#also shipping him doesn't make sense to me either

[soliloquent-stark]

Hi, would you have any baby's first Stony fic recs for a stucky shipper?? Like I want to read Stony but literally have no idea where to start or how to get there without feeling like "wait, where's Bucky?" if that makes any sense

Tysmia!!

hi! congrats and welcome :) i want you to know i am taking this task very seriously! i am a big bucky lover so i don't read bucky bashing fics anyways, so pretty much any rec of mine is okay from that sense, but i understand the difficulty in switching ships or having your fav absent.

so, i thought the best way to get acquainted with stevetony would be to read fics that contain bucky, or past stucky, or focus on learning about tony from steve's pov (since i assume you're most familiar with his perspective and character, so then you can fall in love with tony together). i also added some stuckony ones in case that's your cup of tea, but feel free to skip those. 💕

ps. almost all these are mcu, but let me know if you want comics/au recs too. but overall, for more recs, you can check this tag.

music by @treesramblings

Steve turns seventy-five today. Tony has a special plan in place to show Steve a happy birthday.

I used to use liquor to get me inspired (but you look so beautiful) by @underwhelmingalchemist

Steve was used to Tony's flirting. It was weird and slightly annoying, but it was just part of who he was. It was always surface-level compliments, comments on his ass and thighs, teasing him about his "pretty face". But when he was drunk, those comments turned to something sweeter and much more genuine.

more after the cut

Triple Espresso by @festiveferret

Everything is going great for Steve. He loves his boyfriend, his apartment, his pets. He finally has some opportunities to share his artwork, the coffee shop he manages is doing well, and Bucky is about to finish his exams, which means no more night shifts. It finally feels like life is on track. And then Tony Stark walks into the cafe and everything goes off the rails.

5 Times Bucky Thought Tony Was Good For Steve +1 Time He Told Him by Anonymous

To say Bucky is unimpressed by Stark would be an understatement. It isn’t that he dislikes him. It’s more that he’s a brand of indifferent that curdles with disdain on the rare occasion that Bucky catches him on the TV: Stark is glib and crass in a way his father never was, and he wears suits like he’d slipped out of the womb clad in Armani. So it’s a surprise when Bucky moves into the Tower and finds that Steve actually gets along with the guy.

some words build houses in your throat by only_more_love

The night before they travel back in time, Tony says what he needs to say.

A Partial Dictionary Of The 21st Century By Captain Steve Rogers, US Army by @copperbadge

Steve is adapting well to the new millennium, and he has the dictionary to prove it.

Equilateral by FestiveFerret

It was the way Steve had said, “I found him,” the desperate, agonized hope, that had Tony replying with, “Bring him home,” without any hesitation. But now, now he was hesitating like fuck.

felt with your two hands by @ishipallthings

Steve lets out an exasperated huff. “It’s just, I can’t shave.” It’s such a small thing to be upset about, and yet here he is, fighting the urge to tear his bandages just to look clean-shaven again. One glance at Tony shows that he’s surprised by Steve’s admission, eyes now fixed on the days-old scruff covering the bottom half of Steve’s face. (In which Tony helps Steve with shaving, and the close proximity leads to so much more than either of them anticipated.)

Feels Like Home by @tinystark616

Steve thinks there must be something fundamentally wrong with him when adjusting to his new life seems scarier than fighting an army of aliens. He knows how to fight. He's excellent at it. What he doesn't know is how to feel like he belongs in the future.

Catching Up Fast by Catchclaw, Crowgirl

Tony doesn't see the other guy coming, is the thing. Best mistake of his life.

everybody needs some affection by @meidui

It's for Steve's sake, Tony tells himself as he befriends Bucky. (But then it isn't.)

last call by @gottalovev

Tony didn’t prepare for Steve calling first. It's been thirteen months, why now?

Operation: Knuckleheads by FestiveFerret

Bucky is enjoying his new, post-Winter Soldier life at Avengers Tower, until he discovers that the constant tension between Steve and Tony was caused by a recent (and mysterious) breakup. Determined to make his friends happy, Bucky gives himself a new mission: figure out what went wrong, and get these two idiots in love back together again.

[nyan-bynary]

People who want to fuck choso are like enigmas to me,,, I cannot for the life of me understand the thought process there I'll be completely honest

[thequeenofsastiel]

Armand doing anything in s3 other than guarding Louis from the vampires who will attack him would be EXTREMELY out of character and I will die on that hill.

[doromoni]

On the Defence | LN4

Part 2 of Off Time

Ships : Lando Norris x F1 Presenter! Reader

Genre : Angst, Fluff

Subtags : She fell first; He fell harder, Misunderstanding, Mutual Pinning, Groveling

A/N : Dude this was supposed to be just a two part story 😭 Lmao be ready for a mini series folks!

Summary : You have pursued Lando's affection, yet he doesn't seem interested. Till your patience wavers and Lando realizes it too late. Will there be a right time for the two of you?

Masterlist

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Lando was used to being at the top of the world. To be always at the fastest speed possible. He was hard-wired to be quick both on track and off track, his pace in life had never had the chance to just slow down and appreciate the small things in life.

Until he lost you. Lando had never noticed how big of an impact you’ve made in his life. The small gestures you made that went unnoticed till it was gone. The minuscule moments with you that seemed to be irrelevant, Lando now craved.

It started with tea and snacks.

“Uh, John… the tea tastes weird. Also, I liked the old biscuits better, why did you change them?” Lando said disappointed, as he examined what was in front of him. The tea was way off like it was watered down yet still unbelievably bitter. And the biscuits… Lando couldn’t explain it really, it just felt like it lacked … love. If that made sense

Lando then set his eyes on his manager, still disgruntled.

John popped his head into the driver’s room, surveying what the Brit was moaning about.

“Oh, that. Yeah, Y/N stopped sending stocks of the tea … last race was our last batch and when Y/N came by she didn’t drop off any cookies for you this time” John answered, sending a rueful smile.

Lando’s attention was suddenly caught at the sound of your name. You were the one who sent the tea? Lando had always thought that McLaren was the one to make the effort to supply his favorite tea.

Now the knowledge that it was you, made his heart speed up and his stomach fluttered— but then it came crashing down like a glass house instantly when Lando realized past tense… it was past tensed. You no longer did that for him.

“Wait. What do you mean by not dropping any for me? Did Y/N give her cookies to someone here?” Lando had fully processed what John had said.

“Yeah, I saw her come by early this morning with cookies in the lobby and Oscar came to get her” John uttered casually as he checked his schedule looking through Lando’s calendar.

Lando’s heart then fell to his stomach. The worst suddenly came into his mind. You and Oscar? When did that happen? He knew that he was jumping to conclusions, but he couldn’t help it. He may have been blind to your beauty and brilliance, but he knew that others were not. How can they not? You were the sunshine in the storm. You were a breath of fresh air in the ethanol-tainted atmosphere of Formula 1.

Then came the overly silent or the overly deafening car rides, there was no in-between—the peace was gone. It was either no sound at all or it was EDM booming in his speakers. You were no longer there to provide a sense of calm, Lando had deeply and truly felt the emptiness that your absence left.

He regretted complaining to Flo and his parents when they insisted that he gave you rides everywhere. Was he an idiot? He thought so now, especially when he recalled always saying “She can handle herself, why do I need to drive her?” Because now he would give anything to have you sitting on the passenger seat of his car. He used to hate it when you left your hair ties or claw clips in his car, now your hair ties resided in his arm like a bracelet and your hair clips in his bag— just in case you needed them.

Lando knew that the longer he waited the faster he’d continue to lose you and he saw his chance. The post-race interviews had concluded and Lando was in his car, reversing out of the driver’s only parking lot. Then he saw you typing away at your phone beside the door that connects the building and the parking spaces. Lando saw his opportunity.

The English driver hastily drove his car in front of you, parking beside the curb and making his way towards you.

Your eyes opened wide at the sight of Lando Norris right in front of you, looking fidgety and uncertain, but he looked determined. You didn’t know what to do or react, so you waited for him to start.

“Y/N! Hi. I didn’t see you in the Motorhome after the race” Lando started talking trying to act as casual as his speeding heart could muster.

“ Uhm, Hi Lando. Yeah… I had to finish some paperwork back at Sky ASAP. “ You replied, smiling lightly at the driver not having the courage to fully look into his eyes head-on for the entire conversation.

“ I get that. Are you heading somewhere? I could drive you if you’d like” Lando offered earnestly, hoping that you’ll accept. He just needed time alone with you to talk without restrictions.

