#also i have no idea what love is an element sounds like but i WANT to LISTEN TO IT ANYWAY

[onehelluvafan]

Will Stolas lose his immortality?

I’ve seen several mentions of Mission: Weeaboo-boo being a parallel to Blitz’s first encounter with Stolas (as an adult), which I can totally get behind. Right out the gate we have the “you were here to ravish me” similarity as well as Blitz “sneaking in, under the cover of night.”

I've also seen the hypothesis that Emberlynn's fan fiction includes an element of foreshadowing for what’s going to happen in the climax of Season 2.

Her episode is also the only one of the shorts with that "ticking" sound during the content warning, which lends further credence to the idea that it is tied in with the main plot somehow, even if merely thematically.

This got me pondering the possible parallels related to Emberlynn's functional immortality against demonkind and her decision to give it up in order to "be with Blitz."

Which now has me wondering—is Stolas going to have to give up his immortality to be with Blitz? Or lose it due to the illegal arrangement they've had going on?

Or, leaning into the idea that her episode is merely a reflection of how Blitz views his relationship with Stolas, could it simply be a parallel to the fact that Stolas has already been in mortal danger as a result of choosing to be with Blitz? And that Blitz feels responsible for Stolas' “undoing?”

We’re shown in Ghostfuckers that one of Blitz’s fears is that Millie could have died during any of the missions from episodes 1-4 of season one. Couple that with the fact that he believes that he “makes everyone’s lives worse,” it’s reasonable to assume that he not only fears, but feels responsible for her life being in mortal danger during their missions.

Whether he cared more about Stolas or the arrangement when he stopped the first assassination attempt, Striker was without the angelic weapon when he fled, which Moxxie had expressed complete shock in Striker's ability to have in the first place.

I think that Blitz allowed his cognitive dissonance to convince himself that Striker was no longer a threat without this weapon. Because deep down, he may have been afraid that telling Stolas about the assassination attempt might not be a neutral event for him. That he didn’t even want to contemplate the idea that he might actually care beyond the loss of their "arrangement."

In the very next episode, Truth Seekers, we see these feelings forced to the surface during his drug-induced hallucination—with Stolas at the top of a long flight of stairs, saying, “Are you afraid to love people, Blitzy?”

With the knowledge that he’s afraid that he makes “everyone’s lives worse,” it adds layers to many Stolitz scenes that follow throughout the series. Data points that someone like Blitz could easily see as evidence of that very fear. “Proof” that he’s responsible for Stolas’ life “falling apart.”

- He knew that Stolas was married as evidenced by his “Sorry, I fucked your husband” after their first night together. Stolas was clearly not only consenting to sex with Blitz, but was expressing a joyous desperation for it. Despite this, it was actually the “first ever friend” comment that caused Blitz to hesitate and return to Stolas, which we now know was a soft spot for him due to his experience with Fizz. But it was Blitz’s choice to stay or go, and staying is what kicked off the arrangement, is the reason for the sexual nature of its terms, and caused a domino effect that impacted Stolas’ entire life, including his family.

- When the two of them were being roasted at Ozzie’s, it wasn’t Stolas’ perspective that was showcased for Blitz, but Ozzie and Wally Wackford’s. Not only does the narrative begin early with Wally’s “Are you sleeping with an imp?!” but it’s followed up by Ozzie’s “My dark lord, how the mighty do fall,” and continues with Stolas being called out for “giving up” his wife and daughter specifically for his choice to be with Blitz. And the way that the narrative plays out, it almost sounds like his downfall was less for cheating than it was for sleeping with an imp.

Either way, seeing Stolas hide his face behind the menu likely “confirmed” multiple things for Blitz. That despite Stolas’ “public” flirting in front of other imps, when confronted by someone actually associated with Stolas’ upper class society, Blitz was reduced to being an embarrassment for Stolas.

Believing that, left no room for even a glimmer of hope that they could be anything more than what they already were: a prince who enjoyed “sleeping with an imp” and was apparently paying a pretty steep price for it.

- Then there’s Octavia. In Loo Loo Land, Stolas takes her to the theme park but spends most of his time flirting with Blitz. Not only does she comment on this in front of Blitz, but he’s there to witness when she’s finally had enough and storms off, mad at her father. In Seeing Stars, Octavia came to I.M.P., stole the grimoire, and disappeared with it. Why? Because her father was so wrapped up in the divorce, that she felt angry and neglected.

