#I literally put off two essays to write this

[springsylph]

WITCHING HOUR, CH. 1/3 — [18+]

(18+) - MARKED FOR EVENTUAL SMUT, MINORS DNI!

fem!reader x arthur morgan

summary: most people in the area had issues with coyotes. yours wore a cowboy hat, but you let him in anyways. tags: marked 18+ for smut in later chapters, reader has a backstory kinda (but also not kinda), referred to as lady/ma’am/etc, arthur doesn’t know how chickens work, i really don’t know my farm lore

word count: 5.5k

a/n: setting this pre-chapter 2 ish and post chapter 1, except it’s winter for realsies, Because I Can. and please no questions about chicken logistics or I Will Cry.

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The fictitious “stranger,” by all accounts, was possessed. 

Possessed by an air so overwhelming, so sure, that it incited perversity in even the most upright.

He was an outlaw, by the cut of the whispers. The story went that he’d rolled in like a heavy fog, altogether quiet and unassuming, though still carrying the foreboding quality that preceded the raising of hackles. Mothers kept watchful eyes over their daughters, and more notably, the fathers brandished their guns. 

And yet—that maddening yet—the mothers seemed to care little for their own warnings, and even the fathers were envious of a man dripping with exploits they didn’t have the luxury of entertaining.

Luxuries and lack thereof aside, the fickleness of those who spoke of him had not gone entirely unnoticed; it lent no plausibility, no substance to the dream-like tales they’d crafted in their drunken stupors. The most substance you’d seen had been spewed into the shadowy corners of Valentine, pissed into not-quite pristine patches of snow, foul stench leaking out onto already foul streets before it followed you back to the farm.

It stunk. 

It stunk, and it loitered, and it’d been stealing from you.

Which is exactly why—when he shows up on your rickety porch just as winter has begun to bleed out into spring—you take up the mantle of digging your loaded barrel right into his sternum. 

—

The front door tremors behind you.

The stranger shifts on his feet. 

You shift with him, and gloved hands inch toward the stars in surrender not long after. 

Amorphous mass comes to your mind first, rather than man. You can only discern the more essential points of his appearance: the gloves, the satchel, the rifle slung over his back. Knives are stashed somewhere you can’t see—if he’s worth his salt—but everything else blends into the dark line of trees behind him. You swallow a rather painful yawn.

His hat, evidently beaten to hell and back several times over, sits low enough on his forehead to cast shadows over his features—though not low enough to completely obscure the faint outline of a face from your view. The rest of him only falls into place once you crane your head to find his eyes. 

As is customary in situations concerning your immediate safety, your throat constricts, and the second yawn you feel crawling up your throat nearly succeeds in asphyxiating you. 

Petty crimes would have granted him a slighter frame, but no petty crime you can think of could have afforded him the sturdy chest, the buckling of the air around him, the crooked line of his nose, clearly less cared for than his battered clothing. He’s still a little blurred—largely from a lack of sleep on your end, and the protection of his hat on his. Even so, the hard set of his gaze offers nothing other than the tale of cruelty lived and the promise of cruelty to come. 

There was no doubt. This had to be him.

(You might think him handsome, if not for the fact that it’s a quarter past three in the morning.)

The first breach in his stony composure that you catch is paper thin. Fleeting. And he’s quick to recover; any indication of surprise is sequestered with a blink. The second is an awkward shifting of his stubble-shrouded jaw, and you note with a squint that his bandana still hangs feebly off the jut of his chin. 

He admits defeat after a few clumsy seconds. Cracks a wicked smile, bright as the moon peeking out from behind the crown of his hat. But it falls away quickly. Somewhere in the distance a tree branch creaks, tiny shards of ice scattering to the ground and tinkling like bells.

He was calm. Entirely too calm, considering where he stood. His hands haven’t budged, and nothing in his stance hints at an intent to attack. If you didn’t know any better, you’d say he looks more annoyed by your presence than you are by his. 

You try not to think about his eyes. There’s something else in there, too. Apart from the agitation that radiates from them, that is. It lurks deep beneath the blue and wades through the slight dilation of his pupils; it urges him closer—or, is it you?—like the distance between the two of you isn’t sustained by the twitchy arms of a jittery woman holding a rifle.

But there’s an abrupt wind that fiddles with the cotton threads of your chemise, and you’re suddenly struck with the realization that no, your hunting rifle isn’t loaded, and in your haste to confront him you’d forgotten your boots and shawl. 

The nighttime chill, ever the tyrant, lodges itself where the wooden boards scratch eagerly at your bare feet. You were cold, so cold that it ached, and you were tired. But it’d do you no good to show your hand this early. So like the hiss of a rattlesnake, you keep your voice low, and you keep it lethal. 

The stranger is named by the venom falling from your tongue.

“You’ve got ten seconds to convince me not to unload this lead into your chest, Morgan.” You track the added prod of the gun to ground yourself, eyelids still heavy with sleep.

It doesn’t do much, as far as threats go. Morgan’s ever steady breathing still accents the now stagnant winter wind, a stark contrast to the throb of your heart striking your ribs. But a small scar, carved into the flesh of his right cheek, has made an almost imperceptible shift. The rest of his features take far more liberties with their movement—

—and he’s scowling.

Your heart strikes louder.

God, the shit you would shovel to be able to read minds. Animals have always been more your speed; people were a hassle—far too unpredictable, and they tended to reap fewer rewards. 

In your mind's eye, Arthur lies silently amongst the fallen snow, red unfurling behind him like wings. You’d hate to have to kill him, you really would. But there was nothing more dangerous than indecisiveness: it killed, and often relentlessly.

Only, you’ve been staring too long. It’s long enough to rouse Morgan from whatever state he’d been in before you’d spoken. He’s smart enough to keep his palms facing you, and he dips his head with the same mildness that one might use to soothe a startled mare. The scowl is tamped down, smile returning to him like water running through a scraggly creek. 

“Evenin’, Miss.” He drawls.

And it works. You hate that it works. There’s a dull heat that seizes your lungs at the low timbre of his voice, something akin to fire. 

No. No, nothing like it. It was more like the cheap whiskey you’d downed that first night working as a farmhand, all those months ago. It’d numbed your tongue, tumbled down your throat like sun-warmed stone, and simmered in your stomach. You hadn’t dared take another swig after that. Too dangerous. But it’s easy enough, passing your shudder off as a trick of the cold and cocking your head incredulously. 

“Showing up uninvited, and you can’t do me the courtesy of knowing my name?” One push of the rifle sends him back with surprising ease—away from the cabin, and away from that damned moonlight. “Ma’am will do you just fine,” you spit.

His smile fractures. Not enough to truly frighten, but enough to make your fingers clench. “You talk to all your guests like that, Ma’am?” 

You steel yourself. “Only the sneaks.”

At this, Morgan stills. Shuts his eyes. 

Did he really think you wouldn’t notice?

The farm had more issues with coyotes than crooks; that’s what you’d been hired to take care of, more or less. Your employers—the Campbells—were getting on in their years, and were in desperate need of someone to help keep watch during the nights. So imagine the surprise when you’d found not a coyote, but a wanted man sliding through the shadows. 

It’d angered you, that first time he’d gotten away. You’d only recognized him long after he’d left. But after that night, you’d made a show of firing off rounds into the nearby woods and roaming the perimeter of the grounds under the guise of a late-night hunt. 

From what you knew, he hadn’t come back to steal, but you knew you’d seen him lingering. Felt him watching. Waiting for something—but you’d made sure that every pop of your rifle drove him further and further from whatever it was that he’d been aiming for. And now Arthur Morgan is here.

He furrows his eyebrows, purses his lips, and they disappear for a moment when he goes to wet them before he speaks again, a little less amused. “Now you know I mean no offense—”

“No offense? Well, I’d kill to see what you and your ilk consider offensive.” 

The wind slams the front door shut. 

“My ilk?”

You wonder if it’d been your goal all along, trying to rile him up like this. Accusations slide out of your mouth and into the night air far too easily for it not to be. But the thought of anything other than catching him red-handed occupying your head unnerves you, sending you another two steps forward and into the powdery snow.

“Jesus, woman! Alright, alright.” Morgan’s eyes finally leave you, darting between where your feet dig into the cold ground and the muzzle of the gun pressed to his chest. He slumps his shoulders and looks up to the sky, still an ugly grey-black from the thin dusting of snow the night before. 

“Look,” he starts, hands fighting the urge to pinch the bridge of his nose, “I don’t mean no harm. I swear it. I’m—just give me a minute to explain, will you? One minute, and I’ll be out of your hair.”

There’s a please somewhere in there, left unsaid yet still ever so loud. You think it might have left him in the puff of breath that still hangs above your heads; hot and heavy in his mouth, but turned to nothing but vapors once it misses its chance to solidify.

You eye him warily. This could be over and done with in a matter of seconds, and you might be able to knock that godawful mustache clean off of Sheriff Malloy’s face. You kill him—or turn him in so long as he didn’t bleed out, whichever came first—and get whatever bounty was nailed to his head. Use the money to get out. Get your freedom. Stop biding your time, and get revenge. 

And yet.

And yet.

“…You lying to me, Morgan?”

His shoulders straighten out, suddenly very tense. “‘Course not. You think me the lyin’ sort?”

Your voice flattens. “I figured that much was obvious.”

“Ouch, lady. Not willing to pull your punches for little old me?”

“You’d rather the lady use the gun?”

“Neither, thank you. And, speaking of which–” His chest deflates a bit, putting space between the two of you without having to step back. “—quit swingin’ that thing around. You’ll take someone’s eye out.”

Exhaustion mounting, you lower your rifle slowly. You keep your eyes trained on a pebble that’s escaped the snowfall relatively unscathed, not trusting yourself to look anywhere else. Conceding with a sniff, you toss your head toward the front door. It’s quiet, now. 

“Get in, before I change my mind—and no funny business, neither. Guns, knives, whatever else you’re hiding, drop ‘em. Right here.”

Too groggy to note the stalling of movement, you wait for the clinking of metal to stop. His boots retreat from your peripheral far more reluctantly than you expect. There’s a telltale groaning of wood, and you turn to find Morgan gazing down at you with an outstretched hand from where he’s hopped onto the porch. He murmurs with a reverence that you’re sure is misplaced, so quiet that you have to watch his lips to catch even a smidgen of what he says. 

“Yes, ma’am.”

This was a game to him. You knew games. And so when you go to place your hand in his it’s to eye him down, back him into whatever corner would hold him and keep him there till you knew why he’d spent the last month haunting your lodgings like a ghost.

Calloused fingers wrap around your hand like a vice, and when he’s guiding you and your icy feet up the stairs it strikes you that maybe—just maybe—your assessment of your situation had been far too impetuous. Arthur’s touch is surprisingly clinical, but even through the leather of his gloves, it was warm. Too warm. 

Ghosts weren’t warm. Or, at least you didn’t think they were. And Morgan, looking like the very paragon of the West, all bright eyes and honeyed words, had given you a glimpse of something far too beguiling not to investigate. It’s when he presses the back of his free hand to your wind-bitten cheeks that you wonder what your father might think.

“Chilled, right to the bone.” It isn’t so much a mutter as it is a rumble, reverberating somewhere deep in his throat and traveling up to where the two of you have made contact. You’re avoiding his eyes again, but you’re close enough now to be able to see his muscles working his neck. 

His smell overtakes you much like the cold has. The freshness of the pine needles still stuck to his coat makes up most of what you’re able to distinguish. A little bit of horse, too—he’d ridden here. Where exactly he’d hitched his horse was a mystery. But with the proximity of his sleeve to your nose, you can make out the faintest hints of a potent musk. It’s everywhere: in your nose, your mouth, under your skin. Every inhale turns your muscles into piteous liquid. There’s no hiding your shudder, this time.

Morgan suddenly yanks his hand back as if scorched, and schools whatever expression he’d been wearing prior into one of indifference. He hums. Frowns. 

“Let’s…uh, get you inside.”

You offer a tight nod and turn away, but Morgan is quick to the draw; he whispers a quick “pardon me,” and goes to retrieve the weapons he’d dropped in your stead. 

Oh. You’d forgotten. It seems he’d forgotten too, brushing the mixture of dirt and snow away and mumbling something about keeping his guns warm. You’re left standing dazed on the porch, skin still blistering from where his fingers had met your skin.

Morgan has the decency to look at least a little troubled when he returns. He places what he’s collected into your arms before opening the front door, and gestures for you to enter. You offer one last look to the moon before following him inside.

__

Your judgment on Morgan—Arthur, now—was still up for debate. But your punishment for rushing to catch him had been doled out almost immediately. 

For your feet, a numbness that the fireplace had been bullied into chipping away at. Your hands are still tight from the cold, and they sit tucked underneath your thighs with the added protection of a few blankets that’d been placed over your shoulders. Your eyes flick over from the fire to Arthur, and your chest tightens. 

He’s found his seat across from you: coat and satchel on the back of a chair he’s pulled from the dining table, big hands tapping away absentmindedly at his knees. With the coat set aside, there’s nothing to hide the first few buttons of his shirt that hang open, pitch black and rolled up to his forearms to account for the warmth of the fireplace. His hat remains, hair still tucked away and settled at the nape of his neck.

You’d both been sitting in silence for the last half hour, despite Arthur’s insistence on “one minute,” letting the cold of the outdoors thaw out before saying anything that might get the rifle pulled again. You did gain a bit of satisfaction at the slight tinge of red in Arthur’s ears; it seemed the cold had gotten to him, too.

You watch as his eyes wander over the furnishings of your cabin. Thankfully, the door to your bedroom is only slightly ajar, and the knot in your chest lessens. It wasn’t often (or ever) that you had visitors over, which meant that most of your things were tucked haphazardly into corners or set on kitchen counters.

The Campbells—generous as they already were—had insisted you take up residence in a cabin on their property that once belonged to a daughter of theirs. She’d long since moved out, but the light in their eyes at the thought of it being occupied again was undeniable. It wasn’t much, but it was yours. And Arthur was seeing all of it.  

“Don’t get too comfy.” You frown. “…Arthur.” He beams, and suddenly there’s something incredibly interesting lingering right by your foot. 

His name still feels foreign when it leaves you. At first, you’d taken it as a show of good faith; he’d sworn to keep his mud-caked boots off of your rug in exchange for keeping his feet from becoming bullet-ridden by the time the sun came up. Arthur, feeling like he’d gotten the shitty end of the stick, had joked that you may as well call him by his first name. The last person with the guts to threaten him with a shotgun had, so what was one more?

It was a weak threat, if one at all. You knew, and he knew, that you were just about the only person this side of the Grizzlies who was vaguely aware of who he was. You’d seen it in his face when you’d called him by name. It’d be an insult to call it fear; an expectation of an inconvenience would be more accurate.

Luckily for him, you didn’t care. Not right now, at least. Imposing as he was, you refused to be cowed into going along with whatever it was that he'd planned. 

Your heel messes with the leg of your chair. “Don’t you go forgetting why I brought you here in the first place.”

“Not quite sure if I’d use that wording—“

“Can it, Morgan.”

His jaw clicks shut this time, but he’s still got that goofy grin smeared onto his face when you chance a peek at him. You’ll let it slide, for now. You’ve stalled long enough.

“So. My eggs. You gonna tell me, or do I need to start pulling teeth?”

“No need,” Arthur assures, “shouldn’t be stickin’ your pretty little fingers in just anybody’s mouth, Ma’am.”

An outlaw and a flirt, to boot. Wonderful. You’re wondering how long it might take to chuck the nearest inanimate object at him when he pipes up again.

“You piss in somebody’s cigarette box, lady?”

“Did I piss—Morgan, quit it!”

This seems to reign him in a bit, and his smile dips.

“I’ll be frank, since you asked so kindly.” Arthur leans back in his chair, flexes his palms. “You had people tailin’ you.” 

You quirk a brow. Ah, that’s right. He didn’t know, couldn’t have. But just as you attempt to explain, Arthur holds out a hand to stop you and shakes his head.

“Killers.”

The hand fussing with the material of your blanket falters.

“...I beg your pardon?”

“Hired guns, Ma’am. Out for you. You’re real…fortunate, I’d been passing by when I was.” A rueful look clouds his face. “Not much to hire once I was through with ‘em, though.”

The quiet that follows isn’t entirely unfamiliar. He’s an outlaw, you muse. Things like this are to be expected. But it doesn’t occur to you to ask who they were, what they looked like, what they wanted. Because Arthur didn’t know, didn’t need to know, and you aren’t sure if you want him here when you wrap your mind around the sobering fact that your long-held suspicions now bear fruit. So, you settle for the obvious.

“You kill ‘em?”

His jaw twitches. “Nothin’ gets past you, Ma’am.”

“...‘Suppose I should be thanking you, then.”

“Got my thanks when I checked their pockets.”

“But—”

Arthur gives a grunt of protest. 

Jackass.

Though your concerns about theft were long gone, it doesn’t seem like he wants to talk about this any more than you do, so you do your best to set the conversation back on track.

“Well, uh…the eggs, then?”

The tension in his jaw lessens. Arthur unfurls a long leg, digs the heel of his boot out in front of him, and rocks his foot back and forth.

“You know these winters. I can tell you do—despite all the…” he trails off, nods the brim of his hat toward your newly cultivated relationship with the fireplace, and you flush. “So, I uh, started out sneaking a few off, along with some other things for my people back at camp. Snagged some extra rations. Kept an eye on you. Two birds, one stone.” 

“So it wasn’t just the eggs you’d been stealing, then?”

“It’d behoove me to tell the truth and shame the devil, Ma’am. Not that he and I are unacquainted.”

So that was a yes. 

The part about “keeping an eye” on you is tacked on rather reluctantly, but at the mention of camp, your brows raise. It was true, then. The tales you’d heard during your trips to Valentine, the new faces you’d noticed in corners and back alleys, they were all real.

There was a time when you thought you might be able to find your place sleeping under the stars, free to do as you wished and go where you pleased, so long as the law kept their greasy mitts to themselves. But circumstances had seen to it that your dream went unfulfilled. 

You muster up what you hope is a sympathetic smile, and Arthur takes it stiffly.

Even so, something else with his phrasing catches your attention.

“Hold on now, you said ‘started.’ There something else you’re not telling me?”

A hand, previously settled on his knee, finds its way to the back of his neck and rubs. 

“Uh, y’see,” he starts, looking damn near ready to wring his own neck, and you have to laugh, because what on God’s green earth could have Arthur Morgan this bothered? But instead of finishing his sentence, he turns his gaze toward the small sliver of moonlight coming in through the curtains and poses a question:

“You know anything about chickens?”

You blink.

“Arthur Morgan,” your eyes shut, and your mouth hangs open. “I work on a farm.“

“That you do.”

“And you’re asking me if I know about chickens?”

“That I am.”

He’s looking mighty sheepish; his hands return to their places on his knees and begin to tap again, with the added scrunch of a nose. You stifle a snort and oblige him.

“Yes, I’m well versed in chickens. Now tell me what the hell is up.”

And tell he did. Turns out, one of the eggs he’d snatched had somehow been fertilized, and hatched. Arthur, of all people, had been far too mortified to go and ask one of his own for help, so he’d spent the last two months slinking around to find out if his luck might earn him another to keep the one he already had some company. 

He’d named it and everything, so eating it (Marlene, he corrects gruffly) was completely off the table. By the time he’s finished his story, you’ve spent an exorbitant amount of energy fighting off several fits of laughter, and you’re fighting off your ninth when Arthur interrupts.

He leans forward, as if to confirm something, then settles himself back into his chair once he finds what he’s looking for. “You ain’t from around here, are you.” It’s a statement when it leaves Arthur’s mouth, not a question.

Observant. Observant, and deflective.

Chewing at the inside of your cheek, you pocket the uneasy feeling in your chest for later.

“Long story,” you offer. And a difficult one, at that. It wasn’t one you liked to revisit.

Arthur replies almost instantly. “Shoot.” For a moment his face pinches, like he’s dropped his last cent down a splinter-ridden nook he can’t reach. He deliberates, for a bit. But the money is long gone now. “Got a full audience right here,” he continues, a tad slower. “I’ve got…time. Why the hell not?”

There’s no smile, but there’s a genuine curiosity that creeps into his voice. It wafts over the crackling of the fire, blows fresh wind underneath wings long forgotten. 

This wasn’t good. Not one bit.

You cast a skeptical glance toward the bottle of whiskey on the table. It’d been set out on instinct when you’d let him in, a habit formed from a time long gone. Would Arthur want some, maybe? He seemed like the type. And you weren’t too pissed about the eggs now, anyways. So you wrap a blanket around yourself, stand, and turn to the cupboards to find a glass. But something stops you from making it over, and you instead choose to wrap a hand around the bottle and offer it to him.

If Arthur is as confused as you are, he doesn’t show it. He mutters a word of thanks as he takes the proffered bottle. But you don’t miss the way his eyes rake over your bare legs like hot coals. Or the slight twitch of his fingers—now free of their gloves—at the light brushing of your hand over his as you pass the bottle to him. 

You follow the bobbing of his throat for what feels like a lifetime as he takes down gulp after gulp. Amber liquid slips from the corner of his mouth; it catches the firelight on its trek down, and steals your air along with it when Arthur moves to wipe it away with the back of his hand.

It startles you, how quickly you’ve become accustomed to cataloging his movements. You’ve met him before, you’re almost certain of it now. If not in the fields here, then maybe somewhere in Valentine, or the woods. But somewhere. He felt too familiar to be new, too invigorating. A part of you wants to pinch yourself for giving in so easily. Maybe…maybe the folks in town had been right? Maybe Arthur Morgan was possessed? It was either that, or you were an idiot. You sincerely hoped it was the former.

The sound of the glass bottle hitting the table is what snaps you out of your trance. Blinking rapidly, you chance a peek at his eyes again, only to find them peeking right back. You do your best not to turn away. That thing you’d seen lurking out on the front porch is still there, submerged in the depths of his pupils. Still waiting.

You pull the top off of the bottle, take a quick swig, and return to your chair with an inhale and newfound resolve in tow.

Blabbering seems to come unfortunately easy with Arthur. He sits, silent and attentive throughout the entire retelling—save for the occasional grunt of approval, disapproval, whichever was appropriate. You tell him of your mother, young and hungry, and how she’d made herself available to the highest bidder—your father. Some wealthy businessman from God knows where. Twenty years your mother’s senior, it’d been no secret what exactly he’d gotten out of their short-lived union: a wild young thing to look after his progeny and keep his bed warm.

He was nice enough, for a time. Or at least nice enough for your mother to be able to tolerate. But something had sent her fleeing from that big, big house. She’d kept you in her arms and her heart till you’d found somewhat of a safe haven in the Grizzly Mountains.

“Safe” had been a bit of a stretch, though. Anyone with half a brain knew exactly what the Grizzlies were like. Arthur agreed. But your mother had been raised there, just as you would be, if only for a little while. You’re only able to remember a short split of time—just before your mother passed, and before your father had come to take you away from her. 

By then your mother had already taught you most of what you’d needed to survive: reading, writing, hunting, flattery, the works. The only thing she’d left out was how to survive without her. 

Your father had come to find you only a few days after, bearing news of his intentions to turn you into a “proper lady.” He made no mention of your mother or where she’d been buried. 

Polite society hadn’t taken too kindly to a daughter hailing from unsavory origins, and it was safe to say that you hadn’t taken too kindly to polite society either. So, you’d spent the last decade or so making your father’s life a living hell and warding off any potential suitors.

But it became clear stunt after outrageous stunt that he had no intention of cutting ties. Rather than cutting you off, he’d settled for the next best thing: manual labor. Your father was old friends (though “friends” was a bit dubious) with the Campbells, and deemed it an appropriate enough punishment for your wrongdoings. He’d relied on your aptitude for hunting to pawn you off on them, and with the help of some expertly feigned resistance, you’d gotten him to plant you exactly where you’d wanted to be. 

Away, and alone.

“Threw a wrench in my plans, but…life here has been peaceful, I reckon.” You pick at the beds of your fingernails, head bowed. 

Peaceful. 

Peaceful and quiet, save for the occasional moo. 

Though, now that you thought about it, you’d have to tally it up to several wrenches if you counted the hitmen. But you could open that barrel of horse shit later.

The creaking of wood alerts you to a shift in Arthur’s positioning, and his voice barrels down at you from the ceiling; he must be looking up. 

“You don’t seem all too ‘at peace,’ if you ask me.”

“I ain’t ask you.”

“Tuh.”

The two of you fall into yet another bubble of silence. It’s comfortable enough, though still laced with the slightest bit of awkwardness. 

You couldn’t get a read on Arthur. Just about every decision he’d made tonight—or told you he’d made—had been a contradiction. It didn’t make a lick of sense. But now that you’ve had more time to ruminate, it didn’t seem like it made much sense to him, either. His body language divulges as much. 

The quiet agitates you, now. Itches. You need to know more. Understand more. But you can’t do that without retracting your fangs and reigning in your apprehension. Finger beds picked raw, you test the waters.

“Not at peace, hm?” You mutter. “…How you figure?”

You hear him shrug. “Dunno.”

Silence.

You wait for him to continue, but it’s not until you look up at him that you realize he’s been waiting for you to look back. Arthur’s voice cuts through the silence once you can meet his eyes without squirming.

“Met enough people to know who’s livin’, and who ain’t.” He crosses an ankle over his knee, and gives an exhale when he puts his hands behind his head. “I’m in no place to be dealing out life advice, but you seem awfully dead, Miss.” 

“Ma’am,” you correct. 

Arthur makes a face, and you bark out a laugh at the sheer absurdity of it all. Some stranger he was, telling you off like this.

Your eyes crinkle, smile working its way from the inside out. “Takes one to know one, I assume?”

He blinks at you. “Yeah. Yeah, somethin’ like that, I suppose.”

More silence. 

“Do you think—”

“I ought to be heading out, now.” The dream is cut short. Arthur is standing suddenly, intercepting before you have the chance to say something incredibly, incredibly stupid. He tugs on his coat, fingers closing the buttons with frightening efficiency before he gathers up his gun and whatever else he’s brought with him and heads for the door.  

You're scrambling up out of your chair before your brain has a chance to process.“Arthur,” you say, half to him and half to the floor, “Arthur, wait a damn minute!” 

The spurs on his boots cease in their clinking. He’s got one hand wrapped around the doorknob, squeaky and now half-turned.

“…Got business to take care of.”

“At three in the morning?”

He glances at the small pocket watch you’d left open on the table. “Half past four, actually.”

“Didn’t realize you could tell time.”

He hums.

And Arthur stares at you for a moment, unabashedly. It’s unreadable at first. But then scars are shifting, and he’s leveling you with a look so bitter that it nearly has you reaching for your rifle again.

“Goodbye, Ma’am.” Arthur waves a noncommittal hand at your feet as he turns the knob. “And…go and see about those feet of yours, will you?”

He sweeps out the door.

He’s left it open.

It’s only after the faint sound of hoofbeats is nothing more than a whisper that you realize he isn’t in the cabin anymore. But somewhere between the shutting of the door and the hanging of your rifle, the faint impression of his parting words is pressed into your palm.

You look down, a bright sting and the sight of red specks on the floorboards making themselves known rather insistently. 

“Oh.”

—

next chapter >>

[i-like-books-and-women]

Okay so I haven't listened to the book in the past couple days but there's this line from one of Zach's chapters that I can't stop thinking about cause it's like "good God that's so fucked" he says something along the lines of "I might have to work to transition from cute to hot but Rubens already there" and potentially in the same line but also maybe not cause I don't remember he says something close to "I have to make the switch from cute to hot if I want to have a career" which is like? Like it's so gross dude. Zach and Angel are barely 18 like tf- like yeah sex sells but Jesus christ what in the fuck. And then like the internalized issues?? Like it's not quite the same vein it's similar tho. I've always been "the fat kid" since I was in elementary school and let me tell you comparing your body to your friends' is literally the quickest way to start resenting them and hating yourself. Quite literally chorus was kinda pitting them against each other and started instilling body image issues in very impressionable teenagers and then was like *surprised Pikachu face* when they were all starting to show signs of depression and anxiety and started fighting and started doing dumb shit and drugs to try and cope.

[playingonedchess]

eh now that im thinking about it again i think maybe my problem with fandom is mainly just that its completely incapable of remotely understanding how any sort of interpersonal relationship works in the slightest and portrays them in the most ridiculous stupid ways not only is everyone ridiculously too emoteionally expressive and self aware and way too eager to therapise each other and discuss things in ways that no one really ever would but they also way overstate the way the characters even think about these things and then when its not the writers invented versions of the characters psycological states its always just about stupid internet subculture memes that i refuse to believe anyones even capable of finding funny or else the other way of completely misunderstanding interpersonal relationships which is making everything about romance or family structures its either throwing away all their actual relationship to just be about kissing and they love me they love me nots and honestly i reckon its actually worse when you actually ship them cause then your actually invested in their relationship and think they could actually have a romantic relationship while still resembling the actual characters relationship, at least if you dont really ship them its less annoying and you can just appreciate it as a random story. and the only other thing these people are interested in writing about tends to be totally misinterpreting the non romantic relationships as well like its hard to believe these people have ever actually had family if this is how they write them but i suppose they can at least acknowledge thats actually a valid reason to care about someone? plus the ways they always have to make non familial relationships into family like its especially ridiculous who they think has a parent and child relationship like seriously just admit your brains too small to comprehend more than too types of relationships. also they way theyll insist characters have a parent child relationship based entirely on the fact that its the kid of one of the characters they ship together i mean thats just getting obsessive not everything has to support your ship and its ridiculous to think that every kid would see their parents partner as a parent let alone the way they insist its like this with adults like ypu know they can still have a good relationship and everyone can get on great without them getting another parent when theyre literally in their twenties

[seawing-vibes]

Decided to fill out a template from @/falling-skyzz I feel normal about . The dragons ! List of characters & design & dynamic thoughts under the cut <3

Also If anyone else fills out thus template feel free to send me the post,, I would love to see other people filling this out!!! I love templates !!

Secretkeeper & Moon • I understand theres a lot of reasonable hate for Secretkeeper but!!! I find her & moon to be a very fascinating pair! To make a long ass thought short, I think Secretkeeper is the embodiment of “product of her environment & deeply traumatize & projecting”. I think she genuinely really loves moon but obviously expresses that through being “”protective””. But I think shes genuinely a character with a capacity for change & realizing the autonomy Moon has over her own powers. Also from the perspective of Moon I think her arc around her relationship with her mom could be really interesting, especially as Secretkeepers authority becomes challenged in Moons life & she has to confront the bullshit her mother has put her through. Overall very very interesting pair I think about them a lot.

Design Note: Secretkeeper is duller in color than Moon & has less stars due to lack of moon light on the island! Also the scales around her mouth are almost completely black, making her mouth barely visible, giving her the name “Secretkeeper” as she “has no mouth to tell others secrets.”

Tsunami & Starflight • Just one of my fav siblings! This specific illustration is from the Arena Scene in Dragonet Prophesy! I really really love Tsu & Starflights dynamic of looking up to eachother & their development together just. So neat!

Design Note: Starflight has very few constellation marks in this illustration as he hasnt spent much time under moonlight quite yet!

Shark & Abalone • One of my more out-there ships! I based this on the thought that Shark was once close with Abalone (cough. Husbands.) and that relates to why he was willing to give Tortoise a lunch-break from watching the eggs. He already saw someone close to him die from being overworked to watch the clutch, he didn’t want to watch another dragon die from his sisters selfishness. I could write an essay on these two I swear

Deisgn Note: Shark is based on a tiger shark & abalone is based on real abalones! hes one of my fav designs here

Six-Claws & Ostrich • He’s just a sweet dad! the little we see of him he seems to really love her & vice-versa <3 they’re just neat

Design Note: Six-Claws is based on a king cobra & is a specific sub-“species” of hooded Sandwings ! Burn found his hood mutation & six-claws super interesting

Tamarin & Pike • My fav background friendship! They’re just fun. I like Pike just chillin out around Tamarin & describing flower colors to her to the best of his ability (she just likes to hear him ramble about a shared interest)

Design Notes: I updated how I draw Tamarins eyes to properly resemble a blind-born dragon ! Also Pike’s deisgn got some yellow in it and I really like it <3

Whiteout & Thoughtful • I just think they’re neat!! They just seem like a sweet pair love them

Design Note: none really! Just experimenting with a rando Thoughtful design that I tossed together for my “ships tier list”

Tsunami • Its just her :) my fav dragon <3!!! I definitely dont think she upholds the “princess” title once she gets older, her only link to the throne is by Coral insisting monthly visits but Tsu otherwise wouldn’t be any interesting in royal life I would imagine

Design Note: Shes caught a waaururrghh something im going bonkers I cant remember what fish that is and my reference photo seems to have dissipated into the cosmos

Anemone • I LOVE HER. SO MUCH ! Anemone haters BACK OFF!!!! Her relationship to her powers is so fucked man. Something you’d think would give her power & control is just a key by which others use to manipulate and abuse her like . Man :( shes literally never had any autonomy over her own identity & intermingled her powers into her identity So Much only for that aspect of herself to also be revealed to be a facade for someone else’s desires like. GUH I love her so much I hope shes having a good day I dont care what anyone says she deserves to be a brat and I support her for it

Design Note: none really! The stars in her talons are just metaphorical though

Snowflake & Snowfox • THE OGS!!!!!! MY FAVORITE PROBLEMATIC LESBIANS <3 Ahhh remember in the early days when they were considered the #1 most problematic ship because they were gay and also evil. I love the evil lesbians so much they’re so shitty sorry Darkstalker Snowfox should’ve been queen I would’ve loved to see that go down it’d be so silly

Design Notes: Snowfox is based on an arctic fox shedding into their summer coat!! I know its p . Away from canon descriptors of her but it was sm fun to illustrate so shhh <3 Snowflake is just grey & blueish per-canon but shes sooo fun. love her.

Okay thats all here are the individual illustrations now !!!!! Because why not !!! If these aren’t transparent its all over

[ivysangel]

READ BETWEEN THE LINES (JASON TODD)

NOTES/CW - continuation of this post, literally just straight up porn, fem!reader, unprotected sex, p in v, creampie, -17 dni, my first time writing smut in this format so plz be nice this shit is NOT for the weak !!! (1.7k)

It's about an hour before Jason caps the highlighter in his hand, having skimmed over the entire book in record time, picking out five or six quotes that would boost your essay into A territory. Except, you weren't concerned about the essay or what grade you got. Yeah, sure, when you had first invited him over, it was genuinely because you needed feedback, but now you have the feedback

"It's written well, only problem is that you need better quotes."

You remember his words as clear as day because they're the reason why Jason had been occupied with your assignment and not the ache between your legs. Now that his perusal of quotes was over, finished, done, and the book was closed, you could finally get relief from something other than your thighs being squeezed together so tight the blood flow was being cut off from your lower extremities.

He carefully cleans up the area, stacking papers strewn across the table and putting pens away. It may have seemed like he was just tidying the table, but you knew that he was messing with you. Typically, you wouldn't give in so easily, but your body was getting hotter by the second, and there was a thin sheen of sweat forming on your back.

God, it was hot. The room was hot, your sweater was hot, and your boyfriend was so fucking hot; and so fucking annoying.

"Jason," you murmur, shifting in your seat as his eyes rake up your figure, shrouded in cozy brown wool. "you said...please, can you just-"

A breathy laugh escapes his lips, and he shakes his head, raking a hand through jet-black hair. He slides the chair back, stands up, and walks over to where you sit. Hovering over you and looking down at your face, which could only be described as pitiful. Your eyes are wide, and your mouth's parted slightly as you manually breathe. Yeah, you look pathetic, but it's not surprising, given the tortuous amount of arousal you were feeling and how badly you needed to get it out of your system.

"Jason." you say again, needier this time. "you said you would..." You trail off, pleading eyes find his as he looks down at you amusedly. His hands make their way to your cheeks, and he tugs at your head ever so slightly, prompting you to stand up.

"You're cute when you get like this," he says before leaning in and pressing a kiss to your lips. You bring your arms around his neck, tugging him closer to you and deepening the kiss. It very quickly devolves into a mess of tongue as your hands eagerly roam his body, sliding up his shirt and running over the rippled abs he keeps hidden away.

"Woah, easy girl," he says, pulling back, and you whimper at the sudden absence of contact between you. "I'm not gonna fuck you standing up." He looks up for a second, seemingly in thought, "At least not today."

The next part happens fast. He grips the back of your thighs, hoisting you up and around his waist, and you gasp at the sudden lack of floor beneath your feet. One hand stays on your leg while the other finds the small of your back, and he walks you over to the couch, laying you down gently.

"You're so impatient sometimes, you know that?" his hands push your sweater up a bit, and you grab the hem, pulling it over your bra and holding it at your neck. "I waited for like two hours." you breathe out as he places a few wet, open-mouthed kisses on your stomach before moving downwards and unbuttoning your jeans, tugging them and your underwear down in one swift movement. "oh, but I'm the impatient one."

He comes back up to your face, a dumb fucking grin playing on his lips, and he kisses you so gently you're slightly taken aback. "I love you," he says, nuzzling his face into your neck and breathing in your scent.

"Love me so much you're skipping the foreplay?"

"Watching you try not to finger fuck yourself for two hours was the foreplay, babe."

You tug at the hem of his shirt, and he gets the message, sitting up for a second and pulling it over his head. He tosses it over the side of the couch, then climbs off you to move onto his pants, and you take the opportunity to lift yourself slightly, removing what was left of your outfit before looking over your shoulder and tossing it behind you. When you turn back around, you're met with the bright pink tip of Jason's cock, white beads of pre-cum collecting on his tip. You've seen him naked dozens of times. Touched him, sucked him, fucked him; dozens of times. But you never really get used to how attractive he is and how much more turned on you get when you see how turned on he is by you.

He pulls you towards him by the foot, and you giggle, knowing what's to come. A calloused hand grabs hold of one of your legs, lifting it up and exposing your cunt. The inside of your thighs, already soaked from the sheer amount of wetness coming from your pussy. "Jesus Christ," he breathes, and you prop yourself up on your elbows, tilting your head down to see what he sees. Even you're shocked at how much your own folds were glistening. You glance up at him, and he gives you a questioning look, a silent "Do you think we need to prepare?" and you take another peek in between your legs, decidedly shaking your head no.

Still holding your leg up with one hand, he grabs his cock with the other, stroking it a couple times and coating it in pre-cum, before lining it up with your entrance. You feel his tip prodding at your hole, and you bite down on your lip, already imagining how good it'll feel when he's inside you.

"You ready?" 

"Do you even have to ask?"

He slides inside of you with little resistance, but you still feel how agonizingly good the stretch is. He lets out a long, drawn-out groan, stilling completely before pulling out and pushing back in all the way. He moves steadily, rocking his hips back and forth, in and out. Each stroke hits deep, making your eyes roll to the back of your head. The thickness of his cock giving you an ache so good you think you might die if you never got to experience it again. He quickens his pace a little, your tits bouncing every time his hips make contact with your pussy, and your hands find the cushions of the couch, gripping them every time he hits your sweet spot.

His free hand grabs your other thigh, pushing it towards you, and you hook your arms under your knees, bringing them to your chest, allowing him to reach even deeper than before. He leans in closer, pressing your legs further into your body, and your thighs ache. Still, the pleasure you feel overshadows the pain by a long shot.

A few groans escape Jason's lips, he's never been much of a talker during sex, and you've never really cared because the sounds he makes are enough to keep you clenching around his dick until the end of time. "Fuck." he mutters, and that alone is enough to make the familiar knot in your stomach start to unravel. You unhook one of your arms and squeeze your hand into the incredibly tight space between your legs, rubbing fast circles around your clit, while you feel Jason's pace start to falter.

Your back arches, and you lean your head so far back into the couch that you can't see his face anymore. The lewd sounds of your cunt sucking up his dick fill the room, and it's only a few seconds before you start seeing white. An overwhelming sense of euphoria washes over your body as you dig your nails into the soft cushion of the couch, and he fucks you through your orgasm, continuously kissing your cervix until you feel his cock twitch inside of you as he spills hot streams of cum inside your cunt.

Your lungs painfully expand as you try to make up for the lack of oxygen from holding your breath through your orgasm, and you tilt your head forward into a position where you can see him. Your hand makes its way up into his hair, his head hanging low, face out of view as you both catch your breath. You tug at his locks lightly, and he lifts his head, following your eyes to the legs that were squished between the two of you. Pulling back from you and holding himself up with his arms, he gives you space to stretch out on either side of the couch. You finally get a good look at him as he sits above you, hair clinging to his forehead, cheeks flushed red, and light-catching on the little bit of sweat clinging to his skin. God, you could fuck him again right now.

"You need to be spayed. This can't keep happening," he says, knowing exactly what you're thinking.

"What am I, a fucking cat?" you ask, feigning offense.

"No, but you have the libido of one in heat." he leans down again, hovering above your face, breathing out a shaky laugh. And even though your legs have gone limp, and your lungs hurt from how heavy you've been breathing, you still clench around him, seemingly ready to go again. "Nope," he says, climbing off you and gently pulling out. You wince, the sudden emptiness unbearable. He's right; you do need to be spayed. 

"I know you have the stamina for it," you joke, eyes following him as he picks up various articles of clothing off the floor before taking them to the hamper in the bathroom. You hear the sound of water running, and he returns with a wet rag in hand. "I know I do," he walks over to you, lifting one of your legs to give him better access to the mess between your thighs. "the question is, do you?"

You let out an airy laugh, watching him furrow his brows as he wipes down your legs, intent on cleaning you up. "Wanna find out?" you ask; he looks up from the mess to see the grin on your face before returning to the task at hand. 

"There's something seriously wrong with you." 

i hope you guys enjoyed this, it literally stressed me tf out !! again, my first time writing like a real smut scene so if it's not good then yk why. tell your favorite smut writers you love them because i can tell you from experience, this is much harder than it seems !!

[lila-went-missing]

Saw you want to write Clarisse x Reader and I NEED more clarisee x reader fics SO!

Can you a Clarisse x reader of when Percy broke her spear and just like readers reaction to the her scream and just very angsty but very fully at the same time! Pls and thank u!

I swear on my life reverse hurt/comfort is one of my favorite things to write on this planet. Also, I feel like it’s worth mentioning that Dior said she literally BLEW OUT HER VOICE when she did that scream?!?! She never fails to amaze me.

This got a bit sadder than intended but it's not too bad. Also, sorry this took so long, I had a math test, two essays, and a debate, on top of personal shit. But I FINALLY got it finished.

My Love is Waiting For You to Come Home

Warnings: Slight violence, mild angst, hurt/comfort, cursing, small amounts of blood, mentions of wounds, lmk if I left anything out.

Pair: Clarisse La Rue x Fem!Apollo!Reader

For the first time in what felt like forever, capture the flag was going great. It had been a long time since the red team had won, but you were actually doing really well. You were up in a tree close to the flag, shooting anyone who got too close with your arrows. They weren't sharp, but they had enough of a point to hurt.

Clarisse was hunting in the woods below you. You'd occasionally catch sight of her from the place you were perched on your branch. She always looked amazing like this. Hair pulled back, armor on, spear in hand. She was in her element, and you'd be lying if you said it wasn't extremely attractive. The way she looked so tough, her lucky red bandanna tied around her bicep.

Anyone else would say she looked terrifying. But to you, she was the most beautiful person you'd ever laid eyes on. You were the only one who got that side of her.

It wasn't long before she disappeared again, hunting down anyone who dared to get close to the flag or your tree. She had mentioned something before the game. Something about revenge on the new kid. She didn't go into detail about said revenge, but you new it wouldn't end well for someone.

You didn't move from your tree, assuming her and her siblings had everything handled. And they did, for a while at least. You had shot down another four people by the time you heard your girlfriend scream in a way that genuinely terrified you.

Jumping down from the tree, you raced to the sound as the conch horn blue. You made it in time to see her storm off as the blue team carried the flag over. Just before she made it out of sight, you saw the spear in her hand. Or rather, what was left of it.

Oh gods. You thought.

You tipped your head back, letting out a breath before turning in the direction she went. You found her in the arena, tearing dummy after dummy into shreds. You let her go at it for a while, watching from the doorway.

Eventually, you slowly walked towards her, placing a gentle hand on her shoulder.

"Clar.." You whisper.

She jumps, turning quickly, ready to knock you into the ground before relaxing. All of the tension disappears from her face, her bottom lip trembling. You reach forward, taking the sword from her hand and tossing it into the rack haphazardly.

"I- fuck.." She drops her head forward, breathing hard.

"Come on.. it'll be okay." You lead her towards your cabin, knowing all of your siblings would be in the infirmary tending to peoples wounds. You can see cuts and bruises on her arms, giving you a feeling that her back will be even worse. You make sure to grab the pieces of her spear on your way out.

On the way to your cabin, her eyes don't leave the ground. Your hand stays on her back the the whole walk, not leaving even as you open the door for her.

She sits on your bed, putting her head in her hands. The broken weapon lays on the foot of your bed as you sit next to her. Her breath shakes with her body.

"Let me clean you up, okay?" She nods, at your words.

"Okay.." Her voice is smaller than you've ever heard it before. You lean forward and pull her shirt over her head, confirming your suspicions about her back. An angry red covers almost the entirety of her tan skin, small amounts of blood leaking from a few spots.

You hover a hand over the scrapes and cuts, a warm glow emanating from your palm. Her wounds slowly heal as her muscles relax. Your heart breaks for her every time you hear her wince or feel her breath hitch. Your free hand reaches forward, grasping hers. A few small scars form over the area, but nothing that won't fade.

You lean your chin on her shoulder when you finish, wrapping your arm around her front. Her other hand reaches up to hold your wrist.

"I love you.." You whisper into her ear.

She hesitates, not speaking for a few moments. When she does her voice is as shaky as her body.

"That was the only thing- the only proof he-" She can't finish either sentence. You can feel her holding her breath as if she's trying not to cry.

"I know, my love. I know." Your lips press into her shoulder. "I'm gonna talk to some Hephaestus kids, I think there's a couple of Hecate kids in the Hermes cabin. I'll do everything I can to fix it."

Her whole body shudders. She's never had the best relationship with her dad. He'd always said that she should've been a son. That spear was the only acknowledgement she'd ever gotten from him. And now it was broken.

A few tears slip down her cheek that you pretend not to see.

"It'll be okay, Clar'." Your arms tighten around her as her head leans into you.

"Thank you." She mutters. If it wasn't for your close proximity you probably wouldn't have heard it at all.

"You deserve someone to care about you.. I'll be damned if I don't do everything I can to be that person."

"I love you. So much." Her voices is so soft, so gentle.

"I love you more." You're not sure how long you sit like that, but it's long enough for your legs to go numb. You can bring yourself to care as she looks so comfortable. She's always had to fight for her dad's love. It gets tiring after you do everything you can to get no recognition. It was nice to know she had someone. If she didn't have anyone else, she would have you.

Eventually you moved positions to her laying on your chest. Your hand rubs up and down her back as her wrap around your waist. She traces patterns across your skin with her finger tips. It's not long before you're both sound asleep in each other's arms. She would never have to fight for your love, it was just there, ready for her when she came home.

[honeybunniesoobin]

a/n: getting to my asks very slowly but getting there! it’s my last semester of college and essays are beating me up. just wanted to come write felix catton smut real quick LOL. literally first time writing smut since my 2013 wattpad days

warnings: smut 18+ mdni! fingering, p in v, creampie

⋆౨ৎ˚⟡˖ ࣪

you and felix never shy away from pda when you’re out.

one of his hands is always on your ass, squeezing it as you walk together. when he kisses you in public, his lips linger on yours. he doesn’t care who watches which means that you don’t either.

the extensive amount of teasing and pda makes things more fun at home.

one day in particular, felix is extra handsy. you two had planned a picnic in the park to get away from saltburn (mainly to not have farleigh, venetia, and oliver all crash your date). after laying in bed long enough to miss breakfast, you both decide that it’ll be time to leave soon.

you get up while felix continues to lay in bed, groaning about wanting to lay with you forever, his voice deep from sleep.

while you’re getting ready, felix watches you from his bed. you glance over at him and smile, slipping on your babydoll dress over your head. you begin applying your makeup, felix’s eyes glued to you.

“see something you like?” you ask him.

“obviously,” he retorts, “maybe i saw more before you put that dress on.”

at this point, he’s gotten out of bed and is towering over you, wearing nothing but his boxers from the previous night. felix rests his hands on your hips, bending you over the counter and pressing his torso against you.

“‘lex quit, we have to go soon,” you scold him even though he can see you blushing in the mirror. again, he groans.

“ugh. why can’t we just stay here?” you turn around to look at him, lipstick in your hand. his arms rest on the counter, trapping you in. “i need you bad, y/n.”

those words are all it took for you to melt like putty for him.

his eyes move down to your lips as he brings his fingers to your chin. you nod, ready for him. he kisses you passionately and suddenly, you’re all his.

felix lifts your body and places you on the bathroom counter. he toys with the bottom of your dress before snaking his fingers up your thigh. his tongue slips into your mouth as he moves your lace panties to the side. “wet already, hm?”

he pulls away long enough to see your doe eyes looking back at him, eager. felix slips two fingers inside of you. he goes slow at first before picking up the speed and adding two more fingers, forcing you to grip onto his arm for support. your soft moans making him go faster, your lips wet from the mixture of your salivas.

you reach the bottom of your dress, slipping it off quickly and allowing it to fall in a pool on the floor, revealing your pink lace set. your hands grab the hem of felix’s boxers, pulling them down to reveal his dick.

felix continues to finger you as you jerk him off, causing him to grunt in pleasure. you can feel yourself close and before you can say anything, you release onto felix’s fingers.

“that’s a good girl,” he says, leading you from the bathroom to his bed. felix lays down on his back, as a signal for you to get on top and you oblige.

you straddle his thighs and like yourself up with him, before sliding on. your wetness makes it easier than normal to take him fully. you bounce on his dick, both of his hands on your hips.

felix loves to watch you take him so well as your tits spill out of your bra. you lay your head on his chest, ass in the air to get him inside you further. he thrusts into you harder, causing your moans to become more high-pitched.

he doesn’t last long after that. he releases his warm cum inside of you. you slide off of him, the cum spilling out of you and onto his thigh. felix grabs the towel on his nightstand, wiping himself off as you lay next to him, knowing you’ll have to wash the sheets later.

“so, picnic?” he asks, huge grin on his face.

“hmmmm, no picnic. i think i’ll stay here.” you smile back at him, exhausted.

he cheers, pulling you in closer to him.

[felikatze]

THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER

HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!

DISCLAIMER

This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!

You have been warned.

ALSO!!!!

The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.

WHAT IS IT?

Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.

(Yes, this is why divorce AU exists.)

WHY DO YOU EVEN BELIEVE THIS?

Quite a lot of reasons, actually.

It's really funny

Let us begin with: the basics.

SUPERFLOUS AESTHETIC DETAIL

HAIR COLOR

This is Euphrasie. She's very pretty. I love her.

You might notice several things about her, like her fantabulous white hair.

Well. What other characters have white hair?

You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.

(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)

EYELASHES

(EDIT!!!!! FINALLY PUTTING THIS ON THE MAIN POST!!!

Turns out I was incorrect in this. Some characters (Mira, Isa) also have eyelashes on SOME portraits. The mentioned chars r still notable for Always Having Em, + the Loop lashes are like, literally intended as plot twist foreshadowing, but, hey.

That's what you get for writing essays at 1am.

IN RETURN!!! Someone pointed out to me [i forgot who sorry] that Euphrasie's capelet.... has stars on it!! It's speckled like the starry sky!! Now isn't that a neat coinkydink.)

(Original text left up because I respect my past self's artistic vision. And his lunacy.)

Correct. Eyelashes.

Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.

So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.

(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)

SPEAKING HABITS

(EDIT!!! Another Point that is Kind Of Off, in that other characters [e.g. Odile] also do this occasionally. Again, keeping the text for my creative vision.

In return I get to inform you that the King makes the "not so bright, Bright One" pun TWICE in different loops, thus implying the King likes puns. Take this as you will. That's been my psychic damage, buhbyeeee~)

Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?

And I've seen people wonder, are these titles? Nicknames?

And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.

So Siffrin just naturally lapses into this style of nicknaming strangers.

Which two other people also do.

Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!

Funny little tidbit that these three characters all speak alike isn't it :)

Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:

THE MECHANICS OF FORGETTING AND BEING FORGOTTEN

I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?

The particularity that's important to us right now is: what people get forgotten?

All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.

I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.

The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.

You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.

Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]

Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?

Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.

Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:

Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.

On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.

Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!

(For her to forget someone like her sister, so easily... Her sister must've traveled to...)

Secondly, we know that remnants of the island were not completely forgotten immediately.

Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.

The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.

"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."

And Odile also remarks the following

Odile: We also know that people could remember that country clearly, before.

This will be relevant later. Moving on.

CONTRIVANCES

THE HOUSE'S OBSERVATORY

SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:

Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.

This reveals to us several things:

This room is innate to the House, and not brought here by the King's weird redecorating

Someone from the House was using it for study

All memory of who or what was studying and being studied was erased alongside the island's existence

Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation

However, I find the general presence of the Island written all over the House incredibly interesting.

Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.

(A pile of papers.) (It looks like someone was trying to write your country's name.)

Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:

(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)

BOOKS

During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.

Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.

Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!

As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?

These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.

(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)

CONCLUSION OF THIS SECTION

Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead

they forgot where they're from.

One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.

And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.

Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.

Now. The real cinch of this.

Why, in particular, do I think Euphrasie is one of them?

Answer me this, then.

How does Euphie know what Wish Craft is?

1. How could she read it?

Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.

The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.

There are no legible records of Wish Craft.

2. What about the Favor Tree?

Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.

Only Euphrasie does. She thinks it's the key to defeating the King.

(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)

Except, when Isabeau talks about it...

Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?

He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.

To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.

And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.

If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.

3. Something's breaking, failing, rotting

At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.

It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!

There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.

To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.

If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.

There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.

If she knew it all beforehand already.

[mit0bee]

Twisted Wonderland boys with an S/O who's afraid of bugs (me too)

Did I literally just post 5 minutes ago? yes. am i posting again? yes. Stuff you should read: Bulleted HC's because i dont feel like writing an essay like i did with floyds tent hc, no beta we die like men, mention of multiple types of bugs Characters: Leona Kingscholar, Malleus Draconia, Trey Clover, Jamil Viper, Vil Schoenheit, Epel Felmier, Sebek Zigvolt, Floyd Leech

(can be read as platonic but i did write it with a romantic relationship in mind)

LEONA KINGSCHOLAR

Leona literally came running into the room thinking you had died or smthn, but no. you were screaming, standing on his bed....all over a small cockroach.

Bro actually sighed. like, a super big sigh, one that youd only get from a dissapointed mother while he stomped on the bug.

"Seriously, Herbivore? You took care of multiple overblots, but a single cockroach gets you all worked up?"

hes grinning so hard. youd want to punch him with how hard hes grinning.

all hes thinking is about the amount he can tease you about this

but, yes. he does get rid of the bug.

unless he was sleeping. then he forces asks ruggie to do it nicely.

MALLEUS DRACONIA

implodes the bug.

im not kidding.

he literally goes full on oceangate on that bug and implodes it

you didnt even have time to properly freak out before the bug was wiped off the face of the earth

"tsunotarou what was that sound?"

"nothing light of my life" *hiding bug corpse*

"are you sure bc i thought i saw a bug"

"nope. no bugs here? should we buy some bug repellant to ease your mind?"

".....no its okay."

you knew he somehow killed the bug.

and it only made you love him even more than you already do.

TREY CLOVER

catches the bug for you and lets it outside.

unlike the first two, he tries his best not to kill the bug.

he pulls the "how would you feel if i stomp on you and kill you?"

"if you killed me while i was a bug i'd thank you"

"you'd be dead, [name]."

"....id thank you from the grave."

he just sighs and shakes his head

probably convinces riddle to let him put anti-bug measures around heartslaybul for you (it didnt take much convincing riddle hates bugs too)

JAMIL VIPER

screams with you

probably set ramshackle on fire more than once while visiting you

you both have to call kalim or adeuce to come exterminate the single cockroach on the ground

again, that one tik tok sound where its like

"YOU KILL THE BUG, YOURE THE MAN!"

"SINCE WHEN."

thats a daily interaction between the two of you

if it happened at scarabia, he'd stay at ramshackle for the next month

literally would abandon kalim (or if he really cant be trusted he'd just bring kalim with him to make sure he didn't cause any problems)

VIL SCHOENHIET

screams with you x2

isn't as dramatic as jamil, but he definitely freaks out about it too.

about the bugs? no. about the bug bites.

again, youd have to call someone to save the both of you so you dont pass tf out and die while he gets eaten alive by a fruit fly

wym fruit flies dont bite? you cant be too cautious.

somehow always has bug repellant with him in the warm seasons

hes prepared and will NOT get any bug bites

EPEL FELMIER

zero reaction, or has a positive one.

"what in tarnation do you mean you hate bugs?! they help with fertilizer blah blah blah blah blah blah (i dont know farming stuff)!"

you have to CONVINCE him to get rid of the bugs, but he'll eventually cave and do it just for you

if you ask him to put up anti-insect measures he'd look at you like youre crazy

"[name]. bugs are actually really good for our ecosystem. back at home we always had to take care of the bugs, or else our crops would die."

"shut up. please. ily, but i cant deal with these bugs."

"okay okay okay fine"

will reluctantly set them up

overall a 4/10 for bug measures he will do it just not unless you beg

SEBEK ZIGVOLT

yells.

not in fear, but in anger because how DARE such a miniscule thing try to terrify the people he cares about?!

doesnt explode it like malleus

but strikes it with lightning.

yk his dorm card groovy? thats what hes doing to a little centipede.

expects you to praise him for protecting you

sure, its a given that he would, but he would very much so appreciate your thanks, and maybe a head pat or smthn

give him one.

now.

FLOYD LEECH

like trey, he lets the bug free

sometimes.

other times he kills it and chases you with the corpse

or keeps it alive and chases you with the living bug

if you REALLYYYYYYYYYY dont like bugs, like straight up sobbing, freaking out, then he wont but otherwise? have fun bro

someone has to seperate you two when you see a bug, because he will do something

sometimes if he's feeling generous he wont do anything and you'll be like "tf? what did you do to be so nice?"

"cant i just be generous towards my shrimpy?"

"no."

".....yeah i almost grilled grim thinking he was food."

"you WHAT."

all of this because of a simple bug

oh to be young and in love ----------------------- m.list @mit0ee 's work, please do not steal!

[thankskenpenders]

Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

[sneezypeasy]

Why I Deliberately Avoided the "Colonizer" Argument in my Zutara Thesis - and Why I'll Continue to Avoid it Forever

This is a question that occasionally comes up under my Zutara video essay, because somehow in 2 hours worth of content I still didn't manage to address everything (lol.) But this argument specifically is one I made a point of avoiding entirely, and there are some slightly complicated reasons behind that. I figure I'll write them all out here.

From a surface-level perspective, Zuko's whole arc, his raison d'etre, is to be a de-colonizer. Zuko's redemption arc is kinda all about being a de-colonizer, and his redemption arc is probably like the most talked about plot point of ATLA, so from a basic media literacy standpoint, the whole argument is unsound in the first place, and on that basis alone I find it childish to even entertain as an argument worth engaging with, to be honest.

(At least one person in my comments pointed out that if any ship's "political implications" are problematic in some way, it really ought to be Maiko, as Mai herself is never shown or suggested to be a strong candidate for being a de-colonizing co-ruler alongside Zuko. If anything her attitudes towards lording over servants/underlings would make her… a less than suitable choice for this role, but I digress.)

But the reason I avoided rebutting this particular argument in my video goes deeper than that. From what I've observed of fandom discourse, I find that the colonizer argument is usually an attempt to smear the ship as "problematic" - i.e., this ship is an immoral dynamic, which would make it problematic to depict as canon (and by extension, if you ship it regardless, you're probably problematic yourself.)

And here is where I end up taking a stand that differentiates me from the more authoritarian sectors of fandom.

I'm not here to be the fandom morality police. When it comes to lit crit, I'm really just here to talk about good vs. bad writing. (And when I say "good", I mean structurally sound, thematically cohesive, etc; works that are well-written - I don't mean works that are morally virtuous. More on this in a minute.) So the whole colonizer angle isn't something I'm interested in discussing, for the same reason that I actually avoided discussing Katara "mothering" Aang or the "problematic" aspects of the Kataang ship (such as how he kissed her twice without her consent). My whole entire sections on "Kataang bad" or "Maiko bad" in my 2 hour video was specifically, "how are they written in a way that did a disservice to the story", and "how making them false leads would have created valuable meaning". I deliberately avoided making an argument that consisted purely of, "here's how Kataang/Maiko toxic and Zutara wholesome, hence Zutara superiority, the end".

Why am I not willing to be the fandom morality police? Two reasons:

I don't really have a refined take on these subjects anyway. Unless a piece of literature or art happens to touch on a particular issue that resonates with me personally, the moral value of art is something that doesn't usually spark my interest, so I rarely have much to say on it to begin with. On the whole "colonizer ship" subject specifically, other people who have more passion and knowledge than me on the topic can (and have) put their arguments into words far better than I ever could. I'm more than happy to defer to their take(s), because honestly, they can do these subjects justice in a way I can't. Passing the mic over to someone else is the most responsible thing I can do here, lol. But more importantly:

I reject the conflation of literary merit with moral virtue. It is my opinion that a good story well-told is not always, and does not have to be, a story free from moral vices/questionable themes. In my opinion, there are good problematic stories and bad "pure" stories and literally everything in between. To go one step further, I believe that there are ways that a romance can come off "icky", and then there are ways that it might actually be bad for the story, and meming/shitposting aside, the fact that these two things don't always neatly align is not only a truth I recognise about art but also one of those truths that makes art incredibly interesting to me! So on the one hand, I don't think it is either fair or accurate to conflate literary "goodness" with moral "goodness". On a more serious note, I not only find this type of conflation unfair/inaccurate, I also find it potentially dangerous - and this is why I am really critical of this mindset beyond just disagreeing with it factually. What I see is that people who espouse this rhetoric tend to encourage (or even personally engage in) wilful blindness one way or the other, because ultimately, viewing art through these lens ends up boxing all art into either "morally permissible" or "morally impermissible" categories, and shames anyone enjoying art in the "morally impermissible" box. Unfortunately, I see a lot of people responding to this by A) making excuses for art that they guiltily love despite its problematic elements and/or B) denying the value of any art that they are unable to defend as free from moral wickedness.

Now, I'm not saying that media shouldn't be critiqued on its moral virtue. I actually think morally critiquing art has its place, and assuming it's being done in good faith, it absolutely should be done, and probably even more often than it is now.

Because here's the truth: Sometimes, a story can be really good. Sometimes, you can have a genuinely amazing story with well developed characters and powerful themes that resonate deeply with anyone who reads it. Sometimes, a story can be all of these things - and still be problematic.*

(Or, sometimes a story can be all of those things, and still be written by a problematic author.)

That's why I say, when people conflate moral art with good art, they become blind to the possibility that the art they like being potentially immoral (or vice versa). If only "bad art" is immoral, how can the art that tells the story hitting all the right beats and with perfect rhythm and emotional depth, be ever problematic?

(And how can the art I love, be ever problematic?)

This is why I reject the idea that literary merit = moral virtue (or vice versa) - because I do care about holding art accountable. Even the art that is "good art". Actually, especially the art that is "good art". Especially the art that is well loved and respected and appreciated. The failure to distinguish literary critique from moral critique bothers me on a personal level because I think that conflating the two results in the detriment of both - the latter being the most concerning to me, actually.

So while I respect the inherent value of moral criticism, I'm really not a fan of any argument that presents moral criticism as equivalent to literary criticism, and I will call that out when I see it. And from what I've observed, a lot of the "but Zutara is a colonizer ship" tries to do exactly that, which is why I find it a dishonest and frankly harmful media analysis framework to begin with.

But even when it is done in good faith, moral criticism of art is also just something I personally am neither interested nor good at talking about, and I prefer to talk about the things that I am interested and good at talking about.

(And some people are genuinely good at tackling the moral side of things! I mean, I for one really enjoyed Lindsay Ellis's take on Rent contextualising it within the broader political landscape at the time to show how it's not the progressive queer story it might otherwise appear to be. Moral critique has value, and has its place, and there are definitely circumstances where it can lead to societal progress. Just because I'm not personally interested in addressing it doesn't mean nobody else can do it let alone that nobody else should do it, but also, just because it can and should be done, doesn't mean that it's the only "one true way" to approach lit crit by anyone ever. You know, sometimes... two things… can be true… at once?)

Anyway, if anyone reading this far has recognised that this is basically a variant of the proship vs. antiship debate, you're right, it is. And on that note, I'm just going to leave some links here. I've said about as much as I'm willing/able to say on this subject, but in case anyone is interested in delving deeper into the philosophy behind my convictions, including why I believe leftist authoritarian rhetoric is harmful, and why the whole "but it would be problematic in real life" is an anti-ship argument that doesn't always hold up to scrutiny, I highly recommend these posts/threads:

In general this blog is pretty solid; I agree with almost all of their takes - though they focus more specifically on fanfic/fanart than mainstream media, and I think quite a lot of their arguments are at least somewhat appropriate to extrapolate to mainstream media as well.

I also strongly recommend Bob Altemeyer's book "The Authoritarians" which the author, a verified giga chad, actually made free to download as a pdf, here. His work focuses primarily on right-wing authoritarians, but a lot of his research and conclusions are, you guessed it, applicable to left-wing authoritarians also.

And if you're an anti yourself, welp, you won't find support from me here. This is not an anti-ship safe space, sorrynotsorry 👆

In conclusion, honestly any "but Zutara is problematic" argument is one I'm likely to consider unsound to begin with, let alone the "Zutara is a colonizer ship" argument - but even if it wasn't, it's not something I'm interested in discussing, even if I recognise there are contexts where these discussions have value. I resent the idea that just because I have refined opinions on one aspect of a discussion means I must have (and be willing to preach) refined opinions on all aspects of said discussion. (I don't mean to sound reproachful here - actually the vast majority of the comments I get on my video/tumblr are really sweet and respectful, but I do get a handful of silly comments here and there and I'm at the point where I do feel like this is something worth saying.) Anyway, I'm quite happy to defer to other analysts who have the passion and knowledge to give complicated topics the justice they deserve. All I request is that care is taken not to conflate literary criticism with moral criticism to the detriment of both - and I think it's important to acknowledge when that is indeed happening. And respectfully, don't expect me to give my own take on the matter when other people are already willing and able to put their thoughts into words so much better than me. Peace ✌

*P.S. This works for real life too, by the way. There are people out there who are genuinely not only charming and likeable, but also generous, charitable and warm to the vast majority of the people they know. They may also be amazing at their work, and if they have a job that involves saving lives like firefighting or surgery or w.e, they may even be the reason dozens of people are still alive today. They may honestly do a lot of things you'd have to concede are "good" deeds.

They may be all of these things, and still be someone's abuser. 🙃

Two things can be true at once. It's important never to forget that.

[applestorms]

the misa post

adding a lil additional note here because this thing SPIRALED the fuck out, even more so than some of my usual essays. therefore, i will be going back to my roots by breaking this post down into two sections: misa and sexuality, and misa and romance/death. skip to whatever section, if you wanna. or don't. ¯\_(ツ)_/¯

misa and sexuality:

honestly, the way that misa engages with her sexuality in DN is such a fascinating topic in and of itself. i really have quite mixed feelings about it because while yes, to some degree the art and story does sexualize and objectify her, there is also an element of agency to it that i don’t often see people talk about…?

like, idk. misa is a model, she does act, her job primarily involves working in front of cameras. she’s selling her Image and her body and she’s well aware of how to market the appeal— we literally see her doing this during yotsuba, when they’re trying to free matsuda after he runs around like an idiot and gets caught.

i actually think it's quite interesting that she specifies being against nudity here but alright with swimsuits and lingerie— full nudity implies sex work, something that in the mainstream might be considered "dirty" or somehow less/not worthy of respect (even if that's utter bullshit). yet lingerie is fine, despite having similar implications of sexuality, blocking off the most private areas and thereby allowing profit off of the same concept but without the associated disapproval. you could read this panel as misa simply knowing her boundaries and what she is and isn't comfortable with— but i think it's interesting that you could just as easily read this as misa knowing what boundaries she is and isn't allowed to have, if she is to market herself as effectively as possible and maintain her public image.

off the top of my head i can only think of two major examples where it’s clear that misa is super overtly being sexualized by forces outside of her control/with no particularly meaningful justification, at least in terms of visuals. this panel, which managed to sneak in a panty shot:

which, weirdly enough was actually kind of foreshadowed by sayu earlier in the chapter:

(sidenote1: does light really not have any other fucking chairs? further evidence that he doesn't really connect with people pre-DN, if he's not really prepared to have any guests in his room. anti-social weirdo.)

and, of course, the classic torture cover from chapter 33:

though i must admit, it is difficult to find any image of a character getting tied up like this that doesn't have some implication of sexuality. bondage torture is just a classic like that. though the camera certainly doesn't help, L— and neither does the fact that light and soichiro are not put into an equally objectifying, sense-deprived contraption like this, and instead just get normal ass bare cells.

in many other cases however, misa herself is the one flaunting her sexuality, typically as a means of trying to appeal herself to light but sometimes i think you can definitely read it as misa just. dressing the way that she wants to dress because it's cute? like, okay, in terms of trying to appeal herself to light we've got this classic panel from after the timeskip ft. a particularly homosexual light moment:

but there's also plenty of misa moments that just look like this:

girlie is chilling. literally kicking her feet, stalking her crush in bed with her supernatural death god girlfriend.

