#also takes characters that would otherwise be great and interesting and just makes me very annoyed with them

[misstooni]

Is all of Tsumihoroboshi... Like That? Most annoying trope in visual novels is the protagonist being a perv, and I swear it's in pretty much every major visual novel. Major whiplash after Meakashi.

[fallingdownhell]

i love your recent posts but can i request hurt/comfort genshin impact xiao, wanderer, cyno where like they get into an argument about the reader being weak or something like that

although they didn't mean it, but after a few days after the argument, they see reader like training hard for them because of the fight.

<3

Mhh, always. You know I love me a good dose of angst! And I'm sorry, but I only included two of the requested characters, because otherwise this would haven gotten way too out of hand and too much to read. Hope you're okay with that.

Characters Included: Xiao; Wanderer

Content: gender neutral reader; angst; comfort; hurt/comfort; established relationship; arguments between them and reader; shouting and cursing at reader in wanderer's scenario; Kunikuzushi/Kuni is being used for Wanderer

Word count: 2,2k words

Enjoy the read!

Xiao

You have to understand him. He's just looking out for you!

There is a clear, natural difference in strength between you and him!

He's an adeptus after all, and you're just a human! Sure, you possess a vision and you know perfectly well how to utilize it to your advantage in battle, but he's still your boyfriend! Let him be worried about you!

Honestly, he really just had your best interest and saftey in mind when he approached you one day, offering to train with you and possibly make you stronger, since he noticed your form to be a bit lacking when he watched you train.

The problem was, he told you exactly what he was thinking, no filter whatsoever. Which in turn caused you to get a bit defensive with him. That didn't sit right with Xiao, because in his eyes, he was only trying to help you.

This then resulted in a huge argument, where neither of you wanted to back down against the other.

"(Name), for the love of the Archons. Can't you see I'm only trying to help you here?"

"By berating me and telling me all the things I'm doing wrong? Without offering any advise at all? Yeah, great help.", you scoff as you turn your back to your boyfriend, trying to resume your exercise in peace. You were hoping that he would get the hint, to leave you alone. But he didn't.

"I'm really only looking out for you. You lack basic knowledge with the sword and you lack stamina as well. You're moving around too much, you make so many unnecassary movements. The hold you have on your weapon is too loose. Anyone could easily knock it out of your hand. Also-!"

"Okay! I got it!", you suddenly burst out as Xiao keeps on listing the things you're doing wrong in his eyes. It not only frustrated you, but it also made you feel so inferior.. to him and basically everyone else. You know that everyone starts out at some point. Everyone has to learn from the beginning. So why is he being so mean to you? Shouldn't he be more supporting of you as your boyfriend?

"I get it. You've made your point very clear."

You speak again, while Xiao just stares at you, mouth still hanging open. He didn't expect for you to raise your voice like this. You were usually so soft spoken.

You stared into each others eyes for a few more seconds, before you let out a sigh and placed your sword back into its sheat.

"I'm going home.", you announce as you go to grab your stuff. You collect everything and put it in your back, leaving without taking another look at him.

Suddenly, Xiao got the feeling that he made a huge mistake. Not only by "helping" you out with your training, but also as he let you go like this without having a talk with you, but something told him to let you be for the time being.

.....

Well... did he regret letting you just go like that. It has been almost a week since he last saw you, because you refused to call his name like you usually did on a daily basis.

And he was afraid of seeking you out himself, since he feared to only further sour your mood with an unannounced visit from his side. But he wanted to see you again so badly...

When the one week mark was reached without hearing anything from you, Xiao has had enough. He needed to make sure that you were okay. He was certain you would have called his name if you were in mortal danger, despite the argument at hand, but it's better to be safe than sorry. He needed to know you were still alive..

So, he teleported to your home, waiting for a few seconds in front of the door, gathering courage, before knocking on the door. He waited and waited, but nothing happened. He knocked again, but still nothing.

Xiao was about to leave again, scolding himself in his head, because of course you wouldn't open, you obviously didn't want to see him right now, when he heard noises coming from a bit further away.

Deciding to investigate, he followed the noises. And what he saw did shock him a bit..

He saw you, standing in a circle of training dummys, practicing different moves and tactics. He could tell that your hold on the blade has gotten better over the week you have been apart. In fact, everything he had critiqued about your skills seems to have improved...

Have you been training relentlessly this entire time??

This made him feel even more bad about this entire argument. He wanted to help you, not make you overexert yourself like this, just to prove something to him..

Deciding that it was finally time to talk, he approached you. You heard the footsteps coming your direction and turned towards them. Surprised to see Xiao there, you stopped in the middle of your session, facing him.

It was quiet for a few seconds as he arrived in front of you, and when you couldn't take it anymore, you decided to speak up again.

"What? Here to berate me even more?" It sounded way more sarcastic and hurtful than you had intended it to, and you saw Xiao flinch the slightest bit at your words, but you didn't back down from them.

"No..", Xiao answered weakly.

"I'm here to apologize." His words left you surprised, not expecting this at all.

"I didn't realize how much my words were hurting you. That was never my intention, (Name). I.. I'm just worried about you. There is a clear difference in skill, after all, but I shouldn't have been like this to you. I sincerely apologize for the way I treated you."

You have been with Xiao long enough to know two things. First, he was being completely honest with you. You could tell by the tone in his voice and the way he tried to look into your eyes, while also trying to avoid them at the same time, feeling embarrassed about being this vulnerable with someone.

Second, you knew just how hard it was for him to be honest and vulnerable with you. Saying this must have caused so much for him to do, yet he did it anyway.. for you.

For a second, you stood there and stared at him, before sighing and walking over to him, wrapping your arms around his body in a warm, comfortable hug. He did not hesitate for a second before doing the same, having missed this feeling dearly for the past week.

"I don't mind you helping me or giving me advise.. but maybe don't be so brash and insulting about it. Okay?"

He nodded, promising you to be more careful with his words from now on.

Wanderer

You sighed with relief as the Ruin guard in front of you collapsed and shattered into its parts, the cut on your side hurting a bit when you breathed, but it wasn't bleeding too bad, so the wound must not be too bad, either.

You were usually not that easy to surprise, but for some reason, you overlooked that particular ancient machine, resulting in it getting a hit on you before it was taken down.

Though, you were not the one responsible for taking it down. The actual reason was flying in from behind it, your boyfriend, Kuni. And while you were smiling at him, wanting to thank him for his help, he had a scowl on your face as he landed in front of you.

"What the hell were you thinking, Idiot? You would be dead now if it weren't for me being here!", he shouted as soon as he landed, not letting you get a word in.

You were taken aback by his harsh words and tone, staring at him, which only made him even more agitated.

"The hell? You don't even have an excuse! How can you be so fucking careless? I know you're weak but I wouldn't have thought of you being this stupid as well!"

You heard each and every single one of his words, and they all stung right in your chest. You were aware of the difference in power between you two, but that didn't mean you were incompetent with your polearm. You've trained long and hard to get to the point where you are now, and you were proud of yourself for it.

When you looked into his eyes again, you could see a bit of shock behind them, like he was surprised himself that the words actually left his lips.

You waited a few seconds, to see if he would apologize to you or take them back, but nothing came. Kuni's pride hindered him from doing the right thing..

"I see. If that's what you think of me, I won't be in your way again."

The words sounded cold when they left your lips, and Kunikuzushi flinched ever so slightly when hearing them, but you didn't react to it. Instead, you turned and walked away from him without acknowledging his presence any longer.

"Hey! What do you think you're doing? Where are you going?", he shouted after you, but no response. Then, he chased after you, but when he noticed that you were still ignoring him, he gave up on it, figuring that it would be best to leave you alone for the time being.

Surely, you would come crawling back to him soon enough... right?

....

....

Two weeks.

The incident has happened two weeks ago. And for those two weeks, he did not hear or see anything of you, whatsoever.

He was so sure that you wouldn't even survive a week without him before coming back and apologizing, but it seemed like he was wrong this time.

And he hated to admit this, even to himself, but.. he missed you. Missed your stupid, cheerful smile, your laugh and the way you always made his day better, just by spending time with him.

After about a week and a half, he began to think, that maybe, this time, he was actually the one in the wrong. That maybe, he took it too far with his words this time around.

Maybe.. he should be the one to apologize to you.

And yet, it took him a few more days to overcome his stupidly high pride and actually follow through with his thoughts.

Nahida, who knew all about the situation from Kuni himself, smiled and nodded proudly as the puppet went to leave the Sanctuary of Surasthana.

He first searched for you at your home, but you couldn't be found there. Then, he went on a stroll through the city, hoping to run into you along the way, but that too, proofed to be without success.

His last hope was the adventurers guild, and that someone hopefully has seen you there.

And luck was on his side this time, as some other members told him about how you have constantly been taking commission after commission for the past few days.

Feeling his worries for you rise again, he went to the locations given to him, hoping to find you there.

About an hour or so later, he spotted you at the location of the third commission you took, standing next to a defeated ruin drake while facing another one head on.

He had half a mind to rush over and take care of it for you, but something in him told him to let you handle it yourself. So he watched with bated breath as you easily took care of the machine, letting it fall to the ground while you remained completely unharmed.

That's when he really realized what his words might have caused for you. You are by no means a sheltered human, you're capable of defending yourself, and very well so.

As you were checking the defeated drakes for useful stuff, he came out of his 'hiding spot', walking directly to you. You noticed him approaching but chose to ignore him still. In fact, you've noticed his presence in the middle of the fight, but decided not to call him out and see what he would do.

When he arrived, he just stood next to you in silence for a while, watching you. But when you still wouldn't acknowledge him, he decided to speak up.

"(Name)... I... I'm sorry..", he mumbled quietly. He felt embarrassed, not used to acting like the bigger person, but he was in the wrong here, so he had to do this, no matter what.

The words out of Kuni's mouth caught you by surprise, your head swirling around to look at him, finally.

Kunikuzushi didn't know what else to say right now, so he stayed silent, hoping you would understand how difficult this was for him right now.

"..I'm not weak.", you answered him quietly as well, fully facing him now, but your posture and tone seemed a bit more open and calmer now.

"..I know."

He may not be the best with words, but somehow, you always understood what he wanted to say, anyways. It has always been this way between you. It was one of the many things he loved so much about you.

And that's how it was this time, too. He quietly thanked the Gods when he pulled you into his arms again, holding you for the first time in what had felt like an eternity.

[lets-try-some-writing]

Transformers One: My Thoughts and Critiques

Note: This is going to be a very long read, so be prepared.

Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.

Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.

From this point onwards, spoilers will be present. Read at your own risk.

The Good

(Me trying really really hard to not accidentally be negative.)

The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.

Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.

Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.

The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.

The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.

Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.

The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.

D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.

I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.

Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)

The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.

Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.

The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.

I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.

The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).

The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.

The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.

The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)

The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).

There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.

Their worldview was shattered in that cave, and I adored seeing it play out.

Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.

I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).

D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.

Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.

From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.

Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.

D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.

Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.

Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.

Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.

Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.

The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).

D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?

Beautiful.

In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.

The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.

Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.

Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.

The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.

I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.

With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.

The Bad

(Aka, my rant combined with actual critiques)

Oh boy here we go.

Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.

There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.

It weakened his character drastically.

His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.

He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.

No complaints about D-16's introduction.

Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.

Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.

Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.

It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.

The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.

Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.

With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.

Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.

The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.

I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.

Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.

The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.

The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)

No complaints about their stint on the roof of the train.

Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.

Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.

Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)

No complaints about the cave scene.

So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?

(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)

Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.

I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.

Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)

Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.

Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.

I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.

Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.

Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.

Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.

Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.

"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.

Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.

The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).

The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.

No complaints about the Sentinel and D-16 interaction.

The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.

Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.

No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.

The birth of Megatron was perfect. Zero complaints.

Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.

Optimus flying up to the surface like superman.

I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.

No commentary on the battle. It was perfect.

Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.

Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.

Regarding the final scene of the film, its really bad. Painfully bad.

(I would like to throw Elita off the nearest structure thank you.)

I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.

That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.

The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.

There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?

Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.

The Characters

(A look into every character of note + my edits to their development in the film.)

Orion Pax/Optimus Prime:

Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.

To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.

Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.

These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.

"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."

D-16/Megatron:

D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.

All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.

D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.

"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"

Elita-One:

Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.

Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.

If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.

Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.

She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.

"My point is, that your instincts tell you to break protocol for a reason."

B-127:

B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).

I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.

It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.

"Are you serious? This is the greatest day of my life! I get to work for the government!"

Starscream:

Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.

I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.

Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.

"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."

Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.

If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.

"Scanning electrical impulses: He speaks the truth."

Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.

Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.

"He wouldn't stop talking."

Sentinel Prime:

Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.

"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"

Alpha Trion:

Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.

I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.

"I failed you, old friend. You deserved so much better than this end."

Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.

Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.

"I see everything."

That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.

Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.

"Little? There's nothing little about you."

Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.

"You are no cog bots with limited options. Report to waste management immediately."

Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.

The Plot

(An assessment of the story overall & its holes.)

The plot was fantastic, at least with all the random unneeded scenes not considered.

There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.

There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.

The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.

It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.

A very solid 7.5 - 8/10 movie when viewed overall.

The World Building

(Current questions & Information + musings)

Cybertronians don't bleed, unlike other continuities.

I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.

The cogless had their cogs removed before coming online. Where are said cogs now?

It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.

Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.

It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.

Cycles are years. Days are days.

Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.

Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.

It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.

The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?

I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.

Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?

We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.

Is Cybertron in a post apocalyptic state?

I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.

T-cogs evidently have a certain amount of biological alteration involved in their acquisition.

This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.

Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?

I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.

Cogless bots are essentially children.

They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.

No noticeable spark chambers. Instead, we have the slot for T-cogs.

I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.

(Also the smut writers are going to have to get creative)

There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.

I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.

There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?

Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.

How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?

It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.

D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?

Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.

The Matrix is referred to as an entity. Why is that?

No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.

The bots have eyelids and tongues.

It makes sense that they have them. I just think it's neat.

Some bots have real names. Other do not.

I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.

The Ending + Implications

(How I think things will go from here in future films.)

The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.

Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.

Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.

If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.

The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.

We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).

Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.

We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.

There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.

Elita is bound to get more screen time than she deserves.

Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.

Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.

The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.

I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.

Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.

My Suggested Adjustments

(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)

Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.

I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.

Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.

The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:

"How many times have we done this Orion? I can't keep letting you break protocol!"

"Even to save a few lives?"

"We are miners. Danger is part of the job. Your recklessness is a liability."

"Even though it saved you from that tunnel collapse last cycle?"

"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."

Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.

When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.

The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.

The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.

Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:

"Don't mess with the bodies, those tend to be infected."

"Watch where you step! Don't want to miss energon by accident. It's rare down here!"

"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"

B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.

The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.

From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.

Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.

Then the traintop scene can play out as normal.

Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:

"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."

"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."

"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."

"That's fine, because I quite firmly believe that this is the real deal."

"It better be, or you can bet your bolts I'm never going to let you live this down."

"I wouldn't expect anything else."

Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.

There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.

The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.

D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:

"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."

Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.

The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.

The scene with Sentinel and Alpha Trion can go as normal.

The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.

Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.

At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.

Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.

The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.

The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.

There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.

D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.

The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.

The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.

Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.

Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.

He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.

Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.

This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.

Arguments Against My Critiques

(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)

The movie is aimed toward a younger audience. You shouldn't be so serious with your review.

The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.

Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.

The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?

No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.

They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.

Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.

Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.

I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.

The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.

I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.

The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.

Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!

A shiny turd is still a turd. Next question.

You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.

True enough! But to that, all I can say is: Environmental factors.

I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.

And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.

Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?

It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.

It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.

Why bother with such a long review at all?

Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)

I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.

Final Note

(Best film ever? No. Great addition to the Transformers Franchise? Yes.)

Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.

The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.

If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.

There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.

I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.

TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.

It's not a bad movie. It was simply born in a bad time.

With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.

"We could have built the future together."

"I'll build it myself, after I tear down everyone in my way."

[avelera]

It makes me sad when I see posts by people who are enjoying the Interview with the Vampire show but say they've decided not to even try to read the books.

To be clear, it's fine to just not want to read the books, there's plenty of reasons the books might not be everyone's bag, and one reason is that people might just want to enjoy the show without spoilers or the source material muddling the experience.

But I just want to clarify a few points that people might be hung up on with regards to reading the books in case they've decided not to on false premises:

Anne Rice was not homophobic or otherwise anti-sex or against queer relationships for her characters - those are lies, lies, and damned lies. Anne Rice was a queer writer before being queer-- much less writing about it--was cool (to say the least). She more or less defined herself as nonbinary before there was terminology for it, her son is gay, and she left the Catholic Church the second time because they wouldn't accept him (even though the Catholic Church had basically become her life at that point after her husband died, which is a long complicated story). She also wrote tons of erotica, specifically bdsm erotica, which was also very queer. She would not be horrified by the queerness of the show.

Anne Rice was anti-fanfic - Yes, she was. Yes, she was one of the most aggressive authors against fanfic (though she softened later). But just to be clear, she had a legal reason for it. I was one of the people most heartbroken in the early '00s by her aggressive take down of fanfic over the years but even then, I always understood why she did it, she reasonably believed she had to be aggressive in order to defend her copyright. You can dislike her for it but she wasn't just hating on fanfic for the sake of it, the early internet was extremely muddy when it came to the legality around fanfic and copyright and as an early adopter of the internet, she was very concerned on that front specifically.

The books are not poorly written/not fun to read - Look, your mileage may obviously vary, and many have found flaws in her writing (IWTV in particular is probably the slowest read of the bunch) but Anne Rice wasn't a NYT Bestseller on basically every single one of her books for no reason. Her style is easy to read, fun, engaging, and often darkly beautiful and deeply empathetic. She basically defined the modern vampire genre and modern supernatural gothic romance for the last 50 years, I mean she dominated the genre. Don't take an out of context excerpt of the opening of The Vampire Lestat sounding like "My Immortal" as an indication of anything. (The whole point of that intro is that Lestat is supposed to sound like a self-obsessed drama queen in the opening pages, that's the conceit of the book and introduces him as a self-centered unreliable narrator, which she then plays with to great effect. It's actually rather deftly handled how she introduced Lestat as a POV character with that introduction. As a writer, I will defend that introduction as actually genius.)

Anne Rice wasn't perfect, to say the least. And the books might not be everyone's cup of tea, she was often dealing with transgressive topics and probably held many ideas or presented many concepts decades ago that would be side-eyed today.

But they're bestsellers for a reason and she's an era-defining author for a reason. The show is doing some interesting stuff with modernizing and deconstructing the books but the rich material they have to do it with comes from the books.

At the very least, I suggest trying out "The Vampire Lestat" and then "Queen of the Damned" which I think are two of her best and will go a long way to informing how audiences view the show and what's coming next.

[southangel]

Hi! How's it going?

Can I get some headcanons about the main four with a twin sibling!reader? How would the dynamic between them and people around them look.

You can choose if they're identical or fraternal twins. 

Main 4 Being their Twin Sibling

Warnings: none

Notes: Platonic, gender-neutral as well! Will be fraternal twins, since identical twins are typically the same gender. A little rushed, wrote most of this late at night.

Stan Marsh

Being Stan’s twin would be fun, I think.

You’ll obviously look similar, but not so similar to the point where people bombard you guys with questions.

You would be the older one, by about a minute, and you would definitely tell all his friends about it.

He hates you for it.

Since you’re related to Stan, you’re also related to Shelley, meaning you both get attacked by her.

Luckily she’s a bit nicer on you, only because you’re friends aren’t as annoying as Stan’s.

You don’t really hangout with Stan and his friends unless they need you as a backround character for a game, otherwise you would be with your own friend group.

Your personalities are very similar, people could probably tell that you’re related by just that.

I feel like Stan would be the type to scam you out of favors, but quickly feel bad then do something in return for you.

You used to both walk into school together, but after moving onto the farm and having to wear those Hemp shirts, it was embarrassing.

You both agreed that two people with Hemp shirts walking together was more embarrassing than one, so you split up.

You would be friends with Wendy, since gossiping about Stan is so fun for you both.

Imagine you and Stan both doing homework together, staring at the worksheet before eventually giving up.

You guys played Terrance and Philip on the TV afterwards, so it was okay.

“Tell me if Wendy says anything bad about me, please?”

Kyle Broflovski

Being Kyle’s twin sibling would be interesting.

Kyle would be the older one by about 3 minutes, but he isn’t obnoxious about it and doesn’t care.

Kyle tends to be the smarter one, so he wouldn’t mind tutoring or explaining every bit of work to you, you steal his answers when he isn’t looking.

You used to hang out with Kyle and his friends, then Cartman started going after you as well even though he hasn’t before.

If you ever get a partner with a stable relationship, Kyle would be happy for you, but I feel like he would be a little jealous since his romantic luck is absolute shit.

You guys are the types of twins where everyone can tell that you’re siblings, and it’s super annoying getting asked the same questions everyday.

Sheila would probably make you guys share a room, and you both hate it.

I know she would be the type of mom to dress you guys up in matching outfits when you guys were younger as well.

You and Kyle would be the type of twins that talk at the same time, doesn’t matter if you say the same things or not.

It’s so bad that some people swear you can mind communicate, you wish.

The only bad apart about being Kyle’s twin is that you’re practically engaged in everything he does, which is really annoying.

“Mom, do we really have to be matching?”

Kenny Mccormick

I think having Kenny as your twin sibling would be really nice.

Although your household and environment at home really isn’t great, you both still make the most of it.

You guys might share clothes, not often though.

Kenny is older than you by 5 minutes, bigger gap than the rest, but he genuinely doesn’t care.

You guys don’t really look alike that much, so it’s only when they realize the last names are the same that they notice you guys are siblings.

It’s a good thing nobody notices though, or else the questions would be a hassle.

You and Kenny would definitely each take turns taking care of Karen, hanging out with her or getting her small things from time to time.

I feel like Kenny sees you as the other half of him in some way, not because you’re his twin, it’s because you’re his twin.

He would take you down to work at City Wok, so that you guys could make some extra money.

You and Kenny both payed half and half for that Sony PSP, using your saved money from City Wok.

You guys fight over the PSP daily, not bothering to make some actual working time distribution on the device.

You would definitely find Kenny cheesing all the time, in the act.

All you do is walk away because you don’t really care, you just hope he doesn’t get into too much trouble.

“Do you like it, Karen? Me and Y/N saved up for it.”

Eric Cartman

Cartman definitely hates you, partially.

You’re his twin, and he sees that as a terrible thing because of how he exaggerates having to be stuck to you all the time.

You DEFINITELY don’t look like Cartman, at all.

Maybe there’s only some similar features, but you should be glad to not look the slightest similar to him:

Cartman would make fun of you for being to nice, than start screaming at you once you become annoying like him.

He can’t make up his mind over anything, and it only makes him angrier when he thinks about how you’re older, only by a minute.

You’re embarrassed about being related to him, but at least you kind of secret information to blackmail him with if he ever gets too annoying.

Liane let’s you guys do whatever you want, as long as you and Cartman are together most of the time.

You guys are forced to become partners all the time in projects and school assignments, and you almost always are the loudest ones in the room because of your arguments.

You genuinely feel that living with Cartman is like hell on earth, and you can only assume he feels the same but with amplified hatred.

Sometimes it seems like he likes you though, it’s weird.

One time you were coming back from a sleepover and he came to hug you, talking about how he missed you sooo much, he made you do his homework in return for being affectionate.

If you ever get a love interest or partner, Cartman is already on his way to asking everything about them.

It’s not like he cares, he does, he just wants to know who you’re really talking with.

He’ll probably be really weird about it for the first week, then get over it and start being annoying once more.

“You took a really long time at that sleepover, now go do my homework.”

[sergeifyodorov]

Your post of all the first overalls to girl interrupted actively makes me feel crazy. Do you have a ranking of the most compelling first overalls?

cody's list of most compelling (active) (to me) first overalls

21. aaron ekblad (2014.) i don't care for the florida panthers

20. alexis lafreniere (2020). his strongest narrative juices are a) the bust thing (he was a covid baby, it takes time) and b) maybe him also going to rimouski like sid, if you really wanted to pull it out like that. but the two of them have little otherwise connection, so not really

19. owen power (2021) this is a list ranked by compellingness and not cutieness or who i would want to provide most with feminizing hrt against their will

18. nico hischier (2017) even some of the least compelling 1oas are still quite interesting IMHO -- nico is the highest ever drafted swiss player + a very young captain on a basement team + a CHL import. all of which *are* juicy. he just lacks... i don't know, a little extra je ne sais quoi

17. macklin celebrini (2024) invoking the power of "He Literally Just Got Here" for this one. the daddy issues are a powerful offset though

16. ryan nugent-hopkins (2011). the power of the longest-tenured member of a team is quite something. earns points for not being an upper middle class rich boy either

15. nathan mackinnon (2013). controversial to put him so low i know but in my genuine and honest opinion he's way more interesting as a Character than a Part Of The Narrative. crucial divide here. i'm about to talk about slaf's personality making him interesting narratively but they do want their good canadian boys to shut up and take it and nate doesn't rebel against that. all he wants to do is win (accomplished) and fuck sidcros (negligible)

14. juraj slafkofsky (2022) just barely edges out the nuge by virtue of a) the whole First Slovak thing (see nico) and b) his new and upcoming beef with the slovak federation??? what's all that about because THAT'S juice. THAT'S spark. slaf's great because not only are his little circumstances compelling but he's also got such a Personality to him. his little rockstar attitude. his little braces. I will show him where is Slovakia. yessss girl

13. rasmus dahlin (2018). im a dahlin attention payer so he's probably higher than he "should" be but CAPTAIN OF THE BUFFALO SABRES I AM SO SORRY.

12. erik johnson (2006) hugely fascinated by his fall from grace via golf cart, which is not a route most people take. and then of course he was a crucial emotional crux of the avs up until their 2022 run and in my belief a much more important part of their fall from grace post-run than whatever landeskog is doing. and of course any flyer is relevant by nature

11. jack hughes (2019) you cannot deny the hughes are interesting narratively because they are important. he's not as interesting or as important as quinn though so obviously not as high on the list as he might have otherwise been

10. taylor hall (2010) actually super interesting because he has, throughout his entire career, been on one (1) good team (the 2022-23 boston bruins). he has a hart trophy!!! you guys know he has a fucking hart trophy right???? while they were drafting davo et al, he was an oiler. while they were drafting nico, he was a devil, while they were drafting owen, he was a sabre, and when they drafted connor bedard he was a blackhawk. always the bridesmaid, never the bride

9. steven stamkos (2008). there's always something to be said for waiting a long time to get what you want. and then once that goal's been accomplished, they throw you out.

8. connor bedard (2023) Let's Get Generational With It

7. john tavares (2009) brief let's un-get generational with it to talk about mr magic amulet breaking TWO entire playoff round curses as captain, twice. about him choosing toronto. about Him

6. auston matthews (2016) what if you were a vain shy arizona boy who wanted nothing more than to be a star and then they gave it to you and then you immediately had to learn that it's not nearly as good as you thought it was going to be. and you were actually kind of gay the whole time (im biased. this is cody sergeifyodorov's immense toronto bias. be normal)

5. patrick kane (2007)

4. marc-andre fleury (2003) the whole saga of him in pittsburgh AND the whole saga of him in vegas AND the whole saga of him in minnesota (and the brief intermission when he was in chicago) are all massive narrative moments of their own, but to have all of them? to be a goaltender that lucky and that loved for that long? it's not done. it will never be done again.

3. connor mcdavid (2015) I Love It When The Ginger Man Suffers

2. alexander ovechkin (2004) you know i could write essays on ovi. i could write dissertations. people have already done so -- i would not be the first and will not be the last if i join their ranks. i could take about the goals and the record chase. i could talk about the way he's been juxtaposed against the guy who you really should have known going in was going to be number one for his whole career. i could talk about the hunt for 2018, and the long, long time they said he was useless, no matter the record. but i will say after me. after me, i give it to you, baby.

sidney crosby (2005). obviously

[gyusimp]

°• 🍡 𝙻𝚘𝚟𝚎 𝚕𝚎𝚜𝚜𝚘𝚗𝚜 🍡 •° [Dom Mitsuri Kanroji x Fem reader]

Ok, I know this post is a bit different so let me explain. I have a friend who's sickly in love with Mitsuri, so she literally paid me to write a fic for her hahaha. I had never written femxfem before, doing this took me out of my comfort zone and even helped me unblock myself! It was a new experience and at the same time fun, I was satisfied with the result so I wanted to post it here in case anyone is interested lmao otherwise just ignore it. I'll post it on AO3 later too.

°•Read Part 02 here!

🍡WARNINGS: NSFW | Fem character x fem reader | Smut | Modern AU | Both of them are adults | Minors DON'T interact.

You were outside her door, in the hallway of her apartment after ringing the bell. Mitsuri would not take long to leave and so it was. After about 10 seconds she appeared on the other side of the door with a big smile on her face as she invited you in.

You had a math test in 1 week at university, you weren't exactly good at math so your friend immediately offered to give you some lessons, practice some topics and help you pass the test with the highest possible score.

"Welcome back, y/n-chan!" She greeted you, excited.

You took off your shoes and left them at the entrance and then headed to Mitsuri's room, the sound of your bare feet and hers walking on the floor accompanied their voices down the hall until she entered her room. The study desk was clean and tidy ready to work so you put your small backpack on the floor next to the bed and sat on one of the chairs that Mitsuri had brought.

"Thank you so much Mitsuri, you have no idea how much this will help me, you are amazing." You thanked her, for the thousandth time since she offered you her help.

"It's nothing y/n-chan! Anything for my friend" she said with flushed cheeks, moving one of her hands while holding her face embarrassedly with the other. "How about we start now?" One took a seat next to the other, you took out some graph paper, your pencil case and your math book. You told Mitsuri what you had to study and which ones were difficult for you, she was not only very good at math but she was also very sweet and patient with you so that gave you enough confidence to ask all the questions you wanted.

She was as sweet as a kindergarten teacher, she even congratulated you when the answer in the exercises you did was correct. It had already been 1 hour and a half since the study session began so the best thing was a short break to clear your mind and prevent you from falling asleep.

"You're doing great! How about a 20 minute break?"

"Cool, I didn't want to fall asleep." You joked, laughing with Mitsuri.

"I'll go get a glass of water, do you want water too?" She asked.

"OK thanks."

Mitsuri stood up and stretched raising her arms, you looked for no reason in her direction without thinking and watched just as she adjusted her skirt after standing up making your chest jump. Mitsuri always wore tight or short clothes, and this skirt was very short so you could see the beginning of her butt as she started to walk towards the door. When she left the room you tried to erase that image from your head and think about something else, maybe read your notes again and thus distract yourself quickly but all that came to mind was the scene when she opened the door of her apartment and the first thing you saw after her face was her tight bust under the little t-shirt she was wearing and that prominent v-neckline showing a big part of the beginning of her boobs. Was it starting to get hot? You decided to take off the cardigan you were wearing and freshen up, luckily you were wearing shorts and a tank top.

After a few seconds, the pink-haired girl entered the room with 2 glasses of water in her hands, the water was so cold that small drops slipped down the glass.

"Thanks girl, this was what I needed." You said, hoping that drinking something cool would stop your pulse racing.

ೃ࿐♡ೃ࿐♡ೃ࿐♡ೃ࿐♡ೃ࿐♡ೃ࿐♡

About 25 minutes of class passed after having had that little break time, you were starting to get bored and despite putting all your effort into paying attention you couldn't solve this exercise. The problems were the most difficult and Mitsuri noticed your frustrated expression trying to solve it.

"Do you have any question?" She asked attentively.

"I can't understand this part, do the exponents have to be multiplied here too? Agh! I feel so stupid..."

"You're not stupid y/n-chan! You've already managed to solve other exercises, you're very smart!"

You looked at the clock on the screen of your cell phone, there was still time to complete the agreed 2 hours of study so you sighed tired when you thought about it.

"So far you've done really well, so I think we can take another break." Mitsuri said, trying to cheer you up.

"Ok, I hope that helps." You got up from the chair and stretched again as did Mitsuri. She got up from the chair and walked to her bed to get on and crawl on the mattress towards the pillows, you looked behind you and realized two things that made you feel too nervous again. She sat cross-legged but her skirt was very short so inevitably you could see her panties and because of the position of her legs you could have seen more but you decided to place your eyes elsewhere.

"Even I feel a bit tired" Mitsuri said.

"What are you talking about? I'm the one who's been burning out her one neuron." You teased, both of you laughing in unison.

"I mean, I've never spent so much time sitting in those chairs, I usually use my bed as a study area so now my back is tingling haha."

"Me too!" You said, sitting on the bed next to her.

Mitsuri sighed and ran one of her hands over her shoulder and back. "Do you mind?" She asked. You didn't have time to react when she reached under her clothes to unhook her bra and remove it, throwing it elsewhere.

"N-not at all, don't worry." You and Mitsuri were quite confident so she was used to doing things like this in front of you without knowing that you were trying hard to hide your nerves.

"These things can be really uncomfortable sometimes, especially when, well...you know." She said, pouting as she massaged her breasts. Why had she done that? Now you felt bad for not being able to stop seeing her. Her little shirt was so tight to her body that it hugged her breasts perfectly, making her nipples stand out from under the fabric. Her breasts were large and the way they bounced under her clothes when she took off her bra kept replaying inside your head. "Sure you're not hot? I can turn on the fan if you want."

"Oh thank you. I'd like that very much."

You stayed sitting on the bed hugging your knees while Mitsuri stood up to go turn on the fan. When you felt the cool breeze hit your skin, you couldn't help but close your eyes and lie down on the pillows while leaving your legs bent. You felt a movement on the mattress so you assumed that Mitsuri had returned to the bed but then she didn't move again and remained silent so you wonder if she was still there or had left the room so you opened your eyes to find out. When you opened your eyes, you caught Mitsuri looking directly at your thighs and between your legs, with your knees bent that way she could easily see your panties under your shorts. This definitely made you too nervous, you were about to sit down and close your legs but another thought came to your head faster. She was also watching you like you were a while ago so that got you a bit horny.

Your face was very red just like Mitsuri's when she felt trapped by you but despite that she didn't try to hide what she was doing or at least try to look a little shy so that only made you keep moving forward.

"All in order?" You asked, spreading your legs with the excuse that your knees were blocking the view of her face in front of you.

At this point it was quite likely that you didn't care anymore and both of you would completely lose your shame.

"What are you talking about?" Mitsuri asked, starting to crawl towards you on the mattress.

"You didn't stop looking at me, it's unfair if I have my eyes closed." You answer.

Sometimes you two used to joke around in similar ways but now, things were getting a bit further, you both subconsciously expected one of you to stop but you kept going. You kept your legs open and Mitsuri lay on your abdomen between them, causing your core to rub dangerously against her and feeling her breasts lean against you.

"Of course that's fair, you were looking at me too so now we're even." She said, making you blush.

Both of you fell silent, Mitsuri staring at you while you tried to look anywhere but her face and that included the low neckline of her t-shirt in front of you. Mitsuri moved in place, at first you thought that she was settling into her place or she would just get up and the class would continue but everything changed when you realized that she started rubbing on you provocatively. Mitsuri settled her legs on the bed keeping one straight and the other bent to rub her own core against her panties and the mattress making her large breasts massage over you. The position of her legs made her little skirt mess up, leaving her butt exposed, showing you her tight little lace panties.

You didn't say anything, you just gasped and spread your legs more so that she could fit better in the middle of you. She smiled at you with desire so that she felt more confident to move as she wanted. Mitsuri placed her arms on each side of you to hold on better and continue rubbing on the mattress and on top of you, she even had the courage to start panting a little just to annoy you and increase your blush. Mitsuri wouldn't stop looking at you and see  doing this kind of thing made you feel too nervous and even more when she was so close to you; but you'd be lying if you thought this moment was weird or awkward, each passing minute turning you on more and more and just waiting for one thing to lead to the next. You wondered if at some point she was going to touch you.

