#also included an easter egg
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🌊hey guess what🌊
#total drama polysurfers#poly surfer trio#td poly surfers#polysurfers#total drama bridgette#td bridgette#total drama brody#td brody#brody tdrr#total drama geoff#td geoff#also included an easter egg#that maybe only a few people will get#and fixed the sisters’ skin tones#because i could
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Morning on the Polar Tang
Background and canon compliant version:
#I am SO proud of this background#I put sooo many details in there#I spent like 20 hours on this#Including coming up with a floorplan for the entire polar tang#there's a non zero chance I'll draw more rooms/scenes lmao#I also put myself on a wanted poster as an easter egg hehe#But seriously y'all should go on the background only version and zoom in to look at all the details please I spent like 14 hours on it#One Piece#fanart#trafalgar law#heart pirates#corazon#donquixote rosinante#shachi#Penguin#Bepo#Ikkaku#one piece fanart#kitsunedoodlez
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MASSIVE SPOILER for one of the endings.
it's been a while since i tried looking, but i did hear that something like this happens last year and over time started to think, "was it a fluke?" bc no one posted footage or caps of it then, and i aimed for a completionist run in my first playthrough. turns out it's real! and definitely shines a new light on a character that, for most other types of playthroughs, will not give this much emotion! EDIT: transcript now included, and some stillshots under the cut
[0:28] Marie: Henry, this is the man who kept you from doing the right thing tonight. Kill him. [0:15] Forrest: Henry, you don’t have to do this. If you’ve not killed anyone yet, there’s still time to make the right decision. [0:05] Out of shot: (Gunshots) Henderson Police! Freeze! Marie: No! Henry, get out of there!
#killer frequency#henry barrow#these hands………#so yes MORE spoilers and further commentary ahead here in the tags:#yes this is a fairly tragic ending if you already know how to get it. but again TERRIFIC VOICE ACTING BEFOREHAND AND AFTER.#feel free to reply in post if you want to ask about that part.#i didn't include that in the vid bc it's so visceral and raw but i love their performances. that shit hit hard dang.#but i want to ask anyone if their perspective on henry changes after seeing this? mine does tbh. i didn't expect a possible show of remorse#like at most hesitation! but bc of the context of forrest's dialogue- does it lean into remorse? a large definite shift in his mind!#even if he Has killed already then he's still taking forrest's words to heart and reconsidering everything which DAMN-#-my videogamey headcanon of forrest's character stats showing his Persuasion and Charm MAXED OUT is pulling tf through here!!#also can anyone reply re: would forrest's dialogue change but he still survives if henry kills maurice or murphy? or would forrest die?#and if the devs Actually gave henry other official kills in the game but didn't disclose them in the narrative- then is this the test?#like if henry kills AT ALL in game even though the player isn't privy to knowing which victims are his then is this ending unattainable?#also placing this scene/character moment behind THIS ENDING SPECIFICALLY heck that's cold. dang fellas.#going to eventually pull out a hc i've been holding back for a long time in a later post and i'll mention this scene again then-#-but this part in particular as well as another “easter egg” has really put more fuel to it
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Been doodling Rhiannon a lot lately hehe




#blind man's bluff#ladyredms#bmb spoilers#l4d2#i love lena and her 4d chess brain!!! she's just trying her best :')#and idk why but i looooved drawing the background it looks like a bus seat from the 90s LMAOO#rhee calling nick her bestie was so iconic i love their friendship#recently thought about all the main (potential) couples first meetings and omg#1. almost vehicular manslaughter 2. attempted armed robbery and 3. willful destruction of property ??????? amazing#literally never would've guessed in a million years that the gas station robber would fall in love with coach#also i'm a total stupid romantic so i had to draw coach giving rhee his jacket#here's a fun lil easter egg: if you zoom into rhee's brunette roots i always include a small hidden heart there <3
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HOUR 18 OF "TWENTY FOUR HOURS" WILL BE POSTED TOMORROW, 06/14 AT 6 PM EST.
i'm back, y'all! and worse than ever . i know this has taken forever due to my traveling, and thank you all for your patience and kindness ♡
to hold you over until tomorrow night/afternoon/whatever time of day it will be for all you lovelies, have a snippet below the cut.
Eddie’s eyes narrow in concentration at your phone as his thumbs fly across the screen, navigating the Spotify app with ease to find the Deftones song he specifically wants. He doesn’t do as you had and go to their artist page – he searches with purpose, in no mood to scroll through albums to find the song he’s looking for.
“I still don’t understand how you can type so fast,” you mumble, watching with fascination that you try to tamper down with faux boredom, “Even I can’t type that fast, and I own the damn thing.”
He doesn’t even glance up as he scrolls along the screen, finding the song and clicking on it, “I’m just good with my fingers.”
There it goes. The air from your lungs, once again vacating the premises as he freezes beside you.
It isn’t fair. An internal whine that nearly works itself up your throat and out your mouth, making you want to stomp your feet like a child. You hadn’t even recovered from the casual drop of baby yet. And now he’s going to just say that?
“Oh, God, I-” he’s looking up finally, eyes wide and stuttering with embarrassment, “Fuck, I swear to God, I did not mean that as an innuendo.”
You open your mouth. You close it. You repeat the process. You’re fucking speechless and it’s a little bit embarrassing.
