#also if saw this before...no you didn't

[nobie]

"General." "Cody. Get Down!"

[symphonyofsilence]

Let the poor man rest.

[lesliemeyers]

doing Mysterion art inspired by a Batman cover just seemed... right

+ closeups under the cut ↴

[bisexualnaomipierce]

me when kendall is stuck in the cycle of abuse

[chubsonthemoon]

It is done! This is The Death of Translation, originally written in English by @landwriter, translated into Mandarin by @thirrith. Binding is dos-à-dos, with English version on one side and Mandarin on the other. Bookcloth was handwoven by me, on my rigid heddle loom :3

More under the cut!

Typeset: Fanbinders are Liars

Full stop, this typeset would not have been possible without Eth and all their patience, enthusiasm, and willingness to do even more translating! I reached out to them *checks watch* nearly a year ago in July 2023 (lololol), asking if I could use their translation of TDOT in a surprise bind I wanted to send along with Gloam's author copy of Flower King. They were kind enough to say yes, and even kinder to answer my questions when I reached out six months later in January, when I was finally able to start work on the typeset.

We talked about the many delicious things that are bound to come up when discussing translating not just from English to Mandarin, but also from digital space to meatspace. Some topics I had anticipated, like font questions, translating the colophon, etc. But even with the topics I thought I'd prepared for, there were still things that came up that both surprised and delighted: for example, while AO3's website allows for italics in Mandarin--

--my publishing program doesn't (or at least, it doesn't without needing to manually tilt every character by about 10 degrees). So as a workaround, Eth suggested changing these cases of italics to the font 华文楷体:

Through no one's fault but my own, this ended up being only slightly less work than manually tilting every instance of italics--I wanted to be sure that I got all of them, so I ended up doing a lot of double-checking manually anyway, instead of relying solely on the Search function. There was a lot of cross-referencing with the Word document that Eth was kind enough to provide, as well as squinting and general swearing. I also did the same for the uses of Latin script, manually styling each instance as Garamond to keep it consistent with the English edition:

The only other time I've had to do font surgery this intensive is probably for my typeset for Tell Me About the Big Bang, which I had to port over from a PDF. Folks, hell on earth. Do not recommend XD I remember squinting at my monitor as I had to visually confirm every instance of italics, thinking I will never do this again. Welp, four years later, here were are: fanbinders are liars, LMAO. At the very least, using Eth's Word document at least allowed me to search by styles, so it was a little easier on my eyes. 🙏

Is there a script that I might've been able to use if I was more code-savvy? Probably. But I figured going at it sledgehammer style would be the least hair-pulling way to get the job done, weirdly enough. Still, despite my best efforts, there are a few instances of PMingLiU to Garamond and PMingLiU to 华文楷体 that I know I missed, and I know I missed them because I caught them after I'd printed/cut/folded/sewn/glued (cue more swearing), so Gloam and Eth, my apologies >.< please consider them artifacts of a uniquely handmade object ajslkdjfs

In addition to the fonts, there were also some other fun things Eth and I discussed, like how to translate the notes I usually provide on the colophons! In addition to information on fonts, I also usually include some variation of:

This private, limited edition published by chubsthehamster (Moonham Press, imprint of Renegade Publishing) in 2024. This is chubsthehamster's personal copy. Out of three existing copies, this is the first.

The thing that came up with this, which still tickles my brain to this day, was how Eth chose how to translate "Moonham Press, imprint of Renegade Publishing." To get a better sense of what word to use for "imprint," they asked what the relationship was between Moonham Press and Renegade Publishing, which got me thinking about the relationship between my lil imprint and the wonderful @renegadeguild:

What's all very funny about all of this is that we are now, in fact, going by the name "Renegade Bookbinding Guild," per our most recently updated Code of Conduct. While this renders the wording I asked for out of date (and thus, the wording that made it into the book out of date :'D), I think it's also a testament to how cool the work @renegadeguild is doing--like any artform, fanbinding is alive, with its own evolving language, communities, and ideas about the craft. And I love it, I love it so much. (Was this also a plug for our new-ish website? Perhaps).

There's more I could say here, but this post is already going to be long enough, so I'll move on for now! If you get anything from this section, it's that @thirrith is amazing and very patient and kind, and I'm so grateful that we got to talk shop together. Thank you so much for all your invaluable help with this, Eth! I hope the typeset, though undoubtedly flawed, does your hard work justice!

Binding: Or, SO Much Math. Like, So Much, Guys. (It was worth it, though!)

Whoo, boy! So math was never my strong suit in school, but when I set out to do this bind last year, that wasn't an issue. At first. The dos-à-dos binding, if anything, just requires a little bit of finagling on the usual case-bound format--a bit more math if you want to do an all-cloth cover, like I planned on doing, but nothing I couldn't work out with some trial and error. (My prototype below!)

Then came February, when I took a weaving class with my friend, and then everything kinda exploded.

My original idea was to use some green Duo bookcloth I had on hand (this color, actually)--for those of you not initiated into the Duo cult, Duo is a Rayon bookcloth with a very devoted fan following in Renegade. It's very pretty; the Rayon weave is one color, and the paper backing is usually complementary color, so it has this cool two-toned effect. Duo is in high demand in Renegade circles because sadly, the company that manufactures it went out of business last year. (Although I've heard rumors recently that there's another company making something similar, but the cloth has a really high purchase requirement and is, like, for businesses only I think).

Anyway, I also wanted to have a gold line around the whole book as a kind of bellyband/obi to further connect the two versions of the story (another reason why I chose the dos-à-dos format to begin with heh), as you can see from my scribbled notes here--

But alas! I knew going in that adhering things to Duo is often Problematic, thanks to one very painful experience trying to get some iron-on foil on another bind (the textured surface of Duo just makes it kinda hard to stick or paint stuff on it). So if I wanted a clean, continuous line, the remaining options were to either paint it on a strip of paper that I'd somehow...adhere to the cloth? Or maybe cut different slices of bookcloth and glue them on. I wasn't satisfied with either of those options, though.

Then--the weaving class. I made a scarf, and I love it and I loved making it. But the whole time, I'll not lie, my thoughts were elsewhere.

In short, my decision to weave my own bookcloth kinda came from a few different factors:

The desire to attempt to recreate Duo, that elusive beauty, the one that got away, etc. (I have several yards in my stash, but still). Others have also attempted to recreate it, and I thought I'd throw my hat in the ring.

My current spiral into the deep hole that is fiber arts (it started with crochet, then knitting, then sewing, then weaving, then spinning, and now I'm eyeing quilting! Please help me).

The gold line. It kept bugging me. And when I found weaving, I just thought there was something very neat about the process of actually making the cloth for a dos-à-dos binding from scratch, and especially for this binding. I wanted to bind a story about translation (or rather, the death of it, and yet still the necessity of it--how we must try to communicate, despite of, or perhaps precisely because of, everything that gets lost in the spaces between people, and the tragedy of that loss, and the beauty of what makes it through, and the love always present in the effort regardless), and also, the translation of that story. Weaving is a very meditative process, and with every pass of the shuttle, back and forth, building slowly but surely the fabric that would hold the story that Gloam had written and that Eth had translated, I thought a lot about translation, and the gaps between people, and how we choose our words not just when translating, but when we speak at all. From a design perspective, I used the same colors I would've used had I chosen the Duo bookcloth--green and gold--so the design wasn't too altered in terms of color scheme. But I think the choice to weave the bookcloth--the thing that bound it all together--made the project take on a completely new meaning for me, both in process and in scope, one that hadn't been there when I started. I saw the warp, perhaps, as the original story, laying the groundwork for the weft, the translation; or maybe it was the other way around, with the translation providing the scaffolding for its own, new meaning, choices that Eth had to make with this word or phrase or another building something new, something translated, and the original a live, moving thing that wove over and under each word turned phrase turned story; or maybe it was both. Maybe it didn't matter which was which, in the end. And as I wove, the thing that connected them, that gold line that had started all of this, slowly formed.

All that to say: Good God, was there a lot of math. So much math. That prototype pictured above was actually made specifically so I could calculate exactly how much I needed to weave, lol, because while I certainly had enough thread, I didn't want to have to warp more than once. I'd learned the basics in my class, but the training wheels came off here. I wanted to make my own custom fabric, which meant calculating things like ends per inch, picks per inch, loom waste, shrinkage after washing, the width of that damn gold line, how much I'd need for the hinge, the turn-ins, the boards--the whole nine yards (I didn't actually weave nine yards tho heh). It was all absolutely worth it in the end--so challenging and so, so rewarding!

(And my final reason for weaving the bookcloth? Not gonna lie, It was because I just wanted to see if I could do it LOL. I love trying at least one new thing with each of my binds, and this was it for this project. While I've been bookbinding for a few years now, I'm still very much a beginner weaver, and I'm so excited to continue to learn and experiment! Also, here's a video of me unwinding the cloth from the loom, heh. I used 10/2 Perle cotton in gold and green colors :3)

Also, turns out, you can back handmade cloth the same way you can any other cloth! I backed it using my usual heat-n-bond method, and with some Unryu Tissue in the color Forest. Since the cloth itself is a bit transparent, there are a bunch of really fun fibers you can see when it's held up to the light, but which aren't visible when the cloth is glued down to the boards. Still, knowing they're there still makes me happy :D

Finally, capping all this off, is one final, small detail I really liked: ginkgo leaf endpapers :3 this one's for me and Eth and Gloam specifically <3

Aaaand that's all from me for today, folks! Thus ends (several months late XD) my last Binderary project for the year. This was probably my most ambitious bind to date, and gosh it was so, so much fun.

And, of course, thank you so much to Gloam for sharing your story, and Eth for translating it. I can't wait for y'all to receive your copies soon!

All my love! <3

[holeycondom]

a companion to owls

[skeletonraven]

[sgt-farron]

We, after everything

[kit-screams-into-the-future]

drawing your favorite guys being silly is very effective at keeping The Horrors at bay

bonus doc from a different canvas:

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[egophiliac]

Waittt, what did you mean with your last post?? I don't want to spoil myself so I'm waiting for the nightmare before christmas event to arrive on the eng server before diving deep into the wiki. But I HAVE to know; were there hints of Lilia joining in for a rerun or a sequel ??? Your big "OR IS IT???" filled me with way too much hope !! please tell me it wasn't a bit : (

there was a little teaser at the end that implied there'll be a sequel event, though we don't really know anything beyond that! I do think it's likely we'll get the other half of the cast in it, even if it's just wishful thinking on my part. 🤞🤞 NIGHTMARE SUITS FOR EVERYONE!!!!

as far as I know there's been no confirmation on whether it's going to be next year's Halloween event or a separate thing (the snow makes me think it'll be more Christmas-themed, or otherwise more related to the plot of the original movie) so. we're probably going to have to wait quite a while before we find out anything solid. :') they really do love just dropping these things on us and then watching us go absolutely wild with speculation while they watch like

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[ofswordsandpens]

the difference in Percy's water healing power in the show vs the movie is actually kind of interesting because while subtle, in the show the water heals his injury and then his blood is washed away, but in the movie you can actually see the water push Percy's blood back inside his body as its healing him... and I cannot believe I'm saying this but I think I like the movie's depiction of this power more because of that???

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[mmiirage]

a VERY belated drawing for the 10th anniversary of over the garden wall 🍂

[bread-is-my-life]

GUYS GUYS GUYS

IT'S AN ANNIVERSARY OF THE "SOMETHING STUPID" ANIMATIC BY @seagiri OMG GUYS LET'S GOOOOOOO!!!!!

(this animatic literally was the reason why I got into tf2 so GO WATCH IT IT'S BEAUTIFUL I PROMISE!!!)