#also it's hard for me to think of characters in the future

[cerisahh]

summary — love language headcanons for the arcane characters (giving and receiving)

characters included — jinx, ekko, silco, vander, viktor

cerisa speaks — literally started writing this the night of s2 act 3 release and only now finishing it if that doesn't tell you something about how inconsistent i am idk what does. ATTENTION PEOPLE IN MY REQUESTS!! i swear to god i will do your request in the next year for sure! viktor forgive me, amen.

jinx — gift giving. jinx's most loyal companion is her imagination so it isn't hard for her to think of gifts that are personal to you that'd you'd enjoy.

we see many of the little homemade trinkets that she's made for silco throughout the years, my favourite being the ashtray he keeps on the desk in his office. so dependant on what you're into, she'll showcase her love for you in the form of a trinket.

oh, so you like to read? she sees you dog-earing a page of your book whilst you two are in her hangout and drops her current project to fashion you a bookmark. you only notice that her tinkering has stopped when the bookmark has been dropped on your lap and she's made a blasé comment about you destroying your book for too long so she just had to make you this so you'd stop.

hiding behind a mask of indifference when giving out her gifts is kind of her thing, but she's anxious to no end to see if you like it. her mind runs a mile a minute; 'don't they like it? do the colours not match? they hate it they hate it theyhateittheyhateittheyhateme-'

until you're holding it carefully between your fingers and your mouth is making that 'o' shape it does when something unexpected has happened. when you say that it's the most thoughtful gift you've ever received she's insistent on making you a hundred more.

physical touch. stop booing me i'm right! let me explain. as we see before powder becomes jinx, she's quite normal with physical contact, we see vi hugging her, putting a hand on her shoulder, claggor helping her down to the apartment, etc.

it's after vi slaps and abandons her that she becomes uncomfortable with physical touch. silco (most of the time) lets her initiate it on her own terms.

one time he doesn't is where she's playing airplane with his shimmer device and he grabs her wrist. she lets him retain his grip for a moment but when she does move her arm away he doesn't follow her. through my own delusions i've come to the conclusion that jinx wants, maybe even craves physical comfort, but quickly feels smothered by it when it's forced on her.

despite this, with the right person i feel like she would be willing to accept physical affection from them. it would take time to establish and develop a trusting relationship with jinx but when you're there, you're there. she's also a deeply insecure person when it comes to relationships of any kind and retaining them so you'll have to slip in some words of affirmation between touches.

her favourite way to receive physical touch would for sure be you playing with her hair. running your fingers through it and scratching her scalp? congratulations, that's your new job. you mention off the cuff how you'd love to see her hair down? suddenly there's a brush in your hands and an expectant and giddy jinx sitting in front of you.

even though she trusts you, she'll still get startled and tense up if you suffocate her with too much affection. holding your arms out for a hug or patting the seat next to you so she can lean into your arms is a much better way to initiate contact with her.

a little extra headcanon, when she's doing your nails she'll use her own hands to hold your fingers still instead of a wrist rest. she says it keeps them steadier so she doesn't make any mistakes but really she craves that subtle contact.

ekko — acts of service. season two episode seven dictates this as canon i'll be taking no arguments on this day. seeing his huge mural of future vi to show powder after he upsets her really just cements this headcanon. this is a pretty big action so i'll focus on the smaller ones for now.

starting off really strong with him decorating your room for you. close your eyes and imagine him building you a shelf to store your books or keepsakes. not only building it but carving designs into it. ohh you like music? well take a look at those carvings of sheet music! and do you spy some new books in your collection (stolen from a piltover library, naturally)

with so many different types of people living at the tree, at the beginning he was pretty much forced to learn how to cook all different types of meals. it paid off though because no matter where you hail from, he'll be able to prepare you any of your favourite dishes.

the more i type about ekko the more i realise he is the best househusband out of the arcane gang. he can cook, he can clean, he's a provider - he is quite literally the entire package. him being a certified pretty boy also helps because everyone needs a little eye candy in their life.

this one is sickeningly sweet but for relationship milestones, and even just randomly, ekko will fully plan out a date night for the two of you. picnics on the top of buildings that overlook the neon lights of the undercity, just the two of you. it's so intimate.

physical touch. now this i truly will be taking no arguments on. receiving physical affection for ekko is huge. we all saw how fast he hugged benzo in the alternate au!!

with so many people from his early life either dying (benzo, vander, claggor, mylo) or leaving (jinx and vi), ekko hasn't really had anyone to offer him any form of closeness. sure, he has the firelights. it just isn't the same though.

so when you come along with all the tender hugs and fond touches that he's been deprived of for so long he knows he's done for. consider him addicted. even just clapping a hand on his shoulder after a fight, hell, LEANING ON HIM?? that man is YOURS to command for now until the end.

knowing you're just physically there and not going anywhere - not abandoning him - he's content to bask in your presence.

quick kisses and brief glances at each other come in abundance. if you're not at the firelights base then you're on the go. it's these times that make you both appreciate the time you have with each other. ekko plans to take full advantage of the downtime you both have between missions. don't expect to stray a few feet from each other.

silco — acts of service. silco's acts of service are usually communicated through orders that he gives his goons. say you offhandedly mention that some shimmer addicts have set up camp in the alley next to your apartment. when you leave the last drop and go home you notice that those shimmer addicts you briefly complained about? gone. without a trace.

i feel like he prefers to give out acts of service to you as a kind of 'i can provide for you, don't leave' kind of thing. you don't need to ask silco to do something, he'll take the initiative. he wants you to view him as a reliable provider. this sounds very 50s but he's an old fashioned kind of guy so it checks out.

not the kind of guy to do chores at the start i'm afraid. he has people for that. maybe you can convince him to wash the dishes after you cook you, him and jinx a meal. but never and i mean NEVER will you catch this man hoovering or mopping the floor. that is just simply not going to fucking happen. you'd have better luck asking him to quit smoking.

not gonna lie he just lightens the load of whatever jobs you need to do so you can spend more time together. the famed eye of zaun is clingy.

physical touch. actually controversial take no way CHILLS! similarly to jinx, silco wouldn't actively look for physical touch in any given situation. he's obviously traumatised by his former best friend choking him out and drowning him underwater. not to mention completely brutalising his eye.

jinx is likely the only person he would willingly let touch him. not even sevika on a good day gets that privilege. you would need to spend a lot of time gaining silco's undying trust. only when you two are emotionally close will you be able to share his touch.

buying you jewellery just so he can feel the warmth of your body heat as he clasps the necklace around you neck. silco is very subtle and sneaky when he wants to be close to you.

his neck is off limits to everyone, even you. placing your hand on his collarbone whilst entangled in bed together is the furthest you'll get.

vander — physical touch. oh i just know this man gives the best bear hugs. physical intimacy with vander is just safety incarnate. when he takes you into his arms it really feels like a breath of topside air after a lifetime underground.

i don't think vander would really like being with a partner that didn't enjoy physical affection. it's not only a bonding experience for the both of you to engage in but also a display of trust that he deeply values.