“I’m serious!” he persists when you don’t reply, and only stare at him in continued shock, “Seriously! I- Fuck, I was referring to with my job. At the autoshop. I’m- Fuck,” he cuts his explanation off, dragging a hand over his face and falling back into the couch, “Kill me. Kill me now, please – and be sure to make it quick and painless, pretty please.”
You finally laugh. It’s a bit choked, a bit strangled, but it instantly has Eddie lowering his hand.
“I think if we were going to kill each other, Munson, it would have happened hours ago,” you try to tease him, but something about the sentiment comes out far softer than you intended. Like it’s not a joke. Like, in your own odd way, you’re trying to whisper a truth to him – everything has changed for me now.
“Probably,” he sighs, relaxing a bit and leaning back beside you as he looks to the phone once more and clicks on a song, “Proba-fucking-ly.”
#twenty four hours#set your alarms! or don't. i can't control you#keep expectations low as always#also hands and legs in the inside the vehicle blah blah blah whatever#all jokes aside i am sorry it took so long aha#header definitely includes lil easter eggs to a specific scene
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i will also say it’s pretty cool how many companions come with a backstory?? like fully half of them have already appeared in other stuff before the game is out, so you get the chance to like. go in knowing things about these folks already
#lucanis neve and emmrich are in TN. i think neve was also in one of the comics? and yknow. harding#not including the little short stories they’ve been dropping online#i want to say davrin might also be in one of them?? idk i was mostly paying attention to the evka ones. sigh#i do however hope they don’t automatically assume people HAVE read the other stuff#make it beginner friendly but with easter eggs. iykyk kind of a thing#in the past i feel like they haven’t done that?? best i can think of is like. anders and cole#it’s neat!! gotta brush up on my reading#mine
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Re: your recent post about WoT - if I am not someone who is well versed in mythology (Arthurian, Norse, Vedic, any other mythos the series references), will that significantly impact my ability to understand and enjoy the series? How much context/foreshadowing will I lose? Is there a resource I could turn to that can identify these references that would go over my head without significantly spoiling the plot?
I call them Easter Eggs because that's the fandom term for them. They're very very rarely really plot important in anyway that would meaningfully impact the reading or watching, at least to my biased opinion, but also I was familiar going into the series with some but not all of the references and as a book reader who frequently lurked in the forums and theory crafting sites of the early 2000s, I don't know what online references are both currently up-to-date and have non-spoilery sections. I think on Youtube Unraveling the Pattern is pointed to as the lore series that does the most non-spoiler/newbie-friendly breakdowns.
But to give you a hint- for Arthuriana, as long as you know Excalibur as a magic sword concept, then as a fantasy fan you won't be surprised that there's a magic sword showing up at all in the series and if you squint the name sounds like Excalibur. Or knowing that "Galad, Elayne, Nynaeve, Gawyn, Camelyn, Tigraine" all are very similar to names from Arthuriana: Galahad, Gawain, Nimue/Ninianne( aka Lady of the Lake), Elaine, Camelot, Igraine. Which for those examples, only a few of them really have any relevance on their plot or hints of prophecy conclusions (and some are red herrings meant to trip up fans who do know the reference and thus make them guess wrong), but all those names come from places or characters in the country of Andor, which has the strongest concentration of Elizabethan English flavor to the world-building, so the vibe that the reader (or show watcher) gets is "Ah, this is the English and King Arthur place". So you start looking for Round Table or Avalon or Merlin (and maybe find one or two of those. Maybe.)
For instance- Perrin's name is an allusion to Slavic mythology, the chief god Perun, who controls weather - especially storms and thunder, also war (famously an axe), and oak trees. But that reference to Slavic mythology isn't widely known; I certainly didn't know about it while reading the books until I went online. But, thanks to the Indo-European shared roots, what I did notice was "hey this vaguely reminds me of Thor. And like, a little bit Zeus, but also Hephaestus." So when Perrin has some heavy symbolism attached to both a hammer and an axe, and the dichotomy of the blacksmith versus the warrior, the connection via his supporting cast to trees ... it congeals in the back of my brain that even if I don't know exactly what Easter Egg I might be catching, I don't need to know Perun to like Perrin and be comfortingly familiar. So even though Rand is the character with the last name al'Thor, I knew that reference was the red herring. Perrin was my Thor guy, and I knew to expect that Perrin would forge himself a magic hammer that would have a name that sounds like Mjolnir at some point in the series. (This is technically a late series spoiler, but it's so heavily foreshadowed, and thanks to the MCU I think most people know about Thor's hammer by now).
For real-world references, those can be even more heavily disguised. the most famous one is at some point a character comes across an object that 'feels like greed' that is actually the logo bit of metal on a fancy sports car- a BMW or Lexus or something like that - I don't even remember which car brand it was supposed to be. So, yeah, anon, that tells you just how important some of the Easter Eggs are and how missing them didn't impact my enjoyment.
