#also the last one makes me SAD

[ladykeyleth]

Laudna + naming creatures after food.

[ricky-mortis]

Curtwen Week Day 4: Haunted

[canisalbus]

So i remember an ask mentioning your mortal enemy, Felis Atra and their cats, and i thought it'd be fun to draw what Felis Atra's version of your italian dogs would be.

I think they would be called Butter Knife and Flamengo! Butter Knife is not his real name, it's an nickname given by his peers because of how harmless he is. I choose Flamengo because that's the name of Vasco's rival football team here in Brazil, so i thought that was the perfect name :)

Cat Machete was slightly inspired by the Oriental Shorthair cat because of their long noses and thin head shape.

Cat Vasco was inspired by the Scottish Fold cat, because FLOPPY EARS. I gave Flamengo longer ears and orange fur to make him more like his look-alike.

The last doodle is a reference to this ask (https://canisalbus.tumblr.com/post/728923918314946560/me-i-am-machete-ear-fan-number-1-those-ears) and contains the tumblr ask stand-in dog, whose cat version was inspired by the American Curl cat! They have round ears that are slightly floppy outwards.

Final notes: I know cardinal clothes don't come in vibrant blue, but i was ADAMANT on switching Machete's and Vasco's clothing color patterns. I would draw the rest of Butter Knife's and Flamengo's clothes, but i suck at designing cool outfits.

Speaking of outfits, for Machete's iconic void outfit, i figured it would be fun to make it more baggy for Butter Knife, in contrast to Machete's, that looks very tight-fitted. I think it's cute, it kinda looks like a sweater. Also i can't imagine a Machete doppelganger without high heels boots, so those HAD to stay.

Oh, and just to be clear, i'm not like, claiming ownership of these guys or anything. I just thought it would be a fun exercise. Hope you like them!! I love your art and your characters.

.

[myokk]

my first attempt at digital art (never again🥲) for mctober💘

Eloise Babbit✨

slytherin

5th year

favorite subjects: arithmancy & ancient runes

least favorite subject: beasts (animals make her nervous🥲)

hobbies: reading & thinking (IT’S A HOBBY OKAY??)

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[to-illustrate-the-stars]

happy birthday to the cat lover ever of all time... my worstie matoba seiji 🐈‍⬛🐈

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[whatudottu]

Welcome one and all to my version of the party's loopified designs, featuring my many broken bones and blood stains I especially put into Odile who I tackled second unlike the alphabetical order that I have presented here! I'll have in-depth discussions on each designs and matching practice portraits under the cut but before that-

Siffrin 'barely taller than a preteen' no middle name no last name Loop is still barely taller than a preteen but now that preteen can claim fire to their height!

Alphabetical order GO!

Bonnie, who I've been calling Bonfire (which if that ends up being their name I can imagine Bonnie calling them 'Fire' while they call Bonnie 'Face' to match), was the last of my designs because frankly I knew from the start what their design was going to take influence from and also knew I was going to draw fire :P They were based on bonfires (of course) and also specifically the Burning Man effigies just for a humanoid figure, plus being a chef cooker and a campfire and also a very heated expressive person.

Their flames are hot but not actual wood burning so the Favour Tree (and Mirabelle in the height chart) are not at risk of combusting, they're just incredibly bright-

Isabeau my first design, with influences from @basilpaste 's Lock (with a dressform body) and @nullapophenia 's original version of Husk (the faceless identityless sketch), I have combined them both to make a mannequin it/its loopified design that finally gets to be capital T Tall all for the low low price of being Changed against its will and suffering another bout of body dysphoria that it can't fix anymore :) :) :) When I was referencing mannequins I actually noticed how long their legs actually were let alone how they were perma-stuck in that Barbie-like highheel pose and thought why don't I just curse Isa with something he previously wanted :P

Something something Isabeau actively Changed not only his body but his personality to become someone he wouldn't be ashamed of, yada yada Loopsabeau is back to hating itself and has started to become a person it despises to match (also like a mannequin it's head and arms are technically painlessly removeable :P)

Third in order and third in design is Mirabelle, who technically is the only loopified design with technically hair and clothes, but the hair are the tangled roots of the Favour Tree and the clothes are like the carved hardstone statues of religious figures :P Initially my Idea for Mirabelle was to make her kinda like her statue, with the wonky expression of someone who made it without much mastery over details, not to pit anything against Mira, no, no. Thought about maybe abstract statue design but I couldn't find a version I liked but I did always imagine her statue being weathered in some way, there was a reason why I saved her for third I couldn't pick what I wanted. But then I remembered the broken Change God statues, thought about the 'blessing' that ended up being a curse, and then thought about overgrown weathering and gave her the roots.

I actually looked up Black hairstyles and mostly wondered what specific hair texture Mirabelle had (she wears it in a fro of course, but she has flyaways that aren't coils, but she described her own hair as kinky and :P) so that if I were to mimic hair with tree roots I can get an appropriate matching hairstyle (settled on megatwists). Hah, if Mira has 4C hair, considering how long her hair actually looks, if she to wear her hair in twists she might actually have elbow length hair :P

I spent 8 non-consecutive hours on Odile can you tell? Can you see my hands bleeding my wrist breaking my eyes drooping? Yeah so Odile was again, my second design and it took me a week to recover, and she's a combination of gem and mirror suit with all the little fragments floating around her the 'diamonds' that represent all her family members party plus the ones she originally had in sets of 2. I also put geodes where parts of her body have broken off (inspired by how when the King strikes she can't move, plus also being a glass canon) where when I was actually drawing those geodes that they kinda use the Change symbol?