"This feels s-so good..." Mitsuri gasped. She settled between your legs and lowered one of her hands to her panties to take them and rub them better against her wet core. "You've never tried this before y/n-chan?...it feels really good."

"N-no..." you managed to reply, feeling her breasts on you turned you on more and more besides the sight in front of you.

"Really? Never before?...self-satisfaction is just as important as self-love, girl." She told you.

You didn't know what to answer, Mitsuri settled back and took her hand out from between her legs. She held on to the mattress again and it was after that when she groped her hand directly between your legs inside your shorts, over your dressed cunt making you arch your back in surprise. You were about to say something but you didn't even have time because she started rubbing her fingers against your panties causing a lot of friction with each brush of the fabric.

"A-AAH!" You moaned, surprised to feel her fingers in your panties.

Hearing your voice like that made Mitsuri turn on more, causing her to start moving her fingers faster as well as her hips against the bed. With every movement, she could feel her wet panties brushing over and over again in the middle of her slit, right on her slippery clit. The feeling was perfect so she wanted you to experience it too.

"Y/n-chan...I want to make you feel really good, aah-ah." she moaned.

Mitsuri took her hand out of your panties for just an instant, grabbing your shorts and pulling them down over your hips and butt until she took them off and tossed them around, exposing your black lace panties fitting your pussy on her face.

The pink-haired girl's fingers took the center of your panties and she began to rub the fabric making sure that each touch was right on your clit just like she did until little by little you were wetting the fabric of your underwear; you even started to move your hips to get a better feel. Mitsuri noticed that you began to get wet very quickly and slowly began to moan in need.

"D-doesn't that feel amazing?" Mitsuri asked. "The rub on the clit is perfect-aah! I'm so-so wet! And you too...mmhh."

You were both about to cum if she continued like this, but Mitsuri didn't want this to happen, at least not yet. She wanted to try more things and at the same time make sure that you enjoyed it as much as she did. Mitsuri stopped and got up, tooked off her skirt and sat up to crawl over to you.

"Don't you think it would be better to feel…closer?" She proposed to you, biting her pink lip. She traced a line with her finger all over your slit, feeling your wet labia. "We are both very wet." You stayed in the same position and Mitsuri imitated it in front of you, legs spread and leaning on her arms on the bed. "I'd like to feel you…here" she said, spreading her legs and making her panties shift to let her cunt peek out from under the fabric.

"Then do it..." you replied.

Hearing that made her heart jump with happiness. Mitsuri came up to you and took your panties off, then she got rid of her panties as well and left them lying around. She took your thighs squeezing them sensually to accommodate your legs around her waist and make you hook her between your legs. She did the same and that's when you realized how flexible Mitsuri was when she spread your legs and hers and hooked you in the same way against the bed, letting her breasts crash against yours almost on your face. When he was in the position she wanted, she dropped putting some pressure on you and sat down so that her pussy was exactly on yours, making you moan when you felt his wet labia. Mitsuri leaned over and settled on your hips, holding onto her arms on either side of you and beginning to move her hips, slow movements in circles and back and forth. The contact between your most sensitive points was direct, the position of the open legs of both and each of the movements made your lips move and your cunts open to collide and slide against each other.

Wet sounds began to accompany your and her moans throughout the room, you moved your hips against Mitsuri's to cause more friction. Both cunts wet rubbing each other, your clit massaging against Mitsuri's was the most perfect sensation you've ever felt in your life. You looked up or squeezed your eyes but when you looked ahead and saw Mitsuri's neckline you completely sank in pleasure and didn't take your eyes off her. Her tits moved and bounced on you with each of her thrusts, her hard nipples standing out under her tight t-shirt. Mitsuri's movements began to get faster and faster, crashing and bouncing off of you, she began to grind her vagina against yours increasing the odds of bringing both of you an amazing orgasm. You realized something, Mitsuri's t-shirt was too small and her bust was too big, her boobs began to bounce more and more forcefully from her cleavage and seeing that made you crazy and she didn't seem to care at all; she just kept moving on you, getting wet on your vagina until the position she was in and her strong thrusts caused one of her breasts to come completely out of her clothes bouncing on you and then her other tit did the same. You didn't take your eyes off her, her pink nipples were rubbing on your chest so you decided to take them to massage them with your hands and make her as aroused as you were.

"Y-your boobs are so big-aah! I love them."

"You're also...a-aah- you're beautiful y/n-chan! Your little wet cunt is so cute ah-mnnh!" Mitsuri moved away from you a bit and took off her shirt, making her breasts bounce even more when she took it off. You didn't stop seeing her for a second, moving more.

When she returned to the position she was in, you put both hands directly on her butt to massage it and put some downward pressure so that your cunt was closer to hers, you squeezed and touched her ass making her moan for a long time until that you felt the need for more. Your left hand slid between her buttocks until it reached her wet pussy and your right hand began to play with your own pussy or the part that Mitsuri's couldn't cover, wetting the fingers of both hands, pumping your own hole and feeling this made Mitsuri squirm on top of you, leaning her head back moaning with all her might and moving faster on top of you. Your juices and hers splashed between her slippery cunt and your legs spread wider to rub you with each of her folds.

"AA-AH! Yy/n...y/n-chan! Mmghh-aah!! D-you think you're gonna cum already?"

You couldn't even answer because you were about to, you moved your hips hard to feel Mitsuri on your clit while you tightened around your fingers, you squeezed Mitsuri's ass again making her moan as you did when a warm sensation it went down from your abdomen straight into your pelvis.

"AAH-AAH MITSURI!! I'm gonna cum, I'm gonna cum! AAH!!"

Your legs spread wide, your back arched and a sticky white discharge shot straight out of your vagina drenching Mitsuri, causing her to do the same and cum in your pussy. Both wetting each other while she was still bouncing her pussy against yours in reaction to the orgasm until her speed slowed down.

Her thighs and yours were wet and sticky, you saw Mitsuri's breasts and as they glistened with sweat, sweat dripped from the back of your knees to your feet and your legs trembled as did your breath. Mitsuri lay down next to you and let both of you stretch out your legs after staying in that position for so long. Before she fully pulled away from you, you could see thin white threads coming from her cunt joining yours, leaving you wet and feeling slippery between your legs. Mitsuri's chest rose and fell with her heavy breathing, even though neither of you spoke it wasn't an awkward moment at all. You two looked into each other's eyes and different parts of your body at the same time. You didn't know what time it was, you even completely forgot the reason you were here, you saw the desk and looked at all your study material and then you saw the time on the clock next to the bed on a small table. 6:44 pm It was already getting dark outside and that worried you a bit.

"That was a very interesting lesson." You said, breaking the silence.

"We should repeat it another day, don't you think?" Mitsuri spoke, sensually.

"You think so? Then you won't be able to get me out of here that easily in a study session." You joked.

"You don't have to go today, I know it can be dangerous to go out at night so you can spend the night here..."

"You mean...a second round?" You said, getting up to approach Mitsuri.

"If that's what you want."

"Only if you let me go above you this time..." you replied, straddling her.

[wonwooslibrary]

svt as boyfriends ♡ jihoon edition

member: woozi x reader

genre: fluff, bullet points

word count: 878

summary: jihoon’s boyfriend things

warnings: a very small mention of periods, and that's it

author’s note: hahah i actually forgot to write this time!!! but hey i'm on break from school now so I had time to whip this out and post if for all the woozidans who are about to knock my door down for forgetting abt our precious jihoonie's day anyway please enjoy !!! <3

Jihoon is the epitome of a quiet bf 

He just kinda exists and so do you and you both love it like that 

He’s also the (obvs) producer bf 

Quality Time

I think that Jihoon’s favorite thing to do with you would be to teach you how to write or produce music 

Or even accompany him at the gym because even if you don’t work out too, this man cannot, for any reason, miss leg day

He likes showing you what he is interested in, and of course, you love listening to him talk about his hobbies

I think he would also be the type to just…enjoy whatever you like, too

For example, you would have a show that you both specifically watch together, and maybe even read a book together and talk about the characters in them you liked or something 

Also !!! coffee dates !!! Y’all would totally have a specific date night on like Thursdays or something and you would always so to a coffee shop or a cafe or something and sit together and talk aaa he’s so sweet 

Cringy movie scenes like a large milkshake with two straws is the perfect way to summarize these dates too 

Words of Affirmation

Surprisingly, I don’t think Jihoon would be big on pet names or nicknames…he’d just stick with your name or a nickname you like being called 

He says it makes it easier to not call you something embarrassing in front of his friends, but we all know its because if he makes nicknames, you will too and he refuses to be called something cute in front of other people 

Always compliments you!!! And encourages you!!! 

“Y/N-nie, you’re working so hard, of course you’ll do great on that exam” 

Or even “Y/N-nie you’re such an amazing person and I am glad that you’re with me” 

Jihoon cannot physically or mentally take a compliment so if you compliment him back he’ll just be like “thanks…?” before destroying you in a compliment war 

Mans likes words so ofc like his quality time, he would write the most perfect songs ever for you and they would perfectly express his love for you in ways he would otherwise not be able to comprehend 

Physical Touch

We all know this man is a cuddle-bug on the inside, so of course that means that Jihoon has his needy time aka he must be the little spoon: no ifs, ands, or buts

I think Jihoon would appreciate a good back hug from you if you’re taller than him, and if you’re shorter, he loves when you rest your head on him :( 

I don’t think Jihoon is one for PDA, obviously (poor Hoshi) so there would be barely any proof to an outsider that y’all are actually dating to begin with 

Likes to keep hand-holding to a minimum, especially when in the studio, but he doesn’t mind when you sit with him and put your legs over his lap 

Or even play with his hair while he is working !! He likes soft things just only when you guys are alone together 

He’s just a shy baby fr 

Acts of Service 

When he comes home late, he makes sure that the apartment is tidy and clean before showering and going to bed because he knows it stresses you out seeing a messy place as soon as you wake up 

Cannot make food for the life of him please do not allow him in the kitchen unless he has a very specific task (he has zoned out while humming new melodies too often and burnt food is not a pleasant smell for your apartment) 

Always makes sure that you’re phone, watch and computer/tablet are plugged in at the end of the night, because you need them to be just as prepared for the next day as you

He would totally get sad if you do all the cleaning by yourself because he says that you work too hard making the messes, you don’t need to be cleaning them too 

You say the same thing to him when the boys make a mess in the living room when they are drinking and you offer to help clean up 

If you have periods, when you are getting close to it starting, he makes sure that your products are always stocked up so you don’t have to worry about getting anything 

Gift Giving 

Two words: Spotify playlists 

Jihoon would be over the moon with both making them for you and also receiving them from you 

I feel like Jihoon is also the type to just randomly show up with something and hold it out to you and just say “this make me think of you so I got it” 

Is super embarrassed when he does so but you love it so he’ll get over it when he sees how happy you are 

Is definitely not one for huge and expensive gifts like jewelry, cars and all of that stuff, but loves getting little trinkets and stuffed animals for you because let's be real: who doesn’t like a really cute and soft plushie? 

Doesn’t like receiving gifts because he feels bad when others spend time and money on him but >:( how dare he!!! He needs to be appreciated!!!

[newrhys]

im insane and a nigel defender for life so heres my theory/take on like minds

i truely think that its likely Alex was the manipulator and nigel was the victim (to a degree).

this is kinda all over the place and just my thoughts so take everything with a grain of salt im just bored

we all agree that Alex is an unreliable narrator, and when it comes to the interrogation, it would but likely that Alex changed the story for a “solid” alibi to seem at least not guilty, which is very common behavior for people, especially younger people who have committed a crime to do.

most of my reasoning for this comes from the fact that he makes sure to include the detail that *somehow* nigel got into his room in the middle of night (assumably) and put a bloody knife and playing card on his desk.

it could be very likely that he had this whole alibi, that he "missed" his date with susan was entirely made up, that he made it seem like nigel was the one who planted the knife for "for fingerprint insurance” making nigel seem like this criminal mastermind to a degree.

that and also the hand that nigel “gifted him” could have also been a cover up for (maybe) that alex could have very likely been the reason why his friend let go of the train, by messing with his hand. idk on this one tho for sure honestly, though i feel like nigel care a lot about anatomy and dissection that it would be out of character for him to sever a hand.

AND that when alex was asked “how he was sure it was his friends” he said that it wouldnt make sense otherwise (or something along those lines) which honestly is kinda strange bc i would rather rationalize that its not my dead friends hand and just some fucked up prank but maybe thats just me.

you can look into real interrogations and its not unusual for people to make up these crazy complex and wild stories to victimize themselves to seem innocent, even when the story is strange or off putting or has holes.

especially because this is a time when the attention is all on them and what better way to ganer sympathy and attention that alex could have possibly lacked in his childhood then now in the interrogation. with someone who alex could have possibly seen as some sort of mother figure, because she listened to him, and embraced him when alex talked about nigel.

“well susans body was “disected” it had to be nigel” it could have also been alex copying in the way of something that nigel would have done to again, make the evidence point at nigel.

now, this theory is a bit spotty and honestly its not great I KNOW its just my thoughts ive had that ive wanted to share, because honestly i dont have a great reason for why nigel would have invited alex over to his house if not for nigel being a little shit, but who knows, that could have also been made up, and alex really was planning on killing nigel, and just happened to show up at that time

but that being said, im also not saying nigel has never killed anyone, i am just saying alex’s series of events is a bit weird, i do think nigel has some issues, but those probably due to the obvious abuse he as suffered as a kid, and his weird interest could be a symptom of that and his curious for dead things, i wouldnt be surprised if he had witnessed death early as a child seems how it was mentioned in the show that it can result in mental illness.

which kinda leads me to my next point, at the end, when alex totally doesnt kill nigel, and nigel kills himself, alex has a sort of smile at the end, that either he was happy nigel died or that he, really *did* kill nigel and he “enjoyed” it.

to add onto this, alex never really cried when he talked about his friends dying, he cried when he talked about how it made *him* feel and how when nigel had wanted him to get “freaky” per say with susan, he was crying in the interigation because it upset *him* and it was something bad that happened to *him*. im not a professional at all and i only know a little bit about mental illnesses but in certain personaility disorders,, its not uncommon for people to have intense feelings when it comes to something that effects themselves, and apathy towards other people.

and at the very end of the show, it shows that alex clearly has a pattern of this behavior, of manipulating people in certain ways. that its not something unusual for him to do, when he asks the teacher if it’s possible to get into someones head, its likely because hes the one who, atleast thinks, he has control of nigel.

anyways thats kinda just my collection of thoughts ive had about this movie for a long time so i thought id throw them out here, do with this as you wish. dont be too mean tho i am dyslexic and not the smartest lmfao. i just like yapping. obviously i dont know everything and i likely got information wrong which like whatever.

anyways im sick and bored and wanted to yap so maybe someone actually read this

[heavenlymorals]

How a Modern Perspective Skews Historical Characters: A Mini Rant on the Hatred of Female Characters in RDR2

This isn't that organized cuz it's more a rant than a retrospective but fuck it it's my blog, I do what I want-

There are so many people who have actual hatred, not criticisms, for Abigail, Molly, Grimshaw, Mary, and other female characters in the Red Dead universe.

And honestly? I find it very interesting. Sure, men will probably always find a reason to hate a female character, but what I find interesting is how many women also hate these wonderfully crafted characters.

It could be so many reasons as to why this may be the case but honestly? I think it's because people forget that they CANNOT analyze this game authentically through the modern lens of morals and behaviors. This game takes place in 1899 America. Let me say it again. This game takes place in 1899 America.

One more time, just for good measure- this game takes place in FUCKING 1899 America. Women had to be dependent on men because otherwise? They'll either be in poverty, exploited, killed, or all three. There was also the honor system. When had to be the moral high ground for their family so them messing up has consequences on their fathers, mothers, siblings, cousins, and anyone connected to their family name.

Abigail getting pissy at John for getting in trouble all the time? If course it'd feel annoying if you're looking at it through the modern perspective but when you don't, it's a woman telling her man to act like a man and be careful because if he doesn't, she and her son will be destitute and destroyed.

Mary not getting with Arthur but using him? What's the likely hood that the law would bother to help Mary when the two people she needs help with are her father and brother- two grown men who can make their own choices that she literally can do nothing about because as a woman, it wasn't her place to dictate what they do. Arthur was her only option. "Girl, what her family thinks doesn't matter, she still should've gotten with him" girl no, because it's much harder and difficult than that- it's like tearing away an entire identity that you depend on to fucking survive.

"but what about Sadie? She was also living during this time period and she isn't drowned by societal expectations-"

Seriously. Do some research, read a book, expand your knowledge of gender roles and what that entails for people because it explains so many things about these characters in such a human way. They aren't "bitches", they are women of their time and people have to understand that.

No. Sadie isn't a part of this discussion because though she is a fun character and an amazing character, she is a mishmash of historical women who did masculine things to survive at one point but then went back to traditional roles, even if they did occasionally go back to to those old activities for sport sometimes, like Anne Oakley or Calamity Jane. Sadie's entire character is basically "but what if they didn't and committed to the nontraditional lifestyle". There are many inconsistencies that Rockstar did regarding the time period that they established earlier to accommodate Sadie's character better. Sadie is a great character but she doesn't belong in this discussion.

Edit: Ok, since this was a rant, as mentioned previously, I was a bit too rushed with the Sadie aspect of this post and ignored some crucial details. I'm not gonna change the post besides just this though. @hillbillyhipster84 made some great points that Sadie was a reference to Appalachian women and real outlaw women who did run and were accomplices in men's crimes, that I was too ignorant to mention prior beforehand because I didn't do much research. I still don't believe that People should use Sadie to bash the other women though, because those women mentioned above were not the status quo and thus were more trivialized because of it.

So many cultures still operate like this too so if anything, you're just learning something new about another culture.

But I swear, anytime someone talks shit about these characters, y'all got me looking like this-

[judasgot-it]

Hi! Could I request ADA members with a s/o who stopped paying them so much attention because they decided that Kenji is their child now and that they'll protect him and show him tons of love? (Not sure if it's understandable so - s/o is playing with Kenji instead of spending time with (character))

I hope I got it right lol please beat me if I did

ADA members with a s/o who 'parents' Kenji (Atsushi, Dazai, Yosano, Ranpo)

Atsushi

You don't work at the ADA and being friends with the members is important to Atsushi considering they're his only family

So seeing you get along so well Kenji makes him happy - he sees him as a brother in some ways

But having him encroach on his time with you has made him a little jealous - he's working on it, but you come to the ADA to visit him not Kenji

So seeing how much time Kenji takes up? A little difficult to take up

You even say "where's my boy?" when referring to him

Excuse you? He's your boy

The orphanage did not help him when it came to relationship stuff like this. He is a little needy for your time - sue him, he just wants to be with his s/o

Will try to now avoid having the two of you meet up at the ADA or meet his coworkers so he can get as much time with you as possible (it doesn't work. they always find him.)

Dazai

He thought it was great at first

Tried to tease Kenji by pretending to be his dad

Would annoy Kunikida too

"Oh, sorry, my son needs help, I can't do paperwork right now. Maybe next time!"

Since you and Kenji are so close he'll try to make him do tasks he doesn't want to do - if Kenji is coming over then he will make that poor boy do any sort of housework he was too lazy to do

He is annoyed though when he has to act PG-13 around him because you would beat him otherwise

You also let him join your lunch dates occasionally along with Kyouka - it's just downstairs, why would you force those kids to pay for their meals?

You take them around the city too - Dazai is of course forced to join you

No point in arguing, he's basically forced to act like their dad for the day

At least he gets compliments for it

Yosano

She's really fond of Kenji - he's a sweetheart, an angel

So I feel like she would be pretty ok with being more friendly with him

Convinced you would hangout with Kenji when she's doing her "operations" since they might take a while

He would get you two to go on fun dates though - probably some cottage core stuff like picking fruit trees

It's mostly those two doing the picking while you come over and bring them water and snacks

She doesn't have the heart to be jealous about you giving a lot of time to Kenji

But she is very honest with her feelings if she starts to feel left out

She loves Kenji but she has her limits too

Ranpo

He definitely plays along with it

The man is childish as hell but I don't think he would get upset at something like this

If anything it's the perfect time to but into the situation and be annoying

He drags Kenji into pretending to be 10 and going to stores with the two of you so you can get good deals or free snacks (they're all for him)

It does lead to Kenji following him into his lunch dates with you though, which he hates because he can't ever let Kenji pay for himself since he's so young (childhood trauma is real)

He definitely plays up being a "fun dad" around him and Kyouka, especially when you're around

Convinced he's relieving the time he had with his parents before they died, so that's part of why he enjoys it so much

I'd do more but these guys are probably the most interesting for the prompt tbh !?

[lucky-clover-gazette]

kings rising highlights & annotations

chapter 13

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

The intimacy of last night might have been too much for either or both of them.

sorry you’re not convincing me that scene was like groundbreaking relationship-shifting magical catharsis. but this is ultimately damen’s narration and his perception has never been 1:1 with what’s actually happening, in terms of authorial intent or what i analyze

They were gazing at each other. To Damen’s delight, Laurent reached out to trace a touch down over his body. Laurent was looking at him as if he couldn’t quite believe the fact of him, as if even touch could not quite confirm it. ‘What?’ Damen was smiling. ‘You’re very,’ said Laurent, and then, flushing, ‘attractive.’ ‘Really,’ said Damen, in a rich, warm voice. ‘Yes,’ said Laurent.

this is laurent being soft, but also still being laurent. if that makes sense. the one scene we’ve gotten through his pov has shown that he overthinks every aspect of a situation—the fact that he just awkwardly states that he has observed that damen is hot, in an attempt to ground himself in some kind of objective knowledge, is both adorable and poignant

‘Well,’ Damen owned, turning his head back to Laurent eventually, ‘You are too.’ Laurent dropped his head slightly, on the edge of laughter. He said, with absurd fondness, ‘Most people tell me that right away.’

damen always thought it, but i think laurent appreciates that he didn’t say it then. he really appreciates hearing it now, because damen actually knows him. the compliment has substance and weight and importance that it otherwise wouldn’t. it’s funny bc laurent has used his beauty to manipulate damen before—the baths, verisimilitude, etc.—but i think this is the first time he actually WANTS damen to find him beautiful. maybe even the first time he wants anyone to find him beautiful, for reasons other than strategy (like with torveld)

Sweet and simple in the morning, Laurent’s beauty was heart-stopping.

“you like it simple” my thoughts about that single line of dialogue from chapter 7 is going to continue to be a subject of importance throughout these annotations, as damen ~finally gets what he wants~ from laurent (not using quotation marks bc i don't want to make it look like that's in the text, but i'm being like sarcastic/ironic/whatever)

If there had been a chance for our countries to be—’ Friends.

i like how immature his thought here is, evidenced by the fact that he doesn’t even say it. damen knows it’s silly to think about politics like this, but he’s so attached to laurent as an individual that he’s starting to see vere as a person too. which is both great, bc it shows how much his character has evolved from accepting everything he once believed, but also highlights the way damen can lose himself and his critical thinking in his attachments

'I would have been trailing around tugging on your sleeve, trying to get a look in edgewise.'

cue a bazillion pieces of fanart

After a moment, Laurent said, ‘He would have liked you.’ ‘Even after I started courting his little brother?’ said Damen carefully. He watched Laurent stop, the way that he did when he was taken by surprise, and then lift his eyes to meet Damen’s. ‘Yes,’ said Laurent softly, his cheeks reddened slightly.

this is soooo crazy for them. while i think it does represent legit development, i also think they’re kind of acting the parts of people who are lot more healed and happy than they actually are. like they feel the desire for lightheartedness and vulnerability, and don’t want to deal with the things that make them uncomfortable anymore, so they’re just committing to the bit that they’re fine and seeing where it takes them. see also: the previous sex scene. but they still have big problems (see also: the previous sex scene again) and the book is not over yet

‘No. Listen to me.’ He felt Laurent’s hand firm on the back of his neck. ‘I’m not going to let my uncle hurt you.’ Laurent’s blue gaze was calm and steady, as if he had made a decision and wanted Damen to know it. ‘It’s what I came here last night to say. I’m going to take care of it.’ ‘Promise me,’ Damen heard himself say. ‘Promise me we won’t let him—’ ‘I promise.’

oh he already knows he’s trading himself for damen’s not-son, doesn’t he. which also makes the uncertain and uncomfortable vibes of the previous scene make a lot of sense. it’s kind of a repeat of their sex scene in prince’s gambit, except this time only laurent knows it’s probably the last time (or one of the last times) they’ll ever have together

actually wow yeah, laurent’s insistence here—“listen to me, it’s what i came to say, i promise’—that really nails down the finality and desperation he’s feeling. and damen just Didn’t Get It, and still doesn’t. which is interesting bc he was so pleased in the last scene that laurent was finally being honest, and accepting him for who he was. while laurent was accepting damen finally, and wasn’t even really LYING about his intentions (like right here, he pretty much deadass says it), damen is so distracted and overwhelmed by this romantic victory that he doesn’t notice the tragedy looming

also—“let him” what, exactly? “hurt him?” do you think laurent thinks damen knows what the regent specifically did to him, and could do to his son? bc if i didn’t know that he didn’t know, this line would pretty much indicate that he did. wow that is an incoherent sentence.

Laurent said it seriously, his voice honest; no game playing, just the truth.

damen isn’t actively trying to deceive the reader, but he is definitely incorrect in his certainty a lot of the time. but then again, those words were the truth—laurent is not going to let his uncle hurt damen’s not-kid, and it was the reason he visited last night.

The kissing this time had an echo of last night’s desperation, a need to block out the outside world and stay for a moment longer in this cocoon, Laurent’s arms winding around his neck.

okay what did i just say. we are so fucking back (in terms of actually good analysis)

‘Come in,’ said Laurent, turning his head towards the sound. Damen said, ‘Laurent,’ shocked and on full display as the door swung open. Pallas entered. Laurent greeted him with no self-consciousness at all. ‘Yes?’ Laurent’s voice was matter-of-fact. Pallas’s mouth opened. Damen saw what Pallas saw: Laurent like some dream of a newly fucked virgin, himself unmistakably above him, fully roused. He flushed all over. In Ios, he might have dallied with a lover while a household slave attended to some task in the room, but only because a slave was so far beneath him in status as not to signify. The idea of a soldier watching him make love to Laurent was breaking open his mind. Laurent had never even taken an acknowledged lover before, let alone—

ironic that damen was so overjoyed in the last chapter about this exact situation—that it was LAURENT who he had, being vulnerable and acting like his past submissive partners coughslaves —but when he actually gets spotted in this situation he’s like oohhhhhhh my goddddd nooooo!

like i know i kinda talk shit about akelions a lot, but the persistent theme that it’s inherently some kind of like natural entitlement of the “powerful” (royal, rich etc.) to possess and use people designated beneath them in status just truly reveals how weak and transparent their power actually is. like of course you’re going to look strong, if you only allow yourself to be seen with people you’ve placed in lower stations. some of damen’s shame here must be due in part to his akelion upbringing, but that same upbringing is WHY he got so excited about making someone as powerful and stubborn as laurent submissive and vulnerable to him. in a culture where it’s encouraged to keep it simple, he’s found himself deeply rewarded by the complication of laurent in ways he’d never anticipated, but also afraid of how that complication will come across to his countrymen.

Pallas turned blindly, and made for the door. ‘What is it?’ Laurent looked at Damen, who had detached himself and was sitting with the sheet pulled up to where he had clutched it to cover himself. And then, with the burgeoning delight of discovery, ‘Are you shy?’ ‘In Akielos we don’t,’ said Damen, ‘in front of other people.’ ‘Not even the King?’ ‘Especially not the King,’ said Damen, for whom the King still partly meant his father. ‘But how does the court know if the royal marriage has been consummated?’ ‘The King knows whether or not it has been consummated!’ Horrified. Laurent stared at him. Damen was surprised when Laurent dropped his head, and even more surprised when Laurent’s shoulders started shaking. Around the laughter emerged, ‘You wrestled him without any clothes on.’ ‘That is sports,’ said Damen. He folded his arms, thinking that Veretians lacked any sense of dignity, even as Laurent sitting up and pressing a delighted kiss to his lips had him slightly mollified.

love this lighter shot at the cultural miscommunications here. but MAN is it hard to ignore the giant dark shadow over laurent’s every word and action here. unless you’re damen i guess, but that’s part of why they’ve always worked well together (see other annotations about damen allowing laurent to feel like a person beyond his trauma because he doesn’t really understand it, while still being a fiercely protective and uniquely intuitive partner in romance and life)

Later, ‘The King of Vere really consummates his marriage in front of the court?’ ‘Not in front of the court,’ said Laurent, as if this were unspeakably foolish, ‘in front of the Council.’ ‘Guion is on the Council!’ said Damen.

it is very funny to realize how in vere, sex is basically a form of bureaucracy and political posturing. and it’s like, some people are having fun with it, but others aren’t. as opposed to akielos, where it’s also posturing but sounds like pretty much everyone who is high-class enough to have slaves is very happy to partake. unlike vere, they do it in the privacy of their bedrooms, and people are taught to believe it’s happening and respect it. in vere, if it’s NOT happening in a public forum, no one really gives a shit and it might as well not be happening at all.

basically, sex is a means of political posturing and demonstrating status in both kingdoms, but in distinctly different ways. in akielos, it’s the equivalent of subtly telling everyone at the hedge fund that you have an affluent lifestyle by wearing certain clothes and using advanced technology. you’re perceived and accepted as certified finance bro by tasteful implication. but in vere, it’s more like straight-up driving your third tesla into the office and loudly counting your money during staff meetings (i don’t know if hedge funds have staff meetings) so it’s garishly undeniable to your wealthy peers that you belong

‘I’m sorry Govart is dead. I know you were trying to keep him alive.’

“sorry for your loss, of the man you killed with a chair. we both fuckin hated the guy but he would have made great leverage” they really are rubbing off on each other <3

‘I thought he knew something that I could use against my uncle. It doesn’t matter. We’ll stop him another way.’

and what way would that be. laurent. (also, a surprise tool that will help us later!)

‘It was nothing. There was a knife fight. I got free, and Guion and I came to an arrangement.’

and it was one of the best chapters in the entire series

‘You were taken prisoner, you single-handedly escaped from the cells at Fortaine, and somehow managed to get Guion to switch sides on the way out?’ ‘Well,’ said Laurent, ‘not everyone is as bad at escaping as you are.’

laurent would enjoy tabletop roleplay gaming so much. also i love them

‘When you lost your brother, was there someone to comfort you?’ ‘Yes,’ said Laurent. ‘In a way.’ ‘Then I’m glad,’ said Damen. ‘I’m glad you weren’t alone.’ Laurent pushed himself away, up into a sitting position, and for a moment he sat, without speaking. He pushed his palms into his eye sockets. ‘What is it?’ ‘It’s nothing,’ said Laurent.

ohhhhhh my god (i wonder if mentally laurent is like, ‘well i thought he might have figured it out, but i guess not. how the fu—‘)

‘We should—’ ‘And we will.’ Laurent turned to him, sliding fingers into his hair. ‘But first, we have the morning.’

“and then i will turn myself in to my abusive creep of an uncle as a solution to the problem i’m ignoring. but for now, this is a romance novel, and i’m stepping into your genre for a change”

(which is i think the main thing i missed in my analysis of the previous chapter, by the way. i’ve written so much about damen being forced into laurent’s genre but remaining romantic despite the horrors, but that last scene was a subversion where laurent is forcing himself to ignore the horrors so he can both indulge damen’s perception of them and try to experience it himself as a relief from the imminent tragedy and his past traumas)

After, they talked.

great thing to write after a fade to black sex scene! reminds us what their relationship really is about, beyond the physicality and emotional catharsis. these two fell in love doing battle strategy, remember?

Servants brought a breakfast of fruits, soft cheese, honey and breads on round platters,

glad to see thematically appropriate fruit basket guy is still finding work, even though damen and laurent are un-marrieddivorced

Damen took the seat closest to the wall, affixing the gold pin he had recovered to the cotton at his shoulder. Laurent sat in a relaxed pose, in only pants and a loose shirt, its collar and sleeves still open. Laurent was talking.

i love prince’s gambit

Damen realised that Laurent was letting him in to a part of himself he had never shared before, and he found himself drawn in to the political complexities, even as the experience felt new, and a little revelatory. Laurent never opened his thoughts like this, but always kept his planning intensely private, making his decisions alone.

damen i think you’re underestimating how much laurent showed you in the last book, compared to literally every other person he talks to

‘You are not keeping slaves in your household.’ ‘I can’t imagine why,’ said Damen.

smash cut to the cover of captive prince, a novel by cs pacat

‘You hate the idea of slavery. It turns your stomach.’ Damen said it, a flat statement of truth. ‘If I’d been anyone else, you would have freed me on the first night.’

doing my analysis for me. how far we’ve come

‘When I argued the case for slavery in Arles you didn’t try to change my mind.’ ‘It is not a subject for an exchange of ideas. There is nothing to say.’ ‘There will be slaves in Akielos. We are a slave culture.’

wow, i’m actually kind of surprised damen hasn’t already committed to dismantling the entire practice. i know he gets there eventually, and maybe he wants to at this point—but he’s still like, “well other people are going to do it and that’s their right.” maybe that’s the incomplete part of his development here: he’s decided that it’s wrong for HIM to be doing, as a result of his experiences and tastes, but hasn’t quiet grasped that is a universally wrong practice, even if it’s his friends and allies doing it

Damen said, ‘Are pets and their contracts so different? Did Nicaise have a choice?’ ‘He had the choice of the poor with no other way to survive, the choice of a child powerless to his elders, the choice of a man when his King gives him an order, which is no choice at all, and yet still more than is afforded to a slave.’

yep, i’m a little rusty but i do remember a lot of my laurent character analysis having to do with the fact that he would rather be doing something on purpose even if it isn’t something he wants to do, than given no choice or ability to HAVE thoughts or preferences at all. free will is extremely important to laurent, and the idea of losing it is both terrifying and shameful to him. so even in situations of financial desperation or lack of power due to age or status, laurent still believes that there is more of choice to willing submission than just never being “afforded” the ability to make choices in the first place—even if slaves live under less stressful or overall comfier conditions. even the most desperate, poor, powerless victim still has more personhood and autonomy allowed to them than a slave. and without that foundation of personhood and autonomy, there is no purpose to life.

laurent thrives on having purpose, and suffers without it. and in his big pov chapter we're also told that he often has hope, despite everything, and has to regulate it in order to be realistic. there is no purpose for a slave, and there is no hope for a slave. at least with veretian pets, at least for laurent in the veretian court, he still had purpose, and he still had hope. i think the only time in laurent's life where he did NOT feel purpose/hope was when he was under the regent's thumb, which had only happened because laurent lost hope and purpose due to auguste's death and leaned on the regent for comfort. and that situation had only really changed because the regent stopped being attracted to laurent as result of natural aging, not even because laurent was eventually able to change things due to his own internal strength. that's fucked up, man. but it does explain laurent's perspective.

Damen felt again the shock of hearing Laurent voice his private beliefs. He thought of him, helping Erasmus. He thought of him visiting the girl from the village, teaching her a sleight-of-hand trick. For the first time, he caught a glimmer of what Laurent would be like as a king. He saw him, not as the Regent’s unready nephew, not as Auguste’s younger brother, but as himself, a young man with a collection of talents thrown into leadership too early, and taking it on, because he was given no other choice.

damen, assessing laurent’s situation: he was given no other choice, but he’s still trying his best :(

laurent, miserable and tired but possessing free will: i am MAKING the choice to do this to the very best of my ability, using my compassion and intelligence in a way no one else could. even if it sucks, even if i could do something else (because i absolutely could), i am CHOOSING to be the kind of king my people deserve. having “no choice” would mean lacking the will to choose to do anything but the exact thing i’ve been trained to do, which is how both akielion slaves and princes are groomed to live (re: the latter—consider damen’s musing on his father, the military, and tradition)

I would serve him, he thought, and that itself was like a little revelation.

back in book 1 i highlighted the overall thematic question: can there be honor in submission?

yes. like this. so much has led to this line, subtly and slowly, and we’re finally seeing it said outright. damen would serve laurent because of the person he is, not the royal status that has been put upon him by birth. and he’d be doing so as a person with free will, acknowledging laurent’s complications as well as his own, instead of the imitation of a slave who can’t choose anyway so might as well just go along with it.

in other words, he’s leveling up his commitment to the bit <3

‘I know what you think of my uncle, but he is not—’ Laurent spoke after a pause. ‘Not?’ ‘He won’t hurt the child,’ said Laurent. ‘Whether it is your son or Kastor’s, it is leverage. It is leverage against you, against your armies, and against your men.’ ‘You mean that it hurts me more that my son is alive and whole than it would if he were maimed or dead.’ ‘Yes,’ said Laurent.

laurent: i know that you think my uncle is simply bloodthirsty and evil, and would only think to injure or kill your not-son, but you don’t understand that he would rather sexually abuse a young boy than kill him. because he did that to me. which you haven’t figured out. although you did know about nicaise. but you seem to have a blind spot about the entire topic.

damen: wait, what do YOU think i think of your uncle?

laurent: ignores the question basically, the kid wouldn’t get hurt, because it’s useful to my uncle to keep him intact as leverage against us both. (especially against me, because i know what he would do to that boy, but if i explained that i would have to explain why, so i’m not going to mention it specifically)

damen: so like. he won’t kill the kid because he can torture and manipulate us with it more effectively if it’s alive

laurent: somehow i have told the truth and you do understand it, but there is so much that you still don’t understand

He said it seriously, looking into Damen’s eyes. Damen felt every muscle in his body ache with the effort of not thinking of it. Of not thinking the other, darker thought, the one that at all costs must be avoided. He tried to think instead of a way forward, though it was impossible.

possibilities for “the other thought”:

1) the obvious one, and the most likely in my opinion: the regent would assault the child.

damen has a reason to suspect this, because he is aware of both nicaise and aimeric

in terms of craft and characterization, this a little hint that damen might have considered laurent being abused, but eventually dismissed the notion because it is TOO dark and too upsetting to acknowledge

^^^ active repression is in-line with damen’s overall tendencies

2) the other darker thought is the death or torture of the child, which laurent is explicitly telling him will not happen. damen is accepting that “comfort” uncritically because it doesn’t make him feel as upset or powerless as the alternative. the regent’s abuse of young boys is not being considered at all.

‘My uncle knows you won’t move against him while he holds the child,’ said Laurent. And then, calmly, steadily, ‘So we get him back.’

not going to lie, i’m not the biggest fan of the baby as a plot device. but i get why it’s used, and how it connects a lot of characters, especially like jokaste and kastor who haven’t been present in previous books. i just think it might have been more effective if it was a child that damen and/or laurent actually knew—although i do understand that the baby’s “royal lineage” probably comes into play here. but i also think a big theme of the series is about honor coming from integrity in action, rather than blood or status. but it is just a fuckin baby, and a baby is the ultimate symbol of innocence and helplessness. so maybe it’s just kind of a wash.

also the confusion about the paternity kinda just annoys me. i get that to damen it doesn’t matter, but then like. make it kastor’s baby for sure, then. that would give damen’s integrity and family oriented nature even more of a spotlight.

(maybe it is confirmed to be kastor’s at some point. i didn’t pay that much attention to this plot beat the first time around)

He looked for changes in her, but the cool, untouchable air was the same, as was the particular way that her eyes regarded him. She had the same colouring as Laurent. She had the same mathematical mind. They were like a matched pair, except that her presence was different.

it’s both telling and sweet that damen is so used to having his mind changed by laurent, who ended up so much more honorable and understandable than originally believed, that his first instinct with jokaste is to look for signs of that same potential. as opposed to damen in captive prince chapter one, whose first thought seeing laurent was “he would be an expensive sex slave”

There was a part of Laurent that was always in tension, even when he affected calm. Jokaste’s unassailable composure seemed like serenity, until you knew she was dangerous. A similar core of steel, perhaps, existed in both.

i think you might have just been down bad for jokaste in a specific way, and down bad for laurent in a different way. jokaste definitely isn’t making you feel serene now, is she? and laurent, inversely, is a great comfort to you when you first thought he was unpleasant. another example of the overarching damen nice=/=good and mean=/=bad theme.

She didn’t seem perturbed by her incarceration, or even really to notice it.

like damen in the cell, internally attentive to every little detail. i bet jokaste is too.

He said, ‘Is there a child?’

he wants it to be untrue, so the regent doesn’t have leverage over him. i also think he’s partially asking if it’s HIS, although that’s more of a personal thing that wouldn’t impact his actions in saving the kid

‘I have told you that there is,’ said Jokaste. ‘I wasn’t talking to you,’ said Damen. The attending women seated around Jokaste were of varying ages, from the eldest of perhaps sixty to the youngest, Jokaste’s age, around twenty-four.

he's learning!

‘Let me tell you what is going to happen. You are going to be executed. You are going to be executed whatever you say or do. But I will spare your women, if they agree to answer my questions.’

damen immediately doing what he’s so upset the regent is doing to him and laurent is fascinating. like “oh i have an idea of how i can challenge jokaste into talking! use human lives as leverage! wonder where that came from, anything recently happen…? oh right.”

He said to the soldiers behind him, ‘Take them.’ Jokaste said, ‘This plan of action will mean the death of the child.’ He said, ‘We haven’t established that there is a child.’ She smiled, as if pleased to discover a pet capable of a trick. ‘You’ve never been very good at games. I don’t think you have what it takes to play against me.’ He said, ‘I’ve changed.’

this entire war hinges on schroedinger’s inconvenient baby

also, jokaste was born in the wrong kingdom. i think part of the reason she’s so terrible is that she’s bored in akielos. vere’s political landscape would be enrichment for her and she’d probably thrive in that environment, and feel no desire or need to establish her status by getting pregnant by a prince

okay sorry but like. au where laurent reluctantly teams up with young noblewoman jokaste a year or so after the regent stops assaulting him, and they work together to overthrow him through complicated court political maneuvers. laurent is motivated by obvious reasons, and jokaste is mostly just personally slighted by the regent’s misogynistic court and therefore annoyed, but deep down they both know she cares about him and wants things to be better. and obviously he cares about her bc it’s laurent and he cares about everything, just doesn’t want the world to know it

‘You are the only one protected in your arrangement. These women are going to die. Unless they talk to me.’ She said, ‘You have changed. Or is this the new power behind the throne? Who am I really negotiating with here, I wonder?’

damen wouldn’t. he knows it, jokaste knows it, and laurent DEFINITELY knows it. he would not tell damen or expect damen to do this as anything more than a bluff to assess jokaste’s commitment to the bit

He was already nodding to the nearest soldier. ‘Start with her.’ It wasn’t pleasant. The women resisted, and there was screaming. He watched impassively as soldiers took hold of the women and began to drag them from the room.

wait holy fuck did he do it?? it’s not entirely clear. but i think he fucking did??? is it written vaguely to make the reader have this exact confused reaction?? hold please i’m reading more

EDIT: it's "women" and not "woman." i originally read it as "woman," meaning that the first was specifically resisting and screaming as she died, and then the soldiers seized everyone else. if it's plural women, i think it's safe to say that the first woman did not actually die, the soldiers just mobilized in a way that made kyrina scared enough to tell damen the truth, despite jokaste's warnings

‘No,’ said Jokaste. ‘He will not kill a roomful of women for loyalty to their mistress, Kyrina.’

still not saying outright if he killed the one woman, and i have to wonder WHY, if not to intentionally confuse and stress out the reader. it could go both ways with these carefully chosen words of dialogue—“he will not kill a roomful of women for loyalty.” “roomful” could imply that he already killed one but she thinks he wouldn’t kill multiple (but from what we and jokaste know of damen, that assumption makes very little sense—he’s not really like a utilitarian trolley problem kind of guy, although i guess laurent is). but “for loyalty” implies that she does understand damen, and the assumption that he would not kill for the REASON of loyalty, because it’s something he respects in himself and others. hhhhh

EDIT: see previous annotation

‘There is a child. He was taken to Ios.’ ‘That’s enough,’ said Jokaste. ‘None of us know if the child is yours. She says it is.’ ‘That’s enough, Kyrina,’ said Jokaste. ‘There’s more,’ said Damen. ‘Exalted—’ said Kyrina— —as Jokaste said, ‘No.’ —

turns out when your status is predicated on power earned by force rather than earned respect, the people serving you are going to submit to the strongest person in the room. unfortunately for jokaste, she just stopped being perceived as the strongest person in the room

‘My lady did not trust the Regent of Vere to protect her interests. In the case that there was no other way to save her life, the wet nurse could be instructed to bring the child to you—in exchange for Jokaste’s freedom.’

she’s out-veretianing the regent of vere.

oh ALSO!! it’s neat how based on jokaste’s attendant calling him “regent” and not “king,” jokaste must also casually refer to him as such, not actually respecting him or his false title

Damen sat back in his chair, and lifted his brows slightly at Jokaste.

that’s laurent-brand cuntiness. should have added a lean though

'There is no way to circumvent my conditions.'

that phrase is like catnip to damen and laurent. one time damen ripped a metal grate out of a wall

Jokaste, he thought, believed that it was impossible for him to travel into Ios, and that there was no place where it was safe for him to attempt an exchange. But there was a place where two enemies could meet without fear of ambush.

i like how the kingsmeet is set up for a way for damen and laurent to ensure that the regent doesn’t hurt them, but in a twist it ends up being the regent’s plan to anger damen so much that damen breaks the rules and tries to throw hands

‘But you’re a fool to trust him. He has his own plans.’ ‘He has never pretended otherwise,’ said Damen.

true. and perfect for this exact conversation. this is what‘s really being said, i think—

jokaste: laurent may be giving you good ideas, but it’s stupid to trust him because he’s definitely also keeping some of his manipulations from you

damen: he’s never claimed to be honest, which ironically makes him more honest than you. i know he has secrets and i trust him anyway, because i know him. you never even gave me the chance to know you, for whatever reason, and i was a fool for trusting you and faced the worst consequences imaginable. at least when laurent tortured me, we both thought he was my enemy. you tortured me when you were supposed to be my ally. you have not earned my trust and respect, and laurent has, and ultimately that’s your loss. because i know you appreciated my integrity and honor, two things that you believe that you can not afford to have yourself.

(maybe it’s not that deep. but i think it’s satisfying to consider, with the little we’ve been told about their history)

He looked at her, alone on the low couch. He couldn’t help but remember the day they met. She had been presented to his father, daughter of a minor noble from Aegina, and he had been able to look nowhere else. It was three months of courtship before she was in his arms. He said, ‘You chose a man who was bent on destroying his own country. You chose my brother, and look where it’s left you. You have no position, no friends. Even your own women have turned on you. Don’t you think it’s a shame things had to end this way between us?’

NOPE IT’S THAT DEEP I NAILED IT

“i loved you so deeply and immediately and would have done anything for you. kastor doesn’t give a shit about you or this country. the way this ended between us was your choice, and it was a bad one. your loss.”

‘Yes,’ she said. ‘Kastor should have killed you.’

and we know he’s right, and that he hit a vein, because the woman who pretends to be cool and detached and in control basically just tells him that she can’t handle him being around.

[lets-try-some-writing]

I have observed several types of fic writers, and so for kicks and giggles, here they all are. Each of them scares me for different reasons.

The Prepared And Ready To Publish™:

Several documents dedicated to worldbuilding, planning, cross referencing, character lists & traits, plot twists, and then the actual fic document.

Dedicated to the max to creating a rich world. Probably knows more about the niche thing than you ever will. 100% could have written a thesis and chose to do fic instead (or did both at the same time).

Created a masterpiece and promptly vanished off the face of creation before coming back in with another banger to crush souls and save fandoms.