- In Full Moon, his fight with Stolas took them through part of the palace. This is very likely the first time he’s seen it since he was apprehended at the “Not Divorced” party, and what has it become? When he came back into Stolas’ life, it was bright, vibrant, and full of people. That night in Full Moon, it was dark, muted, and the only person visible in his photos were of Via.

While Blitz may have inferred at the time that Stolas’ marriage wasn’t in a good place, he doesn’t know just how miserable Stolas was in the life he had before. From Blitz’s perspective, he may have appeared fairly content overall when they first reconnected.

Compare that to Apology Tour, which Blitz sees as the natural outcome of what people experience when they are around him long enough.

Data point after data point, to feed into the idea that Stolas’ life has been “ruined,” just by Blitz being in it. His marriage ended, his relationship with his daughter was negatively impacted, and by Ghostfuckers, someone had tried to kill him twice.

I don't think Blitz is aware that Stella is the one who has been putting out the hits, but I could see him internalizing the idea that if Stolas had died during the second attempt, it would have been his fault. Because not only had he chosen not to warn Stolas that someone was trying to assassinate him, he was also the person that Stolas had reached out to for help and he had let M&M go in his stead.

It is after this attempt on Stolas’ life that we see Blitz absolutely shook by the idea that Stolas not only could be hurt, but that he was hurt and had almost died.

This is also several months after the night at Ozzie’s, when he had first begun to realize that, painful as it was, he may care for Stolas after all. Months during which they hadn’t seen each other and he had time to actually miss their time together.

Between that and finding out that he can actually get hurt, I can see Stolas becoming one of the people that Blitz feels the desire to protect. Unfortunately, this also seems to come with the anxiety of being responsible for what he perceives as the “collateral damage” of being associated with him.

Finally, in Truth Seekers, where the "ticking" began, Stolas had exposed himself via "real" demonic power to the D.H.O.R.K.S. and by extension, the living world. But the only reason he was there and got himself caught on camera is because he came to rescue Blitz.

This could be linked to the scene where we see Blitz attempting to protect and defend Stolas against someone. My bet is on Paimon, who, while ranking below the 7 Sins in power, is still depicted as a fairly powerful being. Stolas had not only exposed their existence to the living world, but had showcased his power in his attempt to scare the agents into submission. We know there’s going to be consequences for that, as well as for the divorce, and I expect Paimon will have a part to play, one way or another.

Stolas mentioned in Seeing Stars that without the grimoire, his powers are rather limited. I assumed that the worst outcome for him at the end of Season 2 was being stripped of his status and grimoire, which would vastly reduce his raw power as well as the power his position in society affords him.

Obviously, the actual worst-case scenario would be the loss of his life, which it's assumed Blitz is trying to protect him from in the snippet from the trailer. But it didn't occur to me until now that even with my own certainty that he'll survive the Season 2 climax, there was a third possible outcome... that along with his power and status, Stolas could also be stripped of his immortality.

[silverysongs]

Daughter of Smoke and Bone (music from season 1)

Track 1 / Waltz for a Blue-Haired Girl

Track 2 / A Sketchbook Full of Monsters

Track 3 / Poison Kitchen

Track 4 / Brimstone

Track 5 / Black Handprints

Track 6 / Wishes

Track 7 / An Angel in Morocco

Track 8 / Caged New World

Track 9 / True…Story

Track 10 / Fight or Flight

Track 11 / Hope Makes its Own Magic

Track 12 / Broken Doll Dance

Track 13 / Madrigal

Track 14 / Pull

Track 15 / Evanescence

Track 16 / The White Wolf

Track 17 / The Masquerade

Track 18 / Love is an Element

Track 19 / A New Myth

Track 20 / Evanescence (reprise)

Track 21 / To Eretz

[heartsforkento]

"open your eyes"  ➤ take maximum advantage of the law + don't limit yourself

first, know that there are no limits when it comes to the Law, and to help you understand this i'll be giving you examples:

you can distort time-space.

you can shift to a reality where geometry doesn't make sense (parallel lines meet, circles have sides etc.)

you can break every fundamental law of nature

you can manifest some shawarma to eat idk

you can be unbelievably good at everything you do

you can bring back dead loved ones

you can find out the answer to the greatest world mysteries

you can travel faster than light

you can manifest shawarma perhaps

you can manifest a genie that grants infinite wishes

you can comprehend 4D, 5D, 6D and all that

you can eat infinite shawarmas (perfect)

think of the craziest thing. yes, you can manifest that.

there are no limits to the Law, and

there are no limits when it comes to applying the Law.

these sentences mean different things.

let me ask you, what is the most tiring thing about applying the Law? is it the robotic affirming? the persisting? is it the negative thoughts that come in between sometimes?

back to the statement i made before. there are no limits when it comes to applying the Law. so, that means you could apply the Law to itself?

what this means is you can make assumptions about the Law and by the same Law, these assumptions will be true?

simply, if you assume that you don't need to have a positive mindset to manifest, you don't. if you don't need to constantly repeat one affirmation a thousand times, you don't. if getting into situations where you reaffirm the opposite are not relevant, then they aren't relevant.

don't read this blindly. understand that whatever about the Law gives you some discomfort, you don't need. and you can firmly establish that by making assumptions of this very Law.

let me ask you again. what is the most tiring thing about applying the Law? whatever it is, you can avoid doing.

as crazy as this sounds, it is true. not because i'm saying it, but it is true by Law. it is true by Law.

because what is the Law? "what you assume is the reality right now." this is the basic skeletal structure of the Law. don't add unnecessary extra bones to it. by adding extra bones, you may lengthen the skeleton, when that's not always needed. and this could cause discomfort.

so go ahead, kick and cry and scream out your frustrations. if you keep getting into situations where you affirm the opposite of your desires, go ahead. if you want to only say one affirmation, go ahead. if you want to use 'will' instead of 'is'' in your affirmations, do that. they say time doesn't matter.

robotic affirming, SATS etc., are all just elements of the Law. you are not mandated to do it.

even persisting. it's just an element of the Law. you only have to be fulfilled in imagination, and only that matters. not what you show to the 3D, not how you react to the 3D. as for being fulfilled in imagination, it has already happened once you've thought of your desires. you already have it; done. no need to remind yourself a hundred times that you do.

all you have to do is simply assume that you do not associate with your negative states and since we know that our assumptions make our reality, this assumption is now true. draw a line between the way you react to the 3D, and the way you act in imagination. you know that only the imagination matters. now, you are free to react negatively to the 3D. it's okay if you keep reaffirming negative thoughts accidentally (without intention). it will not affect you because you have strictly laid out an assumption that things like this are not going to affect you at all. also, you are free to use whatever words in your affirmation process, because you know that things like that don't matter, only the meaning and idea you hold behind it, like I've mentioned a couple times before.

once again, what you assume is true. that is literally it. avoid doing the things that don't make you happy. i've mentioned this somewhere before, but the concept of hard-work doesn't exist for manifesters. just because you're trying to get your dream life, doesn't mean you make sacrifices or make yourself uncomfortable with what you're doing now just for the sake of achieving your desires. you are happy with what you're doing now, and you will be happy with whatever you're doing in the future.

you could say that what i'm saying is wrong. that's an assumption you're making, so it will be true only for you. not for me, according to my assumptions, i do not have to affirm, do SATS or even persist.

we know that our 3D is not real, it doesn't matter. so why should the way you behave in the 3D or towards it matter? think about it. if only the imagination matters, then you can act like you own this place ... only in imagination? why should anything else matter?

[werecreature-addicted]

I love the trope of “woman is the village’s sacrifice but the monster ends up fucking her then taking her away as his mate” He’s half mad because his little mate was tied up and left to the mercy of the elements. But he’s also so happy you were “given” to him. He can’t help but have his way with you before he even cuts you loose, but eventually he returns to his senses and carries to his lair where he wraps you in furs and soothes you.

Everyone in town knows it's you. Whatever it is that lurks in the forest wants you. The blood trail starts at the tree line and drags through the center of town. It ends at your doorstep with the dead animal.

No one knows what to make of these gifts. Some people say the monster is trying to scare you off. Others say he wants you well-fed before he eats you. Like the witch in Hansel and Grettle, he's fattening you up for the slaughter.

The townspeople blame this monster on the lack of game in the forest. Which is true enough. Then they start blaming other things on the monster. The crops rot in the ground, and the weather turns cold suddenly, that must be the monster as well. And because the beast is here for you, it must be your fault too.

They gag you so you can't scream. They blindfold you as a mercy so you won't see your death coming. Then you're tied to the trunk of a tree. You don't know how deep in the woods you are or how late at night it is. You know it's cold, you can hear the soft movements of the forest, the noises of night-time animals, and the wind in the trees.

Then, a warm breeze passes over your neck. Only it wasn't a breeze. It was breath. Then there's a tongue on your neck, hot and wet the monster tastes you. You scream, the sound muffled by the gag, and it stops.

"I should kill them for what they did to you, burn the whole town to the ground for scaring my mate," the thing growls. You're surprised. It can speak. There's a ripping sound, and you're no longer bound to the tree trunk. Then he removes the gag and finally the blindfold.

It's dark, and you can't see him clearly, but you can make out his size. His shape. Monster is the right word for him. He lifts you easily over his shoulder and takes you deep in the woods. He stops at a little den. a home. It's surprisingly cozy.

He lets you lay down in a makeshift bed, a pile of furs and soft things. He moves to your side, looming over you, running his hands over your legs, pulling them open.

"My pretty mate... you have no idea how long I've waited to take you, He says, before licking your neck again. This time, you don't scream, you shudder in pleasure. His mouth feels good, and his hands are good too.

Never did you imagine this monster would want you, but here you are, in his bed, kissing his lips, and taking his cock, like a good mate would.

[mumscarian]

honestly I considered ‘scrimbo’ when trying to solidify a name for this ship, but you have to understand that not only was this the height of the ‘blorbo’ memes and so would have faded into every other fandom post ever, but ‘scarbo’ was also the ship name being used for Mumbo and scar at the time. It was too similar and too confusing!!!

‘Mumscarian’ gives a bigger spotlight to everyone in the ship (‘scrimbo’ only has one unique letter from Grian, the ‘i’). There were a lot of prototype ship names thrown around (like ‘grumbscar‘, but I’m going to be so honest I hated that), but ‘mumscarian’ already had a couple uses as a tag, sounded better than a couple of the other names, and so was the one that stuck!! It was only partially something that anyone could control, ‘mumscarian’ became the official name out of aesthetic purposes but also out of convenience!

ive just remembered the fact that mumbo, grian and scar's ship name is mumscarian and im so sad. you were given the option of scrimbo, and you chose mumscarian?????

[racetowrite]

Devoted to you

Support a disabled creator

Pairing : Lando Norris x f!reader

Tags : overstimulation, safe word, uprotected piv (fuck them kids), afab!fem!reader

Word Count : 2.9k

You slowly open your eyes and find yourself surrounded by the comfort of Lando's strong arms. The warm sunlight filters through the curtains, casting a soft glow in the room. You snuggle closer to him, relishing in the feel of his body against yours.

Lando stirs slightly as you move against him, and he slowly opens his eyes, a drowsy smile on his face. He pulls you closer, his hand resting on your waist.

"Morning beautiful," he greets you, his voice rough with sleep. "How did you sleep?"

You hum contentedly, snuggling into his chest. "Better now that you're here," you reply, a soft smile on your lips.

He chuckles softly, his fingers gently tracing patterns on the bare skin of your back.

"Good, because I missed holding you like this, this month has been crazy without you” Lando says, nuzzling his face into your hair.

You bask in the comfort of Lando's embrace, feeling your body melt into his as he pulls you even closer. You missed this, missed the easy intimacy and the way you always fit perfectly against each other.

"I missed you too, you know," you reply, your voice a soft murmur. "It felt like this month went on forever without you here."

Lando's arms tighten around you at your words, his hand rubbing soothing circles on your back. "I know, I know," he says, his voice filled with regret. "It sucked being away this long."

He presses a soft kiss to the top of your head, his lips lingering against your hair.

He inhales deeply, taking in your scent. "You're so much better than any race," he teases, his lips curving into a crooked smile.

You laugh softly at his words, playfully swatting his chest. "Oh, stop it. You'll make me blush," you retort, though a small blush does indeed color your cheeks.

"Besides, if you really feel that way, you should consider retiring and becoming my personal pillow instead."

Lando grins at your response, a mischievous glint in his eyes. "Are you suggesting I give up my high-speed career to become a professional cuddler instead?" he teases, pulling you even closer against him.

"Something like that," you reply with a laugh. "I mean, you're pretty good at it. Plus, think of all the extra sleep you'd get."

You prop yourself up on one elbow, looking down at him with a mischievous smile. "And I'd have you all to myself. It's a win-win situation, if you ask me."

Lando pretends to mull it over, feigning a serious expression as he caresses your cheek with his fingers.  “Hmm, you make a valid point. Being a professional cuddler does sound pretty enticing…“

He grins, pulling you back down on top of him so that you’re draped over his chest. “And the idea of having you all to myself sounds even more enticing.”

For the last month while Lando was away racing, you had found yourself constantly missing his presence. You longed for his comforting smile, his infectious laughter, and the warmth of his embrace. Every night, you counted down the days until he would return.

During this time, you had also been contemplating asking him if you could start attending his races in the paddock. You had been together for 6 months now and yet you had never been to a race before.

The idea of seeing him in his element, surrounded by the fast-paced world of Formula 1, both excited and intimidated you. But you knew how much it would mean to both of you if you were there to support him in person. 

As the days passed, the desire to ask him grew stronger. You mentally rehearsed what you would say, trying to find the right words to express how much you cared about his passion and wanted to be a part of it.

Lando, still holding you tightly, notices the contemplative look on your face. "What's on your mind, love?" he asks gently, his fingers tracing soothing patterns on your bare back.

You chew on your bottom lip thoughtfully, contemplating how to bring up the topic that’s been on your mind. “Well, I was just wondering…,” you begin, your voice a little hesitant. “I was thinking maybe I could come to your races in the paddock…if you wanted me there, that is.”

Lando’s eyes widen slightly, a mix of surprise and pleasure flashing across his face. He tightens his arms around you, pulling you closer.

“You want to come to the paddock?” he repeats, a hint of disbelief in his voice. “Really?”

You nod, a nervous smile on your lips. “Yeah,” you reply, your voice gaining a bit more confidence. “I know we haven’t discussed it before and you might have your reasons for not wanting me there, but…I just really want to be a part of your racing world. I want to see you in your element, to support you in person.”

As you continue talking, a sudden insecurity washes over you. Doubt begins to creep into your mind, making you question whether Lando would even want you there.

You anxiously nibble on your bottom lip, your tone becoming more hesitant. “I mean, if you think I’d be a distraction or if it would be too much pressure… I totally understand if you’d rather I stay away…”

Lando immediately notices the change in your demeanor. He pulls you even closer, his hand gently cupping your cheek. “Hey, no…look at me,” he says firmly, making sure you meet his gaze.

He searches your eyes, his expression earnest. “You’re not a distraction, sweet girl. You could never be. And I don’t want you to feel like you have to stay away. Your support means the world to me.”

Lando’s eyes soften as he sees the uncertainty in yours. He understands your hesitation and wants to assure you that it has nothing to do with his feelings. He gently strokes your cheek with his thumb.

“I’m sorry if I ever made you feel like I didn’t want you there. That’s not true at all,” he says, his voice genuine and affectionate. “The truth is, I didn’t bring it up because… I was worried about you getting overwhelmed.”

He sighs softly, his thumb tracing the line of your jaw. “The paddock can be chaotic and intense. There are so many people, cameras, the media… I didn’t want you to feel uncomfortable or overwhelmed by it all. I wanted to protect you, to shield you from that side of my world.”

His gaze meets yours, his expression earnest. “But that doesn’t mean I don’t want you there. I would love to have you by my side, cheering me on. You have no idea how much that would mean to me. I just didn’t want you to feel pressured or to feel like you had to put yourself in a situation that might make you uncomfortable.”

He caresses your cheek again, his touch gentle and reassuring. “But if you truly want to come, if you’re sure you’re ready for it, then you have my full support. Just promise me you’ll tell me if it gets to be too much, okay? “

He leans closer, his forehead resting gently against yours. “I only want you to be comfortable, love. I care about you too much to let you feel anything other than that.”

Despite Lando’s reassurances and the warmth of his embrace, you can’t shake off a lingering insecurity. You miss him terribly, and a part of you wants to let him know just how much.

The words are on the tip of your tongue but you hesitate, afraid that you’ll come off as clingy or needy. You don’t want him to think you’re dependent on him, or worse, that you’re being too clingy.

Your gaze flickers downwards, fixated on his bare chest, unable to meet his eyes. “Lando…” you begin, your voice soft and hesitant. “I know it’s only been a month, but I…I missed you so much while you were away.”

As the words leave your lips, a pang of vulnerability washes over you. You can feel your cheeks flush with a mixture of embarrassment and anxiety, afraid of how he’ll react to your admission.

