#also not tagging this post at all like it just seems so petty

[leojurand]

i see people on booktwt praising the radiant emperor duology very often and every time, instead of remembering that i actually had fun reading those books, i think about how flawed they are, and i wish i could understand the endless praise they get. but i sadly do not.

and then i remembered a tweet by shelley parker-chan about dunnett and her novels that actually explains, in a way, why their writing doesn't work for me. the tweet was a reply to someone and it was:

but Dunnett in general never feeds me the (emotional) food and I get frustrated. like bitch these power plays are so good but why don’t you make it JUICY. don’t make me have to use my imagination

it's actually very funny how this explains exactly the problems i have with their duology. clearly, dunnett is a big fan of subtlety. also very clear, SPC is not, and doesn't utilize it much (at all) in their novels.

and the complete lack of subtlety is something that really bothered me in the radiant emperor duology. that, hand in hand with the endless repetition, makes sure you don't have to use your imagination when it comes to the characters. ever. you will be told how they feel about each other and about what's happening and about what they've done and will do. constantly

but that, for me at least, doesn't make you connect with those characters more, and it doesn't make them more complex (in fact, sometimes they feel like two emotions in a trenchcoat lol). of course too little emotional food can leave you hungry, but too much can cause indigestion

the thing is, i don't need dunnett to tell me that, for example, nicholas was battling with the pain of gelis's betrayal and the profound grief of the loss of his closest friend post-SoG. i know he's dealing with those feelings, i'm seeing it, because he fucked off to be a menace in scotland and he's wearing all black and he's kidnapping people to torment them for a while (lol). and that's so much more interesting than writing paragraph after paragraph of his emotional breakdown. because, yes, i can use my imagination. i like doing that!

would the lymond chronicles be better if we got descriptions of how lymond is drowning in pain and self-hatred during basically every chapter in RC or CM? it's obvious that that's what's happening to him. i think it would actually make the books and the character worse, because doing that doesn't fit who lymond is, just like it wouldn't fit nicholas.

the constant repetition of how zhu, ouyang, and baoxiang feel are not "juicy" to me. they're fine characters and i like them. i would even say they're pretty interesting! but you could pretty much define each of them with a couple of words and you would get like. 90% of who they are. no subtlety. no imagination.

you can't define lymond with two or three or ten words. same with nicholas. even dunnett's characters who seem more simple and straightforward, like richard or julius, are more complex than that

another thing is that focusing so much on the emotional journey of the characters means that other parts of the book are completely neglected. the radiant emperor duology is a low fantasy historical fiction. but the historical part of it is given almost no attention at all. if i pick a histfic book, i want to feel immersed in the time period it's portraying. that didn't happen at all while reading these two books. you may like dunnett's minute historical details more or less (hell, i'm a huge fan and even i want to skip most of the historical mumbo jumbo in some of her novels (the ringed castle)), but goddamn she makes you feel immersed in the 15th and 16th centuries

anyway, the conclusion here is that SPC doesn't love dunnett's style, and i don't love their style. i will probably still read their following books when they get published, but i really, really hope they learn just one thing: sometimes (most of the time) books that are subtle, are better

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.

[trafficblrpositivityproject]

some people on here don't need positivity asks. popular artists and writers for example. they get enough love, show love to smaller creators instead

Hello anon! You seem confused about how this blog works. Since it seems you are not aware, this is a submission-based blog! (✨0✨) Any person can submit anyone else, regardless of how "popular" that person is. The submission button is in fact the same button you hit to send me this unfortunate and rude ask!

I assume you are not aware of this, as this ask is the only ask you sent me. No other asks, on or off anon, came in alongside this ask. Especially not any asks sending in positivity for small creators, who you claim to be concerned about. But that cannot be right, because if that were true, I would have to conclude you do not actually care about small creators at all, and only want to complain about popular creators getting positivity, which would be not very nice!

Oh, and another thing. One of this blog's only rules is to not put down one member of this fandom in order to uplift another. I assume you did not read the rules in my description, since you did not know I am submission based, so I thought I would let you know!

Ah, but actually though.

"Popular" writers and artists are in fact also people who work hard and provide the fandom with amazing works. There are a lot of popular artists and writers whose work I genuinely admire, and I am happy to use this space to express this admiration. They deserve appreciation for what they do, and as long as people are willing to submit them, I am going to post them.

(Additionally, on an entirely practical level, who am I to decide when someone is "too popular" to be posted? I cannot see anyone's follower counts. This is in fact a main feature of tumblr. Would I just be going by guess? This seems an inefficient system.) (Not that I think you care about this. I assume you have a specific list of users in your head that you, personally, subjectively, do not like, and you want me to adhere to it for your petty grudge.)

One of the many, many reasons I started this blog was in response to how certain people use confessions blogs, where I saw space for people to post anons about how they disliked popular artists and writers, such as how they hated a certain person's art or writing style, often specifying those people by name on anon to a blog with many many followers, where that person will unfortunately see it.

Another of the many, many reasons I started this blog is for my friends who are on the more popular end of the fandom, and how people treat them directly. What they have shown me of their inboxes is nightmarish, with people being rude, entitled, or cruel, simply because they assume that people's humanity does not count after a certain amount of followers. And, in the interest of full disclosure, though I am not extraordinarily popular on my main account, I have gotten my own share of nightmare anons as well.

A third of the many, many reasons I started this blog is because I have seen tumblr users post about other tumblr users by name and how they do not like their art/writing/creations, do not think they deserve their success or support, or simply do not like them without ever even meeting them. They will then post those uncaring words in those user's tumblr tags, again where those people will see them.

All of this made me very sad, because it seemed like somewhere along the way, people seemed to forget those artists and writers are people. Being popular (or perceived as popular) in fandom comes with many benefits, this is true, but it also emboldens the absolute worst members of fandom to be cruel to people they think are an acceptable target.

None of this sort of attitude makes fandom a fun place to be. Fandom is meant to be a community, based in mutual love for the same story. It is meant for making art, or writing, or cosplay, or songs, or other creations. It is made for sharing those creations with strangers who love the same thing you do, and sharing excitement and passion with other fans. It is meant for making friends. It is made out of, and meant for, love. Fandom is not only made worthwhile, but kept alive, through our support for one another.

You may think me a popular artist/writer dick-rider for acknowledging the humanity and fandom contributions of popular creators. I do not mind. I am sorry for you that simply believing people should be kind to one another, or that artists and writers should be recognized for their hard work, is so skewed in your head. I will not apologize for being kind to people, or for providing a space for kindness.

Do not mistake my existence as a positivity blog for me being a pushover. I will absolutely not tolerate any of this sort of attitude on this blog. This is a blog based in kindness, and I will shut down any asks which aim to sow any sort of rudeness.

If you actually care about small creators, be the change you want to see. Submit small creators. I am literally constantly begging for submissions, and I would love for people to submit any and all creators, big or small. I myself have submitted plenty of anons about small creators to my own blog. One of the best parts of this blog is learning about lots of creators I would not have known about before because you all submit small folks. Our support for each other is not just fandom at its best. It is what fandom is for.

All this said. Do not be hateful slime in my inbox again. I do not want to block you, because I think you, too, deserve positivity, if you receive it. But I will block you if you persist. Thank you.

[menagerofmischief]

shrimp cocktail, cold appetizer, lobster, coca-cola, yes dessert, served by oscar piastri

Dia's Diner Menu

shrimp cocktail rivals to lovers cold appetizer rough sex lobster "I love watching my cum leak out of your pussy" coca-cola somnophillia dessert aftercare

Oscar Piastri x Ferrari!driver!reader

TW: one bed trope, unprotected sex (wrap you willy please), sleep dry humping

WC: 2k

A/N: I enjoyed writing this one a lot. Also I wanted to say I'm so thankful to all of you that sent requests and that I can't wait to write all of them but you'll maybe have to be patient with me because I'm a student and am pretty busy with school. I hope y'all are gonna enjoy this one.

Some bigger force, God or karma or fate or whatever else there is, was definitely out to get me. Because this had to be the worst fucking night of my life. I’m not being dramatic when I say that.

Why was this the worst night of my life?

We just made it to Singapore for the upcoming Grand Prix and went straight to our hotel. The whole grid was staying at the same place since it made things more convenient. I go up to the reception to check in and get the key to my room, all but ready to collapse into the mattress and sleep the jet lag off. 

“I’m so sorry Miss,” the receptionist says, tapping her fingers against the keyboard, glancing up at me every few seconds. Finally she looks up, her expression apologetic. “It seems there was a mistake with the booking and we double booked your room.”

I fight off the urge to groan and roll my eyes, instead plastering a smile on my face. “It’s fine, it’s not that big of a deal. Just put me in whatever room is available.”

She makes a face, looking down at the computer again and then returning her gaze to mine. “I really am sorry but there are no other rooms available right now.”

Now I really did groan. “Fantastic. Can I know who the other person occupying the room will be?”

Before the receptionist had the chance to answer, my worst nightmare in human form came up to the desk, standing right next to me. “Hello. I’m here to check in - it’s under Oscar Piastri.”

The woman - I finally glanced at her name tag, seeing her name was Alice - looked between us, then down at the computer before looking at us again. “Sir, as I was just explaining to the lady here, the hotel double booked your room by accident.”

“It’s fine just put me in a -”

“There’s no available rooms.” I cut him off. “Just the one.”

Oscar looked at me, narrowing his eyes. McLaren’s golden boy, affectionately nicknamed ‘the polite cat’ by the fans was the biggest thorn in my side for a long while now. Everything started back in F2 with our on track rivalry which grew with each race. Then I signed into F1, fulfilling my childhood dreams of racing in red and thought I escaped him. I thought too soon apparently because after my announcement post, his followed soon and I was once again back on track with him.

Did I have a reason to hate him? Absolutely! Was it awfully petty and possibly over-dramatic? Very likely. It was my first race in F2, I was about to finish P2 it was amazing. Then he crashed into me and drove us both into the wall, causing us both to DNF and lose out on a podium.

We have hated each other ever since.

“It’s okay - we’ll share.” Oscar’s voice brought me out of my thoughts, quickly turning my head to look at him.

“What!?”

Oscar took the key from Alice and dangled it in front of me, a smirk on his face. “I said we’re gonna be bunking.” He pulled the handle of his suitcase, “Come on then, Y/n”

✿ ✿ ✿

“You stay on your side of the room,” I said, putting the chair in the middle of the room to make it a half marker. “And I’ll stay on mine.” The one queen size bed would definitely be a problem as well, but one I would mention later.

“And how are you gonna go the bathroom since it’s on my side?” He asked, his voice holding a teasing tone.

“Bathroom if free ground, hallway too” I stated, crossing my arms over my chest.

Oscar’s gaze dropped down, stayed for a few seconds and then his eyes met mine again. He hummed, “And if I wanna open the window then what? Since it’s on your side.”

“Don’t act smart,” I told him. “It doesn’t suit you.”

“You wound me!” He gasped, pressing a hand over his heart.

“Shame it’s not fatal.”

✿ ✿ ✿

This was definitely the weirdest night of my life.

With only one bed in the room, no couch and neither of us willing to put our body in uncomfortable positions sleeping on the chair or on the floor, night before practice - Oscar and I made an agreement to share the bed.

One of the extra blankets from the closet was bunched up and put down the middle of the bed separating the two us. Not that it served much purpose considering that it was kicked down and off the bed while we were sleeping.

I woke up, rubbing my eyes to adjust to the dark and then I felt it. The slow, yet desperately feral rolls, the pressure and the pleasure. I had to press a hand against my mouth to stop myself from moaning, taking in deep harsh breaths through my nose.

I came to a realization about three things, so goes:

Oscar had moved a bigger part of his body onto my side of the bed.

He had pulled me close and caged me in his arms sometimes during the night.

He was grinding his very much hard cock into me -  in his sleep.

My cheeks were on fire and it felt like the rest of my body was too. The pajamas, which I purposely picked out because of how light they were, felt suffocating now.

I didn’t even realize what I was doing until it was done, my body moving on its own. One leg pushing slightly forward, opening just enough space for Oscar’s hips to chase mine and my ass slowly barely grinding back into him.

I was enjoying this much more than I should have and it was wrong. God, it was so wrong. But when his erection was rubbing so perfectly against me, I couldn’t bring myself to care.

I was wet, I knew I was. I could feel how soaked my panties had gotten and the uncomfortable feel of my slick underwear did not escape me. As the pressure increased I couldn’t help but let out a moan.

The noise felt deafening in the silent room and my eyes widened. Oscar’s body stilled and my breath caught in my throat, the dread of having woken him with my moans taking over me.

A moment passed, two moments passed. Then Oscar’s hands tightened around my body, pulling me even closer to him, my ass pressed just against the outline of his dick. One of his hands moved down my stomach, dipping into the waistband of my sleeping shorts and going straight down into my panties.

He ran a finger through my folds, coating it in my slick and it took everything in me not to moan. “You’re fucking dripping,” his voice in my ear made me freeze. Awake afterall. “This wet from me humping you? And here I thought you hated me.”

The pad of his finger touched my clit, a gasp falling from my lips at the pleasurable feeling. “Did you enjoy me rutting into you while I was sleeping, you dirty dirty girl?” He added more pressure, rubbing circles on my clit and this time I didn’t hold my moans back. “Woke up halfway through, when you started grinding your ass on me like a bitch in heat. You seemed so into it, I thought I’d just keep going.”

“Wasn’t,” I whispered.

“What was that?” He growled into my ear.

“Wasn’t grinding on you,” I said, through gritted teeth.

His fingers pinched my clit and my whole body surged forward, mouth falling open to let out a loud moan. “Don’t lie,” he said, the tone of his voice leaving no room for argument.

“Fuck you.”

“Oh don’t worry sweetheart, you will.”

Oscar pulled his fingers out of my panties, making me whine at the loss of friction on my clit. His chuckle vibrated through the room. He got up onto his knees on the bed, arms coming forward to grab my shoulders, and pulled me roughly so I was laying on my back.

I couldn’t help but look at him above me. His eyes were full of lust, pupils blown wide and cheeks red. As much as I didn’t want to admit it to myself, he looked absolutely ethereal. 

“Tell me to stop,” he said, fingers hooking into the waistband of my sleeping shorts.

I held his gaze, a shaky breath falling from my mouth. “Don’t stop.”

In one move he pulled down both my shorts and my panties, throwing them behind him without a care. Then he took off his own shorts, followed by his boxers - that ended up being thrown somewhere too. He pulled me up enough to take my top off, and then pushed me down again, leaving me completely bare. 

Oscar leaned over me, his mouth drawn in a smirk, his breath hot on my face. “Tell me not to kiss you.”

“Kiss me,” I whispered. He didn’t waste a second, as soon as the words were out of my mouth he was surging forward, his lips pressing harshly against mine, tongue pushing into my mouth. He pulled slightly back, my lip caught before his teeth and he gently bit down, making me whine into his mouth.

“Fuck me,” I panted into his mouth. “Please just -”

I didn’t get to finish what I was saying as he pushed himself into me fully in one go, making me scream. His hand pressed against my mouth, muffling the noises I was making. “Do you want to wake the whole hotel up?” He asked as he began thrusting, pulling himself out until only the tic was still in me and then forcefully pushing back in again. “Some people came here to sleep, not to listen to you moaning like a whore on my cock.”

His other hand went between us to rub my clit. I was practically sobbing as he worked his fingers in fast circles around my clit while roughly thrusting into me. My vision was blurred with tears that were spilling from the corners on my eyes.

Oscar’s hand moved only a little, leaving room for me to speak but close enough for my lips to brush against his palm with each word. “Cum,” I babbled. “Gonna cum! Oscar, please!”

“Yeah?” He asked, his voice hoarse. “Gonna cum for me like a good little slut? Go on then - cum”

I came with a moan, wrapping my legs around his waist and caging him in. Oscar fucked me trough my orgasm, his own following. He twitched inside of me before cumming, painting my walls and making me whine at how full I felt.

He pulled out of me slowly and went to the bathroom to clean himself up. After a moment he returned with a wet, probably warm, towel in his hands. He kneeled on the bed and gently spread my legs with his hands.

“Fuck,” Oscar groaned. “I love watching my cum leak out of your pussy.” His fingers dipped to collect some of his cum which had spilled out of me and was slowly dripping towards my ass, and pushed it back into me, causing me to gasp.

He leaned forward and placed a kiss on my forehead and somehow my cheeks burned ever hotter. After he gently cleaned me up and terrorized me to drink water, he laid down in bed next to me and pulled my body into his, arms wrapping around me.

“Are you finally going to let me take you out to dinner?” He asked, his voice husky and breath hot against the side of my face.

I hummed, my eyes barely open and already feeling sleepy. “Don’t crash into me while I’m winning on Sunday and we’ll see.”

“That was one time!”

I chuckled, placing my hands over his hand on my stomach. “Yeah, I’ll let you take me out to dinner.”

Believe it or not this might have actually turned out to be one of the best nights of my life.

[toruro]

i just think….toxic ex bf!dino who starts hoeing out to make you jealous.. he fucks any random girl at any random party but only thinks of you, making sure his hickeys are visible enough for you to see them, posting pics with randoms on his socials 💭

nectar of the gods

tags: smut (18+), angst, toxic chan (duhh), pet names (baby), creampie

w/c: 1.4k

a/n: this concept is insanity actually anon i am in love with u (WINK WONK WINK WONK WINK WONK) ..,,, pls visit my inbox more often :3

thinking about your toxic ex chan.

it's funny when you say that, because he was the one who said he wanted to end things on good terms; told you he wanted "none of that drama ... none of that petty shit." chan had said it so casually that you're now having a hard time trying to figure out if you're going crazy.

crazy, because just three nights after you two ended things, he was posting on his finsta (which, by the way, he demanded you stay on for the sake of keeping peace and not cutting ties) at some party you weren't invited to with some girl you didn't know dancing—no, grinding—on the same man whose lap you were bouncing on just a week earlier.

crazy, because two days later you go to hang out with your group of friends and of course chan is there (because when isn't chan there?), and you swear you haven't seen him wear a shirt with a collar that low in ages and ... is that a hickey? you might go crazy.

crazy, because you aren't sure if he expects you to stare ..,, crazy, because you swear you see his lips curve upwards into a smug smirk when you turn your eyes away, bashfully heating up in the cheeks. "you good?" he asks casually, when you choke over your water a little when you decide to glance back at him and catch second and third splotchy, bruising mark under his collarbone.

crazy, because you aren't sure why your stomach bubbles up with some nasty feeling of ... anger? uncertainty? jealousy?

crazy, because how could you be jealous? you broke up with him—told him you've got too much going on in your life, and while chan was great and all, you don't really have the time for a boyfriend right now. so really, you have no right to be jealous, isn't that correct?

fuck, you've gone crazy.

it doesn't help that you try to avoid him. the next week, you don't sit next to him in the lecture you have together, and you don't think chan'll make a fuss about it. after all, it seems like he's moving on just fine, so you hardly consider the fact that he might be just a bit bothered by the fact that you choose to sit next to seungcheol instead.

you don't expect him to walk up to you afterwards with a frown etched deep into his lips as he scoffs, "already throwing yourself on my friends?" to which you'd like to respond with: "aren't you doing just the same?" ... 'cept you don't say that, because that would mean you're jealous, right? and you're not jealous ... no way!

so you just shake your head softly and say that you're sorry for causing a fuss. that you'll sit with him next time. that you'll start talking to seungcheol less. chan grins at you and nods his head, and as he turns away to head to his car, you catch the fading mark on his neck from a few nights before, and wonder if you should say something.

you don't, of course.

that night you go home, and you're scrolling on your insta and then there's that bright ring around the chan's finsta and so curiosity undoubtedly kills the cat. maybe you tear up a little at the sight of a an obviously faded chan who's got his cheek pressed up against another girl's, both of them grinning as people party in the background.

and so you call him, and he's sweet at first. asks you, "hey what's up ... hey are you crying?" to which you respond with more sniffles. and you wanna hang up, you wanna hang up so bad, but then you think that if you cut the call he's just gonna go off and talk to that girl—or worse, he'll fuck her—and you're totally not jealous but you also totally can't let that happen.

and so you cry a bit harder—you replay the image of those stupid, big fat hickeys on his neck—and you let your tummy churn while you wallow in your own self pity.

"what's wrong baby?" chan asks you from the other side, and in the background you faintly hear the blaring techno and you briefly consider telling him you miss him, which is odd because you don't miss him ... do you? you just don't want him to go off with what's-her-face ... right?

and so you're silent, tryin' to figure out what you should say but then you hear this voice and it's too high pitched, too bubbly, too girly to be chan's, and suddenly your heart sinks right down to your stomach.

"channie, c'mon! let's have some fun?" the voice of a girl calls in the background, and you're just about to open your mouth and say something when chan beats you to it.

"i gotta go," he tells you in a rush and oh the sound of the line being cut will be you're undoing, because now the image of chan fucking this random ass girl burns into your skull and for some reason, you can't seem to shave it down.

and so you drown yourself in your tears, pressing yourself into the cushions of your couch and your sobs rack through your empty living room while chan is probably in some strangers room fucking the living daylights out of a cunt that isn't yours.

you think you might just fall asleep like this—alone in this dimly lit room with nothing but your tears dropping onto your lap; and so when you hear chan's voice you think this might be a dream, but then you look up and suddenly you see him.

he stands in front of you in all his glory, face flushed and faux blonde hair brushes just over his eyes as he walks closer to where you sit on your couch. chan shushes you when you ask him why he's still got your keys—tells you that isn't important right now—and he cups your cheeks and wipes your tears, asks you why you're crying, why there are tears in your eyes when "channie's right here ... channie's not gonna leave you ..."

and then he's kneeling in front of you, askin' you again why you're crying and so you cry even harder ... his hands are all over you, stroking your cheeks and then rubbing your shoulders, then one hand's on your hip and kneading the soft flesh and you think he's just trying to comfort you and so you cry even harder because you wonder whether he had his hands on that girl just moments earlier.

but then he's whispering in your ear, tellin' you he's gonna "make you feel better ..." but only if you'll let him.

his hands feel so nice all over you, rubbing up and down your thighs and—fuck, when did he slip his fingers between your legs? not that you care anyways, because even with your mind deluded with tears, you find the want to slowly hump your hips into his touch until he's slipping his hand down your pant, asking you if this is you letting him "make you feel good."

of course, you whine through your tears, nodding dumbly when he slips his rough fingers into your soaked cunt, murmuring into your neck 'bout how "channie's always gonna be here to make you feel better ... channie's never gonna leave ..."

he fingers you for a bit, and then he fucks you into the couch. it's hot and sloppy and heavy and messy, and it has you crying and panting—hands all over each other because you can't get enough of him.

your lips run all over his neck, his chest, collarbone—all of it, because you are in no way jealous, you just enjoy marking your territory. and chan fucks you so deep, groaning, "this pussy's made for me—just for me, you hear me?" and you are not a jealous person but you grin to yourself in this fucked out haze because chan is right.

you wrap your arms around his neck as he fucks you missionary, raking your nails into his back, tugging at the roots of his hair—doin' everything you fucking can to show chan that he might not be yours but he is yours, and you are his.

the thought that this might come and bite you in the ass crosses your mind briefly, but chan is quick to fuck your worries away, tellin' you "no one's gonna fuck you like this ..." and so you moan, and chan takes that as an agreement, so he fucks you harder until you're choking over your own sobs of pleasure.

"this pussy's mine, you got that baby?"

[tutuntuntuinen]

Best Fics 2024 edition

I read 57 fics last year, transferred to a traditional book pages, it's over 10 000 pages. And yes, it's all ✨Ineffable Husbands✨. I have a catalogue and I mark and rate all fics I read. And here are my favourites from 2024!

(See all the tags and warnings from AO3 page, fic names are links to AO3.)

stalwart sun, wily moon by @dustandhalos (Heist AU) Rated M, Words 369 969 My comment: They are both working with art, Aziraphale fixes the antiques, Crowley steals it. I read this 2 times last year, it is my all time favourite. I will read it again this year. Yes, it's a long one, but it is so wholesome and it has everything (not smut though). It broke my heart and fixed it later and nurtured my soul. I'm a fan.

Mon Horrible Chéri by @mrghostrat Rated E, Words 39 954 My comment: They are teachers and they go to Paris with a whole class. They hate each other! Enemies to lovers and so delicious. My favourit part is this small scene from the theatre (minor spoilers): "The air swept out of Aziraphale’s lungs and he stared blankly at the stage. He couldn’t hear a thing for all the blood suddenly rushing to his ears, boiling from the heat that exuded from Crowley’s thigh. It didn’t move, didn’t bounce. Just sat there, flushed against his own, positioned knee to knee and thigh to thigh, securely and intentionally." Like... that's... someones knee touching yours but Ghostrat makes it the whole world! Also the illustrations are soo good!

Big Name Feelings by @mrghostrat (Fandom AU) Rated E, Words 103 997 My comment: Another one from Ghostrat. "Crowley is a BNF fic writer, and Aziraphale is a lurking artist who might be just a little parasocially in love with him." This, too, is so well written and also with lots of illustrations and custom emojis.

Anthony J. Crowley, Retired Demon and Airbnb Superhost by TheOldAquarian (@darkpurpledawn) Rated G, Words 3 027 My comment: This fic is basicly a review section of Crowleys Airbnb apartment, which is in Mayfair and has a lot of house plants and frequent angel like visitor. It is HILARIOUS! "Don’t post a close-up picture of that statue of the two angels, Instagram WILL remove it." Pray For Us, Icarus by Atalan (@brightwanderer) Rated G+T, Words 67 805 (Parts 1-7) My comment: This is a heart breaking story and it's so good and well written. "For three centuries, Crowley has been reincarnated over and over as a human with no memory of his past. Aziraphale has tried to find a way to restore him to his true self, but all he seems to do is hurt them both. This time, he only means to steal a brief moment when he walks into Crowley's flower shop. But Crowley can't let it go…"

What We Make of It (Shotgun Wedding) by @charlottemadison42 Rated E, Words 213 340 My comment: Crowley is Adam's guardian and Aziraphale is Adam's English teacher. Our heroes meet and you know what happens. But because their jobs, there are legal issues and they can't have a romantic relationship. So what to do? Panic, angst, be recless! Great story with all the kids and other characters.

Or Be Nice by @charlottemadison42 Rated E, Words 151 368 My comment: "A human AU in which Aziraphale is a bookseller, Crowley is a drummer, and they are both petty disasters in the worst/best way." Also they are neighbours. This is so FUN!! And also sweet. The pranks they make each other are delightful!

Slow Show by mia_ugly (@mia-ugly) / Podfixx (@podfixx) Rated E, Words 95 505 My comment: I have listened the podfic by Podfixx two times last year. Slow Show is a whole story with our favourite heroes who are co-stars of a popular television program. I love when the characters have a past and it shows and it affects everything they do. It makes the story go deep. I love this!

sanctuary by @moonyinpisces Rated T, Words 22 635 My comment: "Whatever’s happened, Aziraphale doesn’t like it. Change. Such a dreadful invention. (One of Crowley’s, undoubtedly)." This fic has so many things I can't even remember all the things I loved in it (I should read it again!). I think the biggest thing was that it triggered my religious trauma some how and the way Aziraphale had to deal with all the things made in the name of Christianity. And still he could love and be loved.

We Only Said Goodbye with Words, I Died A Hundred Times by ras_elased Rated E, Words 9 333 My comment: This is a hurricane of dialogue and emotions. It was (checks the catalogue) february, when I read this, so I can't remember too much (should re-read). But after reading this I was so impressed it made it's way in this list!

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There were also other great fics! If you are interested in my lists, you can contact me. I'm very open to fic recommendation exhange! There are great fics from year 2023 which are not mentioned here, but are superfabulous!

[springsylph]

WITCHING HOUR, CH. 1/3 — [18+]

(18+) - MARKED FOR EVENTUAL SMUT, MINORS DNI!

fem!reader x arthur morgan

summary: most people in the area had issues with coyotes. yours wore a cowboy hat, but you let him in anyways. tags: marked 18+ for smut in later chapters, reader has a backstory kinda (but also not kinda), referred to as lady/ma’am/etc, arthur doesn’t know how chickens work, i really don’t know my farm lore

word count: 5.5k

a/n: setting this pre-chapter 2 ish and post chapter 1, except it’s winter for realsies, Because I Can. and please no questions about chicken logistics or I Will Cry.

you can find a link to the playlist here!

read on ao3 here | masterlist

The fictitious “stranger,” by all accounts, was possessed. 

Possessed by an air so overwhelming, so sure, that it incited perversity in even the most upright.

He was an outlaw, by the cut of the whispers. The story went that he’d rolled in like a heavy fog, altogether quiet and unassuming, though still carrying the foreboding quality that preceded the raising of hackles. Mothers kept watchful eyes over their daughters, and more notably, the fathers brandished their guns. 

And yet—that maddening yet—the mothers seemed to care little for their own warnings, and even the fathers were envious of a man dripping with exploits they didn’t have the luxury of entertaining.

Luxuries and lack thereof aside, the fickleness of those who spoke of him had not gone entirely unnoticed; it lent no plausibility, no substance to the dream-like tales they’d crafted in their drunken stupors. The most substance you’d seen had been spewed into the shadowy corners of Valentine, pissed into not-quite pristine patches of snow, foul stench leaking out onto already foul streets before it followed you back to the farm.

It stunk. 

It stunk, and it loitered, and it’d been stealing from you.

Which is exactly why—when he shows up on your rickety porch just as winter has begun to bleed out into spring—you take up the mantle of digging your loaded barrel right into his sternum. 

—

The front door tremors behind you.

The stranger shifts on his feet. 

You shift with him, and gloved hands inch toward the stars in surrender not long after. 

Amorphous mass comes to your mind first, rather than man. You can only discern the more essential points of his appearance: the gloves, the satchel, the rifle slung over his back. Knives are stashed somewhere you can’t see—if he’s worth his salt—but everything else blends into the dark line of trees behind him. You swallow a rather painful yawn.

His hat, evidently beaten to hell and back several times over, sits low enough on his forehead to cast shadows over his features—though not low enough to completely obscure the faint outline of a face from your view. The rest of him only falls into place once you crane your head to find his eyes. 

As is customary in situations concerning your immediate safety, your throat constricts, and the second yawn you feel crawling up your throat nearly succeeds in asphyxiating you. 

Petty crimes would have granted him a slighter frame, but no petty crime you can think of could have afforded him the sturdy chest, the buckling of the air around him, the crooked line of his nose, clearly less cared for than his battered clothing. He’s still a little blurred—largely from a lack of sleep on your end, and the protection of his hat on his. Even so, the hard set of his gaze offers nothing other than the tale of cruelty lived and the promise of cruelty to come. 

There was no doubt. This had to be him.

(You might think him handsome, if not for the fact that it’s a quarter past three in the morning.)

The first breach in his stony composure that you catch is paper thin. Fleeting. And he’s quick to recover; any indication of surprise is sequestered with a blink. The second is an awkward shifting of his stubble-shrouded jaw, and you note with a squint that his bandana still hangs feebly off the jut of his chin. 

He admits defeat after a few clumsy seconds. Cracks a wicked smile, bright as the moon peeking out from behind the crown of his hat. But it falls away quickly. Somewhere in the distance a tree branch creaks, tiny shards of ice scattering to the ground and tinkling like bells.

He was calm. Entirely too calm, considering where he stood. His hands haven’t budged, and nothing in his stance hints at an intent to attack. If you didn’t know any better, you’d say he looks more annoyed by your presence than you are by his. 

You try not to think about his eyes. There’s something else in there, too. Apart from the agitation that radiates from them, that is. It lurks deep beneath the blue and wades through the slight dilation of his pupils; it urges him closer—or, is it you?—like the distance between the two of you isn’t sustained by the twitchy arms of a jittery woman holding a rifle.

But there’s an abrupt wind that fiddles with the cotton threads of your chemise, and you’re suddenly struck with the realization that no, your hunting rifle isn’t loaded, and in your haste to confront him you’d forgotten your boots and shawl. 

The nighttime chill, ever the tyrant, lodges itself where the wooden boards scratch eagerly at your bare feet. You were cold, so cold that it ached, and you were tired. But it’d do you no good to show your hand this early. So like the hiss of a rattlesnake, you keep your voice low, and you keep it lethal. 

The stranger is named by the venom falling from your tongue.

“You’ve got ten seconds to convince me not to unload this lead into your chest, Morgan.” You track the added prod of the gun to ground yourself, eyelids still heavy with sleep.

It doesn’t do much, as far as threats go. Morgan’s ever steady breathing still accents the now stagnant winter wind, a stark contrast to the throb of your heart striking your ribs. But a small scar, carved into the flesh of his right cheek, has made an almost imperceptible shift. The rest of his features take far more liberties with their movement—

—and he’s scowling.

Your heart strikes louder.

God, the shit you would shovel to be able to read minds. Animals have always been more your speed; people were a hassle—far too unpredictable, and they tended to reap fewer rewards. 

In your mind's eye, Arthur lies silently amongst the fallen snow, red unfurling behind him like wings. You’d hate to have to kill him, you really would. But there was nothing more dangerous than indecisiveness: it killed, and often relentlessly.

Only, you’ve been staring too long. It’s long enough to rouse Morgan from whatever state he’d been in before you’d spoken. He’s smart enough to keep his palms facing you, and he dips his head with the same mildness that one might use to soothe a startled mare. The scowl is tamped down, smile returning to him like water running through a scraggly creek. 

“Evenin’, Miss.” He drawls.

And it works. You hate that it works. There’s a dull heat that seizes your lungs at the low timbre of his voice, something akin to fire. 

No. No, nothing like it. It was more like the cheap whiskey you’d downed that first night working as a farmhand, all those months ago. It’d numbed your tongue, tumbled down your throat like sun-warmed stone, and simmered in your stomach. You hadn’t dared take another swig after that. Too dangerous. But it’s easy enough, passing your shudder off as a trick of the cold and cocking your head incredulously. 

“Showing up uninvited, and you can’t do me the courtesy of knowing my name?” One push of the rifle sends him back with surprising ease—away from the cabin, and away from that damned moonlight. “Ma’am will do you just fine,” you spit.

His smile fractures. Not enough to truly frighten, but enough to make your fingers clench. “You talk to all your guests like that, Ma’am?” 

You steel yourself. “Only the sneaks.”

At this, Morgan stills. Shuts his eyes. 

Did he really think you wouldn’t notice?

The farm had more issues with coyotes than crooks; that’s what you’d been hired to take care of, more or less. Your employers—the Campbells—were getting on in their years, and were in desperate need of someone to help keep watch during the nights. So imagine the surprise when you’d found not a coyote, but a wanted man sliding through the shadows. 

It’d angered you, that first time he’d gotten away. You’d only recognized him long after he’d left. But after that night, you’d made a show of firing off rounds into the nearby woods and roaming the perimeter of the grounds under the guise of a late-night hunt. 

From what you knew, he hadn’t come back to steal, but you knew you’d seen him lingering. Felt him watching. Waiting for something—but you’d made sure that every pop of your rifle drove him further and further from whatever it was that he’d been aiming for. And now Arthur Morgan is here.

He furrows his eyebrows, purses his lips, and they disappear for a moment when he goes to wet them before he speaks again, a little less amused. “Now you know I mean no offense—”

“No offense? Well, I’d kill to see what you and your ilk consider offensive.” 

The wind slams the front door shut. 

“My ilk?”

You wonder if it’d been your goal all along, trying to rile him up like this. Accusations slide out of your mouth and into the night air far too easily for it not to be. But the thought of anything other than catching him red-handed occupying your head unnerves you, sending you another two steps forward and into the powdery snow.

“Jesus, woman! Alright, alright.” Morgan’s eyes finally leave you, darting between where your feet dig into the cold ground and the muzzle of the gun pressed to his chest. He slumps his shoulders and looks up to the sky, still an ugly grey-black from the thin dusting of snow the night before. 

“Look,” he starts, hands fighting the urge to pinch the bridge of his nose, “I don’t mean no harm. I swear it. I’m—just give me a minute to explain, will you? One minute, and I’ll be out of your hair.”

There’s a please somewhere in there, left unsaid yet still ever so loud. You think it might have left him in the puff of breath that still hangs above your heads; hot and heavy in his mouth, but turned to nothing but vapors once it misses its chance to solidify.

You eye him warily. This could be over and done with in a matter of seconds, and you might be able to knock that godawful mustache clean off of Sheriff Malloy’s face. You kill him—or turn him in so long as he didn’t bleed out, whichever came first—and get whatever bounty was nailed to his head. Use the money to get out. Get your freedom. Stop biding your time, and get revenge. 

And yet.

And yet.

“…You lying to me, Morgan?”

His shoulders straighten out, suddenly very tense. “‘Course not. You think me the lyin’ sort?”

Your voice flattens. “I figured that much was obvious.”

“Ouch, lady. Not willing to pull your punches for little old me?”

“You’d rather the lady use the gun?”

“Neither, thank you. And, speaking of which–” His chest deflates a bit, putting space between the two of you without having to step back. “—quit swingin’ that thing around. You’ll take someone’s eye out.”

Exhaustion mounting, you lower your rifle slowly. You keep your eyes trained on a pebble that’s escaped the snowfall relatively unscathed, not trusting yourself to look anywhere else. Conceding with a sniff, you toss your head toward the front door. It’s quiet, now. 

“Get in, before I change my mind—and no funny business, neither. Guns, knives, whatever else you’re hiding, drop ‘em. Right here.”

Too groggy to note the stalling of movement, you wait for the clinking of metal to stop. His boots retreat from your peripheral far more reluctantly than you expect. There’s a telltale groaning of wood, and you turn to find Morgan gazing down at you with an outstretched hand from where he’s hopped onto the porch. He murmurs with a reverence that you’re sure is misplaced, so quiet that you have to watch his lips to catch even a smidgen of what he says. 

“Yes, ma’am.”

This was a game to him. You knew games. And so when you go to place your hand in his it’s to eye him down, back him into whatever corner would hold him and keep him there till you knew why he’d spent the last month haunting your lodgings like a ghost.

Calloused fingers wrap around your hand like a vice, and when he’s guiding you and your icy feet up the stairs it strikes you that maybe—just maybe—your assessment of your situation had been far too impetuous. Arthur’s touch is surprisingly clinical, but even through the leather of his gloves, it was warm. Too warm. 

Ghosts weren’t warm. Or, at least you didn’t think they were. And Morgan, looking like the very paragon of the West, all bright eyes and honeyed words, had given you a glimpse of something far too beguiling not to investigate. It’s when he presses the back of his free hand to your wind-bitten cheeks that you wonder what your father might think.

“Chilled, right to the bone.” It isn’t so much a mutter as it is a rumble, reverberating somewhere deep in his throat and traveling up to where the two of you have made contact. You’re avoiding his eyes again, but you’re close enough now to be able to see his muscles working his neck. 

His smell overtakes you much like the cold has. The freshness of the pine needles still stuck to his coat makes up most of what you’re able to distinguish. A little bit of horse, too—he’d ridden here. Where exactly he’d hitched his horse was a mystery. But with the proximity of his sleeve to your nose, you can make out the faintest hints of a potent musk. It’s everywhere: in your nose, your mouth, under your skin. Every inhale turns your muscles into piteous liquid. There’s no hiding your shudder, this time.

Morgan suddenly yanks his hand back as if scorched, and schools whatever expression he’d been wearing prior into one of indifference. He hums. Frowns. 

“Let’s…uh, get you inside.”

You offer a tight nod and turn away, but Morgan is quick to the draw; he whispers a quick “pardon me,” and goes to retrieve the weapons he’d dropped in your stead. 

Oh. You’d forgotten. It seems he’d forgotten too, brushing the mixture of dirt and snow away and mumbling something about keeping his guns warm. You’re left standing dazed on the porch, skin still blistering from where his fingers had met your skin.

Morgan has the decency to look at least a little troubled when he returns. He places what he’s collected into your arms before opening the front door, and gestures for you to enter. You offer one last look to the moon before following him inside.

__

Your judgment on Morgan—Arthur, now—was still up for debate. But your punishment for rushing to catch him had been doled out almost immediately. 

For your feet, a numbness that the fireplace had been bullied into chipping away at. Your hands are still tight from the cold, and they sit tucked underneath your thighs with the added protection of a few blankets that’d been placed over your shoulders. Your eyes flick over from the fire to Arthur, and your chest tightens. 

He’s found his seat across from you: coat and satchel on the back of a chair he’s pulled from the dining table, big hands tapping away absentmindedly at his knees. With the coat set aside, there’s nothing to hide the first few buttons of his shirt that hang open, pitch black and rolled up to his forearms to account for the warmth of the fireplace. His hat remains, hair still tucked away and settled at the nape of his neck.

You’d both been sitting in silence for the last half hour, despite Arthur’s insistence on “one minute,” letting the cold of the outdoors thaw out before saying anything that might get the rifle pulled again. You did gain a bit of satisfaction at the slight tinge of red in Arthur’s ears; it seemed the cold had gotten to him, too.

You watch as his eyes wander over the furnishings of your cabin. Thankfully, the door to your bedroom is only slightly ajar, and the knot in your chest lessens. It wasn’t often (or ever) that you had visitors over, which meant that most of your things were tucked haphazardly into corners or set on kitchen counters.

The Campbells—generous as they already were—had insisted you take up residence in a cabin on their property that once belonged to a daughter of theirs. She’d long since moved out, but the light in their eyes at the thought of it being occupied again was undeniable. It wasn’t much, but it was yours. And Arthur was seeing all of it.  

“Don’t get too comfy.” You frown. “…Arthur.” He beams, and suddenly there’s something incredibly interesting lingering right by your foot. 

His name still feels foreign when it leaves you. At first, you’d taken it as a show of good faith; he’d sworn to keep his mud-caked boots off of your rug in exchange for keeping his feet from becoming bullet-ridden by the time the sun came up. Arthur, feeling like he’d gotten the shitty end of the stick, had joked that you may as well call him by his first name. The last person with the guts to threaten him with a shotgun had, so what was one more?

It was a weak threat, if one at all. You knew, and he knew, that you were just about the only person this side of the Grizzlies who was vaguely aware of who he was. You’d seen it in his face when you’d called him by name. It’d be an insult to call it fear; an expectation of an inconvenience would be more accurate.

Luckily for him, you didn’t care. Not right now, at least. Imposing as he was, you refused to be cowed into going along with whatever it was that he'd planned. 

Your heel messes with the leg of your chair. “Don’t you go forgetting why I brought you here in the first place.”

“Not quite sure if I’d use that wording—“

“Can it, Morgan.”

His jaw clicks shut this time, but he’s still got that goofy grin smeared onto his face when you chance a peek at him. You’ll let it slide, for now. You’ve stalled long enough.

“So. My eggs. You gonna tell me, or do I need to start pulling teeth?”

“No need,” Arthur assures, “shouldn’t be stickin’ your pretty little fingers in just anybody’s mouth, Ma’am.”

An outlaw and a flirt, to boot. Wonderful. You’re wondering how long it might take to chuck the nearest inanimate object at him when he pipes up again.

“You piss in somebody’s cigarette box, lady?”

“Did I piss—Morgan, quit it!”

This seems to reign him in a bit, and his smile dips.

“I’ll be frank, since you asked so kindly.” Arthur leans back in his chair, flexes his palms. “You had people tailin’ you.” 

You quirk a brow. Ah, that’s right. He didn’t know, couldn’t have. But just as you attempt to explain, Arthur holds out a hand to stop you and shakes his head.

“Killers.”

The hand fussing with the material of your blanket falters.

“...I beg your pardon?”

“Hired guns, Ma’am. Out for you. You’re real…fortunate, I’d been passing by when I was.” A rueful look clouds his face. “Not much to hire once I was through with ‘em, though.”

The quiet that follows isn’t entirely unfamiliar. He’s an outlaw, you muse. Things like this are to be expected. But it doesn’t occur to you to ask who they were, what they looked like, what they wanted. Because Arthur didn’t know, didn’t need to know, and you aren’t sure if you want him here when you wrap your mind around the sobering fact that your long-held suspicions now bear fruit. So, you settle for the obvious.

“You kill ‘em?”

His jaw twitches. “Nothin’ gets past you, Ma’am.”

“...‘Suppose I should be thanking you, then.”

“Got my thanks when I checked their pockets.”

“But—”

Arthur gives a grunt of protest. 

Jackass.

Though your concerns about theft were long gone, it doesn’t seem like he wants to talk about this any more than you do, so you do your best to set the conversation back on track.

“Well, uh…the eggs, then?”

The tension in his jaw lessens. Arthur unfurls a long leg, digs the heel of his boot out in front of him, and rocks his foot back and forth.

“You know these winters. I can tell you do—despite all the…” he trails off, nods the brim of his hat toward your newly cultivated relationship with the fireplace, and you flush. “So, I uh, started out sneaking a few off, along with some other things for my people back at camp. Snagged some extra rations. Kept an eye on you. Two birds, one stone.” 

“So it wasn’t just the eggs you’d been stealing, then?”

“It’d behoove me to tell the truth and shame the devil, Ma’am. Not that he and I are unacquainted.”

So that was a yes. 

The part about “keeping an eye” on you is tacked on rather reluctantly, but at the mention of camp, your brows raise. It was true, then. The tales you’d heard during your trips to Valentine, the new faces you’d noticed in corners and back alleys, they were all real.

There was a time when you thought you might be able to find your place sleeping under the stars, free to do as you wished and go where you pleased, so long as the law kept their greasy mitts to themselves. But circumstances had seen to it that your dream went unfulfilled. 

You muster up what you hope is a sympathetic smile, and Arthur takes it stiffly.

Even so, something else with his phrasing catches your attention.

“Hold on now, you said ‘started.�� There something else you’re not telling me?”

A hand, previously settled on his knee, finds its way to the back of his neck and rubs. 

“Uh, y’see,” he starts, looking damn near ready to wring his own neck, and you have to laugh, because what on God’s green earth could have Arthur Morgan this bothered? But instead of finishing his sentence, he turns his gaze toward the small sliver of moonlight coming in through the curtains and poses a question:

“You know anything about chickens?”

You blink.

“Arthur Morgan,” your eyes shut, and your mouth hangs open. “I work on a farm.“

“That you do.”

“And you’re asking me if I know about chickens?”

“That I am.”

He’s looking mighty sheepish; his hands return to their places on his knees and begin to tap again, with the added scrunch of a nose. You stifle a snort and oblige him.

“Yes, I’m well versed in chickens. Now tell me what the hell is up.”

And tell he did. Turns out, one of the eggs he’d snatched had somehow been fertilized, and hatched. Arthur, of all people, had been far too mortified to go and ask one of his own for help, so he’d spent the last two months slinking around to find out if his luck might earn him another to keep the one he already had some company. 

He’d named it and everything, so eating it (Marlene, he corrects gruffly) was completely off the table. By the time he’s finished his story, you’ve spent an exorbitant amount of energy fighting off several fits of laughter, and you’re fighting off your ninth when Arthur interrupts.

He leans forward, as if to confirm something, then settles himself back into his chair once he finds what he’s looking for. “You ain’t from around here, are you.” It’s a statement when it leaves Arthur’s mouth, not a question.

Observant. Observant, and deflective.

Chewing at the inside of your cheek, you pocket the uneasy feeling in your chest for later.

“Long story,” you offer. And a difficult one, at that. It wasn’t one you liked to revisit.

Arthur replies almost instantly. “Shoot.” For a moment his face pinches, like he’s dropped his last cent down a splinter-ridden nook he can’t reach. He deliberates, for a bit. But the money is long gone now. “Got a full audience right here,” he continues, a tad slower. “I’ve got…time. Why the hell not?”

There’s no smile, but there’s a genuine curiosity that creeps into his voice. It wafts over the crackling of the fire, blows fresh wind underneath wings long forgotten. 

This wasn’t good. Not one bit.

You cast a skeptical glance toward the bottle of whiskey on the table. It’d been set out on instinct when you’d let him in, a habit formed from a time long gone. Would Arthur want some, maybe? He seemed like the type. And you weren’t too pissed about the eggs now, anyways. So you wrap a blanket around yourself, stand, and turn to the cupboards to find a glass. But something stops you from making it over, and you instead choose to wrap a hand around the bottle and offer it to him.

If Arthur is as confused as you are, he doesn’t show it. He mutters a word of thanks as he takes the proffered bottle. But you don’t miss the way his eyes rake over your bare legs like hot coals. Or the slight twitch of his fingers—now free of their gloves—at the light brushing of your hand over his as you pass the bottle to him. 

You follow the bobbing of his throat for what feels like a lifetime as he takes down gulp after gulp. Amber liquid slips from the corner of his mouth; it catches the firelight on its trek down, and steals your air along with it when Arthur moves to wipe it away with the back of his hand.

It startles you, how quickly you’ve become accustomed to cataloging his movements. You’ve met him before, you’re almost certain of it now. If not in the fields here, then maybe somewhere in Valentine, or the woods. But somewhere. He felt too familiar to be new, too invigorating. A part of you wants to pinch yourself for giving in so easily. Maybe…maybe the folks in town had been right? Maybe Arthur Morgan was possessed? It was either that, or you were an idiot. You sincerely hoped it was the former.

The sound of the glass bottle hitting the table is what snaps you out of your trance. Blinking rapidly, you chance a peek at his eyes again, only to find them peeking right back. You do your best not to turn away. That thing you’d seen lurking out on the front porch is still there, submerged in the depths of his pupils. Still waiting.

You pull the top off of the bottle, take a quick swig, and return to your chair with an inhale and newfound resolve in tow.

Blabbering seems to come unfortunately easy with Arthur. He sits, silent and attentive throughout the entire retelling—save for the occasional grunt of approval, disapproval, whichever was appropriate. You tell him of your mother, young and hungry, and how she’d made herself available to the highest bidder—your father. Some wealthy businessman from God knows where. Twenty years your mother’s senior, it’d been no secret what exactly he’d gotten out of their short-lived union: a wild young thing to look after his progeny and keep his bed warm.

He was nice enough, for a time. Or at least nice enough for your mother to be able to tolerate. But something had sent her fleeing from that big, big house. She’d kept you in her arms and her heart till you’d found somewhat of a safe haven in the Grizzly Mountains.

“Safe” had been a bit of a stretch, though. Anyone with half a brain knew exactly what the Grizzlies were like. Arthur agreed. But your mother had been raised there, just as you would be, if only for a little while. You’re only able to remember a short split of time—just before your mother passed, and before your father had come to take you away from her. 

By then your mother had already taught you most of what you’d needed to survive: reading, writing, hunting, flattery, the works. The only thing she’d left out was how to survive without her. 

Your father had come to find you only a few days after, bearing news of his intentions to turn you into a “proper lady.” He made no mention of your mother or where she’d been buried. 

Polite society hadn’t taken too kindly to a daughter hailing from unsavory origins, and it was safe to say that you hadn’t taken too kindly to polite society either. So, you’d spent the last decade or so making your father’s life a living hell and warding off any potential suitors.

But it became clear stunt after outrageous stunt that he had no intention of cutting ties. Rather than cutting you off, he’d settled for the next best thing: manual labor. Your father was old friends (though “friends” was a bit dubious) with the Campbells, and deemed it an appropriate enough punishment for your wrongdoings. He’d relied on your aptitude for hunting to pawn you off on them, and with the help of some expertly feigned resistance, you’d gotten him to plant you exactly where you’d wanted to be. 

Away, and alone.

“Threw a wrench in my plans, but…life here has been peaceful, I reckon.” You pick at the beds of your fingernails, head bowed. 

Peaceful. 

Peaceful and quiet, save for the occasional moo. 

Though, now that you thought about it, you’d have to tally it up to several wrenches if you counted the hitmen. But you could open that barrel of horse shit later.

The creaking of wood alerts you to a shift in Arthur’s positioning, and his voice barrels down at you from the ceiling; he must be looking up. 

“You don’t seem all too ‘at peace,’ if you ask me.”

“I ain’t ask you.”

“Tuh.”

The two of you fall into yet another bubble of silence. It’s comfortable enough, though still laced with the slightest bit of awkwardness. 

You couldn’t get a read on Arthur. Just about every decision he’d made tonight—or told you he’d made—had been a contradiction. It didn’t make a lick of sense. But now that you’ve had more time to ruminate, it didn’t seem like it made much sense to him, either. His body language divulges as much. 

The quiet agitates you, now. Itches. You need to know more. Understand more. But you can’t do that without retracting your fangs and reigning in your apprehension. Finger beds picked raw, you test the waters.

“Not at peace, hm?” You mutter. “…How you figure?”

You hear him shrug. “Dunno.”

Silence.

You wait for him to continue, but it’s not until you look up at him that you realize he’s been waiting for you to look back. Arthur’s voice cuts through the silence once you can meet his eyes without squirming.

“Met enough people to know who’s livin’, and who ain’t.” He crosses an ankle over his knee, and gives an exhale when he puts his hands behind his head. “I’m in no place to be dealing out life advice, but you seem awfully dead, Miss.” 

“Ma’am,” you correct. 

Arthur makes a face, and you bark out a laugh at the sheer absurdity of it all. Some stranger he was, telling you off like this.

Your eyes crinkle, smile working its way from the inside out. “Takes one to know one, I assume?”

He blinks at you. “Yeah. Yeah, somethin’ like that, I suppose.”

More silence. 

“Do you think—”

“I ought to be heading out, now.” The dream is cut short. Arthur is standing suddenly, intercepting before you have the chance to say something incredibly, incredibly stupid. He tugs on his coat, fingers closing the buttons with frightening efficiency before he gathers up his gun and whatever else he’s brought with him and heads for the door.  

You're scrambling up out of your chair before your brain has a chance to process.“Arthur,” you say, half to him and half to the floor, “Arthur, wait a damn minute!” 

The spurs on his boots cease in their clinking. He’s got one hand wrapped around the doorknob, squeaky and now half-turned.

“…Got business to take care of.”

“At three in the morning?”

He glances at the small pocket watch you’d left open on the table. “Half past four, actually.”

“Didn’t realize you could tell time.”

He hums.

And Arthur stares at you for a moment, unabashedly. It’s unreadable at first. But then scars are shifting, and he’s leveling you with a look so bitter that it nearly has you reaching for your rifle again.

“Goodbye, Ma’am.” Arthur waves a noncommittal hand at your feet as he turns the knob. “And…go and see about those feet of yours, will you?”

He sweeps out the door.

He’s left it open.

It’s only after the faint sound of hoofbeats is nothing more than a whisper that you realize he isn’t in the cabin anymore. But somewhere between the shutting of the door and the hanging of your rifle, the faint impression of his parting words is pressed into your palm.

You look down, a bright sting and the sight of red specks on the floorboards making themselves known rather insistently. 

“Oh.”

—

next chapter >>

[luvhughes43]

lets go baby! | jack hughes

context: a stranger online claims to be jacks gf so he hard launches his relationship

sabrina posted 1 day ago !

liked by jackhughes, lhughes_06, ynbratt, and liked by 879 others

sabrina let's go baby ! ❤️⚡️

view all comments

jackhughes You’re a ⭐️

jackhughes Love you

sabrina *I love you (i love u too)

liked by jackhughes

blake.hughes alright u guys are cute... i approve

user81 cutie !!! imy

user01 oh red is DEFINITELY your colour babe😍

liked by jackhughes

jackhughes just posted !

liked by blake.hughes, rosemary, _quinnhughes, and 209 113 others

jackhughes no need to pretend⚡️

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_quinnhughes congrats guys!

sabrina 💘

user67 oh hes madddd

user91 shutting the girls down !

user23 okay so you've got a gf but whats up with that crusty dog?

user07 jizzys got himself a gf💔

user03 need her bad

user44 oh okay this is the worst day of my life

nhlwagsource

liked by luvhughes43, brookedavis, and 1 781 others

nhlwagsource 🚨 BREAKING | new jersey devils jackhughes has hard launched his relationship and fans are speculating that his girlfriend is sabrina ! sabrina was spotted with blake hughes at the lake house last summer (see slide 3), and her profile matches that of the girl jack posted on his insta. jack's caption: "no need to pretend" also alludes to #that girl on tiktok pretending to be his girlfriend... clearly he's not too happy about that.

💭 what do you guys think of the couple? we at nhlwagsource wish them nothing but the best!

view all comments

user36 tagging her when she's a private acc is crazy work...

user59 theyre so cute im so obsessed

user12 jack dedicating a whole post to her... i fear hes in love

user41 i wouldnt be surprised if they have a kid in the next couple years tbh

user27 lmaoo youre crazy

user94 i personally love them !! sabrina seems so nice and jack has literally never dedicated a whole post to someone so he clearly sees a future with her

user47 i think jacks comment was unnecessary tbh... clearly he has a problem with girls pretending to date him but why he would want to highlight that when posting his actual gf… seems crazy to me

user18 theyre both in their early 20s so while the comment is kind of petty, im sure they both just thought it was funny. nothings ever that serious

user32 who cares?

user08 3/4 hughes being taken... LORDD let me have luke

user51 if blake approves i approve

user19 sisters best friend to girlfriend... classic

user25 the way that blakes dating one of his best friends too... you cant make this up😭🙏

user78 are the hughes only allowed to date within their one friend group? what is going on

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[lucky-clover-gazette]

kings rising highlights & annotations

chapters 16, 17, 18, & 19

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

Now those sentries flanked them. They were a permanent independent military garrison, the finest chosen from each of the provinces with scrupulous neutrality to serve a two-year term. They lived in the complex of supporting outbuildings, filling the barracks and the gymnasiums, where they slept and woke and trained with immaculate discipline. It was a soldier’s greatest honour to compete in the yearly games and be chosen from the best to serve here, to uphold the strict laws.

this feels like a parallel to akielion slavery, in a way? these are supposed to be some of the most honorable and strong people in the society, yet they’re subjugated in much the same way as slaves

‘You were jealous.’ ‘My father said that I had to learn to lead, not to follow.’

ongoing “kingdom or this” theme, choosing between being a indomitable ruler and being a vulnerable human person. damen has been on both extremes, a prince and a slave, and he needs to find something in the middle.

‘That’s Kydippe, she was Queen before Euandros. She took the throne from King Treus and averted civil war.’

hooray for women!

‘He looks like you.’ Thestos was carved in outline, holding a giant piece of masonry aloft. Laurent touched his bicep, then touched Damen’s. Damen let out a breath.

laurent is treasuring the last few moments he has with damen :(

‘These petulant remarks have never suited you. The mannerisms of a boy sit so unattractively on a man.’

not going to be a lot of analysis here. we all know how fucked up this guy is. in a way, the regent is the simplest character in the entire series.

‘You know, Nicaise really thought you would help him. He didn’t know your nature, that you’d abandon a boy to treason and death out of petty spite. Or was there some other reason you killed him?’

says the regent, who killed nicaise

'After all, you are an Akielon. There must be satisfaction to be had in getting the Prince of Vere under you. He is unpleasant, but that would barely register when you are rutting.'

“you like it simple” weaponized against damen

“you like it simple” weaponized against damen ‘He has freed Jokaste, because he knows that I would never trade a tactical advantage for a whore.'

there’s that misogyny we heard about

'And he has come here to give himself up for the child. He doesn’t even care whose child it is. He just knows it’s in danger,'

nicaise. just nicaise

‘He has knelt for me.’ The Regent said it in a calm, matter-of-fact voice, so that it didn’t penetrate at first. It was just a collection of words.

“it was just a collection of words” i have a feeling that this is how damen has avoided figuring it out sooner. intentionally not making inferences or connections, even if the words are being said. it’s similar to the way he probably suspected laurent of knowing the truth about him, but disregarded indicative phrases or foreshadowing. but now he has no choice but to understand.

In the panting silence of the hall, one of the kneeling sentries rose and began to speak. ‘You have drawn your sword in the Kingsmeet.’ Damen’s eyes locked on the Regent’s. Nothing mattered but a promise. ‘I’m going to kill you.’ ‘You have broken the peace of the hall.’ Damen said, ‘The moment you laid your hands on him, you were dead.’ ‘The laws of the Kingsmeet are sacred.’ Damen said, ‘I will be the last thing that you see. You will go to the ground with my blade in your flesh.’ ‘Your life is forfeit to the King,’ said the sentry.

really good writing here. love how it alternates between damen’s single-minded anger and the situation around him, using only the dialogue instead of environmental or emotional prose

Unlike Damen, it had only taken one of the Kingsmeet soldiers to restrain Laurent, his arms forced behind his back, his breathing shallow.

“the weaker man”

‘No,’ said Damen. ‘You heard what he did.’ Roughened, it came out of him. ‘You all heard him, are you going to let him do this?’

i think it’s really interesting and ironic that the people enabling this are supposedly the most honorable in the country. damen has given vere so much shit for its debauchery throughout the series and has regarded akielos as morally pure because it “treats its slaves well.” he’s figured out that he was wrong about most of this already, but this might put the final nail in the coffin. the worst thing imaginable, to the point that damen actively avoided entertaining the notion of it, is not condemned by the akielon justice system. the law protects the regent and punishes damen here, even though the regent is a terrible person and damen is doing the right thing. also cool how this foreshadows attorney damen.

‘Come, nephew,’ said the Regent. They went.

don’t need to analyze laurent here. i’ve already done it in chapters that foreshadow this moment. just going to quarantine it to the page and move on

‘I know you felt something for him. If you are going to be sick, do it quickly. We have to go. There will already be men coming to find us.’

shut the fuck up nikandros

Through the haze he heard Jord’s voice. ‘You left him? You saved your own life and left him with his uncle?’

shut the fuck up jord

Jord said, ‘You coward, you left him to—’ The words were abruptly cut off as Nikandros took hold of Jord and slammed him back against the wagon. ‘You will not speak that way to our King.’

shut the fuck up nikandros and jord

Released, Jord was panting slightly. ‘He wouldn’t have come back alone. If you think that, you don’t know him.’

damen never said that he did

What would Laurent do? He knew what Laurent would do. Stupid, mad Laurent had sacrificed himself. He had used the last piece of leverage he had: his own life. But Damen’s life was valueless to the Regent.

and laurent’s life is valueless to laurent. but clearly not to jord or damen or paschal or loyse or the soldiers or victims whose lives he has protected

He felt the limits of his own nature, which too easily swung to anger, and the need—stymied by circumstance—to bring about the Regent’s death. All he wanted was to take up his sword and cut a path into Ios.

he likes it simple. this isn’t simple. so what’s the opposite of simple, then? what would laurent do? what is the approach that ISN’T just ripping the grate out of the wall? guess we're about to see.

‘He thinks he’s alone,’ he said.

for a long time, yeah. until he got stuck with you. which he hated at first, because he felt an irrepressible connection to his worst enemy (the mutual moral arbitration and “yes and”ing of books 1 & 2), but ended up treasuring your connection so deeply that he made himself alone again to save you.

It was what he liked, public humiliation coupled with private chastisement, his reality validated by all those around him.

1) parallel to kastor sending damen to be a slave 2) akielion slavery except it’s seen as honorable which is somehow even more humiliating than forced submission, and there’s nothing to chastise bc they’re groomed to not have opinions. but spot on with “reality validated by all those around him”—the strong over the weak, as a sign of status and power. it’s all the same.

‘You’re right, I can’t fight my way in.’ From the beginning he had been a tool, a weapon to be used against Laurent. The Regent had used him to hurt, to unsettle, to shake Laurent’s control; and finally, to destroy him. ‘I know what I have to do,’ he said.

damen is going to play this veretian game of mock trial and win

He expected to be challenged at the outer gates by soldiers warned and wary, on the lookout for him. But perhaps they were on the lookout for Damianos, the arrogant young King at the head of his army, not a single man in an old worn cloak, a hood that came down over his face, and sleeves to hide his arms. No one stopped him.

this entire thing is a long-awaited subversion of damen to be more like laurent. all the things he hated about laurent, claimed not to understand in previous books, he’s now embodying in this plan, because he understands laurent and why he’s developed these mechanisms in the first place. and he can finally see how coming at issues with this sort of deceptive, restrained, and calculated approach can be extremely effective, especially when everyone—including laurent—expects the opposite from him.

laurent, despite everything, does not expect damen to be able to solve this problem. he can’t just throw a sword at it or rip it out of a wall. damen likes it simple. but what laurent doesn’t understand is that damen loves laurent more than he likes it simple, and that means he’s willing to endure complication in order to protect him. something that laurent has gotten very good at doing for others, but wishes for no one to return. it’s a good thing, then, that damen has never done the things laurent has wished for him to do.

And when he turned the first corner, he saw the palace as everyone saw it: disorientingly, from the outside. There, small as specks, were the high open windows and long marble balconies that invited the sea air in during the evening to cool the baking stone. To the east was the long, columned hall and airy upper quarters. To the north, the King’s quarters, and the high-walled gardens, with their shallow steps and winding paths and the myrtle trees planted for his mother. Memory was sudden; long days training on the sawdust, evenings in the hall, his father presiding from the throne, himself walking those marble halls with surety and unconcern, an unreal former self, who spent evenings in the great hall laughing with friends, being served as he wished by slaves.

he is finally approaching his home as a man and not a king, and understanding how the privilege he’s always felt was an entitlement resting on the backs of people subjugated to maintain it

A yapping dog cut across his path. A woman with a parcel under her arm jostled him, then shouted at him in southern dialect to watch where he was going.

dogs don’t care that you’re the prince. an oblivious random person running an errand doesn’t care that you’re the prince. no wonder laurent mainly has gotten along with animals and oblivious random people in these books. both damen and laurent have been held captive by their own roles as people in power, and they can free each other by unifying the kingdoms and changing what being a person in power MEANS.

He kept walking. He passed the outer homes, with their small windows of differently sized rectangles and squares. He passed the outer storehouses, the granaries, a stone revolving on a millbase, pushed by oxen. He passed the shouts of a dozen market stalls that were all selling fish, pulled from the ocean in the pre-dawn. He passed the traitor’s walk, thick with flies. He scanned the tops of the spikes, but the dead were all dark-haired. A burst of a cavalcade came trotting out on horses. He stepped to the side; they trotted past him, red-cloaked and regimented, without a second glance. It was all uphill in the city, because the palace was built on the peak, with the sea at its back. He realised as he walked that he had never done this on foot before. When he reached the palace square, a feeling of disorientation came over him again, because he only knew the square from the opposite angle: as a view from the white balcony, where his father used to emerge sometimes to raise a hand and address the crowd.

after a lifetime of limiting his own perspective to maintain systems of power and his illusion of personal peace, damen finally watches the road. and the palace—literally held above the rest of akielos to be his home as rightful king—doesn’t feel like home anymore.

‘Halt,’ said the guard. ‘State your business, traveller.’ He waited, until he had the eyes of everyone near the gate on him, then he let the hood of his cloak fall back. He heard the shocked murmurs, the outbreak of sound as he spoke, his words, clear and unmistakable. ‘I am Damianos of Akielos, and I surrender to my brother.’

starting out the laurentian problem solving speedrun by literally doing what laurent did with the regent (kastor is thematically damen’s regent). honestly genius, both on damen’s part and pacat’s.

If it worked, if he was in time—how long could a trial last? How long could Laurent stall for time?

damen assuming that laurent would even bother to stall… i don’t think that’s how laurent works, given his internal narrative during the torture scene. in that scene, he persisted because he knew that the survival and victory of people he cared about hinged on his survival. in this scene, laurent believes that the survival and victory of people he cares about hinges on his death, so it’s pointless to put up a fight. (“objection!” says damen)

He needed them to take him into the hall to face Kastor. He had given up his freedom for that single chance, gambling everything.

kastor, who had made damen a slave in the first place. damen understands the exact kind of cruelty kastor is capable of, his overwhelming desire to make himself the stronger man over damen. he finally accepts that this cruelty and victimhood exist because he saw it in the regent and laurent. even if he’s unwilling to admit it about kastor and himself, he knows. and that’s why he came up with this plan in the first place.

He sat under guard on one of the low seats and didn’t scream in frustration, as time passed, and then more time.

classic damen understatement <3

One was an officer. Another carried irons. He stopped dead when he saw Damen. ‘Cuff him,’ said the officer.

buddy i think there’s one in the way

The soldier holding the irons didn’t move, his wide eyes staring at Damen. ‘Do it,’ came the order. ‘Do it, soldier,’ said Damen.

this is a big moment, i think, relating to the “honor in submission” theme. the intentional appearance of submission in order for damen to reclaim his power. i said this maaaany annotations ago, but damen and laurent’s experiences with trauma in these books are on different timelines. laurent is nursing years of trauma, and knows how to use the appearance of his victimhood to his own advantage. but damen’s trauma is extremely fresh, and thus far he’s only been able to deny it, become disoriented by it, or lose himself in it. but now, almost like an echo of a younger laurent biding his time and committing to the bit in the regent’s court, damen is figuring out how to let his trauma work for HIM.

This was a complex political proposition for the soldiers.

i guess they like it simple (i'm never letting that line go)

The first person to recognise him was a household official carrying a vase which smashed, dropping from his hands.

okay, dramatic.

A slave, caught in a crisis of etiquette, fell half to his knees and then stopped, agonisingly uncertain whether he should complete his prostration.

i adore this subtle moment of a slave seeing royalty in a position like theirs and reconsidering whether they actually need to kneel in the first place

And there wasn’t one throne on the dais, there were two. Kastor and the Regent sat side by side, presiding over the hall.

wrong unification!

It was strange—he had waited for so long to face Kastor, and now he found him simply extraneous. The Regent was the sole intrusion, the sole threat. Kastor looked satisfied. He didn’t see the danger. He didn’t understand what he had let into Akielos.

of course, damen still can’t Notice everything quite yet. but he’ll get it eventually

Alive, alive, Laurent was alive. Damen’s heart leapt, and for a moment he just stood and drank the sight in, giddy with relief.

how far we’ve come :’)

He was still wearing the short Akielon chiton that he had worn to the Kingsmeet, but it was dirty and ripped. Skimpy and showing the signs of rough wear, it was a humiliating garment for him to stand in before the Council.

obvious, but this is a foil to his veretian clothing which signified confidence and invulnerability

Like Damen, he had his hands chained behind his back.

are they both double-cuffed on one wrist

The physical act of standing for hours in irons must be taking its toll, the sheer ache of muscle exhaustion, the rough treatment, and the examination itself, the Regent’s questions, and Laurent’s steady, determined answers.

i think damen’s projecting here. when he was in this position, he had given steady determined answers. he had experienced and withstood exhaustion rough treatment and examination. the sympathy he feels towards laurent at this moment is really sympathy he hasn’t been able to fully give himself, because he has always been unable and unwilling to truly accept himself as a victim.

But he wore the clothes and the chains with disregard, his posture, as ever, coolly untouchable. His expression could not be read, except for, if you knew him, the courage that he sustained though he was alone, and tired, and without friends, and he must know that it was close to the end.

but this is how laurent differs from how damen perceives himself, in this position. laurent’s pride means nothing to him, as long as his submission means that the people he cares for are saved. damen’s pride means everything to him, and i think even now he’d say so. but the thing is, that we saw how damen was just as willing to lower himself to protect the akielion slaves in book 1. damen is so fascinating as a narrator because he does not understand himself at all, but we as the reader can understand him perfectly based on the things he chooses to acknowledge or ignore. frustrating to read at times, but the exact narrator this series needs. these books would not work nearly as well with laurent as full-time narrator.

It was clear from the open look of horrified recognition on Laurent’s face that he had not expected Damen—that he had not expected anyone.

laurent’s not stalling, the regent is dragging this out to torture him

On the dais, Kastor made a small gesture to the Regent, as if to say, You see? I have had him brought for you.

the only thing kastor can actually get credit for doing independently in this entire series was making damen a slave and sending him to vere, and i’m pretty sure that was jokaste’s idea in the first place

(edit from future sam: i know he also killed the king. it comes up later)

‘No,’ said Laurent, swinging his gaze back to his uncle. ‘You promised.’

laurent immediately assumes that the regent somehow made this happen, rather than damen doing it of his own free will. ow.

‘This is Damianos of Akielos. He was captured at the gates this morning. He’s the man responsible for the death of King Theomedes, and for my nephew’s treason. He is my nephew’s lover.’

of course the regent (and kastor) took advantage of damen’s “weakness” and spun it to make themselves look powerful, which puts damen in the perfect place to turn the tables. damen didn’t even really intend for this to happen, consciously i think he surrendered out of desperation more than any rational plan, but SUBconsciously this was literally the perfect move. and we’re about to see damen slowly realize this, and pick up steam as he figures out exactly how he can leverage and subvert this perceived weakness to get what he wants. just like laurent!!!

He had not been brought here to face Kastor or to answer for their father’s death. He had been brought here as a final piece of evidence in Laurent’s trial.

the first time the regent used a captive damen against laurent, damen refused to play along. this was an unexpected response by both the regent and laurent, and it bought d&l necessary time to become stronger in each other’s company.

now, the regent is once again using a captive damen against laurent. but this time, damen decides to play the game too. his willing cooperation in the trial the regent has created is within itself unexpected defiance, and that’s why we love damianos of akielos both as a person and as a really fucking well-written character. he has grown and changed in so many satisfying ways throughout the series, but the defining strengths of his character—willful and defiant integrity—have always been consistent. “i speak your language better than you speak mine, sweetheart.” = “i’ll cooperate in the trial you’ve rigged to your own advantage, and i’ll win.”

Mathe gestured to Damen. ‘Now we see the proof of all these claims. Damianos, the prince-killer, is here, giving the lie to all the Prince has been saying—proving once and for all that they are in league. Our Prince lies in the depraved embrace of his brother’s killer.’

sounds like mathe didn’t put in the effort and/or critical thinking to properly understand the captive prince series by cs pacat

He was suddenly an exhibit, a kind of proof none of them had imagined: Damianos of Akielos, captured and bound.

full circle babyyyy

‘Nephew, Damianos is restrained. You can speak honestly. You are safe from harm.’ Laurent weathered the slow, caring touch, as the Regent said, gently, ‘Is there some explanation? Perhaps you were not willing? Perhaps he forced you?’ Laurent’s eyes met his uncle’s. Laurent’s chest rose and fell shallowly under the thin white fabric of the chiton. ‘He didn’t force me,’ said Laurent. ‘I lay with him because I wanted to.’

BIG LAURENT MOMENT!!!! “i am not a victim! i did this by choice because i wanted to do it, and i will not lie even if the truth makes me look weak!”

we can see exactly how damen has influenced laurent in this moment. there is no strategic advantage to being honest or blunt here. in fact it invites the very things laurent fears—perceived weakness, shame, uncertainty. the regent is giving him a chance to perhaps save himself, by blaming damen and seeing him punished instead—an option laurent did not think was previously available to him. but laurent does not consider this for a second, and instead does the exact opposite of what his uncle truly wants and expects him to do: he KEEPS IT SIMPLE. laurent cooperates with the image the regent is creating of him, and both we and laurent know that IS defiance. because for maybe the first time ever, laurent knows without a doubt that the image the regent portrays of him isn’t fucking true. he knows that with damen, unlike the regent, he wasn’t a victim. he was willing, he was not forced, and unlike his early stunts in vere, he is not allowing the implication that damen assaulted him to stand. he isn’t hiding or lying or restraining himself. he's not using the way people perceive him as weak to his advantage. laurent has committed to many bits in his life, and when convenient those bits have been some complicated semblance of reality. but this is the first time that laurent simply commits to the TRUTH.

(i love this scene so much. it’s all synthesized so well. it’s a perfect demonstration of how damen and laurent have have changed themselves and each other for the better. i have complaints about this book more than the others, but the trial is fantastic.)

Damen could feel it: in a day’s worth of questioning, this was the first admission.

THAT’S WHAT I JUST SAID!!

‘You don’t have to lie for him, Laurent,’ said the Regent. ‘You can tell the truth.’

even if laurent doesn’t know it yet, he isn’t just doing this for damen—he’s doing it for himself!

‘I don’t lie. We lay together,’ said Laurent, ‘at my behest. I ordered him to my bed. Damianos is innocent of all the charges brought against me. He suffered my company only under force. He is a good man, who has never acted against his own country.’

the self loathing runs deep but still this is a laurent w!!!! the truth is that he hates himself, but at least he’s owning it, and specifying that his self-hatred has fuckall to do with the dumb bullshit the regent is accusing him of. all while being a better version of himself, defending damen in a situation where he had perviously maligned him, which he would not have grown enough to do without damen’s company!!!

‘And what am I accused of? That I have lain with Laurent of Vere?’ Damen’s eyes raked the Council. ‘I have. I found him honest and true. He stands before you wrongly accused. And if this is a fair trial, you will hear me.’

perfect. he knows it isn’t a fair trial, just as he knew it wasn’t fair for him to be punished instead of the regent at the kings meet, just as he now understands that the slavery system in akielos is neither fair nor just. the “good vs nice” theme has finished marinating, and now damen is using the false niceties of his society to do good, basically calling the regent and kastor’s bluff. “IF this is a fair trial, you will hear me.” = “in order for you to maintain the power you’ve been given by the system, you will have to let me to use the system to challenge your power”

‘You will hear me,’ said Damen. ‘You will hear me, and if when you have heard me you still find him guilty, then I will meet my fate alongside him. Or does the Council fear the truth?’

this is his true calling. let’s be so fucking real. i’ve never even jokingly called damen a himbo for a reason, and that reason is that he’s extremely good at thinking critically and constructing compelling arguments if he just lets himself acknowledge reality.

The Regent said, ‘By all means, speak.’ It was a challenge. To have Laurent’s lover in his power pleased the Regent, as a demonstration of his larger power. Damen could feel that. The Regent wanted Damen to entangle himself, wanted a victory over Laurent that was total. Damen drew in a breath. He knew the stakes. He knew that if he failed, he would die alongside Laurent, and the Regent would rule in Vere and in Akielos. He would have given over his life and his kingdom. He looked around at the columned hall. It was his home, his birthright, and his legacy, more precious to him than anything. And Laurent had given him the means to secure it. At the Kingsmeet he could have left Laurent to his fate and ridden back to Karthas and his army. He was undefeated on the field, and not even the Regent would have been able to stand against him. Even now, all he had to do was denounce Laurent and he could face Kastor with a real chance of taking back his throne.

every time damen has had a moment like this, his integrity and honor have prevailed. even when he HATED laurent and would have benefited directly from his assassination, he had intervened because he thought it was a dishonorable attempt on laurent’s life. and then he’d left against his own instincts, because he did not respect or know laurent and laurent did not respect or know him. in book 2 he had many moments like this, and had all but admitted to himself that he was not willing or able to take them. even when they were divorced in the first part of this book, when laurent was actively antagonizing him out of spite, damen never let nikandros or anyone else intervene.

now, after everything they’ve been though? this isn’t even a fucking question. if it’s damen we’re talking about, when it really comes down to this question, it never really has been.

But he had asked himself the question in Ravenel, and now he knew the answer. A kingdom, or this.

committing to the bit, once and for all.

‘I met the Prince in Vere. I thought as you did. I didn’t know his heart.’ It was Laurent who said, ‘No.’ ‘I came to learn it slowly.’ ‘Damen, don’t do this.’ ‘I came to learn his honesty, his integrity, his strength of mind.’ ‘Damen—’ Of course Laurent wanted everything done his own way. But today it was going to be different.

their conflict is their love!!!!!!!! they challenge each other to be better, and the world becomes a better place because of it!!!!!!!!

‘I was a fool, blinded by prejudice. I didn’t understand that he was fighting alone, that he had been fighting alone for a very long time. ‘And then I saw the men he commanded, disciplined and loyal. I saw the way his household loved him, because he knew their concerns, cared for their lives. I saw him protect slaves. ‘And when I left him, drugged and without friends after an attack on his life, I saw him stand up in front of his uncle and argue to save my life because he felt he owed me a debt. ‘He knew that it might cost him his life. He knew he’d be sent to the border, to ride into the very same plot to kill him. And he still argued for me. He did it because it was owed, because in the very private code with which he ran his life, it was right.’ He looked at Laurent, and he understood now what he had not understood then: that Laurent had known who he was that night.

you should try re-reading the series damen, it’s craaaaaazy when you know the twist

Laurent had known who he was and had still protected him, out of a sense of fairness that had somehow survived what had happened to him.

damen and laurent have different traumas, but this description applies to both of them perfectly. from the moment they met each other, they were no longer suffering alone. even if they hated that fact sooooo bad.

‘That is the man you face. He has more honour and integrity than any man I have ever met. He is dedicated to his people and his country. And I am proud to have been his lover.’

Damen said it with his eyes on Laurent, willing him to know how much he meant it, and for a moment Laurent just gazed back at him, his eyes blue and wide.

just had to get a “he gazed” in there. wouldn’t be lamen without it

The Regent’s voice interrupted. ‘A heartfelt declaration is not evidence. I am afraid to say that there is nothing here to change the Council’s decision. You offered no proof, only accusations of an unlikely plot against Laurent, with no hint as to who the architect of it might be.’ ‘You are the architect,’ said Damen, lifting his eyes to the Regent, ‘and I do have proof.’

LET’S FUCKING GOOOOOOO!!!!!

‘I call Guion of Fortaine to speak.’

obsessed with how damen just immediately launched into defense attorney mode. did he do like mock trial as a teenager.

‘Very well,’ the Regent said, leaning back in his seat and gesturing to the Council. Then they had to wait, while runners were sent to the place on the outskirts of the city where Damen had told his men to camp. The Councillors got to sit down, and so did the Regent and Kastor. Lucky them.

oh that “lucky them” is so telling. damen is PISSED. we know this because he’s usually the king of understatement and underreaction in his narration, but is being salty about this minor inconvenience. imagine how he’s going to be with the the regent, if inconvenience gets such a reaction

Not only Guion, but all the members of Damen’s party: Guion’s wife, Loyse, looking white-faced, the physician Paschal, Nikandros and his men, even Jord and Lazar. It meant something to Damen that he had given each of them the option to leave, and they had chosen to stay with him. He knew what they risked. Their loyalty touched him.

except you, guion.

He knew that Laurent didn’t like it. Laurent wanted to do everything alone. But it wasn’t going to be like that.

lamen truly is the love story for me. it’s not enough for a romantic interest to be like “you’re not alone uwu <3” with such gentle softness that their partner finally believes it. it’s gotta be like “i’m not going to let you believe that you’re alone just so you can reinforce your own self-protective/destructive trauma responses. you’re loved, i brought receipts, deal with it” to truly hit

(which is interesting, esp with the series’s themes of coercion and free will! in a lot of ways it is a relief for someone to ignore your protests and boundaries, when they truly do mean well and want to help you and know what’s good for you. it’s just that most people who are forceful and coercive don’t have those intentions, or don’t actually know what they’re talking about. but this is a rare but earned moment where we know that damen is right, that laurent’s beliefs about himself should be challenged, and that they both will be better for it. they’ve always challenged each other in many ways, and throughout the series they’ve been making their way to being truly balanced in terms of power dynamics. laurent knew that damen had killed his brother the whole time he was antagonizing damen, but they still weren’t on even footing. damen eventually learned the truth about laurent’s awareness of his identity, but they still weren’t on even footing until they actually dealt with the baggage involved. in that one sex scene where damen took total control, i commented on how it felt like laurent wasn’t really letting himself be present, and damen lost himself in something that wasn’t there. but then in the following sex scene, laurent made SURE to be present. it's always been slightly uneven with them, up to the point where laurent freed jokaste and gave himself up to the regent. he's always had a lie of some kind to hide himself behind, to isolate himself with. but not now. he's not alone, and damen is not going to let laurent tell himself that he is. damen pushes past laurent's boundaries and within this narrative it's a good thing, and that is a huge part of the fantasy of captive prince and lamen's relationship. because we know that damen truly loves and cares for laurent and is doing this for his sake, and the core of their relationship is willingly challenging each other and allowing themselves to be challenged.)

Mathe resumed his role as questioner as the spectators craned their necks, disliking the columns because they obstructed the view.

‘Laurent of Vere is guilty of every charge brought against him,’ said Guion.

raise your hand if you’re surprised. nobody but damen should have a hand raised rn

‘You swore to tell the truth,’ said Damen. No one was listening to him.

two steps forward one step back with damen thinking the best of people who don’t deserve it. although i guess that’s what made lamen possible, because most people would not have reconsidered laurent after the shit he pulled in book 1. i say again, this series would not work with a non-damen protagonist

‘He tried to coerce me to lie for him. He threatened to kill me. He threatened to kill my wife. He threatened to kill my sons. He slaughtered his own people at Ravenel. I would vote him guilty myself, if I were still a member of the Council.’

guion you got your son killed, after inviting the regent to [redacted] him. sit down.

It had a symbolic power, the six of them standing on one side of the hall, and Laurent—in his thin, tattered Akielon clothing held in the grip of his uncle’s soldiers—on the other. Laurent spoke. ‘No final advice? No uncle’s kiss of affection?’ ‘You had so much promise, Laurent,’ said the Regent. ‘I regret what you became more than you do.’ ‘You mean that I’m on your conscience?’ said Laurent. ‘It hurts me,’ said the Regent, ‘that you feel such animosity towards me, even now. That you tried to undermine me with accusations, when I have only ever wanted the best for you.’ He spoke in a saddened voice. ‘You should have known better than to bring Guion to testify against me.’ Laurent met the Regent’s eyes, standing alone before the Council. ‘But uncle,’ said Laurent, ‘Guion isn’t who I brought.’

it’s like we’re in book 1 again. ahem. laurent: have you had your fun? don’t you want to taunt me one more time? regent: you already hate yourself more than i ever could. if you had just submitted to me, things would be better for us both. laurent: you’re the reason i hate myself. you did this to me. regent: if you understand the power i have over you, you really should have known better than to fight against me alone. laurent: i’m not fighting alone.

as always, i don’t remember exactly how much of this has been intentional on laurent’s part. had he counted on damen bringing loyse? i don’t think so, right? he really had meant to die, but now that the game has changed (damen is here, he’s brought the squad) laurent is back to planning, and has been since the moment their involvement was accepted. he even had time to think it through, which is like the most dangerous resource to give laurent!

‘He brought me,’ said Guion’s wife Loyse, stepping forward.

fucking GENIUS on cs pacat’s part. i wrote a long post months ago about women in capri, but like the gist of it was that there are normal rational compassionate people, women and otherwise, in this world, but we just haven’t gotten to be around them. because most of the people in power, and therefore the ones featured most prominently, are corrupt out-of-touch assholes. and the members of this series’s cast who don’t fall under this description exist to supplement damen and laurent’s insane dynamic. so it is genius to pull in this seemingly insignificant grieving woman whose motivations and emotions are simple, raw, understandable, and thematically linked to laurent and damen’s experiences with the regent as the person who ultimate seals the textually misogynistic regent’s fate. it’s not just about gender, or even primarily about gender—it’s about empowering the disempowered.

‘I have something to say. It’s about my husband, and this man, the Regent, who has brought my family into ruin, and who ended the life of my youngest son, Aimeric.’

YES.

‘Loyse, what are you doing?’ said Guion, as all of the hall’s attention riveted on Loyse. She paid him no attention, but continued to walk forward until she stood alongside Damen, addressing her words to the Counci

YEESSSSSS!

‘In the year after Marlas, the Regent visited my family in Fortaine,’ said Loyse. ‘And my husband, who is ambitious, gave him leave to enter the bedroom of our youngest son.’

the amount of contempt in “my husband, who is ambitious”…

Guion was looking from Loyse to the Council, and he gave a laugh, braying and too loud. ‘You can’t be giving credence to any of this.’

a foil to damen and laurent in this setting. immediately dismissing the testimony of his partner in favor of his own pride and status. stay classy, guion

No one answered, the silence uncomfortable. Councillor Chelaut’s gaze shifted for a moment to the young boy sitting beside the Regent, his fingers sticky with powdered sugar from the sweetmeats.

the poetic irony of this normalized part of the regent’s court turning the court against him when viewed in a new light, or just called out at all, especially by a woman whose son he abused!!!

‘I know that no one here cares about Aimeric,’ said Loyse. ‘No one cares that he killed himself at Ravenel because he couldn’t live with what he had done.'

parallel to damen defending laurent, except she does think he was alone. which is so deeply sad, and pretty much true.

‘So let me tell you instead about what Aimeric died for—a plot between the Regent and Kastor to kill King Theomedes and then to take his country.’

the truth is terrible, but it also empowers loyse to enact change. things can’t be better until we see them for what they really are. i’d say that’s a major series theme when it comes to relationships and politics.

‘These are lies,’ Kastor said in Akielon, and then he said it again in thickly accented Veretian. ‘Arrest her.’

seems like damen speaks better veretian than kastor, if kastor’s is deeply accented. kastor stays losing!

It was plain from Kastor’s face that he had realised for the first time that he was not in control of the hall.

shifts of power truly are the powerhouse of the captive prince series. both in a narrative way and a horny way

‘Arrest me, but not before you’ve seen the proof.’ Loyse was pulling a ring on a chain from her gown; it was a signet ring, ruby or garnet, and on it was the royal crest of Vere. ‘My husband brokered the deal. Kastor assassinated his own father in exchange for the Veretian troops you see here today. The troops he needed to take Ios.’

i’m going to be so real, it’s been months since i read prince’s gambit, but i’m pretty sure the signet ring was foreshadowed. which… holy shit. laurent hadn’t expected all the damen stuff to happen, but i’m pretty sure he had been priming this piece of ammo against the regent the entire time. he’d just thought that he’d lost the opportunity to use it when giving himself up, or had given up sooner than that. or had he only learned this from loyse after aimeric’s death?? idk maybe the book will tell me now. i hope it does bc i do not feel like digging back for foreshadowing i’ve been doing this for hours

wait no FUCK the ring was for nikandros!!! right???? yes it has to be. it couldn’t have been both things at once, and loyse telling laurent only makes sense after aimeric’s death. so yes the signet was foreshadowed, but it was a different use of it. although i guess the existence of a signet ring holding significance was foreshadowed partially so it would work again here.

‘She’s not a traitor. She’s just confused. She’s been deceived, and coached, she’s been upset since Aimeric died. She doesn’t know what she’s saying. She’s being manipulated by these people.’

“she doesn’t know what she’s doing. she’s being forced. she’s a victim, because we’ve made her a victim.” FUCK NO!!! we’re not doing that anymore!!!!

Herode and Chelaut wore expressions of repressed distaste, even revulsion. Damen saw suddenly that the obscene youth of the Regent’s lovers had always been repellent to these men, and the idea that the son of a councillor had been used in this way was disturbing to them beyond measure.

could have been way more disturbing way sooner, but better late than never ig

But they were political men, and the Regent was their master.

POWER SHIFTS! POWER RESTING ON THE SUBJUGATED CAN BE TOPPLED AT ITS FOUNDATIONS!

He was right, Damen realised. Laurent hadn’t brought Loyse to clear his own name, but to clear Damen’s. There was no proof that would clear Laurent’s name. The Regent had been too thorough. The palace assassins were dead. The assassins from the road were dead. Even Govart was dead, cursing boy pets and physicians.

maybe. just maybe. you both are good and both deserve to be happy. at the same time. your names can both be cleared. we are so close.

“boy pets and physicians” ironically the two things that end up getting the regent convicted

They were connected in some way. He was suddenly sure of it. Whatever Govart had known, Nicaise had known it too, and the Regent had killed him for it. And that meant— Damen was pushing himself up abruptly.

i LOVE how damen pieces this together. it wasn’t a laurent machination, the laurent machination had been to save damen alone. but damen said “no, laurent needs to be saved too.” and figures out a convoluted thing that even laurent hadn’t clocked, which just happens to involve nicaise, who deserved better, just like laurent deserves better, just like everyone under the regent’s power deserves better, except guion.

‘No,’ said Paschal. ‘He died because of this.’ He took from the folds of his clothes a bundle of papers, tied with string.

does he always just like carry that around?? i guess it makes sense if it’s like dangerously sensitive information, and also from his dead brother

‘The last words of my brother, the archer Langren, carried by the soldier called Govart, and stolen by the Regent’s pet, Nicaise, who was killed for it. This is the testimony of the dead.’

okay yeah he kept it on him bc it got stolen once and the person who stole it got killed about it. that tracks. also tracks why he hadn’t spoken up sooner.

‘I am Paschal, a palace physician. And I have a story to tell about Marlas.'

LOVE how it’s marlas

‘Diplomacy failed. The talks fell through. Theomedes wanted land, not peace. He sent away the Veretian emissaries without hearing them.'

not surprised

For the first time, he wondered what had happened behind Veretian lines to cause it. He thought of a King convinced it was the best way of protecting his people.

love this subtle damen character development moment

‘Instead, Veretians fell. I was nearby when the word came that Auguste was dead. In grief, the King pulled off his helm. He was careless. I think in his mind, he had no reason left to be careful.’

so the regent was the reason both auguste and the king died. they went out there on bad advice because they were desperate to protect their people. and damen thought they were cowards, and believed that his killing of auguste was honorable and fair.

damn.

He began to untie the string, drawing it away and opening the papers. They were covered in writing. ‘Nicaise gave it to me for safekeeping. He had stolen it from Govart, and he was scared. I opened it, never expecting what I would find. In fact, the letter was to me, though Nicaise didn’t know it. It was a confession, in my brother’s handwriting.’

i’m glad that nicaise has a part in this, even if he isn’t here to see it.

And then Damen looked at Laurent. Laurent’s face was completely devoid of colour. It was not an idea that Laurent had entertained before, that much was clear. Laurent had his own blind spot when it came to his uncle. I didn’t think he’d really try to kill me. After everything . . . even after everything.

just like his father and brother—a bleeding heart. but that gives him power, just as much as it makes him vulnerable. all of the people rallying around him, dead and alive, are proof of that.

Damen thought of his father struggling to breathe in his sickbed

it’s so funny to know that yet another Thing kastor did was someone else’s idea first. come on, dude.

‘You can’t believe this? The lies of a physician and a boy whore?’ Guion’s voice was jarring in the silence. Damen looked to the Council, where the oldest of the Councillors, Herode, was looking up from the papers. ‘Nicaise had more nobility in him than you,’ said Herode. ‘He was more loyal to the Crown than the Council, in the end.’

‘The Council has been deceived into treason,’ said the Regent, calmly. ‘Take them.’ There was a pause, in which his order ought to have been followed, but wasn’t. The Regent turned. The hall was thick with his soldiers, the Regent’s Guard, trained to his orders, and brought here to do his bidding. None of them moved. In the strange silence, a soldier stepped forward. ‘You’re not my King,’ he said. Pulling the Regent’s insignia from his shoulder, he dropped it at the Regent’s feet.

this is the most devastating defeat possible for the regent. for reasons i think i’ve already explained.

Then he crossed the hall as the Council had done, to stand beside Laurent.

okay actually THIS is the most devastating defeat for the regent. lol

His movement was the first drop that became a trickle, then a flow, as another soldier pulled his insignia from his shoulder and crossed, and another, and another, until the hall was loud with the sound of armoured feet, the hail of badges hitting the ground. Like the tide drawing away from a rock, the Veretians crossed the hall, until the Regent stood alone. And Laurent stood facing him, with an army at his back.

‘Herode,’ said the Regent. ‘This is the boy who has shirked his duties, who has never worked for anything in his life, who is in every way unfit to rule the country.’ Herode said, ‘He is our King.’ ‘He’s not a king. He’s no more than a—’ ‘You’ve lost.’ Laurent’s calm words cut across his uncle’s. He stood free. His uncle’s soldiers had released him, striking the irons from his wrists. Across from him, the Regent stood exposed, a middle-aged man used to commanding public spectacle, now with it turned against him.

He took the black square of cloth from the slave who had carried it, and placed it over the head of the sceptre. ‘This is absurd,’ said the Regent.

“from the slave who had carried it”

‘You think you can defy me?’ the Regent said to Laurent. ‘You think you can rule Vere? You?’ Laurent said, ‘I’m not a boy anymore.’

And he saw that Laurent understood, that Laurent knew, somehow, about the scrap of paper that Damen had found that morning in the empty wagon in their camp, its door standing open. That he had carried it in careful fingers on the long walk to the city. The child was never yours, but he is safe. In another life, he would have been a king.   I remember the way you looked at me, the day we met. Perhaps that, too, in another life.   Jokaste

okay uh sure. cool. wasn’t really worried about that with everything else going on but good to know i guess. anyway

(i'm still murky on how much of this laurent had anticipated, vs what damen thinks laurent anticipated because damen thinks laurent knows everything, vs what neither of them anticipated. it's fine.)

‘What’s happening?’ said a young voice. Damen turned. The eleven-year-old boy who had been sitting beside the Regent’s throne had pushed up out of his chair and was staring, confusion in his wide brown eyes. ‘What’s happening? You said we’d go riding after. I don’t understand.’ He was trying now to go to the soldiers who were holding the Regent down. ‘Stop it, you’re hurting him. You’re hurting him. Let him go.’ A soldier was holding him back, and the boy was fighting him.

fuuuuuuuck. breaking the cycle, but still. breaking.

Laurent looked at the boy, and in his eyes was the knowledge that some things couldn’t be fixed.

nicaise. closure, self-forgiveness, grief as fuel for a better future. sad and real and finished.

He said, ‘Get that boy out of here.’

the most merciful thing laurent could do: protect the boy from seeing this

It was a single clean stroke. Laurent’s face didn’t change.

interesting to compare this to nicaise’s beheading. “damen saw laurent react, then make himself not react.”

i find this to be a very satisfying way for the regent to die: killed by a coalition of the people he had crushed on his way to power, by the same means he had used to kill nicaise. and for once, laurent did not have to get his own hands dirty to see justice done.

‘Put his body on the gates. Fly my flag on the walls. Let all my people know of my ascension.’ He lifted his eyes, and met Damen’s gaze across the length of the hall. ‘And unchain the King of Akielos.’

sounds like the kings have risinged

‘You came,’ said Laurent. ‘You knew I would,’ said Damen.

... but did he, though? maybe he thought you'd come to defeat kastor, but i don't think laurent thought he (laurent) was going to survive this.

‘If you need an army to take your capital,’ said Laurent, ‘I seem to have one.’

yeah laurent does not agree. damen you’re still maybe a little off the mark here, but that’s okay, it’s good to encourage laurent to value himself and trust in his community. i just hope that your idealistic misjudgments of character don’t end up getting you stabbed in the next chapter when you expect your murderous brother to act honorably

Even men fighting for their lives could not overcome a lifetime of observance and directly strike against their Prince. He had a clear path.

i really like how this chapter is placed after the very optimistic and empowering trial sequence. because there is still so much cynicism to the monarchy, to these systems of power, to people like kastor who don’t take chances that are given to them, and those things can still cause harm. they can especially endanger people like damen, whose greatest strength and weakness is his stubborn determination to live in a world that is good. and where laurent benefitted from learning from damen in the last sequence, and his cynicism was ultimately proven wrong, damen is proven wrong in this one. kastor does try to kill him when he shows mercy, the system is still being observed in ways that resemble the past. but damen isn’t alone, and laurent is there for him when he miscalculates—unlike jokaste or any of his other allies when kastor stripped him of his dignity and sent him to vere as a slave. and together they’re going to do their best to change the world for the better, even though the world is complicated and sometimes cynical. that, to me, is the most empowering way this story could possibly end.

He turned left. Instead of heading towards the main doors, he made his way to the viewing hall, where slaves were displayed for their royal masters. He turned into the narrow corridors along which he’d been taken on that long ago night, the fighting becoming distant shouts and clangs behind him, the sounds growing muffled as he ran. And from there, he descended down into the slave baths.

the trauma speedrun…

His body reacted, his chest constricting, his pulse kicking hard. For a moment, he was hanging suspended from those chains again, and Jokaste was coming towards him across the marble.

damen ptsd hasn’t magically healed. fits well with previous annotation about this final scene and why it works

All he could do was wait for Kastor to appear at the top of the stairs. Damen stood, his sword in his hands, and tried not to feel small, like a younger brother.

stronger man on top, etc

Kastor came in alone, without even an honour guard. When he saw Damen, he gave a low laugh, as though Damen’s presence satisfied in him some sense of the inevitable.

kastor: disney villain damen: he can’t be that bad

He thought of everything that Kastor had done—the long, slow poisoning of their father, the massacre of his household, the brutality of his own enslavement—and he tried to understand that these things had not been done by another person, but by this one, his brother. But when he looked at Kastor all he could remember was that Kastor had taught him how to hold a spear, that he had sat with him when his first pony had broken its leg and had to be put down, that after his first okton Kastor had ruffled his hair and told him that he had done well.

see previous recent annotations about damen seeing the best in people being a double edged sword (literally)

Why did you deserve it more than I did? Because you were better at fighting? What does wielding a sword have to do with kingship?’ ‘I would have fought for you,’ said Damen. ‘I would have died for you. I would have been loyal—would have had you by my side.’

i love how damen answers the question without even meaning to answer it. damen is more honorable than kastor not because of his lineage or skills, but because he acts honorably. if kinghood is meant for the honorable (which uhhhh personally i’m not a big fan of royalty stuff bc i think that’s lame but we’re staying within the narrative and kastor’s logic rn), then that is why damen deserves to be king while kastor does not

He made himself stop before he gave voice to the words that he had never let himself speak: I loved you, but you wanted a throne more than you wanted a brother.

a kingdom or this, and kastor chose a kingdom. and didn’t even get it. lol

‘You know I can’t beat you in a fair fight.’

the narrative knows that there is no such thing as a fair fight, but damen fundamentally will always believe that there should be.

‘I didn’t want you made a slave. When the Regent asked for you, I refused. It was Jokaste. She convinced me to send you to Vere.’ ‘Yes,’ said Damen. ‘I’m beginning to understand that she did.’

damen knows that’s a lie, and that the regent happily accepted damen as a slave as a gift from kastor so he could torture laurent. he also knows for a fact now that jokaste had been trying to protect him—from kastor.

I’m your brother.’ Kastor said it, as Damen took another step, and then another. ‘Damen, it’s a terrible thing to kill your own family.’ ‘You’re troubled by what you’ve done? It gives you a moment’s pause?’

kastor going into damage control mode because he thinks damen is going to actually do it. fucking coward

Kastor lifted his head and looked at him, and Damen saw a thousand unspoken words in his brother’s black eyes. ‘Thank you,’ said Kastor, ‘brother.’ And he drew a knife from his belt, and ran it straight through Damen’s unprotected body.

the paradox of a better world, as experienced and perpetuated by damen: have to believe in it for it to exist, but you’re going to experience pain and suffering because of that belief

‘There can’t be two Kings of Akielos.’ Kastor was coming down the steps towards him. ‘You should have stayed a slave in Vere.’

there actually can be two kings, but they’re named damen and laurent. hope that helps.

A shocked, familiar voice to his left. He and Kastor both turned their heads. Laurent was standing in the open archway, white-faced. Laurent must have followed him from the great hall. He was unarmed and still wearing that ridiculous chiton. He needed to tell Laurent to get out, to run, but Laurent was already on his knees beside him. Laurent’s hand was passing over his body. Laurent said, in an oddly detached voice, ‘You have a knife wound. You have to staunch the blood until I can call for a physician. Press here. Like this.’ He lifted Damen’s left hand to press against his stomach.

laurent is here for damen because damen believed in a better world, and tried to see the best in laurent. if he hadn’t done that, he would bleed out and die right now. ultimately it is damen’s way of thinking that prevails, and that’s why he’s our protagonist.

Then he took Damen’s other hand in his own, clasping their fingers together and holding his hand like it was the most important thing in the world. Damen thought that if Laurent was holding his hand, he must be dying.

god they’re so.

There was a snick as Laurent locked Damen’s gold cuff to one of the slave chains scattered over the floor. Damen looked at his newly chained wrist, not comprehending. Then Laurent rose, his hand closing around the hilt of Damen’s sword. ‘He won’t kill you,’ said Laurent. ‘But I will.’

SEE RECENT ANNOTATIONS.

also wow, i am a SUCKER for unfathomably soft treatment of the person a character loves, and then resolute violence towards the people who hurt them. which is like laurent’s whole thing. they’ve both changed, but some things are always going to be the same.

and of course, the continuing use of the cuffs and chains. in the same way that damen didn’t give laurent a choice but to believe that he wasn’t alone, laurent isn’t giving damen a choice but to survive this encounter with kastor.

Kastor had reached the bottom of the stairs. ‘I’m going to kill your lover,’ he said to Damen, ‘and then I’m going to kill you.’ Laurent stood in his way, a slender figure with a sword that was too big for him, and Damen thought of a thirteen-year-old boy with his life about to change, standing on the battlefield with determination in his eyes.

kastor you have no idea how cunty laurent is with a sword

Damen had seen Laurent fight before. He had seen the spare, precise style that he used on the field. He had seen the different, highly intellectual way that he approached a duel. He knew Laurent as an accomplished swordsman, a master even, of his own style. Kastor was better.

okay fine whatever.

Kastor, at thirty-five,

kastor you cannot be acting this way at age thirty fucking five.

Kastor lifted his sword. Damen tugged uselessly on the chain as Kastor advanced. It was like watching a former self, unable to stop his own actions.

damen is SO convinced that kastor is going to win this, because he won in marlas against auguste. and then beat laurent when they fought. buuuuut

And then Kastor attacked, and Damen saw what a lifetime of single-minded dedication had forged in Laurent.

damen is often wrong, especially about laurent. and kastor isn’t damen.

Years of training, of pushing a body never intended for martial pursuits to its limit in hours of ceaseless practice. Laurent knew how to fight a stronger opponent, how to counter a longer reach. He knew the Akielon style—more than that. He knew exact move sets, lines of attack taught to Kastor by the royal trainers that he could not have learned from his own sword masters, but only by watching Damen with meticulous attention as he trained, and cataloguing each movement, preparing for the day that they would fight.

and laurent had LEARNED from damen.

And because Laurent’s life had been dragged from its course, because he was not the sweet, bookish youth he might have been, but instead was hard and dangerous as cut glass, Laurent was going to take on Kastor’s best sword work, and force it back.

laurent, specifically as a character with trauma, means so much to me. sometimes people push back against the idea that trauma makes you stronger, because it’s often used as an apologetic platitude: “you experienced bad things, but it’s okay because you’re stronger.” i disagree with that implication wholeheartedly. but personally, i do think that trauma made me stronger, simply because it forced me to adapt in ways i would not have otherwise figured out. and to me this is a neutral fact, not a tragedy or uplifting platitude. trauma made me stronger, whether i like it or not. the uplifting part, for me, comes in the ways i can use that strength to fight for a better life and a better world. and that feels very close to the ethos of laurent’s character, and the captive prince series as a whole.

It was a simple misjudgement on Laurent’s part: a dip in the marble altered his footing and affected his line, his blade cutting too far to the left. He wouldn’t have misjudged if he hadn’t been tired. The same had been true for Auguste, fighting for hours on the front. His eyes flying to Kastor, Laurent tried to correct the mistake, close the gap into which a man could drive his sword if he was ruthless, and willing to kill. ‘No,’ said Damen, who had lived this, too, jerking hard on his restraints, ignoring the pain in his side as Kastor took the opening, moving with merciless speed to cut Laurent down. Death and life; past and future; Akielos and Vere. Kastor let out a choked sound, his eyes shocked and wide. Because Laurent wasn’t Auguste. And the stumble wasn’t a mistake, it was a feint. Laurent’s sword met Kastor’s, forcing it up, and then, with a neat, minimal motion of the wrist, driving forward into Kastor’s chest.

damen is always going to miss things, about laurent and everything else in the world. this often means he is blindsided in upsetting ways.

but sometimes he misses things like this. and it’s good, once in a while, for him be proven wrong :)

(as i’ve said, that’s the core of lamen. endless power shifts. and i love it.)

Laurent was already turning, already at Damen’s side, on his knees, his hands firm and strong on Damen’s body as though he had never left.

“anyway”

Kastor’s death he felt as the death of a man he had not known, or understood. Losing his brother—that had happened a long time ago, like the loss of another self who had not grasped the flawed nature of the world. Later, he would face that.

“another self who had not grasped the flawed nature of the world” damen if you want to know more about that guy you can read my bazillion annotations of your narration

Later they would lay Kastor out, taking him on the long walk, inter him, where he should be, with their father. Later he would mourn, for the man Kastor was, for the man he might have been, for a hundred different pasts and might-have-beens. Now, Laurent was beside him. Aloof, untouchable Laurent was beside him, kneeling on the wet marble hundreds of miles from home, with nothing in his eyes but Damen. ‘There’s a lot of blood,’ said Laurent. ‘Luckily,’ said Damen, ‘I brought a physician.’

‘I killed your brother.’ ‘I know.’

would have been a useful conversation to have three books ago, but i’m not complaining about what we got instead

Damen said it, and felt a strange empathy pass between them, as if they knew each other for the first time. He looked into Laurent’s eyes and felt himself understood, even as he understood Laurent. They were both orphans now, without family. The symmetry that ruled both their lives had brought them here, at the end of their journey.

okay sorry to criticize right before this wraps up but this paragraph wasn’t necessary

‘It was one kingdom, once.’ Laurent wasn’t looking at him when he said it, and it was a long moment before he lifted his eyes to Damen’s waiting ones, and Damen’s breath caught at what he saw there, the odd shyness of it, as though Laurent was asking instead of answering. ‘Yes,’ said Damen, feeling light-headed at the question.

that was literally a marriage proposal, right???

(interesting how we never get “i love you”s. although i think we have gotten many of them, just not in so many words. and those words being what They Are is very specific to our real-life culture and media.)

‘No, don’t move,’ said Laurent, when Damen pushed up onto an elbow, and then, ‘Idiot,’ when Damen kissed him.

i’d be lying if i said this didn’t immediately make me think of catradora

He pushed Damen firmly back. Damen let him. His stomach hurt.

damen bringing us home with one last understatement

It was not a mortal wound, but it was nice to have Laurent fuss over him.

The thought of days of bed rest and physicians was made sweeter by the thought of Laurent alongside him, making barbed remarks in public, and in private, newly tender. He thought, Laurent alongside him for all the span of his days. He lifted his fingers to touch Laurent’s face.

“my husband is a bitch and i love him so much”

‘You know, you’re going to have to unchain me at some point,’ said Damen. Laurent’s hair was soft. ‘I will. At some point. What’s that sound?’

never really letting each other go

He could hear it even in the slave baths, muffled but audible, the sound ringing out from the highest peak, a peal of notes, proclaiming a new king. ‘Bells,’ said Damen.

i know a lot of people really love this conclusion, and while i don’t dislike it, it doesn’t feel like it hits as hard as it could. when exactly have we heard bells before? i just scanned the prologue of book 1 and didn’t see them. i get the themes of kings rising (obviously) and the future, but i’m also wondering if there’s some obvious thing i’m missing that really makes this HIT. like, “he was watching the road” kind of hit. which i’ll be reading too, by the way. so it’s not quite over yet :)

final thoughts: see the past three books of annotations. i’m really happy i did this, and i'm so thankful for everyone who followed along with me. looking forward to the short stories, which i actually haven’t read except for the summer palace. let me know your recommended order, if you want!

[respectthepetty]

Petty, I respect you.

I do.

However.

DONT BE QUITE ABOUT THE COLOURS IN ON1Y 1 BECAUSE I WILL READ A FULL THESIS ON IT, 20 PAGES!!!! 50 PAGES!!!!

PLEASEEEE Give

It

To

Meeeeeeeee 🥹

Anon,

You've opened a floodgate.

Because I always notice the colors, but just because I see colors doesn't mean I know why they are significant. Even if I see there is a pattern, it doesn't mean I understand its importance. And I don't think y'all should be subject to me screaming about Jiang Tian's paper bookmarks being yellow and pink in a book of (love?) poems where he has highlighted that "a girl's shyness is like a tender cherry under the sunlight" and "16- and 17-year-olds are like fruits in the morning sun, sparkling."

Sheng Wang asks who this is about, but we know who this is about. The colors mean things.

And more importantly, I actually didn't write weekly or episodic posts about shows until 2022. I used to wait until a show was over to write about the colors or background noise, and, mostly, I only did it when people would ask me about it. Big Dragon was the first show that I felt compelled to write weekly about the colors and background noise because it was so amazing, so 2024 is still an odd space for me to be in sometimes because as much as I love colors, I'm ALWAYS surprised how much y'all want to know about them . . . weekly . . . per episode . . . for all the shows.

I write for myself, but sometimes I think y'all don't need to witness me losing my shit every week for sixteen weeks over obviously color-coded characters in The Loyal Pin.

And sometimes I think y'all don't want to witness me losing my shit over colors that I can't completely understand like the grays in 4 Minutes.

And then other times I think y'all shouldn't have to witness me losing my shit over colors that I'm not sure are colors until I've watched enough episodes to feel sure that the colors are, in fact, coloring; then, the series, The Trainee, actually tells me the colors were coloring the entire time like I thought.

And that's why I try to be quiet about shows because I'm figuring them out in my head, or I'm waiting for enough information to feel confident about them, and I don't want to hog up the tag with my ramblings. I need to sit in it a bit to figure out what the colors mean.

Kiseki: Dear to Me was the perfect example. I didn't mention anything about colors until prompted by others because it took me until the third episode to feel certain that Chen Yi and Ai Di matched colors, then it took me close to the end of the series to realize all the cameo couples ALSO matched colors.

It took me until the end of My Love Mix-Up to realize Aoki's color had evolved.

It took me two seasons (and a movie) to feel secure that Kiyoi was a Heavenly Human in My Beautiful Man.

And it took me until midway through Semantic Error to figure out why the red disappeared.

That's how The On1y One is for me. I knew yellow/orange and blue would play some part in the story based on the posters, but I wasn't sure how until I started seeing more visuals appear.

Because even though I saw a yellow container of food for Sheng Wang in the first episode,

I didn't realize he mostly ate color-coded food until episode four.

It's such a tiny detail, so I could have easily missed it, but because I know that he is a picky eater, I feel like it's not simply a coincidence, and I quickly noticed it in the eighth episode.

But I needed to collect more images before I could state that. I needed to let the story develop before I realized it. I needed to settle into it. And that's why I wrote my halfway point post after a few people asked if I noticed.

Because I know I seem like a magician who shouts a lot, but I'm not. Sometimes, I have to be patient and let the colors sneak up on me while I'm simply enjoying the moment, like Sheng Wang's orange alarm clock nestled into the corner of his bed while he falls asleep on his light yellow pillow in his light yellow shirt.

I know not all visuals can be a literal bright yellow sign hanging from the color-coded boy's room, ya know?

I'm not Jenny who cannot grasp that she keeps taking food and drinks meant for Benny even when he realized if she could figure out the mug was about gay rights without realizing he was gay then someone smarter will along and piece the dots together . . .

Because like, girl, he's gay.

But it does take me time to collect images and get my thoughts in order, so until then, I'm going to be quiet.

Or as quiet as a loud ass like me can be.

[meruz]

hi!! im sure ppl have asked this b4, but i scoured your asks tag for an hour or so looking to see if you answered anything abt it and couldnt find anything, so i was just wondering if youve made any posts on your process for making n selling merch b4? and how you know which franchises you can make merch for w/o getting into trouble w copyright n trademark stuff (hopefully that makes sense, im not sure,,,)

hi! got a bunch of asks abt merch stuff lately im gonna put it under a cut.

preface: i don't know if i'm the best person to ask about all this stuff because I'm doing merch on a strictly hobby basis LOL. I have a fulltime job which takes care of the bulk of my finances, I don't really make big quantities of anything and my main priority at cons is to just make enough money to see my friends in different cities at minimal expense. i pretty much always get a refund when i file my con taxes because my profit after all the deductions is like fucking..nothing.. lmao. So if you ultimately lose money following my advice don't blame me. OK NOW lets get into it

my process for making merch: when I have an event scheduled that I want to make merch for I start by brainstorming a bunch of stuff I wanna make. for mgscon this is what I wrote down in my sketchbook lol

i made a legend to denote which ones are actually just reprints. it gets easier to plan out merch when you already have merch. out of the new merch ideas here i actually only made like 4 of them. and out of the reprints i only reprinted like three. i also came up with like 4-5 other merch ideas after writing out this list that i actually did do. LMAOO UM. my point here is that nothing rly goes as planned.

when i get a merch idea i start with thumbnails what i want it to look like (sometimes this is based off merch ive seen before so its very realized and sometimes its really vague bc im kind of pulling it out of my ass)

then BEFORE i go into making the final art I research how I'm going to make the merch. whether its printing/constructing it myself or looking for a manufacturer. There's a lot of different places that you can get custom merch made, i used to go shopping around at local printing shops but nowadays it's really common to do it all online. For both these jet tags and the washi tape I did some of my own research into manufacturers and also asked friends for their contacts/referrals/recommendations etc. most manufacturers either have their specs/template publicly available or will give them to you when you ask. so once I've locked into a manu and gotten the specs I'll start designing the final art.

then it's sending it off and waiting! easier said than done.

i will say this process is a lot lengthier for some types of merch than others LOL. for prints... I've been doing prints for like a million years and I plan out almost none of it. I draw everything at print resolution so a week before I have a con scheduled I'll simply go through all the files I've accumulated since my last con, squeeze whatever drawings I want into standard print sizes lol (ie. 8.5x11, 11x17, 4x6 etc), and print them at a local shop. takes like a couple hours max.

how you know which franchises you can make merch for w/o getting into trouble w copyright n trademark stuff?

I mean. honestly I don't know. selling fanart is the kind of thing that IP holders kind of just let slide as long as they don't think they're losing a substantial amt of money on it. there ARE a couple franchises people avoid because they've been known to send IP lawyers after fanartists... disney is the big one and they're known for being pretty petty abt it... that's why you don't really see people selling fanart of the disney princesses at cons. ive heard pokemon will also crack down if your project seems to be making a lot of money lol, part of why i think a lot of pokemon fanzines operate on a charity basis. I do feel like the pokemon company has bigger fish to fry than someones artist alley table though so i wouldn't sweat it too much.

it's also generally considered impolite/bad taste to sell fanart of small franchises. webcomics and indie games especially if they only have like 1-2 devs who rely on the income that game makes.

I'm not a lawyer so you shouldn't consider this legal advice BUT I will say... I don't think you should let IP law stop you from selling fanart lol. especially if it's low quantities/not mass produced and you're not making crazy amts of money I think you kind of have a leg to stand on. Besides, most cases it seems like the worst you'll get is a cease and desist.

you Will notice that when people start turning their artist alley endeavors into a real business they'll generally ease up on selling fanart (the case most prominent in my mind is omocat lol). but i love fanart and thats why i will never make money and thats a promise [snake saluting gif]

SORRY IDK IF ANY OF THIS WAS HELPFUL. I've been doing merch and cons for a long time (10+ years lmao, you can find record of this on this very blog) and i think im kind of old fashioned about it. i recognize the artist alley/merch scene is a lot more demanding now than it used to be but start small at local low-risk events, online sales etc and work your way up and remember to have fun and itll be ok i believe this wholeheartedly.

its literally just layers of acrylic like any other dinky charm. I'm sure pretty much any manu that does acrylic charms could do it but this specific charm/template i did order through a group order server. they're pretty well known! heres a link to their twitter

@wheatormeat sorry for taking a full month to answer this... anyways. This is tricky because I've actually been changing up my sticker manu everytime LOL IDK if I've found one I actually love.

these ones i ordered thru an alibaba manu because I was jumping on a friend's group order to save on shipping. it was ok. they arrived a liiiitle late and printed a lil dark but i think thats kind of my fault LOL I use dark colors i always need to lighten things before i get them printed and i think i just didnt lighten these enough. otherwise i rly love the quality!

i realized i never posted these online and also this is not a good picture (the lighting in my living room sucks rn) but i printed these tmnt stickers thru stickerninja they feel really solid but they needed kind of a lot of space for the cutline. but their customer service was very nice and helpful!

these ones i got printed at washimill and i was so impressed with how fine their cutline is... pricing and quality of the sticker itself is alright they feel a lil flimsy? idk. but i do like the printing. i kind of elected to go with them solely because i was already ordering washi tape. A LOT of my manufacturing decisions are made based on how much money i can save on shipping tbh.

and thats my sticker manu reviews dont forget to like comment subscribe idk if i have one im gonna stick with forever or anything im rly indecisive. ideally id like a manu based in the u.s...? because im based in the u.s. and international shipping is pricey. but idk if i keep ordering washi tape maybe ill keep using washimill. who knows...

[am-i-the-asshole-official]

I am I the asshole for telling someone what they were doing was "mean spirited and cruel"?

(submitted this a while back but was never posted - don't know if tumblr ate it or if it broke a rule, but i'm sorry if its the latter)

My complex has a facebook page where residents can post questions or concerns to other residents. One day a woman posted asking if we could move the food bowls where people feed the feral cat colony that lives near us because when she walks her dogs they always lunge at the cats; she had just had surgery and it hurt when they pulled on the leash. Someone responded saying they had moved the bowls down and that seemed like that.

Two days later she posted again saying that our "kind and caring neighbor" (her) had called someone to come pick up the cats. From another comment on the post it seemed like she had talked to someone IRL who was rude and basically told her "I've been feeding the cats for 10 years fuck off" and then called animal control immediately after that.

This felt really petty to me, and I posted saying that calling animal control on the cats was "mean spirited and cruel". I explained that almost all feral cats taken in are put down, and that she was making a decision about the community's cats without consulting the community. I added that I was sorry she had been hurting since her surgery, but that there were other steps she should have taken before this.

She responded that I needed to have more compassion for her as she herself was very compassionate and caring person. To which I responded that she should then extend that compassion to these cats that had never hurt anyone. (Seriously, they just chill around our complex and eat rats – they’ve never scratched or bit any person or animal)

She responded that they hurt her “fur babies” everyday because they make her dogs pull at their leashes and choke themselves. She then went on a rant about how she didn’t understand why people weren’t respecting her anger and that since she lived here she had a right to want the cats gone. She also mentioned that calling her “mean spirited and cruel” had racial connotations and that I wouldn’t call a white person that.

Important context, I am a white woman – up until this point I had not realized that she was a black woman as this argument was in a facebook group and the pictures were small. But it is very possible this is something I saw and internalized without consciously recognizing it.

I was really thrown by this, and just replied yes, I would and that I’m sorry it hurt to hear, but that is what her actions were. (Which, yeah, nobody ever not in the racist category uses the ‘I’d say that to anyone!’ excuse, but I truly didn’t know what to say). She continued to respond to my comment saying how I was a pitiful person if I’d really call anyone that, and that I hadn’t addressed any of her other points.

More people where commenting at the same time on this post, and while she responded to all of them my “mean spirited and cruel” comment apparently really got her because she kept bringing it up in arguments with other people. She really felt that people were being unjustifiably angry and mean to her for something she thought she had a right to do.

It also came out that she had apparently posted complaining about the cats the day before but it had gotten so out of hand the post was deleted before I could see it. She had also gotten into several arguments IRL with people feeding the cats. This explains why she felt so ganged up on I suppose – though none of this I knew before replying.

The next day she specifically made a new post calling out racists in our community and tagged me and few other people (even other POC) who had disagreed with her about the cats. I didn’t respond, but fairly quickly that and the post from before were deleted.

I’ve been really trying to think about if my internalized racism did unknowingly influence my actions, but I honestly keep coming back to the fact that I think I would have said the same to anyone who tried to get a cat colony killed because her dogs try to attack them.

Also for those curious – the cat colony is still here! It turns out removing a cat colony from their home is actually considered animal cruelty and is illegal in this state

What are these acronyms?

[postcanon-ii-hazard-au]

ASKS ARE CLOSED

after the past contestants of ii start fearing permanent death, Oj takes the matter into his own hands, to keep everyone in the hotel safe... but isn't he doing a bit much...?

(hello! this au takes place after ii18 and the hotel is rebuilt (which I may explain later). in this au Oj decides he's responsible for everyone's safety and starts taking precautions that are a bit overboard. but, until fear dies down, there's a lot more rules in place. a bunch of former contestants are labeled as hazards that are potentially risky for the more "fragile" contestants. more info will come later.

sorry in advance for any and all potential mischaracterization, I'm trying my best!)

EVERYTHING BELOW THE CUT

Hotel residents Oj labeled as "hazards" + notes + extra (askable characters! But feel free to ask any other ii char and I'll try my best):

Chemical hazards:

Test tube

Liquid hazards*:

Oj

Test tube

Toilet

Fire hazards*:

Paintbrush

Candle

Sharp object hazards:

Knife**

**no longer an issue

Explosion hazards:

Bomb

Volume hazards***:

Microphone

Tea kettle****

****convinced oj that she'd have to get really angry to make the tea kettle noise. almost sounded like she was threatening him

Toilet

Salt

*(main focus of the au)

***Residents that are known to have high volumes are also labeled as hazards for the safety of glass residents. The group was made to keep an eye on Mic, but other... loud residents were added later.

(other askables +) new safety programs and those participating:

Anger management:

Paintbrush, Candle*, Silver Spoon, YinYang, etc.

Oj won't admit it, but anger management was only made for Paintbrush, despite its later popularity. Their anger issues are the only reason they're a fire hazard after all, so this was the solution to reduce the chances of them getting angry. Whether it's working or not is debatable.

*Candle, upon being classified as a fire hazard, was put in AM alongside Paintbrush. Though she quickly proved to be better as a teacher, replacing Goo, whose analogies weren't exactly helping anyone calm down.

Silver Spoon was not labeled as a hazard yet started attending classes after a few petty arguments. Though he was initially reluctant, he seemed not to complain after finding out Candle was leading it.

YinYang's behavior, though improved, has landed them both in trouble occasionally. AM was more so a suggestion.

There are more attendees, but they either aren't regulars or don't have a good enough reason to be listed

Lifering's "Life Guard" program:

Lifering volunteered to help prevent any accidents when there was no other reasonable solution. This includes sticking closer to "hazardous" objects. He's been spending the majority of time just being in the same room as Candle. Besides that, Lifering has generally been available immediately in case of emergency. (But then again, when was he not?"

Anti-Mold:

Food objects are susceptible to molding, especially if they eat moldy food, so everyone has been asked to leave dates on anything in the fridge. They aren't sure what they'd do if someone did start molding, but it's better to prevent it all together.

(Tags key!):

#ii hazards answer (ask tag)

#ii hazards au (general tag)

#ooc (out of character/canon)

(Post key!):

(no posts yet...)

[thecoolerliauditore]

Sorry, not-so-amicable-exes anon here again just cause I saw your big toxic fh breakdown post again cause a friend wanted to read it and we were tlking about it- unimportant, sorry, we just had a thought. Because I've seen some anti-toxic shippers act like this interpretation is out of spite or some intentional thing shippers of other jimmy ships made up (specifically ranchers usually), but the timeline and accusation is all wrong. Like I don't remember ever seeing anyone even talk about this interpretation until post-liml? And it was very hesitantly and apologetically. There was a fic or two before this but most people even the people who enjoyed it expressed discomfort or concern at its existence and that's how most people react to them even to this day.

But I remember when I saw that first post I was like, "Oh thank god, someone else also thought that!" It felt like before that there was scenes in their POV that only happened when I watched 3l because no one talked about them, or wrote them very differently to what happened. And I saw some other people saying the same thing. I think the post even got deleted a few days later, too. It seemed to me like a lot of people had quietly independantly come up with the interpretation as far back as 3l itself, but stayed quiet until recently to avoid upsetting anyone or we all thought we were the only ones who saw it that way. I know I tend to hesitate to write characters negatively because it feels a bit wrong to do that when the ccs are friends, even if I think it would be interesting. I wonder how many people feel that way also?

But I guess what I mean to say is it seems to me that a lot of people independantly have been thinking it since 3l or ll and the only reason it started popping up in dl is because it was the next big Jimmy ship from the big shipping season, and people werent really willing to even talk about it for a whole other season because they were scared of being seen as negative.

But!! I just really think it's neat, I really like this narrative for Scott and Jimmy. It's rare to be able to get stories where people have problems and break up and move on to new relationships and grow from them. It makes sense because they're the first season couple and they've grown further and further apart as seasons go on.

Even people I see who don't like fh don't seem to WANT to talk about it, they only bring it up when asked, and try to be respectful. Maybe I've not seen something happening somewhere else? I just wish I didn't have to spend most of my energy when writing quadruple checking that I'm not making Scott a bad guy and emphasising Jimmy's faults just so people reading know for certain I'm writing it this way because I'm legitimately interested in exploring this interpretation of them, and I'm not one of "those" writers. But I'm starting to wonder how many of "those" writers there actually are. (At the risk of comparing petty fandom drama to a serious topic, but it feels a lot like I'm back on 2016 tumblr assuring people I'm not one of "those" enbies or "those" aces, trying not to get pushed out.)

I'm guessing anyone who doesn't care for toxic fh probably already has you blocked, but if there is anyone like that who does see this: Hi! I also love flower husbands a lot! They just aren't my fluffy comfort ship, I like headcanoning them as divorced and imperfect because I think it makes them more interesting to write. I love being able to write characters who don't find the love of their life immediately but each relationship still shapes them into a new person. Sometimes I like to imagine their relationship as more mild and silly, and sometimes more dramatic and intense, I'm not a one-headcanon person! But their divorce is what really inspired me about them so I like writing about it. I don't want to stop anyone from enjoying them how they enjoy them and have no interest in making people who would be upset by my content to read it, so I try to tag it correctly! I'd like to be able to write my stories without walking on eggshells wondering if someone thinks I only wrote something I worked really hard on and cared a lot about just to spite them or because I'm secretly homophobic while writing about men kissing, just because my interpretation is different. It makes me scared to put Scott in my fics at all and contributed to my writers block for fics with them in it. I think Scott gets treated unfairly by certain people too, but that's not what I'm trying to do, I wouldn't write about him if I did!

(Also sorry if my paragraphs are strange, I'm not used to writing on mobile or pouring my thoughts out.)

Hi hello welcome back!! Please don't apologize I love long asks, especially long asks about scott smahor. The fact that you pulled up that toxic fh post and read it with a friend is so funny to me. Looking back, I wish I'd planned it out better and wrote it more eloquently, but I'm glad it brings people some sense of joy/entertainment/understanding. I hope you and your friend enjoyed it, even in an ironic sense.

It's endlessly entertaining (and fascinating) to me personally how every toxic fh believer seems to undergo the same-ish pipeline of watching the fh pov and being horrified --> looking at fanon fh and disengaging out of fear --> finding other toxic fh posters in the wild and suddenly realising you're not insane after all. I know I personally went into scott's pov expecting wholesomeness and ended up wide-eyed at what I saw before proceeding to slink FH into the back of my mind for awhile.

People tend to believe others operate like they do and I think that's where a lot of the discourse originates. Most of the louder voices I've seen that are very against the toxic interpretation are from people who primarily engage in bending the characters to fit specific concepts i.e. the "toxic jimmy" brainstorm that happened awhile back on here where interpretation is less a study and more confirmation bias-ing your way into making an idea work. Which I must reiterate is completely awesome because we're making fanfics here not nukes. But this leads people to assume that everyone who writes about toxic fh is going in with the mindset of "how do i interpret these moments so that scott is an abuser" and not "wow that thing i just watched sure kind of felt like domestic abuse"

Which like. YEAH, if there was a theoretical group of people who went out of their way to interpret everything scott did ever as evil and irredeemable, I too would assume that they had it out for the guy. But that's not what's happening, usually, afaik (at least on here, twitter's situation is a bit different due to the culture and would be its own beast for me to dissect and I honestly don't spend enough time on there to really feel confident making any statement).

For the record, I think a lot of people are on the same boat regarding FH being toxic and just simply don't care enough to voice/explore it, don't want to deal with the fandom nonsense that comes with it or would simply rather shift focus onto other pairs with similar themes. i.e. there is something going on with the toxic fh believer/ethubs shipper overlap I just know there is if anyone would like to do science with me it'd be awesome.

I know that I definitely focused my sights more on Scott and Pearl's relationship following my "wow that was sure something" watchthrough of scott's series, which is ironic considering I now base alot of my thoughts about their dynamic on scott's previous relationship with jimmy.

I think there's like. Something about the DL Pearl fans and the ranchers fans specifically who tended to communicate in code re: Scott's toxicity because for a long time all of us were afraid of saying it outright. So you get a lot of posts where Scott is like. A vaguely unpleasant force in the narrative while not really being a main focus himself, which I think may have contributed to the "ranchers fans only view scott as the villainous ex to push their ship harder" argument that I've seen a lot.

Once I realised from that one Shepscapades comic that there were others who saw the same plot I did, I would go out fishing for signs of agreement/acknowledgement. Hybbat if you're reading this, take this as my apology for sending you anon asks back in the day essentially trying to bait you into posting more FH slander, there was something deeply wrong with me (there still is, I'm just more upfront about it now I think).

There's also just this very like.. us vs them mentality very apparent in the way people talk about The Discourse that kinda sucks. Weirdly enough it's kind of shifted from toxic fh vs healthy fh to fh vs ranchers (or any other jimmy ship for that matter) nowadays. I can't talk on 2016 tumblr but regarding your last point (which I know isn't directed towards me but I think it's worth saying) -- would it matter if you Were one of THOSE fh writers? (or one of THOSE aces or THOSE enbies for that matter). You're not but like. Would it?

(side note rhetorical question do not answer i dont want to know but wtf did the aces/enbies even do lmao)

Not to get too away from the discourse cus I do my fair share of glazing on this blog already, but yes yes yes big agree on fh's storyline being amazing!! I love that we essentially watch them both have to live on after their mutually life-changing marriage.

Scott especially I love because in a lot of stories that feature an abuser they're painted as entirely evil and oftentimes disappear from the story once the relationship is over, but Scott doesn't and will never go anywhere. He's forced to grapple with his previous actions and the destructive way he thinks about himself and relationships has and continues to damage both himself and the people he loves. Just like how irl even when we wish abusers would just "go away" they will still continue being living people as they've always been, not a concept that will simply perish once you overcome the trauma. I love abusive characters who are fully written as human and think they're important. Is all.

[mxtxfanatic]

Was thinking about how often I see reactionary pro-Jiang Cheng content, and I just realized something: jc stans, just like their fav, believe that every good thing Wei Wuxian has—whether loved ones or good memories or admirable characteristics or character growth, whether canon or fanon—is actually the rightful property of Jiang Cheng that Wei Wuxian “stole” from him through the sin of existing, and it is their sworn duty to correct this “oversight” of canon.

Wei Wuxian gets his happily ever after with the love of his life, so jc stans give Jiang Cheng Lan Xichen and call Lan Wangji “second place.” Or they make Lan Wangji a cheater because “he actually likes Jiang Cheng more (who doesn’t, amiright?)” or Wei Wuxian a cheater because “he can never appreciate a good thing like Jiang Cheng can.” People point out how Wei Wuxian and Nie Huaisang seem to have had a closer relationship than Nie Huaisang and Jiang Cheng, so jc stans make the latter two a ship or make them the bestest friends ever that bond over being annoyed with Wei Wuxian. Wei Wuxian has a close relationship with the Wen siblings, so jc stans make Wen Qing spend all their time together saying that Jiang Cheng “was right” about him while Wen Ning is being “bullied” into being “anti-jc.”

Wei Wuxian is canonically smart and driven, so jc stans say that he is lazy while Jiang Cheng is hardworking. Wei Wuxian is canonically charismatic, so jc stans say that it was actually Jiang Cheng who was loved by all the disciples and is the sole reason the Jiang Clan of the present was able to pull in new disciples post-fall. Wei Wuxian loves to learn, so jc stans say that Jiang Cheng was actually a model student being sabotaged by the slovenly Wei Wuxian.

People imagine the Lan as accepting Wei Wuxian post-canon or imagine aus where the Lan adopt him as a child, so jc stans make Jiang Cheng the adopted Lan child, who Lan Qiren now likes better than his own nephews. People write Nie!wwx, so jc stans write about how “actually” Nie Mingjue sees Jiang Cheng as the brother he never had and views Wei Wuxian as an unwanted nuisance and competition. People make the most batshit ooc au where the QishanWen are actually good and adopt Wei Wuxian, and jc stans turn that into actually, the Jiang siblings are adopted while Wei Wuxian stays with the “totally horrible, abusive” father in Yunmeng. Fucking Baoshan Sanren descends from her mountain to look for her martial grandson, and jc stans will shove Jiang Cheng into the narrative as a disciple because “he’s just so lovable!” In all of these cases, some will still imagine that Wei Wuxian still gets left on the streets as a petty afterthought.

Shit, even some of the BAD things that happen to Wei Wuxian canonically are misappropriated by jc stans to give Jiang Cheng unearned sympathy. Wei Wuxian was whipped as a child? Now Jiang Cheng was too, but also his dad hates him. Wei Wuxian is an orphan who creates his own family in adulthood? Jiang Cheng is now disowned/an unloved runaway who later finds his people because who wouldn’t want him (amiright?). Wei Wuxian was at risk of losing his golden core completely in the transfer if it failed? Well Jiang Cheng was going to DIE! “See? Look how much harder Jiang Cheng’s life was than that pathetic attention whore Wei Wuxian! Doesn’t he deserve all the things Wei Wuxian has? Aren’t they rightfully his???”

And it’s like, you can’t even escape into fan content with this type of mentality, because look out how much I mentioned is popular fanon. Notice how ubiquitous these ideas are surrounding anything to do with Wei Wuxian and Jiang Cheng, even if only one of them is mentioned. No matter what anyone reads in the novel, no matter what individuals come up with in their own heads, no matter what tag or platform is used or not used to keep it out of their hands, jc stans will be there to create a reactionary counterpart to prove that nothing, nothing can ever just be Wei Wuxian’s. Because at the end of the day, the “oversight” that jc stans want to correct isn’t Jiang Cheng’s supposed depreciation by the author. The “oversight” was the author daring to say that Wei Wuxian deserves to be treated as his own person and not Jiang Cheng’s personal property. And every fandom interaction has been retaliation towards that fact.

The main character of the novel is relegated to mere a lightning rod that exists to attract all of Jiang Cheng’s bad qualities while injecting him with all of Wei Wuxian’s good, but jc stans wonder why people are upset.

[goggles-mcgee]

Hi! I hope you’re doing well! Do you have any head canons about your felinette stories (Moving on, finding home; The haunted Bride, The not-so phantom…) and Marinette, the Rolling Stone? I love all of your stories, specially daminette 😈

Hi! Of course I do! But since you're grouping them for the Felinette, I will focus these headcanons on the felinette aspects a bit! Also I am so sorry for the very late reply. Motivation has been very low 😔

Moving On, Finding Home:

•As Marinette starts to work with Amelie, Amelie decided they should go out for lunch along with Felix, but when they got to the cafe she suddenly had some business to take care of and rushed off. Felix took this as an opportunity to really talk to Marinette and apologize for his behavior last time he was in Paris.

•At first she's skeptical but as he went into detail about why he did it, she feels for him. He told her about the loss of his father and that he knew it wasn't an excuse but he had been hurt and angry. Especially at Adrien and his Uncle. He was surprised when she didn't immediately jump to Adrien’s defense.

•Since he was so willing to be vulnerable and he seemed genuine in wanting to start over with her, Marinette told him everything that had happened at school. At first she had just wanted to explain that her and Adrien weren't friends anymore but once she started talking she couldn't stop.

•After this talk, things work a lot smoother, and Felix actually tags along with his mother when she goes to meet Marinette. Somehow them having lunch became a routine as well, but neither teen complains.

•Amelie adores Marinette and has a hard time not spoiling the girl but she can't help that her love language is gift giving and look...if Marinette is going to be taking on as big a project as she is then of course she needs a new design desk...and tablet since her old one had a chip on the corner...and a new mattress because her little designer needs the best sleep to dream up wonderful designs!

•Felix does try to reign her in, but it's hopeless.

•Tom and Amelie are two peas in a protective-parent-pod. They love talking to each other about their respective child and all they do in the name of that love, like the time Tom threw Marinette’s birthday cake in the trash several times in a panic because he didn't want to spoil the surprise. Tom and Amelie basically become bestie with a fond Sabine watching over.

•Amelie being a Petty Betty and allowing paparazzi to take pictures of her, Felix and Marinette when they are out together (with permission, of course) all so she could show off how cute Felix and Marinette are together but also to rub it in the face of her brother-in-law that she nabbed the very talented designer before him.

•Felix does become the new Chat Noir, but he changes his name to Grimalkin and Adrien, who starts not-so-vague posting on his Chat Noir account on social media that the name sucks and nitpicks about everything of the new Cat Hero.

•The class start to think the reason Marinette has "changed" so much is because of Felix, and they start trying to include her in things again in an attempt to lure her away from the "problem" Lila hates this and tries to intervene but it never works out for her.

•Gabriel is having a rough month, what with Lila Rossi being herself, the Dupain-Cheng girl getting snatched up by his dreadful sister-in-law right before he was going to open an early-experience type of internship so he could keep her close and figure out how to akumatize her but also she did have great talent and it would be a waste if he let her slip through his fingers, then Adrien reveals he and Mlle Dupain-Cheng aren't on speaking terms and to top it all off!!! There is a new cat hero who is actually competent, and that is making being a super villain very hard.

The Haunted Bride:

•Marinette had for as long as she remembers, been obsessed with the Culpa Mansion. Her parents thought it was cute and funny at first, but when she still spoke about it and even spoke about details, she couldn't have possibly known, but when she overheard her parents talking about taking her to a professional or something she stopped talking so in depth about it.

•But she dreamt of it almost every night and keeps a dream journal where she drew a lot of things from her dreams. She has it locked and hidden because she fears if anyone found it, they would think she was crazy, especially her parents.

•Hawkmoth is defeated and in jail, but Adrien did somehow get through it all without being suspected of aiding his father. Nathalie is the one taking care of Adrien since Gabriel took the fall for everything.

•Marinette as Ladybug, decided against Ladybug and Chat Noir revealing their identities to each other. Something just told her not too but she did promise that if Chat found her, she would let him know. Her and Adrien dating kind of happened out of nowhere to her, but then he kept making cat puns here and there, and well Marinette came to the conclusion he was Chat and hat found her. So she made her own subtle references.

•Adrien does not know that she is Ladybug, but she thinks he does. He just started dating her because she reminded him of Ladybug, and while he did start to like her, he was still very much in "love" with Ladybug.

•Marinette starts to realize he actually doesn't know who she is, and it kind of opens her eyes to how he tries to manipulate her. She doesn't think he is doing it maliciously or anything, but she can see how much he values the class and keeping things happy, and she sees that he's doing it kind of subconsciously so he can keep his perceived normal and happiness. It's why he never breaks the peace, even if it's the right thing to do.

•When she wins the trip to the Mansion, Marinette actually exchanges letters with the owner of the Mansion, who happens to be her age, and she thinks that's cool. They become pen-pals and friends, and Marinette is just so happy to get to rant to someone just as obsessed with the mansion as much as her.

•When she and her class go to the mansion, she is already trying to break up with Adrien but that's kind of hard to do when he won't spend any time alone with her like a boyfriend should. She finds out that Lila is the one manipulating him in hopes that he would be charmed by her and fall for her. The girl squad (some of them) are helping her.

•Marinette is almost always somehow left alone, and during those times, she meets with Felix, and they just have a fun time hanging out, and Marinette finds herself falling for him. She only ever meets him at night though but it's when she's with him that she feels the happiest and most clear headed. He keeps her grounded.

•But while staying in the mansion, her dreams come back in such vividity that she starts having trouble determining what reality is and what is a dream.

The Not-So Phantom of the Théâtre du Châtelet:

•Felix is not scarred, nor does he live underneath the theater. The Phantom is a character he plays to manipulate and scare those who seek to hurt the theater and the owner, his mother. He doesn't mind the rumor. He plays into it in the name of protecting his mother and the theater she loves. He also does not care nor mind hurting others to do so.

•He works as a permanent stage hand and sometimes a stage manager since he knows the theater better than anyone. Yes, he did build hidden trap doors and such to help with his time as the Phantom.

•But what started as him protecting his mother and their theater kind of morphed into punishing those he thinks deserves it and if you're thinking his mother would not approve of this or not know what her son is doing, nah. She knows and supports her troubled little man.

•When he first meets Marinette, he immediately realizes what potential she has and is charmed by her almost immediately. They become friends as costume designer and stage hand. But when he sees the treatment of her from her ex-boyfriend and the lead actress, he will do anything to protect her.

•Marinette didn't believe in the Phantom until all these strange events started happening, and she keeps getting roses left in her workshop. She doesn't know how she feels about everything and thinks that makes her an awful person.

•She does have a crush on Felix, and they connect so well, but she also can't help but be drawn to the Phantom when they keep having encounters.

Marinette The Rolling-Stone:

•Marinette meets Felix after her big move to London when she goes to her new private school. Yes, Jagged and Penny enrolled her in a private academy because they feared what people would do if she were in a public school, given all that happened and what was televised.

•It's a school that allows her to work from home sometimes. The excuse that was given was that it was due to her adopted father's work schedule, but in actuality, it was because Marinette told Jagged and Penny about being Ladybug and the Guardian and they agreed she could home-school on days she needed to be in Paris.

•She got adopted into the Quantic Kids group by surprisingly Felix. He just felt like she needed friends, and she reminded him of himself before he became friends with his friends.

•It takes a while for her to trust them, but when she does, she cries over how much happier she is. When she starts getting feelings for Felix she's scared but Jagged and Penny help her through it.

•Felix doesn't know when he fell for Marinette, but contrary to what his friends think, he didn't freak out or get angry or anything like that. To him, it made sense, she made sense...they made sense. So no, he isn't scared of his feelings and is more than determined to prove himself to Marinette.

•Her friends find out she is Ladybug and convince her to let them help. Of course, she doesn't want to, but things are getting worse, and she needs people she can trust. Jagged and Penny are also there to help as well.

•Felix, of course, becomes the new Cat Miraculous Holder and becomes known as Carbonel!