#how can you hate one of these characters
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“so happy the gaang got their happy ending”
what mf happy ending are we talking about exactly ?
you mean the happy ending where aang gets to live forever with the constant reminder that he is alone, that the genocide of his people happened and there is no going back ? where he has the responsibility to assure that the air nation doesn’t die off with him after his death ? where he has to forever live with the fact that he disappeared for 100 years and that the world he lives in now isn’t his. he’s a relic of the past, the testament of a forgotten culture, the last remaining of what is left of the air nomads. he’s alone, forever, at least a part of it died with his people, forever lost.
or you mean the happy ending where Katara & Sokka go back to their tribe, scarred forever by war and loss, having to rebuild the southern water tribe after 100 years of war ? having to rebuild their culture, forcefully destroyed by the fire nation ? forever living with the urge to cradle in their mother’s arms, but never quite being able to do it. Katara will forever see her mother in her brother, his face, his eyes, everything reminding her of Kya, and how she misses her. and Sokka being unable to remember his mother’s face, always ending up picturing Katara instead. even with their dad on their side, Kya will always be missing. no amount of hope, love, and support will grow them a new mother.
or you mean the happy ending where Toph goes back to her toxic parents that really couldn’t care less for who she really is ? and leaving the gaang, the only family she ever really had, who have to take on various missions around the world to rebuild it after the war ? and let’s not forget how scarred and terrified she could be after barely surviving their last battle.
or you mean the happy ending where Suki, after months in prison, simply has to go on with her life as if nothing ever happened ? as if she hadn’t rot in prison for months ? as if she hadn’t experienced the war firsthand by helping the refugees in Ba Sing Se ?
or maybe you mean the happy ending where Zuko, after living a childhood made of lies, abuse, neglect and grief, has to become fire lord at 16, with no idea on what he is doing ? after having half his face burned by his own father, for defending his nation, will experience numerous assassination attempts as a new ruler and have to rebuild the whole world because of the wrongdoings of his ancestors ? his hands are tainted red by blood that his swords didn’t shed, but the crown on his head now is his, and that’s all that matters in everyone’s eyes. that’s all that will always matter.
or maybe you mean all those other kids, that the gaang met during the series.
characters like Haru, who saw his dad being imprisoned, fearing for his life and the life of his mother everyday.
character like the freedom fighters, orphans, who had to become child soldiers in order to survive, who built a family around the hope that they were doing something right. only for it to be washed out by the destroying of a village, and the splitting up of their group.
characters like Jet, who never even got to see a life after the war, who was born in a world scarred by flames and loss, forced to become a parental figure to dozens of orphans, and who died by the hands of his very own country, forgotten forever under a lake, among other forgotten bodies.
characters like Mai or Ty Lee, that never really got to choose what they wanted to do, forcefully put into a role maintained by fear and violence. in a world that asked only thing from them : to fight.
characters like Azula, who got her whole life taken away by one cruel man, forced to become a weapon. who’s forever scarred by the way she grew up, by the way no one saved her, no one helped her, by the way she lost her mom and her brother, because of one, very, cruel man.
or Yue, who sacrificed herself for the wrongdoings of yet another man, who never got to experience adulthood, never got to experience the joy of growing up.
y’all can’t even comprehend that they are all DOOMED. they will never have a normal life after the war, never. their whole lives are forever scarred by the mistakes made by thousands of people before they were even born. they are born with tragedy, loss and war in their blood. ALL OF THEM. nothing will ever change that, no matter how good their future could be. even Aang, who was born before the war, was ultimately tainted by the horrors of it. after experiencing, seeing, all the suffering, all the wrongdoings.
they got the weight of the world and the hopes of long gone generations on their shoulders. not a single one of them got to be kids. not a single one of them got to experience a normal childhood. not a single one of them will live freely after the war. some of them won’t even live after the war.
because how. how can you forget, how can you forget 100 years of pain and suffering ?
(I know this all sounds pretty pessimistic but they all make me so, so sad… I love all of these characters so much. all of them. they make me sad in the best way possible and the tragedy of their story will forever make me cry.)
#atla#atla fandom they could never make me love you <3#how can you hate one of these characters#how.#avatar the last airbender#aang#avatar aang#pro everyone really#antis get the fuck out#they make me sad. so sad.#katara of the southern water tribe#sokka of the southern water tribe#atla katara#atla sokka#fire lord zuko#atla zuko#atla toph#toph beifong#jet atla#haru atla#freedom fighters#princess azula#ty lee#mai atla#I want them to be happy#but canon won’t let them be happy#also fuck most adults in atla like#let’s direct y’all vitriolic hatred for minors in atla towards the actual adults ok ?#like idk MF ZHAO OR OZAI OR LITERALLY ANY VILLAIN THAT ISN’T A KID
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Happy Halloween! 🧼🥩🎃
#poorly drawn mdzs#mdzs#mouthwashing#lan wangji#wei wuxian#A mouthwashing crossover was always the plan but I ran out of time for a bigger comic. So a doodle it is!#***I am about to talk about some stuff that is not for the squeamish so please take caution from here on out***:#Okay. I know that people who know what goes down in mouthwashing are seeing this and going 'OP Why?'#BUT HERE ME OUT: Wangxian's canon kink dynamic would not bat an eye at this.#You think Wei 'I love being tied up and at the mercy of my loved one' Wuxian would *pass* on amputee-caregiver abuse roleplay???#No! He's a freak like that! 'Oh nooo I have only residual limbs and no voice to protest. And I need to take my medicine...'#Oh we even have a bonus cannibalism thing going on here. Maybe WWX needs to bring cannibalism into the bedroom. To heal.#They are not sane nor safe but certainly consensual.#Convincing Lan Wangji to get into the Jimmy cosplay is probably the most unrealistic part of this.#We hate Jimmy. That's why he is such an amazing character.#LWJ is his near polar opposite. Man takes responsibility like it's his daily vitamin.#edit: how could I forget. Happy birthday to wei wuxian. Being a freak in peace is the ultimate gift I can give him.
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Arcane ships ranked, for fun
The main ships and some rarepairs I've found, I like pretty much everything in the first 4 rows. I probably missed some but idk what they are and I'm too lazy to add more rn.
feel free to add your thoughts or ships but again its just for funsies :)
#you can probably tell which characters I like most by how many ships of them I know lmao#ignore the many tags im legit just rambling abt my thoughts on each ship#caitvi is in its own rank cause Im not playing with caitvi fans they are correct that is the best ship even if I like other some ships more#arcane#arcane s2#arcane spoilers#caitvi#jayvik#timebomb#lest arcane#whats the ship name for mel and lest?#lestel? idk im not calling them melest lol#mel x lest#catcouncil#oo is that it? it came up when typing. thats kinda cute but also vague#vilco#ik that one for sure#vanco#jaymelvik#mel x sevika#idk the ship name for that one either I actually just found out abt it but editing the pic for them convinced me to ship them#idk if anyone else ships ambessa and viktor there were only 4 fics on ao3 under it but i ship it cmon he's her type#she would eat him for protein#jaymel#melvik#i actually like both of these ships but they're infinitely better as poly imo#dont know how many people ship viktor and vander either but i saw a lot of potential in act 2 for it with all their astral plane connecting#sevika x ambessa#that would be hot but also hate sex probably#I love sky but i do not ship her and Viktor he just is clearly not interested and she kinda lets go of her crush on him before dissolving
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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HOLY SHIT I FOUND YOU!! I SAW YOUR FNAF ART LIKE A YEAR AGO ON PINTREST AND I WAS LIKE DAMN THATS PRETTY FUCKING AWSOME BUT FOR THE LIFE OF ME I COULDN'T FIND THE ARTIST BUT I JUST DID, ITS YOU!!
I have no idea which art of mine you found from pinterest but based on what you're implying I lowkey think it's this screenshot redraw I made for the FNAF movie lmao (which I hope I'm right)
Unfortunately you won't get much FNAF art from me nowadays anon, ever since Ruin disappointed me immensely I've just lost most of the hope I've been clinging onto for the franchise, now I'm just here... reminiscing, watching from the sidelines, and making a once-in-a-blue-moon art for it if I'm feeling extra
#thanks for the ask!#Ziku's insane rambles#fnaf#fnaf art#freddy fazbear#bonnie the bunny#chica the chicken#Just to be clear#I don't HATE FNAF#I'm just tired of seeing the one character I love get dragged to the mud multiple times#I'm being nihilistic but when I say there's no place for Chica fans in the fnaf fandom#there really isn't one I'm afraid#Scott had the opportunity to do SOMETHING WORTHWHILE with Glamrock Chica#instead we got fucking Roxanne Wolf because oooo the fandom likes the furry bait ig#not that I hate Roxanne Wolf either but how tf are you prioritizing this one-time character over the ONE WHO HAS CONTINUOUSLY EXISTED#AND WILL CONTINUE TO EXIST; WITHOUT PURPOSE MIND YOU; BECAUSE YOU KEEP FUMBLING#I guess what I'm saying is.... fnaf can be so alienating and lonely if the character you like isn't the furry thirst traps#because Scott hates Chica and doing anything remotely important with her; she's just a joke character in his eyes#sigh... now I'm sad because I'm remembering what made me drift away from this franchise
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*:・゚✧*:・゚✧ Master Aqua *:・゚✧*:・゚✧
(Sketch version)
#my art#art#kingdom hearts#kingdom hearts bbs#birth by sleep#kh aqua#aqua#one of my favourite kh characters#Holy cow how did I do this???#I had trouble with the hair but I’m happy with it wisjsk-#Aqua they can never make me hate you
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⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️
I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.
But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.
Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.
I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!
OH LET'S GOOOO
Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.
The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.
As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.
BIG POST. Glossary;
INTRO TO BREEZEPELT: The Sight and Dark River
ABUSE: Outcast, Social Alienation, the Tribe Journey.
DARK FOREST: How these factors push him towards radicalization.
For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.
INTRO TO BREEZEPELT: The Sight and Dark River
Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.
But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,
From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.
Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.
He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.
(And Nightcloud has a cute moment where she watches over them until they fall asleep)
As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.
In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;
Crowfeather.
Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.
(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)
So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.
We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.
The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.
When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,
Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.
And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.
All this to point out,
Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.
We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.
ABUSE: Outcast, the Tribe Journey.
In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.
Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.
They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;
They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.
When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...
Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.
But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?
Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.
Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.
Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.
The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.
Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).
Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.
I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.
In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.
At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.
EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.
Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.
The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.
And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,
And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"
Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.
This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.
It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.
It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.
Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.
That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.
As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.
DARK FOREST: How these factors push him towards radicalization.
Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.
But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.
Escalating to violence was about making Jayfeather feel the way that he does.
When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.
When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."
Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.
Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.
We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;
The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.
This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.
At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.
A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.
Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.
In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.
But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.
Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!
(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)
#This is headcanon territory here. But one day I realized I can read Breezy-P with BPD and he became a blorbo.#Never been able to unsee it and it massively endears him to me... Breeze Pelt Disorder...#I actually REALLY hate how his arc was resolved and strongly feel that he should have progressed into a bigger problem#But I equally strongly feel that being redeemed is the ideal ending for him#so if it was between him being pure evil/redemption death or the awful halting we got at the end of oots....#I'd pick the halting over him being pure evil or a redemption death.#I think BB made me REALLY fall in love with him. He's my sweet cheese. My good time boy.#Bones when he sees an angry black cat: ''i can fix you. first i must break you. but then i can fix you''#Like. what i dislike about where he went is that even if your anger issues came from abuse. you STILL are responsible for your actions#but in the end getting that Shitty Dad Approval fixes him. Not his own growth or self-reflection.#it feels like BREEZE gets his agency stripped away for HIS ABUSIVE DAD'S character arc#It retcons in a reason why Breezepelt is not still a problem and then he faded into the background.#while Crowfeather continues to get supporting roles and every now and then Breeze now looks at him fondly#BLECH.#Crowfeather#Breezepelt#Abuse#Child Abuse#Warrior Cats Analysis#And now you know anon!!
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Me: Ooooo, I wonder what this "Mouthwashing" thing is that everyone's been obsessed with lately. I should check some of it out.
Me, 30 minutes later: I would kill myself for you, Anya.
#i'm so obsessed with her#you don't even understand#i love her so much#she deserved better#she deserves the world#mouthwashing#anya mouthwashing#anya deserved better#anya deserved so much more#anya my beloved#mouthwashing game#look at her#i love her#fuck jimmy#all my homies hate jimmy#i will stab him for what he did to my girl#i will rip him apart with my mouth#she deserves to stab him to death at least a little bit#but honestly i love anya for so many reasons#not only is her plotline interesting and tragic as hell and she deserves better#but she is a legitimately interesting person and character outside of what happened to her#her dedication to her job and the fact that she was able to keep curly alive by herself for so long is extremely admirable#and i've heard about how she can act pretty playful and fun when outside of situations like the one she was in throughout the game#i really wish we got to see that side of her more#because it seems like her anxious and more timid personality is a bit of a trauma response which is understandable#so yeah i love her and i want to give her a pat on the head and a hug and maybe a gentle kiss on the forehead if she's okay with it#i prefer to comfort others via physical affection and i want to comfort her so badly#i don't know if i'd be the most helpful if i were a crewmate who learned what happened to her#(my way of helping would be offering to murder jimmy and i'm not sure if she'd want that because not all victims want that)#and sometimes physical affection/hug aren't helpful or preferred
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With the rise of booktok/booktwt, there's been this weird movement against literary criticism. It's a bizarre phenomenon, but this uptick in condemnation of criticism is so stifling. I understand that with the rise of these platforms, many people are being reintroduced into the habit of reading, which is why at the base level, I understand why many 'popular' books on booktok tend to be cozier.
The argument always falls into the 'this book means too much to me' or 'let people enjoy things,' which is rhetoric I understand -- at least fundamentally. But reading and writing have always been conduits for criticism, healthy natural criticism. We grow as writers and readers because of criticism. It's just so frustrating to see arguments like "how could you not like this character they've been the x trauma," or "why read this book if you're not going to come out liking it," and it's like...why not. That has always been the point of reading. Having a character go through copious amounts of trauma does not always translate to a character that's well-crafted. Good worldbuilding doesn't always translate to having a good story, or having beautiful prose doesn't always translate into a good plot.
There is just so much that goes into writing a story other than being able to formulate tropable (is that a word lol) characters. Good ideas don't always translate into good stories. And engaging critically with the text you read is how we figure that out, how we make sure authors are giving us a good craft. Writing is a form of entertainment too, and just like we'd do a poorly crafted show, we should always be questioning the things we read, even if we enjoy those things.
It's just werd to see people argue that we shouldn't read literature unless we know for certain we are going to like it. Or seeing people not be able to stand honest criticism of the world they've fallen in love with. I love ASOIAF -- but boy oh boy are there a lot of problems in the story: racial undertones, questionable writing decisions, weird ness overall. I also think engaging critically helps us understand how an author's biases can inform what they write. Like, HP Lovecraft wrote eerie stories, he was also a raging racist. But we can argue that his fear of PoC, his antisemitism, and all of his weird fears informed a lot of what he was writing. His writing is so eerie because a lot of that fear comes from very real, nasty places. It's not to say we have to censor his works, but he influences a lot of horror today and those fears, that racial undertone, it is still very prevalent in horror movies today. That fear of the 'unknown,'
Gone with the Wind is an incredibly racist book. It's also a well-written book. I think a lot of people also like confine criticism to just a syntax/prose/technical level -- when in reality criticism should also be applied on an ideological level. Books that are well-written, well-plotted, etc., are also -- and should also -- be up for criticism. A book can be very well-written and also propagate harmful ideologies. I often read books that I know that (on an ideological level), I might not agree with. We can learn a lot from the books we read, even the ones we hate.
I just feel like we're getting to the point where people are just telling people to 'shut up and read' and making spaces for conversation a uniform experience. I don't want to be in a space where everyone agrees with the same point. Either people won't accept criticism of their favorite book, or they think criticism shouldn't be applied to books they think are well written. Reading invokes natural criticism -- so does writing. That's literally what writing is; asking questions, interrogating the world around you. It's why we have literary devices, techniques, and elements. It's never just taking the words being printed at face value.
You can identify with a character's trauma and still understand that their badly written. You can read a story, hate everything about it, and still like a character. As I stated a while back, I'm reading Fourth Wing; the book is terrible, but I like the main character. The worldbuilding is also terrible, but the author writes her PoC characters with respect. It's not hard to acknowledge one thing about the text, and still find enough to enjoy the book. And authors grow when we're honest about what worked and what didn't work. Shadow and Bone was very formulaic and derivative at points, but Six of Crows is much more inventive and inclusive. Veronica Roth's Carve the Mark had some weird racial problems, but Chosen Ones was a much better book in terms of representation. Percy Jackson is the same way. These writers grow, not just by virtue of time, but because they were critiqued and listened to that critique. C.S. Lewis and Tolkien always publically criticized each other's work. Zora Neale Hurston and Langston Hughes had a legendary friendship and back and forth with one another's works which provides so much insight into the conversations black authors and creatives were having.
Writing has always been about asking questions; prodding here and there, critiquing. It has always been a conversation, a dialogue. I urge people to love what they read, and read what they love, but always ask questions, always understand different perspectives, and always keep your mind open. Please stop stifling and controlling the conversations about your favorite literature, and please understand that everyone will not come out with the same reading experience as you. It doesn't make their experience any less valid than yours.
#long post#literary critique#literary criticism#booktok#books & libraries#booktwitter#but yeah it’s really hard for me to embrace booktube#and BookTok when the conversations that are most prevalent#are the ones telling people to not be critical of what they’re reading#esp the ones who desparately don’t want to understand differing opinions#‘how could you not like this’ or ‘how could you hate this character’#easily#because I can#a traumatic backstory isn’t gonna erase a bad story#it isn’t going to make a character or book compelling#more trauma doesn’t make the story more complex#see: with fourth wing.#thank you for reading this long rant#congrats if you make it to the tags💀😭
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Masquerade
You've come to this masquerade ball to finally dispatch the man you've wanted dead for nearly ten years, but he's always ruining your plans, one way or another.
Contains: 2nd POV OC (sorry about all the blushing), werewolf MMC (sadly he doesn't do any fun werewolfy things he's just a guy with sharp teeth here), vague fantasy setting, murder attempts/reminiscence of murder attempts, a long and storied history only alluded to, what do you do when your bitter enemy turns out to be a silly little guy who just wants you to love him?, oral sex (w receiving), P in V sex, this spawned a whole ass novel and it's so so different but this lowkey holds up.
See end for Notes
~10k words - NSFW - 18+ MDNI
“My, don’t you look exquisite,” a voice purrs in your ear.
You freeze in place, glad that the mask hides the colour that springs to your cheeks. You feel like a naughty child caught with your hand in the cookie jar, an unwelcome guest at his masquerade. You thought you could escape notice, slip through the crowd of finely dressed nobles and plunge your knife into his chest at last. But he had managed to find you first. You weren’t ready. You hadn’t been to the garden to pick up your hidden cache of weapons, you had nothing but your silver hair-stick to dispatch him with.
