#also if saw this before...no you didn't

[nobie]

"General." "Cody. Get Down!"

[symphonyofsilence]

Let the poor man rest.

[lesliemeyers]

doing Mysterion art inspired by a Batman cover just seemed... right

+ closeups under the cut ↴

[bisexualnaomipierce]

me when kendall is stuck in the cycle of abuse

[chubsonthemoon]

It is done! This is The Death of Translation, originally written in English by @landwriter, translated into Mandarin by @thirrith. Binding is dos-à-dos, with English version on one side and Mandarin on the other. Bookcloth was handwoven by me, on my rigid heddle loom :3

More under the cut!

Typeset: Fanbinders are Liars

Full stop, this typeset would not have been possible without Eth and all their patience, enthusiasm, and willingness to do even more translating! I reached out to them *checks watch* nearly a year ago in July 2023 (lololol), asking if I could use their translation of TDOT in a surprise bind I wanted to send along with Gloam's author copy of Flower King. They were kind enough to say yes, and even kinder to answer my questions when I reached out six months later in January, when I was finally able to start work on the typeset.

We talked about the many delicious things that are bound to come up when discussing translating not just from English to Mandarin, but also from digital space to meatspace. Some topics I had anticipated, like font questions, translating the colophon, etc. But even with the topics I thought I'd prepared for, there were still things that came up that both surprised and delighted: for example, while AO3's website allows for italics in Mandarin--

--my publishing program doesn't (or at least, it doesn't without needing to manually tilt every character by about 10 degrees). So as a workaround, Eth suggested changing these cases of italics to the font 华文楷体:

Through no one's fault but my own, this ended up being only slightly less work than manually tilting every instance of italics--I wanted to be sure that I got all of them, so I ended up doing a lot of double-checking manually anyway, instead of relying solely on the Search function. There was a lot of cross-referencing with the Word document that Eth was kind enough to provide, as well as squinting and general swearing. I also did the same for the uses of Latin script, manually styling each instance as Garamond to keep it consistent with the English edition:

The only other time I've had to do font surgery this intensive is probably for my typeset for Tell Me About the Big Bang, which I had to port over from a PDF. Folks, hell on earth. Do not recommend XD I remember squinting at my monitor as I had to visually confirm every instance of italics, thinking I will never do this again. Welp, four years later, here were are: fanbinders are liars, LMAO. At the very least, using Eth's Word document at least allowed me to search by styles, so it was a little easier on my eyes. 🙏

Is there a script that I might've been able to use if I was more code-savvy? Probably. But I figured going at it sledgehammer style would be the least hair-pulling way to get the job done, weirdly enough. Still, despite my best efforts, there are a few instances of PMingLiU to Garamond and PMingLiU to 华文楷体 that I know I missed, and I know I missed them because I caught them after I'd printed/cut/folded/sewn/glued (cue more swearing), so Gloam and Eth, my apologies >.< please consider them artifacts of a uniquely handmade object ajslkdjfs

In addition to the fonts, there were also some other fun things Eth and I discussed, like how to translate the notes I usually provide on the colophons! In addition to information on fonts, I also usually include some variation of:

This private, limited edition published by chubsthehamster (Moonham Press, imprint of Renegade Publishing) in 2024. This is chubsthehamster's personal copy. Out of three existing copies, this is the first.

The thing that came up with this, which still tickles my brain to this day, was how Eth chose how to translate "Moonham Press, imprint of Renegade Publishing." To get a better sense of what word to use for "imprint," they asked what the relationship was between Moonham Press and Renegade Publishing, which got me thinking about the relationship between my lil imprint and the wonderful @renegadeguild:

What's all very funny about all of this is that we are now, in fact, going by the name "Renegade Bookbinding Guild," per our most recently updated Code of Conduct. While this renders the wording I asked for out of date (and thus, the wording that made it into the book out of date :'D), I think it's also a testament to how cool the work @renegadeguild is doing--like any artform, fanbinding is alive, with its own evolving language, communities, and ideas about the craft. And I love it, I love it so much. (Was this also a plug for our new-ish website? Perhaps).

There's more I could say here, but this post is already going to be long enough, so I'll move on for now! If you get anything from this section, it's that @thirrith is amazing and very patient and kind, and I'm so grateful that we got to talk shop together. Thank you so much for all your invaluable help with this, Eth! I hope the typeset, though undoubtedly flawed, does your hard work justice!

Binding: Or, SO Much Math. Like, So Much, Guys. (It was worth it, though!)

Whoo, boy! So math was never my strong suit in school, but when I set out to do this bind last year, that wasn't an issue. At first. The dos-à-dos binding, if anything, just requires a little bit of finagling on the usual case-bound format--a bit more math if you want to do an all-cloth cover, like I planned on doing, but nothing I couldn't work out with some trial and error. (My prototype below!)

Then came February, when I took a weaving class with my friend, and then everything kinda exploded.

My original idea was to use some green Duo bookcloth I had on hand (this color, actually)--for those of you not initiated into the Duo cult, Duo is a Rayon bookcloth with a very devoted fan following in Renegade. It's very pretty; the Rayon weave is one color, and the paper backing is usually complementary color, so it has this cool two-toned effect. Duo is in high demand in Renegade circles because sadly, the company that manufactures it went out of business last year. (Although I've heard rumors recently that there's another company making something similar, but the cloth has a really high purchase requirement and is, like, for businesses only I think).

Anyway, I also wanted to have a gold line around the whole book as a kind of bellyband/obi to further connect the two versions of the story (another reason why I chose the dos-à-dos format to begin with heh), as you can see from my scribbled notes here--

But alas! I knew going in that adhering things to Duo is often Problematic, thanks to one very painful experience trying to get some iron-on foil on another bind (the textured surface of Duo just makes it kinda hard to stick or paint stuff on it). So if I wanted a clean, continuous line, the remaining options were to either paint it on a strip of paper that I'd somehow...adhere to the cloth? Or maybe cut different slices of bookcloth and glue them on. I wasn't satisfied with either of those options, though.

Then--the weaving class. I made a scarf, and I love it and I loved making it. But the whole time, I'll not lie, my thoughts were elsewhere.

In short, my decision to weave my own bookcloth kinda came from a few different factors:

The desire to attempt to recreate Duo, that elusive beauty, the one that got away, etc. (I have several yards in my stash, but still). Others have also attempted to recreate it, and I thought I'd throw my hat in the ring.

My current spiral into the deep hole that is fiber arts (it started with crochet, then knitting, then sewing, then weaving, then spinning, and now I'm eyeing quilting! Please help me).

The gold line. It kept bugging me. And when I found weaving, I just thought there was something very neat about the process of actually making the cloth for a dos-à-dos binding from scratch, and especially for this binding. I wanted to bind a story about translation (or rather, the death of it, and yet still the necessity of it--how we must try to communicate, despite of, or perhaps precisely because of, everything that gets lost in the spaces between people, and the tragedy of that loss, and the beauty of what makes it through, and the love always present in the effort regardless), and also, the translation of that story. Weaving is a very meditative process, and with every pass of the shuttle, back and forth, building slowly but surely the fabric that would hold the story that Gloam had written and that Eth had translated, I thought a lot about translation, and the gaps between people, and how we choose our words not just when translating, but when we speak at all. From a design perspective, I used the same colors I would've used had I chosen the Duo bookcloth--green and gold--so the design wasn't too altered in terms of color scheme. But I think the choice to weave the bookcloth--the thing that bound it all together--made the project take on a completely new meaning for me, both in process and in scope, one that hadn't been there when I started. I saw the warp, perhaps, as the original story, laying the groundwork for the weft, the translation; or maybe it was the other way around, with the translation providing the scaffolding for its own, new meaning, choices that Eth had to make with this word or phrase or another building something new, something translated, and the original a live, moving thing that wove over and under each word turned phrase turned story; or maybe it was both. Maybe it didn't matter which was which, in the end. And as I wove, the thing that connected them, that gold line that had started all of this, slowly formed.

All that to say: Good God, was there a lot of math. So much math. That prototype pictured above was actually made specifically so I could calculate exactly how much I needed to weave, lol, because while I certainly had enough thread, I didn't want to have to warp more than once. I'd learned the basics in my class, but the training wheels came off here. I wanted to make my own custom fabric, which meant calculating things like ends per inch, picks per inch, loom waste, shrinkage after washing, the width of that damn gold line, how much I'd need for the hinge, the turn-ins, the boards--the whole nine yards (I didn't actually weave nine yards tho heh). It was all absolutely worth it in the end--so challenging and so, so rewarding!

(And my final reason for weaving the bookcloth? Not gonna lie, It was because I just wanted to see if I could do it LOL. I love trying at least one new thing with each of my binds, and this was it for this project. While I've been bookbinding for a few years now, I'm still very much a beginner weaver, and I'm so excited to continue to learn and experiment! Also, here's a video of me unwinding the cloth from the loom, heh. I used 10/2 Perle cotton in gold and green colors :3)

Also, turns out, you can back handmade cloth the same way you can any other cloth! I backed it using my usual heat-n-bond method, and with some Unryu Tissue in the color Forest. Since the cloth itself is a bit transparent, there are a bunch of really fun fibers you can see when it's held up to the light, but which aren't visible when the cloth is glued down to the boards. Still, knowing they're there still makes me happy :D

Finally, capping all this off, is one final, small detail I really liked: ginkgo leaf endpapers :3 this one's for me and Eth and Gloam specifically <3

Aaaand that's all from me for today, folks! Thus ends (several months late XD) my last Binderary project for the year. This was probably my most ambitious bind to date, and gosh it was so, so much fun.

And, of course, thank you so much to Gloam for sharing your story, and Eth for translating it. I can't wait for y'all to receive your copies soon!

All my love! <3

[holeycondom]

a companion to owls

[sgt-farron]

We, after everything

[egophiliac]

Waittt, what did you mean with your last post?? I don't want to spoil myself so I'm waiting for the nightmare before christmas event to arrive on the eng server before diving deep into the wiki. But I HAVE to know; were there hints of Lilia joining in for a rerun or a sequel ??? Your big "OR IS IT???" filled me with way too much hope !! please tell me it wasn't a bit : (

there was a little teaser at the end that implied there'll be a sequel event, though we don't really know anything beyond that! I do think it's likely we'll get the other half of the cast in it, even if it's just wishful thinking on my part. 🤞🤞 NIGHTMARE SUITS FOR EVERYONE!!!!

as far as I know there's been no confirmation on whether it's going to be next year's Halloween event or a separate thing (the snow makes me think it'll be more Christmas-themed, or otherwise more related to the plot of the original movie) so. we're probably going to have to wait quite a while before we find out anything solid. :') they really do love just dropping these things on us and then watching us go absolutely wild with speculation while they watch like

[skeletonraven]

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[ofswordsandpens]

the difference in Percy's water healing power in the show vs the movie is actually kind of interesting because while subtle, in the show the water heals his injury and then his blood is washed away, but in the movie you can actually see the water push Percy's blood back inside his body as its healing him... and I cannot believe I'm saying this but I think I like the movie's depiction of this power more because of that???

[bread-is-my-life]

GUYS GUYS GUYS

IT'S AN ANNIVERSARY OF THE "SOMETHING STUPID" ANIMATIC BY @seagiri OMG GUYS LET'S GOOOOOOO!!!!!

(this animatic literally was the reason why I got into tf2 so GO WATCH IT IT'S BEAUTIFUL I PROMISE!!!)

[b0nelessdoodles]

was feeling the sad beige mom in my soul tonight so had to doodle a her 'cause its a crime i don't draw more mystic flour tbh

also have my dumb message to my friend about it

[marciliedonato]

So... Apparently UA s4 is a massive flop.... I'm not saying we need to start bullying* showrunners and writers and networks/streamers (*putting pressure on them to do right by beloved pieces of media with passionate fan bases so much so that they feel they'll get the guillotine if they do anything less than perfect and justice by the story/characters) but.... We need to start bullying showrunners and writers and networks/streamers again. These mfs have gotten too comfortable

[saturnaous]

I just remembered I can do whatever the fuck i want forever and ever. here's a bunch of miscellaneous drawings or whatever.

these two are just my general hc that when Ingo gets eeby deebied, Emmet takes over the singles line as well on alternating days and wears one of Ingos bajillion coats on single line days.

these three are from the other night of talking with my boytoy. we were talking about how Ingo and Emmet can probably perfectly(to untrained ears) imitate train horns and whistles. then we were talking about Ingo and his Big Feelings at a wedding and how he'd be sobbing in the corner the whole time. I like gogo a lot and his sobbing train noises

boytoy ate raw spaghetti. was bemmet type behavior. plus the starer.

the last two are because I think for the years Ingo is gone Emmet has been stretching himself thin running the station trying to juggle what both he and his brother would be doing and it leaves him EXGHAUSTED. When Ingo comes back and gets into the groove of things and he's able to even slightly relax, it hits him like a truck and he finds himself genuinely incapable of doing the tasks he needs to do. Gear Station is surprisingly more hectic for the first handful of weeks Ingo is back because Emmet isn't doing his duties. neat to me.

full doodle page btw.

[bibururokku]

An Unofficial Comprehensive Age List of Blue Lock Characters from Oldest to Youngest

I made this because of this post I made here as a means to keep me sane, but feel free to reblog to keep it as a reference and stuff!

Oldest

Youngest

1. Buratsuta Hirotoshi — November 7th, 1957 (62) 2. Isagi Issei — May 1st, 1972 (46) 3. Isagi Iyo — January 4th, ???? (43)** 4. Bachira Yu — August 16th, 1981 (37) 5. Noel Noa — April 2nd, ???? (31)** 6. Jinpachi Ego — March 31st, ???? (30)** 7. Dada Silva — October 23rd, ???? (28)** 8. Leonardo Luna — October 31st, ???? (27)** 9. Adam Blake — September 30th, 1992 (26) 10. Pablo Cavasoz — March 7th, ???? (23)** 11. Teieri Anri — August 17th, 1996 (22) 12. Aiku Oliver — June 30th, 1999 (19) 13. Don Lorenzo — July 4th, 1999 (19) 14. Michael Kaiser — December 25th, 1999 (19)* 15. Yukimiya Kenyu — April 28th, 2000 (18) 16. Okawa Hibiki — June 12th, 2000 (18) 17. Baro Shoei — June 27th, 2000 (18) 18. Shido Ryusei — July 7th, 2000 (18) 19. Imamura Yudai — July 15th, 2000 (18) 20. Karasu Tabito — August 15th, 2000 (18) 21. Wanima Junichi — August 20th, 2000 (18) 22. Wanima Keisuke — August 20th, 2000 (18) 23. Sendo Shuto — October 7th, 2000 (18) 24. Itoshi Sae — October 10th, 2000 (18)* 25. Aryu Jyubei — November 3rd, 2000 (18)* 26. Kuon Wataru — November 16th, 2000 (18)* 27. Iemon Okuhito — November 19th, 2000 (18)* 28. Otoya Eita — December 3rd, 2000 (18)* 29. Ishikari Yukio — December 10th, 2000 (18)* 30. Gagamaru Gin — January 2nd, 2001 (18)* 31. Tokimitsu Aoshi — March 21st, 2001 (18)* 32. Nagi Seishiro — May 6th, 2001 (17) 33. Kira Ryosuke — May 23rd, 2001 (17) 34. Julian Loki — June 9th, 2001 (17) 36. Igarashi Gurimu — July 6th, 2001 (17) 37. Bachira Meguru — August 8th, 2001 (17) 38. Mikage Reo — August 12th, 2001 (17) 39. Kiyora Jin — August 31st, 2001 (17) 40. Raichi Jingo — October 11th, 2001 (17)* 41. Tsurugi Zantetsu — October 30th, 2001 (17)* 42. Hiori Yo — November 30th, 2001 (17)* 43. Chigiri Hyoma — December 23rd, 2001 (17)* 44. Kunigami Rensuke — March 11th, 2002 (17)* 46. Isagi Yoichi — April 1st, 2002 (17)* 47. Kurona Ranze — September 6th, 2002 (16) 48. Itoshi Rin — September 9th, 2002 (16) 49. Nanase Nijiro — January 1st, 2003 (16)* 50. Niko Ikki — February 5th, 2003 (16)* 51. Naruhaya Asahi — March 20th, 2003 (16)*

* As Sae has turned 18 after the Second Selection and Isagi has turned 17 sometime during or a bit before the PxG match, it can be assumed that every character with a birthday between was a year younger and has aged up to the ages currently shown on the list sometime in the series.

So basically: Michael Kaiser — December 25th, 1999 (18 → 19) Itoshi Sae — October 10th, 2000 (17 → 18) Aryu Jyubei — November 3rd, 2000 (17 → 18) Kuon Wataru — November 16th, 2000 (17 → 18) Iemon Okuhito — November 19th, 2000 (17 → 18) Otoya Eita — December 3rd, 2000 (17 → 18) Ishikari Yukio — December 10th, 2000 (17 → 18) Gagamaru Gin — January 2nd, 2001 (17 → 18) Tokimitsu Aoshi — March 21st, 2001 (17 → 18) Raichi Jingo — October 11th, 2001 (16 → 17) Tsurugi Zantetsu — October 30th, 2001 (16 → 17) Hiori Yo — November 30th, 2001 (16 → 17) Chigiri Hyoma — December 23rd, 2001 (16 → 17) Kunigami Rensuke — March 11th, 2002 (16 → 17) Isagi Yoichi — April 1st, 2002 (16 → 17) Nanase Nijiro — January 1st, 2003 (15 → 16) Niko Ikki — February 5th, 2003 (15 → 16) Naruhaya Asahi — March 20th, 2003 (15 → 16)

** The birth year and age of these characters are unknown because it is unclear whether these characters have aged into their listed ages or were these ages when introduced, so there is a chance that these ages are now off by one year. Thus, they may be either a year younger and have just turned that age or are all currently a year older because their birthdays have passed now.

In other words: Isagi Iyo — January 4th, 1975 OR 1976 (43 → 44 || 42 → 43) Noel Noa — April 2nd, 1987 OR 1988 (31 → 32 || 30 → 31) Jinpachi Ego — March 31st, 1988 OR 1989 (30 → 31 || 29 → 30) Dada Silva — October 23rd, 1989 OR 1990 (28 → 29 || 27 → 28) Leonardo Luna — October 31st, 1990 OR 1991 (27 → 28 || 26 → 27) Pablo Cavasoz — March 7th, 1995 OR 1996 (23 → 24 || 22 → 23)

Other things to keep in mind:

Blue Lock is supposed to be set in mid/late 2018, and the current events we see take place in 2019. Given that the series has an official setting and official ages with confirmed passage of time with people aging as their birthdays pass, characters should be born during the years listed above.

However, the birth years of certain adults (see above) can be iffy simply because there is a lack of information about them and the exact timeline of events occurring in the series. (E.g. it is known that Isagi turned 17 sometime around the PxG match, but it is unclear whether or not Noel Noa's birthday has also passed despite his birthday being the day after Isagi's.)

What is certain are the birth years of the U-20 players and the Blue Lock participants because U-20 players cannot be older than the maximum age of 20 in the year of the competition to qualify, so their oldest has to be born sometime in '99 to be able to play. As for the Blue Lock participants, the original 300 players were selected from a pool of high schoolers, so they have to be between 15-18, as Japan only has three years of high school, with each grade having a specific age range due to how the school year is arranged to start in April and end in March, as such, 1st years are always 15-16 years old, 2nd years are always 16-17 years old and 3rd years are always 17-18 years old, so everyone had to be born between '00-'03.

Extra things that came to mind as I wrote this:

— As it is currently April in Blue Lock, the 3rd year boys are technically graduated from high school, and the 1st and 2nd years should be the 2nd and 3rd years now. — Depending on how far into April it is, Yukimiya could be or turn 19. — The boys would be around 20-25 years old irl rn.