#also just as a side note but like

[joinmeinjoy]

hob gore pls? 👁️👁️

Rubs hands together evilly

(Warning: If you do not wish to read about subjects such as death and gore, scroll past this. It gets a bit visceral, involves mentions of being staked with things & having throats cut - Consider yourself warned)

Ok so for this one i don't have a teaser pic, namely bc i've literally only just started drawing it and so far there is simply a pose with no distinctive Hob features, so there wouldn't be much to look at - BUT! i will gleefully, and with much delight, detail what i envision for this drawing. As well as sprinkle in a new-immortal-Hob hc bc i live for angst.

The main aspect of this drawing is going to involve Hob being speared to the ground, right through the chest. He's kneeling, pinned in position by the spear that has staked itself into the ground behind him. Here is my stick-figure rendition of the pose:

(the humour of having a serious warning at the top of this post, near immediately followed by the least horrific image of an ms paint stick figure, is not lost on me)

As you can imagine, its not all that fun for Hob. He's grasping at the shaft of the spear, holding onto it just for the sake of holding onto something, looking at his blood covered hands, or perhaps the entrance point where its made a home for itself lodged in his chest...I haven't decided where he's looking, but it'll figure itself out as i draw it. I like to think this is the point where Hob realises he's immortal- this is either just before or right after he's put the pieces together, dying on the battlefield only to wake up however long later, still pinned to the rain drenched ground. I've mentioned it before but personally i like to think that Hob dies a few times before realising he's immortal - this seems impossible, i know. How do you die and not know it? well, walk with me here for a moment.

Using a previous example i discussed - Hob gets his throat slit. Mid fight, adrenaline pumping, one blade slashed across his neck the moment his head divots, and he's gone.

Except he isn't, because he wakes up. And at first maybe he does think he's dead- its silent, too silent for the violence he was just a part of, and he's cold, like the dead usually are. But he opens his eyes and there is a mortal sky above him. There is a mortal field, filled with mortal bodies, and only one of them sits up. He remembers a blade slashing him, haltingly like his mind is trying to reject the experience, but it's there nonetheless. He was sure, in that split second where the blood gushed and his eyes widened, that he would die...but he didn't? the dead don't wake, not for anything - Hob would know. And when he reaches a hand up to his neck, there is a gash. But its shallow - bleeding sluggishly and slow, yes. But shallow. There is a copious amount of blood covering him from the neck down, a blood-soaked patch of grass where his head was, red smeared across the palm he had just felt his very heartbeat with.

He is alive. He is alive, and there is a wound across his neck, and an obscene amount of blood for one man- but there isn't just one man. It was shock, Hob thinks later when he's staggered to his feet and stumbled over the nearest hill, bow in hand. It was shock that made him pass out- a knife across the throat is bound to shock anyone, it wasn't as deep as he thought it was but then...of course a knife through the neck is going to feel bloody intense, no matter how shallow. So it was shock that made the world go black, and the blood that cooled was not just his own but a mix of the men who had died next to him. Medieval weapons are nothing to turn your nose up at, the dismembered and crushed bodies that laid next to him, on him, had added to the life-ending amount of blood Hob had woken in.

This is just one example of the handful of times where i believe Hob Gadling 100% absolutely fuckin kicked the bucket, but was in just the right circumstances to explain it away when he woke up in a pool of his own damn blood. Now how is this relevant to the drawing?...sorry for the weird academic lines i feel like im doing a presentation and have to convince u all of my point rn my bad

This drawing is when Hob discovers he's immortal (or, a memory of this fundamental shift in his existence & view of the world) - that perhaps the mysterious near-deaths he's had leading up to this were not as 'near' as he thought they were, and that maybe he did just actually fuckin die. Sorta like that guy in ep 6 now that i think of it, the whole "Wow that came so close to hitting me!!" and Deaths just watching him like "So close?? Really?? :D" Bc he absolutely dies here...and then wakes up. Still stuck on the spear. And how do you even comprehend that...i've gone on long enough so i wont delve into that just yet but. Yeah. Hob dies a few times on this spear while figuring out how to get himself out of this supremely fucked up situation- i wont be drawing him getting unstuck or anything, its just going to be him slam dunked by a spear, but like. There's absolutely a story behind it. So that'll be the main focus - Hob pinned like a butterfly, a little reminiscent of the 'Has Hob Gadling been Buried Alive' post i made bc im a sucker for angst (at this point i think that is. incredibly evident) and these two particular things (buried alive and pinned by a spear) present a uniquely helpless situation. Like its not just getting stabbed or shot, hes actively stuck and has to un-stick himself (haha) in order to start properly healing.