His heavy hands land on your shoulders. “Don’t muss up your pretty hairstyle just yet, darling,” he whispers in your ear, his voice rasping like sandpaper. It’s as if he can read your thoughts. Or perhaps, after all these years, you’re simply predictable. “There will be plenty of time for that later.”
You flinch at the cold press of his mask against your bare shoulder. You shouldn’t have disguised yourself as a guest. You feel defenceless, wrapped in silk and sheer chiffon, a neat little morsel delivered straight into the wolf’s jaws. He could shift in a second and shred you into little pieces, like he had threatened to do so many times before. You try to still your frightened, thumping heart, and pull away, turning to face him at last. “I’m afraid I’m not sure what you mean,” you say, because it’s worth a try at least, but he’s laughing before you can even finish, the smiling mouth of his gold wolf mask mocking you. His yellow eyes glitter from it’s depths, watching you.
“Oh darling, I would recognize you anywhere. I hoped you would be unable to resist my invitation.”
“Your invitation?”
“Yes, dearest. All of this was for you. I knew you could not resist the chance to get so close to me again.”
“To kill you,” you remind him hoarsely.
He chuckles and takes your hand. “Perhaps. For now, a dance, I should think. You haven’t danced all night.”
You dig in your heels, trying to resist his insistent pull, but he simply wraps an arm around your waist and tugs you closer. “I don’t dance,” you tell him sharply. “Let go of me.”
“You’re a liar,” he replies, spinning you into place, one hand on your lower back, pinning you against his chest, and the other still clasped around your wrist, sliding up to engulf your hand. He simply tugs you along with him as he moves, sweeping you along to the music, holding you so unbearably close. He could lift you off your feet with ease, if he chose to, and you don’t have enough power to resist. His scent clouds your mind, cedar soap and clean, animal musk, one of many hints of the wolf that dog him even in his human shape. “You forget, I knew you in your past life. Or have you forgotten that I once sat in your father’s halls? I have seen you dance.”
It was so long ago now, another life, before he was only the wolf to you, and before you were the thorn in his paw, that you almost had forgotten. You had hardly given him a second thought at first, he was just another visiting knight, here one day and gone the next, handsome, but beyond the concerns of the girl you once were. “You failed to make an impression,” you tell him sharply, although it’s not true. You do remember his yellow eyes watching you one night, though he never asked you to to dance. He never spoke to you at all.
Not until after. He saved you, of course, from the bloodbath, because he had claimed you. He hadn’t so much as said a word to you before he burst into your bedchamber, monstrous jaws dripping with your fathers blood, yellow eyes wild. You still remembered beating him back with the fire-place’s iron poker, and jamming the tip into his chest before you ran for your life.
“I knew you were mine from the first,” he continues. He seems frighteningly aware of your thoughts, as if his own version of the memory is playing out behind his own eyes. “My lioness, avenging her wicked father with a poker. I still bear your mark, just above my heart.” He presses your entwined hands to his chest for a moment. “I’m certain you remember that, at least.”
“Unfortunately.”
“The only unfortunate part,” he says patiently. “Is that I did not take you as my mate that night.”
His words lance through you like lightning, burning everything in their path. Your knees nearly buckle, and if he were not holding you so securely, you would sink to the floor in a useless puddle of silk. How dare he make you weak, after everything he’s done to you? But anger gives you strength, reinforces your spine with steel, and you wrench away, glaring at him, wishing you could set him ablaze with your eyes.
The music falters. You look up, at the musicians gallery, then around the room. Everyone watches, pretending not to, jewelled masks concealing furtive eyes and whispered words. Your own mask feels insufficient, lightweight and flimsy under the wolf’s eyes when your eyes return to him. He takes your arm, his grip tight, but not bruising, and guides you out of the ballroom, into the cold night air. The dark gardens are just a little too far for you to jump down from the wide stone balcony, and there are no stairs leading down. If you jump, you’d probably break your leg, and then you’d be helpless.
“What do you think of our home?” he asks. “Have you snooped around yet, my darling? Planned all your exits and hidden away your weapons and armour? I made sure you’d have plenty of opportunity. I know how you love to prepare.”
“I’m surprised you haven’t found them already.”
“I have been busy with other preparations,” he says mildly. “But I thought I smelled something of you in the corridor by the library.”
You flinch, only confirming that you had in fact been there, hiding your leather armour inside a large vase. “Preparations for what?”
“Your homecoming. The king has made it clear that it’s time to reign you in, or he will have someone else deal with you.” He pulls the mask off at last, setting the golden wolf on the balcony. Sweat glimmers at his temples, catching light from the ballroom behind them. He offers you a wry smile, his sharp white teeth flashing. “I’ve been too lenient with you.”
“Lenient?” you ask, incredulous. “I’ve been trying to kill you.”
“Those who attempt such things do not usually live long,” he reminds you. “I don’t often show mercy. I’ve allowed you to live free, in the hopes that you would come to me willingly, in time. Now it seems I can no longer afford to continue our little game. You will stay with me, or someone else will be sent to arrest or kill you.”
You press your palms into the smooth railing, wishing desperately that you could absorb the cool, dependable steadiness of stone through your skin. You look at him for a moment while he stares out over the dark gardens, his yellow eyes tracking movement you can’t see.
He’s always dressed in black, like a man in mourning, his black curls cropped short around his slightly pointed ears, beard neatly trimmed. He wears little jewellery for a man of his station, just the yellow-gold signet ring with it’s heavy, dark blue sapphire on his finger, and the gleam of jet buttons down the front of his tunic. You were more used to seeing him in his armour. The heavy black plate suits his brutality better than black-embroidered silk.
Silk offers no protection, no shield over his wicked black heart.
You pull the hairpin from your own neatly arranged curls and move fast, striking at his chest, but he catches your hand easily, his amber eyes meeting your fury with amusement. “You just can’t help yourself, can you?” he asks. “Stubborn creature.”
He plucks the pin from your hand and spins you around, pushing you into the railing with the oppressive weight of his presence. Your protests are weak and hardly noticed, but you fall silent when you feel the rough pads of his fingertips on the back of your neck. He gathers your hair up and pins it back in place, not as neatly as you had done earlier, but sufficiently.
“What are you doing?” you ask numbly.
He turns you around, still standing far too close. You stare forward, at the point where his skin meets the collar of his tunic, your eyes glued to his pulse. You wish for teeth as sharp as his own, so you could tear out his throat. His fingers curl under your chin, nudging your face up, forcing you to look him in the eye again. “Just returning your pin,” he says, smirking. “Why do you seem so flustered, darling?”
“Why don’t you just kill me?” you ask. Your hand lifts up to knock his away, but you touch him instead, fingertips ghosting over his knuckles. You know he’s capable of crushing you with hardly a thought. You’ve spent the last ten years learning all you could about him, hunting him down again and again and again with a single-minded determination. He likely could have killed you a thousand times over, if you’d been just a little less careful, or he a little less eager to capture you instead. He should have killed you. You don’t know how to stop anymore, you don’t know how to let go of the terrible anger that burns you up every time you think of him. You want him to suffer, to lose everything, to hurt the way he hurt you. “I’ll never stop.”
There is a flicker of sadness in his eyes, and it pings against your heart uncomfortably. “I never could,” he says, all traces of his smirking, superior air gone. His thumb strokes along your jaw. “I begged the king for your life. Your father may have been a traitor, but you were an innocent girl, and I do not enjoy killing innocents.”
“I’m not innocent anymore.”
“No, I suppose not. But you’ve committed no crimes that I cannot forgive.”
“I don’t want your forgiveness.” Your voice is hardly more than a hoarse whisper. You want to shout, but his hand on your skin seems to leech all the power out of you.
“You have it regardless,” he whispers back, low and intimate as a lover. He touches his forehead to your mask, his eyes boring into yours, twin suns scorching everything in their path. “And someday I will earn yours.”
“Never,” you hiss. You return to your senses and push his hands away, shoving hard against his chest. “I hate you. I’ll always hate you.”
He tugs your mask off and tosses it to the side, tired of pretense. “If you hate me so much, why does your heart beat like that?”
“I’m afraid of you,” you snap.
He laughs harshly. “No you’re not. You’ve never been afraid of anything, my darling. It is one of the things I love best about you.” He leans in closer, the tip of his nose just brushing yours. You can feel his breath on your skin, the sharp smells of whiskey and mint setting your nerves on edge. For a moment, you think he’s going to kiss you, and you freeze, heart pounding, face turned towards him, waiting for the axe to fall.
But he withdraws instead, leaving you to face the consequence of unrealized want. His words prick at you like the point of a sword. Love. As if he would know the first thing about it. As if he knew you.
But he does know you, you realize with a start. He made you. His actions had set you on your path, and his choice not to kill you, each time that he should have, had created the determined, single-minded, furious woman that you had become. The carefree girl who you had been was long gone, dead the first time the wolf’s jaws closed around your throat. It burns you to think that he’d shown you mercy all along, that you had escaped capture or death by his leave, rather than by your own cunning and skill.
His eyes remain on your face, reading your thoughts like you’re a book laying open, waiting for him to happen by and discover all your secrets. “You have become worthy of me,” he continues ardently, pressing your hand to his chest again, anchoring it with both of his own. “I would have kept you like a bird in a cage if I’d taken you then. A pretty thing to amuse me and adorn my halls. But you are no trophy, my love. You will not survive in captivity. Even now, with the king’s sword hanging over your head, I will not force you to stay.”
“Is this some sort of trick?”
“I used to wonder the same thing. A cruel trick of fate, that my mate would hate me so fiercely.”
“You killed my father,” you hiss at him. You yank your hand away, desperately stoking the anger that has kept him at bay all these years. Each time he calls you mate and darling and love your resolve quakes, and you have no sword in your hand to make him regret it, like you usually would.
“He was a traitor. I had orders.”
“And what comfort will that be when your orders are to kill me?” you ask, sneering up at him. “What will you do when your orders are explicit and undeniable, and you are to kill me on sight?”
“I’ll never see you again.”
You aren’t sure what you expected, exactly, but it always trips you up when he speaks plainly. “What’s that supposed to mean?” you snap.
“What do you think it means?” He hurls the words back at you, his anger lighting from your own. “It means I would pluck my own eyes out before I’d kill you. If the king ordered me to hunt you down I’d stay one step behind you until we reached the very ends of the earth. If he came outside this very moment and told me to snap your neck—” He shudders, shaking his head like a dog shakes off the rain, and when he looks back at you the anger is gone, hidden away again behind his steely resolve. “Loyalty only goes so far. He knows not to make an order I cannot follow. If he truly wants you dead, he’ll ask another.” He glances over his shoulder, keen yellow eyes fixing on a point somewhere inside. “I hope it does not come to even that.”
“But why?”
He lets go of your shoulders and turns around, stalks a few feet away, and turns again, pushing both of his hands through his hair in frustration. Because I love you!” he snarls. “You had me the first day you tried to run me through. Oh I wanted you from the first moment I laid eyes on you, beautiful thing that you are, but it was the first moment that you tried to cut my heart out that I knew there could be no other. You have no idea what it’s like, to love such a stubborn, foolish, bitch of a woman? Do you understand what it will do to me, when you leave? But I have never been able to keep you by force.”
“But you let me go,” you say numbly. “You said—”
“Let you go?” He laughs, striding back towards you. “Oh my love, you misunderstand. Just because I couldn’t kill you does not mean I didn’t try to keep you. But you have slipped every chain I’ve placed upon you. I’ve never pulled my punches. I would not disrespect you so.”
“You called it a game—”
He inclines his head towards you. “I did. Perhaps I should not have. But it was easier to think of it as a game. A test of my own worthiness. I admit, I have always looked forward to your attempts on my life. It’s good, I think, for a man to be beaten once in a while, to keep him sharp. Otherwise he forgets to be vigilant.” He sighs, touching the edge of an old, silvery scar on your shoulder, brushing a loose strand of your hair out of the way. “Besides. We’ve both made our marks upon the other.”
“I’ve gotten you more times than you have me,” you say, lifting your chin imperiously. “Two or three times I really thought I’d finished you off.”
“Are you so certain of that?”
You think about it. “Yes.”
“Care to make a wager, dearest? If you’ve left more marks on me than I on you, you may ask anything of me.”
You draw in a steady breath. “And if I lose?”
He grins. “Not so confident now, are you? I only want what is freely given, so you needn’t worry. You can name your own penalty.”
“How magnanimous.”
“I can be,” he says. “Now, shall we inspect each other here, or would you prefer somewhere more private?”
The thought of being alone with the wolf makes you shiver, but it’s not revulsion that you feel, it’s something far worse. The dark, cold balcony seems a world away from the golden ballroom with all it’s legions of beautiful, elegant guests, but it’s only panes of glass that separates you from them, hazy from condensation, opaque enough that you doubt anyone can see through them. It makes no material difference, in the end, but it’s winter, and the cold seeps through your dress easily, your skin only warm where he touches you. “Ah, yes,” you say nervously. “Perhaps somewhere more private.”
“And warmer,” he adds. “As stunning as you look, I do not believe you are dressed for the weather.”
As if on cue, a snowflake descends from the dark sky. You reach out your hand, catching it against your palm. A moment later, the sky is thick with snow, fat, fluffy flakes catching the light and turning the world white. You look back at him. He looks softer, somehow, with that little dusting of snow catching in his thick curls, melting flakes glittering like diamonds on his shoulders. For the first time, you’re struck by how young he looks. He was a man grown at your first meeting, and you had always thought of him as much older, but you know now that he couldn’t be ten years your senior. You suspect it’s much less than that.
It changes something in your perception of him. Softens him.
“Why are you looking at me like that?” he asks, stepping in close again. Although you’ve hardly moved an inch since you came out to the balcony, he’s full of restless energy, moving away and back again like he’s tethered to you by some invisible string. He tilts his head to the side, his keen predator eyes practically glowing in the soft light.
You were glad your face was already flushed from the cold. “I was just thinking. You look so…” You trail off, thinking of the best way to phrase it.
“Handsome?” he suggested. “Strong? Irresistible?” He wiggles his thick black eyebrows, grinning wickedly, making you laugh despite yourself.
“I was going to say young, actually,” you say. “I was wondering what sort of boy you were.”
He holds a hand out to you. “I’m sure there’s a portrait somewhere, if you’re curious. Now come along, pet, I don’t want you catching a cold out here. I do have a wager to win.”
You hesitate. All the ancient, bitter anger and sadness wars with something new in your chest. It’s been so long since you wanted anything more than vengeance. Ages since the last time you felt deep, aching want for someone’s hands on you, if you ever even had. The obsession between you, at least, was mutual, and you had traded the excitement of romance for the thrill of the hunt, the clash of your sword against the wolf’s. His taunting sounded better than flowery poetry to your ears, and you could not help but seek him out every time the loneliness of your new life became too much to bear. He had been your focus, your centre, your reason for existing for so long that you can no longer deny what this is.
Love is not always kind. Between the two of you, it’s become a desperate, wretched thing, living on scraps of attention and hungry looks traded in battle.
His fingers close around yours, and you realize that you’ve reached out and taken the offered hand. You look at him, and he’s smiling in a way you haven’t seen before, half-hitched up on one side, almost shy.
He twines his fingers through yours and leads you back through the ballroom, slipping around the edges of the crowd like the wolf he is. No one seems to pay either of you any mind, although you feel curiously bare without your mask, as visible as a hare in a field to the eyes of a hawk. But your hunter is holding your hand, his thumb stroking over yours soothingly, like he can sense your unease.
Despite that small reassurance, you’re grateful when you step into a nearly empty corridor. A few well-dressed servants carrying trays bustle between the ballroom and the kitchens at the far end, but your wolf leads you the other way, through a few hallways littered with decorative items and portraits of long-dead nobles with eyes that seemed to follow you. You had been there only a few days earlier, but it looks different now. Perhaps it’s that you aren’t on constant guard for the wolf. He’s already here, holding your hand, pretending that he’s not watching you, just as you pretend to look at the portraits and statues and expensive looking vases you pass by, stealing glances at him only when you think you can get away with it.
The silence between you is almost comfortable, both of you too caught up in your individual tumble of thoughts to put anything to words. It’s impossible to tell what he’s thinking. You wonder if he feels like he’s won already, but there’s none of his usual taunting or his infuriatingly handsome smirk. He looks serious, black brows lowered in a sort of pensiveness that you’ve never seen from him. Of course, you had only once gone so long in his company without attacking him physically, and you had been tied to a chair, at the time.
“Do you remember, a few years ago, the hunting lodge just above Lake Pym?” he asks.
You laugh. “I was just thinking about it. Why?”
He stops in front of a door and leans against the frame. “Do you think you’ll be able to go as long without trying to stab me this time around?”
“That depends on whether or not you tie me up again,” you quip back.
“Don’t say such things,” he warns you, opening the door and holding it open, letting go of your hand for the first time in ages. Your fingers feel cold without his touch. “You’ll give me ideas.”
“You’ve made far too many confessions tonight for me to believe that you didn’t already have ideas,” you tease. Funny how easily that comes, like you’re old friends and not enemies. A tidy little fire burns in the stone fireplace, with a cozy arrangement of rugs and furs laid out before it. A low table sits ready, carrying wine and glasses and a few plates of the sort of interesting finger-foods that they had been serving in the ballroom. Raising your eyebrows, you look back over your shoulder at him. He hadn’t spoken to anyone on the way in, which meant that it had been all prearranged.
He closes the door behind himself and leans against it, grinning sheepishly. “I live in hope.”
The room - his room- is neat, a big bed with four posts carved like small trees, green-velvet curtains tied back neatly, is the first sign that he might actually like colour. You imagined him always in sombre black and white, dark hair, white teeth, dressed like the reaper and often so employed. But perhaps he isn’t as stark as you’d always thought. His furniture is solid and well-made of warm-toned wood, and the bookshelves that flank the fireplace are stuffed with books, the odd space cleared out for knick-knacks and trophies. You had never considered that he might like to read. It isn’t something that has ever come up before.
The wolf sits down on the furs and nudges a black lump by the fire. The shape uncurls into the biggest, fattest, blackest cat you’ve ever seen and pads over to you, sniffing your skirts suspiciously.
“You have a cat?” you ask, because it seems unlike the picture you’ve built up of him over the years. Another thing you missed. You had been so focused on him as an enemy that you had hardly stopped to consider him as a man. You sit, and the cat drapes itself across your lap, purring already in anticipation of a good scratch.
“I don’t have a cat,” he corrects you loftily. “Smudge is the matriarch of a proud line of excellent mousers, and she is a valued member of the household. One cannot own a cat, I have learned. One co-habituates with cats.” He leans over and gives the cat a little scratch under the chin, his knuckles just barely brushing your knee as he withdraws. “She isn’t usually very friendly, but she must recognize a fellow assassin when she sees one.”
“I’m not much of an assassin, I’m afraid she’d be terribly disappointed in me. I’ve failed to kill my only target, and I have been at it for quite some time.” You give the cat a scratch behind the ears. “I’m sure her record is much more impressive.”
He frowns and looked at you in a funny way. “Have you never taken a life?”