conveying his love for you with intimacy, non-sexual and sexual is something he cherishes. the level of mutual understanding and relationship building that comes with it is indispensable to vander. basically the keys to a successful partnership with him.

that little symbol of love in the undercity where two people touch their foreheads together? that's the most significant way you can show that you truly care for someone and it's vander's favourite way to connect with you in moments of peace.

words of affirmation. vander is the type of guy to not necessarily need words of affirmation to feel good about himself but will appreciate it all the same. he tries so hard to be a good example to the kids and in general to the populace of the undercity. he wants this life to be better. he wants to be better.

he's the leader, the protector, all the pressure is on him. affirming his efforts through words goes further than you might think.

it's you and him against the world. the brewing political storm that plagues both the undercity and piltover is little more than a distant thought when you're whispering honeyed words to and fro in the dead of night. for a man with such an imposing presence, telling him that you love and need him makes him weak.

with your words of affirmation, he's more certain of his role in the undercity than he's ever been. you renew the passion he had in youth, he wants the best for you and will do whatever he can to obtain it.

viktor — quality time. viktor is all about sharing the same space as his partner. with him being the co-founder of hextech, it's difficult for him to find time alone to dote on you. which is why you''ll often find yourself in the company of viktor (and oftentimes jayce) in their lab, them working on a new use for hextech, and yourself either studying or simply watching the magic (literally) happen.

when jayce is off being the poster child of hextech or following councillor medarda around like a lost puppy, you and viktor will settle into comfortable silences. usually with the only noise being the tinkering of science equipment or the quick scribbles of pen on paper. there's no pressure to fill the room with unnecessary chattering. just you being with him is enough. your presence is akin to a relaxant to him.

sometimes most of the time you'll need to remind him to take breaks when you've been there for hours on end and he's showing no signs of stopping or slowing down. it's a practised routine at this point; he refuses, you leave it alone for five minutes, during this time he is sneaking glances at you when he thinks you aren't looking, waiting for you to ask again.

when you do, he feigns reluctance as you grab his hand to get you both some fresh air and a proper meal. he might actually be part cat now that i'm thinking about it. he just can't help but love spending time with you.

words of affirmation. actions speak louder than words? pft, yeah right. communication is deeply valued by viktor. he's exceptional at deducing someone's intentions behind their words so don't even bother trying to get something by him. it won't work. you try to plan surprise birthday party for him? he's one of the first people to find out about it.

so when you earnestly tell him how special he is to you or how appreciative you are of him, he knows it's 100% what you actually think and BOY does that fluster him more than anything.

he isn't very big on compliments, not that he doesn't value the ones you so willingly give him, but he finds it hard to accept the good and beauty you see in him. there will always be a part of viktor, machine herald or mortal man, that refuses to believe he could be good enough for this type of love. when he retracts inside his mind and lets his doubt drown him, it's you who can pull him out of the water and onto land. telling him that you love him just the way he is will silence his uncertainty.

oh you know what would just about finish him off? making him a lunch box and putting a note in there. it doesn't having to be something poetic, even a simple 'i love you ♡' will be at the forefront of his mind until he gets back home to you.

honestly, if you're someone who expresses their love through words of gratitude or proclamations of admiration then a relationship with viktor will be smooth sailing.

[boopshoops]

What your favorite TWST character says about you :)

As a note before I begin: I saw one of these that shamed malleus and randomly even chenya enjoyers- (claimed that they were pick mes or something? 😭) so i wanted to make one that was more positive out of spite <3 make it more about the writing and why people appreciate the characters. Take each of these with a grain of salt i spose- also a lot of them share similar themes <3

(Aka fans who have different views or even blatantly incorrect views of characters will always exist everywhere, but insulting the entirety of a group solely for enjoying a character, many for different reasons, is probably not a great idea!

I get that sometimes people suck and thats understandable, but quit generalizing ok? Ok.

From a malleus enjoyer who just thinks hes a silly little guy and im tired of feeling like i have to defend myself bc he's my blorbo 😵‍💫)

Final note: i love unapologetically taking frustration and turning it into something that can make people smile 💕 also i blindly wrote this from 11pm-midnight :))) dividers by @/cafekitsune!

Heartslabyul:

Riddle: you enjoy and/or relate to the idea of healing from the past. Working hard to improve oneself for the ones around you and yourself: creating a healthier environment where you can be happy

Trey: there is immense complexity in things that are seemingly mundane. Digging deeper and deeper to find something truly sweet and heart warming is your joy.

Cater: maybe you relate, or maybe you used to, or maybe parts of the connections made in the past/presence/future dont feel as deep as you truly want them to be. There is something beautiful about a desire for genuine human connection, but also peace in being alone. There is a safe space for you yet, just be patient. 💕

Deuce: you love drive and determination. An endless stubbornness that keeps one going against all odds. Against every person who tells someone they cant. You watch them get proven wrong, and its pure bliss.

Ace: you find the connection between people beyond words heartwarming: even the seemingly simple ones. The ability to have a connection with someone who can get up to some mischief, tease back and forth, yet be there when you need them to be one of the most valuable things.

Savanaclaw:

Leona: Adversity over a lack of belief in oneself is a very difficult thing to overcome- yet it is very possible with the right crowd, the right amount of time, healing, and effort. You think someone's worth lies more than just within their title/job/appearance, but within the fact that they are able to stand back up and keep moving onward despite the odds. The hope for that change, and the ability to get out of bed in the morning on its own is strength.

Ruggie: Despite being through so much trauma at such a young age, recovery happens anyway. Its not perfect, at times the lessons learned are even rough. The survival tactics that once helped are now hard to ditch when theyre not needed anymore, but the ability to smile and joke and keep pushing onwards is something you value in life.

Jack: Self discipline can be both extremely useful as well as harmful in different ways. You find the way people can constantly strive to better themselves at what they love and/or morally to be highly admirable.

Octavinelle:

Azul: People can be cruel. And sometimes that cruelty inspires cruelty. Sometimes its simply used as a way to move on and survive insecurities created from it. Its hard, its a fight, but those insecurities are part of what make people beautiful. They are nothing to be ashamed of, and even the many tactics and smart ways of learning to overcome cruelness can be beautiful too.

Jade: The mind is extremely powerful. Intelligence and knowledge are not the only important things, no. Using that intel to find entertainment in the surrounding world can be exhilarating. Finding and discovering new unknowns: learning their ins and outs until they're a part of you is something you can relate to.

Floyd: speaking of fun- you love what is essentially the written version of a roller coaster. Ups and downs, ins and outs. Every single twist and turn is exhilarating and new. Every different perspective provides new insight into a multitude of different things. You are along for the ride, and you are having a lovely time.

Scarabia:

Jamil: self discovery can be very difficult after purposefully suppressing parts of one's self for a long time. Yet, the healing happens anyway (once again aha <3). People discover new parts of themselves, slowly becoming more comfortable not only with their environment, but how they react to it. The discovery is freedom, and freedom is bliss to you. New traits about oneself bloom like a flower: if not in the soil, then stubbornly in the cracks of cement. You gently take that bloom from the concrete and pot it, placing it gingerly in a beam of sunlight.

Kalim: Happiness isnt only sunshine to the one smiling, but to everyone else around them. It is delightfully infectious. However, happiness isnt a constant. You think emotions all emotions should be experienced rather than suppressed, because holding back sadness for the sake of others is a disservice to one's self. Discovering your own emotions, any range of them, is what makes people uniquely human. If anyone is holding those emotions back- hell, any part of them back, they need to be let out of the cage.

Pomefiore:

Vil: "Beauty is on the inside" is a saying thats been around for a long time, but beauty comes in so many forms. It can come from the stubborn desire to improve one's self: to be kinder, to help those around you, to be good. However it is impossible to be perfect. At times, for some, this can be crushing. People are hurt unintentionally, natural frustration can brew, the wrong actions can be taken: and thats okay. You believe whats important is to pick yourself up and keep going. To err is to be human, and that is beautiful too.

Rook: Error is beautiful. Symmetry is beautiful. Asymmetry is beautiful. A crack in the side walk is beautiful. Small things are beautiful, big things are beautiful. The nurturing of something through endless care is beautiful. The undeniable traits and hobbies of every individual that make them unique are beautiful. You find the endless optimism in finding beauty to be, in itself, beautiful.

Epel: Sometimes people will view others in ways that they wish not to be perceived as. This isnt in our control, as much as we sometimes want it to be. All you can do i be unapologetically yourself. To be you to the utmost degree. To prove those who thought otherwise to be foolish. You find this strength to find value in yourself despite others opinions admirable.

Ignihyde:

Idia: you have depression /j

Ok for real-

Life can be such a cunt. It can beat a person down, down, down and leave them vulnerable enough to fear it. To fear that beating, whenever it may next come. The anxiety of never knowing what or who will come next, or what one could lose. At times it feels more comforting to find a routine in solitude. But you know that the small things that give joy will wiggle their way in with time. The broken will meet people who love and care and find comfort in the companionship of healing, even from the little things: like a new story to read or game to play.

Ortho: You value unconditional support. Support through everything: the good, the bad, the just kind of okay. Knowing that someone can have ones back for every little thing- to be there solely because they care and wish the best for others- is something you look up to and maybe even wish to be for another.

Diasomnia:

Malleus: god damn people can be so hard to read and understand. They are so complicated: they are books you have to pay attention to from start to finish. But once you reach the end, you have a deep seated appreciation for them, and for the ones who stuck around to read your book too. Even if it was just for a fleeting moment: it is a happy moment. As painful as temporary things can be, it is also what you think can make the relationships we love and have loved so valuable.

Lilia: there can be suffering everywhere. There is war. There is famine. But there are also endless new sights to see. New discoveries to be made to help those still going through famine and war. New ways to love and understand people you never thought you'd understand. The development and positive parts of humanity, even though at times it can look bleak, are ever present to you. You love the discovery: of places and of people.

Silver: you believe that there is solace in being your own individual, regardless of who you are bound by blood to. Being shaped my experiences, friends, hardships, and new places are what make a person who they are. You value finding roots in and making your own home.

Sebek: Dedication can be a hard thing to come by, but when it does it can grab someone by the reigns. Using every waking moment to cherish that thing, learn more about it, become better at something, and strive to better ones self can be very admirable to you. But, on the other hand, it also calls for the occasional rest.

OTHER (just for ones I know well enough, sorry!)

Neige: You love kindness despite hardship. One can go through horrible things and still choose to be kind. The world could begin to end, and one could still choose to be kind, because it means everything.

Chenya: Curiosity fuels exploration. It fuels art. It fuels everything. It fuels excitement. It fuels friendships. It fuels medicine. It fuels life. Curiosity is endlessly fun, and you think that is very whimsical

Meleanor: Sacrifice for others can be tragic. Knowing what another person has given up for someone else, maybe even everything, is gut wrenching but undeniably a selfless love to you.

Crewel: There can be kindness in strictness. In teachings, there can be a parental guide. There can be someone who cares for you and undeniably wants you to succeed. They know that you can, so they push you towards it. You want this support.

Trein: Love surpasses time. When the ones we love are gone, the memories of them are still held close, with the love once given to them, we can show to others through advice and guidance that comes with time. You find comfort in that.

Crowley: People are flawed. We all know this, yet despite a persons flaws... however many there may be, there is still something hopeful and human about it. About having those flaws and persisting regardless. You may even like those flaws, and the unashamed desire to press on even with them on display.

Fellow/Ernesto: Live for yourself. This is what you desire. People are often caught up in material or monetary things. After all, we live in a world that required it to survive and even be respected. To throw away those views and simply live as you see fit: regardless as to whether you earn those things or not, is something you admire.

Rollo: Sometimes the attachment we have to those we lost can be painful. Regardless, that pain is proof that there was care and love. The things done for others, whether alive or dead, are done selflessly. Grief can fuel hatred, but it can also be caused by love. To unlearn hatred and learn to love again after the fear of loss is a natural human experience. It is a process you understand and admire those who take the time and strength needed to properly love again.

Thank you for reading <3

Tags <3

@lowcallyfruity @skriblee-ksk @justm3di0cr3 @cecilebutcher @kitwasnothere

@techno-danger @thehollowwriter @distant-velleity @the-trinket-witch @scint1llat3

@beneathsakurashade @qsoap @twsted-canvas @prince-kallisto @kathxrat-01

@sillyslipperybananapeel @jadelover69 @tixdixl @twstinginthewind

[olderthannetfic]

Hi OTNF and everyone,

I am finding that it's harder and harder and harder to get into anything - book, show, movie... most things seem, you know, to just not be doing it for me, be it fanfic or original stuff.

In part, I think, it's a general restlessness and that it's become harder to give anything enough time to get into the stories, the characters, the settings, the narrative voices... I guess you can call it attention deficit on my part, just a need for stories to deliver those sweet, sweet hits quickly, but they're not.

I'm not currently ficcing but I did for years (might again in the future, who knows), and it's made reading, specifically, harder. It's like I've become more aware of what goes on behind the scene, I guess? I feel like I can see the writer giving up on a sentence, skipping a scene because fuck this, trying hard to not repeat a word although it's the only one that fits, etc.

Or maybe it's just the *everything* around us in the world that is weighing on me too much? I could say it's adult life, but then again I have more free time than most (and boy do I need hours of doing nothing to survive the other hours), and no family/partner (all that would put even more pressure on me): what is wrong, to make everything so UGHHH?

I feel like I'm stuck in a rut with a brain moaning feed me, feeeed me, and whatever I try to give it, it spits everything out. (Yes, I've tried hobbies, and nothing sticks there either. I've never really found rewards or satisfaction there, so...)

Decades ago as a kid, I was a voracious reader, although studying literature took the pleasure of it away from me. It took time and discovering fanfic that brought me back to reading, but at the time the internet was starting to be a thing, too, and it can't have helped the attention thing. AFAIK I'm not ADHD but then again, I couldn't get a proper diagnosis (the therapists I saw were either dismissive or just about The Talking, which was pointless for me).

