#also these are so much fun to spin
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edenfire · 6 months ago
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✨️🎶 your affection🎶✨️
my persona 4 ferris wheels are also up in my shop, ready to go!!🌟 the nostalgia and love really hit me hard when making this one, so I really hope you guys like them🥰💗🌸
> my shop <
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stormofdefiance · 7 months ago
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True knowledge exists in knowing you know nothing || Dr. Ratio & Socrates
Okay, I legitimately laughed out loud writing that title, but listen. LISTEN.
Ratio's inspirations derive from many sources; from referencing Archimedes's brain-blast in the tub, to being doomed to have his head bonked by Newton's apple ad infinitum in his idle animation, to his ultimate line ('esse est percipi' / 'to be is to be perceived') a direct quote from Berkeley on Idealism - it's apparent that his design nods towards scholars across time periods rather than being a direct parallel to a singular academic.
Nevertheless, just for fun, I've been rotating Ratio and ancient greek philosophers around in my head and have had a great time chewing over how parallels Socrates in particular. I am in no way saying that Hoyo even thought about Socrates while they were designing Ratio, but I thought I'd share my thoughts. I think there are some worthwhile parallels to be drawn that touch on all aspects of Ratio's own philosophy regarding ignorance, the value of knowledge, and his deep appreciation of life. So, let's get into it.
Ratio is interested in humanity and curing 'ill minds with knowledge', that 'to turn a blind eye to the folly of others is not an etiquette, but a wicked worldly practice.' Ignorance is a disease - this is a concept that can be viewed through a Socratic lens. Socrates believed that that virtue and knowledge were impossible to separate from one another, and that virtue could be developed through acquiring knowledge and insight. If knowledge is virtue, then ignorance is vice. In Socrates's mind, no one would rationally choose to do something bad. People might choose to do bad things, but this is rooted in their own perception of the world - as in, someone would only choose to do something bad (for the world, or for themselves) because they believed (erroneously) that it was the right or good thing to do. To Socrates, the cure to this was knowledge: 'There are two kinds of disease of the soul, vice and ignorance.' & 'What does most harm in the world is not sinfulness but ignorance'.
To Ratio, 'If ignorance is an ailment, it is the duty of the scholars to weed it out and heal the universe'. He views his own ignorance as 'filth' that must be cleansed through methods such as reading. He also views knowledge as a method for humans to overcome their problems - 'Another day has passed. If your problem still hasn't been solved, is it possible the problem is you?' & 'You look distressed. Is something troubling you? if so, you can figure it out for yourself.' These statements sound harsh, but they also clue us into Ratio's philosophy - that through self-examination and improvement, one can overcome one's ailments.
Socrates was also known for being a trouble-maker, he was abrupt and tactless and did not care for someone's social standing nor decorum. He was also known for using what is now called the Socratic method, asking a series of questions that ultimately seek to show contradictions in the beliefs of those who posed them, and to move systematically towards a hypothesis free from contradiction. Socrates rarely made assertions himself - after all, he had no wisdom of his own. But he could interrogate others in order to expose their own foibles, much to the embarrassment and annoyance of those around him. He was once described as a 'gnat' chewing on the 'lazy horse of Athens', causing it to wake up and spring to life due to his persistent gnawing and prodding. Ratio also employs the Socratic method - 'I'm asking questions' - and also adopts sophist tactics such as playing devil's advocate and taking opposing sides (with both himself as seen a story quest, and with others as we see with his texts urging us to take up a side so he might debate us). Through questioning and interrogation, upsetting what we consider social convention and norms, we can dispel contradictions and thereby come closer to some form of truth.
To add to this - as highlighted in the replies below - Ratio’s skill ‘intellectual midwifery’ is a reference to the Socratic method. The idea being that Socrates helped those around him give birth to the knowledge that was already within them, rather than treating his students minds as empty vessels for him to fill with his own answers. Again this is beautifully echoed in Ratio - he doesn’t want to tell you how to live your life, he wants you to work out for yourself what it is you need, thus empowering oneself through self-examination and questioning.
Socrates did not believe in writing anything down. He believed that face-to-face communication was a far more effective way of communicating knowledge - which means, unfortunately, what we know of Socrates is primarily derived from secondary sources. Much of what we know about him today comes from Plato's dialogues, and Plato was known for liberally exercising artistic license.
Although Ratio is not dead, I find it interesting that his character story is told exclusively through secondary sources. To quote - '…There are no less than eight documentaries detailing his legendary exploits, and over a dozen memoirs about him. However, despite the plethora of commentaries, none of them seems to provide a compelling perspective.' It's as though there are no surviving fragments penned by Ratio's hand and all we have to go on is through the lenses of other people. This challenges us, perhaps, to try to think about our own interpretation of Ratio since secondary sources cannot be taken as a wholly unbiased account - and once again employing the Socratic method and empowering the reader to come to their own interpretation.
While Socrates left no writing behind, he was interested in spreading knowledge. Socrates spent most of his life in Athens, a city that was, during his lifetime (~470-399 BC), a hotpot of scholars, wisemen and philosophers. Athena, the Greek god of wisdom, was named after the city - her symbol the owl that is also appropriately perched on Ratio’s shoulder. Also in Athens at this time where the sophists. The sophists were a class of intellectuals who were known to teach courses in various subjects - but often for a high fee, and generally centred around the idea that persuasion and the use of knowledge as a tool was more important than wisdom or truth itself. There's some debate about whether Socrates could be characterised as a sophist himself, but, crucially, he is characterised as refusing to take payment for his teachings. He was born a plebeian (perhaps you might describe it as a mundane background.) He was known to dress in rags and go barefoot, speaking to and (often antagonising) people from all walks of life, preferring the marketplace as a center of debate than palaces or courtrooms. I can't help but think of the sophists as similar to the genius society (or at least Ratio's depiction of them in contrast to himself), cooped up in ivory towers and gatekeeping knowledge to the most privileged. He doubts if Herta's talent is always helpful to others, he compares Screwllum to a 'monarch'. Then again, the sophists may in fact be a bit of a parallel to the Intelligentsia Guild - from Ratio, 'when someone is willing to listen to knowledge that is being disseminated and circulated, a price is created'.
Socrates (or at least the Platonic depiction of Socrates) was at one time declared the wisest man in Athens by the Oracle of Delphi. Socrates balks at this assertion - how can he possibly be the wisest man in Athens when he in fact knows nothing at all? This was not a claim made of modesty - he truly believed that he had no wisdom, that he was unsure what 'wisdom' itself even was. Ultimately, Socrates concludes that the only way that the Oracle could be correct is that by actually acknowledging that he knows nothing he paradoxically is the wisest man in Athens. All wisdom, therefore, is rooted in wondering, with wondering only possible if one is open to admitting one's own ignorance.
What I love about all of this in relation to Ratio is that Ratio styles himself as a mundanite. The Intelligensia Guild advocates that 'all knowledge must be circulated like currency' and accepts 'all beings… who seek to learn'. Ratio has no time for the satisfied self-styling of intellectualism, he himself states that 'to speak knowledge, we must first make people realise their own folly.' No one is above criticism in this regard, even himself - again, to quote 'Whenever someone agrees with me, I feel like I must be wrong.' Again, I feel as though he would resonate with Socrates here: 'Smart people learn from everything and everyone, average people from their experiences, and stupid people already have all the answers'. With Aventurine, he is quick to mock his appearance as over-the-top and vapid - once again making it clear his distate for vanity and hollow displays of showiness (albeit he may have been acting for Sunday's sake here. Also, no comment about this coming from a man who runs around in a toga, lmao) Equally, with Aventurine, it is clear that Ratio is willing to learn from him - he apologises when he offends, he abhors his methodology and yet he still relies upon it and trusts in Aventurine's plan, he is drawn to him in some ways precisely because he is so different to himself. Aventurine (at least styles himself) as impulsive to Ratio's slow and steady methodology, Aventurine whose learning has been entirely self-made vs Ratio who has spent his life in classrooms, Ratio who scoffs at Aventurine's favourite games of chance yet adds slot machines to his simulated universe. And to Socrates, the experience of aporia – in all of its discomfort and disruption – is the very catalyst of wonder, and that wonder was not just the root of wisdom but also the way to live a good and happy life. There is something beautiful in this to me, and this extends to Ratio. Ratio fundamentally cares about life. For all his brashness, his lashing out against 'idiots', his harsh demeanour - he wants people to live good lives, he wants to contribute to the good of humanity - all people, even those he is annoyed by, he cares so profoundly and absolutely about life. The entire reason why he is obsessed with wisdom and learning is not to exalt or elevate himself, not as some kind of ritualistic expression of piety towards a deity, but it is instead an expression of devotion towards life itself. Ratio has a strict work out routine not so that he can show off his body, but because living healthily is living well and working out is a component of that. Even the way he fusses and worries about Aventurine, someone he is pointedly irritated by, reveals how deeply his care runs. So so much of his character is centered on caring for life, even if it is not immediately obvious.
Finally, I'd like to highlight some ways in which Ratio is not like Socrates. First of all, Socrates was repeatedly described as 'ugly' by fellow philosophers Plato and Xenophon - this is contrast to Ratio being repeatedly described as 'handsome'. This is an interesting subversion to me (albeit likely an indulgent one) as in both cases both men attempt to distance their physical appearance from the weight of their words. Ratio wears the bust for many reasons, but way to view it is that he is attempting to stop his appearance from bearing any influence in the subject of debate.
Socrates was also said to be blessed by a divine touch, and as we know, this is something that agonises Ratio as Nous has not yet turned THEIR gaze towards him.
Lastly, Ratio has - thankfully - not yet been ordered by the state to drink hemlock for all his trouble-making and blustering. Though perhaps he may someday be put on trial by the IPC if the theories that he is working alongside Aventurine to undermine the corporation are true - we will just have to wait and see.
Thanks for reading my little ramble. I'd be super interested in anyone's thoughts if they'd like to share, but regardless, I'll leave off on some of my favourite wee quotes from the Rat man:
'Even a life marked by failure is a life worth living - it is only in moments of solitude and despair, when help is absent, that fools grasp how to pick themselves up.'
'Do stay alive. I wish you the best of luck.'
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katabay · 11 months ago
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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tunastime · 2 months ago
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hiccuping tears into the shoulder + ranchers by chance?
hiccuping tears into their shoulder (1087 words) (x)
For the first time in a good, long portion of his life, Tango despises how silent the night gets. It's not without its natural noise—the balmy, sticky humidity and breeze in the grass, or the crickets, the cicadas quieting down, the sounds of animals rearranging themselves to a comfier sleeping arrangement. He should be doing the same, but he's sitting on the edge of the bed, his spine a rigid line. He can feel the blood in his body, he can feel the spaces where his muscles connect to each other, with every breath he can feel his lungs separate out the oxygen. It's at the very least startling, and at the very most, he feels like he might dissolve on the spot if touched. 
Tango knows how death feels—painless respawn and a few seasons of a life game behind him, but to feel someone else die, too. The echo of death alongside your own. He didn't like that! Not good at all. All his blood and heartbeat-y things are rushing around in his ears. He doesn't even hear Jimmy the first time he speaks up from the other side of the bed, with how his voice scrapes out.
"I didn't know they were aiming for us," Jimmy says.
"Of course not," Tango says, furrowing his eyebrows. "I know you didn't."
He's still looking at his hands, running his thumb over the lines in his palm and pushing into the tiny bones and muscle there. Jimmy flexes his hands like he can feel the pressure and bones moving around. He watches him fold his hand tight around each other and slump, pulling his shoulders to his chest. His breath squeezes in his chest as Jimmy deflates tiredly.
"I just don't want you to think—"
"I'm not gonna think this is your fault, alright?" Tango says, frowning at him. "Why would I?"
Jimmy sighs. His jaw works.
"Cause it usually is," he grits. Tango scrunches his nose on instinct, recoiling out of habit before he manages:
"That's not fair, man."
"This whole game isn't far!" Jimmy huffs, waving a hand about.
"Sure but—"
"But nothing, Tango. I just—I can't lose and drag you with me. That's more than not fair."
"I don't care."
"I care."
Before Tango can argue, though, he tastes the faintest hints of anger and frustration at the back of his mouth fade. He watches Jimmy's face contort as he tries to come up with a better sentence, something he probably thinks Tango deserves. Maybe an apology. 
Tango just looks at him. He kind of feels bad, that little bit of gut wrenching cold that trickles in, but mostly he's just confused. Jimmy's words bat around in his brain like dust particles. Dust bunnies. He definitely assumed they were done with this. That maybe Jimmy made peace like he did—though really he hadn't had that much time to make peace, if he's being honest. He's still bitter. He's sure a lot of people are still bitter. But in terms of Jimmy's whole situation? It's not like it could be helped. They just had to be careful. So Tango was being careful, and Jimmy was taking what Tango thought was a calculated risk, so he was mad, sure, but he couldn't really stay mad for a long time. So he takes a long breath and sighs it out his nose. It still tastes surprisingly reminiscent of smoke.
"So what are we going to do?" he asks softly. Jimmy inhales.
"I don't know," he says. "Go to bed? Wake up and start planning?"
Tango hums plainly. He likes that idea. The small spool of feeling in his chest that must belong to Jimmy gives a little tug, like it wanted to take him down with it. 
"Yeah," Tango says, voice coming hoarse. "Yeah, I think so."
For a moment, Tango runs his tongue over his teeth, runs his thumbs over the seams of his knees. He sighs, and then he leans into Jimmy's shoulder with a definitive huff. He's tired. From the ache in his bones, to the breathlessness of dying, to just taking in Jimmy's stress. Man. He's exhausted. Jimmy snorts quietly. He feels him press his cheek against Tango's head. The hand Jimmy had been fiddling with in his lap ends up at the base of his spine, splayed over the fabric. Tango squeezes his eyes shut.
"Thanks Tango," Jimmy says shakily. He sounds like he's on the knife's edge of crying, so Tango fumbles out a hand and lands it solidly on his knee. It's not a terribly comfortable thing to stretch one of his achy shoulders or biceps that far but he does anyway, and Jimmy huffs out a damp laugh. "Guess I'm just... pissed off."
Tango snorts.
"If you think you're pissed, just wait until they rile me up," he says into the fabric of Jimmy's shirt. Jimmy laughs. Tango tries to hold in a grin that he also smothers into his shoulder, but fails. Jimmy's hand skips over his knuckles and squeezes the hand on his knee.
"Sure thing, Rancher," he teases. Tango makes a half-suppressed noise of indignation, squeaking as he bolts upright. He nearly knocks into Jimmy's jaw as he untangles himself with all the grace of a cat trying to weasel out of someone's arms. 
"I'm just sayin'," he grumbles, crinkling his nose. "You seem like you're in a better mood though."
Jimmy sighs, rounding out his shoulders. 
"Think so," he says, working his cheek between his teeth. Tango feels the sensation of prodding in his mouth. Bleh. "Think so."
"Probably a good idea to make good on that sleeping... thing,” he says, reaching up to scrub at his eyes. He barely stifles a yawn as Jimmy stretches, twisting his tall body around in a way that feels surprisingly pleasant to Tango’s stiff muscles. He can’t imagine, especially with the way Jimmy holds all his emotions in his shoulders, that his upper back is doing him any favors. Jimmy makes a little noise in confirmation as Tango turns, attempting to make ample space for him in the small bed. He knows they’ll end up back to back at some point, but as he lies down, shoulder to shoulder, an easy comfort rolls over him. Sure there’s all the red blood rushing around in his ears, and sure he feels it right up on his skin like a bad rash, but for now, next to Jimmy, he shuts his eyes.
They’ll make this time count for something, at least.
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sysig · 1 year ago
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Ellen McLain’s commentary from my trivia playthrough
#She's so cute <3#WPP#Portal#Ellen McLain#If you haven't played through the audio commentary I would Absolutely recommend it it is So fun#I clicked out of curiosity - kind of just expecting like a movie's audio commentary y'know? Like a video that highlighted specific scenes#No it's just the whole game again but with trivia pop-ups! I love that!!#It reminded me so much of like trivia track or the pop up fun facts from special editions of movies I would watch as a kid#But you can play through them!! You have to click on them and they spin! I love that!!!#I always love hearing the design and development process - fascinating how the playtesters reacted to this new game!#We take it for granted now but yeah I imagine it would've been very confusing at the time#And I was like ''Well it was such a small team and Ms. McLain was such a large part of it - surely she'll have a few bubbles?''#She does lol - as soon as I got to her first one (it was a slow burn! They buried the lead with her lol I'm already invested!) I had to go#I saved-quit the game out of sheer excitement and giddiness lol I had to sleep on it before I was ready to come back#It is so cool to hear her natural voice ah <3 And the kinds of direction she was given! Other bubbles also talk about her vocal direction :)#Very cool! I wonder what TTS they used for reference :0#But to hear her real laugh without the audio processing over and and she still sounds like GLaDOS! I mean of course she does but just jfdksl#That's /her/ laugh! They share a laugh! It's a very similar laugh!!#Not to mention her talking about wanting to play and just fdskalfd they clearly did such a good job with her performance and ahhh#It's too cute it's all too cute sharing a room with GLaDOS while her voice actor talks about making a cake to share with her friends stopppp#I am so enamoured <3#I also took a bunch of screenshots of GLaDOS still shit-talking while she was being destroyed lol#Actually beat the ending in one try this time :P I ran out of time the last time pfft#But now I've beaten it twice in as many days :D Although I did start it the first time several days ago - but I beat it again quickly!#Has me all the more itching to replay 2 ♪#WPVG
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youandthemountains · 7 months ago
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it probably is insane how much I wish I could express the thing about spones. the vibes about spones. Like there's the joking fun fandom vibes and I love them, I love to play with them, of course of course. but the THING. the CORE to me. i wish i could capture it and share it.
#like. the constancy. like the friction matters because it's hand in hand with the steadfastness you know? and it doesn't preclude tenderness#also climbing into the mind of the person you've been obsessed with understanding and being understood by.#and the fact that it's lifelong. and the teasing. and the fact that the growth is in the allowance of imperfections#allowing that imperfections exist in who you love allows you to love them allows you to love yourself#and i always love people knowing what you believe and bolstering it when you feel lost even when it's not their philosophy#(bones asking spock hope? isn't that a human failing? and him not allowing that#spock losing himself to emotion in all our yesterdays and bones reminding him how antithetical that is to him)#but even with all that seriousness - the TEASING. the plain fun. the constant reaching out regardless of their moods#the constant seeking each other out. the almost - given nature of the relationship.#it's not in some ways as dramatic as a Simple Feeling as the When I Think of You I Feel Shame.#it's bones growing into old age the human way one day at a time with spock#when people are like oh spock just put his katra in him because he was there - yeah. and he was always going to be the one who was there#this is why the earth moon sun metaphor works for the triumvirate so much better than sun moon stars imo#bones is the earth spock is the moon kirk is the sun#'the captain was indispensable'#the sun - a distant lifegiver to them and many others. they do revolve around it. have unique relationships to it#the earth revolutes the sun which brings it life. the moon has a face it only shows the sun#and the moon revolutes the earth. their gravity shapes each other. they reach out to each other. they formed in a collision outward#in some ways are entirely different but have the same stuff in them. spin the same.#idk it just makes so much sense for them all.#but even just getting back to them. again just the obsession with each others mind.#'i will never understand the medical mind' 'mathematically perfect brainwaves'#and then complimenting each other always so startlingly out of the blue with their own fields -#'you have a good bedside manner spock' 'perhaps if they had your ingenuity they would have'#the seeking each other's advice out even if it's just to argue with it lmao. the motif of their last words always going to each other#even wrath of khan - we know spock was talking to bones in his head. i do always wonder what was in their tsfs reunion scene#that shatner didn't want to happen.#I don't know and even this isn't the heart of it.#there's the families and the way they fit into each other's conception and value and weight of family#do i even tag this spones. this is just crazy rambling.
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daily-amber · 9 months ago
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day 147: i never want to animate her ever again
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estellardreams · 1 month ago
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Training requires new weapons. And under King Red's orders, the two monkeys train together inside the daochang.
Of course, they both get very different weapons from their usual skillsets as mandated, and with power restrictions as is they gotta work with what they got.
Wukong was granted a Máo, since it's close enough to the staff however is still different enough to be it's own thing. It's also what the former Monkey King is more comfortable with.
Macaque however, despite having access to some of his shadow powers, opted for some Shuāng Jiàn, which are dual blades for efficiency and fast movements.
Of course, King Red monitors their usage of these weapons to make sure they can't use them against him. As such he keeps a close eye on where the weapons are at all times and only allows them out of the Daochang during missions to recapture MK.
[Demon King Red belongs to @purble-turble, Prisoner Trio belongs to me]
Extra: Daochang layout + Alts for the photo
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sophiegoose · 3 months ago
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Me, sitting in the theater watching Transformers ONE after spending over a decade watching the live action films:
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sketchy-tour · 2 months ago
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I AM BACK FROM VACATION! DRAWING TIME AFTER CHORES RAAAAA
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bluecookiesabi · 6 months ago
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Sugary Sweet. Absolutely Adorable. Floating On Cloud Nine. And what's this? Maybe even a little steamy?
When First Aid was kicked out of work for a mandatory break, he wasn't expecting much. But when a chance encounter leads him to Brainstorm, he gets more than he could ever have imagined. Follow them as they soar to new heights—in more ways than one—and find a connection that will leave them dizzy for more!
Special thanks to @hashi-moma for creating the wonderful art piece that inspired and will accompany this story! It was truly a pleasure to work with you in the @tf-bigbang this year, and I hope everyone will enjoy what we've created together! I highly encourage everyone to check out Hashi's art blog @hashipebbles, and to look forward to both of our full pieces once the posting period starts later this month <3
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milkweedman · 2 years ago
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...so im writing up a little guide for how to learn to spin on a drop spindle, bc my friend wants to learn and physical distance means i can’t teach it in person -_-
my little guide has somehow already gone over 4000 words and has 5 mspaint diagrams, most of them quite detailed
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peteytheparrot · 1 month ago
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So Pecker and Co. live in a cactus, and they live in the cactus. They have rooms in the cactus. I'm going to assume they fly to get to their rooms (being that ladders are rare). Does Pecker need a ladder or stairs? Does Meadow have to put those in or smth?
After Peckers incident they had to modify the cactus a decent amount for him to go around the place without it being a big hassle for him to do. On the outside of the cactus they added stairs going up to Pecker’s room, as shown here! Although, it takes awhile for him to walk up all of those steps as it wraps around the cactus. (I’m probably gonna redesign the stairs into more of a ramp wrapping around, because just planks of wood seems hard to walk on without falling lmao) Sadly he can’t go to Meadow or Violets rooms on the outside though.
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And now onto the inside of the cactus, besides that the bar itself is pretty fine to Peckers needs (besides some perches he just can’t fly up to), but behind where Meadow works it gets a little more complicated!
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In order to grab most drinks you have to be able to fly up to grab them, so they implemented a little ladder Pecker can use if he ever wants to work in the bar a bit! And in order to go up into any of their rooms, it used to be that they would just fly up into them, but after the incident they added ladders, BUT I’m also thinking for easier reasons for Pecker (and it looks cooler) I mighttt make it a spiral staircase with platforms that go into each room? But that would probably make it harder for Meadow and Violet to fly up into their rooms without accidentally bumping into something… Shrugs lol
The rooms themselves probably aren’t too bad for Peckers needs and tbh Meadow and Violets rooms don’t really need to be that catered to him, they probably have like, a hammock up high, some tall shelves, and some perches? I could see Violet having a couple of those hammocks for toys hanging around high in her room… Pecker’s room itself is pretty much just an average room non-flying wise lmfao- I could see them having to change his room a lot after his incident due to him probably constantly wanting to fly and having high up places in there, but probably nothing too severe.
I’d like to make some pretty drawings of the bar and their rooms someday in full detail :) and also add more bird elements into some places! This isn’t fully finalized yet!
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goldiipond · 1 year ago
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don and emma besties doodles for @spintops <3 they are everything to me
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yuquiitas · 8 months ago
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Oh my gotcha
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asteria7fics · 1 month ago
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The conclusion to LPM really hit the spot! You really brought everything together in a satisfying way! Loved the mental image of Kyle knocking Cartman's teeth out, cuz he sure had it coming. Compliments to the chef and an extra big tip! :)
Aaah thank you my friend!!
I’ve finally sat down for the night so I can reply to everyone’s lovely comments, but seriously it’s so nice to hear that the ending was enjoyable!
Someone on AO3 left a comment saying they’d like to see Kyle’s POV of the month they were apart, and honestly? An excuse to write Kyle beating the shit outta Cartman? I may have to take the opportunity, someday. (˵ ¬ᴗ¬˵)
But again, thank you so much for being along for the ride!! It’s such a relief to hear that the sequel satisfied your appetite (๑>؂•̀๑)
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