The second part of the drawing will not require NEARLY as long an explanation, and will merely be like. a close up of Hobs face, covered in blood. Separate situation to the spear incident, this ones probably just gonna look like hes dead on the floor. Idk what go into me to draw either of these things, i just kinda wanted to explore his immortality in a visual way? and i will absolutely tw both of them and put the new like. content warning things on them bc i am realising now after writing all this down how dark it is...listen i blame Hannibal for skewing my tolerance to stuff like this, you cant watch that show and come out of it being normal about these things. Anyway...haven't decided if the spear drawing is going to be Hob actually in the 1380 - 1390's, or if hes just having a nightmare about it, bc ill be real. I really like the form of the body i did, and i dont really wanna cover it up with clothes but...i feel like its just strange if he's in his damn boxers so. We'll see.

Thank you for the ask!! this has been circling my brain for weeks i hope i don't scare too many people with it...

(also I have an ask for the bandits drawing so that ones covered, but it's 2am and i really need to start going to bed earlier so I will answer it tomorrow!! I'm excited for that one, nearly as excited as I was for this post, bc I really like how it's coming along...except for one aspect, but...tomorrow...)

[hinamie]

I don't want to regret the way I lived

[aesthetic-uni]

Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT

[lazylittledragon]

did somebody say dadkarios

[fluffyartbl0g]

Holy crap this is like world record breaking pace guys

Speedrun/Time Travel AU masterlist

[turtletoria]

one downside to digital mediums of art is that you cant see the tear stains (they just slide down the screen)

[athina-blaine]

It's interesting how Laios struggles to remember Kabru's name right away, yet is able to recall the feeling of his grip well enough to immediately understand that something isn't right (Kabru being cuffed)

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[capquinn]

Couldn’t Tell | Q. Hughes

summary: The relationship between you and Quinn is difficult to define. Friends and something more but you can’t be sure. Sidestepping the issue only prolongs the loop where the potential for something real stays just out of reach until one of you addresses it head on. pairing: fem!reader x quinn hughes content: nothing crazy, just a lil situationalship angst word count: 1.6k ↪ masterlist

⋆⋅☆⋅⋆

It’s not like you had come to the party as dates, but he had asked if you were going so you had been hoping you’d find each other and spend the night getting tipsy in a dimly lit corner of the bar. That expectation made the disappointment hurt all the more.

⋆⋅☆⋅⋆

There is no way that he can’t see that she’s flirting with him, right?

Your eyes drift back to your friend, tuning back into the conversation you had only been half-listening to, trying to appear indifferent.

“So there I was, sitting in this meeting, with all these big wigs, and suddenly the CEO turns to me and asks for my opinion. Can you believe it?”

You nod absently, stirring your drink with the straw, gaze flickering back across the bar where Quinn is standing. He’s still engrossed in conversation with a brunette, his laugh ringing out through the room, mingling with the ambient party noise. She flicks her hair and lolls her head to the side, commanding his full attention. His smile widens, and he stares back at her like an idiot.

“I was so nervous but I just went for it. Told him all my ideas about improving the marketing strategy, and he loved it! They all did. They might even implement some of my suggestions for next quarter,” your friend continues, unaware of your distraction, voice a bright thread in the background.

Over her shoulder, you exchange glances with Quinn and it’s like a jolt of electricity, snapping you back to reality. “That’s amazing,” you murmur, focussing back on your friend. “Congratulations.”

“Thanks!” She beams. “It has been such a whirlwind. And the perks… Free coffee, flexible hours, and we even have an office dog called Max.”

“Oh, a dog. That’s so cute,” you say, trying to muster genuine enthusiasm, but now, the brunette is touching Quinn’s arm and he isn’t flinching away from her touch. He throws his head back with another bout of laughter, and a surge of jealousy washes over you, your heart crashing with heavy thuds in your chest. Is he serious? Your eyes meet again, and it’s a sharp reminder of just how out of sync you feel.

Each shared glance feels like a lifeline, as if he’s going to offer a smile and make his way towards you, but then he looks away and the chasm between you grows.

It’s not like you had come to the party as dates, but he had asked if you were going so you had been hoping you’d find each other and spend the night getting tipsy in a dimly lit corner of the bar. That expectation made the disappointment of seeing him with someone else hurt all the more.

“Anyway,” your friend says, leaning in, tone dropping conspiratorially, “enough about me. How are things with you and Quinn? I’ve seen you making eyes at each other all night,” she giggles, throwing a glance over her shoulder in Quinn’s direction. If she notices the other girl, she doesn’t mention it.

You force a laugh, bringing your glass to your lips, buying some time to think of an answer other than, ‘well, he’s over there with someone else and I’m pretty sure they’re flirting with each other and there isn’t anything I can do about it because I’m not actually sure where we stand and it’s driving me insane.’

You had hoped tonight would provide a renewed sense of clarity. A glimpse into whether or not the connection that shimmered between you both was more than a fleeting moment. Instead, his easy laughter with someone else highlights the lingering ambiguity and you wonder if you had been read the signals wrong all along. Are you merely a casual acquaintance, just a friend of a friend, rather than someone he genuinely cares about? Are your feelings misplaced or have you been expecting more than he’s willing to give? Perhaps you’ll always be on the periphery of his affections rather than at the centre.

But once you swallow around your racing thoughts, you settle with, “it’s complicated.”

“Complicated?” She raises an eyebrow. “What’s the deal?” The question hangs in the air, but your attention is already elsewhere.

What you had been dreading all night long finally happens. A cruel twist of fate.

The brunette glides closer to Quinn with deliberate grace, her hand trailing lightly over his arm, lingering just a moment too long to be casual. She leans in and her lips hover tantalisingly close to his ear, brushing against his skin. Intimate and unmistakable. Your heart twists in knots as the space between them charges with a private electricity, and it puts so much distance between you and Quinn that you don’t think you’ll ever be able to bridge the gap now.

And then there is a change in his demeanour that’s jarring. Quinn’s initial surprise morphs into a subtle discomfort. Body tensing and eyes widening slightly as the closeness of her whisper registers. The easy laughter falters, replaced with a hesitant smile. He shifts, creating a noticeable distance between them, gently moving away from her touch. In a swift move, his gaze sweeps across the room and lock on yours through the crowded space, his eyes a mix of concern and something that looks like an apology.

A ball of anxiety sits heavy in your chest as he looks directly at you, realising that he saw you witness the entire exchange. The weight of it feels like a direct confrontation to all your insecurities. The uncertainty of your relationship with Quinn has always been a hidden wound, but now it’s exposed and raw.

You turn back to your friend. “Sorry, I just need to…” you trail off, straining a smile as you collect your belongings. Unwilling to sit here a moment longer and bear witness to any further turmoil. “I think I need some fresh air. It’s getting crowded in here,” you excuse yourself, sliding on your coat.

She watches you fumble with your bag. “Do you want me to come with you?”

“No, it’s okay. I’ll be back soon. Save me a drink,” you say, trying to keep your voice steady.

When you reach the exit, the cool night air is a welcome contrast to the oppressive heat inside the bar. You take a deep breath, trying to shake off the tension of the evening. Just as you step outside, you sense a presence behind you, and then Quinn is suddenly in front of you, blocking your path.

“Hey,” he says softly, his voice almost a whisper against the backdrop of the quiet street. “I’m sorry—”

“You don’t need to apologize,” you cut him short, your voice thick with exhaustion.

His brows furrow, a look of genuine confusion on his face. “I feel like I do,” he presses earnestly.

“It’s fine, Quinn.”