“I’ve tried very hard to avoid it. You’re the only person I ever wanted dead, and I— I wanted to be better than you. I wanted my hands to stay clean, so I could beat you and still keep my sense of…” You look down at the purring black puddle of fur in your lap rather than at the wolf. “Oh I don’t know. Righteousness, I suppose.”
“So sweet that you wanted me to be your first,” he teases.
You know he means first kill, but you turn pink anyway, and there is no cold wind to blame for your rosy cheeks this time. There were many firsts that you had missed out on, in your bid for vengeance. “Perhaps I still do,” you snap, not thinking about the double meaning until after the words have left your mouth. You scramble to clarify. “My first kill— Not— Ugh.” He begins to laugh, and you cover your face with both hands, wishing the floor would open up beneath you and swallow you whole. “Stop laughing!” Your voice is muffled by your hands, but there is no way that his keen wolf’s ears don’t hear you perfectly. “That’s not what I meant!”
He snorts. “I know, pet. It’s a bit late for that, I should think.”
You peek at him between your fingers, and his eyebrows shoot up.
“Darling.” He leans over and gently takes hold of your wrists, prying your hands away. He is mercifully no longer laughing, but the look in his eyes only makes your face burn hotter. “Please don’t tell me that you’ve never taken a lover.”
“There was never a good time,” you manage to squeak out. It was half true. There had been offers, and moments when you’d been sorely tempted to share someone’s bed for the night, but the few fumbling kisses you’d shared with young men had failed to thrill you the way that crossing swords with the wolf did.
He sits back with a groan. “You’re always throwing wrenches into my plans.”
“How on earth could that have anything to do with your plans?” you ask hotly.
“Darling, don’t be so naive. My plans were obviously to seduce you into my bed so I could out-perform every man who had ever touched you, forcing you to admit to yourself that we belong together. But I suppose that would have been too easy.”
“Too easy!”
“I would never imply that you would be easily seduced, my love, only that I am fairly confident that you would have a harder time denying what we are if I were to employ my considerable athletic ability with the task of making you come undone.” He smiles ruefully. “But seduction isn’t fair if you’re a virgin. I’ll have to win your heart the old fashioned way.”
“The old fashioned way?” You stare at him, incredulous. “What, you’re going to court me?”
“I’m certainly going to try,” he says, turning toward the table to pour you a glass of wine. “It’s the long road, but you’ll find I’m usually more than willing to take the scenic route.”
“You’re insane,” you say weakly, accepting the offered glass. “You must be.”
“Must I be? Like you said, I’ve made far too many confessions tonight, you must know that I do not mean this as some passing fancy. I think it would be a waste to continue this bloody crusade of yours. For both of us. I confess my bias in the matter, as I rather enjoy living.” He shrugs, looking at you over the rim of his own glass. “Do you? Has your life been all you wished for, these past ten years? You’ve forgone comfort, education, friends, romance, children— Do you want none of those things?”
“Of course I do—”
“Then take them. Everything you want is yours if you stay.” He takes a sip of wine and winces, face screwing up like a child tasting something bitter. “Ugh, I hate wine.”
“I know. I was wondering if you were going to drink from that glass you’ve been waving around.”
“I just wanted to indicate that it wasn’t poisoned.” He sets the glass to the side, still grimacing. “Just in case you were wondering if I was still trying to trick you.”
“It had crossed my mind.”
“Perish the thought, my love.” He stretches out in front of the fire, propped up on one elbow. “I’ve laid down my arms. If you must end this once and for all to free yourself, so be it. But I do think my alternative is better.”
You set your wine to the side as well and reach back to pull the silver hair-stick from your curls. You consider it, for a moment, pressing the point into your fingertip, not quite hard enough to draw blood. He watches with an inscrutable expression, making no move to disarm you. The cat slips out of your lap and stretches, moving off into the shadows again, either unaware or uncaring of the danger to her house mate. Or perhaps she’s simply more aware than you that there is no longer any danger.
You reach out and place the make-shift weapon on the rug in front of him.
The crackle of the fire is the only sound for a long moment. The wolf was rarely rendered speechless— getting him to shut up was usually the more difficult task. But he simply looks at you, like you’ve performed a miracle in front of his very eyes.
You slide one of the plates of food off the table and set it on the floor between you, something to hopefully distract his attention a little. You pick up one of the little triangle pastries and take a bite, catching crumbs with your other hand. You eat two more, realizing that you haven’t eaten in hours, and wait for him to break the silence.
He sighs and rolls onto his back, tucking both hands under his head. Firelight dances over his skin, burnishing his features like well-polished bronze. Although you have known him a long time, you’ve never studied him like this, while his eyes are closed and his usual grin is smoothed out into a peaceful smile. He looks noble, like a hero from the epics you used to read as a girl, more like you remembered from the days before everything changed.
“You’re staring,” he says without cracking an eye.
“How would you know? You haven’t opened your eyes in ages.”
“And how would you know that, if you haven’t been staring?”
He has you there. “Alright, fine. I suppose I was. I was just thinking about… about before.”
He opens his eyes. “How long? We do have a rather storied history, don’t we, love? I myself have been thinking of Lake Pym.”
You smirk. “I bet you have. I had a feeling you were rather enjoying yourself.”
“I was. It would have been more fun if you were a more willing guest, or if I at least didn’t have to keep you tied to a chair the whole time.”
“You wouldn’t even let me feed myself,” you lament, though you can’t help the traitorous note of amusement in your voice. “It was terribly humiliating.”
“Revisionist drivel!” he snarls playfully. “I did untie you so you could feed yourself, and you tried to stab me. You forced my hand.”
You blink. “I suppose I did.”
He leans closer. “I suspected you just wanted me to take care of you. You were too proud to ask me for what you wanted, so you forced the situation. And snapped at my fingers the whole time like an absolute menace.” He holds up his right hand and displays a white mark around the first knuckle of his thumb. “That’s one, by the way.”
“I only bit you because you stuck your finger in my mouth,” you reminded him.
“Ah, I suppose I did get a bit carried away, didn’t I? There was just this moment when I touched your lip…” He reaches out as if he wants to repeat the remembered gesture, perhaps hoping for a better outcome, but he hesitates, dropping his hand. You almost wish he hadn’t. “Are you still too proud, my love?”
“Yes,” you whisper.
He senses your weakness. The way the answer drips with doubt like blood from a wound. “Will you let me kiss you?” He moves closer, anticipating your answer before it leaves your lips.
Your breath catches in your throat. “Yes.”
At long last, he closes the distance between you, hands cradling each side of your face. He just barely brushes his lips against yours, and holds you back when you try to chase him, his familiar wolfish smile lighting up his face. “Not so fast, my darling. You’ll have to ask nicely, if you want a proper kiss.” He unbuttons the cuff of his black shirt only a moment later, his eyes dropping away from yours for a moment, and then rolls up his sleeves. “Two and three, respectively,” he says, pointing out two more scars along his forearms. They were both from similar situations. Two times that you had disarmed him and made him bleed for it. You reach out and touch the silvery marks, feeling the smooth gap in his arm hair and the fully repaired muscle underneath the flawed skin. “You’re a better swordsman than I,” he says, reaching up to unlace the top of his tunic. “I might have had the edge of experience, at the beginning, but you quickly caught up to me, didn’t you? It was a good thing you were so scrupled about killing people other than me, or I’d have lost far too many good men to your blade.”
“You’re just trying to flatter me.”
“Is it working?” He pulls the tunic and shirt off in one go, baring his chest. There are a few scars there that you could not claim, and two that you can, although your eyes are drawn to one in particular. The ugly, uneven star right next to his heart, where you had run him through with the iron poker on the night of the wolf. “This one is my favourite,” he tells you, pressing one of your hands to the scar. “The first time you tried to kill me. Jon had to half-heal me himself, or I wouldn’t have made it to a proper healer in time. It’s partially why there’s such a scar. He’s always been terrible at the more subtle magics, but if you want something blown up, Jon’s your man.”
You laughed. “I’ll keep that in mind.”
“Make sure you also note, in that treacherous little mind of yours, that he will not employ his considerable magical gift with the task of making me explode. He is still rather fond of me, even after all these years.”
“It is good, I think, to have a king that is so well-versed in the art of restraint,” you say mildly.
“Oh yes, I imagine it is.”
“So is it really just the five scars?” you ask. “That’s all?” Despite the truce the two of you had settled into, you felt strangely disappointed that your obsession with killing him over the last decade had resulted in only a handful of scars. It all felt like a waste. You try to console yourself with the knowledge that he heals more rapidly than most men. The scars you have left are despite that.
“There’s one more, on my thigh, but I imagine you probably don’t want me to take my pants off.”
You do want him to take his pants off. “Yes, that’s very thoughtful of you,” you say instead. “I suppose you’ve won, anyway. I have a lot more than six scars from you.” You had expected that his life as a warrior would have marked him more significantly. You’re covered in scars, faded and fresh alike, and there is no getting around the fact that you feel like you’ve stitched yourself up so often that you look as worn down as your oldest, ugliest shirt.
The disappointment in his eyes is gone so quickly that you aren’t entirely sure you hadn’t imagined it. “Well, I suppose I’ll have to take your word for it, won’t I?”
“You’re just trying to get me out of my dress,” you say hotly.
“Obviously. You look very lovely in it, of course, but I have been hoping for the chance to peel it off of you.”
You shake your head. “I think you’ll be a bit disappointed.”
“Never. What would possibly deter me at this point, darling? If stabbing me through the heart didn’t erode my affections, what could?”
“Oh I don’t know,” you say thoughtfully. “I could have scales, or a tail—”
“I have a tail,” he reminds you. “And I’m quite positive that you’re human, so I’m not worried about scales. Or strange birth-marks or stretch-marks or scars, either, by the way.”