to be clear, this is not to say that death note isn't sexist or has particularly fantastic writing for its female characters. rather, what i'd like to point out here is that there are different levels under which we can view and analyze misa's sexuality:

the base level, of a girl who is comfortable with her body and fine with wearing revealing clothing

the level above that, involving the fact that misa's job revolves around selling her image, of which her sexuality is a key factor

and then the uppermost meta level, surrounding the fact that misa is a character in a story not only written and illustrated by men, but sold in shounen jump, meaning that she is thus filtered pretty significantly through a quite literal male gaze

it both can be and is true that misa is simultaneously objectified for her body on multiple levels and a pretty fucking horny person herself (or at the very least, willing to push that for the sake of her own goals)

remember, misa is the one pushing for their "alone time" here.

just. idk. i suppose my main point here is simply that i think this is a topic that deserves to be looked at with more nuance. there is credence to both the claims that misa is sexualized in DN and that misa herself has agency in how she chooses to dress and present herself, and i don't think you can cleanly separate those two aspects without losing something significant.

honestly, when it comes down to it, my personal take is that the real problem of sexism in DN is less about the particular ways in which individual female characters are presented/traits they are given, and more about the broad strokes of how women in general are treated... if my post on that particular subject ever ends up seeing the light of day, i guess i'll link that right about here. anyways,

misa and romance/death:

if there is one thing that her parents dying, almost being killed by a stalker, and making contact with a shinigami teaches misa, it is that love is something you kill and die for.

i really don't think that you can separate out "death" from "love" when it comes to misa, not only in terms of general themes, but also when it comes to how she personally views the world. i mean, just look at rem and gelus— death literally loves her, and in the process of loving her, allows her to cheat her way back to life. ryuk calls light a better shinigami than the actual shinigami, but honestly, if anyone fulfills that role, it's misa— she's the one whose life gets cut down until others stock it back up, who has so little regard for life (both in terms of others' and her own), who gambles her time again and again and does whatever she wishes, when she wishes, how she wishes.

it's that second point in particular that really gets to me here. throughout the story, misa shows herself to be equally detached from both the world and herself— she kills without care, gives up half her lifespan without a speck of a second thought, throws herself into dangerous situations and pushes for what she wants even when she knows it's stupid and probably going to get her caught. i'm slightly tempted to say that death's love for misa is the only mutual love she ever has, but that has some implications that i don't think quite fit. misa doesn't get a kick out of killing, she is not (overtly, or very explicitly) suicidal in the sense that she constantly expresses a yearning to kill or be killed. it's more of a toned down attachment than that, which... kinda gets into my next point, on misa's relationships. namely, with two very important people: rem and light.

in terms of rem... i struggle to analyze this relationship sometimes in the context of canon because at times it just feels like there is so little to work with. but perhaps that also fits, in a way...?

one thing that i think the musical really got right about rem is the fact that she has some of the most genuine feelings of love in the entire series, just in general but also specifically in terms of how other characters treat/approach misa. again, misa is a person whose job revolves around people loving or being attracted to her. i have a very hard time believing that the person who tried to kill her was her first or her last stalker, but even without getting to that level of intensity, much of the love surrounding misa is superficial, distant. she is beloved for the image she fits and the role that she plays, but very few people (if anyone) are even capable of getting close enough to recognize the self she hides under that mask (assuming, of course, that she ever lets that core part of her out).

rem is perhaps one of those few people, seemingly having watched misa for years alongside gelus before breaking that parasocial divide and meeting her idol in person. yet, it's also that very period of watching that puts a strain on their relationship, in my mind...

to put it bluntly: apologies to any and all remisa shippers, but i simply Do Not see there being much canon evidence that rem's love for misa is in any way mutual. not only do i struggle to think of any notable scenes where misa displays even an inch of affection or care towards rem, but misa is also kind of horrifically apathetic to rem's death, iirc. i mean, in a way, she's basically the cause of it— in failing to remember L's name upon getting her memories back, she pushes the first domino in the line leading up to watari, L, and rem's deaths.

misa basically treats rem like just another stalker, accepting her love so long as it is somewhat distant or gets her what she wants.

but, like. as shitty as that is to think about, it does kinda fit that misa would treat genuine love this way. at no point does she push back on or try to change rem's mind about this, or even really say fucking anything in response to rem's overt romantic/threatening overtures about how she'll kill anyone who tries to hurt her. i'm kinda inclined to view this as misa's attempt at kindness, accepting the love of her fans for what it is but never pushing it in either direction. she neither demands rem's love, nor attempts to dissuade it— it is what it is, and what happens, happens. and if it results in rem's death, or results in her own... at least it all happened out of love.

now, in terms of light... i was gonna make this its own post but it's on topic, so i might as well just add it here.

it is simultaneously so, so sad and yet also so, so utterly fucking funny that misa is perfectly designed to be everything that light absolutely hates. like, to just list it out cuz i literally have too many points to simplify this down into proper paragraphs rn, misa is:

uncontrollable. supposedly, misa is a perfect little devoted disciple of KIRA, willing to do anything and anything for him as thanks for getting justice for her parents' killer. but like... we all know how this actually works out. misa does whatever the fuck she wants, usually with the thin justification that it'll help KIRA in some way, and light is left behind to deal with the clean up.

stupid. no, not really— but she at the very least presents herself as such, as a ditzy, silly little girl, willing to do anything for love even if it hurts her. really, all this proves is that she wears a mask, just the same as light, though in the process she manages to also reflects to his own sins back at him. misa plays stupid so that she can justify doing stupid things without having to feel bad about it (or get emotionally attached at all?)— light plays god, a being above human morals, so he can do horrifically immoral things without having to feel bad about it. equal and opposite, in the worst possible way.

powerful. and pushy. the only person more stubborn than light yagami is misa amane, etc. etc. just like KIRA, she is a key pawn that light must rely on logistically, but is disgusted with all the same. misa is not a god, not in the way that KIRA is— she's just another filthy criminal, uncaring about the horrible acts she has committed. but she fits herself into his plans in just the right way that he can't quite come out and condemn her directly, and therefore is stuck quietly stewing in his dislike of her instead.

a liability. related to this is the fact that she is essentially unkillable, at least as long as rem is alive. many of the points behind her being uncontrollable apply to this one as well.

feminine. in a way that light dislikes, but also cannot ignore. she's cute and hot in a way that light is supposed to like, if he is to fit in w/ his Just A Typical, Good, Respectable Boy routine, but also drives him up the wall— pitting his desire to be "good" against his desire to be a "boy," essentially. (this point in particular is taken from THIS POST, big thanks to shydroid3000 for the beautiful yotsuba light analysis!!!)

possessive. controlling, in a way, which is again ironically exactly like light himself. light Hates being controlled because it means there may be factors outside of what he has power over, a trait which becomes increasingly relevant in the latter half of the story.

untouchable. even after rem's death, light can never quite get into the right position to kill her. she's almost too effective, causing light problems (e.g. yotsuba) and fucking things up, but never in such a way that he can easily place the blame on her shoulders alone. she is useful, a necessary evil, outliving multiple gods.

and, above all else, ultimately...

(sidenote2: it's kinda interesting to compare misa to L in this regard, actually, especially in terms of why light gets so attached to L but hates misa so viciously, despite L also being quite a bit like light? i guess you could say that misa reflects back the parts of light that he doesn't like as much, or even more specifically that she reflects KIRA back at him, where L matches/opposes light in terms of what he sees to be his better traits— his intelligence, his social power, etc. something to consider.)

to follow up on the sentiments of this post: misa does not love light. she relies on him to fill the hole in her life, in her, as a quick fix to avoid having to engage with the deep-seated grief that haunts her, an answer to the horrifying question of why she is even still here, alive, so long after her appointed bell has already stopped ringing.

to tie this all together, then... i suppose it's fitting that both love and sexuality are are so essentially Empty when it comes to misa amane. ultimately, she is a character defined by a misery she never allows herself to show to the world, a girl stubbornly sticking to the first reason she managed to find for living. again, just like light, she is a character that never grants herself the ability to truly grow up, stuck in the same childish, immature cycles of thinking and methods of presentation she came up with when her life first failed to end. a tragedy in her own right, unable to even remember the face of the one being that genuinely loved her at the moment of her own true death.

born on christmas, dead on valentines. how fitting.

[adyophene]

lucifer x husk is something i never knew i needed and as a multishipper im screaming

literally. king of hell x some alcoholic furry guy

i love them i need to know how they wouldve met, fallen for each other and started dating. and how much thatd piss alastor off

Ooh I am so happy other people are enjoying this pair as much as I am! I've gotten a few asks about my headcanons for them, and I am happy to blab on and on. Fair warning. This is gunna be a long and rambling essay.

I'm gunna put it all under a readmore, just cause I want to insert the art I've done of them so far, since I've been half-heartedly trying to tell a visual story through the doodles.

Okay. On we go!

How they met;

We did see them technically meet in the show, where they shared their singular canon piece of dialogue, which was just Husk saying 'hey'. And then in the finale where we see a literal split second moment of Lucifer holding Husk's arm.

(also seeing the sweet looks huskerdust is giving each other here just makes me feel so delulu for writing this all, but crackships are silly by definition, so lets get back to the lucihusk) For me, what I imagined, is after the Hotel is finished its rebuilding, that is when Husk and Lucifer finally actually meet in a proper manner. I think Lucifer would be trying to make a good impression on all Charlie's friends at this point, endeared to all of them from their actions during the finale. Unfortunately, I think he is also the King of Bad First Impressions.

[Note. I think at this point Lucifer wouldn't even remember Husk's name quite yet. I think he would call him 'Keekee' ( by accident) or 'Dusk' (confidently incorrect) or just be like "Hey!.... Uh... You?" until Charlie or Vaggie finally corrected him. ]

Husk, on the other hand, I feel like maybe wouldn't gel with Lucifer right away. Wouldn't hate him, but also maybe not be enamored with him right away. Same as Lucifer, maybe he would have sweetened on him a bit through the hotel's rebuilding, but I think they'd start out at very neutral feelings. Maybe a vague sense of 'He's okay, but I don't know if we will really get along.'

Despite this, Lucifer is persistent, and he's going to be everyone's (except maybe Al, unless they start getting along by s2) buddy. He'd start hanging around the bar and participate in the redemption exercises.

Now, we know Lucifer struggles with depression, and I think he would be trying real hard to mask anything going on during this time. They defeated Adam! They rebuilt the Hotel! He believes in Charlie's dream, and he's more involved with her life and other people than he has been for years.

His only issue being Husk sees right through it, both because Husk is perceptive, but also because even the King of Hell can't help but have a lonely night or two at the bar where he ends up venting about his divorce and subsequent lingering loneliness.

[snapcube ref aside, )I really do think Husk would start to feel more positively toward Lucifer after Luci would drop the act somewhat. That they could bond over feeling both at their lowest of lows, while also being to admit that things seem to be getting better!

This would be about the point that I imagine Lucifer developing more romantic feelings! Husk would be a bit less prickly, and Luci would just absolutely eat up any and all positive interactions they'd have. I like to picture a lot of little shows of care at the this point, like Husk memorizing what Lucifer likes and even making up 'fun' drinks just to try and cheer the guy up. And Lucifer would fun a fun game in trying to get the grumpy cat to smile, and just, lighting up himself any time he was successful.

And that culminating into the two of them making each other laugh, with Alastor being an easy butt of the jokes, and a good way for Husk, himself, to finally get a chance to vent. I think Lucifer would be one of the only 'safe' options for Husk to do that with, in just so far as Al can't really threaten Lucifer, and Lucifer already sees Al as a bit of a manipulative bastard.

Falling for each other; At this point, Lucifer would start being a bit more caring toward Husk, though with that wonderful, oblivious flair of his. I don't think Lucifer himself would realize he'd have a crush up until he'd start feeling protective or jealous over Husk, and it would really throw him for a loop at first.

Because fake dating is one of my all-time favorite tropes, I have always had a idea for a fanfic (or comic) that I haven't gotten around to yet, based around Lilith coming back, and Lucifer panickily asking Husk to pretend to be his boyfriend, so he can appear well adjusted/completely over her. Of course the whole thing would backfire, as Lilith would see through it (as Lucifer wouldn't be as good of an actor as he'd think), and that Husk would end up kind of feeling hurt by the whole thing.

Husk, who'd go along with the plot with an eyeroll, would find himself seizing up through the whole fake date/encounter. Would find weird, sudden emotions bubbling up and absolutely hating it.

I don't think that man would think about the class difference between him and Lucifer up until someone would say something about it, maybe Lucifer himself trying to rationalize the (at this time still fake) relationship to Lilith. Now, Husk feels uneasy about the whole thing and ends up drinking heavily the whole night so he doesn't have to think about feelings. (Blitz and Stolas who? Ahaha. fuck.) Meanwhile, while the date would be fake, I think Lucifer would really rather like having Husk on his arm and feeling like he'd have a love-life again, while also not really getting why Husk's mood would be getting worse throughout the night. I think they'd still end up on good terms, but both of them would have their feelings in a jumble, and Husk would not like it. (he thinks he's lost the ability to love, after all)

I think somewhere at this point, as they are starting to develop feelings for one another, is when Lucifer finally starts really realizing how tied to Alastor Husk is, and he starts to make it everyone's problem. I do think Al and Lucifer would stay snarky at each other this whole time, but that it'd only get worse, as Al would poke back since he'd find Lu's over reactions funny.

I also think Al would be maybe the last person to realize anything romantic would be brewing between Lucifer and Husk, and he'd just think it'd be a purely platonic thing.

Beyond just bitching about Alastor, Lucifer would really be ramping up his attention towards Husk too. Fully in that 'puppylove/crush' stage, and trying his darndest to make Husk feel good and special. Husk would be resistant to it all, thinking it would just be Lucifer rebounding hard, and not wanting to get wrapped up in Morningstar family drama when he could happily (miserably) keep his head down and just keep drinking the days away.

But then Lucifer would find out about Husk's love of stage magic, and his history as a performer, and it'd be all over for the catman. It would become Luci's new pet project to rope Husk into some joyful self-expression, and after a song and dance number's worth of convincing, Husk would start to come around. I have to post all these images now cause- I drew them with the intention of mimicking a musical number! Husk starting off as a bit resistant before jumping in whole heartedly, and Lucifer overexcitedly dragging him along throughout the music number, hyping him up and just all around being smitten.

And this is where Husk would start really falling. Getting swept up in indulging his favorite, least destructive hobby, and having someone who absolutely loves it to bond with. Especially when it would be over. When they would just settle down and talk, and laugh, and bond over what they love about performing. The spectacle, the audience, the love of the craft. Its about the comradery!!!

@belladonazeppole wrote a wonderful series of fanfics based off these pictures, as well as the songs from 'The Greatest Showman' that really fit the ship! I would be remiss to not mention them here, because Bella and their fics are just wonderful!

How they started dating;

Now. Don't think just cause they both caught feelings for each other, that they'd immediately admit to it. No. I think both of them would drag their heels. I don't think Husk would admit to them at all, without some outside force effecting it. I think he'd stubbornly try to ignore the crush or drink it away, rather than let his heart become vulnerable to anymore damage.

Meanwhile, Lucifer would be struggling between his feelings for Husk and Lilith. (In the actual canon, I do think they might try to rekindle things, depending on what kind of person Lilith turns out to be, but I digress.) Part of him would be so swept up in a giddy kind of excitement, while the other would be set firmly in the camp of 'this is a bad idea, this won't work out, just look at what happened to your last relationship'. It wouldn't stop him from being outwardly more and more affectionate, but it would be weighing on him.

I do think Lucifer would end up being the one who would be thinking; "What am I doing. He'd never like me back." While Husk would be just sitting there (echoing what was said in the ask- sorry I went all wild and wrote this much about the ship dear god)- "I'm just some fucking furry alcoholic, what the fuck would the king of hell see in me??? Am I delusional? What the fuck is going on??" And I feel like this stage would go on for MONTHS and drive everyone else nuts. It would be clear to everyone (except Alastor, who again, would be just this meme

Though that wouldn't stop him from getting a little pissy about it) And then it would all come to a head during something benign, like a board game night. There would be flirting, there would be jealousy, there would be arguing, and then finally, loudly and with a lot of feeling, Lucifer would shout his way through asking Husk out on a date. A real Date. A capital 'D' date out on the town, dressed to the nines and a real good time. The board would be knocked over in the fray, game pieces raining down upon them while Husk would just stare blank faced, trying to process what just happened. An awkward half-minute would pass before he'd finally, trying to play it cool, shrug out a 'sure'.

How much it'd piss Alastor off;

In the aftermath, a radio static would just lowly grate everyone's ears as Alastor would be slowly coming to terms on how just annoying it would be to have his friend (/Unhealthy co-dependent pet friend possession??) romantically involved (ew) with the King of Hell (double ew)??? Then, either it would be something light hearted like 'he keeps trying to break them up but failing cause he hates interacting with romance' or a darker route where 'he keeps trying to manipulate them into breaking up by preying on all their worst insecurities in the relationship'.

And that, my friend, is all I have in mind so far for this delusional crackship au! There is more I could flesh out, of course, like Angel's role as a friend or potential third in the relationship, or what I imagine as Husk becoming like a stepdad to Charlie, but I've typed enough for the whole month. Hope any of that was coherent! I did not bother to edit or proof read it. Just pure stream of consciousness.

[its-your-mind]

Some Thoughts on the importance of physical touch and connection for the Hells: A reflection on the new animated intro.

In general, I think the Hells are a really strange and special group, especially for a dnd party. They pretty much laid all their baggage on the table within the first week of meeting each other (What the Fuck is Up With That?) almost as a litmus test: "hey, here's all the shit that comes with being me, last chance to run away if that's too much."

and none of them did. and they all kept choosing to stay, even as shit got even weirder and more and more disturbing answers came to light. I think that continued choice from all of them - to stay - is what makes the bonds between the Hells so deep and so special.

okay trauma analysis and party dynamics is a DIFFERENT POST but it was all RELEVANT INTRODUCTION bc the CHOOSING TO STAY and the KNOWING EACH OTHERS' SHIT are like. key components to understanding why I am so feral about this. okay hopefully you will understand. the body of my essay is below. it has pictures. it got... too long. so. it went under a read more. yw. anyway click below if you want a very detailed analysis of an animated intro that is literally only one minute and thirty seconds long

For the first bit, character intros for Fearne, Orym, Imogen, Ashton, there’s no physical contact.

BUT. First intro of hells as a team. Ashton Trauma Flashback interrupted by laudna approaching slowly from beside him with her hand gently in front of him to signal her presence without startling him, and THEN just talking at them. Bringing him out of those flashbacks. Reminding him where he is and who he’s with.

And tbh? For Ashton? Touch is always iffy, so this is almost a more understanding and kind way to bring them out of the flashback. Just physical presence is good! UNLESS. (unless) first actual touch. Fearne stealing their coin purse, so gently that they don’t even notice it (FLIRTING THROUGH THEFT callowmoore my beloved)

(also grabbed the cap that shows her with his coinpurse these fucking ANIMATORS)

okay pt 2 FLYING OFF THE AIRSHIP

Ashton's first instinct and priority is grab laudna’s hand bc he KNOWS she is made of paper mache and he is ALWAYS watching out for her out of the corner of his eye bc she is breakable and he’s not gonna let her break bc he KNOWS what it’s like to be breakable and need someone to catch you when you’re falling but ANYWAY. he grabs her he uses his hammer as a fulcrum to throw her at Imogen

because OF COURSE he knows that the safest and most comfortable space for laudna is in imogen’s arms. and the two of them wrap their arms around each other and hold tight Superman style bc ofc they do and once laudna is in imogen’s arms she’s absolutely delighted by this whole situation bc OFC SHE IS

(tf do you mean I can’t add more than ten images on mobile UGH fine I’ll finish writing then draft and move to PC the images are IMPORTANT TO MY POINT anyway insert lesbians here) (note from future mind: I have decided that these pic descriptions i left for myself to grab the right images are fucking hilarious so they’re staying in yw)

Then fearne (who had been on her way in that direction already) swoops under Ashton to catch him as he flips over from the momentum so he can land on her giant bird back and she can fly him away.

(Pics: It’s fine to touch Ash if you’re saving their life)

(also not pictured: chet staying on the ship but losing his hat, orym grabbing it out of the air, imogen casting fly on fcg right before she catches laudna, fcg flying over to grab orym) All of this happens in six seconds by the way. One round of combat. These animators are fucking incredible.

BACK TO CHARACTER INTROS laudna who is ofc alone and in the dark at the bottom of the Sun tree, reliving her past…

(Pic: sad lonely laudna)

right up until Imogen puts her head on her shoulder, and the darkness burns away into light. She doesn’t say anything, or talk with laudna - all it takes is that physical reminder that she’s not alone anymore, that there is warmth, that she is surrounded by a family who loves her so much they chose to turn down comfortable beds in a lord’s manor so that they could join her in sleeping at the bottom of the Sun Tree. (Fav lil detail - fearne wrapped around Orym like he’s a teddy bear, and holding tight to laudna’s blanket to make sure she can’t go anywhere.)

(Pics: THE POWER OF LESBIANS AND FOUND FAMILY)

fcg. Fuck. Starts with their flashback, with their red eyes and their buzzsaw, but almost immediately we see Ashton reach out to grab their shoulder and Orym whip out a vine to tie up their saw.

(pics: reaching out even if it might hurt youuuuu)

Imogen goes on her knees and wraps her arms around FCG’s other side, and the rest of them all gather around him, holding him to keep him and each other safe, but mostly just grounding him in the present by surrounding him physically until the flashback fades and he’s once more aware of his surroundings.

(Pics: what the fuck they just need to be held)

(once shit has calmed down fearne uses this opportunity to pick Ashton’s pocket again. Flirting through theft).

(Pic: fearne is a menace to society)

final fight scene. fuck yes.

(Pic: IT’S THURSDAY NIIIIIIIIIIIGHT)

This is mostly just giving all of them room to be badasses (as they deserve) - but there are some things!! First!!

(pics: THESE WITCHES BE BITCHES minus fearne sry fearne we miss u but you are on fire and laudna is made of wood currently)

Imogen and laudna casting spells back to back, trusting each other to take care of what’s on their side. Inseparable, even in a battle where their party has scattered to fight other enemies.

BUT. The BIG thing though in this sequence. Maybe my favorite part? Idk I don’t have a favorite. But!! Orym. taking out four of Otohan’s shadow knights. then facing off against her personally!! And it’s one-on-one, because this was Orym’s task alone - to find the person who attacked his leader and killed his family. He’s angry, but mostly he’s honed-in and focused and determined. This is his mission.

(Pics: WHO’S JUST A LIL GUY NOW HUH)

But then, when Otohan pushes him back…

(Pic: fuck. shit. fuck. im. fine. anYway. them.)

FCG and Ashton are there right behind him, and they put their arms out and catch him so he doesn’t fly back any farther. And there’s this look of surprise on his face, because once he lost Will, he never expected there to be anyone else standing behind him, ready to catch him. And yet, here they are.

(Pics: fuck yes fuck yes fuck yes GOOOO ORYM!!!)

They give Orym a push forward and follow behind him, and he walks back towards Otohan with confidence. Lil grin on his face, brisk walking pace - he even does a little fancy sword swoosh! Because maybe he’s not strong enough to take out Otohan on his own. But the thing is, he’s not alone anymore.

(Pic: THEY.)

None of them are alone. And whenever any of them forget, or slip into old habits and memories, the rest are right there to reach out a hand to remind them.

Building a family out of broken pieces is difficult even without an apocalypse. But the Hells have shown each other, over and over and over, often with their actions even more than their words, that they really are dedicated to this family that they've built together. This intro fucking slaps so hard and the animators deserve so much praise for how incredible this intro is

[stabortega]

SAM CARPENTER HCS — HAVING A CRUSH ON SAM

Summary: How would Sam react if her sister's best friend happened to have a crush on her.

Pairings: Sam Carpenter x Fem!Reader.

Warnings: SFW. Implied fem reader, she/her pronouns used. MDNI.

Author's note: First post, let me know what you think!

MASTERLIST.

Let me just start off by saying that; it happened SO fast.

You and Tara started hanging out after some stupid essay you both needed to write together.

And naturally, like everyone else, you knew who she was, and what she had to do.

But that didn't mattered after you and her started bonding like two peas in a pod, and when you realized; you were hanging out with her every single day.

Before class, after class, on the weekends.

You both have gotten pretty close and that was something Tara appreciated; having a real, true friend who was untouched by all of her mess.

And then we had Sam.

Or, Tara's older sister who stalked her like Ted Bundy.

I mean... After what happened, Sam had her reasons and her issues. No one could be trusted 100%.

And that was exactly what she thought about you the minute Tara brought up you guys' friendship.

"You're talking about her as if she was some psychopathic murderer who's waiting for the right moment to kill us all, Sam!" Tara whined, looking at her sister with disapprovement in her eyes.

"Well, she could be! Do you know where she lives? Her last name? Where does she even work, Tara? I'm not letting you be friends with someone who you, literally, met like 2 seconds ago."

So, naturally, Tara had to invite you over.

Mostly to piss Sam off? Yes.

Also, to show her sister that she had NOTHING to worry about? Yes, as well.

And you?

After the first time you've laid your eyes on her, you knew you had to make her your girlfriend.

You started to find any excuse to hang out at Tara's just so you could look at that pretty face for a little while.

And I mean, can you blame her??? Like???

She's tall, she's handsome, her eyes look like they're about to eat you alive and you were so fucking down for that.

You couldn't stop thinking about her. You did it at home, at school, even when you showered.

The last page of your notebook was FILLED with tiny hearts with her name written inside.

But when Tara found out, oh boy.

"I cannot believe you have a crush on my sister, (Y/N)." Tara said, while looking at you as if you said you were part of a satanist cult. "Like, she's... She's Sam!"

"Exactly my point, Tara! She's just so unapologetically herself..." And then you felt a pillow being thrown on your face.

Tara couldn't fathom that someone saw her sister as an actual person, let alone have a crush on her??

But that didn't stopped her from teasing you every fucking chance she could.

"Can you focus on this paper or you're too busy eye-fucking my sister, (Y/N)?"

"That's Sam's towel, do you wanna take it so you can put it in your shrine?"

And Sam? She had her eye on you, as well.

Maybe because you were a stranger, under her roof, locked in a room with her little sister doing god knows what.

But she couldn't deny that you were extremely attractive, as well.

And, someday, you might tell her about your feelings.

[runningfrom2am]

cold nights // part twenty-seven

summary: you were back in the capitol, and you would be damned if you didn't try your hardest to make it worthwhile.

pairing: coriolanus snow x fem!reader

wc: 3.4k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, depictions of mental illness, also she's is very smart (as she should), district twelve!reader.

a/n: omg we're coming up on the end i could cry :') i finished writing everything and i feel like a shell of a person rn without this fic to plan and write, but i hope you guys are excited! there will be five more parts after this and then the epilogue, which brings me to some really exciting news!!

big news #1: i'm opening oneshot requests for this series!! my normal requests will remain closed but i'd love to see what you guys want for the more of this series! (link is here!)

big news #2: the end of this story is opening the doors to my third coryo series which I've been working on for a hot minute, and it'll be called requiem! (see the original request for it here to get the vibes before i post anything!)

my asks are also open to talk about this series! (i do have emoji anons open now too!)

send me any and all of your thoughts! here!

series masterlist // playlist

The protests caught you off guard, more than anything.

It had only been two weeks since you started your classes and you were loving them, but you hated getting dropped off in the morning and picked up in the afternoon. You and Coryo could no longer eat lunch outside, and the previously full lecture halls you had occupied saw more and more students dropping out as people stood outside just to shout at you as you came and went from the school four days a week. To call you an animal, that you don't belong there, that you should be "put down" for crimes against the Capitol. What they were? You had no idea.

Suffice to say, parents were not happy that you were there.

Generally, Coryo said that people had loved you in the games. You were "harmless", and "sweet", you gave them someone to root for- but now that you were walking freely among them instead of being kept behind the bars at the zoo or trapped inside the arena awaiting your death, you were suddenly a threat.