I just wonder how it all disappeared, you know? Sometimes I find something that catches my attention for a while - a book (but I read quite quickly when motivated), a fandom... but it's been a while now, and it's just so frustrating! When is it going to come back? Will it ever? *gulp*

I know that books were escapism when I was a child, and then fandom was escapism, but at the moment I find myself grabbing at air and my empty hands are mocking me. Give me my escapism baaaaack!

So, uh. Anyone here with me?

--

Yes.

I felt like that during part of lockdown. Anhedonia is common in those kinds of circumstances.

Getting your mojo back is certainly possible, but you may need to go see a professional about depression and have some chemical assistance (yes, even if you don't feel sad per se), or you may need to change your lifestyle to one that doesn't have the thing causing you to need eleventy billion hours of downtime.

Aside from serious interventions like that, you can consider a social media detox. Remove every source of doomscrolling and time wasting of that type. When the attention span is zero and nothing brings joy, the tiny and useless hits from finishing a game of solitaire or seeing one more instagram post become very attractive. This is a trap. It will suck what little energy and joy you have and make your muscles flabby for the work of getting into an in-depth book/hobby/experience.

I know the feeling of being able to see how the sausage is made, but... well... first, being in a better mental state will make that matter less, and second, reading prose that is more competent will make that less of an issue. A lot of mainstream tradpub genre fiction is not, in my opinion, very well written these days. Obviously, people are still enjoying it, and that's fine, but if you're noticing writers fumbling around, it might be time to check out some literary fiction or some other category known more for prose quality than anything else.

It's also important to have some structure and some things to look forward to. Even if you feel tired, overwhelmed, and busy, sometimes, the answer is to do more... But it must be things that are distinct and significant and that get you off of the couch, like going to one museum every weekend.

I saw some advice once about this kind of thing that phrased it as "One big adventure; one small adventure."

Every week, you should have those two things to look forward to that matter. Check out a new coffee shop. That could be the small one. Go to an event: a gallery opening, a concert, whatever.

Physical exercise and doing some things that aren't as verbal and conscious thought-involving is important too. Painting is a better hobby for zoning out than writing is. Taking long walks in nature is good for most people.

--

The kind of intense, obsessive love I had for reading as a child and that I sometimes have for fandom requires a lot of attention and some time. It's escapist, but that masks how much work it actually was. It didn't feel like work only because we were in training.

If you've filled your brain and your day up with a thousand petty annoyances or minor and useless attempts to feel something, you won't have the capacity for those deeper things.

Because you are already at a point that's equivalent to a bad sprained ankle, trying to get back to running right now won't work. You have to stay off of the ankle for a bit, then build your strength and stamina back up.

[markrosewater]

hi Mark! i noticed in "#1202: Psychology" you didn't make any mention of the two aesthetic profiles Vorthos and Mel, and i was wondering whether any of the decisions being made specifically take them into consideration. like i ask this because one of the biggest changes to Magic this year (UB coming to standard) is something Vorthos care the most about but it seems like nothing has been done to directly address them as an audience

The aesthetic profiles aren't rooted in psychology like the psychographics, so that's why I didn't touch upon them in the psychology podcast. I'll probably do another aesthetics podcast one day (I did one as part of my "20 Lessons" series) and I'll talk about them there.

The concept of Vorthos, at its core, is about appreciating the creative elements of card design above all else. Many Vorthos adore Universes Beyond because we've done a very good job at capturing the various properties in Magic card design form.

But yes, there's a subgroup of Vorthoses that care specifically about Magic's creative world building, characters, and story. We're spending a lot of time and energy to make sure the products set in the Magic multiverse are doing a good job of representing it. 2024 had many successes (Bloomburrow, Duskmourn, and Foundations) in this area, but also some failures (Murders at Karlov Manor and Outlaws of Thunder Junction). The creative team is trying to learn from them and lean more towards the type of creative execution that make this group of Vorthoses happy.

As I've been saying a lot, Magic excels at being additive, but has issues with being subtractive. If you want cool Magic settings and characters and stories, we can and will continue to do that. If you want us to stop doing non-Magic settings, characters, and stories, I can't help you there. There's a big audience that enjoys that and so we're making it for them.

I do hear that there are players that are sad that non-Magic elements will mix in gameplay with Magic elements. There will be many limited formats, and a few constructed formats (like Cube or Premodern) where you can avoid that if it's important to you, but the number of players who will only play with in-Multiverse components is low enough that it's not something we're focusing on in the main sanctioned formats.

It's not that I'm not sympathetic. Go back ten years and I was one of you. I fought hard against non-Magic elements for many years. What finally swayed me was seeing how much I enjoyed it when a license that I truly loved got brought to Magic. There's something so exciting, so glee producing about combining two loves, that I became a convert. I want to make people as happy as I was made.

I know this isn't the answer you want to hear. I try to use this blog to be as honest with all of you as I can. Magic keeps changing and evolving because we try to do things that players will love, and there are a lot of players that truly love Universes Beyond.

That said, we're not abandoning in-Multiverse Magic. We're still making three sets a year (the standard for the majority of Magic's life), and we're truly taking to heart the lessons of 2024 (more worlds that are our carefully crafted take on the tropes and less just a place to show them off). Making the Magic multiverse the most compelling and exciting thing possible is still our goal, and there are a lot of people working really hard to continue to do that.

I think the future is bright for the Vorthoses, but I truly understand why some of you are sad with Universes Beyond coming to Standard.

[under-loch-n-key]

I know it’s been a while since I post so here’s some Hazbin art. I may upload some more Lucifer and Alastor stuff in the future. I honestly gave up on this because my app kept crashing so it’s kinda messy in some places and a bit all over the place.

This takes place after season 1. Lucifer is trying to heal Alastor’s wound and senses a foreign energy in him. Then a bunch of arguing later, he finds out that it’s Lilith. So, then it clicks for him as to why Alastor was/is at the hotel.

I’m currently working on a fic of it so if you’re interested in reading it, maybe I’ll continue it. I’ll just have to see how my motivation is. [,:

—

I do make ship art of them but as an aroace person, I don’t think I’ll be making any NSFW stuff of them because idk if I feel comfy about that. I’ll just see what I’m personally comfortable with in the future though! If I do, I will NOT be anything too graphic or intense because yeah, no.. the art that will be uploaded of them will mainly just be crack/chaotic art and fluffy, domestic stuff of them. Lol.

Soooo, anyways, enjoy my phone doodle! I cramped my fingers drawing this and wanted to chuck my phone across my room because I had to restart this drawing multiple times because my sketchbook app would crash and wouldn’t save anything. QvQ 💛

(This is also gonna be a mini-comic so this is just the first panel of a very short comic thingy. Lmao.)

—

(Also, side note, if you don’t ship it, that’s fine. However, please do NOT attack me or any other shippers in reblogs or comments with the statement of us betraying the aroace community or something like that. I am Aroace myself and it’s hurtful to be told that by people who I share a fandom with. I am on a similar spectrum as Alastor and it’s very hard for me to develop those kind of genuine attractions but that doesn’t mean that myself or other aroace people are not capable of those things. I feel infantilised when I see non-aro and non-ace folk speaking up on our behalf. I don’t mind it, per se, but when they act like they are the final say of our community, that’s where I personally take issue. If I am offended by something, I will speak up, I feel like I’m being treated like a child when people do stuff like that.

I do not personally need a non-aroace person speaking up on my behalf. I’m not offended when I see ship art regarding the character of Alastor. I DO get offended when people completely erase his asexuality, act like he has no idea has his anatomy works/infantilise him, erase his boundaries, etc. if you’re making art and fics with care and consideration toward his identity then I’m completely okay. Just be respectful.

I have seen/read some NSFW stuff regarding that character where the artist does handle it with care and respect. I have seen others that.. well.. don’t do that. Lol.

If someone is being genuinely disrespectful toward my community then please say something but DO NOT harass people over simple domestic SFW fanart. Just be nice to people please!!!! I will turn off comments or remove the comments if you attack people over a ship. Know that I am NOT the final say either. This is my personal input and opinion and do not take this as gospel!)

Art is meant to be loved and enjoyed. So, just enjoy and be kind to people please! 💛💛

[midnight1nk]

Helloooo while I'm here I wanna ask so- the song that was out of nowhere released on the smg4 spotify

I didn't see anything (also can't check twitter rn if anything's on there about it) and I listened to it right and it's.... odd? I wonder if it's like, intentional. As in that they meant to put it out, especially cuz to me, as I think about it.... it feels- AI generated? I mean, hopefully it's not but there is a chance that it could be.

BUT if they weren't hacked on spotify, something I've never heard before- but if they weren't hacked and it isn't AI generated, what could it be possibly for? Especially because it's so different from music they released before.

ah yes, the flareglow situation, hmmm. Haven't heard anyone from the Team come out with an official comment, so we're gonna have to make some concrete "assumptions"...

Scenario 1: Spotify Sucks

We all are no strangers to social media platforms glitching out/not working. There were even several times when all the songs disappeared from the SMG4 profile. So the simple answer is: Spotify just sucks.

Plus, I did look around and, according to @/Minions_Fanboy on twitter, the real artist is smgwave/smg4wave on tiktok. I haven't been able to find the user (yet), but we'll see.

In other words, the assumption that most people had about the "account got hacked" is completely valid.

Scenario 2: The Strangest Clue

Everyone, put on your tinfoil hats because we're about to get silly! :) If this was meant to be intentional, then this is definitely the strangest puzzle (haha get it) we had so far.

(more below cut)

the cover looks like it was made in GMod

all the artist credits say that it's "Smg4"

song is posted on spotify, apple music, heart radio, and youtube (those topic channels but no the SMG4 one)

4. then we have the lyrics, which I tried my best to decipher:

I know (we got); I know (we got); I know you train so hard, We got to save the world; We won't win if we don't (play/plan???) now, I know you have to change around; (x2) Can you please (live??) some more, thank you; (Stewey/steady???) unless; I know you stand for something; I know you train so hard (x4), So hard, so hard (wow); I know you train so hard, We don't (play??) if we don't get; I know you train so hard (x4), We don't win if we get

(I had to listen this on loop to get it close enough holy shit) ANYWAY I can totally see the AI vibes coming from. Since no one has come out to confirm if this really was AI, either way I say "ew". If this is the Team trolling/teasing us (which they kinda have been), then this is one from the music department going "lmao gottem".

But if this is supposed to be part of a puzzle.... (oh no, not the FNAF box goddammit)

Would it be weird for me to say that the beginning of Flareglow is a slower arrangement to Mr Puzzles "It's TV Time" theme??? (ok you can boo me off the stage now) I listened to it side-by-side and some of the beats sounded familiar but maybe my mind has really gone coo coo crazy

apparently someone said that there was a bit of Mario 64 motif in it, especially at the end (not confirmed and still searching)

Not that I support AI (and don't think anyone in Team does) but having it sound like AI may communicate that "something is wrong" and that we the audience would suspect it. Plus the electro beat gives off the glitch effect.

Cover's obviously made in GMod but somehow it's both unassuming and bizarre. We are all familiar with how the SMG4 show uses GMod and their song covers, but you wouldn't think this cover and song would belong to SMG4. It's meant to throw us off and perhaps ignore it entirely. Make us forget about it. The logic is:

SMG4 characters on cover = song's from SMG4

Based on the (awful) lyrics, the singer (Person A) is in the perspective of uplifting someone else (Person B) against a common enemy, final-battle sort of situation. Alluding to a future arc perhaps?

Whoever Person A is, they have been observing how much Person B trying to improve themselves/their powers ("training" being emphasized so many times). Whether it's to level up their skills or to control them, and yes they're two different things. The first people you could think of are SMG4 & 3, it's been a while since they have done some meme guardian power training, and are likely to have character development/arc. And personally, it's giving IGBP vibes. BUT it could also be Melony with her God powers and we did see her God form in the WOTFI '24 arc, but wasn't able to beat against Mr Puzzles (Maybe it was due to her lack of training?)

Regardless, Person B would have to face a moral dilemma. In the events within the song, Person B might have to make a choice that may be out of character for them to do, but for the sake of the world, they have to. Person A reminds them that it isn't out of character at all, and it's based on what Person B believes in. And Person A knows them too well to know that.

They're both running out of time and Person B may feel insecure about using the skills/powers they have been training for, but the choice Person B makes would be to save everyone. Person A & B together. If they lose, it would really be over.

Watch it be entirely wrong by someone from the Team LOL. Well anyway, those are my thoughts and if anyone has anything, send an ask/comment!

If we strangely get a confirmation that it was intentionally released by the Team, I might make this song an honorable mention to the goop!4 website ig

[ravenstargames]

Hi!! I'm unsure if you guys will see this, but after reading your 2024 wrap-up I wanted to send some well-wishes for the future!! ^^

I've always been more of a lurker, but I just wanted to say you guys inspired me to pick up on my drawing and writing again. I'm especially a sucker for worldbuilding, and your whole idea with limbo has honestly gotten my creative juices going! I can definitely see you have created the world and characters with a lot of love and attention, something that I aspire to do as well.

For what it's worth, I'm so so glad you guys were able to power through your rough start and that you are here today, not only as the devs of what might become my favourite vn, but also as a fantastic team of talented and brave people to enrich the storytelling scene! I believe it takes a lot of courage to put oneself out there for the world to see(especially as first time devs!!), but I honestly think that despite some little accidents you guys have done very well, and can't wait to see more of what your galaxy brains will come up with.

I'm happy and proud to see your dream slowly but steadily become a reality, and as I did with kickstarter, I'll be thrilled to continue supporting you when the game comes out 💕

That's it for my little appreciation message, sending you guys a lot of hugs and cookies!!

Anon.........

I just wanted to say that we read ALL your asks. Every single one of you who spends time sending us encouraging words, sharing your experiences with us—we read all of you. We have 457 (and counting) asks in the ask box so we may take a while to reply, but please know that your words matter a lot to us.

This was such a beautiful read. I'm so happy to know you've found the will to draw and write again, and I hope you can enjoy it and be proud of what you do. Knowing we've inspired you to pick it up again is the best compliment we could ever receive, and as I always say, we promise to keep working hard even if we make mistakes!

Remember that creating is the greatest expression of the human soul! 💜

[vonbabbitt]

Throwing this in, though I know you have a post saying you're taking a break: I quite like Tetro. The story is exciting, and incredible. You've done an amazing job piecing everything together, and it has lead to me pretty seriously looking into following the footsteps of this project with a story also told in this audio format, since you demonstrated so clearly not only how this was possible, but how this could be done so well for a Killing Game specifically. The latest events, the latest death, as made me incredibly sad, and I feel a lot of emotional turmoil over losing both victims. But despite that, I have enjoyed the loving, losing, and worrying for the future. That's amazing. All of it is amazing. I have my theories and conclusions about who may be guilty and who isn't, but based on the posts I read, I mainly wanted to express an amount of thankfulness that the series exists at all. It's even lead to me writing fanpieces for some character interactions, and I imagine I have a few more in me from all that's gone on. Not only that, but the hard topics of this series have meant a lot to me. Yanagi and Tsuno have especially felt really close to home. The stories they talk about and the things they deal with matter in my own life. And the series as a whole has made me cry over stuff that mattered to me much more than any other media has done in the last year or so, maybe longer, in even broader strokes. All the characters don't just feel like people one could meet, but people I have met. People I have known. And some of those conversations feel just like ones I've had in my own life. You've done something incredible, and the writing has connected to me deeply. And though I can only speak for me, I doubt I'm alone in this. Thank you for this project, and thank you for sharing it so broadly, freely, and completely. Thanks for writing it, and writing daringly, maturely, and earnestly. At least, such are the ways I would describe it.

I hope I can cross paths with you sometime in the future over a creative endeavor. But in the meanwhile, I'll be tuned in to whatever you do for this, and for whatever comes next. As these things are called asks, if you do decide to respond: Who on Tetro is your favorite? Is it the same from when you were initially writing it? And what lead you to choose an audio drama as the medium in question? Thanks, and see ya at the trial.

thank you very very much, im extremely glad that youve been able to connect with my writing on that level and i hope that others have as well! i really enjoyed the writing process for tetro so its always really cool for me when others can enjoy my story as well

also, my favourite is hama! that changed a lot during production, but ive settled on hama as my goat forever i think. sorry to all the other favs i abandoned along the way

i chose the audio drama format because ive always really liked being able to picture things. when i was a kid, i used to fall asleep to audio books every night, and i really liked being able to picture the characters and stories as they were happening. i would always be so disappointed when id go to watch a movie adaptation of a book i liked only to see that everything looked different from in my head lmao.

i also think audio is a really fun format for this type of story! it was a fun challenge to get my points across without having visuals to back my writing. i didnt have very much faith in my ability to do this at first. tetro was originally planned to have a narrator because i didnt think id be able to tell a story without one. when i realized my writing could stand on its own, i took out the narrator and just let myself carry it as best i could. i think it made for some really fun opportunities where the impact of a scene just wouldnt have been nearly as strong if there had been visuals or narration.

i think [Ice Fairy] is a highlight of tetro in terms of audio storytelling - same with [Good Child]. having only audio forces you as the viewer to take a moment to figure out what's happening, which in turn gives you an "oh shit" realization moment that really helps the impact of a scene like [Ice Fairy] or [Good Child]. there are still some more really cool examples of tetro utilizing its format left to come - i hope you enjoy them when they do!

[wavesalwayscrash]

I've been listening to the spotify playlist and have been wondering, if each mainish character was a song, what would each of their songs be? Or maybe less what song would they be and what would their favorite song be? Any on the playlist or are those more story based songs instead of character based songs? Love the story and I'm excited to see more of it!

The songs on the playlist are just any song that reminds me of the character or the story. A lot of them are specific character songs or like. Character dynamic songs. (and also I love talking about songs that fit my ocs so here ya go)

Lain: Ptolemaea - Ethel Cain (I would like to make a lain video with it someday but it would be. a lot.)

Mariner: Amen - Amber Run

Canary: The Sea is a Good Place to Think of the Future - Los Campesinos! (makes me cry when I think about Mariner and Canary too hard.)

The King: Why We Build The Wall - Hadestown (Original Cast)

Condor: I can't Decide - Scissor Sisters (not on the playlist bc it would ruin the playlist's vibe SO HARD but I can't deny it's the most condor song)

Warbler: Rule #4 - Fish in a Birdcage - Fish in a birdcage

Grouse: Red Hour - tart

Crane: Mother Knows Best (Reprise) - Tangled (doesn't fit the plot like .at all. which is why it isn't on the playlist, but the vibes are super crane)

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[kbookblurbs]

Wind and Truth - Brandon Sanderson (Stormlight Archive #5)

4/5 - midseason-finale ass book; he needs to scrap this editor; this book simply never ends

MAJOR SPOILERS BELOW!! LIKE FIRST LINE!!!

We finally come to the end of the first arc of the Stormlight Archives and they are going to need a new name. Before we dive in, I want to clarify that I did enjoy this book! I think it tackled a series of very hard-to-conclude plotlines in a relatively good way, and I think it sets Sanderson up for success in the latter half of this series. With that said, I'll be splitting this review into four parts:

Kaladin, Szeth, & therapy speak

The Spiritual Realm plot

Azir

Book mechanics

Kaladin, Szeth, & Therapy Speak

Now first of all, anyone who's read anything I've written knows I love Kaladin - he's one of my favorite characters of all time and his journey through depression is one of my favorite parts of this series. That said. I find the whole timeline of this healing to be highly suspect, and his attempts at therapizing embarrassing at best and deeply annoying at worst. What context is there for him to go from literally attempting suicide in the last book to semi-competent therapist in no time at all? Need I remind Sanderson myself that there is no time skip between the end of RoW and WaT?

The language is also just bafflingly modern in a way that nothing in this series has been before, but we'll get to more on that later.

The flip side of this criticism is that Szeth's plotline was easily my favorite of the book. His completed arc might rise to rivaling Kaladin's (thus far) in terms of how much I enjoyed it. His backstory is so tragic (slay for the almost successful military coup though?) and I truly believed he wasn't going to make it through the book until the very last page. His moments with his father, in the past and present, brought me to tears more than once.

The Spiritual Realm Plot

This whole plotline took too long and frankly, it was boring. Watching Shallan slay her demons for the umpteenth time and deal with Formless again and kill her mother again was, and this may be controversial, not a very interesting plot point to me. She's done all this before. I feel that this book, as a whole, gave diminishing returns on her pagetime to character development ratio. I also don't feel that Shallan, with all her everything else, needed a Herald as a mother as another twist, but maybe that will be more relevant in the future. For that reason, and that reason only, I'll bite my tongue on criticizing it unnecessarily

While it was nice to see Renarin and Rlain get together, I have to admit that Renarin's POV didn't add much for me. I think Sanderson could have written the entire plotline for these two from Rlain's perspective and it would've been far more interesting since he is, in my opinion, the more interesting character between the two of them. Renarin's POV does not reveal anything that isn't already clear from other POVs.

I also just wanted more of Ba-Ado-Mishram. She was haunting the story but not present. I understand that's likely for later plot reasons, but it did make this section drag. Dalinar contributed to that but  we don't have time to get into that right now. I was happy he died though (long overdue, in my opinion).

Azir

Adolin #1 character of all time? The only one to save their assigned city and did it with 0 Radiants and the power of friendships? Nobody is doing it like him.

I loved the founding of the Unoathed and, particularly, Yanagawn's development. I'm really hoping that Yanagawn becomes a more important character in next major arc, since he was so sweet here.

I did not love that we spent probably 25% of the book in Azir fighting battles. Contrary to the opinion of Sanderson many fantasy authors, there is an upper limit on how many battles you can include before I get tired of reading them. There's only so many ways you can swing a sword or block a pike etc etc before I'm bored.

Book Mechanics

Overall, I find this concluding book to be much weaker than the other 4 in the series. Whereas it had seemed that the pacing was improving in Oathbreaker and Rhythm of War, here we were back to all over the place. While I liked that he split the plot into each day leading up to the contest, the timeline genuinely made no sense.

Beyond that, this entire book was filled with oddly YA-style prose that has never appeared in the Stormlight Archive until now. I think whoever edited this book must be different from the other four because, in my opinion, it was much too modern, not as tight, and frankly, not as good. And I know this might be controversial, but I did not think Maya calling Adolin a slut was funny. Why would she even use that word? Whore or prostitute would've been acceptable because they've been referenced here before but I found that example and others like it to be jarring.

Conclusion

I liked this book, but it's by a longshot my least favorite in the series. It was too long and frankly, some of the characters didn't even sound like themselves. I know that Sanderson can do better than this, but it leaves me a little wary for the next arc.

There's lots here I didn't cover (Jasnah my beloved, Sigzil! I'm in mourning) but this was already quite long. DMs / ask box are always open if you'd like to chat more.

[flightyfiona]

So I was a bit busy for most of 2024 (long story, not relevant) but towards the end of the year, I felt like I had a bit of time and @dangermousie was posting such gorgeous gifs of Fangs of Fortune, that I was lured back to CDramas. Since then, I have watched Fangs of Fortune, Dashing Youth, Blood of Youth, Under the Skin, Blossom; parts of I Am Nobody, Back to the Brink, and My Journey to You; and I’m currently watching The Blossoming Love and Moonlight Mystique. 

I may need to update my favourite CDramas of all time list, because Fangs of Fortune and Blossom were both amazing and I loved them to bits. 

Fangs of Fortune is the most gorgeous TV show I have ever watched. I cried so much and I’m still not over how much I loved the characters, the music, and how carefully everything but the plot was constructed.

Blossom is the exact type of time travel story that I love the most in a guilty pleasure sort of way. I also adored the mutual respect between the main male and female characters. It was pretty. It was fun. I was very satisfied with how the story played out. 

Under the Skin is one of the few modern CDramas I’ve watched. I enjoyed it, though I very much see Shen Yi’s artistic abilities as a kind of magic more than anything scientific or realistic. I don’t care very much about the cases or if they’re predictable or not. It was just fun for me to watch Shen Yi frustrate and amaze his more typical detective partner with his magic art, insight into the minds of suspects and victims, and total disregard for his own safety.

Dashing Youth and Blood of Youth were also fun but not in a way that truly delighted me like FoF and Blossom. Hou Minghao is very handsome, and I’m a bit of a sucker for ride-or-die friendships, but I didn’t love the characters or plots and I feel like Dashing Youth had some production issues that made it look a bit cheap sometimes. 

Speaking of productions that look a bit cheap–Back to the Brink is one that I started in 2023 and then abandoned in the middle. Hou Minghao is still very pretty in it, but the show was not well made. Maybe it’s the way the different shots and takes and camera angles were edited combined with very cheap-looking costumes and props, but I find it hard to watch. Maybe partially the plot/script, too. I don’t blame the actors, I think they did pretty well, but I may never finish watching the show.

I’m sure anyone still reading this has a good idea of why I picked up I Am Nobody and what parts of it I prioritized watching. I rarely watch modern CDramas, even with fantasy elements, but I’m willing to make a few exceptions. Wang Ye might actually be the Hou Minghao look I find most attractive and his fight with Zhuge Qing was well worth watching. 

My Journey to You is very pretty–the aesthetics are pretty similar to FoF–but I’ve never been able to really get into it. I started it back in 2023 and gave up after a few episodes. The whispery dialogue combined with the tense, back-stabbing sort of atmosphere make the viewing experience uncomfortable for me. I want to like it, because it is pretty and I like a lot of the actors in it, but it hasn't really clicked with me yet.

I’m still surprised I started The Blossoming Love. I am not at all attracted to the main actor, in fact I find something actively off-putting about his face, but the OTP of the show is just too powerful. I’ve watched the first 8 episodes and I really enjoy their dynamic as flirty, forward FL and flustered, noble ML.

Moonlight Mystique is the current show really gnawing on my attention to everything else in life. Bai Lu is still as beautiful as ever (probably the prettiest actress, in my book), though her character is a bit annoyingly arrogant. Ao Ruiping somehow is evoking Cuteness Aggression in me even as he prowls around in his flowing demon peacock robes and occasionally chokes his future love interest. The aesthetics of everything else are… not my favourite, but I’m willing to roll with it for now. At least the camera and editing work is not as jarring as Back from the Brink.

[catcherwrites]

TDP S7E7 Rewatch (feat. my commentary)

Everyone’s suiting up for a hero shot! I love the owl griffons

Number one rule in media: if you explain a plan before it’s been executed, there is a 95% chance that the plan will fail

“Big help” callback to Ezran’s line in S3?

The fact that Soren and Corvus were explicitly sent on the Zubeia mission and Terry just…tags along without being asked. He’s just happy to help :)

I absolutely ADORE Astrid asking everyone she meets if they’re Aunt Amaya and complimenting them anyway

This scene between Karim, Janai, and Amaya originally made me think that the show would be redeeming Karim, which is SO funny in retrospect

Ethari baiting Rex Igneous with a hallucination-inducing berry pavlova was not on my S7 bingo card

I find it so fascinating that Aaravos proclaims innocence by telling Ezran essentially “well I never hurt you [humans]. Everything I did was for you [humanity]". He and Viren were so alike in that way – constantly minimising/justifying the pain their ‘allies’ suffer due to their actions. They’d argue that hurting you is a worthy sacrifice (or compromise, in Aaravos’ words) so long as your shared enemy is also hurt

Side note, Aaravos’ star markings are completely unblemished by the dirt, scratches, and bruising. Idk, just a cool detail I noticed

“Have Zubeia back in a week” yeah…about that

Truth be told, the first time I watched this episode, the hints about what happens when a Startouch elf dies went over my head. Now that I’m rewatching it, I can really appreciate Aaravos’ manipulation. You can tell he’s intentionally sowing the seeds in hopes that Ezran will act rashly and unleash a nova

Claudia looked soooo creepy standing in the shadows! I absolutely LOVED it!

The animation for the mage battle was fairly well done (I do wish Callum and Claudia were moving around and interacting with their environment more though? They both just stood there casting spells at each other)

“We wait for Callum … Then he will decide whether you live or die” was a fantastic response from Runaan. He’s an assassin, it’s his job to kill, but only when he’s been ordered to

I really want to know what these dragon-winged elves are! The wing placements are different from standard Skywing elves

Genuinely, truthfully, I lost my mind when I saw the magma titan the first time…

…And then doubly lost my mind when I saw Ziard summoning Avizandum’s spirit

Overall thoughts:

There’s so much about this episode that I love, and I think it’s one of the episodes that is benefited most by a rewatch. The highlight for me is definitely Aaravos and Ezran’s interactions, but I have to give a shoutout to Akiyu for being our first major character death of the season (sorry Lujanne). Unfortunately, this episode was also the one that made me realise a slight issue I have with TDP Arc 2 overall; the battle sequences. Arc 1 had some really dynamic fights, and from what I remember of Arc 2’s fight scenes, they just don’t hit as hard. Don’t get me wrong, every battle in Arc 2 has at least one standout moment for me, but the average sequence tends to be ‘flat’ and ‘stiff’ (I can’t think of better words to describe my memory of them). If we get Arc 3, I hope that’s something the team gets to work on in the future! That tangent aside, this episode did a great job of raising the stakes and setting us up for the last two episodes.

[anemicjellyfish]

Tags from my awesome mutual:

Okay, you're not wrong at all. In fact, this is the only thing that was blowing a hole in my speculation about the whole "chest feathers" thing. I almost didn't include the picture of Stella's friends because they both show feathers and I didn't want to dive into them initially because my thoughts were too much effort to tap onto my phone screen.

But! I have another theory about the one on the left of the group, along with an excuse for the one on the right. (This is just headcanon at this point tbh. And I should really be going to bed but I'm gonna keep going because I have no common sense. I hope you don't mind me using a reblog to go a bit more in-depth on my silly ideas.) (Also, I just wanna say that I don't mean any of this in an argumentative way. It's just that I finally found an excuse to sit down and go crazy with talking about characters, birds, and outfits. I could be entirely wrong about everything idk)

Unfortunately, we don't have their names, titles, or much indication of what type of birds they're intended to resemble. My guess for Mr Guy here is that he's a snowy owl. The eyes are a very similar shade of yellow to snowy owl's natural color eyes. And his head/hair feathers being solid white with a speckled breast match up to a snowy owl as well. These are literally the only birds that I personally know of to have primarily white coloration with a speckled breast/rest of body (I'm not a bird expert, and I'm happy to be proven wrong on this point- I actually wouldn't mind learning about more bird species).

But there's something about his chest feathers that makes me think there's a clothing layer there. I think it could possibly be some kind of cravat (Google says a modern term in an Ascot, but idk, I just like period pieces and know it as a cravat).

Because the pattern so closely resembles the one on Stolas' mantle that he wears for his more official "uniform."

But the feathers on Mr Guy On The Left are clearly visible? And I'm not saying they 100% are not visible feathers exposed to us. If I'm proven wrong in the future, that's cool.

I am gonna say, hear me out on this. because he wouldn't be the first character to have visible hair popping up from underneath clothing.

It's speculated (although I'm not sure if it's confirmed) that the black parts of Loona's legs are actually socks. Her fur sticks through in some places, but we see in Seeing Stars that she is wearing some kind of pants/leggings that don't have tufts of fur sticking out. And ripped parts of the pants/leggings reveal the same color underneath as the rest of her fur. Although, it's hard to say for sure. I'm so far behind on things because it's hard to keep up with all the sources of info when they're spread out across platforms.

Mr Guy On The Left also has some feather-like protrusions on his elbow, despite clearly wearing a jacket.

It's getting really late and I'm exhausted, so I'm leaving Guy On The Left Reasoning at that and hoping it makes sense. (When I wake up in the morning and see my stupid posts... yikes.)

As for Lady On the Right?

I think it's just a revealing dress. Her arms are exposed since the dress appears to be a halter-top situation. (I could be mistaken on the halter-top, but this was the only image of her that I have on hand and I don't wanna go looking for more because I'm sleepy.)

Her outfit is revealing, showing a lot of "skin" (feathers) around her chest, and is tightly fitted at the waist. For her, I think it's just a fashion choice.

My conclusion? I don't have one, actually. Until we know a little more about the rest of these bird characters, it's hard to say for sure if Stolas has sensory issues regarding his feathers, especially the ones on his chest.

Stolas and Sensory Issues

So a lot of us see traits of autism in Stolas. I've been thinking about how his wardrobe might be an indicator of it.

Of course, this is screenshot of his latest outfit that I'm using! 😍

The latest addition to his wardrobe has a similarity to previous items: an opening for the feathers on his chest.

While I've loved the jokes about his shirt needing a "boob window," I'm thinking that this is confirming a sensory issue for Stolas in regards to his feathers.

The beloved and/or dreaded royal romper has a similar feature.

Even in LooLoo Land, Stolas' LooLoo shirt has his chest feathers poking out.

Something that some (but certainly not all) autistic individuals struggle with is Sensory Processing Disorder. Since I'm not an expert in this, I'll keep to a minimum discussing the actual aspects of it and reference WebMD.

Sensory processing disorder is a condition in which the brain has trouble receiving and responding to information that comes in through the senses.

Sensory processing disorder may affect one sense, like hearing, touch, or taste. Or it may affect multiple senses.

I'm thinking that clothing pressing down on his feathers may be a triggering sensory input. Similar to the way a shirt tag may be rough to the point where it is a constant irritation. Or a sweater made with infuriatingly scratchy synthetic fabric.

We've already seen Stolas' apprehension toward scrambled eggs in Sinsmas. I've been told by a few people that eggs are a common texture that they dislike.

I don't think it's too far of a leap for Stolas, who is frequently clad in a bathrobe, to have sensory dislikes of both food and restrictive clothing.

But something else in Sinsmas really hammered this home. Stella!

We finally see Stella in anything other than her typical, full-length dress that covers most of her body.

And she has similar, although not as lengthy, chest feathers!

Stella hasn't displayed the same autistic traits that Stolas has. She clearly has no trouble engaging in social situations and doesn't seem to perform any stimming behaviors. The restriction of clothing on her feathers may not trigger any sensory issues if she doesn't have the same sensitivities that Stolas has in regards to her feathers.

We can't see Andrealphus' feathers just yet, but he doesn't seem to be bothered by restrictive clothing at all.

Despite a fluffy bathrobe of his own during the "Spa Day," Andrealphus wears what appears to be a tight, long-sleeved shirt while lounging indoors in his earlier scene in Sinsmas.

(Yes, I'm still using this screenshot, it's too good to put away forever.)

I personally am unsure if the show will ever address if Stolas is intended to be autistic. On one hand, it would be nice for it to be confirmed & canon. But I also think Helluva Boss does an excellent job at the concept of "show, don't tell." They've given us more than enough evidence to come to the conclusion ourselves.

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[hal-o-ween]

Sweet Dreams <3