“It’s not fine,” he insists, his voice low and regretful. “I didn’t realize what was going on until it was too late. I’m sorry.”

“You really don’t need to apologize for being oblivious,” you start, your voice faltering slightly despite your best efforts to appear indifferent. “We’re not together so it’s not a big deal,” you hesitate, chuckling nervously, bracing yourself as you teeter on the brink of blowing this whole thing wide open.

You’re tired of the ambiguity that hangs between you, the way your conversations dance around the core of what you both really want. To be together or to go your seperate ways — you really couldn’t tell the difference anymore. The fear of pushing too hard and making things awkward has kept both of you on edge, leading to a pattern where everything remains in flux. It’s as if every time you think you’re getting closer to an answer, the goalposts shift, and you’re left grappling with even more questions than before.

But there’s a simmering resolve that builds with each passing moment. Continuing to sidestep the issue will only prolong the loop where the potential for something real is always just out of reach.

Gathering your strength, you take a deep breath and steel yourself. “It caught me by surprise because I thought you liked me back and that this was leading to something more. It made me realise that I don’t really know where we stand. Am I misreading the signals?”

Quinn’s eyes twinkle with a mix of amusement and warmth. “Am I doing this all wrong?” he asks, his smile playful.

You look at him, puzzled and twinging with frustration. Is this a joke to you? “What do you mean?”

He chuckles, a soft, disbelieving laugh that makes his eyes crinkle at the corners. “Seriously. Am I not being obvious? I’m out here trying to apologise and explain so that you don’t get the wrong idea,” he pauses, gauging your reaction. “I’m interested in you, and I should have made that clear, not just to her but to you too.”

Your breath catches as his words sink in. “Oh,” you whisper. You take a moment, processing the shift in the conversation. “But tonight you were—,”

“I honestly didn’t even realize she was crossing lines,” Quinn interrupts, his tone apologetic. “Hand over heart. I thought she was just being friendly,” he laughs, scratching the back of his neck, a flush creeping over his cheeks. “I mean, I should have noticed.”

The haze is beginning to clear.

“So, you’re saying…what exactly?”

A smile grows as he steps towards you, eyes locked on yours. “I’m saying that I like you and I want us to be more than whatever this is,” Quinn affirms, his gaze steady and sincere, fingers intertwining with yours.

You squeeze his hand, relieved. “I want that too,” you confess barely above a whisper, acutely aware of how your heart is racing as your bodies inch closer.

His smile widens, his eyes locked on yours. His hand gently cups your cheek, breaths mingling as he leans in closer, your noses nearly touching.

In that moment, the world narrows to just the two of you. You push up onto your tiptoes, closing the gap between you and pressing your lips to his. The kiss is brief but filled with a depth of feeling that words can’t quite capture.

As you pull back, the world around you settles into a new rhythm and the boundaries of your relationship are redrawn. What were once blurred lines are clearly defined; all is made explicit.

[inkskinned]

as we enter the start of a semester and the dreaded Hour of Making Friends us upon us... if ur ever at a loss for what to say in one of those weird social situations where you only vaguely-know people, one of my favorite questions to ask is "what is your favorite food crime." a food crime is like the food combination that you love that other people find revolting. press them to take it further than pineapple on pizza, that's rote. food crimes is a good topic that has many benefits as it turns out all people are degenerates and also it will give you some cool ideas to try out later in the privacy of your own degenerate kitchen

the other good thing to ask is "okay but has anyone here ever been someplace haunted" bc it turns out if you ask most people directly they don't believe in ghosts, but many people are like "oh yeah i lived in a haunted house. ghosts aren't real tho"

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent (Pt. 4)

—

Tw: descriptions of body horror, Dr. Crane has PTSD and Does Not Realize, Crane has an actual panic attack and just doesn’t care, the Riddler makes one (1) sex joke about Batman

Will be crossposted to AO3 eventually

(Pt. 1 here) (Prev here) - (Pt. 5 here)

(Masterlist here)

—

Dr. Jonathan Crane is in his lab, the acrid scent of chemicals filling the air, and his hands are shaking.

Danny’s health, for the first week that he had him, had been steadily improving at an extremely quick rate. However, his healing had begun to stagnate. Danny said that it was because his body had run out of ectoplasm, and that while there was a lot of ambient ectoplasm in Gotham, he needed a stronger type in order to heal.

And so, that led Dr. Crane here.

He had stolen the research notes from the Penguin years ago regarding his experimentation on him.

(He quite vividly remembers the sound of bone creaking and groaning as it twisted, lengthened. The squelching of shifting tendons and muscles, the strange fabric-like tightening of skin. The feeling of going from man to monster, of losing all claim to his humanity.)

Danny had called him Liminal, part ghost. He had said that he was transformed by, among other things, a kind of synthetic ectoplasm.

Danny needed ectoplasm.

Crane had the research notes. He had every ingredient necessary. And yet, attempt after attempt failed.

The chemical smell burns his nose. His hands tremble.

Dr. Crane is not afraid.

He doesn’t feel fear anymore. He’s tried to, many, many times, but nothing has worked. And yet, his hands are shaking still.

(The horrifying sensation of vertebrae pop-pop-popping along his spine, growing and lengthening. The unbearable itching beneath his skin as toxin glands begin to form. The feeling of his teeth sharpening and elongating, of his skull growing, of his vision changing and brightening. The awful stench of chemicals. The awful stench of ectoplasm.)

Jonathan takes careful note of his shaking hands, his blurring vision, his accelerated heart-rate and shallow breathing.

(Human hands. Human vision. Human heart and lungs and organs.)

He takes note of them, but he does not let that distract him from the task at hand. Danny is not a chemist, but Jonathan is.

The boy knows enough about chemistry in theory, but he won’t go anywhere near Crane’s equipment. He seems to have some sort of intense fear of laboratory settings, probably developed during his stay with the GiW, and Crane is willing to respect that, if only because he cannot afford to lose him.

As such, Crane is the only one qualified to do this. And, unfortunately, if he isn’t successful the boy may very well die.

He heats the chemicals to precisely the right temperatures, adding each one to its correct container.

Dr. Crane thinks of the Scarebeast, that creature born of cruelty and greed and a sense of superiority. That creature which he tries to ignore is a part of him, that can never be removed. A damage which cannot be undone.

He pours the contents of a small beaker into a larger flask, watching the liquids swirl together. The stench in the air is becoming closer and closer to the one burned into his memory.

Crane’s whole body is wracked with unpleasant sensations. It’s truly unfortunate, he thinks, that despite his mind’s lack of fear, his body still reacts so harshly.

Jonathan’s eyes wander, eventually settling on a purple and green card sitting innocently on the corner of the table.

Right.

Even if they wiped out the GiW tomorrow, and even if Danny could survive without ectoplasm, he would still be in danger.

Crane has to get him back to good health. It’s the only way he can be sure that the boy can defend himself properly.

The solution in the flask begins to foam, and Jonathan does not hesitate as he adds the final ingredient. He pours the mixture into a new container, capping it and placing it into a freezer set to -40 degrees.

Hopefully this time he got the timing right.

Jonathan tries to relax, the ventilation in the room slowly but surely clearing the familiar smell from the air.

He thinks of the letter.

Surely, he thinks, that man can come up with some better material for his jokes. Or, at least something new.

Same old threats, same old attempted poisoning.

Aiming his threats at Danny, though, that was new. New and utterly unacceptable.

Scarecrow did what he had to.

He doubted that his solution would last forever, of course, as with that man it never did. As such, he would prepare both himself and Danny for the inevitable moment that his choices came back to bite them.

However, for the moment, they were safe. Danny could rest and recover, and Jonathan could figure out a plan to minimize possible damages.

Jonathan is no longer shaking.

He’s exhausted. This is his fifth attempt today, and each one leaves an unfortunate strain on his mind and body.

With a sigh, he settles himself into his seat at a nearby desk, opening up his computer and logging his most recent attempt. He still has to wait for it to chill to know if it was successful, but he can always update the logs later.

Once he’s done, he stretches, joints popping loudly as he walks to the freezer.

