#also i think this was from my old blog

[bvnnyb3ast]

so i was scrolling through my gallery and found what is possibly my first ever fanart of the seasonal ministers

i had this very small au/made up story for them when i first joined the fandom and it was WAY different than the story I have for them now

[villain-enthusiast]

TOUCH-STARVED HERO RAHH.

.

“You’re hurt.”

“I’m fine, actually,” the hero muttered from their sloppy position on the ground, though the oozing gash slicing across their torso and the fresh bruises circling their throat said otherwise.

The villain arched a brow, crouching down so they were eye level with the hero. “Do you think I’m dumb?”

The hero glowered at them. “Seems like you're deaf, actually. I said I’m fine,” they snapped, even as pain shuddered through their battered body. “Now if you could just get out of my way—,”

“Darling, please. You couldn’t stand up even if you tried, let alone walk yourself halfway across the city to your apartment.” The villain smirked at the hero’s deepening scowl, but the teasing flair didn't quite reach their eyes. “Let me do you a small favor while I’m here, at least.”

The hero bared their teeth. “Fuck off. I don’t need your stupid healing powers. You'll probably turn this into one of your idiotic bargains—," A harsh coughing fit cut them off, rattling their chest.

They tasted blood on their tongue. Fuck.

“Gosh, so prideful." The villain sighed, tilting their head. "Oh look at that, you're bleeding." They lifted a hand and ran a thumb over their hero's lips, wiping away a smattering of blood that had spilled from their mouth.

The hero's breath hitched at the villain's touch, the smallest, most delicate of noises escaping them before they could stop themselves.

The villain paused, their brow furrowing as their gaze took in every little movement and detail of the hero's involuntary response.

The hero's jaw tightened. Every muscle in their body screamed at them to get away, but they couldn't move. Or was it that they didn't want to move? "Villain, I swear—,"

Then the villain’s hand was cupping their cheek, and the hero melted.

A desperate whimper tore from their throat, their head lolling into the cool touch of the villain's palm as all the pain and exhaustion radiating through their body suddenly evaporated.

They closed their eyes, feeling their face begin to burn with shame.

"Oh, sweetheart," the villain murmured. Their other hand swept through the matted strands of the hero's hair, working through the tangles.

The hero had to bite down on their lip so that they didn't make another embarrassing noise. So gentle. The villain's touch was so, so gentle. So at odds to their earlier opponent's strangling grip and blinding punches, so contrasting to gaping loneliness and helplessness of coming home to no one, of having to painfully stitch themselves up day after day after day...

The villain brushed away a tear that the hero didn't realize had fallen.

"Hey, look at me," the villain said softly, nudging their chin up. The hero blinked at them, fighting back a sob. "You need to let me heal you, okay? You're losing a lot of blood."

The hero swallowed, barely processing the villain's words, their brain entirely occupied by the hand still on their face—or maybe it was just the blood loss. "Yeah," they managed, voice hoarse. It felt like their vocal chords were coated in tar.

"I'm going to do your stomach first," the villain noted. "I need both my hands for this, alright?"

The hero nodded, ignoring the inevitable panic that shot through them at the sudden absence of the villain's touch, which returned almost immediately on the deep laceration on their lower torso.

The hero cringed, bracing for some kind of torturous, painful mending, but the villain's powers were warm, soft, like honey in a cup of hot tea or a crackling fireplace during a winter storm. God, how many years had it been since they'd felt so comforted?

A whimper escaped the hero once more. They tensed. Jesus fucking christ.

The villain cracked a smile as they worked. "Don't worry, love. You're not the first person I've healed that enjoys the feeling." They brushed a palm over the wound, weaving the hero's flesh and skin back together. "This is gonna scar, but at least you'll live to see another day, hm?"

The hero scoffed weakly, still drunk on the villain's magic.

The villain swept their hands over the hero's body, feeling for more damage. "Gosh, Hero," they hummed, "you get yourself into so much trouble, do so much for this pitiful city, and for what?" They placed their hands on the hero's battered neck, soothing the inflammation. "When's the last time someone took care of you?" they asked quietly, but the question seemed more for themselves than for the hero.

Several heartbeats passed before the villain pulled away, finished with their work. The hero couldn't stop themselves from chasing their touch, nearly toppling over.

The villain caught them before they hit the ground, chuckling. "Oh, what am I gonna do with you?"

The hero felt a lump form in their throat at the thought of the villain leaving. I'm not gonna make it home. Not without Villain. They squeezed their eyes shut, swallowing their pride. "Please," they whispered. "Take me home. All I ask."

"Don't need to ask me twice." The villain swept the hero up into their arms, smirking at their indignant (and exhausted) glare. "You're not walking, sorry. You're getting all my love and special treatment today." They winked, as if they were joking.

But as the villain paced their way to the hero's apartment, and as the hero began to fall asleep in their arms, they both knew it wasn't a joke.

[mattodore]

pov your boyfriend asks if you're really not going to stay the night :(

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[ducktollers]

did a screencap study and ofc tumblr nukes all my lovingly painted textures that differentiate this from the original screencap. so theres close ups under the cut. Oh and this scene always guts me btw

ok byeeee

[slankyyy-revs-the-world]

This is their dynamic to me in 3Houses - it's objectively funnier if Miklan isn't homophobic, he's just repulsed by the very concept of Sylvain finding love

[roots-symphony]

I had all and then most of you some and now none of you t a k e m e b a c k t o t h e n i g h t w e m e t

[averlym]

fairest of the fair

[torantuga]

hi! my evolution of mk is insane cause damn girl how r u so shaped now...

like, look at mty 1st mk drawing and compare it to my newest one (which is a spoiler kinda. for my next post. whoops.)

i know she had WAY more details back then, esp in the face, cause i rlly liked making the blush. but im way more comfortable w my style now, tho i do miss the certain unique elements that came from it (my style is still unique btw, i never truly "changed" my technique, i just went into the more simple artstyle route) (im just more polished now.... how tf did i post unpolished pieces like that gee)

[motogp-museum]

Tag Navigation and Intro

Hi!! It's @kissingwalls (this is not a side blog though)

Tags:

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year: 2010, year: 2011, year: 2012, year: 2013, year: 2014, year: 2015, year: 2016, year: 2017, year: 2018, year: 2019, year: 2020

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Rider filtered by year

To find the rider's posts from a specific year, type their initials, rider number, a colon, a space, and then the year into the search bar. For example mm93: 2013 (there are a couple of people I haven't done this for, so check their main tag first)

Here are a few common ones :) (i would put them all but the link limit is humbling me)

Vale:

vr46: 2013

vr46: 2014

vr46: 2015

vr46: 2016

Dani:

dp26: 2011

dp26: 2012

dp26: 2013

dp26: 2014

dp26: 2015

Jorge L:

jl99: 2011

jl99: 2012

jl99: 2013

jl99: 2014

jl99: 2015

Marc:

mm93: 2012

mm93: 2013

mm93: 2014

mm93: 2015

mm93: 2016

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Some of these are just people who are together a lot.

pedrenzo

rosquez

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vr26 riders academy

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espargabros

Vale/Uccio

lucalex

dovquez

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type: gif

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indy

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chang

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Circuit with year

You can also search by circuit: year (eg. catalunya: 2015). Just make sure you put a space after the colon. Unless the post said where it was though, I did not put a location tag.

----------

Intro:

(i'll just put it at the bottom so i remember to delete it)

I have been hoarding all of these (there are like 1000 more in my draft and queue lol) for a while now in my draft bc even tho they are like 3 note gifs, they are historical artefacts to meeee.

Anyway, I've got a cold, and so to occupy myself, I decided to just make a blog so that everything can be organised and easy (ish, this is tumblr after all) to find!

I know heaps of my fellow ✨motogp tumblrinas ✨have made archives for their favs, and you are all braver than me, bc I would lose all the gifs immediately if I tried to create new archival posts. So I just reblogged everything and am going to hope for the best in terms of copyright lol

But yeah, these aren't just my favs. This is more just a snapshot of the fandom at different periods. I only reblogged the deactivated ones, but, y'all, use the posts as little gateways to blogs from that time period, it is FACINATING.

As always, peer review is welcome! If i completely messed up a tag (very likely, since i used the mass tag editor), you're welcome to let me know. Also if there's a ship tag, fun tag or something you want me to add in the mass tag editor, lemme know! more than happy to add literally anything ✨✨

I only started this today, so it's very much a work in progress! All the things without a link are because the posts that match up with them are in the queue. I also need to add the ones i forgot

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[sharpsuite]

♢  — WHAT ELEMENT WRITER ARE YOU?

WATER WRITER

Just like water, you carry your readers in a new world, and they just can’t do anything but follow. Your poetic writing allures the readers in with beautiful words, just for them to find themselves on the deepest oceans floors, where you make them taste pain in its sweetest form. Water writers are the gentlest liars, they show the readers a small stream, and no one can see the waterfall at the end. If you were a tag, you would definitely be ‘Everything is Beautiful But Everything Hurts’. Cliffhangers are one of your strong points that, mixed with your incredible versatility, make you a great writer. Your stories have a deep meaning, and never miss to leave traces on your readers hearts. You don’t limit yourself, you like to explore the deepest parts in the human soul, and that’s why readers can sometimes find MCD in your stories. Your endings tend to be sad or open, and your stories have the power to drag your readers with you, from the highest waves of a storm, and to the darkest secrets of the ocean.

tagged by: no one, this is my annual year end curiosity but seeing @musingmemories's post reminded me i needed to do it for this year tagging: @severeweatheralert ; @aoooooo0 ; @cartelheir ; @wellfell ; @redemptioninterlude ; @psielapki ; @hisinfinities ; @saburaito

[bluecubeblues]

have you ever been convicted of a felony?

★ PREV | FIRST | NEXT ★

[ceasarslegion]

Im showing my bf the bond series from beginning to end because I have like, a thing, for the gentleman spy subgenre. And far be it for me of all people, whose double major was in cinema, to judge an older film outside of the standards it was made within or claim that they dont have any place or impact within the world, but it is downright perplexing what did and didn't fly in those movies. Such as having actual black people play black characters instead of doing blackface, which was still widely used at the time, but also just doing yellowface in that same movie. Masterfully done everybody.

[mylove-themoon]

The whole ending for the main timeline kinda sucks for Zaun, even the one good thing they get is backhanded as fuck.

Like sure, Sevika is on the council- but the council relies on majority vote, and every other member of the council only work in the interests of themselves or of piltover. Nobody else cares about Zaun, so nothing will change.

And Piltover shows they will alway protect and prioritize their own over everything else

Cait gets no consequences for her actions from the last two acts, despite doing many, many crimes. She released the Gray on the Undercity- which is going to cause disease, death, etc to many innocent people (the same disease Viktor was dying of, it was a direct result of Piltover’s oppression and the gray- I could go on and on about his ending but I shan’t.), arresting random Zaunites- including children- and just leaving them in prison, and even tho we hate Singed, threatening to throw him under the fucking prison was a little far. She gave him the opportunity to either join her or die. So the people of Zaun are animals and criminals until they’re useful?

And the scene of the Noxian guy (can’t remember his name) literally torturing that Jinxer??? Ambassa’s dead and so is he, so I guess thats their consequence, but nothing for Cait? No, Cait gets to have a nice life, she might feel guilty and maybe she’ll have a couple nightmares but really she’s not facing a single consequences You guys remember when Jayce almost got exiled for Hextech in season one? A crime in which nobody died or was grievously harmed? Yet there are no consequences Caitlyn hmmm

After everything the people of Zaun have gone through, they get nothing- they see their oppressor hailed as a hero, they see their children die of a disease that should never have touched the new generation (or just straight up suffocate while it was actively being deployed- if they get caught in that they are dead- little lungs and little legs yk- if they can’t escape it then they die) they see their only hope (Sevika) repeatedly shot down by the council, they see the abuse will continue. Even after everything they lost- all those who fought in Piltovers war- they get nothing. They helped, they worked with them when working against them didn’t work, and they still get nothing.

I think Ekko’s ending really drives it home- the ONE character who deserves the world above everybody else is sitting alone in the end. He did everything right but was still alone. If he -and Jinx- hadn’t rallied their forces and convinced the people of Zaun to fight then Piltover would have lost to Noxius. He convinced his people to fight and die for Piltover- but Cait’s the hero, and he’s still fighting for his own people.

[blood-orange-juice]

ok so ive never properly played genshin and don’t plan to but i know a bit about it’s lore and characters and i think it’s really neat. however i have thousands of hours on ffxiv. on that note please explain why graha and childe are similar. i only have very basic knowledge on childe and i gotta know

Fellow ffxiv enjoyer. <3

(anyone asking me about G'raha has a 100% chance of getting a wall of text and I'm not apologising for that. enjoy your wall of text)

I'm not entirely sure I'm not a case of a person with a hammer to whom everything resembles a nail, but I do think they are the same archetype.

Sweet characters who could have been perfect sidekicks (who still are perfect sidekicks) but listened to too many epic tales as kids and found themselves in a wrong place at a wrong time and now have to play a key role in some universe-changing story.

Both are defined mostly by their stubborness, they are not very suitable for the roles they've chosen and fail over and over again until they do it somewhat right (barely).

No matter how badass they look, their power is not their own, G'raha is a glorified technician of someone else's miracle and little else than a living key, Childe wields an art of old Khaenri'ah without fully understanding it. It's all borrowed from someone else who needed them to achieve a goal.

They do look badass, but mostly because they larp. I'm honestly not sure which one enjoys theatrics more.

Civilisations that created the magic they use specialised in perversion of the natural order of things. They try to use it in relatively noble ways and mostly hurt themselves but the flavour is there.

Both are unbelievably tragic and both somehow make their stories seem almost lighthearted. Complete absense of self-pity. I think that's what makes them both so charming, it's a rare trait.

Both have an incredible capacity for loyalty and love and an incredibly twisted view of what relationships look like. "I'll cross time and space for you, I'll die for you, I'll build a city for you, I'll live for you but please don't ask me to share my plans." "I'll sacrfice my own health and respect of my subordinates to keep my brother's happyness, probably my humanity too, but don't expect me to actually interact with him."

Both have something that looks like self-sacrificial tendencies bordering on suicidality while being, if we are honest, a self-serving trait (partially born out of low self-esteem but still self-serving). They want to live in an old myth and sacrificing oneself is a perfectly reasonable price for that.

Huge egos. And I mean Huge Egos. It's a bit less obvious in Graha's case but I know the type, you see guys like that in PhD programs a lot.

Huge dorks. Both of them.

Both are stuck somewhere between human and non-human and, hmm... their ability to remain human is the most astonishing quality of both. By all accounts, neither should have. They somehow did.

Both are incapable of lying to the point where a third of each fandom headcanons them as autistic. Both are somewhat all right with tricking people without technically lying (although Childe had more practice).

Both are secretive because no one would understand anyway.

FF XIV is a kinder story, so it's easy to overlook, but technically G'raha is a case of body horror, accepts the role of a villain for a while and hides from the player way too much. Hmmm... Where else have I seen it. Hmm. Oh right. That ginger guy from Genshin.

Minor things:

Both are little shits and enjoy annoying the hell out of people they dislike.

Abysmally bad fashion sense. There should be a name for this particular type and level of bad. I don't think I've seen this anywhere else.

And then there's the colour scheme. Red+black+white+blue and red+black+light grey+blue (it's an "anime magician" color profile, I think. black-red-white as alchemy colours + blue as pure magic/something elemental). Childe doesn't quite fit but still the combination is rare.

They way they talk. Dear gods. Who the hell talks like that.

Here's where the similarities end.

One is morally grey but ultimately a good guy (technically. I think the point of ShB was that Emet and G'raha are almost the same), another is a morally grey but still (kind of) a bad buy.

At every step of his story Graha is surrounded by people who love or at least appreciate him, Childe is pretty much on his own and surrounded by people who are either shitty or clueless.

G'raha is kind. Truly and astonishingly kind, in a doomed world he chooses to love everything he touches. Silly little priest of hope. Of all the things he has done this is the most wondrous, I think. Not the time travel, not the city he founded, just being able to remain kind after everything that happened to him.

Childe is... well, Childe. I think he is a deeply decent person (to the point of having a visceral distaste for any kind of unfairness) and he's idealistic but he's indifferent more than he is kind. Empathy usually develops only when someone has shown the person empathy first and, as far as we know, he didn't have much of that in his life.

Also G'raha builds things. Childe breaks things. Childe breaks pretty much everything he touches.

One is an archeologist and a mage and another is a warrior.

I think these differences are caused mostly by the settings they were put into. Childe raised in Sharlayan would have been a very different person. G'raha trained by a voidsent and shipped off to Garlean military would look very much like Childe.

G'raha also has a beautiful character development arc. I love his ShB role. He has this huge ego in the raids and is insufferable and then we see an older and wiser him with a bunch of actual achievements and a bad case of impostor syndrome (trying to do anything real always humbles a person, we all know that real world is held together by sticks and scotch tape. honestly, this change alone is beautiful). And he gets to be an actual hero when he abandons all hope to be Important and resigns to die as a nameless villain if it saves everyone and spares his loved ones from heartbreak.

Childe's character development is yet to happen and I'm not hoping for much but we'll see.

The only difference that definitely isn't created by setting is that G'raha is naturally manipulative. In a kind-hearted way and mostly for the sake of better larp but he isn't that straightforward. Childe is spectacularly blunt for all his mysteriousness.

As a bonus, they both compare main characters to stars, but in completely different ways.

"No doubt your heroism will be the star by which I chart my course," says G'raha to the WoL.

Childe mentions the morning star, which is, of course, pretty and a good companion to a lonely traveler, but also it's not a celestial body you can chart your course by.

It's a guy whose signature weapon is called "Polar Star" and his first artifact set was full of nautical themes, so I think he fully understands what he's saying. "You are my friend but I won't change anything in my life for you."

So I don't think his story will be anything like G'raha's, his life took a different turn very long ago. I do think they used to be similar as kids, bookish boys who dreamed of adventure and being special. So it's fun to compare.

Thank you for coming to my TED talk. <3