The costuming (and casting) for the TV show does a great and yet subtle job of hinting that the world is post-apocalyptic and far far far in our future. The glimpses of clothing from 3,000 years ago looks almost but not quite like our modern clothing with only a little hint of SF, and the present day 'fantasy' clothing still has touches of modernity. Plus the diversity of everyone, aside from pissing off racists, also helps to sell that thousands of years ago everyone had intercontinental travel and trade and people moved around and the globe was connected- so that of course when the Breaking of the World happened thanks to half of the magical society going murderously crazy against their will (some of the saddest backstory hints from that time period are the male wizards and their friends trying to hold back against this madness as long as they could trying to save pieces), people are stranded regardless of origin, so rarely is there an initial starting ethnic hegemony. And, again with the reference hints you don't need to catch to still enjoy, each of the various countries and cultures in the Wheel of Time that exist in the present day series is inspired by or drawing on usually at least two different history cultures or places. For instance, the nation of Cairhein is modeled off a blend of 17th and 18th century France, especially the court of Louis XIV the Sun King, but also Heian era Japan. And when you see it in the show, the outfits and the furniture and the general vibes have those hints.
Or the Tuatha'an, a group you meet in the first book/first season. They're called the Traveling People and the Tinkers, known for nomadic lifestyle and being shunned by others, but also for their colorful clothing and wagons, love of song and dance, and that they are staunch pacifists. So, from the name, it sounds like the Tuatha De Danann of Irish mythology which you might know especially if you were big into faeries as a kid. But culturally they sound familiar to the real world Irish Travelers and the Roma and also the pacifism of people who follow Jainism. They -and their Way of the Leaf- are their own thing, so you don't need to know the nods and inspirations.
#replies#anonymous#wheel of time#because of all the easter eggs this series was FAMOUS in the early internet fandom cultures#for people doing theory crafting and trying to hunt down the references#sometimes the theory crafting got wild#i hope this is helpful#to anyone wanting to jump in I strongly recommend the tv show first#also to give another hint#so Book One the publishers wanted RJ to make it feel like Fellowship of the Ring#and it is the most Tolkien-like of the series#(and someone uses the disguise name Underhill just like Frodo did)#so in the tv show there's at least two shots that are purposefully mimicking two other scenes from FotR#which made me giggle and kick up my heels because I knew what they were doing#For anime fans - this is One Piece#..not in comedy but like..yeah...One Piece (including length)
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Thanks for The tag buddy!
(And soon I will answer it, 'cause I need to organize my ideas :)
But, The Clone Action Movie Pitch actually got me.
I'm all ears 👀
YESSSS I’m so happy, I was hoping somebody asked about this one! This idea came to me two weeks ago and I’m STOKED (And also I am defo ready to see what you have cooking 👏)
So basically the thought started with the beginning to a familiar action movie setup of a group of guys having to reunite after over a decade because somebody has been coming after the members of their former squad and killing them off one by one, and now they have to get back together for one last job to find out why and put a stop to it. Despite the fact I started writing this with the express purpose of using all sorts of action movie tropes for the formula, there’s still new and fun twists on how they happen because we’ve set it within the world of Star Wars. It’s a good old fashioned action movie, babyyyyy!
It’s also all original characters, which I know may not be some people’s thing, but it means that this is unconstrained by most of canon, in terms of timeline consistency or connections to other properties’ stories. I have plenty of canonical Star Wars elements, but I wanted this to be a case of “Hey do you like Star Wars and don’t want to do any homework to understand what’s happening? Do you like action movies? Come on in!”
—
Taking place ~16 years after the end of the Clone Wars, the story opens with fifteen-year-old Rio and his father living simply in a city on an Outer Rim planet. Most people didn’t know what the clones looked like beyond their armor, and that— along with its owners— was phased out a long time ago. Rio doesn’t know much about his father’s past beyond his own life, but it doesn’t come up in conversation much and Rio doesn’t know of a life any different than the one they’ve always had.
There’s some suspicious activity and murmurings around town, us following Rio through what a normal day should be for him, but as the day draws to a close things start to get more suspicious. His dad, normally a genial and easygoing guy, is strangely quiet and serious, and there’s a moment Rio catches him having some furtive conversation over a comm in the hall; when his dad realizes he’s there he snaps at him to go back to bed.
When Rio’s noticeably caught off guard by his dad’s tone, his dad visibly softens and his shoulders slump, and he goes to him, gently pulling him in to press his forehead to his son’s as he apologizes, asking him more civilly to go upstairs. Rio reluctantly does as he’s told; though his dad outwardly seems much more like his calm self, there’s still something tense about him.
The next day it’s clear there is something going on, the kid seeing people closing up shops, arguments happening in the square, a squad of troopers questioning and harassing people. Rio’s nearly caught up in trouble with the troopers himself before his dad appears out of nowhere and intervenes, making quick work of them before telling him to stay calm and follow his lead, the two of them swiftly making a beeline for their home.
His dad tells him to pack a bag of necessities only, says they’re leaving and they won’t be coming back. Rio, understandably alarmed, desperately follows his dad around the house asking questions, asking what’s going on in town as his dad yanks cords from electrical panels in the walls and burns the databanks on his machines, and the kid’s alarm only heightens as he sees his dad pull burner comms, armor and gear, tools and equipment and weapons he’s never even seen before from hidden compartments all around the house.
His dad hated guns.
When Rio finally stops him and demands to know what’s going on, refusing to budge another inch until he has answers, his father sighs, visibly pained by the anger and distrust on his son’s face.
He takes Rio by the shoulders, gentle despite all that’s happened. “Do you trust me?”
Rio looks doubtful. “… Is the person you are still my father?”
“Yes,” his dad says without a moment of hesitation. “Yes, Rio.”
Rio wavers for a moment, but right now all he sees are the earnest, honest eyes of his dad, and he realizes… Yes. He does trust him.
“… Okay,” Rio says, beginning to help pack gear into a duffel bag. “Let’s go.”
—
The kid doesn’t ask any more questions as they head out of town on foot, not even when gunfire starts up several blocks behind them and people start panicking in the streets. They’re at the edge of town when they hear the first explosion and Rio sees his dad’s resolve harden to determination. An old friend of theirs takes them by speeder outside of town; Rio still doesn’t ask questions when his dad leads him to a ship that’s been hidden and well-maintained for over a decade, and eventually the two of them set out to escape off-planet.
They wait in a remote location for other ships and transports to arrive. Rio sees a number beings exit the ramps; there’s a Pantoran woman in a trench coat with a satchel over one shoulder. A mountain of a man in a motley assortment of layers follows her, wearing a visor and partial face mask, accompanied by a droid. Another pilot lands and immediately hops out from the cockpit, sliding down the ladder as a second man follows. The first looks like a stunt racer, dressed in speederbike leathers and boots. The second man looks like a regular lineman, though with a rifle slung across his and a mask covering his features. The pilot unbuckles the strap of his helmet as he joins them, and something about it looks familiar to Rio.
A real, honest-to-gods Mandalorian appears from behind Rio and his dad from the outcropping they’d met at, either having been there the whole time or somehow managing to creep up on them without notice.
The group convenes in a loose circle, and his father removes his hood.
“Lark,” he says, nodding to the woman. “Gentlemen,” he says to the men. “It’s been a while.”
They all look at each other, noticeably glancing at the kid before he puts a hand on his shoulder and says “Rio. My son.”
Slowly, one by one, all of them remove their helmets and masks, and Rio can’t help but look around the circle in astonishment.
Each man there, every one among them for no discernible reason why or how, shares his father’s face.
WIP Ask Game
#the clone wars#hounds speaks#my writing#long post#Clone Action Movie#I’m not a piñata as much as I am an Easter egg filled with loose M&Ms#You just have to poke me and I’ll start spilling the beans#This fledgling story has SO many goodies in it#It’s going to be so fun#(and also a tiny bit angsty)#(In my opinion I don’t think you can have a solid clone-centric story without acknowledging some of the realities of their existence#and also it’s an action movie y’all. someone’s gotta take a bullet for someone.#The idea actually originally started with the main character being the sergeant’s wife#and while I do still like parts of that first draft I didn’t like the (only) clueless woman of the group being the audience proxy#There were still ways I got around it being too much of that stock stereotype but ehhh#I think having a teenage kid in that position makes more sense for him to not know very much and have to be the lense through which we#see the story unfold#and there are still ways to include some of the ideas I had with the wife character and just do them a little differently#We may have to do some Orphan Black tricks to get Mr. Morrison to be each character but by Jove I will make it happen#We do get into themes of autonomy and control and some of the things the clones realistically dealt with#One of the biggest themes of SW is the idea that we are who we choose to be#That it’s our choices that define us not our origins#And that we can always choose to do differently#Here that theme is applied a bit differently:#You should GET to choose who you will be#Q&A#WIPs#my OCs#ask games
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mcsrtober day four, crystals :3
#mcsr#mcsr fanart#hbg#hbg fanart#mcyt#mcyt fanart#moleyg#moleyg fanart#dude's just chillin#fun fact i drew the actual fucking end crystal designs on the stupid end crystals#took me much longer than i would care to admit#also WHY IS BEDROCK STUPID HARD TO DRAW#i used myself as a reference pose again do shoulders normally do that slash i wish i was joking#easter egg included :3#mcsrtober#mcsrtober 2023
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unsurprisingly i had to once again join a modding discord to find the relevant information i need instead of that information being listed somewhere that'd be easy to access. hell world moment
#soda offers you a can#yes there are tools and modloaders and so much more for 2011 cd. most of them are just not listed in the obvious places#mostly bc it's made with the retro engine that several other games also use#so those tools are listed on pages for other games since they're not cd exclusive#anyway. good news are that from a technical standpoint i should be able to create funny cd unfiction perhaps#but i will need to emulate the original game for it as well due to the intro and menus and what have you being so different in the remake#including the fucking sound test. i can't use d.a. garden even if i had it unlocked bc it's now Fancy and Cool#and probably doesn't have the sound test easter eggs in it anyway#so yeap lots of footage splicing will be required and possibly some of that suspension of disbelief as usual#now i just gotta figure out what exactly it is i wanna do here
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What is/was your character’s relationship with their mother like?
Character Development Questions: Hard Mode
Having been surrendered to the Skid Row Home for Boys as a baby, Seymour never truly knew his birth mother. The only thing he ever really managed to find out about her was her name, Winifred Krelborn, which was helpfully written on the birth certificate he had been left with (strangely, the spot for his father's name was mysteriously left blank).
At the time she exited his life, he had been much, much too young to have formed any lasting memories of her. He often finds himself wondering if she ever truly cared for him— if she ever felt any regret towards leaving him at the orphanage, or if she simply abandoned her unwanted child as soon as she could and never thought about him again.
...Given that he was presumably born on Skid Row, he strongly suspects the latter, but there is a part of him deep down that still hopes otherwise.
#every other sunday off (ooc)#mixedmysteries#answered asks#i have?????? vague headcanons as to where seymour came from????? and how he thinks about the parents he presumably didnt know#its something the movie and the musical dont really touch on other than 'hes an orphan' so it's basically free real estate#my hc for seymour's mom's name comes directly from the 1960s version of the movie where he DOES have a mom btw!!#thought it'd be a fun lil easter egg to include :)#also seymour may have sort of an adoptive father figure (mushnik) but bro is absolutely LACKING in the maternal department#(so if any older female muses ever wanna step in and act motherly towards him this is your invitation)
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Wait was the jugdral stuff in the same world as awakening???
Technically yes! There's actually a fair bit of overlap between the first few games in the series, to the point where Archanea, Jugdral, and Valentia are canonically part of the same world. The biggest link between them is actually Naga herself: she's a key figure in the lore of Archanea and Valentia as the source of the Falchion blades, and in Jugdral she joined with eleven other dragons to offer a blood pact and a holy weapon to mankind in order to oppose the Loptyrian Empire. So knowing that they're all in the same world, and Awakening directly ties itself to Shadow Dragon with the provenance of Falchion as Marth's blade and the presence of Tiki as a recruitable character, Awakening effectively takes place ~3,000 years after the events of Genealogy.
#answered#anonymous#fire emblem#awakening also included some fun little easter eggs#like the deadlords that aversa summons in chapter 22#and their weapons like valflame and yewfelle#which were the holy weapons used by the twelve crusaders#not to mention owain and his hunt for missletainn#which he's mistaking for eldigan's mystletainn#i love you owain never change
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I'm so DEEPLY in love with MotR oh my god. Prying for this character's backstory into death and FBG has the BLESSED option of "pry for more on ice-moths"
YES. FBG YES. I am in fact a sicko and I care not for the ferryman or the river, only the ice-moths in this cold and dreary place.
#mask of the rose#i love this fucking game oh my god#I think this is a return gift to Seas players honestly. I'm having so much fun meandering through these conversations.#Everything is set up brilliantly. These narrative webs are a fucking work of art. I don't know how they fucking did this.#failbetter games#also oh my god FBG the sewers you included the sewers I'm in your debt I love you;#please tell the whole team if nothing else the little easter egg of Bazalgette was not unnoticed i love you :')
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Can someone please tell me what this is referring to?
#context: its a mod called dash adventure 2#which also includes a bunch of easter eggs locked behind zips with passwords#i managed to figure out the rest of the zips but i dont know enough about sonic 1 development for this#sonic#sonic the hedgehog#sonic adventure 2
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Easter swag this year
#Easter Sunday#2024#would include lamb cake but it FLOPPED#my eggs were also kinda mid this year#catholic
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I See You
Pairing — Bob Reynolds x reader
Word Count — 4k
Warning — SPOILER WARNING FOR THE THUNDERBOLTS* MOVIE I REPEAT SPOILER WARNING FOR THE THUNDERBOLTS* MOVIE!!
A/N — breaking my two years of not posting in honor of this amazing movie and character. the Thunderbolts* has reawakened my fire to write and I couldn’t ignore it. so here you go! this will be a bit of a short series. i kind of envision around three parts or so? anyways, i really hope you enjoy this and know this is your last warning before you continue on!! so if you haven’t seen the Thunderbolts* please save this for later <3
also, did you all notice the easter eggs i included ?? 👀
Part One Part Two Part Three
SPOILER WARNING FOR THE THUNDERBOLTS* MOVIE! READ AT YOUR OWN RISK!
Bob Reynolds wasn't quite sure how any of this had happened. One minute he was pretty sure he had been dying and the next he was trapped in a series of never ending nightmares. Except it wasn't just his nightmares, there were other people's too.
He knew he had been having these moments where he didn't remember things, knew that there was something going on at a deeper level than he wanted to admit. He thought with Valentina explaining this power he had been given that it would explain everything he had been feeling, that the darkness wasn't truly his but something brought on by this experiment.
But he knew the truth and walking through these endless nightmares only proved that. The darkness was his. It was a culmination of everything he was feeling, everything that had been consuming him, and it had only taken more of a physical form thanks to the Sentry project.
Bob had no way of fighting this thing, no way of taking back control of his body. And at this point he wasn't even sure if he wanted control. After all, he was just Bob. He was useless. He was nothing. Everyone would be better off without him.
So now he was trapped with no where else to go but to walk through the thousands of rooms of everyone's deepest regrets and shames.
It had been an accident at first, but sometime after his own meth chicken nightmare was when he first started stumbling into the other rooms. He saw so many things, felt the guilt and weight that everyone else felt. One in particular had stuck with him when he had ended up watching the loop of a blind lawyer watching his friend die over and over. Bob couldn't watch that for very long before he was hurriedly trying to get to any other room but that one, the blind man's cries still rattling his bones.
Bob didn't know how long he walked for or how many rooms he went through until he got to one that made him pause as he came face to face with Tony Stark. It had been a while since the hero's death, but still seeing the face of the man that had helped bring everyone back from the Blip made Bob falter slightly.
Someone's biggest trauma was Tony Stark?
Bob took a couple steps back, his eyes scanning over the room as he tried to ground himself in what was going on. He seemed to be in someone's apartment. The place would've been nice if it weren't for the fact that whoever was living here clearly hadn't been picking up after themselves in quite some time. And by the look Tony Stark was making as he glanced at the dirty dishes in the sink, it seemed he was thinking the same.
Bob knew the signs before he even saw her. It wasn't just the state of the apartment, but it was the feeling in the air. That feeling of despair, sadness, and nothingness. That feeling of knowing you were alone and there was nothing you could do about it. It clung to everything in the apartment and Bob's heart ached slightly at the sight. After all, he knew what this was like. He knew it too well.
"I can feel you judging me," a voice said, instantly pulling Bob's attention to the couch where a girl was sitting with a blanket wrapped around her and a bottle of vodka in hand. She wouldn't meet Tony Stark's eyes as she stared at the bottle, her fingers numbly fiddling with the label. "I didn't ask for you to come over and judge how I'm living. Hell, I didn't even ask you to come over, so you might as well go."
Tony let out a soft sigh, "Kid, you were ignoring my calls. Of course I was going to come check on you."
"Ever think I ignored them for a reason?"
Tony huffed and grabbed a chair from the kitchen table before dragging it over in front of the couch. He sat down in front of the girl, tilting his head slightly as he watched her before saying, "You can't keep living like this."
"You think I don't know that?" she asked, her voice bitter. “Why are you here, Tony?”
Tony just watched her in silence before saying, "Listen, Steve and Natasha came to see me yesterday and—"
The girl slammed the bottle down on the table so hard Bob thought it would break. Her eyes were red rimmed as she glared at the man and muttered, "No. We're not doing this. You're not going to sit there and try to rope me into some crazy plot to try and bring everyone back. It's been five years and I'm done, okay? I have nothing left in me anymore and I don't give a shit, so just leave."
"Kid—"
"I said leave!" she exclaimed, her eyes beginning to glow white with a power that Bob could almost feel beneath his own skin. "I'm not some sob story for you to try to fix, okay? I messed up and didn't kill Thanos in time and half of the universe had to pay for it. I'm done trying to help. All I ever do is hurt people."
She looked away, her voice rough when she whispered, "You're all better off without me anyways."
Bob sucked in a breath at that, understanding washing over him as he watched the broken girl do everything she could not to cry.
"Y/N," Tony began but the girl simply shook her head.
"No, Tony. I'm done. Just leave and go ahead and do yourself a favor and never come back. It's not worth your time or energy and I sure as hell don't want you here," she said, her head still turned.
Tony stilled slightly at her words. "You don't mean that," he told her, but before he could even blink, Y/N had used her telekinesis to pick up the bottle of vodka and send it hurtling in his direction. The man barely had time to duck out of the way before it flew right past where his head had been and shattered against the wall. Tony turned to her in surprise but the girl was already getting up and walking to the door of what had to be her bedroom.
"I miss him too you know," Tony called after her causing the girl to still.
"Stop," Y/N warned him, but Tony ignored her and instead stood up, his eyes not leaving her as he clearly made no move to leave.
"Y/N, he wouldn't want this for you. That kid loved you so much. He would be devastated by—"
"I said stop!" Y/N yelled and before anyone knew what was happening, a force was suddenly throwing Tony across the room. The man thought fast and his nano suit had wrapped around him before he could even hit the wall and Bob watched as the color drained from Y/N's face at what she had done.
She was shaking as she stared at Tony, but by the time he was looking back up at her, the Iron Man mask sliding away from his face, she was cold once again. "Get the hell out of my apartment," was all she said before turning and walking into her room, slamming the door behind her. Bob watched her go, frowning slightly as the scene began to play again.
"That was before they won against Thanos," a voice said causing Bob to flinch in surprise. He quickly turned around to find Y/N a little ways behind him, sitting down at a chair in the corner of the room. Her eyes continued to watch the scene playing out in front of her and Bob was almost beginning to question if she had spoke in the first place when she muttered, "That was the last time I saw him before he died."
Her eyes met his then and Bob stilled under her gaze. She was a couple of years older than the version of her from the memory, a little more put together but in the kind of way that screamed help more than her younger self's look had. She had learned to mask it more, that much was clear. Or maybe it was just that Bob knew where to look, that he saw himself when he looked at her and knew in more ways than one just how tired she was.
"Who was he talking about?" Bob asked, silently cursing himself for that being the first thing he said but knowing he now had to just go with it. "The guy?"
Y/N hesitated, her eyes glazing over as she got lost in thought. There was a tiny moment of utter sadness that flashed across her face but it was gone so quickly as she muttered, "I don't know." She let out a sad laugh. "Isn't that sad? It's like there's blanks in my memory. All I know is that there is this immense feeling of loss not just once, but twice. Every time I try to think of him it's like the image of him only gets fuzzier."
Bob was silent for a moment. "I have trouble remembering things too," he admitted. "There are these moments where it's like I'll wake up from a dream I don't remember having and that time is just gone."
Y/N's eyes flickered his way, her gaze shifting over him in a way that made him stand up a little straighter. "I walked through a lot of rooms before ending up here," she told him, her eyes still studying him as though she were trying to piece him together. "This was the only one I couldn't leave."
"Why?" Bob questioned.
"Why did you stop in this one?" she retorted and Bob blinked in surprise. Her head tilted slightly as she stared blankly at the boy. It was a moment before she looked away and back at Tony who was watching her past self slam the door shut behind her as the memory started back up again. "I just wanted to see him again, I guess," she whispered. "I always hated this moment, hated that I pushed him away like that and left him to fight Thanos without me. Sometimes I wonder..."