When he sees the results of his tireless work, the ghost of a smile flits across his face.

Success.

Jonathan picks up the jug of ectoplasm and leaves the lab, which is in all actuality the basement of the new apartment that he moved himself and Danny into after receiving the note. The scrappy old woman who was his landlord had told him that as long as he paid her five hundred dollars up front, she would let him set up in the basement without any questions or cop calls.

And so, the most expensive apartment in the Narrows was his.

At least, he thought, the distance between the basement and the apartment was short enough that Danny didn’t have to sit in while he was doing his labwork.

Jonathan knew that he didn’t exactly have a strong grasp on the concept of ‘lab safety,’ proven by his built-up immunity to almost every toxic chemical he’d ever encountered, and he doubted that Danny should be around such an environment.

He was back to the apartment quickly, not bothering to hide the self-satisfied smile on his face. Danny is sitting in his armchair, trying to read one of his books. Danny looks up, ready to greet him, when he sees the jug in his hands and pauses.

“Is that..?”

“Synthetic ectoplasm,” Jonathan says proudly, “I found the Penguin’s research notes and decided to recreate it, since you said that you needed it to heal properly. I’m not sure if it’ll work the same as what you usually have, but I hope it’s helpful all the same.”

Danny is standing, now, and looking at Jonathan with a strange look in his eyes. He looks, Jon thinks, like he’s about to cry.

Then Danny is rushing forward and wrapping his arms around Jonathan, his scrawny form shaking.

Jonathan is, for a moment, horrified. Did he do something wrong somehow? Why is this child, who’s so afraid of touch, hugging him?

And then he hears Danny’s voice, and he knows that it was all worth it.

“Thank you,” he’s mumbling, over and over, “thank you, thank you, thank you, thank you so much.”

“Of course,” Jonathan says softly, because what else can he say?

The boy cries in his arms for a while, and Jonathan briefly wonders what his life must have been like before, if a person like him can be seen as a comforting figure.

Then, Danny pours himself a small glass of the synthetic ectoplasm, putting the rest into the small fridge which had come with the apartment, and he settles back down, sitting in the armchair once again.

Jonathan sits opposite of him, and they chat with one another as Danny drinks.

Danny talks to him about the stars and tells him about different spaceships, and Jonathan makes sure to pay attention and ask the boy questions.

He doesn’t miss the way that Danny lights up every time he asks him something about his interests. He’s so passionate, so smart, a trait that he seldom sees outside of his fellow rogues, and Jonathan wants to encourage that.

It’s…nice. Peaceful, almost.

And then the front door flies open, because Jonathan isn’t allowed to have nice things.

“Jon,” a familiar voice rings out, “what the hell?!”

Danny is frozen in place, clearly terrified.

Jonathan heaves a sigh, turning to face the nuisance who’s entered his apartment.

“Eddie,” he drawls, “to what do I owe the pleasure?”

Edward’s face is red with anger as he invades Jonathan’s apartment.

“Oh, I don’t know! Maybe it’s the fact that you sent a bunch of rogues a cryptic message and then dropped off the face of the earth for two weeks! I was worried, Jon!”

Jonathan hums in acknowledgement.

“I didn’t think it was that cryptic,” he says, picking up a book in order to pointedly ignore the Riddler.

“Oh, of course you didn’t, you straw-stuffed hickory dickory dickhead. I swear, you’re always—” he pauses, finally having noticed Danny sitting opposite of Jonathan, “—who is this?”

“My apprentice,” Jonathan replies, dreading the upcoming headache he was no doubt going to develop from Edward’s company, “he’s helping me hunt down the GiW. His name is Danny.”

Edward gasps dramatically.

“You—an apprentice?! And you’re letting him sit in the old man chair?! You don’t even let me sit in the old man chair,” he wails, draping himself over the headrest of the couch with a flourish, “Jonathan, I thought I knew you!”

“Edward,” Jonathan says, “get out of my apartment.”

“Oh my goodness, this is incredible. You’re becoming the bat!”

“I am not becoming the bat, Eddie, now get out.”