You take a deep breath and stand up, turning your back to him. “It would help if you could undo all these buttons for me,” you say, sweeping your hair in front of your shoulder. “There are so many of them.”
He jumps to his feet and scrambles to help. A few buttons plink to the floor, torn free in his haste. “I’ll have it fixed,” he says hastily. “And I’ll buy you new gowns. As many as you can stand.”
You glance over your shoulder, nervous laughter stilling on your tongue when you see the look in his eyes. You turn forward again, sliding your arms through the sleeves and shimmying the gown to he floor. He gives you a hand to steady yourself as you step free. “I— I don’t want— I won’t stay.”
He hums in response, gathering up the gown and laying it over the back of a chair.
“I won’t,” you repeat yourself, as if the words will sound convincing the second time. They don’t.
“I already told you, darling, I won’t make you stay. It’s up to you.”
He draws you back to your seats in front of the fire, and you offer him your arms. You’re riddled with fine scars, most of them faint, little nicks from his blade. His hands slide up to your shoulder and gently tug the capped sleeve of your chemise to the side, baring the imprint of his jaws. His thumb runs across the marks, his other hand landing on your knee.
“I wondered if I’d bitten you that night.” He moves closer, his tongue moving over his sharp canines as he sighs. His fingers trail down your arm as his touch drops away. “You never turned, so I wasn’t sure.”
“It doesn’t always take,” you say, using his shoulder to help you back up to your feet. “I think it depends on the moon. New moon, that night. If you were any other wolf you never would have shifted.”
“I suppose that makes sense.” He settles back on his heels, looking up at you. “I can’t say I’ve thought about why some bites take and some don’t. I’m not as observant as you, my love.”
Laughable, when his senses are many times greater than your own. It’s not his observations that are the problem, it’s the connecting cause and effect, thinking about consequence for more than a moment. He’s faced so few consequences in his life that it doesn’t come naturally to him. You, on the other hand, are a mess of consequence, action and reaction measured and weighed, failures poured over until you can see every mistake you’ve made, follow the tracks to how things could have been, if you’d done it all just a little differently.
You pull your skirt up so you can untie the ribbon that holds up your stocking, and he slides it down to your ankle. “This one’s only indirectly your fault,” you say, angling your leg so he can see the trail of pocked scars that wrap around your knee and up your thigh. “When I jumped down that ravine. Scraped myself up on the rocks.”
He tuts, hands reaching for these scars too. It’s just an excuse to touch you, certainly, but you make no move to stop him. You just hold your skirt up, giving him unfettered access to your skin. His amber eyes flick up to your face, and he leans forward, pressing his lips to your knee.
There’s no halting the soft “Oh” that falls from your lips, but he would have heard even the softest catch of breath. There’s no hiding from him, and it terrifies you, leaves you so unsteady.
His eyes flutter shut for a moment, his exhale warm against your skin. “You shouldn’t show me any more,” he tells you. “I find myself wanting to kiss every inch of skin you show me, and I worry that you won’t stop me if I try.”
You sink back to his level and pull your stocking back up, tying the ribbon around your thigh again. “Would that be so bad?”
He groans and lays back on the furs, hands neatly folded on his stomach. “I am trying to be a good man for you, darling. You deserve more than I can give in one night. I need at least a few weeks to make you fall hopelessly in love with me before I can do anything that would tempt me to take you to bed.”
You run your palm over his stomach, feeling the soft pelt of hair over his warm skin, letting your curiosity guide your fingertips. You feel the expansion and contraction of muscle as he breathes in and out, tucking one hand under his head so he can watch you more easily, his eyes barely open.
You have to admit, he is handsome, especially relaxed like this. Only a few short hours ago you would have found the idea of him kissing any part of you abhorrent, but now you find yourself similarly compelled. You take his hand and kiss his knuckles, the tips of his fingers, the palm of his hand.
“Come here, you little minx,” he growls, trying to pull you down on top of him. You pull back, and he lets go, still worried about pushing you when you’ve made so many overtures in such a short time.
You had expected him to hold on tightly, however, and overbalance, tipping over the other way with an inelegant little squeak. He laughs as he sits up, and you do too as he helps you back upright. He lays back again, and there’s no resistance when he takes you with him this time. He tucks you into his side, and you look down at him, chin propped on your hand.
“I rescind my earlier statement,” he says.
“Which one?”
“You don’t have to ask nicely for a kiss, darling. I worry that you’re too prideful to admit that you might like one, but if you can steal one whenever the mood strikes you, I might be lucky enough to receive a few impulsive ones that your good sense isn’t fast enough to stop.”
You huff. “Is this your way of asking for another?”
“It’s my way of asking for as many as you might want to give me,” he says. “There is, of course, a standing offer of anything you might like that is within my power to supply. I think it prudent to remind you.”
He’s a ridiculous kind of man. You’d always thought his tendency toward verbosity was just him grandstanding, but now you see it for what it really is. He wants to be understood by you so desperately that each sentence becomes overwrought, less clear for his efforts to imbue each word with meaning. Your own tendency toward blunt, inelegant language is an almost laughable counter. You say little, and hide everything you can, and he reads you plainly. He speaks like a poet, puts everything out in the open, and you misunderstand him on purpose.
Perhaps that’s why you didn’t see this for what it is a long time ago. If you were not so determined to make an enemy of him, perhaps you would have noticed the softness in his eyes, the way he looks at you as though you’re the sunrise and set, like you’re the moon and all the stars in the sky.
You kiss him, before he can open his mouth to speak again. There’s nothing lacklustre about the way your lips slide over his, the way your breath mingles, the way he makes little noises of satisfaction, unable to be quiet even with his tongue flicking over your top lip, encouraging you to open up for him. Angling your head to keep your noses from smushing together, you oblige, letting him lick into your mouth, his arms circling you, holding you tight against his body.
You can't put a name to the feeling that sparks between you, but it's the thing that's been missing from every kiss you've had before.
The heat, the need of it all burns away all that remains of your carefully maintained resolve. He loves you, fool that he is, and you're not sure you could survive without him now. Is that what love is? To mourn even the thought of their absence from you, to cling tightly and never let go? To sink into each other until you're one, two halves of the same whole?
He kisses you until you're breathless, lips swollen from the tug of his sharp teeth, jaw curiously sore from moving in a new way. You pull back first, braced on one arm as you look down on him. He's beautiful, more than human, wild-eyed and fey, but solid and warm beneath you in a way only a man could be. His imperfections make him dearer to you, not just the marks you've drawn on his skin, but the gap between his two front teeth, the way one brow arches a little more than the other, giving him that permanently skeptical look that had always made you feel he was making fun of you. The crooked smile, the notch in one ear.
You know his face more intimately than your own, but you still want to look at him, especially through this new lens.
“I don’t think I want to wait,” you admit. You’ve waited long enough, haven’t you?
“Are you certain?” he asks.
“I don’t see what difference it makes, really.”
“It makes a great deal of difference. I’ve taken enough from you, I don’t want you to regret it.” He gazes up at you, tracing along your jaw with careful touch.
Your heart races rabbit-quick in your chest, and although you're the one looking down at him, you feel pinned in place by the wolf's eyes alone. "Then make sure I don't," you say softly. "I can even promise not to make another attempt on your life until the morning."
"Darling…"
"Please. I don't know how I'll feel tomorrow, but tonight I think I want your hands on me."
"You think?" His fingers catch around the back of your neck, as though he's waiting for some cue before he pulls you back into his arms.
“I know.”
He pulls you down for another kiss, rolling the two of you so his big body stretches over yours, your underskirts bunching up as he slots his thick thigh between yours, pressing against your core. He holds most of his weight off of you, but you’re still trapped beneath him. For the first time in a long while, there is no panic, no desire to fight furiously for freedom. You feel quite content where you are, especially when his thigh flexes, rubbing against you firmly, sending a shower of sparks through your belly. You gasp against his mouth, your hands skimming down his sides gingerly. When he does it again, you dig your fingers into the muscle of his back reflexively, murmuring apologies as his lips leave yours and slide down your bared throat.
“Don’t,” he growls against your pulse, dragging his tongue roughly over your skin. “Don’t apologize. You won’t hurt me.”
His teeth graze the slope of your shoulder, finding the older scar from his lupine jaws. You let out a shuddering gasp when he bites down lightly, not even hard enough to leave a mark. There’s a part of you that wants him to leave a mark, a bruise if not something more permanent, but you’re not sure you’ll be able to convince him out of gentleness tonight.
He kisses down your chest, grinning up at you when he reaches the top edge of your corset. “You are still wearing far too much clothing, my love. Come here.” He stands in a smooth movement, and you’re untethered without the weight of his body against yours, but only for a moment. He helps you to your feet and leads you to the bed, taking a seat on the edge and pulling you between his knees, turning you so he can loosen the laces of your corset.
You shed the garment as soon as you’re able, as well as the extra petticoats. Your chemise is thin, loose material, obscuring little, but you leave it on while you sit beside the wolf, toeing your heeled slippers off and nudging them under the bed and out of the way. Hands folded, you wait, heart beating like a drum. You feel so strange, almost outside your own body, watching him unlace his boots and tug them off impatiently.
He stands to strip off his trousers, and you quickly avert your gaze, looking down at your hands rather than see him in his fully undressed state. You have a rough idea of what you’d find, you’ve been in the public baths more than a few times, and even doing your best to be respectful, it’s hard not to see something. But seeing something in a setting where everyone is minding their own business is a lot different than seeing something up close, especially when you might be expected to do more than just look.
“We don’t have to do this, love,” he says, kneeling in front of you, clasping his hands around yours. Your eyes fly back up, landing on his face. His chuckle makes your cheeks burn. “If you’re nervous—”
“No,” you say quickly. “I want to. I’m just— I hate not knowing what I’m supposed to do.”
“I wouldn’t worry about that darling. It’s your first time, I should think the responsibility rests on my shoulders. All you have to do is tell me when you like something and when you don’t.” He leans forward, forcing your thighs apart to accommodate the bulk of him, and kisses you, all sweetness. “And if you want to stop, we stop. Anything more than that can wait at least until the second or third time.”
It sounds so simple, put like that.
“Besides,” he adds, giving you a wicked grin as his hands move to your hips, the movement rucking your chemise up further on your thighs. “You’ve always been a quick study.”
Well, he’s right about that. His lips find your throat again, pressing languid kisses down your chest until he reaches the edge of your chemise. His eyes flick upwards, seeking permission before he goes further. You untie the simple knot with one hand, the other petting through his soft curls.
He noses aside the thin fabric to find your nipple, latching on with a contented hum. The act sends tremors down into your core, intensifying as his tongue flicks across. You pull in a shuddering breath, and your exhale becomes a whimper when his teeth nip at you, his other hand coming up to grope at your other breast, his touch warm and appreciative before his grip slides down to your hips and he tugs you to the edge of the mattress.
He pulls away from your breast and kisses you properly again. “Do you want more?” he asks. “Can I taste your pretty cunt, darling?”
The desire in his words sends a shiver down your spine. You nod, and he sits back on his heels and kisses all the way up your thigh, although he pauses and pulls back to your other knee, kissing his way up again, this time sinking his teeth into your inner thigh, not hard enough to really hurt, just enough to make you jolt, your pearl begging for any kind of friction. When he passes over your cunt to mouth at your other thigh, you whine, shifting even closer to the edge of the bed. You can feel your cunt dripping, the air strangely cool on your wet skin.
A pair of mischievous eyes glance up at you. He’s doing this on purpose. He started all of this, and now he has the gall to tease you. Glaring in response, you grip him by the hair and pull him in, determined to put his clever mouth to better use than smirking and biting you when you need him elsewhere.
To his credit, he makes no complaint and does what he’s directed, slipping his tongue between your folds, lapping up the slick arousal. His big hands push your thighs up so he can get a better angle, and he kisses your cunt with as much passion as he did your lips, if not more.
The feeling is electric. His mouth scorches, sets you alight in ways you’d never imagined, the occasional scrape of his too sharp teeth against you thrilling. It’s too good, has you fighting his grip even as your fingers are still tightly wound into his hair, holding him close. It’s too much, but if he stopped it would be so much worse.
If he minds your writhing, he doesn’t show it. You can’t help the sounds he pulls from you, but he’s louder, as though this is more for himself than for you. He groans when your hips buck against his mouth, pants when he lifts himself away enough to breathe, his amber eyes gleaming, fixed on your face, except the few times they flutter closed, just for a moment, savouring your taste.
His nose nudges your pearl as his tongue presses inside you. You grip him so tightly to your core, your hips shaking so hard that you’re surprised you don’t break his nose. The hot, molten cataclysm that’s been pooling somewhere behind your belly button overtakes you, sweeping you away, limbs seized, unable to out-swim the current. You can’t see past the stars in your eyes even after your legs relax and you force your hand to unclasp his hair, finger by finger, so you can lay back on the mattress, breathing hard.
He crawls up onto the bed and pulls you toward the centre, a self-satisfied grin on his face. His cock presses into your thigh, insistent for attention, the tip peeking out and leaking against your thigh. He ruts against you when he kisses you again, his close-cropped beard soaked with your arousal. You can taste yourself on his tongue, tangy and bitter-sweet.
You lay twined together, forehead pressed against his as you both catch your breath. One hand gently brushes up and down your spine, the other pulling your leg up over his hip. “How was that?” he asked.
There may not be words for what you feel. Maybe there are, but they’re beyond you right now, washed away with all the resistance in your body. You settle on nice, which makes him laugh.
“Only nice, hm? I suppose I’ll have to work harder.”
“Better than nice,” you assure him. “I— I liked it a lot.” It’s still insufficient, so you kiss him again, hoping he won’t ask any more questions.
He does, after a long moment. “Are you ready for more?”
“There’s more?” you ask. “Or— for you? Do you want me to—”
“No, there’s no need for you to do a thing, love. The next part is for both of us.” He rolls onto his back, taking you with him effortlessly. He reaches past you with one hand while he kisses you sweetly, tongue pushing into your mouth at the same moment you feel his cock slot against your entrance. He pushes in gently, halting when he meets resistance, fucking shallowly into you until you relax enough to let him bury himself deeper into your body.
You tuck your face down against his chest, focusing on the feeling of his cock stretching your cunt, so deep inside you that his presses against your womb. He tries to keep himself still, but his hips buck slightly, tearing a groan from your chest. There’s no stopping the way your cunt squeezes down on him in response, nor the way your hips grind against him. He makes a choked sound, breathing out shakily when you push yourself up to look at him.
The angle change nearly has you collapsing back down, but he takes pity on you and flips you both so he can take the lead. “Hello, pretty thing,” he says, giving you another kiss and a firm grind into you before he starts moving his hips, slowly working himself in and out of your cunt, lips settling against your ear so he could tell you how well you’re taking him, how good you feel around his cock.
Any ability to respond is quickly fucked out of you, your breath punched out with every deep thrust, your world shrinking down to a handful of sensations: his lips on your ear, the weight of his body and the delicious drag of his cock against your inner walls.
He works his hand between you to rub at your pearl, the heel of his hand pressing down on your lower belly. The thought that he can feel himself inside you with your hand is one of the last fully formed ones that cross your mind, because he growls and picks up the pace, unrelenting until you’re shaking and babbling and clinging so tightly to him that you’re certain you’ll leave permanent marks.
He drags you up another precipice and throws you over, his forehead pressed to yours, watching your face as you shake and cry out. He ruts into you, and you can feel him fill your cunt, his cock twitching, rooted firmly inside you. He doesn’t pull away, just throws himself onto his back, holding you tight to his chest.
His heart beats like a drum under your ear, slowing gradually as he catches his breath. His cock slips free, and you stiffen slightly as his spend leaks from your swollen cunt, spilling onto his belly. He pops his head up as soon as you tense, and huffs out a laugh, kissing the tip of your nose.
“Sex can be a bit messy. Come on, love. Let’s get cleaned up.”
Your legs wobble when you try to stand, but he happily slides a supportive arm around your waist, leading you into the adjoining tap room. Once you’re both cleaned up, he coaxes you out of your sweat-soaked chemise and wraps you in one of his shirts and you both sit back down in front of the fire.
You pick up your abandoned wine glass, holding it with both hands as you eye the wolf. He looks content, satiated, like he’s had his fill of you. There’s a little tremor of unease that settles in your belly. Now that the chase is over, will he still want you? Do you still want him to want you? At the beginning of the evening you had been determined to kill him, and now…
He looks back at you through half-closed eyes, and unfurls his arm. “You’re too far away,” he tells you, voice a warm purr. “And you’re thinking too much.”
It’s still unfair, how easily he reads you. An open book, pages left open for him to flip through at his leisure. Despite your trepidation, you walk forward on your knees and sit against him, knees tucked under his arm. His fingertips trail up your thigh, over your knee, down your calf, and back, over and over, as he waits for you to speak.
“What happens now?” you ask at last. “Do we go our separate ways?”
Hurt flashes across his face before he can hide it behind a neutral mask. “If that’s what you want.” His fingers continue retreading their path while silence builds between the two of you. At last, he pulls in a fortifying breath. “Is that what you want?”
There’s raw desire in his eyes, not tempered in the least by your coupling. He offers you everything so easily that it feels like it must be a trick, but he wouldn’t work so hard to hide his feelings if he didn’t care for you, if this were a trap. If you stay, it has to be your choice, not made because of his own want for you to remain by his side.
The anger that kept you warm in all your years out in the cold is gone. Killing him won’t bring your family back from the grave, it would just place another soul in one. The desire for revenge truly burned out a long while ago, and you couldn’t admit that only embers remained. It was why you were so desperate to end it tonight, to close the chapter and look forward to something new.
It’s so like your wolf to ruin your plans. This time, you’re not sure you mind.
“I’d like to stay,” you say at last.
He’s on you so fast that you drop your wine glass, spilling red over the furs. It’s hard to stop laughing enough to kiss him back, trying to point out the mess to him. He growls something about not giving a damn as he gives up trying to kiss you through your smile, and presses his lips to your pulse instead.
In the end, with all the history between the two of you, what’s one more mess?
It's been almost five years since I started writing this short story, and I had fully expected not to finish it. I was caught up in the story in the peripherals, the potential history between Cat and Valter. This scene no longer fits in the overall narrative, even if there are still threads of it that remain unchanged, so I feel like it's safe to share. I'm working on the third draft of The Night of the Wolf, sorting out the mess of my second draft (so many changes it might as well be a second first draft) and I think there's a very real possibility that I can actually finish it, and that's in no small way thanks to all of you. I have been writing for a long time, but it's only been in the past year that I've shared my work with anyone, and it's been a really lovely experience. Thank you for reading my silly fanfictions, thank you for reading this, and I hope to share more bits of original work going forward, if there's any interest. (But don't worry, I'm still gonna finish the fanfictions. I show no signs of stopping yet)
C. T. Cutter
(Also, special thanks to my best human person @dragonnarrative-writes for making me finish this and being so so kind to me about my work and encouraging me always. I am bad at accepting compliments but I appreciate them all the same)
Image Credits: 1 - 2 ~ Dividers by @/cafekitsune
#Cave Writing#original works#enemies to lovers but in a you can't hate someone without also loving them way#in a “I keep my nemesis' picture in a locket around my neck” way#Night of the Wolf#OC: Cat#OC: Valter#This is the sort of work that can happen when you dare to ask the question “What if Rahul Kohli was a hot werewolf?”#This is pretty much my one year writing and posting fanfiction-aversary! How time flies#I've written more this year than the previous 4 combined and it's been so much fun#And I've learned a lot#especially about putting myself out there#Writing other works definitely stretches a different muscle but fanfiction helps with dialogue and characters and writing sex lmao#I have sooooo many stories that stop right before a sex scene because I used to be so bad at writing it#But now? I'm all over it#Anyway these tags are not helpful to anyone I am just dithering to delay posting at this point#It's written in second POV because I was in the monster romance circles before the COD circles and it's popular there too#but I was never brave enough to post anything anyway lmao#Thanks for helping me be brave!#monster romance#but only kind of because when werewolves aren't actively shifted they're just some guy#He spends a lot more time being wolfy in the actual novel
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btw what theon went through is what thousands upon thousands upon thousands of slaves still go through in essos. so, do you still feel pity for the slavers that were crucified? do you still pity the slavers killed when daenerys freed the unsullied?
i ask these questions, and yet i know that there are still many people who believe that the violence against the slavers wasn’t justified, or believe that it was simply “too much” or “not fair.” truly… what an insane hill to die on.
maybe these people should spare more empathy for the formerly enslaved instead of wasting time making up excuses (that are not supported by the text) for why the slave masters' deaths were somehow not justified 🫶
#you guys will not believe how many people try to argue in favor of the slave masters#and the other side almost always ends up saying something along the lines of:#‘what if the slavers were just secretly good and were trying to end slavery? dany never gave them a fair trial 😡’#like w h a t tf#it’s always annoying when people make up bs excuses to hate on dany by MAKING UP things that are NOT in the text !!#honestly how am i supposed to argue against what ifs#actually i can do it too: what if all the slavers were actually all psychopaths who enjoyed brutally destroying other human beings?#my ‘what if’ at least has some textual support#i honestly do not know why these people are reading the books if they just wish to change one of the most important characters storyline#asoiaf fandom critical#daenerys targaryen#daenerys appreciation#pro daenerys#anti sansa stans#cause it’s always them at the scene of the crime 😭#poor sansa you’d hate ur stans they’re nasty manipulative liars (not all just to be clear)#formally enslaved includes dany btw#i honestly think that there is something wrong with people who make excuses for fictional slave masters
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Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man
#augh i dont want to cw this because im just talking about The Character and i feel bad when i do it for characters but i probably should#suicide mention#ask to tag#while im here i do absolutely believe hes been suicidal since jaybin times. maybe even before just in different ways. but like#going into that building with shelia? yeah#now. i DONT think he was aware of it and if youd ask him hed say no fully believing thats the truth#but like if a ghost jaybin had some introspection time i think he'd maybe eventually be like yeah#his outcomes to him were have a loving parent or die and hes a very big fan of ultimatums like that.#but he doesn't fully see it like that as jaybin because oh hes a hero and saving others when no one else can is what heros do :)#ramble. ivee been feeling it lately yknow how it is#ive once saw a post saying jason was planning to die after the joker was dead in utrh and yeagh i can see that#he puts A BOMB in his HELMET#suicidal characters in the context of hero stories are so fascinating to me. the self sacrifice.#the not caring about your own safety as long as you save someone else. the pushing yourself#the way itd be so easy to make it look like they just fell in battle. to be considered a hero in the end#anyway ive been glancing at suicidal jason todd fics. how bad is it that im still getting mad about characterization#because theyre not killing him right#AND ANOTHER THING. since im here and i try to avoid making posts about The Character like this so might as welk get it all out#think about suicidal jaybin as well as the fact 80s bruce very much considered suicidal people/people attempting like#weak and lazy? yells at them? i think thats about it. Very Much. je seems to straight up just hate them#again very much feel free to ask me to tag this one ^-^'#and i hope no one thinks im being callous here im very worried about that. i just its a very important part of his character to think about#and its fun to explore as someone who is passively suicidal myself#jason todd analysis#anyway no one look at me i am in my corner just rotating him#WAIT to clarify i dont think jaybin fully realized Just becauceof the heros sacrifice thing. i made it sound like that i believe#anyway. if you read him as suicidal since jaybin times and go to ditf with that lens like i did. well. the post death victim blaming..
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something simple to try to get out of art block (it didn't work)
#alek art#ninjago#zane julien#2024#i am very unhappy with this and sooo in order to feel better i am going to talk about him#system zane is very real to me. i always give him six main alters (but i do believe there is more lol)#systems cannot just pick and choose who front depending on the day i am very aware (i am a system) its more on the nose symbolism#the fifth one crossed out is the ice emperor. in canon he exists in zane's mind as an “alter ego” of sorts which is crazy to me#character has canon dissociative episodes... amnesia... and several different “personalities” / identities? sounds familiar idk#i talked a lot about this hc on my long ass zane hc post thanks for the ask btw npderzane#its not an au its just how i see him so just imagine every zane i draw as system zane. ill only specify it in the tags if its system related#that one post thats like. 'being a did system sucks which one of us poured instant coffee in the bathtub!' thats the average zane experience#he wakes up and everyones like “mannn zane you were going crazyyy on prime empire yesterday” and hes like ??? i did not play any video games#and then he looks at the calender and 6 months have passed. semi true story that happened to me#also alters having incredibly different food preferences is funny. zane doesnt eat anything ever vs boone who eats raw meat sometimes#zane having really weird characterization? and its very inconsistent / bad writing uhhh alek explanation is hes a system and nobody can mask#man its 1 pm :|#i hate this drawing so much i dont even want to look at it but it took time so ill post it#i also have another zane drawing in my drafts i should post. from like 2 months ago???
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Confession #276
#rwby#confessed by anonymous#january 6th#that was when the orange man encouraged people to raid places if I remember right ?#slurs#ableism#I was kinda taken back when someone called OCs i had made jokingly for a post “faggots”#like it was the one where someone basically said jaune stans just make ocs like rest of us#and like damn#these people are really out there#other one that I remember had a blog dedicated to hating oscar for some reason and everyone else was basically#“just mad that their fave doesnt get the development Jaune gets so hes suprerior character” or whatever#and I know that sounds very mild but you shouldve seen this it came across that they are 100% serious#on these posts about every other character besides Jaune and pyrrha (seemingly only because she's the love interest) being bad#I suppose as a person who used to be worried all the time how I come across Im amazed how people can be like this ¿#like the self esteem is admirable lol
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is helluva boss allergic to doing anything interesting with stella at all or what
#im not asking for a sympathetic character im asking for A Character. a character? A character?#shes octavias mother and stolas spent his entire life with her can you at least pretend for half a second#that youve given her any depth. any. at all. anything?#a shallow evil character is one thing TRUST ME I KNOW but jesus christ#literally every single scene of hers is about her either hating stolas or being happy stolas is hurt. to the point its ridiculous#and it makes stolas and vias charcaters way harder to see with much depth to bc the second you try to imagine#how their lives before canon were like theres just this. impossible paper thin caricature of a bitch wife#i was actually excited to see how shed twist things to make via be on her side but i didnt even get that#just. hahaha i hate him so much haha... im eevvvillll#. ok#helluva boss critical#anyways vias song was good
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Curly had two days to act and Swansea had two months.
I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.
This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.
The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.
It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…
The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.
#like I’m sorry two months? he couldn’t have explained it at all to Daisuke?#he’s no better than Curly and it’s likely Anya found comfort in the fact that Jimmy would at least avoid being around Swansea#tho everything he went off to drink or passed out she would be acutely reminded that things are still taking precedent in his head#she is not his top concern nor is seeking justice for her like he is admittedly more concerned about Daisuke he doesn’t mention her#outside of the fact that they were def talking about what Jimmy did and likely the fact he might’ve crashed the ship but pls don’t mistake#his final acts as being majority for Anya. the game keeps showing how these men keep prioritizing things over her even when they say they#won’t and it’s sad it’s so sad that we keep trying to say but what about him like they all do it#it’s not intentional but that’s what’s also bad about it like I doubt she made a suicide plan with him two months in advance#these characters are acting to get out of this and she knows her ending is not happy if she leaves or not she’s taking that choice to do it#and hell Swansea might not have known by the way he speaks to Daisuke and Jimmy that that was her plan to khs#likely either to just keep her and Curly locked in med bay until they got rescued or died#but it’s all speculation and thinking and I can only implore people to think why are you giving Swansea more credit?#cause I see him bittersweetly so used to the negatives he cares not for futile efforts#two months vs two days and each time nothing was really done for her other than prolonging her suffering around Jimmy#Swansea slept outside utility was drunk most of the time and it’s clear Jimmy was able to have access to Anya whenever#I mean look at the teaser where they sit at the table he is far from her with Daisuke#like it’s just frustration at this point thinking any guy on that ship was doing good by Anya specifically and not for their own reasons#like at least Curly was direct on the issue he still did mostly Jack shit but Swansea doesn’t even let Jimmy know he knows#and that’s another issue in rape culture of men avoiding calling other men what they are even if they hate them like#the game plays with the idea of knowing vs acknowledging and neither truly acknowledge it as a part of their actions#against Jimmy and god no one did better than Anya for Anya. they just weren’t heinous like Jimmy#mouthwashing#mouthwashing game#curly mouthwashing#captain curly#swansea mouthwashing#anya mouthwashing#nurse anya#it’s not all men but all men can and do play a part especially in the extreme scenario mouthwashing deposits
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