Their arrival is akin to the birth of a new era because they never fail to somehow make a niche ship popular, make a headcanon fanon, or otherwise give so much depth and interest to a character or setting that whatever they have devised is largely accepted as gospel by their readers.

They either use a high end writing program or wordpad. There is no in-between.

Mysterious. Very mysterious. Reasons for this mysteriousness vary between fics and authors.

100000/10 would be friends with them if I could. Legendary writers. But also they scare me because ??? What void offered you such power ?????

The Baby Writer:

All vibes and loosely strung plots.

It may not make the most sense, but good gracious the dedication is there.

Notable lack of comprehension when it comes to characters and places, but it's bad form to not leave a kudo because it takes guts to post anything in fandom.

They are still figuring things out and their grammar or formatting (possibly both) is probably a mess, but they've put heart into their work.

Sweetest rays of sunshine who want to be involved and are eager to learn the ropes.

The fandom's young ward or despised new arrival (depends entirely on fandom popularity and age).

8/10 would happily offer advice to them. Just can't read their work for too long without wanting to throw it into grammarly. The fear factor comes in the form of the miraculous misuse of fandom terminology. (Yeah it's tough bud, the fanon is wild. But goodness that term/canon word does NOT mean what you think it does.)

The Smut For Your Soul:

Meticulously plans the smut with all the loving care of a sculptor.

Somehow plot got involved.

Miraculously, they managed to not include an iota of plot and it has somehow managed to work.

Headcanons abound and cuteness and or angst lurks merrily behind every corner.

The tags mean everything and nothing at the same time. They are but faint guides to the fae wilds ahead. Tread lightly.

Has a mountain of unfinished WIPs that will follow them to the grave or emerge ten years after conception to grace whatever fandom spawned the idea.

The fandom thanks them for their service, although often that praise is late or hits like a freight train.

???/10 I personally avoid smut but I have friends who write it so it really depends. Terrifying because you never know who falls into this role of writer. It could be anyone. Normalcy is a mask poorly adorned for the sake of conforming to The Great Machine.

The Angst Lord:

Has a million slightly different ways to hurt their blorbo. Each are somehow more horrifying than the next.

The embodiment of the iceburg videos seen all over the net. Ask one question and you shall unravel and scheme of torment so great you shall regret having dared to speak up.

Has dozens of WIPs or unwritten ideas that they claim they will return to.

They are controlled by passion and emotion and can and will insert their own complicated situation into a fic.

Almost nothing is off limits.

Arrives to the fandom ready to brawl and somehow ends up respected or feared. They often stare in bafflement as they end up unscathed and watch angry comments fly toward the arguably innocent shippers.

Generally some of the nicest people who happen to enjoy inflicting The Horrors upon someone fictional.

'10/10 would befriend and promptly regard like a wild racoon. Offerings of angsty ideas yield delightful commentary. But also I need to prepare myself for anything they say because O U C H my SOUL.

The General Writer:

Fluff, cuteness, possibly a delightful touch of angst and pure unbridled creative simplicity.

They may not have the most brutal or soul wrenching tale, but they always manage to write something that someone, somewhere, desperately needs.

Devastatingly underrated and deserves far more praise for their contributions to the fandom.

Produces some of the softest of scenes and the most touching of interactions between characters in a contained, careful crafted, tale.

Introducing new ships or family dynamics in such a tasteful manner that brain chemistry can easily be altered.

Arrives to the fandom as a lurker and shows their appreciation through their work. Oftentimes, they are very quiet and go unnoticed.

INFINITE/10 Love these writers, honestly a gift to fandom. The sheer level of dedication to producing fluff is astounding and scary all at once.

The OC X Canon:

Has so many ships and headcanons that it's astounding.

The lore development rivals IDW and Lost Light combined. All the kudos to them for putting their souls into their characters.

The dedication is mind boggling.

They put up with so much crap they could be in MMA Wrestling if the verbal assaults translated into physical strength.

Has so many adjustments to lore and whole AUs devoted specifically to creating a perfect world.

Skilled in the extreme (or not) at integrating their ocs into canon.

Arrives to the fandom not intending to make ocs. Leaves with seventeen leashes for their new abominable creations. Is loved or hated by literally everyone, sometimes for no reason.

6/10 perfectly lovely people but very niche in their interest and thus not everyone's cup of tea. Scary because that level of sheer willpower is meant for demi-gods.

There are more types of writers, but these feel like the big overarching ones. Which kind of writer are you? :D

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[love-killed-the-superstar]

mikey ask game, 8 and 13!

(these answers will be about 2k3 mikey unless stated otherwise because he's ~my~ mikey. i apologise for the length of these answers, it seems i had a lot to say?! i also apologise for how much i bring up fast forward here, it seems that i'm fixated on it really hard right now.)

8. what’s your favorite dynamic of him and any other character? what makes it your favorite?

It's so hard to pick just one!!

i thought a lot about this, but i think splinter? he's exasperated that his son can be a bit lazy and distracted from ninja training, but still had him specialise in nunchaku, showing that he believes in his ability to master a difficult weapon. splinter surrendering in the battle nexus so that mikey could advance was so heartwarming and honestly makes me emotional to remember. in the first turtle titan episode even though he doesn't understand why mikey admires superheroes so much he acknowledges that his intentions are noble and he needs to follow the path truest to his heart. veering a little more into headcanon territory, i do think that being the most openly affectionate, baby mikey was a master manipulator in terms of melting his rat dad's heart. i can picture him climbing onto splinter's lap every time he sits down and being the most reluctant to go down for naps. and in a particular au i'm cultivating that delves more into mikey's potential romantic life, i think he would go to his father for advice. splinter may not be well versed in romance outside of his soap operas, but he will always be here for his kids when they need him.

(this, of course, makes me very bitter over the flanderisation of their relationship in fast forward. ff!splinter might as well walk around wearing a shirt that says "i hate my lazy video game addicted son" and it breaks my heart.)

honourable mentions for other characters i think he has a great dynamic with: leo, silver sentry, klunk, serling, angel, april, renet and turtle titan ii.

13. what’s something about mikey that nobody seems to talk about that should be talked about more?

tbh i think a lot of people love mikey and have analysed him in just about every way possible and what i end up saying is probably not the most groundbreaking take, but here is something that i've thought about a fair bit but haven't really seen from anyone else?

in fast forward, mikey is depressed. it is handled by the narrative about as delicately as a bull in a china shop, but it's there.

5 seasons of being bombarded with trauma-inducing storylines culminates in temporarily dying, going full dragon avatar mode to defeat the demon shredder and then finally they are able to relax, breathe easy, process some of these emotions - but noooo, instead they get ripped out of their timeline and dropped 100 years in the future with no way home and the studio execs wouldnt let them rightfully lose their shit at cody so instead we see the turtles bottle that rage and slowly descend into semi-flanderised madness. /lh

mikey in particular becomes very sensitive to rejection (see: losing his goddamn mind and going on an all out offensive against turtle titan ii, after being talked down the first time he raged out, because raph made One Comment about how his successor is better at heroism than he is), prone to emotional outbursts, especially anger (remember that iconic clip of him beating up cops and stealing their cars because they pissed him off?), loses interest in his ninja training, maintains very poor hygiene/living conditions, grows addicted to video games, and in rare moments of vulnerability (namely in graduation day of 2105) he expresses that he sees himself as lazy, unfocused, a 'goofball', and undeserving when it comes to being recognised for his ninja skills like his brothers. my man's self-esteem is in the toilet, he is craving normalcy after years of constantly fighting for his life, and his dopamine is clearly critically low because he is dependent on all the fancy material goods of 2105 to be happy. his method of coping with the difficult emotions being stranded in the future has brought up, while still maintaining the silly funny guy routine that his family expect from him, is to bury himself in VR. and why wouldn't he, when among the uptick in mikey roasts over the course of this season we literally hear splinter say the words "where did i go wrong with that boy?" THOSE WORDS STAY WITH YOU WHEN THEY COME FROM YOUR PARENTS. THEY HURT.

he's very empathetic to leo's own depression in season 4, being the voice of reason at the beginning of samurai tourist when raph is ready to fight him. we also see at several points in seasons 1-5 that his loud ego is a front and he is actually very aware of his shortcomings, especially seen in grudge match. in a different timeline where 2k3 wasn't neutered following insane in the membrane, i do wonder if the turtles would have been able to explore their turbulent feelings regarding the 2105 situation. since mikey and leo are often paired up for adventures in 2k3, it would be an interesting parallel to see leo recognising signs of depression in his brother and helping him, imparting some of ancient one's wisdom (and, in the great year of 2105 where mutants are equal citizens and cody has money to burn, finding him a good cognitive behavioural therapist).

i don't think the writers INTENDED to code mikey as depressed / struggling to cope in season 6 - i think it was a toxic combo of writing more 'mikey is lazy/immature/irresponsible and needs to be taught a lesson' episodes than the usual season average + thinking it was a funny social commentary gag to make him obsessive over video games. but i saw a lot of those traits in myself when i was deep in a depression hole. the show has already told us that the turtles' mental states have been impacted by the ridiculousness they have gone through. why would mikey be any different?

I DIDN'T MEAN TO WRITE AN ENTIRE THINKPIECE, BUT IF YOU REACHED THE END, THANK YOU FOR READING. AND THANK YOU FOR THE ASKS!

[prince-liest]

any advice on how to write smut as an aroace person? I'm in it for the more niche stuff (consent issues, negotiation, navigating consent issues, I'm all about that) but I just KNOW these characters would be passionately making out in between. so I'm just left going back and forth trying to describe them doing that when personally I'm neutral about kissing at best and find it feels super weird at worst lol

Oh, gosh, hahaha - I'm ngl, I think it really depends on the character! Like, I've written a lot of smut and so on over the past couple of years and aside from blatantly pandering to my own kinks to a rather flagrant degree, I write it the same way as I write anything else: by thinking about how the POV character would experience it!

To follow the making-out example: I write Alastor as aroace and generally pretty neutral-tolerant about kissing, so whenever I write a kiss from his point of view, he ends up occasionally curious about the physical sensation of wet/warm/staticky (since it's usually Vox) or about how his partner is experiencing it, occasionally bored and distracted, occasionally actively very interested if blood gets involved or he likes the reactions he's getting. Meanwhile I write Mu Qing in a relationship with Feng Xin as extremely demi and otherwise sex and romance-repulsed, so he tends to be very into a kiss with Feng Xin...but also surprised and stressed out by his own desire after, y'know, 800 years of celibacy and so on.

For allo characters, it obviously can differ as well. The way I write him, Vox is pretty horny, obsessed with Alastor, and has had Alastor on a weird pedestal of love and hatred for a long time, so any radiostatic kiss I write from his point of view is going to be intense. He's going to enjoy the sensations, marvel at the fact that Alastor is letting him do this, fantasize about taking it further, catalogue every little thing about the experience like Alastor's comparative inexperience and how much that makes Vox feel special, or how sharp and sexily threatening Alastor's teeth are, etc. In comparison, I write Lucifer as a little bit depressive and having taken a hit to his self-esteem on the front of sex and romance after separating with Lilith, so in my fic where he hooks up with Angel Dust, he's also enjoying the physical sensations, but in a way that's much more focused on the emotional tenderness and feeling taken care of, and then frequently diverting into his performance anxiety.

Overall, I think that intimacy is a great way to explore characters and relationship dynamics, and (perhaps this is very aroace of me) I wouldn't necessarily approach it much differently from how I approach writing characters in any other situation. Rather than thinking of it as writing this mystical thing called smut, think of it as writing this character going through these particular acts, and engage with the writing as "what does this mean to this character, what would they enjoy, what would they focus on, what are they getting out of it," etc etc. And I think that fits in really well with what you're already interested in writing!

And, hey, if you're really not interested in writing the sex itself... honestly, there's no need to! You can always just fade it to black. Have the consent discussion, the awkward fumbling, the missteps, write a short lead-in, and then tack on something like, "They fell back to the bed. This time, when X's hands tensed and curled into the bedsheets, it was for a much more pleasurable reason" at the end or whatever.