Edward has a shit-eating grin on his face as he waltzes over to Danny. Danny, who seemed terrified when he first appeared, is now looking at him with obvious amusement written all over his face.

“I mean, look at him! The hair, the eyes, the scrappy build. If you put him in one of those traffic light vigilante costumes, he could easily pass as a Robin!”

“I’m not doing this with you today, Eddie.”

“Riddle me this, Jon: I am a treasure hidden inside of a chest. You can break me, or steal me, or give me a rest. I can flutter, or pound, or attack, or drop, but if you don’t have me, you’re certainly fucked. What am I?”

Jonathan pauses for a moment before he groans, dropping his head into his hands.

“Eddie.”

Danny sits still, a confused look on his face as he repeats the riddle silently. Then, his face lights up in delight.

“A heart!”

“Jon, I like this one,” Edward says with a smile, ruffling Danny’s hair, “you are correct! A heart, something that I wasn’t aware that our dear Jonathan had!”

“Eddie, stop.”

“No, no,” Edward says, “I was worried about you, you deserve this. I mean, you even missed girls night! You never miss girls night!”

“Girls night?” Danny asks, absolutely delighted.

“Oh, of course,” Edward says, sprawling over on the couch, dangerously close to just laying in Jonathan’s lap, “we have it once a week. I’m invited because of Selina and Jon’s invited because Harley likes him.”

“And what does girls night entail, exactly?”

“Eddie,” Jonathan groans, “please.”

“Well,” Edward hums, “we usually paint our nails, or watch a movie, or gossip about the other rogues, and occasionally, we tell each other about any ‘encounters’ we have with Batman,” he says, raising his eyebrows up and down.

Danny’s jaw drops.

“Edward, shut up,” Jonathan says, an irritated tone in his voice that wasn’t there before.

“No way,” Danny says, “I thought that Batman, like, hated you guys or something. You mean he actually..?”

“Oh, the Bat is much like a bottle of liquor or a cheap cigarette, in that he was made to be passed around.”

Danny chokes on air.

“Edward Nygma,” Jonathan hisses, getting out of his seat and looming over the man, “get the hell out.”

Edward pales.

“Leaving, leaving!” Edward says, dashing away from Jonathan. He pauses, turning to flash Danny a quick smile.

“Remember Danny, I’m your favorite uncle! Not any of the other rogues, me!”

With that, he leaves, the room falling completely silent.

And, as per usual, that silence does not last.

“You full-named him?” Danny asks gleefully, “and it worked?”

Jonathan just sighs, sitting down on the couch and rubbing at his temples.

“Please, don’t take anything Eddie says seriously. He’s a moron.”

“Dr. Crane, please let me come to girls night with you,” Danny pleads, his eyes sparkling, “I promise I won’t embarrass you.”

Jonathan groans.

“Of course you won’t, Eddie will do it for you.”

“Come on, please?”

“I think we’re a bit busy with the GiW at the moment,” Jonathan snaps. He pauses as he notices the crestfallen expression on Danny’s face.

This boy is going to be the death of him.

“Perhaps, though, when all that is taken care of…”

Danny cheers, grinning wildly, and Jonathan is not at all relieved to see him happy again. Certainly not.

The rest of the day is relatively normal.

Danny works on trying to get information from the GiW database while Crane refines his his fear toxin, both preparing for a raid on the GiW base they located in Gotham.

It was only a temporary base, nothing of note, but there was a chance of discovering more bases through it, and that wasn’t something either of them were willing to give up.

Still, something like this would take time. Rushing would only lead to failure.

…

Late in the night, long after Danny is fast asleep in his room, Jonathan pauses.

The GiW are not the only threat out there. They aren’t the only threat to him or to Danny. Perhaps it could be helpful to reach out to someone with greater resources than himself.

He sends a quick message to Red Hood.

Hopefully, he thinks, everything will go smoothly.

—

[hinamie]

looks at hair slicked back megu I Could Fix Him

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[flickering-nightfall]

[turtleblogatlast]

Imo the most impressive thing Leo’s done is hold this pose for as long as he did while covered head to toe in gold paint: