#I literally put off two essays to write this

[planetsnakes]

I get this y'all right. I've never used AI to write an essay and never will

why the hell am i only given three months to write four different essays tho? Like sure some of the problem is my poor time management because I literally just became an adult.

For my dissertation I had to submit 3000 words (all jam pa ked full of fucking research) I had a couple of months to write this essay so what they did was wait until we had two months to show us how to write the essay, on a retreat which I couldn't go to thanks to getting sick. I asked if i could see the example essays another time and this just never happened due to copyright bullshit.

Now I didn't just get sick. I got really sick. 3 days in A&E just to be kicked out because they didn't find the problem. Literally everyone in my life is worried about me im so brave. The uni assured me this would be taken into consideration as long as I could get a doctors note.

I could not get a doctors note. They wont even pick up the phone it's been a month since I submitted this request.

So I spent ages setting up meetings to discuss with people in the uni my problems so they could write me a note. They didn't.

Now it's too far into the year to defer. I will lose so much fucking money if I give up now so here I go!

I completed the essay in like two weeks and I think i got something wrong on the timescale but ive been sick since november on and off getting better and worse.

I cant even remember writing a single essay for my university im fairly certain I'll never use these skills again because the only people who write academic papers are academics and I don't want to be an academic.

I can hear you saying "this isn't the norm"! Everyone goes through this at least once.

I know a lot abt uni life, I know a degree can be taken away if they found out someone cheated to get it no matter how long it's been since they got the degree. I know I didn't work this hard to never know if I could make it on my own merit

Yet there are places where the university could have supported me better. Students are expected to do so much and im gonna be so real the you're only cheating yourself narrative is just annoying. I could do this much better if every time I wasn't rushed because they gave me the resources last minute or constantly told me to check back later.

I'm fortunate enough to always get an extension when I ask thanks to my DID diagnosis & I actually considered myself lucky when I caught covid (yeah I also caught fucking covid I was sick for so long I missed so many lectures that I can't catch up on at all) but like seriously?

I haven't even mentioned the poverty, living conditions, the fact most of us have to work through uni, ow the internet changed the way unis talk to students, covid messing students up or international students and how unfair the system is to them.

I feel this could be a chance at a brilliant conversation about how much stress students are put under because even when we have the skills we don't get the opportunity to use them

[springsylph]

WITCHING HOUR, CH. 1/3 — [18+]

(18+) - MARKED FOR EVENTUAL SMUT, MINORS DNI!

fem!reader x arthur morgan

summary: most people in the area had issues with coyotes. yours wore a cowboy hat, but you let him in anyways. tags: marked 18+ for smut in later chapters, reader has a backstory kinda (but also not kinda), referred to as lady/ma’am/etc, arthur doesn’t know how chickens work, i really don’t know my farm lore

word count: 5.5k

a/n: setting this pre-chapter 2 ish and post chapter 1, except it’s winter for realsies, Because I Can. and please no questions about chicken logistics or I Will Cry.

you can find a link to the playlist here!

read on ao3 here | masterlist

The fictitious “stranger,” by all accounts, was possessed. 

Possessed by an air so overwhelming, so sure, that it incited perversity in even the most upright.

He was an outlaw, by the cut of the whispers. The story went that he’d rolled in like a heavy fog, altogether quiet and unassuming, though still carrying the foreboding quality that preceded the raising of hackles. Mothers kept watchful eyes over their daughters, and more notably, the fathers brandished their guns. 

And yet—that maddening yet—the mothers seemed to care little for their own warnings, and even the fathers were envious of a man dripping with exploits they didn’t have the luxury of entertaining.

Luxuries and lack thereof aside, the fickleness of those who spoke of him had not gone entirely unnoticed; it lent no plausibility, no substance to the dream-like tales they’d crafted in their drunken stupors. The most substance you’d seen had been spewed into the shadowy corners of Valentine, pissed into not-quite pristine patches of snow, foul stench leaking out onto already foul streets before it followed you back to the farm.

It stunk. 

It stunk, and it loitered, and it’d been stealing from you.

Which is exactly why—when he shows up on your rickety porch just as winter has begun to bleed out into spring—you take up the mantle of digging your loaded barrel right into his sternum. 

—

The front door tremors behind you.

The stranger shifts on his feet. 

You shift with him, and gloved hands inch toward the stars in surrender not long after. 

Amorphous mass comes to your mind first, rather than man. You can only discern the more essential points of his appearance: the gloves, the satchel, the rifle slung over his back. Knives are stashed somewhere you can’t see—if he’s worth his salt—but everything else blends into the dark line of trees behind him. You swallow a rather painful yawn.

His hat, evidently beaten to hell and back several times over, sits low enough on his forehead to cast shadows over his features—though not low enough to completely obscure the faint outline of a face from your view. The rest of him only falls into place once you crane your head to find his eyes. 

As is customary in situations concerning your immediate safety, your throat constricts, and the second yawn you feel crawling up your throat nearly succeeds in asphyxiating you. 

Petty crimes would have granted him a slighter frame, but no petty crime you can think of could have afforded him the sturdy chest, the buckling of the air around him, the crooked line of his nose, clearly less cared for than his battered clothing. He’s still a little blurred—largely from a lack of sleep on your end, and the protection of his hat on his. Even so, the hard set of his gaze offers nothing other than the tale of cruelty lived and the promise of cruelty to come. 

There was no doubt. This had to be him.

(You might think him handsome, if not for the fact that it’s a quarter past three in the morning.)

The first breach in his stony composure that you catch is paper thin. Fleeting. And he’s quick to recover; any indication of surprise is sequestered with a blink. The second is an awkward shifting of his stubble-shrouded jaw, and you note with a squint that his bandana still hangs feebly off the jut of his chin. 

He admits defeat after a few clumsy seconds. Cracks a wicked smile, bright as the moon peeking out from behind the crown of his hat. But it falls away quickly. Somewhere in the distance a tree branch creaks, tiny shards of ice scattering to the ground and tinkling like bells.

He was calm. Entirely too calm, considering where he stood. His hands haven’t budged, and nothing in his stance hints at an intent to attack. If you didn’t know any better, you’d say he looks more annoyed by your presence than you are by his. 

You try not to think about his eyes. There’s something else in there, too. Apart from the agitation that radiates from them, that is. It lurks deep beneath the blue and wades through the slight dilation of his pupils; it urges him closer—or, is it you?—like the distance between the two of you isn’t sustained by the twitchy arms of a jittery woman holding a rifle.

But there’s an abrupt wind that fiddles with the cotton threads of your chemise, and you’re suddenly struck with the realization that no, your hunting rifle isn’t loaded, and in your haste to confront him you’d forgotten your boots and shawl. 

The nighttime chill, ever the tyrant, lodges itself where the wooden boards scratch eagerly at your bare feet. You were cold, so cold that it ached, and you were tired. But it’d do you no good to show your hand this early. So like the hiss of a rattlesnake, you keep your voice low, and you keep it lethal. 

The stranger is named by the venom falling from your tongue.

“You’ve got ten seconds to convince me not to unload this lead into your chest, Morgan.” You track the added prod of the gun to ground yourself, eyelids still heavy with sleep.

It doesn’t do much, as far as threats go. Morgan’s ever steady breathing still accents the now stagnant winter wind, a stark contrast to the throb of your heart striking your ribs. But a small scar, carved into the flesh of his right cheek, has made an almost imperceptible shift. The rest of his features take far more liberties with their movement—

—and he’s scowling.

Your heart strikes louder.

God, the shit you would shovel to be able to read minds. Animals have always been more your speed; people were a hassle—far too unpredictable, and they tended to reap fewer rewards. 

In your mind's eye, Arthur lies silently amongst the fallen snow, red unfurling behind him like wings. You’d hate to have to kill him, you really would. But there was nothing more dangerous than indecisiveness: it killed, and often relentlessly.

Only, you’ve been staring too long. It’s long enough to rouse Morgan from whatever state he’d been in before you’d spoken. He’s smart enough to keep his palms facing you, and he dips his head with the same mildness that one might use to soothe a startled mare. The scowl is tamped down, smile returning to him like water running through a scraggly creek. 

“Evenin’, Miss.” He drawls.

And it works. You hate that it works. There’s a dull heat that seizes your lungs at the low timbre of his voice, something akin to fire. 

No. No, nothing like it. It was more like the cheap whiskey you’d downed that first night working as a farmhand, all those months ago. It’d numbed your tongue, tumbled down your throat like sun-warmed stone, and simmered in your stomach. You hadn’t dared take another swig after that. Too dangerous. But it’s easy enough, passing your shudder off as a trick of the cold and cocking your head incredulously. 

“Showing up uninvited, and you can’t do me the courtesy of knowing my name?” One push of the rifle sends him back with surprising ease—away from the cabin, and away from that damned moonlight. “Ma’am will do you just fine,” you spit.

His smile fractures. Not enough to truly frighten, but enough to make your fingers clench. “You talk to all your guests like that, Ma’am?” 

You steel yourself. “Only the sneaks.”

At this, Morgan stills. Shuts his eyes. 

Did he really think you wouldn’t notice?

The farm had more issues with coyotes than crooks; that’s what you’d been hired to take care of, more or less. Your employers—the Campbells—were getting on in their years, and were in desperate need of someone to help keep watch during the nights. So imagine the surprise when you’d found not a coyote, but a wanted man sliding through the shadows. 

It’d angered you, that first time he’d gotten away. You’d only recognized him long after he’d left. But after that night, you’d made a show of firing off rounds into the nearby woods and roaming the perimeter of the grounds under the guise of a late-night hunt. 

From what you knew, he hadn’t come back to steal, but you knew you’d seen him lingering. Felt him watching. Waiting for something—but you’d made sure that every pop of your rifle drove him further and further from whatever it was that he’d been aiming for. And now Arthur Morgan is here.

He furrows his eyebrows, purses his lips, and they disappear for a moment when he goes to wet them before he speaks again, a little less amused. “Now you know I mean no offense—”

“No offense? Well, I’d kill to see what you and your ilk consider offensive.” 

The wind slams the front door shut. 

“My ilk?”

You wonder if it’d been your goal all along, trying to rile him up like this. Accusations slide out of your mouth and into the night air far too easily for it not to be. But the thought of anything other than catching him red-handed occupying your head unnerves you, sending you another two steps forward and into the powdery snow.

“Jesus, woman! Alright, alright.” Morgan’s eyes finally leave you, darting between where your feet dig into the cold ground and the muzzle of the gun pressed to his chest. He slumps his shoulders and looks up to the sky, still an ugly grey-black from the thin dusting of snow the night before. 

“Look,” he starts, hands fighting the urge to pinch the bridge of his nose, “I don’t mean no harm. I swear it. I’m—just give me a minute to explain, will you? One minute, and I’ll be out of your hair.”

There’s a please somewhere in there, left unsaid yet still ever so loud. You think it might have left him in the puff of breath that still hangs above your heads; hot and heavy in his mouth, but turned to nothing but vapors once it misses its chance to solidify.

You eye him warily. This could be over and done with in a matter of seconds, and you might be able to knock that godawful mustache clean off of Sheriff Malloy’s face. You kill him—or turn him in so long as he didn’t bleed out, whichever came first—and get whatever bounty was nailed to his head. Use the money to get out. Get your freedom. Stop biding your time, and get revenge. 

And yet.

And yet.

“…You lying to me, Morgan?”

His shoulders straighten out, suddenly very tense. “‘Course not. You think me the lyin’ sort?”

Your voice flattens. “I figured that much was obvious.”

“Ouch, lady. Not willing to pull your punches for little old me?”

“You’d rather the lady use the gun?”

“Neither, thank you. And, speaking of which–” His chest deflates a bit, putting space between the two of you without having to step back. “—quit swingin’ that thing around. You’ll take someone’s eye out.”

Exhaustion mounting, you lower your rifle slowly. You keep your eyes trained on a pebble that’s escaped the snowfall relatively unscathed, not trusting yourself to look anywhere else. Conceding with a sniff, you toss your head toward the front door. It’s quiet, now. 

“Get in, before I change my mind—and no funny business, neither. Guns, knives, whatever else you’re hiding, drop ‘em. Right here.”

Too groggy to note the stalling of movement, you wait for the clinking of metal to stop. His boots retreat from your peripheral far more reluctantly than you expect. There’s a telltale groaning of wood, and you turn to find Morgan gazing down at you with an outstretched hand from where he’s hopped onto the porch. He murmurs with a reverence that you’re sure is misplaced, so quiet that you have to watch his lips to catch even a smidgen of what he says. 

“Yes, ma’am.”

This was a game to him. You knew games. And so when you go to place your hand in his it’s to eye him down, back him into whatever corner would hold him and keep him there till you knew why he’d spent the last month haunting your lodgings like a ghost.

Calloused fingers wrap around your hand like a vice, and when he’s guiding you and your icy feet up the stairs it strikes you that maybe—just maybe—your assessment of your situation had been far too impetuous. Arthur’s touch is surprisingly clinical, but even through the leather of his gloves, it was warm. Too warm. 

Ghosts weren’t warm. Or, at least you didn’t think they were. And Morgan, looking like the very paragon of the West, all bright eyes and honeyed words, had given you a glimpse of something far too beguiling not to investigate. It’s when he presses the back of his free hand to your wind-bitten cheeks that you wonder what your father might think.

“Chilled, right to the bone.” It isn’t so much a mutter as it is a rumble, reverberating somewhere deep in his throat and traveling up to where the two of you have made contact. You’re avoiding his eyes again, but you’re close enough now to be able to see his muscles working his neck. 

His smell overtakes you much like the cold has. The freshness of the pine needles still stuck to his coat makes up most of what you’re able to distinguish. A little bit of horse, too—he’d ridden here. Where exactly he’d hitched his horse was a mystery. But with the proximity of his sleeve to your nose, you can make out the faintest hints of a potent musk. It’s everywhere: in your nose, your mouth, under your skin. Every inhale turns your muscles into piteous liquid. There’s no hiding your shudder, this time.

Morgan suddenly yanks his hand back as if scorched, and schools whatever expression he’d been wearing prior into one of indifference. He hums. Frowns. 

“Let’s…uh, get you inside.”

You offer a tight nod and turn away, but Morgan is quick to the draw; he whispers a quick “pardon me,” and goes to retrieve the weapons he’d dropped in your stead. 

Oh. You’d forgotten. It seems he’d forgotten too, brushing the mixture of dirt and snow away and mumbling something about keeping his guns warm. You’re left standing dazed on the porch, skin still blistering from where his fingers had met your skin.

Morgan has the decency to look at least a little troubled when he returns. He places what he’s collected into your arms before opening the front door, and gestures for you to enter. You offer one last look to the moon before following him inside.

__

Your judgment on Morgan—Arthur, now—was still up for debate. But your punishment for rushing to catch him had been doled out almost immediately. 

For your feet, a numbness that the fireplace had been bullied into chipping away at. Your hands are still tight from the cold, and they sit tucked underneath your thighs with the added protection of a few blankets that’d been placed over your shoulders. Your eyes flick over from the fire to Arthur, and your chest tightens. 

He’s found his seat across from you: coat and satchel on the back of a chair he’s pulled from the dining table, big hands tapping away absentmindedly at his knees. With the coat set aside, there’s nothing to hide the first few buttons of his shirt that hang open, pitch black and rolled up to his forearms to account for the warmth of the fireplace. His hat remains, hair still tucked away and settled at the nape of his neck.

