoral"? )

Asmo used to sneak into the human world to go partying with humans

It is heavily implied in s3 that asmo was fucking & sucking his way through the celestial realm (good for him btw get those sticks outta the angels' asses babe i believe in you <3 )

The twins and Lilith used to frequently sneak into the human world

Lilith started a whole ass relationship with a human and lied her ass off about it so that she could keep it secret

Lilith compared Michael to a jellyfish???? the first time she met him and that pissed him off

Lilith held a hell of a grudge

Belphie used to skip work so he could go nap

The brothers, as a team, used to catch frogs, cut holes in books, put the frogs into them and wait for Raphael to open them

The brothers, as a team, used to dig pits in the ground and cover them up so that other angels would fall into them (at least the frog thing was kinda funny this is just them being straight up dicks)

Raphael was constantly chasing them around with his spears and getting on Lucifer's ass about them because of how troublesome they were

S4 implies that the reason the brothers' pranks are more refined as demons, compared to when they were angels, is because they now have Satan

So yeah, they were always asses

But even if there is some truth in what Lucifer said about them being kind & sincere (and honestly, there is. We've seen more than enough evidence of it in the events, devilgrams, chats & s1-4) :

Levi says he was depressed in the Celestial Realm and felt like he didn't fit in.

Both Mammon & Beel didn't fit in until Lucifer found them.

Lilith definitely didn't feel like she fit in.

Lucifer, as a demon, says he'll never want to go back. Talking with Diavolo as an angel made him lose a little faith in the Celestial Realm. His greatest fear is possibly his father. Even before they Fell something in the Celestial Realm was pissing him off so much that he managed to spawn a whole other conscious life form - Satan says he gained his own consciousness even before Asmo was created meaning that anger had been festering for a long time.

As far as we know Asmo & Belphie were the only ones who were genuinely happy throughout their entire time in the Celestial Realm (and I think once Asmo gets used to his demon form he'll appreciate the freedom in the devildom over the strictness of the celestial realm)

Mammon, in Nightbringer, says that they know there's no real difference between being an angel or a demon and that they're all just labels.

Whatever sincerity and kindness they, may or may not have, had in the Celestial Realm wasn't because they were angels. Or because of the Celestial Realm.

It was in spite of all that.

It was just what they are like as people.

And of course that sincerity and kindness aren't gonna shine through right after a horribly traumatic event that killed their sister and permanently changed their bodies. And due to such an event & their Sins becoming more...more, they'll obviously be different and treat each other differently as demons.

But at the end of the day they are good, kind people, even as demons.

Like we've seen that.

[thecarnivorousmuffinmeta]

Do you think Tom was the only student Dumbledore hated? I think Tom probably isn't the only Unfavorite Student and there are more out there that Dumbledore was successful at sabotaging.

(Side thought do you think Moody started out on Dumbledore's bad list but then worked very hard to "redeem" himself by trusting Dumbledore in all things and that's why he's so weirdly loyal to Dumbledore?)

Dumbledore and Hating People

The thing is that Tom Riddle does seem to hold a special place in Dumbledore's heart.

There are other characters we see who are also loathsome/have qualities that Dumbledore despises but it's in different ways/not to the same degree.

Dumbledore utterly loathes Lockhart, purposefully sets him up with the job so as to either destroy his reputation fundamentally or kill him. However, I'd say Dumbledore is contemptuous and dismissive of Lockhart. Dumbledore has 0 interest in the man beyond destroying him, and doesn't spend much time thinking about him beyond getting him in the castle and letting the curse do its work.

Dumbledore is dismissive and contemptuous of Cornelius Fudge, but again, doesn't focus on him much beyond pitying his shortsightedness and holding him in general contempt.

Dumbledore similarly doesn't love the Dursleys but it feels like that's in a way of he has 0 opinion or interest in Vernon and just... a very weird treatment of Petunia. I wouldn't even say he dislikes them, in fact, I think he likes the idea of them beyond the general disappointment in not treating Harry exactly the way he'd like (except they are doing that but he'll never say as much).

While we don't know that Dumbledore doesn't have stashes of memories he's painfully collected over the years, going to anyone who ever interacted with Tom Riddle and asking "please give me every memory you have ever had" only for the vast majority of them to slam the door in his face, given the focus he has on Tom Riddle it seems... unlikely...

Add this in with Tom's "dark glamour", the way Dumbledore talks about him, the way he pontificates about him as if he's a fictional character and Dumbledore is writing fanfiction and metas about the man, and we're looking at a... I'll call it a fixation where Tom hit all the right buttons for Albus Dumbledore in a way that other people just haven't.

Basically, the people we see Dumbledore hate just aren't hot enough (or are women so Dumbledore doesn't care).

I'll put it this way. Harry's easily Dumbledore's second fixation, he puts a lot of work into this boy, but Dumbledore's way less... into him is the only way I can put it, than Tom. Harry's there as a vehicle/means to destroy Tom and acts as a foil to Tom. Everything about Harry for Dumbledore is presented as "in contrast to Tom Riddle" and that's telling to me.

As for hating students...

I think most of the time Dumbledore just doesn't give a fuck.

With Draco who was actively endangering the student body, nearly killing several students to ultimately kill Dumbledore, and ultimately letting Death Eaters (including Fenrir fucking Grayback) into the castle where it's a miracle no one died/got lycanthropy Dumbledore was into it and a) knew the whole time b) did nothing to stop it because then Tom would hurt Draco. (It's too bad Katie Bell got cursed for six months in the process of that huh Dumbledore or you didn't approach Draco with that offer to give him clemency until the last five minutes of your life).

I doubt Dumbledore knows who Crabbe and Goyle even are.

And he seemed to favor the Marauders (rampant known bullies) and not care about Severus at the time and now thinks quite highly of Severus for having redeemed himself for love/following a narrative Dumbledore likes while also being unable to not do what Dumbledore wants.

He only cares about Ron and Hermione in relation to Harry and just likes the general idea of them (Dumbledore is very big on the "idea" of people).

Dumbledore and Moody

I don't think so.

We've seen the redemption story Dumbledore likes and that's Severus Snape's. Dumbledore likes a narrative, Moody having been disliked then just choosing to be a sycophant would be very unimpressive for Dumbledore because he'd see no reason for Moody to have changed/not an impressive enough reason.

It has to be for true love, friendship, some reason that is a compelling narrative to Dumbledore.

Everything for Dumbledore fits into these narratives from Merope dying in childbirth (she just didn't love enough), to Lily being murdered (she loved her son so much she sacrificed herself), to Snape (his love for her means he is now undyingly loyal to her son), to everything.

Plus, I don't get that feeling about Moody.

Dumbledore has plenty of people unquestioningly loyal to him, he cultivates the Order such that this is the case, it's not so much that Moody's an outlier for being so loyal but the fact that he is in the Order of the Phoenix at all means he must be this loyal to survive there (notice Percy is not a member). In the Order we're seeing the people who survived the litmus test of "actively not questioning Dumbledore in any decision he ever makes" (see HBP and the Christmas Party and shooting down of Harry's "Draco's up to something and Snape is too" for reasons that are simply "I trust Dumbledore completely" and nothing else).

If Moody wasn't like that, he wouldn't be in the Order.

So, I think Moody's just like the rest of them and I don't see a reason why he would have ever been different.

[ferrettaur]

Hey, we could use some help

My name is Erik, I'm sort of the head of the household for the five of us living under one roof in a two bedroom house currently.

We are all trans, and varying amounts and types of disabled. I am working the most that I can, but with two others of us being recently unemployed, and one of those two unable to work for some time while she's recovering from surgery, we cannot collectively make enough money to pay for all our bills.

I have to watch a full paycheck each month evaporate instantly just to cover rent and then spread the other two week paycheck out over the whole month.

It's looking like we're not going to be able to cover these two bills or groceries.

I'm setting our goal at $400 to help cover the cost of both of these bills and groceries.

$500/400

Anything additional will be going towards the credit card debts racked up recently where we've been struggling to make ends meet.

PP / V / Kofi

@ferrettaur @mono-red-menace @roboticvenusian @raptorgirlkillingclaw (and the 5th housemate doesn't have a tumblr)

see also: Annie's donation post from last month, that is also us

[vintage1981]

The Life and Deaths of Christopher Lee Kickstarts Deluxe Blu-ray Edition

The Life and Deaths of Christopher Lee mixes traditional documentary with a dash of fantasy. It is narrated by Christopher Lee himself... in the form of an elaborate marionette, voiced by Peter Serafinowicz. The marionette was custom designed and built by Arch Model Studios, who made all of the puppets for Wes Anderson's Fantastic Mr. Fox, Isle of Dogs and Asteroid City and Tim Burton's Frankenweenie. 

The film combines new, exclusive interviews with filmmakers, including Peter Jackson, John Landis and Joe Dante, friends and family members with animated flights of fantasy from a wide variety of artists including 2000AD's Simon Coleby, award winning stop-motion animator Astrid Goldsmith and the legendary illustrator Dave McKean who directed, scored and animated a whole chapter of the film himself. 

Spanning eight decades and almost three hundred films, Christopher Lee became famous for his iconic performance as Dracula. But he was so much more than just the Hammer Horror roles he is so fondly remembered for. His career took him from uncredited parts in 1950s swashbucklers with Errol Flynn, through famous performances in 007 and Star Wars films, cult hits like The Wicker Man and The Return of Captain Invincible, right up to a lead role in cinema's biggest event - The Lord of the Rings trilogy. Along the way, he worked with everyone from Orson Welles to Mario Bava, Jess Franco, Tim Burton, Martin Scorsese and Steven Spielberg. 

Yet his story is so much richer than just his career. Lee was born into Italian aristocracy, with a military career shrouded in secrecy and kept his private life closely guarded. Some of his ventures and adventures seem highly improbable yet, as the film reveals, he often found himself in unexpected situations - he witnessed the last ever death by guillotine, was cousins with 007 creator Ian Fleming, he met Tolkien, performed with the classic Saturday Night Live line-up, was a friend and neighbour of Boris Karloff, he was the oldest person to ever get on the Billboard music charts (with his own Heavy Metal album), was an expert knife thrower, professional opera singer and a Nazi hunter. And somehow, he also managed to appear in almost 300 films of both the highest and lowest quality imaginable. 

The film is finished and producers Jon Spira and Hank Starrs want to share it with you by producing a top quality Blu-Ray with great extra features and a really amazing LIMITED/NUMBERED EDITION COFFIN-SHAPED BOX SET, full of goodies, which will look killer on the shelf of any discerning cineaste. The jewel in the crown of this box-set will be a 3D 'death mask' of Christopher Lee designed and produced by Arch Model Studio exclusively for this set. They also want to host some screenings - both online and in real cinemas - so we can all experience it together and you can get to meet some of the people behind it.

Making this film has been a fascinating journey - producers excavated the British Film Institute archives where they hold Lee's personal collection of scrapbooks detailing his career in his own hand, been given access to personal photos from the family archive, they met and interviewed his closest friends and family from all over the world and we've worked with some incredible artists, puppeteers, animators, musicians and filmmakers to bring his story to the screen in the most cinematic way. Whether you're a fan of Horror, Star Wars, Lord of the Rings or just cinema history in general, we think you'll be delighted by this revealing and eclectic documentary.

Risks and challenges

The film is fully edited and ready to go. This Kickstarter is to fund the final bits of post-production and the production of a fantastic Blu-ray and deluxe collectors edition box set as we're all still committed to physical media. Please note that all illustrations of rewards are designs/prototype images. The final items might differ - we hope they'll actually be better.

[bitterkarella]

Midnight Pals: Carrie

Stephen King: check it out guys! King: they're publishing a book of essays about Carrie! King: we got richard chizmar, bentley little, mick garris, norman prentiss, tom deady, Anthony Breznican Angela Carter: are there any women involved in this King: oh yeah of course of course Carter: King:

Carter: don't you think, steve, that a collection of essays about carrie should include some womens voices King: oh of course! we've got bev vincent Carter: bev vincent is a guy King: King: what? Bev Vincent: yeah its fine, this happens all the time

King: look it's not all guys in this collection King: we also have caitlin kiernan Carter: oh really? caitlin, what do you think? Kiernan: i think that black people have a special gland in their brain that makes them do crime Carter: Carter: i meant about carrie

King: ok maybe the roster for this collection is a little guy heavy King: but, you know, maybe guys have some interesting thoughts about a story heavy on mother-daughter relationship issues and menstrual themes? Carter: King: it's possible!

Carter: ok fine, i would like to hear some of these interesting thoughts that you men have on carrie Bentley Little: did you ever think that maybe you should change the title from "Carrie" to "The Carrie?" Carter: King: King: you know what, i'll take that under advisement Carter: don't do that

King: c'mon guys don't let me down! Tell me your deep thoughts about Carrie! King: people want to know what you think of this story of a psychic teenage girl Richard Chizmar: psychic girl? wait, girls can do that? Mick Garris: whoa thats bad ass Josh Boone: this changes everything!

Chizmar: this whole time, i didn't know girls were psychic Garris: that explains why they're always setting things on fire with their minds Chizmar: yeah i was wondering about that Boone: everything makes sense now Little: guys i really think it would be better if it was "THE carrie"

Chizmar: [reading carrie] whoa whoa whoa Chizmar: what's all this menstruation stuff? Carter: [whispers in chizmar's ear] Chizmar: EVERY MONTH?!?!?! Chizmar: holy shit Chizmar: that's metal Garris: what are you talking about, i want to know too!

Garris: and blood comes out WHERE?? Carter: [whispers in garris's ear] Garris: ha ha gross! Little: this doesn't sound real, i think you're making this all up

Carter: ok so show of hands Carter: do any other men here need the concept of menstruation explained to them? Poppy Z Brite: no i think i'm clear

[itsclydebitches]

RWBY Recaps: Vol3E1 "Round One"

Hello, everyone, and welcome to a new collection of RWBY Recaps!!

This is a unique project in that instead of writing purely for my own entertainment, these recaps are part of the Fandom Trumps Hate auction (you can check them out here if you're interested in learning more). Specifically, these recaps are a gift for the lovely Kae who requested some meta on the earlier Volumes, or work that focused on Ozpin and/or Ironwood. I figured that Volume Three would touch on all those requests and, frankly, it's an era of RWBY that I was already interested in covering. Volume 3 was a turning point for RWBY's tone and overall mythology and I'm eager to see what I think of it in 2024, after six additional seasons and a rather chaotic overhaul.

(If anyone is reading this from the future, one of the reasons why it took me so damn long to get the first recap out is because finding official streams of RWBY has become a fool's errand as it changes ownership. Fun!)

Anyway, the game plan is simple: cover all of Volume Three at an undetermined, though hopefully steady-ish pace from here on out. Technically, the deadline for our FTH fandowrks is at the end of 2024, however, I absolutely plan to continue this series past my 5k promise. As always, this will be a RWDE-focused meta (though I'm eager to see how much nostalgia carries me through the season), so if you Don't Like; Don't Read.

Everyone got that? Great!

Now, indulge me for a moment and cast your mind back. It's October of 2015. Pizza Rat is a tumblr icon, Left Shark still reigns, and everyone is arguing over whether a dress is gold and white, or blue and black (it's the former FYI ;). Amidst such quality memes RWBY begins airing again on the 24th, presumably bringing with it another season of stellar choreography and simple, if entertaining conflict. Team RWBY has just helped contain a massive breach courtesy of Cinder's machinations, Torchewick is in Ironwood's custody, the White Fang is falling under Salem's puppeteering, Penny has revealed her android identity as well as her supposed fate to save the world, the girls are beginning to acknowledge the responsibility of their chosen career path, and the mysterious Raven has been identified as Yang's birth mother. All in all, RWBY has a lot to play with going into its third season.

It's notable then that we open peacefully. The viewer is treated to a number of environmental shots to set the scene, including one of the forest with its iconic falling Fall leaves. Ruby is positioned at the edge of a cliff with her signature rose petals drifting behind her. Stylistically it fits the scene, though from a literal standpoint it also implies that she used her semblance speed to get here. Given the momentary reveal that she's speaking to her mom, that's a rather heartwarming detail.

Sidenote: has anyone given any thought to cliffs in this series? It only occurred to me recently how often they show up, often during character milestones. Here we have Ruby talking to Summer for the first time, her (bodiless) grave situated at the end of a cliff. The Beacon initiation involves chucking the kids off a cliff and seeing how they fare, an action that is the catalyst for the group's introductions/growing dynamics. Shooting Oscar off the edge of Atlas solidifies Ironwood's turn from anti-hero to outright villain. Though I'm far from a fan of this scene, Ruby's (ridiculous) near-fall off the cliff during the fight with Cordovin preludes her (supposed) growth in leadership as she stands up to Qrow. Penny lets herself fall from Amity after sacrificing herself to get it up into the air. Then, of course, we've got the girls falling off of Ambrosius' bridge, taking them to a world where - execution aside - the intention was for them all to go through major developments: Ruby is literally reborn, Jaune experiences a lifetime of struggle, Yang and Blake finally admit their feelings, and Weiss... gets over her whole country being destroyed?

Idk, we'll have to come back to that one.

I clearly don't have a big takeaway here, just the acknowledgement that this is a visual RWBY gravitates towards. Might do a whole side meta on it some day...

Anyway, as said we realize quickly this is Summer's grave with her name carved into the headstone along with "Thus kindly I scatter." Notably, she also has her rose motif there and it's likewise prominent on Ruby's belt in this scene. Looking back, we can see how RWBY did a better job at the start of sprinkling in these significant character details before, you know, dropping them completely and then attempting a rapid-fire resurrection. Meaning, I would have bought into the emotion of Ruby giving her pendant up in Volume 9 if we'd gotten these moments consistently throughout the story's run. It wouldn't take much, just a reminder every couple of episodes to maintain the momentum. Give Ruby a scene where she explains that this rose was left by Summer before she disappeared and she's treasured it ever since. Show a flashback where we learn that it was really left behind for both girls and Yang handed it down to Ruby when she was old enough to keep track of it. Give us a minor conflict where it's lost during battle and Ruby unnecessarily endangers herself in an attempt to retrieve it (perhaps in Volume 8, setting up that the object itself is not as important as the intangible love it represents). Hell, keep it lighthearted where Yang gets Ruby something rose related at the gift shop, Nora tucks a Rose into her hair while wandering the wilderness, Qrow gives the pendant a cheeky flick while talking about how Ruby's as stubborn as her mom. My point is there are a million ways the show could have built towards that scene in Volume 9 - ways like showing us that rose on Summer's gravestone - but the show dropped the ball halfway through.

Here and now though, Ruby begins catching Summer up on everything that's happened to her since she started Beacon, which serves as a useful way to catch the viewer up too - both those who, for whatever reason, may have started RWBY with Volume 3, and those who just need a hiatus refresher.

Ruby is delightfully awkward here, a personality trait that I think becomes more forced as the series goes on. She jokes that she hasn't gotten kicked out of Beacon yet - while doing that cute little rock on her heels thing - and says that she's able to "keep [Yang] in line" by being on the same team. She follows that up with, "...that was a joke" which is just quintessential Ruby to me. Love it.

She recaps that Yang has grown a lot as a fighter since Summer left, the rest of their team is made up of Blake and Weiss, together they form Team RWBY and yes, that's as confusing as it sounds. She's stopped bad guys and met some "odd" teachers, including Ozpin.

(THAT'S MY BOY!!!)

Looking back, this is actually a fascinating couple of lines. At least, I think they have the potential to be fascinating if RT had followed a clear writing path. Ruby wonders again why Ozpin let her into Beacon early, but shrugs it off under the assumption that he'll tell her one day. "You know how he is."

Yeah, I do, Ruby. Do you?

We already knew from their initial interaction that Ruby knew who Ozpin was - she recognizes him on sight - though him posing the question implies that he never visited Patch post-her birth. At least, not recently enough for Ruby to have formed a memory of them meeting. I can only assume then that she's heard enough about him from Tai and Qrow to a) be sure of his identity (any promotional material/news about Beacon would have helped with that too) and b) believes strongly that her impression of him formed since entering Beacon aligns with what her parents presumably said about him: "You know how he is." The fact that this is in reference to Ozpin's secret keeping makes me wonder how often that came up around the dinner table. Did Tai ever express frustration, a la Ironwood, that they're clearly being kept in the dark about things? Did Qrow ever dodge the girls' questions about where he's been because he can't be honest about his spy activities, aligning Ozpin's reputation with secrecy by virtue of working for him? The casualness with which Ruby shrugs off Ozpin's secrets to Summer heavily implies that Ozpin's cagey history is both well known to the family and accepted.

Honestly, I would have loved to see this woven into Ruby's core characterization, perhaps even an extension of her "simple soul." Give me a girl who is intrinsically accepting of people, including their need to keep certain things close to the chest. Teammate deliberately kept her faunus identity under wraps? Friend hides the fact that she's an android from the whole world? Ruby accepts them. Ruby gets it. The fact that Ruby does, canonically, accept their duplicity without so much as a blink is, I think, one of the reasons why I expected her of all people to be more sympathetic towards Ozpin's hidden identity. We can argue about the girls' right to the truth via participating in this war till the cows come home, but at the end of the day Ozpin's secrets are intrinsically tied up in his family, his history, and the trauma surrounding both. Let the others get mad, prioritizing information over personal motivations (that does fit their characterizations well, with Blake perhaps being an exception), but Ruby? The show has never been willing to commit to the kind of dark story that would result in a 180 character growth - endlessly forgiving protagonist becomes jaded and cynical as she experiences The Horrors - and little moments like this one further emphasize to me that Ruby, specifically Ruby, is uniquely suited to helping Ozpin not just fight, but finally finish this war. It should never have been (just) about her talent with a scythe, or even the rarity of Silver Eyes. The Gods wanted Ozpin to unite humanity and here's a young woman who unabashedly loves everyone that the world tends to despise: secret keepers and drunk uncles and faunus and Schnees and scary androids. Ruby should have been the emotional bridge!!

Okay, I swear I'm not going to make this series a rehash of my issues with the later Volumes lol. Inevitably some things are going to crop up though.

Moving on, Ruby mentions that Tai is here too and the viewer gets to see his avatar for the first time, albeit from a distance. In keeping Summer updated on her... husband? Wait, were they married? Well, in keeping her updated on her partner, Ruby says that, "He's, you know... Dad," which, unlike the Ozpin line, is just plain funny. Sure, most of her talk is very exposition-y and absolutely functions as a soft lead-in to new content, but that's not to say a story should ever put absurd dialogue in a character's mouth simply for the sake of the viewer. That is, Ruby should never say, 'Oh, Tai is here! You know, my Dad?' because the person she's talking to, Summer, knows damn well who Tai is. Television has actually gotten better about this as a whole. Once upon a time a medical drama would have the doctor yelling, 'Her skin is turning yellow - she's jaundiced! Her liver is failing!' to ensure that the viewer understood precisely what 'jaundiced' meant, never mind how absurd it was for a professional to be shouting that among their peers. (Granted, medical dramas as a whole are absurd. I say that with love.) Despite RT's general inexperience, RWBY belongs to an era of televised storytelling where leaving certain things unsaid is par for the course.

Here, the unspoken information is what it means for Tai to be, you know, Tai. We don't really know who Tai is yet- personality-wise, I mean - so Ruby's comment functions more as a way to set up our expectations rather than to connect with us in agreement. We now expect Tai to be the kind of guy who does things to make his teenage daughter sigh and go, 'That's Dad...' and we, presumably, look forward to seeing that.

Granted, the three things we do know about Tai at this point in the story consist of:

He's a fellow Huntsmen (which is an insane job)

He let his daughter join Beacon two years early to also become a Huntress (also kinda insane but I support him)

He maintains a relationship with said daughter and daughter Sr by sending them their dog in the mail (do I really need to say it?)

Based on that I suppose we can guess as to what Tai is like lol.

He calls Ruby away so they're not late for the match and she sends a last message to Summer over her shoulder: "It was good to talk." As we transition, a murder of crows flies across the sky. Or is it an unkindness of ravens? I can barely tell in real life, let alone when they're animated blobs, but either option works well enough given the upcoming revelation about the Branwen twins.

Cutting to the arena a little time in the future, the viewer is treated to some establishing shots that, while simple, are honestly pretty cool. I believe this is our first introduction to Atlas' floating environments and showing a bit of Beacon Academy in the background helps give us a sense of scale.

This event is clearly popular, with the stadium absolutely packed with people (even more are trickling in from ferrying ships) and, to RT's credit, they did a bit of work to convey diversity in this world. We see a decent variety of skin tones as well as faunus characteristics, to say nothing of the cool designs many of the competitors will get. Beyond the main cast still being overwhelmingly white, I'd say the biggest issue here is the lack of body diversity, what with everyone having the same, stick-thin figure. Yeah, RT is clearly using the same base model copied a hundred times and I'm very aware of their previous status as a small, independent company, but such visuals nevertheless stand out in a series that's been pushing a minority plotline for three seasons.

The camera swoops down to follow Team RWBY in the midst of a battle which, again, is staged in a way that's clearly meant to catch up/invite in new viewers. It's very trailer-esque as each shot lingers on Weiss, Blake, and Yang for a moment before finishing with Ruby, complete with a twirl of Crescent Rose. This is the show visually reminding you of what it's really about. Sure, we might have started with Ruby speaking peacefully by a grave, but at the end of the day RWBY is the story of a team engaging in combat situations.

Oobleck and Port are announcing the event and Oobleck throws out his standard "Doctor" when his title goes unacknowledged.

You know, I started RWBY nearly a decade ago. Four years ago I secured a PhD, so I feel that now.

Port provides another handy info dump for those "just now joining us." AKA the viewer who has no idea what a Vytal Festival is, but this is as good an excuse as any given that people are still entering the stadium. Simply put, all the Kingdoms' huntsmen schools are competing as teams first, then as duos, then as individuals to determine the final winner who will have achieved "victory for their kingdom!" Age and year are irrelevant, which makes perfect sense given the nature of RWBY's combat. You've got young prodigies like Ruby and people who sneak into Beacon like Jaune, and though the other schools/years probably don't have as much drama going on, the variety of semblances, weapons, dust use, and personal experience really makes this anyone's game. A first year might easily beat a fourth year if they won the genetic lottery with their semblance, or a student from School A might trounce someone their age from School B, depending on how much their school has sent them into real combat situations.

Given all that, I kinda wish the Festival had developed the other Kingdoms more, given that it's the perfect opportunity for the cultures to learn from one another and/or butt heads. In a perfect world, one where RT had some sense of where their story was going, I would have loved to see:

Strong development of Vacuo's citizens, especially given that it will be the focal point of Volume 10 and possibly the end of the series (if we ever get that...).

Though the gag that Weiss excepts strict, militaristic fighters from Atlas only to get Neon is funny, that 'Don't judge a book by its cover' lesson really doesn't align well with what Volume 7 and 8 try to push. Better, perhaps, to set up Atlas' dictatorship tendencies before swinging hard in that direction (and I'll get into how what we do see doesn't make the cut).

How Remnant's racism gets displayed in a highly public competition. Do Blake and the other faunus face more discrimination now that they're in the public eye? Do asshole citizens challenge wins because no way did a faunus beat that human?

How different schools approach training their huntsmen. Specifically, everyone seems to abide by the four-person team structure, so why would this competition eventually highlight duos and individuals? It seems counter to what Beacon, and by extension all the other schools, are trying to promote. This setup would make more sense if we were shown that different schools have radically different curriculum. Maybe it's eventually 1v1 because Vacuo's individualist, survival-based culture teaches huntsmen to fend for themselves; teammates are just another liability. Maybe Atlas, being militaristic, prizes safety in numbers and has students train in groups of six rather than four. Maybe Mistral is incredibly semblance-focused (a way to develop Neptune's phobia rather than just making it a gag; a fighter who can't or won't use their semblance is considered effectively useless) and if you can negate that aspect of their style somehow, you find they're lacking severely in weapon-based combat.

Again, I know that RWBY, particularly early RWBY, only had so much time per episode, but looking back it feels like there are a lot of missed opportunities in this world-watched event. None of this is even taking into account Cinder sneaking into the school, or Penny being outed as an android. If any RWBY rewriters are reading this, the Festival is a potential goldmine of characterization and cultural development. If you're going to write random RWBY books, write some about that!

One moment of cultural significance that is shown though is the Atlas security hovering around the arena. They mostly keep to the background, without any single appearance being obtrusive (yet). This is one of those moments where (some) fans look back and say, "See? Ironwood was always a controlling, military-obsessed bastard," but the reality is that this is incredibly tame by real world standards, to say nothing of the realities of RWBY's fantasy world. Regardless of how you feel about the, uh... motivations behind the security in your country (because that's a whole other conversation), you expect there to be some level of professional oversight when that many people are meeting in one place. That's a reality we have to work with, which includes all the potential pitfalls, biases, manipulations, and accidents that come with any large-scale endeavor. Toss in the fact that RWBY's security is designed to defend against man-eating monsters and I'm honestly surprised it isn't presented as dystopian here. Meaning, we easily could have been given a story where people are comparatively safe from grimm in modern day Remnant and the security functions primarily as outside control and/or a fear-mongering tactic. It's not that security is inherently unnecessary, but those walls have done a damn good job for the last generation or so, so why is James so insistent on populating this festival with his probably not-needed robots? Seems sus 🤔.

As it stands, grimm DO attack people on the regular (that was kind of a big part of last Volume's finale), security IS necessary (according to many other council professionals once James raises the issue), and it's arguably MORE necessary now - during the festival - because there are so many potentially negative emotions just waiting to crop up. Instead of "Seems sus," the reaction to having defensive robots around is more, "No duh." At the very least RWBY might have had the characters react to the security with suspicion/fear, even if that doesn't totally track with the rest of the worldbuilding, or better yet, demonstrate that there are major issues with AI leading the charge (robot mistakes kid in grimm mask for real grimm and fires a shot!). Granted, we get that through the hacking at the very end of the Volume, but here and now the Atlas ships seem to be used primarily for transporting viewers, the crowd is fully at ease with these guys, and — as we'll see later — the prospect of additional security in the form of AI is greeted with enthusiasm, not wariness, simply because it will keep real, breathing people off the front lines. Those are all important things to keep in mind when you consider whether a) The show took a very sharp turn in Volumes 7-8 or b) The show capitalized on a long established, slow burn plotline.

(Psst the answer is 'B')

ANYWAY, Oobleck is yelling about the "Spectacular spectacles on which to speculate on!" and I love him all the more. While he and Port narrate we get some non-animated shots of people viewing the Festival from around the world, though frankly it doesn't do much to help RWBY's worldbuilding. Some people watch the fights from a camper outside, others are in a minimalist apartment, still others are in what's basically a bar... if you're looking for intriguing backgrounds to drum up interest in the world outside of Beacon, you're not going to find it here. The presence of various faunus individuals is really the only thing that distinguishes these settings from a show based in the real world.

Onto the fighting! (It's about time :p) The girls are facing off against Team ABRN (pronounced "Auburn") from Haven and they're decent for a couple of one-off characters. I like the design of the girl with the skateboard - Reese - and how her weapon, the board itself, gives her a lot of flexibility in battle. Since it functions as a hoverboard she has a lot of maneuverability, she can use the board as a shield, a projectile, adapt its abilities via Dust, and - of course - she can pull both sides apart to duel wield the guns. Looking at all that flexibility, it is a little lame that she 'loses' that particular encounter with Blake by slipping on the ice, but then we're not really supposed to care about these characters. They exist solely to get us hyped for the battles to come and give a quick primer on how those battles will work. AKA, now we've learned that the battlefield itself has hazards the girls must circumvent.

Blake is cute here though. She's so concerned and I'm like yeah, girl, that looked like it hurt 😬

This whole exchange has that same vibe: one of casual playfulness, which makes perfect sense given that this is supposed to be a fun competition. They're exhibition matches, not real attempts to take the other team out (which is why Yang's supposed act later in the tournament will be seen as so heinous). The guy with the pink hair (Nadir) full on pouts when Ruby successfully traps him in a block of ice and, of course, we have the classic "Got your back!"/"My BFF!" lines in response. The girls are enjoying themselves and that's so damn wholesome to see after all the tragedies - plot and writing-wise - of the later Volumes.

Team ABRN are able to make a bit of a comeback and - *gasp* - the girls have to actually think creatively/combine techniques in order to get the upper-hand. Blake successfully tricks Reese with a clone and catches her in the midriff with a quickly timed ribbon, cleanly knocking her out of the ring. It's here that we learn a team member can be eliminated via leaving the bounds, or having their aura dip too low (remember when that was a thing?) I know I just said there's teamwork, and there absolutely is here, but it did stand out to me how Blake just like... disappears after this moment? I mean she comes back, but it's clear RT wanted each girl to have her moment in this battle, despite the fact that any member who successfully defeated their opponent would be rushing off to help the others. That should be a near defining win condition - defeat one opponent and suddenly it's a 2 vs 1 situation for someone else - but that expectation falls by the wayside until the fight's final moments.

It's a good fight though. Not the greatest by RWBY standards, but it was no hardship to rewatch for this recap either. Weiss pulls out an epic ice hand that ensnares two of the members, now rolling chaotically across the arena, and clearly she thinks this is the end of the fight. However, Arslan — the monk-type who favors hand-to-hand combat (or the one with the "Eastern martial arts influence" according to the RWBY wiki...)— simply rolls her eyes, plants her feet, and shatters the ball with a single hit. Gotta admit, it's pretty cool.

Of course, Team RWBY still comes out victorious in the end. With all of Team ABRN now in one place, the girls have one of those lovely mind-reading moments and pull off a coordinated attack, allowing Yang to sucker-punch them all out of the ring. Again, it's nice to see that kind of teamwork, as well as the adorable way they all stand there, mildly shocked that they won.

I'll take that over the brazen, cocky confidence they've gained any day.

The only thing I'm kinda iffy about regarding this fight is how Team ABRN feels a little less like a full-fledged team to me, and more like a faint Team RWBY echo. It's most noticeable in the Yang vs. Arslan sections where you've got two yellow-coded, hand-to-hand snarkers facing off. Blake and Reese both feel like the cool, alternative style members of their teams, and then you've got the Weiss-Ruby duo trying to overtake the Bolin-Nadir duo. It's admittedly a subtle familiarity that lessens with each example, but it stood out to me in the re-watch; like Team ABRN only exists to give Team RWBY someone vaguely similar to overcome. Which, granted, they do. These are not characters we're going to follow as the series progresses, so in most respects they've done precisely what they needed to do and in a way that looks cool and feels entertaining. So this isn't a criticism, really. More an acknowledgment that RWBY is a series with limits and if we want to know more about these characters/flesh them out beyond their paralleling characteristics, we'll have to do that ourselves in the fanfic.

As Ruby jumps into the air in a victory celebration, we PowerPoint slide cut to the festival later that day where she nearly collapses, asking if anyone else is starving.

Yeah, child. You just made it through a physically intensive battle in front of an audience while existing as a teenager. Of course you're hungry. Blake's stomach gives a giant, embarrassing growl in response and Weiss sarcastically bemoans the fact that there's nowhere to eat at the food-focused festival. Good times, good times.

Ruby: "It's okay, Weiss. I forget about the fair grounds too."

Before they can grab lunch though Weiss declines a call from her father and an old 'acquaintance' suddenly shows up.

Emerald.

You know, kudos to Katie here because Emerald's laugh and, "Good to see you, Ruby" sounds so fake to me now. It just oozes, 'I secretly hate you but am pulling out all my acting skills to convince you otherwise' energy. Obviously RWBY has a host of villains/antagonists that have done a plethora of heinous things, but there's something particularly skin-crawling to me about seeing Emerald in retrospect. Part of it is the deception. I don't know about anyone else, but I personally would prefer a villain who's upfront about their nature from the get-go, rather than one who pretends to be my friend before stabbing me in the back. The first scenario just lacks the same emotional punch, you know? Though the other part of it is, of course, knowing where everyone ends up. Beacon will fall. Ozpin will "die." Pyrrha will actually die, and our heroes will be sent out into a war they're in no way ready for. Yes, Salem is our ultimate Big Bad, yes Emerald has her sympathetic moments and does a heel-turn into "good guy" territory four Volumes from now... but I think the fandom often forgets that she willingly and actively participated in this horror show. This isn't someone just along for the ride because their crush manipulated them, this is someone with a working brain between their ears who has PLENTY of time to consider the ramifications of this and still went, "Yeah, I'll lie my way into orchestrating a massacre."

All this hindsight angst is interrupted by the joke (and I use that term with great reservation) that Ruby must have dropped her wallet because "Girl pockets are the worst!" Sorry, but that has such cis-guy-trying-to-relate-to-women-and-failing-miserably energy to me. Like yeah, I also hate the super small/outright fake pockets that they often sew into women's clothing and I too have smiled at women promoting pockets as part of their independent brands... but somehow hearing the RWBY writers reference it just doesn't land. It's not #problematic, just cringy.

Emerald butters them up a bit by complimenting their fighting and Weiss notes that they haven't seen Emerald's teammates in action yet. We cut to their battle where they dominate the other team, complete with a disguised Neo showing her real eye color before she knocks the competitor out. "[They did] really well," says Emerald in the fakest humble tone ever heard.

Ruby invites them all to lunch and Emerald - clearly horrified by the prospect - dodges by claiming that her teammates are too socially awkward for a meetup. In her defense, Mercury is in the process of randomly sniffing a boot, so although this is absolutely just an excuse, she's also not wrong. Like, at all lol.

Fishing for more info, Emerald asks who's moving onto the doubles round and it turns out that Team RWBY voted for Weiss and Yang. There are three things that I love about this moment:

They voted. Yes, Ruby cheekily tries to make it sound like this is all coming from her genius as team leader, but at the end of the day they decided as a team who would represent them. It's a small detail, but those stand out so much more now that we have Ruby vocally and angrily calling the shots.

(This is a ridiculous side-note I'm 99.9% sure I've mentioned before, but every time I talk about Ruby's intense form of "leadership" in the latter Volumes, I'm reminded of Rick's, "This is not a democracy!" in The Walking Dead. If you know, you know.)

They chose Weiss and Yang. From both an in-world and meta perspective, it's actually a little surprising that Ruby isn't representing them. As established, she's team leader. The team is named after her. She's the protagonist of the show. She's also, canonically, a prodigy wielding an insanely deadly weapon. Yet it's refreshing as a viewer to have a new duo taking the spotlight and within the story-world this choice reinforces Point #1: They're a team and no matter how individually talented any one member may be - or even what titles they hold - they are, at the end of the day, all on equal footing. Why shouldn't Yang and Weiss represent?

The way they both respond to this reveal is dang cute. Weiss' "I will happily represent Team RWBY" while curtseying to Emerald vs. Yang's "Yeah! We're gonna kick some butt!" while slamming her fists together. It's a great contrast and shows why these two might have been chosen. Though powerful on their own, their styles and personality are different enough to compensate for any flaws.

With all that out of the way Emerald rejoins Mercury and her smile immediately drops. She's disgusted at having to get all buddy-buddy with them, but "Orders are orders." She has this classic villain moment where she expresses shock over how they're just so happy all the time and I'm like oh, honey. Darling. Morally misaligned baby girl. Just give it a few Volumes.

We cut to Team RWBY at lunch and aRE THE BOWLS SUPPOSED TO BE THAT BIG?

I recalled that they were big as a visual gag, but not half the girls' size. Honestly? Great choice. I too want to live in a world where you can get insanely giant noodles a millisecond after you order them.

Deviating from the others, Blake nods at the seller dude and receives an equally giant bowl filled with fish. You know, I really wish RWBY had done something with the faunus' animal traits rather than turning them into an endless joke. The concept of a god merging humans with literal animals and then, generations down the line, cat-people being influenced by cat instincts as well as human instincts (because remember, we're animals too) is actually really interesting to me... but navigating the racial implications of that takes a level of nuance that RWBY was never interested in exploring. So we're just left with a Blake who is fish obsessed and chases laser pointers and hates dogs and we're supposed to laugh at all that, rather than buying into her teachings that many people use these traits to dehumanize the faunus.

Anyway, Weiss shows off a bit and pays for all their food. At least, she tries to. Turns out her card has been declined, which is more than a little confusing to her given that she was "barely into [her] monthly allowance." Hmm, could that possibly have anything to do with her ignoring her father's phone calls? Surely no one knows.

Luckily, Pyrrha shows up and offers to pay instead (it's nice having a famous BFF, huh?), but like... what were the girls' initial plans? None of them were expecting Weiss to pay, yet they act like Pyrrha is saving the day by showing up, implying that they don't have the money to cover their meal. The shop guy even takes Blake's fish away, leaving her despondent. So what? Were they planning to eat and just worry about the bill later? Actually, that sounds exactly like something these chaotic preteens would do lol. Yang especially. She was introduced while "buying" a drink before destroying the whole dang bar.

Speaking of teenagers, they all finish their bowls with the kind of appetite only seen in 14-71yos. Although, it was a near thing for Jaune. He's very close to barfing (callback!) and Nora encourages him to "aim it at the enemy!"

She continues ragging on him for a bit, failing to come up with any compliments while hyping up her team. Pyrrha is a world-renowned fighter, Ren is basically a ninja, she can bench five of herself, and Jaune is... Jaune. Nora also doesn't include him in her secondary list which implies that Jaune a) hasn't trained as much (or, more realistically, hasn't gotten as much out of it) as the others, b) doesn't possess an "awesome" weapon, and c) is still frequently yelled at by Glynda.

Poor Jaune. I don't say that very often anymore, but he's going through it here lol.

All of this leads to Nora spiraling at the possibility of them losing. This includes the oh-so-causal drop that she and Ren "have no parents and no home left to go to" which is a HELL of a thing to throw out in a comedically framed breakdown. I mean, being orphans is sad enough, but "no home left to go to" won't be explained until we learn that their town was basically wiped off the map, so damn.

Team RWBY reassures them that a fight with actual rules is nothing compared to what they've already been through. You know, the murderers, extremists, and sociopaths. "Oh," gushes Ruby, "imagine what it'll be like when we graduate!"

As Port and Oobleck call Team JNPR to the arena for their match we cut to Emerald and Mercury settling in to enjoy the festivities. In retrospect, this right here is a really nicely composed shot:

It tells us that Emerald is serious about going through with this destruction (again, she's no manipulated damsel), but she's not getting the same personal enjoyment out of it like Mercury is, as showcased by the smirk. The focus remains on them with Team RWBY framed in between. This is the villains' Volume. They're going to win. Our eyes follow the soon-to-be champions not of the festival, but the battle, while our heroes are literally and metaphorically trapped between them. Finally, Yang is the only one who looks back. We won't know this for several episodes, but she's at the heart of their plan and has every reason to cast the almost-but-not-quite-worried glance over her shoulder. Subtle foreshadowing, how I love thee.

It's shit like this that makes my brain go, "It used to be good! RWBY used to be fun AND occasionally insightful! Those overworked animators were uplifting a mediocre story and the result was good!!!"

As they take their seats who should show up but Cinder, casually using her semblance to pop a kernel of popcorn (power move). "Even if you know how a story ends," she says, "that doesn't make it any less fun to watch." True that! I mean, she's talking about knowing that Team JNPR will be moving on because they need Pyrrha to murder Penny, but I agree with the sentiment outside of that context.

Actually, do they ever explain how they manipulated the fights? I mean, they obviously entered and are winning their own battles and we know that Mercury will be staging his injury with Yang... but here Cinder makes it sound like she's pulling strings in every match. Toss that onto the list of development I would have liked for this Volume: what precisely are they doing behind the scenes? I'll have to pay careful attention going forward to make sure I don't miss anything because right now all I can recall is them looking at Penny's blueprints (presumably obtained via Watts).

Team JNPR's area is randomized into a forest and mountainous land before the battle commences. We end on that cliffhanger, complete with the superhero-esque freeze shot.

And that concludes the first episode of Volume 3! As well as my first recap in a long while. If you've followed me at all you'll know that work has been my personal Big Bad the last two-ish years. Given the scope of my responsibilities and the energy they extract, I simply don't have the time or means to write the way I used to. However, I feel like if I can muster up the willpower to finish this on tonight of all nights (people reading from the future: check the posting date and you'll understand), then I must be getting a little better at carving out writing time in my hectic schedule. All hail self-improvement!

On that positive note, everyone have a wonderful night. Or at least try to. Seriously. Text a loved one, treat yourself to a favored snack, do something that feels fulfilling. Take some deep breaths and I'll see you for the next one.

~Clyde❤️

[aishangotome]

Leon Dompteur: Even If The World is Destroyed

From A Hidden Oath: King of the BEAST (2024 Election) - Collection Event

Thank you @dark-frosted-heart for providing the SE video!

—

One night, when I got out of the bath, Emma was sitting on the bed with a book in her hand, shedding large tears.

Emma: S-sob... It was such a wonderful story...

Leon: You're so pure and cute to cry so much because you're so emotionally involved in the story.

Emma: It's embarrassing to be stared at like that.

Leon: It's okay, isn't it? Because I love you.

Chuckling, I wiped away her tears with my fingers, and her flushed eyes curved into a soft arc.

Emma: Thank you.

Leon: Yeah. Was that book such a tearjerker?

Emma: Yes, it's a love story set in a world that's being destroyed by natural disasters, and its not just sad, but the love between the characters is beautiful.

Leon: Can't the world be saved from destruction?

Emma: ... Right. The main focus is on how the two of them will spend the limited time they have until the world is destroyed.

Emma: Hey, Leon, what would you do if the world was going to end?

Leon: So it's not just this country, but the whole continent?

Emma lowered her eyes to the book on her lap.

Emma: I think one of the joys of reading is to imagine yourself as a character in the story and think about what you would do.

Emma: This time, it's such a grand story about the end of the world, so I was curious to hear what Leon would do.

Leon: I see. Thanks for letting me share in the joy of reading.

(––The world, huh?)

Those words brought to mind the smiling face of Emma in front of him.

(When I was a slave, I was moved from place to place, so I didn't have a place I could call home.)

(The royal court is the same, this is Leon's place, not mine.)

(But after meeting Emma, for the first time, I had a place I could call my own.)

(You loved the real me… my "world" is right here with you.)

(If that were to be destroyed––)

I suddenly noticed Emma staring at me intently.

Emma's eyes were so full of expectation for my answer that I couldn't help but pull her arm and lie down on the bed, holding her close.

Emma: Leon, what's wrong all of a sudden?

Leon: I just wanted to touch you. We can imagine, talk, and even embrace each other, right?

Emma: Hehe, you're right. I like this better too.

Leon: You really do say such honest and cute things.

Emma: Because I love being held by Leon, it's warm and reassuring…

Leon: Yeah, me too.

Emma: I'm sure even if the world ends, the warmth and reassurance Leon gives me won't change.

(You're not only warm, but you also smell sweet and nice.)

As I held Emma tighter to better smell her scent, a certain feeling welled up in my chest.

(My world… this place we've built together, I won't lose it no matter what happens.)

I leaned over Emma and kissed a lock of her beautiful hair.

Leon: If there's a premise that there's no escape from destruction, I'll just keep loving you even after it's gone.

Leon: Even if this world and our souls are destroyed, I'll be reborn over and over again.

Emma: Reborn...

I gently caressed Emma's cheek as she blinked her eyes in wonder.

Leon: Even if this world is destroyed, there might be another world somewhere else.

Leon: Or maybe the earth will gradually regenerate, and eventually new continents and countries will be born.

Leon: If that happens, it's possible that we'll be reborn in another world.

Emma: That's right! The idea of a new world being born, or living a new life, is very hopeful and wonderful.

Leon: Right?

Leon: And no matter where I'm born or what form I take, I'll definitely find you and come for you.

Leon: No matter how many times I'm reborn, I'll never forget you.

Leon: There's no way I could forget this love.

Emma: Hehe, you're so confident. But if it's Leon, I think you really could do it.

Emma: I'll never forget Leon either, and no matter how many times I'm reborn, I'll fall in love with you.

Emma: No, I think I definitely won't be able to help but fall in love with you.

Leon: I'll be reborn as a good man so you'll love me again.

Emma: I wonder if we'll ever be reborn as animals?

Leon: Ugh, it's possible. Even if I'm reborn as a lion and you're a rabbit, I'll still try to woo you.

Emma: I might be surprised and run away at first, but I'll be waiting.

Even in our playful banter, the feelings welling up in my chest felt hot and unwavering.

(No matter what happens, my home will never change, and I have no intention of losing it.)

(Even if the world is destroyed, I will continue to love you.)

I kissed Emma, who was smiling happily, as if to swear my feelings from the bottom of my heart.

FIN

[mettywiththenotes]

I know the general conclusion people are coming to is "wow so nothing has changed the civilians haven't changed their minds nothing has changed in society" but. how many chapters has it been since the end of the war. actually a better question would be how many days/weeks has it been since the end of the war. because idk man things aren't going to change as quickly as that

You have to factor in how no one outside of Izuku, Shouto and Ochako knew about them wanting to save the villains. When the footage of the final war is inevitably shared around, the first thought probably isn't "wow they saved those bad guys" but likely just the fact that they stopped them from doing more damage meaning they can put them in jail or whatever

Even when you put that aside, society is unlikely to change in a short space of time anyway because there was the general idea that the heroes winning meant bringing things back to how they were. And bringing things back to how they were means a society that favors the good quirks and good victims over the people who are ignored and those who slip through the cracks. If they get that back, then of course things aren't going to change immediately

And in the end, they did get it back. The villains have been stopped. The heroes prevailed. Society is rebuilding as fast as possible like nothing happened. But we've been shown that the idea "things are going back to normal" is usually accompanied by the implication it may seem like that but really things will change in an inevitable way

The saviour squad as a whole (Izuku, Shouto, Ochako, Hawks) all have the potential to speak up about their experiences, prove the world/country wrong about their surface-level view of villains. Shouto and Ochako could relay their thoughts, what their intentions were, what their conclusions are now. Izuku could choose to tell everyone what he saw in Tomura, the crying child. More than that, he could do some introspection, think over his time with Tomura (USJ, mall scene, war arc and so on) and talk about his thoughts too. Hawks being one of the first of the heroes who tried and failed to save his villain is an interesting parallel to Izuku, and also shows that he could have a personal account on this too

With all this in consideration, I believe that it's not going to be a random relaying of these experiences in bits and pieces over the remaining chapters, but rather a single united action together - like their own televised interview or something. It's not like Hawks wouldn't have the power to organize it, the HC literally has the authority to put what they want in the media. Though whether that happens or not remains to be seen

But the point I'm trying to make is that this is going to take time. The whole of society isn't just going to wake up and realize the error of their ways after all of that. There has to be a beginning, a starting line, to the conclusion that maybe villains deserve something better

I say that this is going to take time, while knowing that we have only 3 chapters of the story left... and while it frustrates a lot of people, it's looking to me like this is going to be an open ending. I imagine the very last chapter will show the starting line of change. Personally I'm okay with that, I think it would be compelling. Depending on how it is set out, I don't think it would be a bad ending

Idk how exactly to end this post but... it just seems like people think that all hope is lost because the civilians didn't all collectively wake up the day after the war and change their minds, and I don't think it works that way. It will take time. I believe Hori may give the story an open ending so we are shown the starting line and in the end it will be up to us how things change specifically