Lando gauged your reaction that cycled around, shock and contemplation. Till you sighed and declined, distinguishing his hope and continuing to crush his heart.

“Thank you for the offer, Lando. But, Osc already promised me a ride” You gave a pained smile at the English driver. Lando was about to refute when the both of you turned towards the sound of a car horn.

It was Oscar who was waving inside his Artura.

“ I got to go, It was nice talking to you Lando,” you said as you proceeded to walk towards the car, not before being stopped by Lando.

Your eyes went towards the hand that held your elbow gently. You then met the sorrowful eyes of the English McLaren driver, catching you off guard.

“Y/N can we please talk? Sometime maybe? I’m sorry … I- I. Please I just need a few minutes of your time” Lando was practically begging you, his eyes showing more emotion now than the entire duration you’ve known him.

You could only nod, as you detached yourself from the grip of Lando — looking at the defeated driver one last time before entering his teammate’s car right after.

“You know that Lando wants to fix things with you right?” Oscar nudged your shoulder as he drove away from the circuit.

You could only sigh and close your eyes, your hand running through your hair.

“ Osc, I wished I could believe you. It just hurts so much you know? I mean you saw him with Magui right… I don’t want to step on any toes and make things complicated for them” You said tired and frustrated. Lando was already too hard to let go, now he’s making it extremely difficult to forget.

“Y/N, have you seen her in the paddock recently?” Oscar questioned you further

“Well, no. But that doesn’t mean they’re over. Alex even said that she heard from Kika that they’re planning to make it serious.” You felt the tears build up, yet you fought it back. You would no longer cry for a boy if you could help it.

“Ok, you out of all people should know what’s credible information or not. Miss journalism, what happened to never fully believing he said - she said?” Oscar was right of course, you loved and hated his logical thinking.

“I know, I know. It’s just so fucking frustrating… can we please eat ice cream. I need sugar pronto!”

“Whatever you say, Pooh” You couldn’t help but smile a little at your nickname given by the Australian driver.

“Thanks, Pingu,” You said settling further into Oscar’s car. You knew that Oscar allowed you to change the subject but you got what he was saying. Talk to Lando, you will! You didn’t know if you were ready just yet.

That was the start of Lando’s starvation for your presence and the start of his spiral of doubt and regret. Because no matter how much he tried, you seemed adamant to avoid him.

“Beautiful” came into Lando’s mind when he saw you from afar. Every time that you walked passed through, the smell of you lingered in the air — was it your perfume or your shampoo? Lando was not sure, but he loved it nonetheless. Every time you waltzed inside the McLaren Motor home to hang out with his teammate, Lando couldn’t help but imagine it was him that you were with, that it was him that you were smiling and rolling your eyes at. Lando wanted back how you used to have that look only for him.

He couldn’t help but stop and stare longingly for what might’ve been if he hadn’t taken too long.

The times when you were shown in the broadcast during the races — when he knew that he was supposed to be locked in and be focused on the track. Lando can’t seem to take his eyes off you.

His parents and sister noticed the change in the driver and they could only look with pity to their son and brother. It seemed that the tables had turned because now it was you who avoided the English Driver at all costs. Every time Lando caught a glimpse of you, you were suddenly turning the other way or you were suddenly busy with who knows what. And the Norrises didn’t hold it against you— No, because they loved you still and they supported your every decision.

Lando couldn’t stand the fact that he could only get you to look and talk to him during after-race interviews in the media pen and even then you remained detached and so excruciatingly professional — you no longer joked around and teased the McLaren driver. And it killed him when he saw you so carefree and open to other drivers.

“So Lando, that was an amazing drive! Congratulations on the P2 by the way. McLaren is showing amazing and consistent results so far, I bet the team feels proud no? And the car has been quick at every track!” Y/N said into the mic with a practiced tone and just the right amount of enthusiasm — just enough for the media and the world not to notice the tension between you and Lando.

Being indifferent was difficult, especially when Lando continued to gauge your attention and tried catching your eyes. And behind those eyes held promise and regret… which you only believed was in your imagination. You always thought some things present that weren’t there, and this one was only one of them.

You didn’t think that Lando was trying his best to make things up to you. No, now to you that seemed impossible. Just keep your distance and everything will be alright and your feelings will pass. Or that was what you keep telling yourself.

“Just the car?” Lando cheekily uttered, biting his lip from nervousness as he tried to make you react or at least get you to joke back. But to his dismay, you remained professional and just proceeded with the calm and cool facade.

“Oh, the driver too of course. Anyways, are you feeling optimistic about the next race?” You said to read your question cards, not give anything to Lando.

To Lando’s dismay, your interaction was still not enough but he had to move on as another driver was waiting for their turn. Lando had tried to lengthen his time with you but his PR manager needed to drag him elsewhere. But not quick enough that Lando caught the ears of your next interview.

It was with surprise, surprise… Oscar Piastri. Lando knew that he shouldn’t be thinking negatively about one of his teammates — a teammate who had never done him wrong. Was he being paranoid? He absolutely was. However, Lando despised how his teammate casually called you by your nickname while you giggled and called him by his.

“Ah~ Pooh! Always a pleasure to see you every race week…. every. single. week”

“Thanks for the sarcasm, Pingu” You continued to banter with the Austrian driver clad in papaya.

***

Another race week came and you were walking outside the Motorhome of McLaren with Oscar in tow, you were both headed towards Ferrari to meet up with the rest of the Leclerc family— Oscar pleaded to join as he said he was an adopted Leclerc. As you walked out the glass door, you felt eyes following your every move. You told this to Oscar, who only shrugged and was clueless as usual.

However, your instincts were right of course, as Lando continued to observe your retreating form. Since when did you start getting comfortable enough to loop your hand around Oscar’s waist? And since when did you let Oscar wrap his arm around your shoulder?

The sinking feeling in Lando’s gut continued to deepen. It felt like a ton of bricks right on his chest, so heavy he couldn’t breathe. Was this how you felt when you saw him with other girls? Was this the same feeling you had when he paraded his monthly flings right in front of you? Did he hurt you this much?

He was so preoccupied with thoughts that Lando didn’t notice the events around him then suddenly he was moving with the rest of the drivers in the parade car. The rest were paired up, doing their usual routine of gossiping and catching up.

Lando’s eyes surveyed the vehicle as his eyes turned to his teammate talking with Logan and Alex. His eyes then turned to Lewis talking with Charles, a few steps away from him.

“Mate, is it true? Is Y/N seeing someone?” Lewis couldn’t help but gossip and hear the details of their favorite presenter.

“I’m not sure, but my girl told me that another driver was showing interest in Y/N!” Charles eagerly joined Lewis in this conversation.

As Lando eavesdropped on the 2 Future teammates, his ears piqued when he heard your name. Then his breath staggered and his ears rang when he heard what the 2 race winners said.

Lando didn’t care if he was rude, as he barged into their conversation with a huff.

“Who is it? It’s Oscar right?” Lando pressingly asked as his jaw clenched, teeth gritting with force a glare piercing the Australian.

Both drivers were surprised by Lando’s suddenly intense intrusion. They were even more perplexed at his sudden interest in you. When did Lando start caring about you?

“Uh, no? I asked Alexandra if it was Oscar since they have been close these days… but she said it was another driver” Charles answered

It was then that Lando admitted fully that he was a jealous man, seeing or even just thinking of you interacting with another man that held an interest in you made his blood curdle.

Lando needed to do something and fast. Even If you weren’t talking to him now, he needed others to know that you were off limits. Lando knew just how to do that.

He took his phone and dialed

“John set me an appointment with Hermes. I need an order for a customized Birkin”

Anyone interested to be added to the taglist? Drop a comment or DM me!

Maintaglist : @myescapefromthislife @peterholland04 @charlottef1 @fangirl125reader @mel164 @gnarlycore

Series Taglist : @f1fantasys @chezmardybum @hwalllllllelujah @qzmef @bingussthirdtoe @lilypat @cmleitora @willowpains @wobblymug @dramallama9 @gigicisneros @yawn-zi @vickykazuya @loloekie @radiator101

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[quantum1mmortality]

The crew & using toys on their S/O in bed please with a cherry on top??

First time writing the whole crew kinda nervous 🤭🤭 I'm not writing Swansea tho I will NOT be writing nsfw of a married man

Tw/cw; Afab!reader, winners love winning in Anyas hcs (use of the term pillow princess), jorkinit jumpscare

Not proofread

Curly

I'm actually not sure if he'd be into toys

I've literally only written for Curly so I'd say I'm a Curly expert, and I just don't think he'd be into toys

He'd use a vibrator on you every now and then, but he'd just use it to tease you and make you beg for him.

He'd probably use cock rings. I am a firm believer Curly would use cock rings. Not all the time, but if he's had a really stressful day at work, he's wanting an extra hard hitting orgasm.

Omg not a toy but APHRODISIACS!!! This man would go crazy for some aphrodisiacs, whether he's taking it or you are.

Now I wanna write a wedding night one shot with Curly and aphrodisiacs thanks a lot anon 😔😔😔 I've got enough shit to write already

Anya

I don't care what any of you say this woman is a pillow princess

YOU'D be using toys on HER

She'd also be a cryer but that's not the point

She'd have a drawer dedicated to sex toys. She's trying to get into med school, she's CONSTANTLY stressed, how else is she supposed to release some of that stress? Don't judge her.

She wouldn't be into straps or dildos, she'd be into shit that vibrates. Vibrators obviously, rose toys, anything that stimulates the clit honestly

I lied she is into dildos this woman is a sucker for a RABBIT!!! Like I said, if it vibrates, she wants it.

Her favorite combo is the rose toy/vibrator + pussy licking. She cums so fast, then gets embarrassed, then begs for more. Praise her a bunch and she'll be able to go a few more rounds

BONUS CONTENT!!; she has a Christina and Princess Albertina, no further comments

Daisuke

Oh yeah, he's using toys.

He has a tongue piercing and sometimes he'll swap it out for a bar that vibrates but y'all aren't ready for that convo

He's gonna use the basic toys, nothing we haven't gone over yet. Vibrators, rose toys, cock rings, ect. He's just trying to figure out what he likes for right now, and he likes all of them

In missionary, he'd hold either a vibrator or rose up to your clit while he fucks you. Kind of uncomfortable as a position, but if it gets you off, it's worth it to him.

Not sure if this is considered a toy but he'd be interested in sounding. He's definitely had you try it on him once or twice, and he never lasts for more than a minute 😭 poor boy

He's just trying new things out. He's new to having a committed relationship, so anything you'd be into, he'd be willing to try. He'd let you peg him if you wanted, but don't ask me to write that.

My pegging days are over

Jonathan

The kinkiest cunt that ever cursed this god forsaken ship

Toys are a must have for him. On you, not him. He only likes using them on you, because it gives him a sense of power over you.

He'd be one of those assholes that would put a bluetooth vibrator in your panties and wait till you're in public to turn it on the highest setting. Like an asshole

Jizzdaddy would have a lot of toys. He'd have one of those robotic dildo setups that like.. idk does the thrusting how the fuck do I explain this????

You guys get what I mean if you've ever been on a porn site you've seen one

Anyway, he'd have one of those setups and watch it fuck you. Ass up, head down, grasping at whatever you could since HIS sadistic ass turned it up to the highest speed.

Eventually hed get pissed off and fuck you himself, claiming that you love the toy more than you love him 😔 the allegations are true but he doesn't have to know that

He'd also use plugs on you. In public, too. He doesn't care. If you humiliate yourself, that's your fault, not his.

vibrators are used during sex, nothing new. But it's the same situation as before. Claiming you love the toy more than him, so he stops using it.

Sometimes he'll just give in though and decide he doesn't care, and wants to tease you more than anything. Highest speed it can go, or the slowest. No in-between. He'll have you begging one way or another.

Chat I hate writing rough characters someone request ooc soft Joshua hcs so I can write him like I do Curly 🙏🙏🙏

A/N; Anya makes me wanna kiss girls

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[triflesandparsnips]

So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--

Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).

BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:

Wednesday (before the end of the world)

So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.

But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.

The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.

SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.

But like-- still not friends. Not really.

Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:

Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.

My teenage brain exploded at this moment.

BECAUSE: there is no reason for Aziraphale to do that.

Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).

Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.

But Crowley was looking the other way.

Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.

But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".

And the final bit is just a couple paragraphs later:

With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.

SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--

It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.

Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.

...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.

[numberoneredriotfan]

It makes me really upset that Kirishima and Bakugou's friendship wasn't highlighted too much after season 4 or the shie hassakai arc. And I don't even mean this in a shipping sense. Kirishima was a HUGE part of Bakugou's character development even if it wasn't shown that way.

At first, Kirishima is introduced as one of the only people who can handle Bakugou and all his intensity- as well as his explosive (haha get it) personality. This is showcased more clearly in the sports festival arc.

Kirishima offers to be Bakugou's horse, because he's the only one that can handle his explosions with his hardening (which is probably the only quirk in 1-A that really effectively deflect Bakugou's explosions, so nobody else could really be in that position other than Kirishima.) Also, he without hesitation called Bakugou a dumbass and told him to remember his fucking name, even after seeing how angry he can get when provoked. And this isn't even the last time Kirishima does this. So Kirishima becomes someone who can handle Bakugou, but their friendship doesn't end there.

Most this development probably happened off-screen, but overtime Bakugou started to see Kirishima as an equal. Not just someone who could handle Bakugou and put up with him, but as someone who is able to stand by his side unwavering while also understanding his perspective to some extent (which I assume is rare for Bakugou, considering most other's view of him is either "what a jackass" or "wow he's so cool").

Which is why I really love this scene they added in the anime, which shows that Kirishima understands Bakugou, even if he seems like just an arrogant asshole. I think the only other character who understands Bakugou on that level is Deku (and of course his classmates learn to understand later on, but I'm talking about early on).

Kirishima was arguably the first person who Bakugou saw as an equal. Something I noticed about early Bakugou is that he either had a superiority complex or a inferiority complex with someone, and there was really no in between lol. That was, until Kirishima. Who came in as someone who neither above or below him. While Kirishima doesn't take any of Bakugou's shit, he also doesn't treat Bakugou like just a jerk.

This is of course, showcased best in the iconic Bakugou rescue scene.

This scene was honestly just such a good show of their bond, and how Bakugou sees Kirishima. Because as Deku pointed out, Bakugou wouldn't have taken anyone else's hand. We know this for a fact, as this was the same man who would've rather been kidnapped by villains then accept Deku's help-

So yeah. I fully believe if it was anyone other than Kirishima to reach out a hand to him, he would've straight up ignored them and would've tried to fight the villains himself. (Death is one thing but his ego is another apparently-).

It would be ignorant of me to say that Kirishima was the only one who understood Bakugou, because that's just not the case. Because as we saw multiple times throughout the series, Deku (as previously stated) understands Bakugou very well from the very beginning. However, while this opens up the gateway for a reconciliation with Bakugou in the future, Bakugou's complex feelings about Deku make it impossible for them to form a relationship based on that. Kirishima came in as a breath of fresh air, in which there was no lingering resentment or complexity involved. And of course, later in the series, we see the other members of class A understand Bakugou on that level as well. But in the beginning at least, Kirishima was the only person he could sort build that bridge of understanding with.

And even if it's never stated explicitly, I truly believe Bakugou wouldn't have opened up to relationships with his other classmates if it weren't for Kirishima befriending him. Or at the very least, it would've taken him a lot longer.

And the we have to take into accountability of how much their friendship has helped KIRISHIMA develop as a a character. As we can see, from the very beginning, Kirishima has a bad habit of comparing his quirk to the others of their class.

This isn't his fault necessarily, as in their society it's probably drilled into your head from a young age that you can only be a good hero if you have a flashy quirk.

And because of this, rather than looking at his own strength, he pays a lot of attention to how he compares to others.

So clearly, he's hard on himself and has a lot of self-esteem issues. (I am him. He is me-)

And it's clear he looks up to Bakugou a lot from just...Bakugou being Bakugou. Bakugou's a very forward person who jumps in without thinking (for better or worse), which is almost everything Kirishima wants to be. I honestly think that might've been- at least partially- what drew Kirishima to Bakugou. He wanted to be more like him, even if he wouldn't admit to himself. He, in a way, was putting Bakugou on a pedestal, even if he didn't realize that Bakugou sees him as an equal.

But then, Bakugou tells him this:

Which in the end, pushes Kirishima to reach his full potential, which came in form of unbreakable. Bakugou, who was originally someone he looked up to and admired, eventually became his motivation. His drive, even. And it wasn't just Bakugou, obviously, but Bakugou still contributed a lot.

And after all this, their friendship gets pushed to the side so we can focus on Bakugou and Deku's reconciliation. Which isn't bad! I love Bakugou and Deku's friendship as well! And I will say it holds a lot more importance to the plot of the story, and it wasn't necessarily a requirement to have Bakugou and Kirishima's relationship showcased more.

But still, I feel as though one could assume that once Bakugou got his character development from Kirishima, he didn't need anymore. Like he was just a stepping stone in order to reach his redemption with Deku. Which is just a sad way to look at their relationship :( and I truthfully believe that that just isn't the case. We did get a few crumbs, but even then we never got to see them talk one-one as friends after a while.

This isn't supposed to be Kiribaku propaganda or anything like that, and some of this will probably fall into headcanon territory and is just my interpretation of their characters. This also isn't me saying that their relationship is more important than Bakugou and Deku's, or Kirishima and Mina's, this is just more of a vent on how I would've liked to see more of their friendship.

Edit: just wanted to put this here as well

(From mha ultra analysis)

[betterthanyalls]

Can u do a Reader x epic various where y/n is apart of Ody's crew and during the end of thunder bringer Zeus kidnaps y/n and takes them to Olympus instead of letting them either drown or get washed up onto Calypso's island?🥰🥰🤩🤩 It'd be cool if during God games or something Athena finds out what Zeus did and now instead of the games being just to free Ody from Calypso's island, it's ALSO about freeing y/n from Olympus and reuniting them with Odysseus?? Sorry if this doesn't make sense or if it's too much work lol, just write this however you want if you even wanna write it at all teehee ^^"

blinks i think i went through 37 different emotions while writing this, most of them were bad. Ok so, I'm not sure how good this is but please don't kill me😇 TW: Zeus gives reader Ganymede treatment

Masterlist

Stolen Soldier

Various (kind of) x Reader

EPIC: The Musical ~ Oneshot ~ Angst

Words: 1.6K

Published: 11-4-2024

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Thunder roared, winds whipped, and waves rocked the lone ship back and forth. Standing on the bow of the ship was a figure of divine power and presence, waiting with a wicked grin. “Choose,” the king of the gods demanded harshly.

“Choose?” Odysseus muttered, looking at Zeus in fear. “Someone’s got to die today, and you have got the final say. You,” he pointed to Odysseus before gesturing to the rest of the crew, “or your crew.”

The captain looked to his crew, locking eyes with Y/n—his best friend, his rock, his shelter. He took a shaky breath, looking back to Zeus in desperation.

“Please don’t make me do this; don’t make me do this,” Odysseus begged. His mind seemed to be playing tricks on him. Looking back at his crew, he saw a range of emotions: anger, hurt, terror, grief, and more. Taking a daring glance at his closest friend, the soldier felt his heart shatter. Holding back tears, Y/n gave him a hesitant nod to show it was ok.

Then, a new voice tore his gaze away from his crew. Looking out over the sea and to the clouds, a figure of familiarity seemed to take place within the clouds. Illusion or not, that was his wife.

Penelope. Odysseus took staggering steps across the shaking boat and to the edge. Both of his hands latched to the wooden railing, his eyes never moving from the clouded position of his partner. Memories flooded his judgment, from his crew and Y/n, to his family waiting for him. “Captain?” A voice of uncertainty spoke up. Eurylochus. The said captain couldn’t even dare face his right-hand man as the sky darkened and Penelope faded back to the clouds.

“I have to see her," Odysseus whispered, tears brimming in his eyes as he finally looked back at his crew. The general saw all of the hurt and betrayal in his men’s expressions. The fear hurt the most to see. “But we’ll die,” Eurylochus pleaded. Odysseus knew he would regret this option until his final breath. Once he got home, how would he tell Ctimene he was the cause of her husband's death? “I know,” Odysseus’ voice broke, a few stray droplets not belonging to the storm washed down his cheeks. 

At the end of those words, the thunder roared, and Zeus grinned evilly. Zeus rose above the clouds, lightning moving to gather in his raised hand.

“Thunder, bring her through the wringer.” The crew drew their weapons in defense, charging towards Odysseus with murderous intent. Y/n stood away from the fight, not daring to lift any sort of weapon against her best friend.

“Show her I'm the judgment call. The one who makes her kingdom fall. Lightning, wield her, use and yield her.” 

As the crew closed in on their captain, the air started to become tense and electrified. Y/n took a step back from the chaos, looking up to see a phenomenon of heavenly power. “Show her what she can’t conceal; her true nature will be revealed.”

A bright light enclosed the surrounding sky, ripping down to the center of the ship. In an instant, a deafening crack sounded, and all light faded to black. Y/n felt like her soul was being ripped apart as she opened her mouth to scream her pain, but no noise came out. Then she felt a drop, only to be brought into a suffocating embrace of cold. Finally, her mind cut out. ~~~~~ Y/n felt different. She didn’t sense the shivering water anymore, but instead a subtle warmth. It took a few minutes, but eventually she managed to peek open her eyes. Y/n wasn’t on a ship in the middle of the sea with the night sky above anymore, but instead there was a grand painting on the ceiling of white marble overhead. Looking around slowly, the young woman saw an unfamiliar scene.

A lavish bedroom surrounded her, furnishings a king could only dream of sitting like average decor in each nook and cranny. Moving her hands, Y/n felt the silk sheets of a glorious bed below her. Ivory blankets fell from her body as she slowly rose up from her position. Placing her feet on the cold marble flooring, the mortal stepped through the room. It wasn’t long before she found herself in front of a floor-length mirror. 

White and gold fabric draped down on her body—a dress fit for a goddess of divine origin. Confusion clouded her eyes as she scanned her new attire. That puzzlement was quickly replaced with fear as two wooden doors opened, revealing an even more confusing sight.

A tall man wearing a white toga entered the room without a care of knocking. Striding to where Y/n stood, she instinctively took steps back from him. “My dear, why do you back away?” The smile on his face was unnerving, especially with the nickname. Y/n recognized that voice immediately, terror coursing through her veins as her lips parted to let out a gasp.

“Zeus.”

The god in question continued to walk towards her with that two-faced smile until he backed the mortal into a wall. “Mmm, you’re as smart as you are beautiful,” he took her hand, placing a kiss on her knuckles. Y/n shuddered in disgust and fear; her heart raced faster than a chariot racer's steeds. She wanted to push him away, but her body felt locked in place. Y/n tried to speak, but her lips were closed tightly like a stone wall. “Hm, dear, I think I know a dress that’d fit your body much better. Let me help.”

~~~~~

Within only the second morning of the Heavenly Palace, Y/n had the overwhelming urge to jump off. But she wouldn’t be allowed such a pleasure with the god at her side. Zeus had taken it upon himself to guide the mortal on a tour through Olympus, which only influenced her thoughts. 

Y/n kept her eyes on Zeus every second. Not out of intrigue or anything of that sort, but of apprehension. Each movement of his that was near her direction, the mortal would tense up and pause everything. Soon enough, the king of Olypmus noticed and grinned with faux comfort. “Dear, you seem tense. Allow me to ease you.” ~~~~~ Day after day. Weeks after week. Zeus never let Y/n leave his side, threatening any god or goddess who even dared to give her a sympathetic glance. The woman was a shell of who she once was. Her eyes sunk and her soul depleted; she felt her life draining by the day. Not in mortality-wise, no Zeus would never let her perish. But in consideration of her spirit.

Each night she would cry until no more salt would leave, leaving only choking sobs. Each night she was infiltrated by the king of Olympus. Y/n would stare at herself in the mirror, vomit building in her throat as her eyes trailed down to every mark on her body. No spot was untouched. No matter how hard she tried, Y/n could never wash off the sin. The mortal would scrub her skin until she was raw and bleeding, but the phantom touches remained.

Each night she missed her home and friends more and more. Where was Odysseus now? Did he forget all about her when he returned to Ithaca? What about Penelope? Would she miss her best friend? 

Seven years. Seven years of misery, force, and agony. Seven years of physical and mental torture she endured to no fault.

But soon, like all stories, her savior arrived. ~~~~~

Athena stood in front of her father, spear and shield in hand, while staring into the king’s eyes murderously.

“I’ve played your game and won. Release them,” the goddess of wisdom demanded, shifting her gaze to where Y/n stood anxiously beside Zeus’ throne. The mortal had gone through so much, and Athena was determined to save her. 

Zeus glowered down at his daughter, rage covering his expression. “You dare to defy me? To make me feel shame?” He growled, his fists clenching so tight that his knuckles turned a bright alabaster. “No one beats me; no one wins my game!”

The lightning god stood up threateningly, his hands glowing a static yellow. “Thunder, bring her through the wringer!” The air was caught in Y/n’s throat at the familiar words, her eyes wide in horror. Zeus rose up, the electricity in his hands growing as the woman noticed the alarmed looks on the other god’s expressions. “Show her I’m the judgment call, the one who makes her kingdom FALL!” With a vociferous burst, he threw the lightning at his daughter, forcing her back onto the floor. Once the light faded, everyone looked to see the warrior lying face down, her body still as ice. “Is she dead?” the voice of her brother Ares asked hesitantly. Y/n thought back to every moment her and Odysseus had been with Athena. They were an unstoppable force together. Now though, Y/n only wanted to rush to the goddess side.  Before anyone could do anything, Athena struggled to her feet, holding her aegis in defense while pointing the spear tip to her father.

Zeus’ look of utter shock soon turned to rage at her defiance. In response, he sent a barrage of bolts towards his favorite child. Against this attack, the war patroness held her shield strong and pushed against the force, making her way to her father.

Finally, at the feet of the king, she grabbed his arm and fell to her knees.

“Let them go, please. Let them go.” Her plea was finished as the goddess collapsed, her breath slowing to a stop.

[awkwardarmadildo]

to add on to the humans are space orcs/earth is the universe's australia, sensing. my therapist has recently explained that its not normal the way i know who and where someone is by their footsteps. not just the sound, but the vibrations. if someone isnt purposely walking on light feet, i can tell who and where they are, even with headphones blaring. imagine a human on a ship and the awe-filled terror itd earn from their non-human crewmates.

edit: ive realized i wasnt clear enough in my intentions. im not saying "if you can tell peoples footsteps apart, youve been ✨️ T R A U M A T I Z E D ✨️ d-(^♡^)-b ". its about the inherent panic in Not hearing the steppies and therefore Not having the time to prepare yourself for whoever might be approaching and essentially being ambushed. also, being able to tell if someone is normalTM, happy, sad, et cetera. the combined terror of not being given time to make oneself "presentable" for whoevers coming, And Also whoever has just seemingly teleported is fucking pissed, which is never good. Anyways, enjoy!!! ＼(^o^)／

Gilith enters the library, searching for Human Raven. They seem to be found most often either here or in one of the many gardens on the ship. Human Alex said he'd likely find them here today.

Gilith pokes his head through the doorway, not seeing Human Raven, but before he can move on, a voice calls out from one of the high-backed chairs decorating the library.

"Hello Lithy, what do you need?"

Gilith sputters, "Wha- Human Raven, how did you know it was me?" Gilith makes his way over to the chair that held Human Raven in a twisted knot that, when Human Raven stood up, would surely leave a horrifying crunch Human Alex had likened to a human candy that exploded in one's mouth.

"You've got some loud stompers, Lithy."

"I do not know what that means, Human Raven."

Raven stands, causing Gilith to flinch at many snaps and crackles of their bones settling into place, and smiles up at his towering form.

"What did you need?"

Gilith notices more and more Human Raven's greetings. He thought maybe they could hear him coming, but they greeted him while wearing ear speakers, the volume so loud, Gilith could hear it from a few feet away.

Humans did not have psychic skills, and the only other human who seemed capable of a preemptive greeting was Human Alex. The two seemed to share all of their off-hours, so maybe that was where he could find his answers.

Gilith scoured the many gardens, stopping just outside of the doorway. He could hear Human Alex and Human Raven chattering to each other, but neither seemed to notice his presence.

In an attempt not to disturb them, he walked with what Human Bea had described as "tip-toes". A challenging feat, considering his round flat feet, but he managed.

Both Human Raven and Human Alex had their backs to him, so he coughed in the same way Human Bea often did to get everyone's attention.

The reaction he got was unexpected when both Human Raven and Human Alex flinched so hard their shoulders seemed to lock.

"My apologies! I didn't mean to startle you," he rushed over, but stopped short when they both flinched again. He recoiled his hand.

"It's ok, Lithy," Raven says, voice slightly choked. "Just give us a sec."

"Oh. Okay." Gilith turned his eyes down.

"What-" Alex started, his voice sounding as though it was rubbed raw. He cleared his throat and tried again. "What can we do for you, Gilith?"

"I did not have anything specific to talk to you about. I wanted to..." he trails off. "I wanted to inform you of the new plants we are picking up at the next trade planet."

Gilith feels his face twist with the lie, but now didn't seem like a good time to ask.

His desire to understand, however, doesn't fade after the incident. It only makes his hunger grow.

Instead of bothering Human Alex or Human Raven, Gilith decides to ask Human Bea, who does not sense him before he greets her.

"Hello, Human Bea."

"Yes, hello, Gilith. Is everything okay?"

"I have question."

Bea tilts her head. "Ask away."

"Are you- humans- able to detect someone before you see them?"

Bea's face softens into an aching sort of frown. "Not naturally."

"What do you mean?"

She takes a breath, seemingly preparing herself. "Well, most people are able to live in a relatively safe place. But some people aren't as lucky. Some people have to memorize the falls of others' feet. It's a learned survival tactic."

"I don't understand," Gilith says, his face wrinkling in confusion.

"Some people aren't safe, so for the ones who weren't born with the good luck of a safe home, they have to know who and where someone is. They have to know if they need to hide or prepare themself. They have to know if they're in danger or not."

Gilith feels his whole body go slack as a wave of sadness washes over him at the memory of Human Raven and Human Alex's reaction to his sudden appearance.

"I have loud stompers."

Bea's face scrunches up as though she's trying not to laugh. "You do. You have safe stompers, too."

[juststandingthere]

ISTG this game is making me insane, brainrot strong enough for me to make my first analysis post

One thing i love about the narrative is how distorted the characters, relationships and events are from jimmy's pov. Most posts discussing this focus on Anya, and it makes sense bc she's probably the biggest victim of this. She's seen as less than a person, she's an incompetent nurse, she has a meek personality, she'll let anyone(jimmy) step over her and she still follows his orders, despite everything he has done to her. We obviously see, from curly's pov, that she's simply too terrified of her abuser to act any other way, and when she's not with him she's way more confident and competent.

I haven't seen as many people talking about how this "distortion" affects Swansea and Daisuke as well, including the relationship they have with each other.

We see, in the first Curly section, that Swansea is a great mentor to Daisuke (one might even say they have a father-son/uncle-nephew relationship). He takes his time to teach him not just the basics, but also how to do his job as safely as possible. He lets him take notes, he himself writes stuff down for him to remember and even lets him doodle on those notes! Sure he is harsh with him, but he clearly cares about him and wants him to be safe.

And in return Daisuke looks up to him and has great respect for him, as both a mechanic and a man, while he also makes some jokingly offensive comments towards the older man, showing the close bond they have formed.

But that's not what we see when we play as Jimmy.

In his pov we don't see them interacting much, when they do we either see Swansea insulting Daisuke for no apparent reason or, in one occasion, we see him leading the kid down a "bad path" wanting to teach him how to "drink like a man".

When they aren't interacting tho, we do see hints of their actual relationship: Swansea asking where the kid is when he is "partying" in the lounge, confirming that he does not, in fact, hate spending time with him; him looking desperately for something, *anything*, that could help Daisuke with his suffering after he's injured; how whenever Jimmy tries to bring up to Daisuke how "badly" Swansea treats him, or how he "lied" to them about the utility room, Daisuke immediately shuts him down, because he knows what he's saying is completely wrong (i'm pretty sure those are the only times he doubts something Jimmy says), showing once again the trust and respect he has for his mentor.

(this part is kinda speculative but i think it makes sense)

There are two other times where we see them interacting, where we actually see how much Swansea cares for the kid, and coincidentally, neither of them is seen through Jimmy's eyes, but from a third person pov: what Swansea says right before they knock him out with the drink, about how he resents the people that let Daisuke, someone with his whole life ahead of him, with so much optimism and joy, board the ship for a job that would inevitably leave him "mangled" and "smarter in a worse way" (i could make a whole other essay on this part but i won't), and what he says right before mercy killing him. In that scene specifically, as the camera pans out in the corridor as Swansea raises his axe, ready to take the final swing, Jimmy doesn't see the hesitation in his body language, the way his body tenses, the way he comforts the kid, telling him to close his eyes, the heavy breaths (crying?maybe?) right after the act. He only sees the older man as a monster that would take away an innocent life that jimmy would have been able to fix had he been given the time to fucking think.

Hell, now that i think about it, Swansea's final monologue, where we find out that he is in fact a good man who tried his best to better himself, who simply wanted to protect the kid and give him "a chance off this goddamn rock"(implying that the Cryopod was meant for Daisuke all along) is also shown in third person!

A few other things i found interesting:

1-The missing pieces between what happened to Daisuke in the vent and when Swansea started attacking Jimmy. There's a cut from when Daisuke screams to when he's laying on (Swansea's) bed, bloody and in pain; from when Jimmy uses the mouthwash to disinfect him (which only causes him to suffer more) and two hours later; from after the talk the two men have and the moment Jimmy decides to go find the gun, the axe gone from Daisuke's face. What happened in those missing scenes? Was Swansea the one who helped the kid onto his bed, trying to make him as comfortable as possible? Did he try to comfort him, to distract him, and ease his pain as well as he could? What was his reaction when he had to take back the axe off the face of the young man he had started seeing as his own kid, whose life he had hoped he could save but that he ultimately had to take with his own hands?

I personally think those parts are blocked out of Jimmy's mind, as he couldn't fit them in his own narrative, where he was the hero, Swansea the villain and Daisuke the innocent, young man whose life he tried his best to protect from this "monster" that was now going to come after him.

2-Swansea attacking Jimmy with the axe, especially the cemetery scene, and how it can be interpreted in different ways.

We, the viewers, knowing everything that happened, will see it as a desperate man, Swansea, trying to avenge the lives that had been lost on that ship because of Jimmy (wether directly or not), with Daisuke's death being the last straw. But i don't think that's how Jimmy saw it. He saw swansea as a crazed, mad man, a ruthless killer, coming for him after taking an innocent life, Daisuke's photo and mausoleum as a reminder for Jimmy of what the older man had done, and a justification for what he was about to do.

(not to talk about the implication that the fight against swansea was not as intense as we saw it, only confirming the idea that jimmy was looking for a justification for shooting him)

[mycurrentobsessionis]

@pink-pearl-plain-jeans took a few days but here. hope this is something you actually wanted lol. this is lowkey a ramble but it is an informed ramble.

First, you are gonna seriously regret asking me, because I have nearly 300 hours logged between these two games and half a masters degree in clinical psychology.

Second, to be fair, you don't have know a lot about ballroom dancing -- I know almost nothing. Toward the end of Step 4 on Baxter's route, he will joke to Jamie about the irony of ballroom dancing, which requires both a partner and a certain level of intimacy, is his most beloved hobby, when the ability to form close, intimate relationships is his biggest struggle.

Baxter is a pretty good example of what disorganized, or fearful-avoidant, attachment looks like in adults. He both desperately wants to form emotional connections with others and intensely fears those same attachments, viewing them as inherently unsafe and unstable. The player can see this in the way Baxter attempts to form lots of superficial connections where he overshares personal details while also being evasive about his deeper feelings. He is aware that he needs some level of human interaction and works to fill that need without leaving himself vulnerable to being hurt or abandoned. This can occur in individuals who had inconsistent parents growing up. Baxter's relationship to dancing mirrors his emotional progression with attachment to others.

As a child, he has a stable group of friends and dances at the country club competitively, and thus likely has a stable, consistent partner with whom he performs. We know very little about Mr. and Mrs. Ward, except for the following:

They are older.

They are wealthy, and likely old money.

They are bigoted, like being queerphobic and racist.

They expected Baxter to behave with greater maturity than would have been typical for his age and "at times, as if he was even older [than them]."

He did not want to spend his first summer after college with them, so they shipped him off to a tiny beachside tourist town, either not caring or not knowing that he is petrified of the ocean.

Something about Baxter would be a problem, and they would hate him if he were someone else's child.

From this, we can garner a few things. The first is that the Wards were likely emotionally immature, possibly parentified him, and likely played "it's okay if it's you" card. When we meet Baxter as a child in OLNF, he is clearly very fond of Qiu, Ren, and possibly Tamarack and Franky as well. These relationships likely provided insulation from parents who alternated between being emotionally distant and overcontrolling. It also makes sense that Baxter would be drawn to younger children here. Baxter chalks it up to his own immaturity, but I would argue that it is in fact because he is precocious that he chooses a younger friend group. Kids his own age would likely be put off by his attitude and may take it as condescending, whereas younger children would appreciate him as older and wiser. Additionally, younger children give him the opportunity to play and engage in silly antics that he may have missed out the first time.

I also wouldn't be surprised if there was some cognitive dissonance as well, since his parents probably espoused queerphobic ideals while also professing to love Baxter, who himself is bisexual and knew very well that he was attracted to boys by the age of 12. Given this, and the amount of bitterness with which he later speaks about them, it also would not surprise me if they had some influence on his drifting apart from Ren and Qiu as they got older. Not that this has to be the case, but I could see Baxter avoiding bringing his very-visibly queer friends (including one who is also a POC) around his parents to avoid hurting them.

He grows up and appears in OLBA as a teen who is somewhat adrift. He doesn't appear to have a stable friend group or sense of identity, and he has limited his contact with his parents to the minimum amount that he feels obligated to contact them. Now, shifting identity is pretty normal for young adults, but Baxter's seems less stable than it should be. What I actually thought was really interesting is the subtle shift between Baxter as he presents himself and as he actually is. He presents himself as accommodating, complimentary, confident, and friendly. The person he actually is -- the one he thinks no one will like -- is sardonic, self-effacing, mischievous, and lonely. In his desire to be included, he avoids imposing his will on others -- Jamie can even convince him to wear a swimsuit and go into the ocean if they really want, something he is terrified to do. He is only able to be genuine if either (a) Jamie has made an explicit effort to show him he is accepted or (b) he is emotionally dysregulated enough that he is unable to keep up the charade

Anyway, at this point, he is presumably no longer competing, and no longer has a steady partner. In his first interaction with Jamie and Cove, he is immediately offering to be their partner, which is a deliberate double-entendre. He comes on strong, because he needs the relationship to begin quickly in order the get what he needs out of it. He has no intention of actually taking the time to get to know people or build a genuine connection with them. It's about control here. Also note that he offers this with the implication that he would be teaching them to dance. Even in asking for a temporary connection, he's framing it as him offering a service in exchange for their company because he doesn't see himself as valuable on his own (Qiu also does this btw). In summary, he is dancing with people he barely knows because while the steps won't be familiar or comforting, he doesn't have to worry about mistakes either. (dun dun dun, the mortifying ordeal of being known!)

As an adult, he shifts this into a more formalized version. He isn't stupid, nor does he enjoy hurting people. He knows that most people are unwilling to abandon relationships so quickly, and he knows he's hurt people. The thing about attachment styles is that you can develop a secure attachment style as an adult. The problem is that you do this by essentially re-parenting yourself. Learning to treat himself with self-compassion is really difficult, though, because that's a learned skill. He needs community or a therapist. The problem is that because of his disorganized attachment style, forming a community is difficult and he would probably also have trouble finding a therapist because that would require a level of vulnerability that he struggles with. Baxter also heavily relies on avoidance as a coping mechanism. When he enters into a relationship, because he is primed to view them as unpredictable and conditional, it activates his fight-flight-freeze response. He then attempts to escape the situation by (a) leaving, (b) ghosting/ignoring, and (c) distancing himself using social niceties to avoid confrontation. If he is cornered (like the end of step 3), he switches to fight mode and becomes caustic. This may indicate that if he entered a therapeutic relationship, he is likely to end therapy prematurely to avoid thinking about his loneliness and attachment issues.

So, because he knows he hurts people by doing all of this, and because he doesn't know how to maintain a relationship, he formalizes the arrangement. People literally pay him for a service (planning) and because he is "in" on such an intimate event, he still gets the feeling of getting to know people and be included, without the emotional risk. Same thing with dancing.

That's why dancing with him after the wedding is such a big deal. Yes, it's a callback to a very special moment for Baxter, but it's also a metaphor for re-entering a relationship. He's been looking at and judging his relationships on the ruptures not the repairs, and to be able to repair a relationship after the mask has come off, the set's been wrecked, and the crowd is gone means that he has lived a lonely life for no reason.

Anyway, all this is to say that Cove was 100% right when he clocked that Baxter was insincere and interacted with people in a really weird way. No one listened though.

[regainingparadise]

Relistening to TMA Season 5, I am again struck by how goddam badly Martin and Jon need couples counseling.

I love them both. I ship them very much. But oh lord they have issues

Like, these are two individuals who, under the very best of circumstances, would really need therapy both individually and together. They are both people with plentiful quantities of relational trauma from childhood that neither of them have worked through even the slightest bit.

And then you throw them into the apocalypse. And you add a metric fuck ton of guilt, helplessness, and the dynamics of being "The Antichrist and +1"?

On a surface level--Jon is in a perpetual state of information overload. Martin is in a perpetual state of "can you please just explain the basics of what's' going on in a given situation and not just say "it's complicated" or launch into a gruesome monologue"

But on a deeper level, their childhood relational traumas have left them each with opposing avoidant tendencies: Jon is unwilling to broach a difficult conversation, which leads him to hide information until he's confronted. Martin, on the other hand, has a finely honed ability to ignore information that he doesn't like until he no longer can hide from it.

Biggest example of their avoidance tendencies: Martin's Domain

Way early on, when we barely understand any of how the hellscape works, Jon mentions it, Martin shuts it down hard and deflects quickly with a bid for affection from Jon

Martin is in deliberate denial, but Jon admittedly wasn't particularly clear to start with.

"We all have a domain."

Jon means it, presumably, as "Me, You, and other 'Avatars.'" Jon is used to being grouped with those empowered by the Entities. Martin isn't. (see also: MAG185: Martin" Is that how these creatures see us now? As one of them?") But that's not what Jon says. And this is MAG167--they've only been through four domains, at least that we've seen. Jon is speaking from a place of knowledge, and assuming his listener has that same knowledge.

And when this issue comes up much later in MAG183, Martin has spent 17 episodes ignoring or forgetting that he has a domain, not letting that information in so that he has never processed it. (See also: Mag170: "Sometimes I wonder if I forget things on purpose. Easier not to think about them, I guess. Easier to just let them… slip away. They can’t hurt you if you don’t think about them.").

Martin confronts Jon on his avoidance (because while Martin may be good at ignoring things he doesn't like, he's far better at bringing up challenging topics), Jon is able to manage some A+ communication on his feelings and the genuine challenging of figuring out how to share upsetting information when he has All The Information, Martin accepts that. I just desperately want a therapist to be there and make them continue this conversation and practice ongoing good communication skills!

Though they resolve this, even though Jon has an explanation that makes sense...he was really leaving this conversation to the last minute. Would he have "[brought] it up at the crossroads" as he claims to Helen? Or would he have avoided it entirely, as she accuses, or waited till they were at the threshold, as he does with The Desolation and the Hunt, leaving Martin to confront terrifying situations without forewarning or planning or explanation.

Again, Jon kind of tried to bring up some of the potential issues with Basira and Daisy before entering the Hunt domain, but kept it Vague and Ominous ("Things aren't...good"). Martin took that vagueness as an opening to avoid engaging with potential bad news. The teensiest bit of therapy for either of them about their communication issues could have let Jon add "I know you're exited but FYI here are some specifics that you should know" and/or Martin go "I'm excited to see them but given that nothing is good right now, can you be more specific?"

Instead, Jon approaches difficult conversations by being Vague and Ominous, Martin gets snarky or passive-aggressive at the vagueness, upset or aggressively avoidant at the Ominousness, Jon closes back up like a turtle into his shell, and the conversation only comes back up when the situation has drastically escalated, leaving them both more upset.

Jon wants Martin to trust him, because explaining what he knows implicitly is an ordeal for him, and because his upbringing by his grandmother has suggested that communicating is generally unwanted and burdensome (See: MAG081 A Guest for Mr. Spider).

Martin wants to know what is going on, because he's in an awful hellscape of shifting rules about what can and cannot hurt them, completely dependent on a brand-new romantic partner for his survival and purpose, and also because his upbringing and coping mechanisms as a caretaker rely on him knowing enough to help, and his time as an archival assistant has given him some not-inconsiderable trauma about being left in the dark (See: MAG118 The Masquerade) (There's also another post in my head about how MAG118 primed Martin for both the Lonely and his development as a more confrontational character in S5)

All that to say.

Martin needs therapy to deal with the way he chooses not to absorb information he doesn't like. Jon needs therapy to understand that sometimes it's ok to bring up important topics even if the other person will be upset. They both need therapy to cope with all the guilt and helplessness around the apocalypse so they stop taking it out on each other. They need therapy together to learn how to work through their conflicting coping mechanisms.

[anxious-witch]

I think the reason why there are so many amazing ships in Dead Boy Detectives is because the show manages to show different versions of love/lust/devotion through different relationships all characters have.

Like, love triangles have been doing the whole "a girl has to choose between two guys who each being out a different side of her" for over a decade in popular media, some more, some less successfully. But the pitfall they often fall into is that those differences seem very shallow and often ignore the other aspect of the main person who have to choose between the love interests.

Dead Boy Detectives makes sure to not do that.

When we look at how Charles is with Crystal vs how he is with Edwin, we can clearly see the difference. In the beginning of his and Crystal's dynamic, he is flirtier and puts more if a bravado, but he pretty quickly opens up to her. Because he sees that she very quickly sees past his facade he puts up with his constant happy-go-lucky persona. Only when he starts opening up to her and showing his emotions does their relationship progress. Because after David, Crystal needs someone who can be emotionally vulnerable with her and in turn, Charles offers her the same, and offers her a safe space.

In contrast, we see that Charles is more at ease around Edwin. They know each other deeply, and are also woven into each other at this point. It's easy, like breathing. One thing it doesn't do is challenge either of them from the status quo they have built over the years. But there is a sense of ease there, and such devotion. There is no question about what they would do for each other because the answer is everything.

That said, while they both bring out different sides of Charles, those sides of him feel intricately linked to one another! Which is why Crystal coming into the pictures begins changing Charles' relationship with Edwin as well! It brings to light things they have ignored. And in turn, Charles' clear and unwavering devotion and loyalty to Edwin prompts Crystal to learn it herself. To quote Jenny in ep 8, "you were about to leave and never see these boys again, but now you are going to save them"? And yes, she does exactly that.

This even has influence on Edwin and Crystal's rs directly, which I can't recall ever seeing in a love triangle before, at least not in a positive sense. But it's so clear that Charles loves both of them that the other learns to love them too, and they realize their own similarities through it, too!

As for Edwin and his many love interests, well. I know there has been a lot of debate, especially around Cat King vs Charles dyankics with Edwin, but the thing is-you are comparing apples ajd oranges here.

The Cat King is enamored, fascinated by Edwin, and yeah above all, attracted to him. This dynamic serves to challenge both of their characters' beliefs and shake up the power dynamics between them. Whenever you like the Cat King or not Edwin clearly reciprocates the attraction part, at the very least.

Charles loves Edwin and is devoted to him and Edwin to him turn, as discussed above. What is difficult about their relationship is that it became stagnant due to lack of communication, which is why they needed other relationships to shake up that dynamic.

But to address the most prominent comparison I saw, which is the Cat King saying he'll wait for Edwin vs Charles going to Hell to save him.

Both are types of devotion, is the thing. A profession of love, if you will. To this day, we consider Penelope a faithful, loving and devoted wife for waiting for Odyssey for 20 years. Cat King saying he'd wait for Edwin isn't any small confession, given he is aware it could take decades, if not more.

Don't get me wrong, Charles going to literal Hell to save Edwin and succeeding where Orpheus and Eurydice failed is an enormous success and a way to show you love someone. I am not minimalizing that at all.

I am just saying that, for who these characters are and given their rs with Edwin, they did exactly what they were supposed to. They expressed in which ways Edwin had influenced them and what they can offer him if that dynamic becomes romantic.

Cat King represents experience, patience. As an immortal he has all the time in the world to wait for Edwin to return from hell, because he believes Edwin is strong enough to return on his own.

Charles represents love that breaks all obstacles in their way. He goes to save Edwin because he believes Edwin deserves to be helped in the way he helps others. He deserves to be saved.

My point is, there is no better of worse way of loving someone. The character in the love triangle choose the person that better alignes with who they are and who they wish to be as a person. So yes, you are absolutely allowed to say "I think this character would choose person a because it alignes better with their character development" but comparing the two as one being superior is kinda pointless imo? Exploring different dynamic of a character is the goal here, right? Either through canon or fanon.

...I was gonna talk about Crystal/Niko and Edwin/Monty too but this post got away from me to uhh. Might do another one if anyone is interested but in their way! I adore the way DBDA explores different sides of characters while still making them feel like a fully rounded person and doesn't shy away from letting one rs influence other rs character has.

[lucystark12]

milevens are insane

warning now - i get extremely heated in this so if you're going to tell me to calm down leave. before any of you weird bitches tell me to go do something more productive or to touch grass- no. i'm fifteen, it's summer, and i'm a highly involved high school student. i'm not here because i have nothing better to do, i'm here because i understand good writing and am able to have hobbies ❤️

anyways

was on the mileven endgame hashtag just now and because i don't choose violence i wont be addressing any of them directly, but i will be addressing some of the ridiculous bullshit on there. term bullshit used intentionally

the love confession came as a result of mike "gaining the confidence" to tell el how much he loves her because he was afraid that he loved her more than she loved him.

are you listening to the words that are coming out of your mouth right now? i want to sit down and get a coffee with you and dissect what the fuck you meant by that. sure, right, yeah, he gained so much PRODUCTIVE confidence from his conversation he had with will where will was using eleven to mask his own feelings for mike. it makes so much sense narratively that this end all be all mileven event is sparked from will's feelings and not mikes! sure! right! this is such an idiotic piece of reasoning. you are literally saying that you are okay with your endgame ship only being endgame based on faulty communication and lies. are you joking? "you just gotta improve your motivation" ass piece of evidence

also, mike being insecure about loving her more than she loves him is complete, total, utter bullshit. el frequently expresses her love to mike via letters and youre here to say that mike would have any problem with doing the same thing if he were insecure about her love for him? that literally makes no sense. i wouldn't be afraid of loving somebody more than they love me if they are actively putting more effort into insuring me that they love me than i am to them. like, what does that even mean?

“Will Byers is a pathetic loser annoying character and contributed little to the plot of ST. "

yes that is a direct quote. no i'm not kidding.

what kind of fucking neanderthal watches stranger fucking things- a show about a kid who disappears- and thinks the kid who disappears isn't a central part of the narrative? the first episode of the goddamn show is called "the vanishing of will byers"! maybe this is hard for you and your confused brain to get your head around, but el and mike met when mike was out looking FOR WILL. mike and el are still together because mike gained courage from WILL'S LOVE FOR HIM. what a fucking idiot you must be. i would try to explain to you the myriad of other reasons why will is absolutely central to the plot of the show, but since the show itself has clearly gone in one ear and out the other, i probably wont be able to get through to you either.

“what if we learned to cope with world that doesn’t accept us as individuals by embracing each other completely?” said about mileven

um.. what. that's literally byler. closeted gay guys in the 80s. but sure, the ones that aren't being accepted are the two white and allegedly heterosexual individuals. the "world that doesn't accept us" in question is a few high school bullies in comparison with the stigmatization, violence, and ostracization that has longstanding been a part of what it means to be queer. be so serious right now. mileven is not important for being non conformist, the GAY SHIP IN THE 80S IS!!

“The only people who queerbaited, was byler fans themselves lmao.”

even if we're ignoring the horrible grammar there are still SO many things wrong with everything that was just said. what they're saying above for anybody who can't decipher the weird medieval english code this person is using is that bylers actively queerbaited themselves which inherently makes no sense at all.

below i have included the oxford dictionary definition of queerbaiting: "the incorporation of apparently gay characters or same-sex relationships into a film, television show, etc. as a means of appealing to gay and bisexual audiences while maintaining ambiguity about the characters' sexuality."

how is it possible that byler shippers themselves are the ones doing the queerbaiting? are we running the show? nope! before you come on and post something as offensive as this- which i will get into- at least make sure you know what you're saying. xoxo

to insinuate for even a second that mike wheeler not being gay would be anything other than deliberate queerbaiting is insane. there is something wrong with you. aside from the parts of the show where his queerness is deliberately alluded to like music, costuming, analogies, allegories, and set design, netflix has been, weather you like it or not, actively marketing in favor of byler and mike not being straight. all below come from official netflix accounts-

how is this not queerbaiting? genuinely what are you on about. this is literally textbook.

“will is fruity but mike didn't like the fruit on his pizza”

you seriously are basing your argument about mike not being gay on him not liking fruit on pizza? you seriously think that some of the most commended and celebrated writers of the last decade would use symbolism involving a word that can literally be interpreted as a slur when their show has two characters who are canonically a part of the group affected said slur? are you fucking stupid? that was harmless banter used to communicate the differences in habitual action across the country. it wasn't the duffers trying to do for you what they do for us in deliberate, straightforward NON-OFFENSIVE symbolism.

i saw somebody claim that mike's character arc in season four was inherently about not believing in his self worth nor in his competency to be in a relationship with el

while i do for the most part agree with you, i'm going to ask you a question- mike was never anxious about his identity and self worth involving el before season four. why do you think that just came up now if not for the fact that he's been having insecurities involving his sexuality and romantic attraction to women as a whole? in my opinion, mike realized that he might not like girls in that way circa the end of season three- a realization that only festered and grew through the absence of not only the boy he loves that is causing this insecurity but the girl whom he is using as a way to say hey, i can't be gay, i have a girlfriend! mike was clearly going through some serious emotional struggles as we can immediately see in this scene with how suddenly awkward he is with will and the immediate emphasis that's put on the "from mike" on the flowers.

i agree that his season four and part of his season five arc are about his feelings of insecurity about being in a relationship with el, however, i don't think he's insecure because he thinks she's better than him in the sense that she's some superhero, i think he thinks she's better than him because he knows that he'll never be able to love her the way she deserves to be loved. he's not going to outright come and say to will that he doesn't think that he can love her in the way she deserves to be loved. he's closeted. what he says in the van scene is the only way he knows to express his feelings. it's very similar to what will does in the same scene. it makes no sense for this insecurity to randomly manifest in him if it wasn't for an external factor that doesn't involve el, because nothing has really changed with the dynamic of their relationship other than the move. one could argue that mike is feeling insecure over el's supposed popularity she claims to have in her letters, but mike's arc has never been about caring about popularity in school. that's not something on his mind so much as the grand scheme of the world is. lets not forget that he joins hellfire in season four.

“When Mike didn’t say “I love you”, By*ers twisted it to their narrative. When Mike did say “I love you”, By*ers twisted it to their narrative.”

you literally sound like trump going on about the democrats. listen to what your saying right now. also, it's a ship name. there's no need to censor it you fucking weirdo.

wasted time building up mileven

i'm sorry, what build up? i'm confused. there's no "build up". THIS is build up:

above is will, possessed by a monster who feeds off of those lacking love in their lives, only being able to be broken out of possession by a heartfelt monologue by the PERSON HE LOVES detailing how the best decision he ever made was to befriend him.

above is will claiming he will never fall in love, then his love for one of the other main characters becomes a central plot point of the two seasons to come. joyce and i see through will and all of you weird milevens

mike telling will how it's not his fault will doesn't like girls only after he loses the person he's been using to cover up his own insecurity about the same thing- not liking girls. suspicious.

will's LOVE FOR MIKE being the thing to give him the confidence to help el SAVE THE WORLD, only episodes after we establish that mike is bound to be pissed that he was lied to. and theres no buildup? THERE'S REALLY NO BUILDUP?

if you don't see buildup i fear you are literally just a lost cause because it is so painfully obvious to anybody who made it past seventh grade english class that there is something deeper and more intimate than friendship going on between will byers and mike wheeler.

“Women can be independent while being in a relationship guys😭!!”

OBVIOUSLY! i am literally the biggest feminist on the entire western seaboard. i couldn't agree more with this, which is why we have arcs like nancy's where she actively becomes more independent while still maintaining a relationship with jonathan. the difference is that mike and el have been together since they were like thirteen. when el was immersed into the real world for the first time in season two she immediately leaned on mike for support in that. it's not that she can only be independent on her own, it's that mike is directly symbolic to her of a time when she was stumbling around the world with naivete and not quite knowing how to navigate that. by spreading her wings away from that relationship, it will not only give her independence, but also a way to see beyond the barriers of hawkins and a life where she was valued mostly for the qualities she brings to the supernatural equation. el's arc is one of my favorites. i would never claim such a thing and discredit the essence of what makes the emotions behind her character so interesting. she's somebody who was literally raised in a lab. she shouldn't be held back by somebody she is quite literally dependent on.

last but not least, i saw a post that said milevens always win.

"are you sure about that?" i ask, noah schnapp's most recent instagram post open on my phone, finn wolfhard's spotify playlist in my headphones, my mike holding will's painting funko on the desk in front of me, wearing a yellow shirt with a blue sweater over it.

thank u for listening to my ted talk 💙💛