She trailed off before shrugging slightly and looking back at Bob. "Guess I was as shocked by seeing Tony's face as you were when you walked in," Y/N said. Bob barely even thought his question before she placed a finger against her temple and let out a small sigh of exhaustion. "Telekinesis," she stated. "Just a fraction of the power I was born with, but it comes in handy from time to time. I knew who you were the second you walked into this memory. Your mind is very loud, but not in the way you'd expect it to be."
Bob wanted to ask her more, but it was clear she didn't want to expand on that comment. Instead she merely tapped her fingers against the arm of the chair she sat in and said, "So you're the one doing this."
It wasn't a question. She said it as though it were fact. Not that she was wrong, but something about the way she said it still made Bob's throat constrict.
"It's not. . .it's not me. It's—" Bob broke off and he could see the way she stared at him, knew that she was reading his mind. She blinked and quickly looked away. "Sorry," she whispered. "I can't help it sometimes. You lock yourself away long enough and you'll find it harder to control what once was so easy. But I get a sense that you know that."
Bob let out a small sigh, his eyes flickering over the past Y/N who sat on the couch with a haunted look in her eyes and a tight grip on the bottle in her hand.
"We've all done some bad things," Y/N told him, answering the questions flying through his mind. "I had the unfortunate experience of being the reason half the universe died. I was there that day that Thanos went to Wakanda to take the Mind Stone from Vision. I was the last one there before he snapped. I could've stopped it, but I let his words get to me and . . . well, you know the rest."
“The Blip,” Bob muttered and Y/N nodded solemnly. He could see her trying to keep it all together, but the tension was practically radiating off of her as she avoided his gaze.
“Go ahead and say it,” Y/N told him, her gaze locked on her past self who was busy hurling the bottle at Tony’s head. “You probably lost someone in the Blip, right? Had to suffer five years without them? Who was it? Family? Friends?”
Y/N didn’t even give him time to respond as she let out a sigh as if everything were pointless, “It doesn’t matter. Everyone still thinks the same thing, but I don’t blame them.”
“It’s my fault,” she admitted. “I caused everyone so much pain and suffering and then, when I had the chance to make things right, I pushed everyone away and locked myself in my room. Then Natasha died. Then Tony. And eventually Steve followed. And where was I? Drowning my sorrows in a bottle like the asshole that I am.” Y/N scoffed slightly at herself, the fury in her eyes something most people would probably flinch at but all Bob could do was soften at the sight. “So go ahead and say what you want. Call me names. Shout at me. Tell me how much of a monster I am. I deserve it. I’ll always deserve it.”
Bob didn’t say anything. He didn’t know what he could say. Not because it was all too much to process, but because he understood it. He understood what she was feeling. The pain and the anger. The guilt and regret. The shame. He understood it in ways he couldn’t even begin to comprehend.
But the silence was loud and Y/N wouldn’t meet his eyes. She just stared at the scene in front of her as her past self’s voice filled the silence between them, her voice rough as she whispered, "You're all better off without me anyways."
Y/N flinched at those words, her face crumbling slightly as she leaned her head back and closed her eyes. Bob felt his heart ache at the sight and for a moment, he saw himself sitting there in that chair. But more importantly, he saw her. He saw Y/N for who she truly was. He didn’t know what to say to her to make her better, so instead he just thought it.
I see you.
Y/N's eyes snapped up to him and Bob knew he hadn't had to say that out loud. She had heard him loud and clear.
She stood without another word, her eyes never leaving his as she walked towards him. She was quiet as she stopped in front of him, her gaze turning questioning as she studied him.
You do see me, don't you?
Bob let out a small gasp as her voice echoed in his head. He stared at her with wide eyes, but didn't flinch away not even when she took a step closer so that they were only a breath apart.
I can feel it, you know? That darkness. It calls to me.
"You know where he is?" Bob asked and Y/N quickly shook her head.
"I'm not talking about the Void," she whispered. She gently lifted her hand and placed it on his chest, right above his heart. "Here."
Bob's breath stuttered and he tried to keep his heart from racing as he whispered, "W-what does it say?"
"That it understands," Y/N replied. "That it sees what’s inside my own heart.” She hesitated before giving him a sad smile. “Like calls to like after all."
Bob stared at her, his eyes flickering over her face. He had thought she was pretty before, but up close she was even more beautiful than he could’ve imagined. Her eyebrow quirked slightly as if she had heard that thought and maybe she had, but Y/N was already moving on which he was silently thankful about.
“You feel it too,” she said and Bob didn’t need to say it out loud to confirm her thoughts. After all, he knew what she was talking about and she was right. Ever since he had emerged into this room, he had felt a sort of tug. It was the reason he had stayed. He thought it was because of seeing Tony Stark, but it was because he had felt her from the moment he had stepped foot into that room.
It was because he had seen her before ever laying eyes on her and it seemed she had done the same.
“I don’t know what to do,” Bob admitted, his words strained. “Every time I think I’m getting better, that I’ve finally pulled myself out of that darkness, I just. . .”
“Get pulled back under again?”
Bob was quiet for a moment, his gaze dropping to the floor as that same feeling of shame that always crept up when he thought about his problems beginning to rise in the form of a blush on his neck, “Yeah.”
There was a gentle touch against his chin before Y/N lifted his head so that his gaze met hers once more. Her touched lingered for just a moment, but then her hand was dropping back down to her side. Not once did she move the one that was still resting on his chest and above his heart, the only source of comfort either of them seemed to need.
She gave him a sad smile, her eyes getting a sort of far off look as she whispered, “Sometimes the hardest battle you’ll ever face is with yourself.”
Bob felt tears prick his eyes at those words and for a moment, he even felt a sense of comfort. Someone knew what he was going through. Someone understood.
He had never had that before.
“How do we beat it?” Bob’s voice was barely above a whisper.
Y/N seemed to come back to herself at those words, her eyes locking with his once more and her hand tightened on his shirt. “I don’t know,” she admitted. “But I’d like to figure that out. Together.”
Bob swore he stopped breathing at those words.
“Together,” he repeated, tears filling his eyes slightly out of disbelief.
Y/N merely nodded and she gently reached up, her thumb quickly swiping under his eye to brush away a stray tear that had fallen. Her own eyes were lined with tears as she whispered through a soft laugh, “Yeah, together. As long as you’re okay with being friends with the girl who does nothing but screw everything up.”
Bob couldn’t stop the small grin that began to peak out, the corners of his lips twitching up slightly as he opened his mouth to respond.
It was then that the doors to the room flew open, darkness flooding in and covering the walls and floors with black tendrils as it raced towards the two. The two stumbled back and away from each other as they tried to avoid the darkness creeping in and Y/N let out a small shout when her past self and Tony dissolved into nothing but shadows.
“Bob,” Y/N called out, but the boy was already reaching for her. He had ahold of her arm within a second and he pulled her to the one corner of the room not covered in darkness just yet.
His eyes were wide as he scanned what was left of the room, his grip tightening on Y/N’s arm in slight panic and confusion as he tried to process what was happening.
The darkness had never come after Bob before.
Not like this.
Something had signaled the Void. Something had scared him.
Bob’s eyes flickered to Y/N who was leaning into his touch, the tips of her fingers already beginning to glow white as she clearly analyzed the situation. His fingers felt warm against her forearm and for a moment he let himself remember the feel of her hand on his chest, the way her breath had fanned his face, and the way her words had wrapped around his heart like a hug he hadn't know he had needed.
And he knew.
The Void fed off of his sadness and loneliness and whatever Y/N had been making him feel was the opposite. The Void would do whatever he needed to crush this feeling, to stay in control. Even if it meant there were casualties along the way.
Bob’s heart ached at that thought and he quickly turned to Y/N who was backing closer to him as they were pushed further into the corner of the room and her memory. She moved her arm out of his grasp in order to hold her hands up, a white light emitting out against the darkness as she tried to hold it at bay.
"Bob, what's going on?" she asked. "What do we do?"
"I—" Bob was panicking now, the thought of Y/N getting hurt making him feel so many emotions that he hadn't felt in a long time. It scared him how much he felt towards the girl within just one conversation. He already knew he would do whatever needed to be done to save her and that thought alone scared him in more ways than one. Even more than the plan that was beginning to develop in his head, the plan that would save Y/N but would mean leaving her at the same time.
As soon as the thought crossed his mind, Y/N's head whipped in his direction. "Bob, no. You can't run. You have to fight this thing. If you don't, the darkness will only continue to consume you," she said.
"Cause you know what that's like?" Bob retorted, his panic and fear making him sound bitter. "We just watched the same memory over and over of you letting the darkness take over. If you can't fight it, what makes you think I can?"
Y/N's eyes softened slightly. "Bob," she started, but the darkness pushed closer towards them and she let out a strangled sound as she strained to keep her powers in check.
Bob watched her for a second, his eyes flickering over her one last time before he leaned forward. His lips brushed gently against her ear and he felt her shiver slightly under his touch. His breath came out shaky as he whispered, "I would've liked to be your friend."
Then, before she could do or say anything else, Bob had pulled back and thrown himself against the wall of the memory. His body broke through the barrier and into the next room, the darkness leaving Y/N behind in favor of chasing the boy.
"Bob!" Y/N cried out as she attempted to lunge after him, but the darkness threw her back and by the time she was up on her feet again, the memory had sealed itself around her, forcing her to relive the same moment with Tony while Bob got away.
- - -
Bob didn’t know how long he ran for. All he knew was that it took forever for him to get back to his own rooms. He almost cried when the meth chicken scene appeared before him, but he didn’t stop there. He continued his trek even after the darkness eventually faded away, now satisfied that Bob was back where he belonged.
Everything was just too loud, the memories too much for Bob to withstand while that feeling of utter loneliness crept up on him once more. It was foolish of him to think he could ever have someone understand him, that he could ever have someone in his life without hurting them in the end. He had done this to himself.
He deserved to be alone.
At some point Bob eventually managed to find the attic of one of his memories, the only quiet place in this miserable void, and he was quick to tuck himself away in there, away from all the noise and the darkness that he could feel feeding off of everyone's chaos.
It was only then that he sat down and curled in on himself, his breathing shaky as he tried to push every last thought of Y/N out of his head.
"She's better off without me," Bob whispered to himself like a mantra, his head tucked close to his knees as he let the stillness envelope him in a hug much different than the one Y/N’s words had given him. “She’s better off without me.”
“Everyone is.”
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