Circle within a circle within a circle, regardless of how wiggly it is, and at the centre is a cluster of crystals. That was an accidental reference to Odile's mixed heritage but hoo boy what a connection! Her missing pieces are a combination of 'being too old for this' fragility and also 'i didn't want to render more mirrors sue me'

Anyway I am going to put my wrist in a cast and imagine loopified party members with their pre-wish counterparts :P

[kagoutiss]

as if it was never there at all.

[cakeyouareoh]

FRINGE

2.20 - “Northwest Passage”

[starboysbrainrot]

“so happy the gaang got their happy ending”

what mf happy ending are we talking about exactly ?

you mean the happy ending where aang gets to live forever with the constant reminder that he is alone, that the genocide of his people happened and there is no going back ? where he has the responsibility to assure that the air nation doesn’t die off with him after his death ? where he has to forever live with the fact that he disappeared for 100 years and that the world he lives in now isn’t his. he’s a relic of the past, the testament of a forgotten culture, the last remaining of what is left of the air nomads. he’s alone, forever, at least a part of it died with his people, forever lost.

or you mean the happy ending where Katara & Sokka go back to their tribe, scarred forever by war and loss, having to rebuild the southern water tribe after 100 years of war ? having to rebuild their culture, forcefully destroyed by the fire nation ? forever living with the urge to cradle in their mother’s arms, but never quite being able to do it. Katara will forever see her mother in her brother, his face, his eyes, everything reminding her of Kya, and how she misses her. and Sokka being unable to remember his mother’s face, always ending up picturing Katara instead. even with their dad on their side, Kya will always be missing. no amount of hope, love, and support will grow them a new mother.

or you mean the happy ending where Toph goes back to her toxic parents that really couldn’t care less for who she really is ? and leaving the gaang, the only family she ever really had, who have to take on various missions around the world to rebuild it after the war ? and let’s not forget how scarred and terrified she could be after barely surviving their last battle.

or you mean the happy ending where Suki, after months in prison, simply has to go on with her life as if nothing ever happened ? as if she hadn’t rot in prison for months ? as if she hadn’t experienced the war firsthand by helping the refugees in Ba Sing Se ?

or maybe you mean the happy ending where Zuko, after living a childhood made of lies, abuse, neglect and grief, has to become fire lord at 16, with no idea on what he is doing ? after having half his face burned by his own father, for defending his nation, will experience numerous assassination attempts as a new ruler and have to rebuild the whole world because of the wrongdoings of his ancestors ? his hands are tainted red by blood that his swords didn’t shed, but the crown on his head now is his, and that’s all that matters in everyone’s eyes. that’s all that will always matter.

or maybe you mean all those other kids, that the gaang met during the series.

characters like Haru, who saw his dad being imprisoned, fearing for his life and the life of his mother everyday.

character like the freedom fighters, orphans, who had to become child soldiers in order to survive, who built a family around the hope that they were doing something right. only for it to be washed out by the destroying of a village, and the splitting up of their group.

characters like Jet, who never even got to see a life after the war, who was born in a world scarred by flames and loss, forced to become a parental figure to dozens of orphans, and who died by the hands of his very own country, forgotten forever under a lake, among other forgotten bodies.

characters like Mai or Ty Lee, that never really got to choose what they wanted to do, forcefully put into a role maintained by fear and violence. in a world that asked only thing from them : to fight.

characters like Azula, who got her whole life taken away by one cruel man, forced to become a weapon. who’s forever scarred by the way she grew up, by the way no one saved her, no one helped her, by the way she lost her mom and her brother, because of one, very, cruel man.

or Yue, who sacrificed herself for the wrongdoings of yet another man, who never got to experience adulthood, never got to experience the joy of growing up.

y’all can’t even comprehend that they are all DOOMED. they will never have a normal life after the war, never. their whole lives are forever scarred by the mistakes made by thousands of people before they were even born. they are born with tragedy, loss and war in their blood. ALL OF THEM. nothing will ever change that, no matter how good their future could be. even Aang, who was born before the war, was ultimately tainted by the horrors of it. after experiencing, seeing, all the suffering, all the wrongdoings.

they got the weight of the world and the hopes of long gone generations on their shoulders. not a single one of them got to be kids. not a single one of them got to experience a normal childhood. not a single one of them will live freely after the war. some of them won’t even live after the war.

because how. how can you forget, how can you forget 100 years of pain and suffering ?

(I know this all sounds pretty pessimistic but they all make me so, so sad… I love all of these characters so much. all of them. they make me sad in the best way possible and the tragedy of their story will forever make me cry.)

[stasyalovem]

today I think of those detective stories that Edwin found in the attic and read to Charles. it is clear that in the days when Edwin was alive they were very popular and many boys at school could read and leave them somewhere. but what if these are the same copies that Edwin had and read? just imagine: dying in a horrible way, spending 70 years in hell, escaping and came back to the place of your death, to a world that has changed beyond recognition, where is no one you knew and who would remember you. and how it is to understand that the only thing left after you is only a few copies of silly little detective stories in an abandoned attic which no one cares about (like no one ever cared about you)?

[kmbrlei]

04. GERMINATION

OF THUNDER & LIGHTNING | 01. BOUQUET | 02. BLOOM | 03. BUD | 04. GERMINATION

In a world where pop media meets military power, an employee meets Magni for the first time, again.

(Side comic to Of Thunder and Lightning)

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[the-feathered-dragon-hoard]

There was no one left, only the traces of the party were scattered. The sunset seeped long through the open wall, illuminating the stained table. A long veil draped around Seonghyeonje’s feet as he climbed the stairs.

He would always be the last one left. He would have taken more than anyone else for granted, and let it slip through his fingers like sand. Over and over again. Standing at the edge of dusk, just before everything was engulfed in darkness. But he himself would never be able to face the night.

— Sung Hyunjae, The S-Classes That I Raised, Chapter 499

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever