#also i have too many photos of him

[p4rtyd1n0s4urs]

daily curt mega

[puppppppppy]

Once upon a time

[legionofpotatoes]

star wars outlaws

[schnaf]

day 23 aka THE COUNTDOWN IS OVER - jungsu's past birthday brrrr ppoppos

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[ursamemejer]

Photo dump 5

I have an unhealthy obsession with the photo booth :)

[applesaucesomething]

Some recent deltarune wips that i dont really like that much but meh

[opal-inna]

I was thinking of Megamind’s theme of heroes being made instead of born and the parallels between Megamind and Hal.

You can see how Megamind is trying his best, but Metroman is more privileged, so Megamind gives up. He had always had bad luck, compared to Metroman, so he thought it was his destiny to be a villain. So when Hal seemingly has everything delivered to his doorstep, it’s destiny that wanted this to happen. Megamind believes that it’s up to forces greater than him that make heroes or villains. And Hal had all the gifts Megamind hadn’t, and he chose to use them for evil.

But then I looked deeper into it. I compared Hal with Megamind. Both of them were social outcasts. Both of them were nerds. Both of them were in love with Roxanne. Both of them were rejected by her. And both turned to villainy when things didn’t go as they had hoped. In a dark twist of fate, one could recite the famous cliche  “we’re not so different, you and I!”.

But obviously, they are so different. So what sets them apart?

Both of them wanted approval, but Megamind seeked acceptance from society and Hal sought to win love from another person. Both of them had a skewed idea of how human relationships work and both tried to follow in Metroman’s footsteps to get there.

But obviously, they failed. Because it’s not how it works. Again, they’re similar in this department.

And then it hit me.

Both of them tried to imitate Metroman to gain something- gain approval in their example. But you can’t just win someone’s approval, it’s up for them to decide whether they give it to you or not. And you may only get it by being genuinely good yourself. Even if both chose villainy, time and time again, Megamind proved himself to be good and Hal proved himself to be evil.

Here’s what I found so far.

Hard work

Megamind had worked hard and it gave him no results, so he thought it was meant to be. He put a lot of effort into creating devices that were supposed to imitate Metroman’s powers. Hal had everything given to him, which made him feel entitled to everything he desired. 

Humility

Both of them had been rejected and degraded. But Megamind had enough humility to reflect on himself. He didn’t blame Roxanne for rejecting him (albeit the scene where she tells him to apologize and Megamind misunderstands and turns it around is hilarious). Rather, he blamed his status as a villain. Though he didn’t blame his choice to become a villain, but his destiny to be one- “Villains don’t get the girl”. However, Hal had an advantage of a status of a ‘hero’- one given to him, not the one he chose. He feels entitled to her love, so when she turns him down, he blames her. He played his part of being a ‘hero’, but she didn’t play her part of being a prize. She broke the rules.

Megamind had also reflected on what Roxanne told him. He corrected his mistakes, cleaned up the city and returned what he stole. He didn't have to, but he did it to make her happy and made an effort to be actually good.

And Hal has been actively gaslighting and lessening her, just to protect his ego.

Relationship with Roxanne

Obviously, I also had to include their relationship with Roxanne, and oh boy.

I know I’ve talked about it for the entire time, but I need to go in depth, because it’s a whole thing. Bcos Hal didn’t just have had his powers handed to him. He was also privileged even when it comes to their relationship with Roxanne. Hal had lots of time to form a real connection and friendship with her, but he chose to treat her like a prize he could win if he played the game right.

Megamind was doomed from the start, because he’s a villain. Yet when given a chance, he showed her his true self, became vulnerable with her and they shared each other’s nerdy passions. Though under another person’s skin, he showed her his soul and they formed a genuine bond. Megamind proved to be a better person, because he showed her true respect, valued her for her positive traits and just treated her as a person. 

[crossbackpoke-check]

Dysprosium, Mary Soon Lee

dysprosium, AN 66, is a silvery-white rare earth metal. its name is derived from the greek dysprositos, meaning “hard to get at”, owing to the difficulty in separating and isolating this rare earth element. dysprosium is used to measure neutron flux, to fuel reactors, and to activate phosphors. terfenol-d is a magnetorestrictive alloy, meaning that it changes shape when a magnetic field is applied, and is used to manufacture underwater acoustic systems.

jason “robo” robertson, dallas stars #21 for @simmyfrobby’s nhl periodic table poems <3

[the-dance-of-italy]

*Dr Eggman voice*

I'm here to make an announcement-

[berryblu-soda]

Anyways update i just didnt bother to post earlier:

fr God is good and the whole car crash my parents got into last week was so incredibly mild in terms of injuries!!!! worst was a bruised knee im pretty sure

ALSO-

*taps mic* HUG YOUR FREAKING LOVED ONES OR SO HELP ME!!!!!!!

[eebie]

i saw jesus lasr night

[icewindandboringhorror]

Baby boy brother birthday photos from last year that I just realized I never uploaded!

[jonathanbyersphd]

Jonathan Byers in season 5 this year.

[unproduciblesmackdown]

also the Biggest Eternalest Moods

[abyssalpriest]

Damnit lev lmfao. I was thinking about Shiva wearing corpse ash being resonant for other reasons, something about his relationship with the Bright Skinned Ones and death and whatever. No, no. More fucking importantly: Oh I wonder why Shiva is known for. you know. wearing bodies. his appearance is a mass of bodies joined together. yeah