"They... they think I'll hurt someone?" You sniff, watery eyes overflowing as you look at Coryo lying beside you in his bed.

He bites his tongue, nodding as he wipes away your tears with the hand he has resting just under your cheek on top of his pillow. "They're afraid. That's all, it's not because of anything you did."

"I won't." You cry. "I would never, you know that, right?"

"I know, love. I know that." He promises you quietly.

"I don't want people to be afraid of me. It's not fair to them... If they feel unsafe I should just drop out."

"You're not doing that." He insists with a slight shake of his head. "We'll figure it out. Okay? Don't worry about them."

You just nod softly, wiping your eyes as he pushes his arm under your neck. "C'mere." He mumbles rolling onto his back and you move closer, laying your head on his chest as he pulls you closer to his side.

Coryo did figure it out, for the most part, which is how you ended up standing in Capitol TV's studios, awaiting an interview with Lucky Flickerman, someone you definitely thought you would never see again after the games. You didn't know how Coryo did it, who he had to talk to in order to convince them to let you plead your case so publicly. Apparently, the Snow name came with more power than you knew.

"You're gonna do great, love." Coryo whispers to you. "Just be yourself, but remember what I said about your essay, right? Be honest, but think about how you word things. I know you can do it." He assures you quietly, hands resting on your shoulders.

You nod, giving him a hopeful smile. "Thank you."

"I'll be right here, I'm not going anywhere." These types of reassurances were becoming less and less necessary over the month you've been here, but still, you don't like it when he's far, and he doesn't like it when he doesn't know where you are. It worked nicely for you both.

"Miss Y/L/N, whenever you're ready." One of the crew directs you, pointing to the comfortable chair they had set up in front of a homey-looking backdrop. It was fake, but it was meant to look like you were in someone's house. The idea of it was confusing to you, but you supposed it was also unimportant. You had much bigger concerns.

"Thank you." You smile at them and give Coryo another quick nod before making your way over to the seat that they said was yours.

Coryo watches as you carefully brush your hands over the front of your dress, smoothing it as you sit down. You looked so elegant as you did it, if he didn't know better, it looked like the habits of the people you were now surrounded with were rubbing off on you quickly. He had watched you rehearse how you would carry yourself and how you would speak and act with Tigris just this morning, after she fit you into the dress she had made for the occasion. Clearly, you had been paying attention.

When you draw your hair from your back and over your shoulder so your meticulously styled curls wouldn't be crushed against the chair, Coryo thinks he might need to sit down. Especially so when you look back at him again, subtly waving at him with your hand from where they are placed in your lap. The dress Tigris had given to you was red- a deep red silky material that complimented the red of his coat and mimicked the shade of the Capitol's flag but still had you standing out on your own. Seeing the way that dress fit you and hugged your form in all the right ways even as you were sitting, he was sure he had never been more grateful to his cousin and her talents.

"Y/N, it's so good to see you again." Lucky smiles at you as he sits down across from you, adjusting the small device attached to his lapel as crew members come up to you and fasten the same thing to the front and back of your dress.

"You as well." You grin, trying the best you can to mask your nervousness.

"Are you ready? Do you need anything?" He asks and you shake your head.

"I am ready whenever you are." You confirm, looking around as some more lights flick on, bright in your eyes as the man behind the camera starts counting down.

You look over at Coryo one last time and he nods at you. It was just like your first interview all over again- you had to sell yourself to the people. To prove that you were worth trusting.

"My name is Lucretius "Lucky" Flickerman," You smile as he flips a coin up into the air. You've seen him do it before, but you still weren't sure how the trick worked. "Amateur magician and your host for everything interesting on Capitol TV, and today is certainly no exception. Today, I have a familiar face with me who I know you will all recognize as well, the Victor of the Tenth Annual Hunger Games, Miss Y/N Y/L/N." He looks over at you and you keep your eyes on him, certain that all cameras are watching you now.

"Y/N, I am so happy to have you back. How have you been?" Lucky asks you and you're already fighting off the need to fidget with your hands.

"I am very well." You smile at him. "How about yourself? It has been a while."

"I'm great, thank you! You know, I was not allowed to bet on the games, but anyone who was there can tell you that I predicted your win from the beginning. You certainly are something else."

"Oh, well thank you." You giggle. "Though, I can't fully be credited for my win. I have to thank the sponsors who allowed Coriolanus to send me food and water. That made all the difference in my game."

"Oh, most definitely." He agrees. "But you shouldn't deny your own role in that. Hiding in the vents, that was genius!" Lucky claps. "Truly, that was a jaw-dropping moment for all of us watching. I remember thinking 'wow, how did she think of that?' It was incredible!"

"Yes, well, I saw the grate and knew it was worth a try." You shrug, slightly laughing. "I had nothing to lose."

"Yes, well, I'm dying to know- what have you been up to the last few months? You went back to Twelve, and then what?"

"Oh! Yes, I did. I've been spending time with friends and family, I got a job at the local library, catching up on some reading, that sort of thing." You grin, glancing at Coryo for only a moment and he gestures for you to continue. "I got home and I really realized for the first time how much we should be appreciating everything we have- even out in the Districts where sometimes life is tough, it's key to remember how privileged we are to be alive. The games were truly eye-opening for me."

Coryo gives you a quick nod of approval, and you smile, training your view back on the man across from you.

"Yes, I agree. Live life to the fullest, that's what they say." You just nod at his response. "Which also begs the question, if you were happy back in Twelve, what brought you back to the Capitol?"

Let the lies begin.

"Well," You laugh nervously. "When I was given the opportunity to come here for the games back in July, I was so interested in everything. The people who I got to talk to, the things I got to see, it was all amazing and I was just dying for more."

"So you decided to come study at the university here, is what I've heard."

"Yes, exactly." You grin. "I just think that the Capitol has so much to offer as far as education goes, I am already learning so much and I am having so much fun doing it."

"So really, your focus is just on your education." He prompts you and you nod.

"Definitely, considering the course load I don't have time for much else, but that doesn't really bother me. Like I said, I just want to learn from the greatest minds in the nation. Even the other students, it's amazing! Everyone has earned their spot there and I can see why and all the work they have put in to be there. It's a privilege to study among them, and I am so grateful that I was given this chance."

"You say 'all the work that they put in to be there', but you didn't attend the academy, so how is it that you were admitted?"

"I filled out the same application that all the other students did, I went through all the same testing." You confirm, nodding at him. "Although," You laugh slightly. "I was only given one day to complete it all. I was locked away in my room working on it all night. I hardly had time to blink, it was tough."

"Wow!" Lucky laughs. "One day? I remember when I applied to the university, my application took months to get just right. You must have aced it all."

"I am very proud of the work I did to be admitted, yes." You smile.

"From what I hear, you should be." He agrees. "So, you're really not in it for the sake of making friends."

"Well, I certainly would love to, but it is not my priority." You nod. "But, if any of my classmates are watching, I promise I am good at proofreading and if you need a second set of eyes on your papers, I'm happy to help. I'd also love to have more people to discuss our readings with." You joke, looking into the camera for the first time.

Lucky laughs. "You've heard it here, everyone. Y/N's pitch to make some friends!"

"Yes, I suppose it was." You chuckle, smiling at him.

"Now on the topic of friends while we're getting to know you better," You tilt your head at him while he begins the question, unsure where it is going. "Back home, do you have a boyfriend? Surely he must be missing you."

"No, not at home..." You laugh, catching in the corner of your eye as Coryo shakes his head at you, his face flat of emotion. "I don't have a boyfriend. Again, that's really just not where my priorities lie at the moment. I've... I've had a very busy year, you could say." You explain hesitantly.

"Wow! A beautiful girl like you?" You laugh nervously at his response. "Capitol boys! She's smart, pretty, and single. Just saying." He says, raising his hands.

You knew his job today was to help you, to make you more likable and more normal, to humanize you, but it was still uncomfortable to hear. "Oh, please." You laugh nervously, waving a hand at him. "Like I said, I'm just here to learn. I'm not after anyone's son."

"No? Not even all the handsome boys in your classes? I'm sure there are at least a few." He teases you and your cheeks flush red.

"I wouldn't know, I'm watching the lectures." You shrug jokingly.

Coryo is trying not to lose his mind while you talk about how single you are. Not that you were much of a willing participant, and to be fair he did tell you not to indicate to them that the two of you were together. You technically weren't, if he was being totally fair, but just because it hadn't been said doesn't mean it isn't real. He knew you knew that, though. So why was he getting so mad?

He doesn't even realize how little attention he was paying after that until you're standing up and shaking Lucky's hand. It was over, you'd done everything you could have to ease the minds of scared and angry Capitol parents.

Lucky gives you a quick hug, wishing you good luck in your classes before you're allowed to rejoin Coryo. "Ready to go?" He asks and you nod.

"How did I do?" You ask as you walk out of the studio and into the hall, aiming for the elevator to take you back to ground level.

"Amazing, love. You were perfect." Coryo confirms, still noticeably tense as he walks next to you.

"Are you sure?" You ask as he presses the button to call the car up to your level, unsure since he still hasn't really looked at you.

The door opens and you both step in. "Yes." He tells you again, quickly tapping the door close button.

"Oh, good. I was really nervous..." You laugh slightly as the doors slide shut, and as soon as any light from the hall ceases to enter the elevator his hands are on you and his lips are pressed against yours.

You let out the slightest squeak out of shock, but quickly relax as Coryo rubs familiar small circles on your hips with his thumbs. How he could be so gentle as he backs you into the wall of the elevator you don't know, but you're grateful for it as you hum into his mouth. But still, something was different.

Spending so much time with you only made him want you more. He loved you, he knew that, and someplace deep in the corners of his mind, he had always wanted you in a way he never thought possible when he first fell for you before the games. Now, with you curled up under his sheets almost every night, seeing you step out of the bathroom with damp hair after a shower in pyjamas that don't fit you quite right, he thought about it more than ever. Thoughts of you plagued him more than usual, and the best way to describe the accompanying feeling was guilt. Guilt that he couldn't show you off given the circumstances- at least not yet.

He trails his kisses away from your lips and across your jaw, pulling you tighter against him. "You're so beautiful, my love..." He mumbles into the skin just below your ear, leaving a kiss in his wake that has your head spinning.

You giggle, eyes fluttering open. "What has gotten into you?" You ask, hands sliding up over his chest to rest on his shoulders.

"I can't tell my girlfriend that I think she's gorgeous?" He asks, shaking his head slightly as he looks down into your eyes.

"Oh, so I am your girlfriend." You giggle and he nods, kissing you again.

"Of course you are, and don't forget it." He chuckles, pulling back from you as the elevator stops moving, waiting for the doors to open.

Your skin is flushed down to your chest as the doors slide apart and even though he's not touching you anymore, you can feel the ghost of his hands on you. You look up at him, a lingering smirk still on his face as he looks straight ahead and leads you out of the car.

The phone rang at the time you were eating dinner, and you quickly asked if you could be excused to go answer it. Coryo and Tigris both just nodded at you, but you could still feel their grandmother's eyes burning into your back as you quickly walked away. She still wasn't fond of you, but she tolerated you. For now, that was just enough.

You grab the phone off the receiver as the small round screen flickers to life. "Hello?" You answer, hopeful that it would finally be your family you see on the other side.

You had answered every call that came to the Snow's apartment for weeks, waiting anxiously to hear their voices again.

"Y/N, is that you, honey?"

You gasp with excitement when you get a clear enough view of your ma. "Ma! Hi!" You smile, leaning in a little closer to get a more clear view as the camera on their end begins to adjust. This was likely the first time it was being used.

"Oh, honey, how good it is to see you!" She smiles, and out of nowhere, you feel hot tears welling up in your eyes.

"You too, Ma." You nod, biting into your lower lip. You didn't want to cry so quickly into the call. "How are you? How's everything at home?"

"Same old." She shakes her head with a slight laugh. "I'm much more interested in you- how is everything? How is school? And how is Tybalt settling in? How are you settling in? My goodness, I just have so many questions!"

You laugh, quickly wiping a stray tear. You had told them about all of this in letters, of course, but she just wanted to hear you say it all. "Everything is good. School has been so lovely, Coryo walks me to all my classes and we eat lunch together between. And Tybalt just loves it here! They have a garden on the roof, and I take him up there as often as I can. Tigris won't stop giving him treats either so he couldn't be happier."

You look down at the animal as he brushes against your leg, looking up at you.

"That's amazing. I've been so worried, it's just so good to see your face again. God, we've been missin' you..."

"I miss you too." You agree, careful not to choke on your tears. "How is Len? And have you seen Lucy Gray and the Covey?"

"He's... He's doing alright." Your mother looks off-screen, and you assume he must be there. The look on her face, one of nervousness and hesitation tells you he doesn't want to speak to you. "But Lucy Gray has been around every day, she and Maude Ivory come over and they help me with hanging the laundry and such... It's been good to have them around."

You smile sadly, nodding slightly with the receiver pressed to your ear. You felt bad about that aspect of leaving- you spent as much time as you could before the games helping out around the house, but even in the summer when you came back you weren't much help. Your mother wouldn't let you do dishes all summer, for fear that the sight of a knife might set you off. She knew you came back a different person, and she wasn't taking any risks. All she really allowed you to do was hang laundry and "keep her company" while she did other home chores. But now, she didn't even have that.

"Can I speak to him?" You ask, referring to your brother who you knew was there.

She nods, waving off camera and holding her hand over the wrong part of the phone. "Lennox, come over here. Y/N wants to talk to you."

His response is muffled, but you make out the gist of it. 'I don't want to talk to her'.

"She's your sister, Lennox. You can't ignore her forever."

'If she wants to talk, she should come home.'

Your heart clenches in your chest and you chew your lip. You have to pretend you couldn't hear, but you just felt so horribly guilty. You shouldn't have left, but he doesn't understand you had no choice. He wouldn't be able to understand until you could come home and see him again, likely not until the summer. Coryo had told you to be mindful of what you write in letters and what you say on the phone, it's possible others were listening. The Capitol was always listening.

"He's just a little busy right now, honey." She smiles at you, but you can see right through it. "But tell me about your day! Did you have class?"

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