You’d both been sitting in silence for the last half hour, despite Arthur’s insistence on “one minute,” letting the cold of the outdoors thaw out before saying anything that might get the rifle pulled again. You did gain a bit of satisfaction at the slight tinge of red in Arthur’s ears; it seemed the cold had gotten to him, too.

You watch as his eyes wander over the furnishings of your cabin. Thankfully, the door to your bedroom is only slightly ajar, and the knot in your chest lessens. It wasn’t often (or ever) that you had visitors over, which meant that most of your things were tucked haphazardly into corners or set on kitchen counters.

The Campbells—generous as they already were—had insisted you take up residence in a cabin on their property that once belonged to a daughter of theirs. She’d long since moved out, but the light in their eyes at the thought of it being occupied again was undeniable. It wasn’t much, but it was yours. And Arthur was seeing all of it.  

“Don’t get too comfy.” You frown. “…Arthur.” He beams, and suddenly there’s something incredibly interesting lingering right by your foot. 

His name still feels foreign when it leaves you. At first, you’d taken it as a show of good faith; he’d sworn to keep his mud-caked boots off of your rug in exchange for keeping his feet from becoming bullet-ridden by the time the sun came up. Arthur, feeling like he’d gotten the shitty end of the stick, had joked that you may as well call him by his first name. The last person with the guts to threaten him with a shotgun had, so what was one more?

It was a weak threat, if one at all. You knew, and he knew, that you were just about the only person this side of the Grizzlies who was vaguely aware of who he was. You’d seen it in his face when you’d called him by name. It’d be an insult to call it fear; an expectation of an inconvenience would be more accurate.

Luckily for him, you didn’t care. Not right now, at least. Imposing as he was, you refused to be cowed into going along with whatever it was that he'd planned. 

Your heel messes with the leg of your chair. “Don’t you go forgetting why I brought you here in the first place.”

“Not quite sure if I’d use that wording—“

“Can it, Morgan.”

His jaw clicks shut this time, but he’s still got that goofy grin smeared onto his face when you chance a peek at him. You’ll let it slide, for now. You’ve stalled long enough.

“So. My eggs. You gonna tell me, or do I need to start pulling teeth?”

“No need,” Arthur assures, “shouldn’t be stickin’ your pretty little fingers in just anybody’s mouth, Ma’am.”

An outlaw and a flirt, to boot. Wonderful. You’re wondering how long it might take to chuck the nearest inanimate object at him when he pipes up again.

“You piss in somebody’s cigarette box, lady?”

“Did I piss—Morgan, quit it!”

This seems to reign him in a bit, and his smile dips.

“I’ll be frank, since you asked so kindly.” Arthur leans back in his chair, flexes his palms. “You had people tailin’ you.” 

You quirk a brow. Ah, that’s right. He didn’t know, couldn’t have. But just as you attempt to explain, Arthur holds out a hand to stop you and shakes his head.

“Killers.”

The hand fussing with the material of your blanket falters.

“...I beg your pardon?”

“Hired guns, Ma’am. Out for you. You’re real…fortunate, I’d been passing by when I was.” A rueful look clouds his face. “Not much to hire once I was through with ‘em, though.”

The quiet that follows isn’t entirely unfamiliar. He’s an outlaw, you muse. Things like this are to be expected. But it doesn’t occur to you to ask who they were, what they looked like, what they wanted. Because Arthur didn’t know, didn’t need to know, and you aren’t sure if you want him here when you wrap your mind around the sobering fact that your long-held suspicions now bear fruit. So, you settle for the obvious.

“You kill ‘em?”

His jaw twitches. “Nothin’ gets past you, Ma’am.”

“...‘Suppose I should be thanking you, then.”

“Got my thanks when I checked their pockets.”

“But—”

Arthur gives a grunt of protest. 

Jackass.

Though your concerns about theft were long gone, it doesn’t seem like he wants to talk about this any more than you do, so you do your best to set the conversation back on track.

“Well, uh…the eggs, then?”

The tension in his jaw lessens. Arthur unfurls a long leg, digs the heel of his boot out in front of him, and rocks his foot back and forth.

“You know these winters. I can tell you do—despite all the…” he trails off, nods the brim of his hat toward your newly cultivated relationship with the fireplace, and you flush. “So, I uh, started out sneaking a few off, along with some other things for my people back at camp. Snagged some extra rations. Kept an eye on you. Two birds, one stone.” 

“So it wasn’t just the eggs you’d been stealing, then?”

“It’d behoove me to tell the truth and shame the devil, Ma’am. Not that he and I are unacquainted.”

So that was a yes. 

The part about “keeping an eye” on you is tacked on rather reluctantly, but at the mention of camp, your brows raise. It was true, then. The tales you’d heard during your trips to Valentine, the new faces you’d noticed in corners and back alleys, they were all real.

There was a time when you thought you might be able to find your place sleeping under the stars, free to do as you wished and go where you pleased, so long as the law kept their greasy mitts to themselves. But circumstances had seen to it that your dream went unfulfilled. 

You muster up what you hope is a sympathetic smile, and Arthur takes it stiffly.

Even so, something else with his phrasing catches your attention.

“Hold on now, you said ‘started.’ There something else you’re not telling me?”

A hand, previously settled on his knee, finds its way to the back of his neck and rubs. 

“Uh, y’see,” he starts, looking damn near ready to wring his own neck, and you have to laugh, because what on God’s green earth could have Arthur Morgan this bothered? But instead of finishing his sentence, he turns his gaze toward the small sliver of moonlight coming in through the curtains and poses a question:

“You know anything about chickens?”

You blink.

“Arthur Morgan,” your eyes shut, and your mouth hangs open. “I work on a farm.“

“That you do.”

“And you’re asking me if I know about chickens?”

“That I am.”

He’s looking mighty sheepish; his hands return to their places on his knees and begin to tap again, with the added scrunch of a nose. You stifle a snort and oblige him.

“Yes, I’m well versed in chickens. Now tell me what the hell is up.”

And tell he did. Turns out, one of the eggs he’d snatched had somehow been fertilized, and hatched. Arthur, of all people, had been far too mortified to go and ask one of his own for help, so he’d spent the last two months slinking around to find out if his luck might earn him another to keep the one he already had some company. 

He’d named it and everything, so eating it (Marlene, he corrects gruffly) was completely off the table. By the time he’s finished his story, you’ve spent an exorbitant amount of energy fighting off several fits of laughter, and you’re fighting off your ninth when Arthur interrupts.

He leans forward, as if to confirm something, then settles himself back into his chair once he finds what he’s looking for. “You ain’t from around here, are you.” It’s a statement when it leaves Arthur’s mouth, not a question.

Observant. Observant, and deflective.

Chewing at the inside of your cheek, you pocket the uneasy feeling in your chest for later.

“Long story,” you offer. And a difficult one, at that. It wasn’t one you liked to revisit.

Arthur replies almost instantly. “Shoot.” For a moment his face pinches, like he’s dropped his last cent down a splinter-ridden nook he can’t reach. He deliberates, for a bit. But the money is long gone now. “Got a full audience right here,” he continues, a tad slower. “I’ve got…time. Why the hell not?”

There’s no smile, but there’s a genuine curiosity that creeps into his voice. It wafts over the crackling of the fire, blows fresh wind underneath wings long forgotten. 

This wasn’t good. Not one bit.

You cast a skeptical glance toward the bottle of whiskey on the table. It’d been set out on instinct when you’d let him in, a habit formed from a time long gone. Would Arthur want some, maybe? He seemed like the type. And you weren’t too pissed about the eggs now, anyways. So you wrap a blanket around yourself, stand, and turn to the cupboards to find a glass. But something stops you from making it over, and you instead choose to wrap a hand around the bottle and offer it to him.

If Arthur is as confused as you are, he doesn’t show it. He mutters a word of thanks as he takes the proffered bottle. But you don’t miss the way his eyes rake over your bare legs like hot coals. Or the slight twitch of his fingers—now free of their gloves—at the light brushing of your hand over his as you pass the bottle to him. 

You follow the bobbing of his throat for what feels like a lifetime as he takes down gulp after gulp. Amber liquid slips from the corner of his mouth; it catches the firelight on its trek down, and steals your air along with it when Arthur moves to wipe it away with the back of his hand.

It startles you, how quickly you’ve become accustomed to cataloging his movements. You’ve met him before, you’re almost certain of it now. If not in the fields here, then maybe somewhere in Valentine, or the woods. But somewhere. He felt too familiar to be new, too invigorating. A part of you wants to pinch yourself for giving in so easily. Maybe…maybe the folks in town had been right? Maybe Arthur Morgan was possessed? It was either that, or you were an idiot. You sincerely hoped it was the former.

The sound of the glass bottle hitting the table is what snaps you out of your trance. Blinking rapidly, you chance a peek at his eyes again, only to find them peeking right back. You do your best not to turn away. That thing you’d seen lurking out on the front porch is still there, submerged in the depths of his pupils. Still waiting.

You pull the top off of the bottle, take a quick swig, and return to your chair with an inhale and newfound resolve in tow.

Blabbering seems to come unfortunately easy with Arthur. He sits, silent and attentive throughout the entire retelling—save for the occasional grunt of approval, disapproval, whichever was appropriate. You tell him of your mother, young and hungry, and how she’d made herself available to the highest bidder—your father. Some wealthy businessman from God knows where. Twenty years your mother’s senior, it’d been no secret what exactly he’d gotten out of their short-lived union: a wild young thing to look after his progeny and keep his bed warm.

He was nice enough, for a time. Or at least nice enough for your mother to be able to tolerate. But something had sent her fleeing from that big, big house. She’d kept you in her arms and her heart till you’d found somewhat of a safe haven in the Grizzly Mountains.

“Safe” had been a bit of a stretch, though. Anyone with half a brain knew exactly what the Grizzlies were like. Arthur agreed. But your mother had been raised there, just as you would be, if only for a little while. You’re only able to remember a short split of time—just before your mother passed, and before your father had come to take you away from her. 

By then your mother had already taught you most of what you’d needed to survive: reading, writing, hunting, flattery, the works. The only thing she’d left out was how to survive without her. 

Your father had come to find you only a few days after, bearing news of his intentions to turn you into a “proper lady.” He made no mention of your mother or where she’d been buried. 

Polite society hadn’t taken too kindly to a daughter hailing from unsavory origins, and it was safe to say that you hadn’t taken too kindly to polite society either. So, you’d spent the last decade or so making your father’s life a living hell and warding off any potential suitors.

But it became clear stunt after outrageous stunt that he had no intention of cutting ties. Rather than cutting you off, he’d settled for the next best thing: manual labor. Your father was old friends (though “friends” was a bit dubious) with the Campbells, and deemed it an appropriate enough punishment for your wrongdoings. He’d relied on your aptitude for hunting to pawn you off on them, and with the help of some expertly feigned resistance, you’d gotten him to plant you exactly where you’d wanted to be. 

Away, and alone.

“Threw a wrench in my plans, but…life here has been peaceful, I reckon.” You pick at the beds of your fingernails, head bowed. 

Peaceful. 

Peaceful and quiet, save for the occasional moo. 

Though, now that you thought about it, you’d have to tally it up to several wrenches if you counted the hitmen. But you could open that barrel of horse shit later.

The creaking of wood alerts you to a shift in Arthur’s positioning, and his voice barrels down at you from the ceiling; he must be looking up. 

“You don’t seem all too ‘at peace,’ if you ask me.”

“I ain’t ask you.”

“Tuh.”

The two of you fall into yet another bubble of silence. It’s comfortable enough, though still laced with the slightest bit of awkwardness. 

You couldn’t get a read on Arthur. Just about every decision he’d made tonight—or told you he’d made—had been a contradiction. It didn’t make a lick of sense. But now that you’ve had more time to ruminate, it didn’t seem like it made much sense to him, either. His body language divulges as much. 

The quiet agitates you, now. Itches. You need to know more. Understand more. But you can’t do that without retracting your fangs and reigning in your apprehension. Finger beds picked raw, you test the waters.

“Not at peace, hm?” You mutter. “…How you figure?”

You hear him shrug. “Dunno.”

Silence.

You wait for him to continue, but it’s not until you look up at him that you realize he’s been waiting for you to look back. Arthur’s voice cuts through the silence once you can meet his eyes without squirming.

“Met enough people to know who’s livin’, and who ain’t.” He crosses an ankle over his knee, and gives an exhale when he puts his hands behind his head. “I’m in no place to be dealing out life advice, but you seem awfully dead, Miss.” 

“Ma’am,” you correct. 

Arthur makes a face, and you bark out a laugh at the sheer absurdity of it all. Some stranger he was, telling you off like this.

Your eyes crinkle, smile working its way from the inside out. “Takes one to know one, I assume?”

He blinks at you. “Yeah. Yeah, somethin’ like that, I suppose.”

More silence. 

“Do you think—”

“I ought to be heading out, now.” The dream is cut short. Arthur is standing suddenly, intercepting before you have the chance to say something incredibly, incredibly stupid. He tugs on his coat, fingers closing the buttons with frightening efficiency before he gathers up his gun and whatever else he’s brought with him and heads for the door.  

You're scrambling up out of your chair before your brain has a chance to process.“Arthur,” you say, half to him and half to the floor, “Arthur, wait a damn minute!” 

The spurs on his boots cease in their clinking. He’s got one hand wrapped around the doorknob, squeaky and now half-turned.

“…Got business to take care of.”

“At three in the morning?”

He glances at the small pocket watch you’d left open on the table. “Half past four, actually.”

“Didn’t realize you could tell time.”

He hums.

And Arthur stares at you for a moment, unabashedly. It’s unreadable at first. But then scars are shifting, and he’s leveling you with a look so bitter that it nearly has you reaching for your rifle again.

“Goodbye, Ma’am.” Arthur waves a noncommittal hand at your feet as he turns the knob. “And…go and see about those feet of yours, will you?”

He sweeps out the door.

He’s left it open.

It’s only after the faint sound of hoofbeats is nothing more than a whisper that you realize he isn’t in the cabin anymore. But somewhere between the shutting of the door and the hanging of your rifle, the faint impression of his parting words is pressed into your palm.

You look down, a bright sting and the sight of red specks on the floorboards making themselves known rather insistently. 

“Oh.”

—

next chapter >>

[i-like-books-and-women]

Okay so I haven't listened to the book in the past couple days but there's this line from one of Zach's chapters that I can't stop thinking about cause it's like "good God that's so fucked" he says something along the lines of "I might have to work to transition from cute to hot but Rubens already there" and potentially in the same line but also maybe not cause I don't remember he says something close to "I have to make the switch from cute to hot if I want to have a career" which is like? Like it's so gross dude. Zach and Angel are barely 18 like tf- like yeah sex sells but Jesus christ what in the fuck. And then like the internalized issues?? Like it's not quite the same vein it's similar tho. I've always been "the fat kid" since I was in elementary school and let me tell you comparing your body to your friends' is literally the quickest way to start resenting them and hating yourself. Quite literally chorus was kinda pitting them against each other and started instilling body image issues in very impressionable teenagers and then was like *surprised Pikachu face* when they were all starting to show signs of depression and anxiety and started fighting and started doing dumb shit and drugs to try and cope.

[playingonedchess]

eh now that im thinking about it again i think maybe my problem with fandom is mainly just that its completely incapable of remotely understanding how any sort of interpersonal relationship works in the slightest and portrays them in the most ridiculous stupid ways not only is everyone ridiculously too emoteionally expressive and self aware and way too eager to therapise each other and discuss things in ways that no one really ever would but they also way overstate the way the characters even think about these things and then when its not the writers invented versions of the characters psycological states its always just about stupid internet subculture memes that i refuse to believe anyones even capable of finding funny or else the other way of completely misunderstanding interpersonal relationships which is making everything about romance or family structures its either throwing away all their actual relationship to just be about kissing and they love me they love me nots and honestly i reckon its actually worse when you actually ship them cause then your actually invested in their relationship and think they could actually have a romantic relationship while still resembling the actual characters relationship, at least if you dont really ship them its less annoying and you can just appreciate it as a random story. and the only other thing these people are interested in writing about tends to be totally misinterpreting the non romantic relationships as well like its hard to believe these people have ever actually had family if this is how they write them but i suppose they can at least acknowledge thats actually a valid reason to care about someone? plus the ways they always have to make non familial relationships into family like its especially ridiculous who they think has a parent and child relationship like seriously just admit your brains too small to comprehend more than too types of relationships. also they way theyll insist characters have a parent child relationship based entirely on the fact that its the kid of one of the characters they ship together i mean thats just getting obsessive not everything has to support your ship and its ridiculous to think that every kid would see their parents partner as a parent let alone the way they insist its like this with adults like ypu know they can still have a good relationship and everyone can get on great without them getting another parent when theyre literally in their twenties

[atlabeth]

unadulterated loathing (pt 1)

pt 2

pairing: fiyero tigelaar x fem reader

summary: you are forced to partner up with fiyero on a history project. things don’t go as you imagine.

a/n: wicked was really good, i love jonathan bailey, and we're coming up on finals season which means im writing about how stressed i am. also halfway through this i realized reader is lowkey paris geller coded lmao. this got away from me so im splitting it into 2 parts, i had a lot of fun writing it so enjoy! also im high posting this so if there's any editing issues im sorry lol!!

wc: 5.5k

warning(s): reader is stressed to the max constantly. she is kinda mean to fiyero but he's into it so it's okay. mostly fluff

Your fingers were beginning to cramp. 

You should have been used to this by now with Doctor Dillamond. You’d been in his class for a few months now, and you graded essays for him often. He often had a propensity for verbosity, but this lecture had been an especially hefty one in preparation for your midterm projects.

He would be announcing partners before the end of class—much to your dismay, for you worked far better on your own than with others holding you down—and you figured you would want to have as much of a head start as possible. 

Great Oz, how you hoped you would be paired with one of your friends. Coralie and Ezura were your only contenders for top of the class—Elphaba had potential as well, not because of the magic she couldn’t control but because of the brain she very well could—and anyone else would frankly slow you down. Doing a large research paper with someone who didn’t care as much as you did would be a drag you didn’t care to go through. 

Midterms were only the most important thing, for they set the track towards finals and affirmed your skill with your assignments, and your first midterm was potentially the most important thing for, when completed successfully, set you on the correct track altogether. 

You tried not to think about it too much (though you failed almost immediately), for you were sure Doctor Dillamond would honor all the work you’d done for him by putting you with a suitable partner. 

“I see some of you are getting restless, so I will cut class short today.” Your eyes snapped up from your paper to see the professor smiling, and you could hear sighs of relief around the room. “I’m sure you’re all eager to know your partners for the midterm paper.” 

The sighs of relief turned to groans, and you had to agree. Assigned partners should have been considered archaic at this point in time. 

Doctor Dillamond trotted back to the projector and, with a bit of difficulty, replaced the image with a piece of paper. Everybody in the class was paired off in groups of two—you immediately started searching for your name, squinting slightly to see despite your spot in the front, and the furrow between your brows deepened when you realized you couldn’t find it. 

You searched instead for your hopeful options. Coralie was with Mayara, Ezura was with Nicholas, Elphaba was with Galinda—of course. You let out a slight huff of annoyance, not just at your disappointment but at the continued lack of your name. 

Perhaps he’d merely forgotten. You didn’t know how Dillamond could have forgotten you, seeing as you were only his best student and literal TA, but things happened. Your anxieties only grew as you heard the beginnings of whispers throughout the room as your classmates saw their pairings, either excited or dismal. 

“Class is dismissed,” Doctor Dillamond said. The room began bustling as students gathered their things, already talking with their friends or searching out their project partner—you heard Galinda squeal and saw her grab Elphaba’s hands out of your peripherals. You could only worry your lip between your teeth as you swept everything in your bag, hardly waiting a second before rushing up to Dillamond’s desk. 

“You didn’t call my name, professor,” you said, managing a smile as you tried to act like it wasn’t killing you. How could he have not called your name? Was there something wrong? Great Oz— had you been somehow moved out of the class? Was your work not exemplary enough? Your assistance not assisting enough? “I don’t have a partner.” 

His mouth opened, but you only found yourself continuing, the words practically tumbling out of you.  

“Of course, if you intended for me to be on my own then I am perfectly alright with that!” Your smile widened as your fingertips dangled over his desk. “I— I prefer it, in fact, so if that is it then there is really no issue at all—”

“Mr. Tigelaar!” he interrupted, and your head turned on instinct to see the eponymous boy arm in arm with Galinda (who was arm in arm with Elphaba) just in front of the door. “I hope you are not about to leave.”

Fiyero flashed a look at his companions before offering one of those easy smiles he seemed to always have up his sleeve. “You dismissed the class. I believe I am part of your class, am I not?”

“You are,” he said, “but you were not assigned a partner. Surely you wouldn’t be trying to get out of the project.”

Your free hand clenched as the threads started to connect. Doctor Dillamond wouldn’t do this to you. Would he?

That easy smile remained on his lips as he turned to Galinda and whispered something in her ear. She giggled and pecked him on the cheek before she walked out, pulling Elphaba behind her, and Fiyero sauntered over. 

“Of course I’m not trying to get out of it,” he said. “Whyever would you think so?”

“Your attempt at a quick exit before you could be assigned a partner,” the professor said. “But it is no matter, for your partner is right here.”

You blinked. He would do this to you.

Why would he do this to you?

“Well, pleasure to meet you.” He held out his hand. “Fiyero Tigelaar.”

You ignored him, for you couldn’t look away from Doctor Dillamond. Would it be mad for you to strangle a Goat?

“Professor,” you said, trying to keep your voice steady, “why?”

“Mr. Tigelaar’s grades in my class have not been satisfactory, as I’m sure he is aware.” Dillamond moved away from his desk, prodding the chalkboard with his head to move it out of the way. “I care about all my students, even if they seem not to care for my course. I believe a partnership for the two of you would be beneficial.”

Your jaw clenched. “So you’re forcing me to tutor him because he hasn’t got a brain.”

Fiyero chuckled. “Ouch.”

“Not tutoring, just working on your midterm together,” he said. “And if you end up teaching him a few things along the way, then we would all be better off, wouldn’t we?” 

“Professor, with all due respect, this is ridiculous!” you exclaimed. “Why should I have to risk my grade, my midterm, my standing altogether at Shiz just to help him?” 

“Should you perform the way that is typical of you, there should be no issues.” Doctor Dillamond gave you that professorly look and your teeth grinded against each other. How dare he try to take the moral high ground. “Now, the two of you better hurry off. You haven’t got forever to work on this project.” 

“Professor,” you whispered, determined to not let up, “why are you punishing me like this?”

“I’m not punishing you, my dear.”

“Fiyero couldn’t care less about any of this,” you insisted. “I’m going to fail my midterm and it will be all his fault!”

“If you believe he can make you fail, then you haven’t got as much faith in yourself as I believed.” Doctor Dillamond looked at you. “Trust me—and yourself—that this will all work out.”

You stared back—it was rather difficult to have a staring contest with a Goat. “I don’t suppose I can change your mind on this?”

“You’d be correct.”

You huffed and glanced away. “Fine. But expect those test scores to take an extra day.”

He let out a bleaty sort of laugh while you walked away. You considered it a credit to yourself that you held back the childish tantrum you wanted to throw as you moved back over to your desk to gather the rest of your things. You shoved your books into your bag with a bit more anger than necessary, and you heard footsteps behind you. You glanced over to see Fiyero sidled up beside you, leaning against the desk next to yours. 

“Surely you won’t be this irritated at me the entirety of our project.” He still had that unbothered smile on his lips, and it made you want to hit him. “It might make this a much more miserable partnership.”

You let out a mirthless laugh as you shouldered your bag. “Don’t act like this pains you. You’re just going to ride my coattails the entire time.” 

“You know, I hadn’t even thought of that,” Fiyero mused. “But now that you bring it up, I just may have to.” 

“For the love of Oz,” you muttered to yourself before mustering the strength to look up at him. “I have a myriad of things I need to do today. Why don’t you go bother your girlfriend for the rest of the day, and then you can meet me at the library first thing tomorrow morning so we can discuss all of this.” 

He shrugged. “Sounds alright to me.” 

“Good,” you said. “Because I meant every word I said back there. I will not have you ruining all my progress thus far because of your absolute refusal to think.” 

“It looks as if you could take a page out of my book,” Fiyero said. “You seem awfully stressed.” 

Your lips tightened into a mirthless smile. “I’m stressed because of you, Fiyero, and we have hardly even interacted. I dread to think of my mental state after a week of working together. Now, good day. I’ll see you tomorrow.” 

You swept past him and walked out of Doctor Dillamond’s classroom. You felt his eyes on you until you turned the corner, and you had to resist the urge to look back. 

Oh, how you loathed group projects. 

-

The rest of your day was far more demanderating than it should have been, and you blamed Fiyero for it. You swore the clock went by half as quick and your lectures twice as long—it didn’t help that you were so distracted in chemistry that you nearly burned your eyebrows off from a potion gone wrong. 

You’d practically thrown yourself onto your bed when you got back to your dorm, and you didn’t get up until your roommate got back and demanded to know what had gotten into you. She didn’t exactly give you the response you wanted. 

“The prince is your partner?” Coralie sighed dreamily. “Oh, you are so lucky.” 

“Lucky is not the way I’d put it,” you mumbled, words muffled by the sheets. You finally tore yourself up off your bed and picked your nightgown up from atop your dresser. You went behind your folding sheet and began to change. “And I didn’t know you had eyes for Fiyero.” 

“I hardly have eyes for him,” she said wryly. “I just have eyes—anyone can see that he’s attractive.” 

“It doesn’t matter how attractive he is if he makes me fail this midterm,” you said. You straightened your nightgown then folded your school uniform while you walked back into the open, passing a glance at your roommate as you placed it on your desk. You then settled on your bed with a huff. “I just don’t understand why Doctor Dillamond is punishing me like this. It makes me reconsider all those late nights spent grading papers for him.” 

Coralie shrugged. “You’re one of his best students, Fiyero is probably one of his worst. I bet Doctor Dillamond figured you would be happy to take him on, what with how happily you take on everything else he throws at you.” 

You grumbled as you laid back against your pillows. “I just don’t know if I can take him on. Fiyero seems to care more about flirting with every student at this school than any actual material.” 

She gave you a mischievous smile. “Maybe he’ll turn the full force of his affections on you in return for your studiousness. Oh, how that would be a sight to see.” 

“Don’t even put that idea into the air, Cora,” you scoffed. “Besides, he’s clearly involved with Galinda. Even if I was interested, which I’m not—” you emphasized with a pointed look at her— “that isn’t something I want to touch.” 

“Well, you can’t deny that he’s dreamy,” she said. “He just showed up at Shiz and people started falling left and right. It’s more impressive that you haven’t.” 

“Because I’m here for one reason,” you said. “His whole… thing doesn’t fit into any of it.” 

“I know,” Coralie mused as she fell back onto her pillows. “You’ve told me your whole plan ten times over. I just think you should also try to enjoy your life instead of bulldozing your way through it.” 

You rolled your eyes with a smile. “I’m enjoying my life just fine, thank you.” 

Interestingly enough, Fiyero was going through something similar a myriad of rooms away. 

He laid on Galinda’s bed, his head in her lap as she trailed her fingers through his hair. She’d been going on about something for the last couple of minutes, but he hadn’t really been able to focus on any of it. 

“Dearest, did you not hear what I said?” 

Fiyero blinked at the sound of Galinda’s voice. He hadn’t indeed. 

“I’m sorry, beloved.” He absentmindedly reached for her hand and gave it a squeeze once he found it. “I was thinking.” 

Elphaba laughed from across the room. She sat on her bed with a book in her lap. “That’s a first for you.” 

“It is,” Galinda said, though with much more concern laced in her voice. Her hand moved from his hair to his forehead. “Are you feeling alright?”

“Just fine,” he assured. “What was it you were saying?” 

“Just lamenting on how awful it is that we’ve been separated for this project,” she sighed. “I’m sure I could persuade Doctor Dillamond to put us in a group of three.”

“You can’t even get him to pronounce your name correctly,” Elphaba said wryly. “How could you get him to do this?” 

“Well,” Galinda huffed, “maybe you could do it. He appears to like you more than me.” 

“I’m sure that really hurts,” she said. 

Galinda placed her hand on her chest. “It does!” 

“It’s fine,” Fiyero interrupted. “I’m alright with my partner. She’s nice.” 

“Nice?” Elphaba scoffed. “I heard her lecturing you the whole time we were out in the hallway.” 

“She’s passionate,” he decided. “Besides, I don’t really care. I haven’t thought about it since she left.” 

That was a complete lie. In truth, Fiyero hadn’t been able to stop thinking about you since you left. Very strange for someone who preferred to go through life with less thinking and more doing. 

He honestly didn’t know why his mind was so occupied with you. 

He’d always been aware of you, obviously—all your professors adored you, your name was always brought up when talking about top of the class, and he was sure you held the record for most time spent in the library at once—but he didn’t know anything about you other than your academic record. And for someone with such strong opinions, especially about him, Fiyero found himself with the strange need to know more. 

He would be at the library tomorrow. Maybe not on time, but certainly there. 

Fiyero would make this the beginning of a beautiful partnership, one way or another.

-

True to your word, you were in the library bright and early after a quick stop at the dining hall. You went through the effort of gathering everything you thought you would need—a myriad of textbooks and encyclopedias, your well-weathered notebook and another one for Fiyero because you doubted he had one, and enough writing material for the two of you.

You sighed. You had to do so much just to even the ground between your groups and the others. Coralie was always so prepared whenever you worked together. 

Fiyero, to your surprise, was only ten minutes late. You already had your head buried in a book when he said your name and scared you witless. 

Your eyes widened as they darted up to look at him, and he chuckled. 

“Sorry. You were in the zone.”

“I just wasn’t expecting you,” you said. “You’re late.”

“Hardly.” Fiyero took the seat across from you, his eyes sweeping over everything you had on the table. “You’ve got quite a collection.”

“I doubt you know your way around the library,” you said. 

“I know my way around a lot of things.” 

You leveled your gaze at him. Leave it to Fiyero to make everything an innuendo. “And is a library one of them?”

“I’m sure I could make it one.”

“If you bothered to think at all.”

“Darling, you know I’d never,” he said with a smile. “Now, what are we doing here?”

“Do you really not know what our midterm is?” you marveled. 

“I have more important things to worry about,” he said. 

You scoffed and shook your head. Ridiculous— it was ridiculous that you had to put up with this. Maybe Doctor Dillamond really did hate you.

“Our assignment is an extensively researched ten page paper on any great Ozian,” you said. “Anyone who has contributed to our society in a relevant way and made our lives better for it.”

“A ten page paper?” Fiyero frowned. “That seems a bit much.”

“Between the two of us, it’s just five pages each, and we’ve got two weeks to get it done,” you said. “I’ve written five pages in a few hours of inspiration.”

“Your life truly sounds thrilling,” Fiyero said. “We could do the Wizard.”

“Half the class is going to do the wizard,” you scoffed. 

“Because he’s a great man,” he said. “There’s no shame in it.”

“There is absolutely shame in copying half the class,” you said as you pushed over a sheet of paper to him. “Now, I’ve already got a list going. Look it over; see if there’s anyone you like or anyone worthwhile you want to add.”

You looked back down at your encyclopedia, opened to your personal favorite choice, and continued scribbling down basic notes. You glanced up a few moments later to see Fiyero’s gaze hadn’t wavered from you. 

You frowned. “Is there a problem?”

“You’re awfully prepared,” he said instead. 

“I figured you wouldn’t be,” you responded.

Fiyero’s lips quirked in a smile. “Then I believe that means you deserve to choose our subject.”

Your frown deepened. “Really?”

“Are you always this suspicious of everyone?”

“Just you.”

“Then consider this an olive branch,” he said. He slid the paper back over. “Who’s your top choice?”

“…Ilara Mayfair,” you finally said as you pointed at her on the top of your list. “She was a historical linguist, responsible for half of what we know about Ozian languages and how they connect and differ. She’s…” you cleared your throat and shrugged, trying to make it sound like it wasn’t a big deal, “she’s kind of my hero.”

“Your hero?” Fiyero’s eyebrows rose. “Is that what you want to do?” 

“…It’s always been my dream,” you admitted. “I grew up helping around my parents’ bookstore and her mark was on nearly everything. I really admire it. I want to make that sort of difference in the world.”

“How noble,” he remarked. What surprised you was how genuine he sounded. “It’s impressive how much of your life you have planned out already. All Galinda knows is that she’s majoring in sorcery—she hasn’t really got anything else worked out.”

“What are you majoring in?” you asked.

“Undecided,” Fiyero said. “I was kicked out of my last school before I could declare, so I figure there’s not really a point in doing it here.”

“Not really a surprise,” you said. 

“Really?”

“On your first day, you snuck off campus with half of Shiz to go dance at Ozdust,” you said. “That’s not exactly a good first impression.” 

“I’d argue the opposite,” he said. Fiyero tilted his head, his eyes narrowing as he focused on you for a moment. His gaze made you uncomfortably aware of yourself. “I don’t recall seeing you there.” 

“That’s because I wasn’t there.” You looked back down at your encyclopedia to avoid his eyes. “I had more important things to do.” 

He frowned. “Do you ever take a day off?” 

“Of course,” you said. “There isn’t any class on the weekends.” 

“I mean with this,” he said, gesturing at all the books around you. “It doesn’t seem like you allow yourself a single moment of respite. When you’re not in class, you’re studying. When you’re not studying, you’re doing work. When you’re not doing any of it, you’re probably dreaming of your future assignments.” 

You felt your skin heat. Surely you weren’t that transparent. 

“...I don’t dream of them,” you defended. “Not— not always.” 

He laughed and shook his head. “You’re ridiculous. Do you know that?” 

You frowned. “How am I ridiculous? You’re incapable of taking a single thing seriously.” 

“And you’re incapable of not taking everything seriously,” Fiyero said. “It can’t be good for your health.” 

“I plan to get out of here a year early,” you said, looking back at your books. “I can’t slack off like you do if I want that plan to come to fruition.” 

“Oh, I’ve gotten out of every school I’ve been in a year early,” Fiyero said. “Sometimes two or three— Oz, sometimes I don’t even make it through the first semester.” 

Your eyes snapped back up to him, widened in instinctual panic. “What?” 

He burst out laughing, and it grinded every one of your gears. “Oh, I wish you could see the look on your face! It’s priceless— truly priceless!” 

“You’ve been kicked out of every school you’ve been to and you think it’s a joke?” 

Still laughing, he shrugged. “It is. Nothing bad has happened, and I’m still having the time of my life wherever I go.” 

You just shook your head as you stared at him, eyes still wide. “Are you always like this?”

“Utterly charming?” 

“Entirely insufferable.”

You didn’t understand how he laughed. Everything rolled right off him, like oil off a duck’s back, no matter how many times you insulted him. 

“You know, there are other things to life than your studies,” he said.

“Not while I’m here, there isn’t,” you said. “It’s the whole point of university.” 

“The point of university is to have fun,” he said. “You’ve seen how this place has perked up since I’ve gotten here, haven’t you?” 

“Not really, no,” you said. “I’ve been more focused on other things.” 

“Like?” 

“Like my studies.” 

“It’s like I’m talking to a broken record,” he marveled. “Have you ever had fun in your life?” His eyes widened comically. “Do you even know what the concept of fun is?” 

“Ha ha,” you said dryly. 

He tilted his head. “Do you?” 

You frowned. “Of course I do.” 

“Okay, then.” Fiyero leaned back in his chair. “Tell me about yourself.”

Your frown deepened. “We aren’t doing a research paper on me.”

“We’re working together on this,” he said. “Is it a crime to want to know my partner?”

A muscle worked in your jaw as you stared at him. He stared back, entirely unaffected. 

“If I humor you, will you actually work with me through this?”

Fiyero held up his hand. “Prince’s honor.”

Finally, you broke. You folded your arms with a short sigh then glanced away. “Fine. I’m from a tiny village in Gillikin that you’ve probably never heard of. I’m here on scholarship with the plan to graduate, become a historian, and make a name for myself.” You looked back at him. “Is that good enough for you?”

“It’s excellent,” Fiyero said with a smile. “Dare I say I’ve learned more about you in one short day than I have in the entirety of my time at Shiz?”

You gave him a fake smile as you tapped your book. “Open your textbook. We have a lot to catch up on.”

He raised his eyebrows. “You’re not going to ask about me?”

“I mean this with all due respect—what could there possibly be to know about you?” You raised an eyebrow as you counted off on your fingers. “You’re from the Vinkus, you’re a prince, and you’ve never read a book a day in your life.” 

“Oh, that’s not true,” he chastised. “I’ve read at least one—I just choose not to.” 

“Well, how about we make that two?” You reached across the table and opened his book for him. “Unless that prince’s honor isn’t worth a thing.” 

“Oh, it’s worth everything,” Fiyero said. 

You raised your eyebrows expectantly. “Then prove it.” 

“Very well,” he nodded. “I believe I can be serious for the next… fifteen minutes.” 

“You won’t even get through a chapter,” you said. “Thirty.” 

Fiyero frowned. “You set awfully high expectations.” 

“Why do you think Doctor Dillamond forced me to help you?” you asked. 

“Because you’re oh so nice and charitable?”

That got a genuine laugh out of you. If you’d been looking closer, you would have seen Fiyero’s smile grow, his eyes soften. 

“Of course. Now, go to the glossary, find Ilara, and start writing. I know practically everything about her already, so you need to catch up.”

“I don’t have—”

You held out your extra notebook and fountain pen and cocked your head. “Don’t have what?”

Fiyero chuckled as he took them from you. “You’re prepared for everything, aren’t you?”

“Always,” you said with a satisfied smile. “Now get reading, my prince.”

He pressed his hand to his chest and bowed his head. “At once, my lady.”

-

You looked at the clock on the wall. Fiyero should have been here by now. 

Granted, he was ten minutes late to your first meeting, but that was before he’d changed your expectations ever so slightly. Almost an hour had passed, and there was still no sign. 

Of course, it wasn’t as if it hindered your progress. You kind of always expected him to fall short—if he showed at all, that was a credit to him—so you already had half the outline done. But a small part of you that you’d never admit to might have actually been looking forward to his presence. 

You enjoyed the bout of verbal sparring he engaged you in. A lot of your classmates thought you were mean, and it never bothered you. Like you told Fiyero, you were here for one reason and one only, and the amount of people that liked you at university didn’t influence that at all. Your professors liked you and your grades were perfect—that was all. 

But you couldn’t lie and say it wasn’t… nice. For Fiyero to take everything you said in stride, with a smile and a retort of equal measure.

It was nice. But that was all. 

You were jarred out of your thoughts by someone calling your name. You looked up to see Fiyero sauntering over, bearing his usual smile and not much else.

“This is a library,” you said once he got closer. “You aren’t supposed to shout.”

He took the seat across from you. “I’d hardly call that shouting.”

“You aren’t meant to be loud,” you decided. “Why are you so late?”

Fiyero shrugged. “I lost track of time?”

“You know, we are partners,” you emphasized your last word, “so it would be helpful if you could try to put in the same amount of effort as me.”

“That seems impossible.” He gestured at your notebook with his head, your current page already nearly full. “You’ve got me beat on nearly everything.”

“It’s not that difficult,” you intoned. “I mean, just do some research outside of class.”

He stared at you expectantly, and you rolled your eyes. “I don’t know what I expect with you, honestly.”

“Exactly what you see, darling. Now,” Fiyero's gaze drifted over to the window, then looked back at you as he stood up, “what do you say we put a hold on things and enjoy this beautiful day?” 

Your brows furrowed. “What, you mean do our research outside?” 

“Is your work truly all you think about?” he asked in exasperation. “I mean leave the books and your notes and your stress here, and take a stroll around campus.” 

“I’ve had my entire life planned out since I was ten years old,” you said. “Of course it is. I am not going to have some— some—”

“Some what?” Fiyero interrupted. He still looked remarkably unaffected by your outburst, that sideways smile of his infuriatingly charming. 

“Some ridiculous, pompous, self-absorbed, lazy Winkie prince ruin it!” you exclaimed. 

“Lazy,” he mused. “That’s a new one.” 

“Of course you’re lazy! Why would we take a break when we have a project to do?” 

Fiyero looked at you like you were crazy— no, like he was worried about you. He shook his head. “You really do have a one track mind.” 

“When we’re in midterm season, yes, I d— what are you doing?”

Fiyero had started stacking all of the books you had on the table away from you, then he grabbed your notebook and your pen out of your hand.

“You need a break,” he said. 

“I don’t need a break, and give that back—”

You reached for your materials but only just grazed his hand before he pulled them back and set them on top of the pile. “When was the last time you saw the sun?” 

You scoffed. “I see the sun all the time.” 

“Not from a window in the library or your dorm.” 

You bit your tongue. Fiyero smiled and held out his hand. 

“You need a break.” 

You stared at his hand. He gave you a cloying look. 

“It’s not a good sign that you’re this against self-care,” he said wryly. 

You sighed and reluctantly placed your hand in his. “Fine.”

Fiyero grinned and he pulled you close. You yelped at the unexpected speed and you tumbled into his chest. Fiyero���s hand dropped to your waist, and for a moment all you could do was stare at him, wide eyed. 

“Shall we?” he murmured. 

You jolted away from him once you came back into yourself, your skin burning where he’d touched you. 

“We shall,” you said, a bit too forcefully as you started walking a bit too fast. 

Fiyero chuckled. He matched your pace easily, soon coming up beside you. “You’re already that excited?”

“Oh, shut up,” you bit out. “You’ve already gotten what you want. No need for more.”

He feigned naivety. “What would I possibly be doing?”

You shook your head with a huff. “I’m not entertaining that with a response.”

Fiyero simply hummed. You glanced over at him, still staying even with you, and then you let out another huff as you stopped. He didn’t miss a beat, pausing at the same time as you, then met your flustered expression with a smile. 

“Yes?”

“You’re the one that wanted to do this,” you said, gesturing in front of you with a hand. “So lead the way.”

“Gladly,” he said. “I’m very good at taking the lead.”

Fiyero started walking and, though you had half a mind to take the opportunity and dart back to the library, you found yourself following him. 

Cora’s words spun around your head as you and Fiyero walked together, about him turning the full force of his flirting on you in return for you being such a stickler for your midterm. 

That was the embarrassing thing; you didn’t even think this was half of it, and he already had you blushing—and for what? It was as if you’d never even talked to a boy before. 

You’d had plenty of experience back home. Village boys coming into your parents’ store to flirt at you, leaving notes in your desk in class, offering to walk you home at night—plenty of experience. 

It didn’t matter that you denied them all and never went anywhere because you had a one track mind even then, and that Fiyero had done what no one else had and gotten you take a break simply because he asked nicely—

You sucked in a sharp breath as Fiyero’s arm suddenly pressed against your chest, stopping you in place. Your head snapped up to look at him, mouth already open with questions loaded, but he gestured with his head before you could ask any of them. 

You’d nearly barreled right down the stairs from being lost in your head, without care nor consideration for actually taking the steps. 

“Mind the gap, darling,” he said. “Wouldn’t want you damaging that brain of yours.”

“…Thank you,” you said once you’d regained the ability to speak words again. “One of us ought to have one.”

Fiyero laughed as he took his arm away. “Certainly.” He used it to gesture down the stairs. “Ladies first—unless you’re unsure of your ability to conquer them.”

“I’ll be just fine, Fiyero.” You started the descent, Fiyero right behind you, and you let out another short sigh. 

There had to be something wrong with you. That was the only explanation for why you were acting this way.

Maybe you really did need to start getting more sleep. 

[seawing-vibes]

Decided to fill out a template from @/falling-skyzz I feel normal about . The dragons ! List of characters & design & dynamic thoughts under the cut <3

Also If anyone else fills out thus template feel free to send me the post,, I would love to see other people filling this out!!! I love templates !!

Secretkeeper & Moon • I understand theres a lot of reasonable hate for Secretkeeper but!!! I find her & moon to be a very fascinating pair! To make a long ass thought short, I think Secretkeeper is the embodiment of “product of her environment & deeply traumatize & projecting”. I think she genuinely really loves moon but obviously expresses that through being “”protective””. But I think shes genuinely a character with a capacity for change & realizing the autonomy Moon has over her own powers. Also from the perspective of Moon I think her arc around her relationship with her mom could be really interesting, especially as Secretkeepers authority becomes challenged in Moons life & she has to confront the bullshit her mother has put her through. Overall very very interesting pair I think about them a lot.

Design Note: Secretkeeper is duller in color than Moon & has less stars due to lack of moon light on the island! Also the scales around her mouth are almost completely black, making her mouth barely visible, giving her the name “Secretkeeper” as she “has no mouth to tell others secrets.”

Tsunami & Starflight • Just one of my fav siblings! This specific illustration is from the Arena Scene in Dragonet Prophesy! I really really love Tsu & Starflights dynamic of looking up to eachother & their development together just. So neat!

Design Note: Starflight has very few constellation marks in this illustration as he hasnt spent much time under moonlight quite yet!

Shark & Abalone • One of my more out-there ships! I based this on the thought that Shark was once close with Abalone (cough. Husbands.) and that relates to why he was willing to give Tortoise a lunch-break from watching the eggs. He already saw someone close to him die from being overworked to watch the clutch, he didn’t want to watch another dragon die from his sisters selfishness. I could write an essay on these two I swear

Deisgn Note: Shark is based on a tiger shark & abalone is based on real abalones! hes one of my fav designs here

Six-Claws & Ostrich • He’s just a sweet dad! the little we see of him he seems to really love her & vice-versa <3 they’re just neat

Design Note: Six-Claws is based on a king cobra & is a specific sub-“species” of hooded Sandwings ! Burn found his hood mutation & six-claws super interesting

Tamarin & Pike • My fav background friendship! They’re just fun. I like Pike just chillin out around Tamarin & describing flower colors to her to the best of his ability (she just likes to hear him ramble about a shared interest)

Design Notes: I updated how I draw Tamarins eyes to properly resemble a blind-born dragon ! Also Pike’s deisgn got some yellow in it and I really like it <3

Whiteout & Thoughtful • I just think they’re neat!! They just seem like a sweet pair love them

Design Note: none really! Just experimenting with a rando Thoughtful design that I tossed together for my “ships tier list”

Tsunami • Its just her :) my fav dragon <3!!! I definitely dont think she upholds the “princess” title once she gets older, her only link to the throne is by Coral insisting monthly visits but Tsu otherwise wouldn’t be any interesting in royal life I would imagine

Design Note: Shes caught a waaururrghh something im going bonkers I cant remember what fish that is and my reference photo seems to have dissipated into the cosmos

Anemone • I LOVE HER. SO MUCH ! Anemone haters BACK OFF!!!! Her relationship to her powers is so fucked man. Something you’d think would give her power & control is just a key by which others use to manipulate and abuse her like . Man :( shes literally never had any autonomy over her own identity & intermingled her powers into her identity So Much only for that aspect of herself to also be revealed to be a facade for someone else’s desires like. GUH I love her so much I hope shes having a good day I dont care what anyone says she deserves to be a brat and I support her for it

Design Note: none really! The stars in her talons are just metaphorical though

Snowflake & Snowfox • THE OGS!!!!!! MY FAVORITE PROBLEMATIC LESBIANS <3 Ahhh remember in the early days when they were considered the #1 most problematic ship because they were gay and also evil. I love the evil lesbians so much they’re so shitty sorry Darkstalker Snowfox should’ve been queen I would’ve loved to see that go down it’d be so silly

Design Notes: Snowfox is based on an arctic fox shedding into their summer coat!! I know its p . Away from canon descriptors of her but it was sm fun to illustrate so shhh <3 Snowflake is just grey & blueish per-canon but shes sooo fun. love her.

Okay thats all here are the individual illustrations now !!!!! Because why not !!! If these aren’t transparent its all over

[ivysangel]

READ BETWEEN THE LINES (JASON TODD)

NOTES/CW - continuation of this post, literally just straight up porn, fem!reader, unprotected sex, p in v, creampie, -17 dni, my first time writing smut in this format so plz be nice this shit is NOT for the weak !!! (1.7k)

It's about an hour before Jason caps the highlighter in his hand, having skimmed over the entire book in record time, picking out five or six quotes that would boost your essay into A territory. Except, you weren't concerned about the essay or what grade you got. Yeah, sure, when you had first invited him over, it was genuinely because you needed feedback, but now you have the feedback

"It's written well, only problem is that you need better quotes."

You remember his words as clear as day because they're the reason why Jason had been occupied with your assignment and not the ache between your legs. Now that his perusal of quotes was over, finished, done, and the book was closed, you could finally get relief from something other than your thighs being squeezed together so tight the blood flow was being cut off from your lower extremities.

He carefully cleans up the area, stacking papers strewn across the table and putting pens away. It may have seemed like he was just tidying the table, but you knew that he was messing with you. Typically, you wouldn't give in so easily, but your body was getting hotter by the second, and there was a thin sheen of sweat forming on your back.

God, it was hot. The room was hot, your sweater was hot, and your boyfriend was so fucking hot; and so fucking annoying.

"Jason," you murmur, shifting in your seat as his eyes rake up your figure, shrouded in cozy brown wool. "you said...please, can you just-"

A breathy laugh escapes his lips, and he shakes his head, raking a hand through jet-black hair. He slides the chair back, stands up, and walks over to where you sit. Hovering over you and looking down at your face, which could only be described as pitiful. Your eyes are wide, and your mouth's parted slightly as you manually breathe. Yeah, you look pathetic, but it's not surprising, given the tortuous amount of arousal you were feeling and how badly you needed to get it out of your system.

"Jason." you say again, needier this time. "you said you would..." You trail off, pleading eyes find his as he looks down at you amusedly. His hands make their way to your cheeks, and he tugs at your head ever so slightly, prompting you to stand up.

"You're cute when you get like this," he says before leaning in and pressing a kiss to your lips. You bring your arms around his neck, tugging him closer to you and deepening the kiss. It very quickly devolves into a mess of tongue as your hands eagerly roam his body, sliding up his shirt and running over the rippled abs he keeps hidden away.

"Woah, easy girl," he says, pulling back, and you whimper at the sudden absence of contact between you. "I'm not gonna fuck you standing up." He looks up for a second, seemingly in thought, "At least not today."

The next part happens fast. He grips the back of your thighs, hoisting you up and around his waist, and you gasp at the sudden lack of floor beneath your feet. One hand stays on your leg while the other finds the small of your back, and he walks you over to the couch, laying you down gently.

"You're so impatient sometimes, you know that?" his hands push your sweater up a bit, and you grab the hem, pulling it over your bra and holding it at your neck. "I waited for like two hours." you breathe out as he places a few wet, open-mouthed kisses on your stomach before moving downwards and unbuttoning your jeans, tugging them and your underwear down in one swift movement. "oh, but I'm the impatient one."

He comes back up to your face, a dumb fucking grin playing on his lips, and he kisses you so gently you're slightly taken aback. "I love you," he says, nuzzling his face into your neck and breathing in your scent.

"Love me so much you're skipping the foreplay?"

"Watching you try not to finger fuck yourself for two hours was the foreplay, babe."

You tug at the hem of his shirt, and he gets the message, sitting up for a second and pulling it over his head. He tosses it over the side of the couch, then climbs off you to move onto his pants, and you take the opportunity to lift yourself slightly, removing what was left of your outfit before looking over your shoulder and tossing it behind you. When you turn back around, you're met with the bright pink tip of Jason's cock, white beads of pre-cum collecting on his tip. You've seen him naked dozens of times. Touched him, sucked him, fucked him; dozens of times. But you never really get used to how attractive he is and how much more turned on you get when you see how turned on he is by you.

He pulls you towards him by the foot, and you giggle, knowing what's to come. A calloused hand grabs hold of one of your legs, lifting it up and exposing your cunt. The inside of your thighs, already soaked from the sheer amount of wetness coming from your pussy. "Jesus Christ," he breathes, and you prop yourself up on your elbows, tilting your head down to see what he sees. Even you're shocked at how much your own folds were glistening. You glance up at him, and he gives you a questioning look, a silent "Do you think we need to prepare?" and you take another peek in between your legs, decidedly shaking your head no.

Still holding your leg up with one hand, he grabs his cock with the other, stroking it a couple times and coating it in pre-cum, before lining it up with your entrance. You feel his tip prodding at your hole, and you bite down on your lip, already imagining how good it'll feel when he's inside you.

"You ready?" 

"Do you even have to ask?"

He slides inside of you with little resistance, but you still feel how agonizingly good the stretch is. He lets out a long, drawn-out groan, stilling completely before pulling out and pushing back in all the way. He moves steadily, rocking his hips back and forth, in and out. Each stroke hits deep, making your eyes roll to the back of your head. The thickness of his cock giving you an ache so good you think you might die if you never got to experience it again. He quickens his pace a little, your tits bouncing every time his hips make contact with your pussy, and your hands find the cushions of the couch, gripping them every time he hits your sweet spot.

His free hand grabs your other thigh, pushing it towards you, and you hook your arms under your knees, bringing them to your chest, allowing him to reach even deeper than before. He leans in closer, pressing your legs further into your body, and your thighs ache. Still, the pleasure you feel overshadows the pain by a long shot.

A few groans escape Jason's lips, he's never been much of a talker during sex, and you've never really cared because the sounds he makes are enough to keep you clenching around his dick until the end of time. "Fuck." he mutters, and that alone is enough to make the familiar knot in your stomach start to unravel. You unhook one of your arms and squeeze your hand into the incredibly tight space between your legs, rubbing fast circles around your clit, while you feel Jason's pace start to falter.

Your back arches, and you lean your head so far back into the couch that you can't see his face anymore. The lewd sounds of your cunt sucking up his dick fill the room, and it's only a few seconds before you start seeing white. An overwhelming sense of euphoria washes over your body as you dig your nails into the soft cushion of the couch, and he fucks you through your orgasm, continuously kissing your cervix until you feel his cock twitch inside of you as he spills hot streams of cum inside your cunt.

Your lungs painfully expand as you try to make up for the lack of oxygen from holding your breath through your orgasm, and you tilt your head forward into a position where you can see him. Your hand makes its way up into his hair, his head hanging low, face out of view as you both catch your breath. You tug at his locks lightly, and he lifts his head, following your eyes to the legs that were squished between the two of you. Pulling back from you and holding himself up with his arms, he gives you space to stretch out on either side of the couch. You finally get a good look at him as he sits above you, hair clinging to his forehead, cheeks flushed red, and light-catching on the little bit of sweat clinging to his skin. God, you could fuck him again right now.

"You need to be spayed. This can't keep happening," he says, knowing exactly what you're thinking.

"What am I, a fucking cat?" you ask, feigning offense.

"No, but you have the libido of one in heat." he leans down again, hovering above your face, breathing out a shaky laugh. And even though your legs have gone limp, and your lungs hurt from how heavy you've been breathing, you still clench around him, seemingly ready to go again. "Nope," he says, climbing off you and gently pulling out. You wince, the sudden emptiness unbearable. He's right; you do need to be spayed. 

"I know you have the stamina for it," you joke, eyes following him as he picks up various articles of clothing off the floor before taking them to the hamper in the bathroom. You hear the sound of water running, and he returns with a wet rag in hand. "I know I do," he walks over to you, lifting one of your legs to give him better access to the mess between your thighs. "the question is, do you?"

You let out an airy laugh, watching him furrow his brows as he wipes down your legs, intent on cleaning you up. "Wanna find out?" you ask; he looks up from the mess to see the grin on your face before returning to the task at hand. 

"There's something seriously wrong with you." 

i hope you guys enjoyed this, it literally stressed me tf out !! again, my first time writing like a real smut scene so if it's not good then yk why. tell your favorite smut writers you love them because i can tell you from experience, this is much harder than it seems !!

[felikatze]

THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER

HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!

DISCLAIMER

This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!

You have been warned.

ALSO!!!!

The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.

WHAT IS IT?

Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.

(Yes, this is why divorce AU exists.)

WHY DO YOU EVEN BELIEVE THIS?

Quite a lot of reasons, actually.

It's really funny

Let us begin with: the basics.

SUPERFLOUS AESTHETIC DETAIL

HAIR COLOR

This is Euphrasie. She's very pretty. I love her.

You might notice several things about her, like her fantabulous white hair.

Well. What other characters have white hair?

You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.

(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)

EYELASHES

(EDIT!!!!! FINALLY PUTTING THIS ON THE MAIN POST!!!

Turns out I was incorrect in this. Some characters (Mira, Isa) also have eyelashes on SOME portraits. The mentioned chars r still notable for Always Having Em, + the Loop lashes are like, literally intended as plot twist foreshadowing, but, hey.

That's what you get for writing essays at 1am.

IN RETURN!!! Someone pointed out to me [i forgot who sorry] that Euphrasie's capelet.... has stars on it!! It's speckled like the starry sky!! Now isn't that a neat coinkydink.)

(Original text left up because I respect my past self's artistic vision. And his lunacy.)

Correct. Eyelashes.

Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.

So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.

(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)

SPEAKING HABITS

(EDIT!!! Another Point that is Kind Of Off, in that other characters [e.g. Odile] also do this occasionally. Again, keeping the text for my creative vision.

In return I get to inform you that the King makes the "not so bright, Bright One" pun TWICE in different loops, thus implying the King likes puns. Take this as you will. That's been my psychic damage, buhbyeeee~)

Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?

And I've seen people wonder, are these titles? Nicknames?

And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.

So Siffrin just naturally lapses into this style of nicknaming strangers.

Which two other people also do.

Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!

Funny little tidbit that these three characters all speak alike isn't it :)

Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:

THE MECHANICS OF FORGETTING AND BEING FORGOTTEN

I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?

The particularity that's important to us right now is: what people get forgotten?

All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.

I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.

The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.

You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.

Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]

Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?

Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.

Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:

Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.

On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.

Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!

(For her to forget someone like her sister, so easily... Her sister must've traveled to...)

Secondly, we know that remnants of the island were not completely forgotten immediately.

Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.

The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.

"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."

And Odile also remarks the following

Odile: We also know that people could remember that country clearly, before.

This will be relevant later. Moving on.

CONTRIVANCES

THE HOUSE'S OBSERVATORY

SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:

Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.

This reveals to us several things:

This room is innate to the House, and not brought here by the King's weird redecorating

Someone from the House was using it for study

All memory of who or what was studying and being studied was erased alongside the island's existence

Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation

However, I find the general presence of the Island written all over the House incredibly interesting.

Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.

(A pile of papers.) (It looks like someone was trying to write your country's name.)

Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:

(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)

BOOKS

During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.

Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.

Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!

As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?

These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.

(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)

CONCLUSION OF THIS SECTION

Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead

they forgot where they're from.

One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.

And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.

Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.

Now. The real cinch of this.

Why, in particular, do I think Euphrasie is one of them?

Answer me this, then.

How does Euphie know what Wish Craft is?

1. How could she read it?

Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.

The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.

There are no legible records of Wish Craft.

2. What about the Favor Tree?

Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.

Only Euphrasie does. She thinks it's the key to defeating the King.

(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)

Except, when Isabeau talks about it...

Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?

He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.

To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.

And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.

If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.

3. Something's breaking, failing, rotting

At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.

It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!

There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.

To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.

If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.

There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.

If she knew it all beforehand already.

[lila-went-missing]

Saw you want to write Clarisse x Reader and I NEED more clarisee x reader fics SO!

Can you a Clarisse x reader of when Percy broke her spear and just like readers reaction to the her scream and just very angsty but very fully at the same time! Pls and thank u!

I swear on my life reverse hurt/comfort is one of my favorite things to write on this planet. Also, I feel like it’s worth mentioning that Dior said she literally BLEW OUT HER VOICE when she did that scream?!?! She never fails to amaze me.

This got a bit sadder than intended but it's not too bad. Also, sorry this took so long, I had a math test, two essays, and a debate, on top of personal shit. But I FINALLY got it finished.

My Love is Waiting For You to Come Home

Warnings: Slight violence, mild angst, hurt/comfort, cursing, small amounts of blood, mentions of wounds, lmk if I left anything out.

Pair: Clarisse La Rue x Fem!Apollo!Reader

For the first time in what felt like forever, capture the flag was going great. It had been a long time since the red team had won, but you were actually doing really well. You were up in a tree close to the flag, shooting anyone who got too close with your arrows. They weren't sharp, but they had enough of a point to hurt.

Clarisse was hunting in the woods below you. You'd occasionally catch sight of her from the place you were perched on your branch. She always looked amazing like this. Hair pulled back, armor on, spear in hand. She was in her element, and you'd be lying if you said it wasn't extremely attractive. The way she looked so tough, her lucky red bandanna tied around her bicep.

Anyone else would say she looked terrifying. But to you, she was the most beautiful person you'd ever laid eyes on. You were the only one who got that side of her.

It wasn't long before she disappeared again, hunting down anyone who dared to get close to the flag or your tree. She had mentioned something before the game. Something about revenge on the new kid. She didn't go into detail about said revenge, but you new it wouldn't end well for someone.

You didn't move from your tree, assuming her and her siblings had everything handled. And they did, for a while at least. You had shot down another four people by the time you heard your girlfriend scream in a way that genuinely terrified you.

Jumping down from the tree, you raced to the sound as the conch horn blue. You made it in time to see her storm off as the blue team carried the flag over. Just before she made it out of sight, you saw the spear in her hand. Or rather, what was left of it.

Oh gods. You thought.

You tipped your head back, letting out a breath before turning in the direction she went. You found her in the arena, tearing dummy after dummy into shreds. You let her go at it for a while, watching from the doorway.

Eventually, you slowly walked towards her, placing a gentle hand on her shoulder.

"Clar.." You whisper.

She jumps, turning quickly, ready to knock you into the ground before relaxing. All of the tension disappears from her face, her bottom lip trembling. You reach forward, taking the sword from her hand and tossing it into the rack haphazardly.

"I- fuck.." She drops her head forward, breathing hard.

"Come on.. it'll be okay." You lead her towards your cabin, knowing all of your siblings would be in the infirmary tending to peoples wounds. You can see cuts and bruises on her arms, giving you a feeling that her back will be even worse. You make sure to grab the pieces of her spear on your way out.

On the way to your cabin, her eyes don't leave the ground. Your hand stays on her back the the whole walk, not leaving even as you open the door for her.

She sits on your bed, putting her head in her hands. The broken weapon lays on the foot of your bed as you sit next to her. Her breath shakes with her body.

"Let me clean you up, okay?" She nods, at your words.

"Okay.." Her voice is smaller than you've ever heard it before. You lean forward and pull her shirt over her head, confirming your suspicions about her back. An angry red covers almost the entirety of her tan skin, small amounts of blood leaking from a few spots.

You hover a hand over the scrapes and cuts, a warm glow emanating from your palm. Her wounds slowly heal as her muscles relax. Your heart breaks for her every time you hear her wince or feel her breath hitch. Your free hand reaches forward, grasping hers. A few small scars form over the area, but nothing that won't fade.

You lean your chin on her shoulder when you finish, wrapping your arm around her front. Her other hand reaches up to hold your wrist.

"I love you.." You whisper into her ear.

She hesitates, not speaking for a few moments. When she does her voice is as shaky as her body.

"That was the only thing- the only proof he-" She can't finish either sentence. You can feel her holding her breath as if she's trying not to cry.

"I know, my love. I know." Your lips press into her shoulder. "I'm gonna talk to some Hephaestus kids, I think there's a couple of Hecate kids in the Hermes cabin. I'll do everything I can to fix it."

Her whole body shudders. She's never had the best relationship with her dad. He'd always said that she should've been a son. That spear was the only acknowledgement she'd ever gotten from him. And now it was broken.

A few tears slip down her cheek that you pretend not to see.

"It'll be okay, Clar'." Your arms tighten around her as her head leans into you.

"Thank you." She mutters. If it wasn't for your close proximity you probably wouldn't have heard it at all.

"You deserve someone to care about you.. I'll be damned if I don't do everything I can to be that person."

"I love you. So much." Her voices is so soft, so gentle.

"I love you more." You're not sure how long you sit like that, but it's long enough for your legs to go numb. You can bring yourself to care as she looks so comfortable. She's always had to fight for her dad's love. It gets tiring after you do everything you can to get no recognition. It was nice to know she had someone. If she didn't have anyone else, she would have you.

Eventually you moved positions to her laying on your chest. Your hand rubs up and down her back as her wrap around your waist. She traces patterns across your skin with her finger tips. It's not long before you're both sound asleep in each other's arms. She would never have to fight for your love, it was just there, ready for her when she came home.

[honeybunniesoobin]

a/n: getting to my asks very slowly but getting there! it’s my last semester of college and essays are beating me up. just wanted to come write felix catton smut real quick LOL. literally first time writing smut since my 2013 wattpad days

warnings: smut 18+ mdni! fingering, p in v, creampie

⋆౨ৎ˚⟡˖ ࣪

you and felix never shy away from pda when you’re out.

one of his hands is always on your ass, squeezing it as you walk together. when he kisses you in public, his lips linger on yours. he doesn’t care who watches which means that you don’t either.

the extensive amount of teasing and pda makes things more fun at home.

one day in particular, felix is extra handsy. you two had planned a picnic in the park to get away from saltburn (mainly to not have farleigh, venetia, and oliver all crash your date). after laying in bed long enough to miss breakfast, you both decide that it’ll be time to leave soon.

you get up while felix continues to lay in bed, groaning about wanting to lay with you forever, his voice deep from sleep.

while you’re getting ready, felix watches you from his bed. you glance over at him and smile, slipping on your babydoll dress over your head. you begin applying your makeup, felix’s eyes glued to you.

“see something you like?” you ask him.

“obviously,” he retorts, “maybe i saw more before you put that dress on.”

at this point, he’s gotten out of bed and is towering over you, wearing nothing but his boxers from the previous night. felix rests his hands on your hips, bending you over the counter and pressing his torso against you.

“‘lex quit, we have to go soon,” you scold him even though he can see you blushing in the mirror. again, he groans.

“ugh. why can’t we just stay here?” you turn around to look at him, lipstick in your hand. his arms rest on the counter, trapping you in. “i need you bad, y/n.”

those words are all it took for you to melt like putty for him.

his eyes move down to your lips as he brings his fingers to your chin. you nod, ready for him. he kisses you passionately and suddenly, you’re all his.

felix lifts your body and places you on the bathroom counter. he toys with the bottom of your dress before snaking his fingers up your thigh. his tongue slips into your mouth as he moves your lace panties to the side. “wet already, hm?”

he pulls away long enough to see your doe eyes looking back at him, eager. felix slips two fingers inside of you. he goes slow at first before picking up the speed and adding two more fingers, forcing you to grip onto his arm for support. your soft moans making him go faster, your lips wet from the mixture of your salivas.

you reach the bottom of your dress, slipping it off quickly and allowing it to fall in a pool on the floor, revealing your pink lace set. your hands grab the hem of felix’s boxers, pulling them down to reveal his dick.

felix continues to finger you as you jerk him off, causing him to grunt in pleasure. you can feel yourself close and before you can say anything, you release onto felix’s fingers.

“that’s a good girl,” he says, leading you from the bathroom to his bed. felix lays down on his back, as a signal for you to get on top and you oblige.

you straddle his thighs and like yourself up with him, before sliding on. your wetness makes it easier than normal to take him fully. you bounce on his dick, both of his hands on your hips.

felix loves to watch you take him so well as your tits spill out of your bra. you lay your head on his chest, ass in the air to get him inside you further. he thrusts into you harder, causing your moans to become more high-pitched.

he doesn’t last long after that. he releases his warm cum inside of you. you slide off of him, the cum spilling out of you and onto his thigh. felix grabs the towel on his nightstand, wiping himself off as you lay next to him, knowing you’ll have to wash the sheets later.

“so, picnic?” he asks, huge grin on his face.

“hmmmm, no picnic. i think i’ll stay here.” you smile back at him, exhausted.

he cheers, pulling you in closer to him.

[mit0bee]

Twisted Wonderland boys with an S/O who's afraid of bugs (me too)

Did I literally just post 5 minutes ago? yes. am i posting again? yes. Stuff you should read: Bulleted HC's because i dont feel like writing an essay like i did with floyds tent hc, no beta we die like men, mention of multiple types of bugs Characters: Leona Kingscholar, Malleus Draconia, Trey Clover, Jamil Viper, Vil Schoenheit, Epel Felmier, Sebek Zigvolt, Floyd Leech

(can be read as platonic but i did write it with a romantic relationship in mind)

LEONA KINGSCHOLAR

Leona literally came running into the room thinking you had died or smthn, but no. you were screaming, standing on his bed....all over a small cockroach.

Bro actually sighed. like, a super big sigh, one that youd only get from a dissapointed mother while he stomped on the bug.

"Seriously, Herbivore? You took care of multiple overblots, but a single cockroach gets you all worked up?"

hes grinning so hard. youd want to punch him with how hard hes grinning.

all hes thinking is about the amount he can tease you about this

but, yes. he does get rid of the bug.

unless he was sleeping. then he forces asks ruggie to do it nicely.

MALLEUS DRACONIA

implodes the bug.

im not kidding.

he literally goes full on oceangate on that bug and implodes it

you didnt even have time to properly freak out before the bug was wiped off the face of the earth

"tsunotarou what was that sound?"

"nothing light of my life" *hiding bug corpse*

"are you sure bc i thought i saw a bug"

"nope. no bugs here? should we buy some bug repellant to ease your mind?"

".....no its okay."

you knew he somehow killed the bug.

and it only made you love him even more than you already do.

TREY CLOVER

catches the bug for you and lets it outside.

unlike the first two, he tries his best not to kill the bug.

he pulls the "how would you feel if i stomp on you and kill you?"

"if you killed me while i was a bug i'd thank you"

"you'd be dead, [name]."

"....id thank you from the grave."

he just sighs and shakes his head

probably convinces riddle to let him put anti-bug measures around heartslaybul for you (it didnt take much convincing riddle hates bugs too)

JAMIL VIPER

screams with you

probably set ramshackle on fire more than once while visiting you

you both have to call kalim or adeuce to come exterminate the single cockroach on the ground

again, that one tik tok sound where its like

"YOU KILL THE BUG, YOURE THE MAN!"

"SINCE WHEN."

thats a daily interaction between the two of you

if it happened at scarabia, he'd stay at ramshackle for the next month

literally would abandon kalim (or if he really cant be trusted he'd just bring kalim with him to make sure he didn't cause any problems)

VIL SCHOENHIET

screams with you x2

isn't as dramatic as jamil, but he definitely freaks out about it too.

about the bugs? no. about the bug bites.

again, youd have to call someone to save the both of you so you dont pass tf out and die while he gets eaten alive by a fruit fly

wym fruit flies dont bite? you cant be too cautious.

somehow always has bug repellant with him in the warm seasons

hes prepared and will NOT get any bug bites

EPEL FELMIER

zero reaction, or has a positive one.

"what in tarnation do you mean you hate bugs?! they help with fertilizer blah blah blah blah blah blah (i dont know farming stuff)!"

you have to CONVINCE him to get rid of the bugs, but he'll eventually cave and do it just for you

if you ask him to put up anti-insect measures he'd look at you like youre crazy

"[name]. bugs are actually really good for our ecosystem. back at home we always had to take care of the bugs, or else our crops would die."

"shut up. please. ily, but i cant deal with these bugs."

"okay okay okay fine"

will reluctantly set them up

overall a 4/10 for bug measures he will do it just not unless you beg

SEBEK ZIGVOLT

yells.

not in fear, but in anger because how DARE such a miniscule thing try to terrify the people he cares about?!

doesnt explode it like malleus

but strikes it with lightning.

yk his dorm card groovy? thats what hes doing to a little centipede.

expects you to praise him for protecting you

sure, its a given that he would, but he would very much so appreciate your thanks, and maybe a head pat or smthn

give him one.

now.

FLOYD LEECH

like trey, he lets the bug free

sometimes.

other times he kills it and chases you with the corpse

or keeps it alive and chases you with the living bug

if you REALLYYYYYYYYYY dont like bugs, like straight up sobbing, freaking out, then he wont but otherwise? have fun bro

someone has to seperate you two when you see a bug, because he will do something

sometimes if he's feeling generous he wont do anything and you'll be like "tf? what did you do to be so nice?"

"cant i just be generous towards my shrimpy?"

"no."

".....yeah i almost grilled grim thinking he was food."

"you WHAT."

all of this because of a simple bug

oh to be young and in love ----------------------- m.list @mit0ee 's work, please do not steal!

[thankskenpenders]

Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

[myobsessionsspace]

Felt like ranting, might delete later

Suuuuuupper long, like long AF🙈

I’m gonna be controversial, I don’t like fighting, hate/negativity etc. if you see this post has been deleted, it’s jut cos I can’t, I can’t deal.

Anyway, this is long and rambly and all over the place, so here goes

Has any member addressed shipping hate/antis and what happened after they did?

Don’t all groups male & female have shippers? So it’s something that sadly comes with the idol, bg, gg culture? Straight or not? Solo idols too have shippers for anyone they’ve blinked near.

If an idol hasn’t addressed the mass hate of a year ago, they didn’t address the mass hate of 5 years ago, why are they gonna address the mass hate of 2 days ago?

It’s interesting because I’m not active on IG or twitter anymore so if not for friends and seeing people allude to it here, I wouldn’t even know that craziness had happened on IG.

But honestly how much more different is it to a business owner cancelling a meet and greet at his new Japan location because of hate? The military being spammed and told to split companion buddies up because of a trip together to a beautiful location, letters being sent to a company saying stop allowing two members to be close to each other on stage and in official content?

Literally for nearly 10 years.

Why do people expect the youngest to be the mouthpiece against the people that claim to love him but don’t respect him at all, put him on a pedestal and want him separated from those that evidently love him.

Why do people expect the youngest who received soo much hate for being supported in his solo endeavours, achieving success in his solo endeavours all the while championing his members solo careers too and never letting up on saying they would return as 7 and that was the most important thing to him.

Yes he’s said things like ‘if you don’t like me now, with how I’m living and working now, thank you for liking me then and you’re free to go’ ‘it’s because people have constantly given me the confidence to be myself that I am who I am now and sorry not sorry if you still want the younger me’. He speaks for himself but he rarely even does then. When he has what happened? Did the hate stop? Did the stalking stop? Did the expectations stop? Everytime there’ll be people quoting, commenting, hashtagging, writing essay about ‘please listen to him’ then the next day back to all the age old stereotypes of him, using his words from when he was 16 in online arguments, stalkers back to sending things to his barracks, stalking his friends & family’s socials. It doesn’t make a difference.

If the father doesn’t speak on it, if the son doesn’t speak on it, if the company doesn’t speak on it…

Yes he’s very very infrequently spoken up in the past about HIM, and also about his PHYSICAL SAFTEY ‘please don’t stalk my apartment’ ‘please don’t stalk my gym’ ‘please don’t stalk my home’ ‘please don’t send things to my home’ ‘please don’t send things to my barracks’

But INTERNET CRAZINESS when?

And I knnnnoooowww many thought of the time he spoke up for 5 girls whose ages range from 16 years old to 20! None of them considered of legal age in SK. A country KNOWN for misogyny and anti feminism. We’re really gonna use that one empathetic, selfless, most likely spontaneous moment of ‘protection’ as a see he can talk out on things!

Maybe, just maybe his HYUNG who has access to the same things he has access to doesn’t want his maknae speaking for him, his HYUNG is also his own person, an adult, in the same industry and can also speak up if he wants to but CHOOSES what he chooses. Because you care does that mean his hyung cares? His hyung said fuck twitter and chills on weverse as and when he wants. His dad says y’all are doing too much in the comments so shuts them off. Simples. They can close that door and it literally doesn’t exist to them. You all can do the same.

“But why does he have his comments on?”

“But why did he address NJ stuff and not his on group stuff”

“Why doesn’t he just say he’s not dating this member or that member”

“Why doesn’t he just say he’s not gay/he’s not straight”

“This celeb/idol does, why doesn’t he?”

It’s his life, it’s his choice.

I have no clue why he’s spoken on certain things and not others.

We don’t know what he gives a shit about other than what he’s repeatedly told us:

Music

ARMY

BTS

Family & Friend

Like, he goes and takes a pic with a k-rapper, because it’s someone the fandom doesn’t like for various reasons, including disparaging remarks about the group, the fandom trended that he was being held hostage, photoshopped different people in place of the rapper etc. the fandom only accept from him what they want and how they want it.

We’re trying to make our kpop experience his, our online experience his, our concerns and cares about the fandom his. His fandom is experience isn’t ours, his online experience isn’t ours, his experience with his members isn’t ours.

All of this is to do with his life, his friend’s lives. Yet we’re soo expectant on what he should care about and what he shoild talk about.

Yes he cares about karaoke more than Internet bullshit, he’ll spend thousands and sing to 20 million people before he’ll address Internet bullshit. Oh well. What now? *le sigh* I did say I’d be ranting 🙈

Ngl though Minie gets the most hate from his own fandom and kpoppies, the maknae get the most expectations from his fandom, from all his different shippers. I’ve seen people say he should have refused all the support for his solo debut because of his other shipping halves, saying he feeds shippers or doesn’t talk enough about a shipping half, how dare he have a TikTok and cause hate with the videos he double taps that get stalked to draw conclusions, how dare he not close curtains, how dare he go live and cause frenzies, how dare he sing this song and not that song, how dare he hug someone, on and on and on.

Honestly if the fan experience isn’t hitting step back, or make changes but being angry at him over your fan/internet experience??? Likkkeee his job is to sing, dance and entertain and his doing that superbly🤌

It even got to a point where when I was still on twitter that I had to mute report accounts because that’s where I actually would get hourly updates on the hate. I had to mute people that would quote or ss the hate to comment on it.

The height of expectations people have on someone and how THEIR name is being used by millions online and what THEY should say or do is insane.

Being disappointed he doesn’t scold millions of people ranging from retirement age to middle school age for THEIR internet shenanigans.

All that would happen is…nothing

Nothing would change

Blog would have headlines

Other fandoms would talk

Fans, shippers, solos etc would take what they want from it and make it make sense to them how they wish.

Then after not even 24 hours, maybe 48 hours factory rest and everything would continue as before.

Something as deeply ingrained as shipping craziness, as solo craziness…at this point I don’t see it going anywhere even if one member talks on it, 7 members, the company, the government, angels or aliens.

Another thing 😬

Just because we have a need to know itch, we see what antis say, because we have a need to protect and defend, we gotta see what the antis are saying to counteract them, sometimes counter attack. In counter attacking the same tools that antis use are being utilised. In protecting the same words are being said or remixed but different members are being replaced.

If people wanna fight fire with fire instead or replacing your faves name with their faves name, speak on the account user themselves! When people say you’re ’setting up this member or that member’ is because people’s way of fighting fire with fire or clapping back is never the person that said the bullshit but the member, hate what someone online said about a member, then it’s that account user that is your target not the member, the member is thousands of miles away minding their business and getting pulled into millions of people’s group chats, threads, essay posts, clapbacks etc.

Just because we see and are constantly surrounded by the hateful shit doesn’t mean the members are and so they’re not gonna act like that’s their whole internet life.

They watch memes, funny TikToks, series, maybe google their name for the cute art and jokes army have, search their name on twitter and YouTube to re-live performances etc

But are they really following I dunno, like report accounts or something to see the shit day in and day out? Going through the quotes of hit tweets to see the bullshit there? Going through all the English back and forth between antis and seeing the edits and threads?

Yea they know shit, no doubt, but are their internet lives as immersed in the fan wars, shipper, solo etc subspaces or is their shit curated? Their timeline totally different than yours?

Why do you want them to be as stressed online as you are?

If they haven’t seen it that’s good right?

If they scroll online for hours and aren’t compelled to address the hate regardless then it just doesn’t get to them as much as it does you.

Then that’s good right? That’s what we want, right, right??

Wanting them to talk on this or talk on that is more for our comfort than theirs. Cos imagine this, imagine they say something in a dressing it that YOU don’t agree with, then what? They shouldn’t have spoken at all right?

All I know is that we expect soo much of them, we want them to say and do what we want them to say or do, from fans, solos, akgaes and even antis, we all wanna control them in one way or another and we need to reflect on that 😪

Over 20 MILLION PEOPLE watched his live, supporters, haters, media, old and new acquaintances, industry peers, family, friends of family…20 MILLION PEOPLE but yea he didn’t address solos/shipper/antis bullshit🙄

Some of the crap to come from a carefree live full of singing and catching up:

Fans taking what they want to run with it based on a translator working rapid fire in real time to translate in the middle of the night (his live was two hours from midnight to like 2am) running on multiple late nights and early mornings for work and personal life and translating for free. Being mad that she didn’t translate every word and utterance a lost all songs that came from a TWO HOUR live at midnight!

Fans taking him singing songs as validation to their y/n fantasies, their homophobia, their shipping fantasies/wars etc

Kpoppies fighting, slandering his singing abilities over him singing a song

Hate for mentioning his enlistment companion

Mentioning the person you enlisted with and spend the majority of your time with is soo evil??

The pipeline to being a solo fan/akgae of a person to becoming their anti and hating them, insulting them by way of insulting their member. Completely disregarding their vulnerability and making it about hate.

For singing members songs

I’m not messing up my algorithms to show TikTok, IG & YouTube examples 😖

[sneezypeasy]

Why I Deliberately Avoided the "Colonizer" Argument in my Zutara Thesis - and Why I'll Continue to Avoid it Forever

This is a question that occasionally comes up under my Zutara video essay, because somehow in 2 hours worth of content I still didn't manage to address everything (lol.) But this argument specifically is one I made a point of avoiding entirely, and there are some slightly complicated reasons behind that. I figure I'll write them all out here.

From a surface-level perspective, Zuko's whole arc, his raison d'etre, is to be a de-colonizer. Zuko's redemption arc is kinda all about being a de-colonizer, and his redemption arc is probably like the most talked about plot point of ATLA, so from a basic media literacy standpoint, the whole argument is unsound in the first place, and on that basis alone I find it childish to even entertain as an argument worth engaging with, to be honest.

(At least one person in my comments pointed out that if any ship's "political implications" are problematic in some way, it really ought to be Maiko, as Mai herself is never shown or suggested to be a strong candidate for being a de-colonizing co-ruler alongside Zuko. If anything her attitudes towards lording over servants/underlings would make her… a less than suitable choice for this role, but I digress.)

But the reason I avoided rebutting this particular argument in my video goes deeper than that. From what I've observed of fandom discourse, I find that the colonizer argument is usually an attempt to smear the ship as "problematic" - i.e., this ship is an immoral dynamic, which would make it problematic to depict as canon (and by extension, if you ship it regardless, you're probably problematic yourself.)

And here is where I end up taking a stand that differentiates me from the more authoritarian sectors of fandom.

I'm not here to be the fandom morality police. When it comes to lit crit, I'm really just here to talk about good vs. bad writing. (And when I say "good", I mean structurally sound, thematically cohesive, etc; works that are well-written - I don't mean works that are morally virtuous. More on this in a minute.) So the whole colonizer angle isn't something I'm interested in discussing, for the same reason that I actually avoided discussing Katara "mothering" Aang or the "problematic" aspects of the Kataang ship (such as how he kissed her twice without her consent). My whole entire sections on "Kataang bad" or "Maiko bad" in my 2 hour video was specifically, "how are they written in a way that did a disservice to the story", and "how making them false leads would have created valuable meaning". I deliberately avoided making an argument that consisted purely of, "here's how Kataang/Maiko toxic and Zutara wholesome, hence Zutara superiority, the end".

Why am I not willing to be the fandom morality police? Two reasons:

I don't really have a refined take on these subjects anyway. Unless a piece of literature or art happens to touch on a particular issue that resonates with me personally, the moral value of art is something that doesn't usually spark my interest, so I rarely have much to say on it to begin with. On the whole "colonizer ship" subject specifically, other people who have more passion and knowledge than me on the topic can (and have) put their arguments into words far better than I ever could. I'm more than happy to defer to their take(s), because honestly, they can do these subjects justice in a way I can't. Passing the mic over to someone else is the most responsible thing I can do here, lol. But more importantly:

I reject the conflation of literary merit with moral virtue. It is my opinion that a good story well-told is not always, and does not have to be, a story free from moral vices/questionable themes. In my opinion, there are good problematic stories and bad "pure" stories and literally everything in between. To go one step further, I believe that there are ways that a romance can come off "icky", and then there are ways that it might actually be bad for the story, and meming/shitposting aside, the fact that these two things don't always neatly align is not only a truth I recognise about art but also one of those truths that makes art incredibly interesting to me! So on the one hand, I don't think it is either fair or accurate to conflate literary "goodness" with moral "goodness". On a more serious note, I not only find this type of conflation unfair/inaccurate, I also find it potentially dangerous - and this is why I am really critical of this mindset beyond just disagreeing with it factually. What I see is that people who espouse this rhetoric tend to encourage (or even personally engage in) wilful blindness one way or the other, because ultimately, viewing art through these lens ends up boxing all art into either "morally permissible" or "morally impermissible" categories, and shames anyone enjoying art in the "morally impermissible" box. Unfortunately, I see a lot of people responding to this by A) making excuses for art that they guiltily love despite its problematic elements and/or B) denying the value of any art that they are unable to defend as free from moral wickedness.

Now, I'm not saying that media shouldn't be critiqued on its moral virtue. I actually think morally critiquing art has its place, and assuming it's being done in good faith, it absolutely should be done, and probably even more often than it is now.

Because here's the truth: Sometimes, a story can be really good. Sometimes, you can have a genuinely amazing story with well developed characters and powerful themes that resonate deeply with anyone who reads it. Sometimes, a story can be all of these things - and still be problematic.*

(Or, sometimes a story can be all of those things, and still be written by a problematic author.)

That's why I say, when people conflate moral art with good art, they become blind to the possibility that the art they like being potentially immoral (or vice versa). If only "bad art" is immoral, how can the art that tells the story hitting all the right beats and with perfect rhythm and emotional depth, be ever problematic?

(And how can the art I love, be ever problematic?)

This is why I reject the idea that literary merit = moral virtue (or vice versa) - because I do care about holding art accountable. Even the art that is "good art". Actually, especially the art that is "good art". Especially the art that is well loved and respected and appreciated. The failure to distinguish literary critique from moral critique bothers me on a personal level because I think that conflating the two results in the detriment of both - the latter being the most concerning to me, actually.

So while I respect the inherent value of moral criticism, I'm really not a fan of any argument that presents moral criticism as equivalent to literary criticism, and I will call that out when I see it. And from what I've observed, a lot of the "but Zutara is a colonizer ship" tries to do exactly that, which is why I find it a dishonest and frankly harmful media analysis framework to begin with.

But even when it is done in good faith, moral criticism of art is also just something I personally am neither interested nor good at talking about, and I prefer to talk about the things that I am interested and good at talking about.

(And some people are genuinely good at tackling the moral side of things! I mean, I for one really enjoyed Lindsay Ellis's take on Rent contextualising it within the broader political landscape at the time to show how it's not the progressive queer story it might otherwise appear to be. Moral critique has value, and has its place, and there are definitely circumstances where it can lead to societal progress. Just because I'm not personally interested in addressing it doesn't mean nobody else can do it let alone that nobody else should do it, but also, just because it can and should be done, doesn't mean that it's the only "one true way" to approach lit crit by anyone ever. You know, sometimes... two things… can be true… at once?)

Anyway, if anyone reading this far has recognised that this is basically a variant of the proship vs. antiship debate, you're right, it is. And on that note, I'm just going to leave some links here. I've said about as much as I'm willing/able to say on this subject, but in case anyone is interested in delving deeper into the philosophy behind my convictions, including why I believe leftist authoritarian rhetoric is harmful, and why the whole "but it would be problematic in real life" is an anti-ship argument that doesn't always hold up to scrutiny, I highly recommend these posts/threads:

In general this blog is pretty solid; I agree with almost all of their takes - though they focus more specifically on fanfic/fanart than mainstream media, and I think quite a lot of their arguments are at least somewhat appropriate to extrapolate to mainstream media as well.

I also strongly recommend Bob Altemeyer's book "The Authoritarians" which the author, a verified giga chad, actually made free to download as a pdf, here. His work focuses primarily on right-wing authoritarians, but a lot of his research and conclusions are, you guessed it, applicable to left-wing authoritarians also.

And if you're an anti yourself, welp, you won't find support from me here. This is not an anti-ship safe space, sorrynotsorry 👆

In conclusion, honestly any "but Zutara is problematic" argument is one I'm likely to consider unsound to begin with, let alone the "Zutara is a colonizer ship" argument - but even if it wasn't, it's not something I'm interested in discussing, even if I recognise there are contexts where these discussions have value. I resent the idea that just because I have refined opinions on one aspect of a discussion means I must have (and be willing to preach) refined opinions on all aspects of said discussion. (I don't mean to sound reproachful here - actually the vast majority of the comments I get on my video/tumblr are really sweet and respectful, but I do get a handful of silly comments here and there and I'm at the point where I do feel like this is something worth saying.) Anyway, I'm quite happy to defer to other analysts who have the passion and knowledge to give complicated topics the justice they deserve. All I request is that care is taken not to conflate literary criticism with moral criticism to the detriment of both - and I think it's important to acknowledge when that is indeed happening. And respectfully, don't expect me to give my own take on the matter when other people are already willing and able to put their thoughts into words so much better than me. Peace ✌

*P.S. This works for real life too, by the way. There are people out there who are genuinely not only charming and likeable, but also generous, charitable and warm to the vast majority of the people they know. They may also be amazing at their work, and if they have a job that involves saving lives like firefighting or surgery or w.e, they may even be the reason dozens of people are still alive today. They may honestly do a lot of things you'd have to concede are "good" deeds.

They may be all of these things, and still be someone's abuser. 🙃

Two things can be true at once. It's important never to forget that.

[applestorms]

the misa post

adding a lil additional note here because this thing SPIRALED the fuck out, even more so than some of my usual essays. therefore, i will be going back to my roots by breaking this post down into two sections: misa and sexuality, and misa and romance/death. skip to whatever section, if you wanna. or don't. ¯\_(ツ)_/¯

misa and sexuality:

honestly, the way that misa engages with her sexuality in DN is such a fascinating topic in and of itself. i really have quite mixed feelings about it because while yes, to some degree the art and story does sexualize and objectify her, there is also an element of agency to it that i don’t often see people talk about…?

like, idk. misa is a model, she does act, her job primarily involves working in front of cameras. she’s selling her Image and her body and she’s well aware of how to market the appeal— we literally see her doing this during yotsuba, when they’re trying to free matsuda after he runs around like an idiot and gets caught.

i actually think it's quite interesting that she specifies being against nudity here but alright with swimsuits and lingerie— full nudity implies sex work, something that in the mainstream might be considered "dirty" or somehow less/not worthy of respect (even if that's utter bullshit). yet lingerie is fine, despite having similar implications of sexuality, blocking off the most private areas and thereby allowing profit off of the same concept but without the associated disapproval. you could read this panel as misa simply knowing her boundaries and what she is and isn't comfortable with— but i think it's interesting that you could just as easily read this as misa knowing what boundaries she is and isn't allowed to have, if she is to market herself as effectively as possible and maintain her public image.

off the top of my head i can only think of two major examples where it’s clear that misa is super overtly being sexualized by forces outside of her control/with no particularly meaningful justification, at least in terms of visuals. this panel, which managed to sneak in a panty shot:

which, weirdly enough was actually kind of foreshadowed by sayu earlier in the chapter:

(sidenote1: does light really not have any other fucking chairs? further evidence that he doesn't really connect with people pre-DN, if he's not really prepared to have any guests in his room. anti-social weirdo.)

and, of course, the classic torture cover from chapter 33:

though i must admit, it is difficult to find any image of a character getting tied up like this that doesn't have some implication of sexuality. bondage torture is just a classic like that. though the camera certainly doesn't help, L— and neither does the fact that light and soichiro are not put into an equally objectifying, sense-deprived contraption like this, and instead just get normal ass bare cells.

in many other cases however, misa herself is the one flaunting her sexuality, typically as a means of trying to appeal herself to light but sometimes i think you can definitely read it as misa just. dressing the way that she wants to dress because it's cute? like, okay, in terms of trying to appeal herself to light we've got this classic panel from after the timeskip ft. a particularly homosexual light moment:

but there's also plenty of misa moments that just look like this:

girlie is chilling. literally kicking her feet, stalking her crush in bed with her supernatural death god girlfriend.

to be clear, this is not to say that death note isn't sexist or has particularly fantastic writing for its female characters. rather, what i'd like to point out here is that there are different levels under which we can view and analyze misa's sexuality:

the base level, of a girl who is comfortable with her body and fine with wearing revealing clothing

the level above that, involving the fact that misa's job revolves around selling her image, of which her sexuality is a key factor

and then the uppermost meta level, surrounding the fact that misa is a character in a story not only written and illustrated by men, but sold in shounen jump, meaning that she is thus filtered pretty significantly through a quite literal male gaze

it both can be and is true that misa is simultaneously objectified for her body on multiple levels and a pretty fucking horny person herself (or at the very least, willing to push that for the sake of her own goals)

remember, misa is the one pushing for their "alone time" here.

just. idk. i suppose my main point here is simply that i think this is a topic that deserves to be looked at with more nuance. there is credence to both the claims that misa is sexualized in DN and that misa herself has agency in how she chooses to dress and present herself, and i don't think you can cleanly separate those two aspects without losing something significant.

honestly, when it comes down to it, my personal take is that the real problem of sexism in DN is less about the particular ways in which individual female characters are presented/traits they are given, and more about the broad strokes of how women in general are treated... if my post on that particular subject ever ends up seeing the light of day, i guess i'll link that right about here. anyways,

misa and romance/death:

if there is one thing that her parents dying, almost being killed by a stalker, and making contact with a shinigami teaches misa, it is that love is something you kill and die for.

i really don't think that you can separate out "death" from "love" when it comes to misa, not only in terms of general themes, but also when it comes to how she personally views the world. i mean, just look at rem and gelus— death literally loves her, and in the process of loving her, allows her to cheat her way back to life. ryuk calls light a better shinigami than the actual shinigami, but honestly, if anyone fulfills that role, it's misa— she's the one whose life gets cut down until others stock it back up, who has so little regard for life (both in terms of others' and her own), who gambles her time again and again and does whatever she wishes, when she wishes, how she wishes.

it's that second point in particular that really gets to me here. throughout the story, misa shows herself to be equally detached from both the world and herself— she kills without care, gives up half her lifespan without a speck of a second thought, throws herself into dangerous situations and pushes for what she wants even when she knows it's stupid and probably going to get her caught. i'm slightly tempted to say that death's love for misa is the only mutual love she ever has, but that has some implications that i don't think quite fit. misa doesn't get a kick out of killing, she is not (overtly, or very explicitly) suicidal in the sense that she constantly expresses a yearning to kill or be killed. it's more of a toned down attachment than that, which... kinda gets into my next point, on misa's relationships. namely, with two very important people: rem and light.

in terms of rem... i struggle to analyze this relationship sometimes in the context of canon because at times it just feels like there is so little to work with. but perhaps that also fits, in a way...?

one thing that i think the musical really got right about rem is the fact that she has some of the most genuine feelings of love in the entire series, just in general but also specifically in terms of how other characters treat/approach misa. again, misa is a person whose job revolves around people loving or being attracted to her. i have a very hard time believing that the person who tried to kill her was her first or her last stalker, but even without getting to that level of intensity, much of the love surrounding misa is superficial, distant. she is beloved for the image she fits and the role that she plays, but very few people (if anyone) are even capable of getting close enough to recognize the self she hides under that mask (assuming, of course, that she ever lets that core part of her out).

rem is perhaps one of those few people, seemingly having watched misa for years alongside gelus before breaking that parasocial divide and meeting her idol in person. yet, it's also that very period of watching that puts a strain on their relationship, in my mind...

to put it bluntly: apologies to any and all remisa shippers, but i simply Do Not see there being much canon evidence that rem's love for misa is in any way mutual. not only do i struggle to think of any notable scenes where misa displays even an inch of affection or care towards rem, but misa is also kind of horrifically apathetic to rem's death, iirc. i mean, in a way, she's basically the cause of it— in failing to remember L's name upon getting her memories back, she pushes the first domino in the line leading up to watari, L, and rem's deaths.

misa basically treats rem like just another stalker, accepting her love so long as it is somewhat distant or gets her what she wants.

but, like. as shitty as that is to think about, it does kinda fit that misa would treat genuine love this way. at no point does she push back on or try to change rem's mind about this, or even really say fucking anything in response to rem's overt romantic/threatening overtures about how she'll kill anyone who tries to hurt her. i'm kinda inclined to view this as misa's attempt at kindness, accepting the love of her fans for what it is but never pushing it in either direction. she neither demands rem's love, nor attempts to dissuade it— it is what it is, and what happens, happens. and if it results in rem's death, or results in her own... at least it all happened out of love.

now, in terms of light... i was gonna make this its own post but it's on topic, so i might as well just add it here.

it is simultaneously so, so sad and yet also so, so utterly fucking funny that misa is perfectly designed to be everything that light absolutely hates. like, to just list it out cuz i literally have too many points to simplify this down into proper paragraphs rn, misa is:

uncontrollable. supposedly, misa is a perfect little devoted disciple of KIRA, willing to do anything and anything for him as thanks for getting justice for her parents' killer. but like... we all know how this actually works out. misa does whatever the fuck she wants, usually with the thin justification that it'll help KIRA in some way, and light is left behind to deal with the clean up.

stupid. no, not really— but she at the very least presents herself as such, as a ditzy, silly little girl, willing to do anything for love even if it hurts her. really, all this proves is that she wears a mask, just the same as light, though in the process she manages to also reflects to his own sins back at him. misa plays stupid so that she can justify doing stupid things without having to feel bad about it (or get emotionally attached at all?)— light plays god, a being above human morals, so he can do horrifically immoral things without having to feel bad about it. equal and opposite, in the worst possible way.

powerful. and pushy. the only person more stubborn than light yagami is misa amane, etc. etc. just like KIRA, she is a key pawn that light must rely on logistically, but is disgusted with all the same. misa is not a god, not in the way that KIRA is— she's just another filthy criminal, uncaring about the horrible acts she has committed. but she fits herself into his plans in just the right way that he can't quite come out and condemn her directly, and therefore is stuck quietly stewing in his dislike of her instead.

a liability. related to this is the fact that she is essentially unkillable, at least as long as rem is alive. many of the points behind her being uncontrollable apply to this one as well.

feminine. in a way that light dislikes, but also cannot ignore. she's cute and hot in a way that light is supposed to like, if he is to fit in w/ his Just A Typical, Good, Respectable Boy routine, but also drives him up the wall— pitting his desire to be "good" against his desire to be a "boy," essentially. (this point in particular is taken from THIS POST, big thanks to shydroid3000 for the beautiful yotsuba light analysis!!!)

possessive. controlling, in a way, which is again ironically exactly like light himself. light Hates being controlled because it means there may be factors outside of what he has power over, a trait which becomes increasingly relevant in the latter half of the story.

untouchable. even after rem's death, light can never quite get into the right position to kill her. she's almost too effective, causing light problems (e.g. yotsuba) and fucking things up, but never in such a way that he can easily place the blame on her shoulders alone. she is useful, a necessary evil, outliving multiple gods.

and, above all else, ultimately...

(sidenote2: it's kinda interesting to compare misa to L in this regard, actually, especially in terms of why light gets so attached to L but hates misa so viciously, despite L also being quite a bit like light? i guess you could say that misa reflects back the parts of light that he doesn't like as much, or even more specifically that she reflects KIRA back at him, where L matches/opposes light in terms of what he sees to be his better traits— his intelligence, his social power, etc. something to consider.)

to follow up on the sentiments of this post: misa does not love light. she relies on him to fill the hole in her life, in her, as a quick fix to avoid having to engage with the deep-seated grief that haunts her, an answer to the horrifying question of why she is even still here, alive, so long after her appointed bell has already stopped ringing.

to tie this all together, then... i suppose it's fitting that both love and sexuality are are so essentially Empty when it comes to misa amane. ultimately, she is a character defined by a misery she never allows herself to show to the world, a girl stubbornly sticking to the first reason she managed to find for living. again, just like light, she is a character that never grants herself the ability to truly grow up, stuck in the same childish, immature cycles of thinking and methods of presentation she came up with when her life first failed to end. a tragedy in her own right, unable to even remember the face of the one being that genuinely loved her at the moment of her own true death.

born on christmas, dead on valentines. how fitting.

[lucy90712]

Buff- Gavi

For the last few months Pablo has been working really hard in the gym pretty much since the day he was allowed to do more he has been working on his strength. We have a gym set up at home and every morning Pablo gets up and works out before he has to go and do his specific training at the training centre. Some mornings I'll join him but I never work out properly as I just end up staring at him as his muscles flex while he lifts weights. For the last few weeks I haven't been working out with Pablo as I've been back at uni so I have classes in the morning and on the weekends I have essays to write. I know he likes when we workout together but I've just been too busy in the mornings but I promised him this weekend that I'd join him on a run. 

Today however is Friday and luckily it's my day with the least amount of classes I have two but I'm done by 2 which is better than 5 or 6pm. I have a break between my classes so I used that time to get some assignments done so I have a free weekend. Once I'd finished my work I decided to give myself a break and just scroll through social media but I nearly dropped my phone when I opened Instagram. The first thing on my feed was a video of Pablo from training and my god did he look good his arms were huge and he wasn't even flexing he was just walking. I know he's been working hard but I haven't noticed just how much it's been paying off until right now. Of course I loved the way he looked before but my god does he look amazing now I feel like if anyone saw me right now I'd have literal heart eyes after seeing that video. 

Trying to focus in my next class was near impossible all I could think about was Pablo and getting home to him so I could see his arms in person. Usually this is my favourite class and I spend the whole time writing notes but today when I left all I had written was the date and the topic of the lecture so I'll have to look back at what was actually said another day right now though I just want to get home. I never drive to uni as it's just a nightmare to park but the bus has never felt slower than it does right now and I wish I'd driven here. 

When I finally made it to the house after a long bus journey and a walk I saw that his car was already back in the driveway which is exactly a what I wanted to see. As soon as I opened the door I heard Pablo get up and make his way towards the door, to my delight he had a sleeveless shirt on so I could see his arms for myself. He came towards me looking for attention but my hands went straight to his arms to feel them. They even felt different I could feel the muscles tensing under my touch which was honestly fascinating as before Pablo wasn't the most muscular guy he was strong but never to this extent. 

"What are you doing?" He asked 

"Just enjoying your muscles I saw you in training today and your arms looked so good" I said 

"Thank you" he said getting a little shy 

"Seriously when did you get this muscular you look so hot I couldn't focus in class as I was thinking about how good my boyfriend looks" I said 

"I'm glad you like them" Pablo said getting even more shy as he doesn't know how to react to compliments 

He let me enjoy his arms for a bit longer before he took hold of my hands and pulled me into a hug. The next thing I knew he'd picked me up and carried me to the sofa so we could cuddle because as much as he doesn't know how to respond to compliments he is definitely very affectionate. We talked about our days he told me about training and how much he's enjoying finally being back with the other guys and I told him about my classes all while he played with my hair and I watched his arms while I was talking. 

We chilled for a while before Pablo suggested we go for a swim in the pool as it's really hot outside and because I was sweating just sitting down I agreed. He got ready much quicker than I did as I had to tie my swimsuit on and put my hair up so it doesn't get too wet as I just washed it. When I made it back downstairs Pablo was leaning on the edge of the pool waiting for me the way he was leaning really made his biceps pop. This man is definitely going to be the death of me he just looks so good and the way he was looking at me nearly made me melt. I joined him by sitting on the edge of the pool with my feet in the water, Pablo then moved to lean his arms on my legs while he just smiled up at me. His smile started out sweet but then he had that mischievous grin on his face which is never a good thing it only ever means he has a plan that he knows I'm going to disapprove of. 

His little plan quickly became clear when his arms went around my waist and pulled me into the pool. He was nice enough to not let me get my hair wet but I still got water in my eyes because I wasn't ready to go underwater. When I recovered and could see again Pablo had hold of me to keep me out the water so I wrapped my legs around him so he couldn't dunk me in the water again at least not without going underwater himself. This didn't last long though as Pablo started to tickle me which made me let go of my grip on him which allowed him to pick me up and throw me in the water over and over. I would've shouted at him for doing that but I actually had a lot of fun and every time I was out of the water I could hear him laughing which made getting my hair wet a lot better. Eventually he stopped and held me to his chest so I could get my breath back. 

"Are you just trying to show off how strong you are now" I joked 

"Well you liked my arms so much I thought I'd show you what I can do now" he said 

"In that case I'm very impressed maybe I'll have to join you in the gym just to watch you get even stronger" I said 

"You do that anyway" he fired back 

"Hey I work out too" I said 

"Be honest you do the bare minimum to look busy thinking I don't see you staring" he said 

"Ok you're right but can you blame me the view is always great" I said 

"My view is pretty great too when you do squats" he teased 

"You stare at me when I do squats?" I asked 

"Of course how can I not I also stare at your pretty face when you stretch on the floor I just like to take in what's mine" he said 

"Aren't you the cutest I like to look at your pretty face too" I said 

That's when he got all shy again so to deflect the attention off of him he pushed me against the side of the pool and kissed me. If complimenting him is going to get me cuddles and kisses like this I might just have to do it more often.