You continue, your voice barely above a whisper. “I know it probably sounds silly, but it was just really hard without you. I missed waking up to your smile, being surrounded by your warmth, hearing your voice…”

You bite down on your bottom lip, mentally chastising yourself for blurting all this out. But now that you’ve started, it feels like a dam has burst, and all of your feelings are pouring out.

Lando notices the shift in your tone and the way you avoid looking at him. He immediately understands the gravity of your words. They’re not just a simple statement of missing someone; they’re a confession born out of vulnerability and raw emotion.

His grip on you tightens, his body responding to your confession. He gently coaxes your chin up so that you meet him gaze, his eyes searching yours intently.

“Look at me,” he says, his voice soft yet authoritative. He needs to see your face, to gauge the depth of your emotions. When your eyes finally meet his, Lando sees the mixture of vulnerability and insecurity in your gaze.

He can see the storm of emotions roiling beneath the surface, and it breaks his heart a little. He knew you missed him; of course you did. But the depth of your longing is more intense than he had realized.

Lando leans closer, his touch gentle yet possessive. “You have no idea how much I missed you, do you?” he says, his voice laced with a tinge of sadness. “I ached for you every night. I couldn’t sleep without you, couldn’t focus on anything but counting down the days until I could hold you again.”

Lando’s eyes darken with a primal possessiveness, his voice dropping an octave. “I missed waking up to the feel of your soft skin against mine. I missed the smell of your hair, the sound of your voice… You have no idea how much I need you, love.”

He moves closer to you, his body pressed against yours as he whispers the next words against your ear. “I need you to know that you’re mine. Every inch of you belongs to me, and I’m never letting you go.”

His hands slide down your sides, gripping your hips possessively. He needs to feel you against him, to remind himself that you’re real and that you’re his.

“You’re mine. You got that?” he asks, his voice a velvet-edged command. “Say it.”

“I’m yours.”

“Yes, you are. All mine.”

He dips his head, his lips finding the sensitive spot on your neck and trailing kisses along the exposed skin.

A couple of hours later, you can’t really tell how many orgasms you’ve had by this point.

Lando had started between your thighs, eating your pussy like a man starved, sucking at your clit until you had soaked his face not once, but twice.

He’d barely given you a change to breathe through the aftershocks before he had sunk two of his thick fingers into you, under the guise of stretching you out for his cock. But you know better. You know because he had immediately sought out your g-spot, pressing into it and chuckling like a bastard when you gasped and your hips twitched.

He’d worked you through two orgasms like that, his two fingers turning into three.

Your mind had already been hazy, your vision slightly blurred when he had sunk his cock into you. You were already so sensitive, and the way he had pounded unrelentingly into your g-spot had made it fucking worse. You had sobbed, hips twitching hard, but Lando held you steady, telling you how good you were. Telling you to cum on his cock. Telling you to cum again. 

And you had, clenching around him hard as you shook in his arms. He floods your pussy with his cum not long after that, and you breathe hard, exhausted and ready to wrap yourself around your boyfriend as you sleep like the dead.

But Lando pulls out of you and you feel his cum leak out of your sensitive pussy. And he takes those thick fingers that you hate to love, and pushes it back in.

He stuffs his cum back into your abused entrance, pressing two fingers into you all over again, and you want to scream when he presses them against your g-spot.

“Lando, ah, ‘s too sensitive. I’m so fucking, so fucking sensitive baby,” you whimper, hips attempting to jerk away, but Lando keeps a strong hand pressed to your lower stomach, holding you still as he plays with your messy cunt. 

“C’mon gorgeous, you can give me another one. So good, so pretty, you gotta give me another one,” he mutters, his muscles bulging as he works his fingers into you, ruthless and unrelenting.

He feels it when you cum again, your pussy fluttering softly, and he smiles. “Good girl, baby. Good fucking girl. Another, c’mon. Another.”

You can only whine, tears slowly leaking down your puffy face. You can’t cum again, you can’t. The last one had hurt, a little bit, your stomach cramping up. It feels like he’s ripping orgasms out of you at this point, forceful and violent. He doesn’t understand, he doesn’t feel it the way you do. They’re not good orgasms anymore, there’s no satisfaction, only aching.

He leans down to pepper kisses under your jaw, soft pecks that are usually a source of comfort, but not now. Not now. He’s still playing with your g-spot, his thumb rubbing hard circles into your clit. You’re numb, but your body still clenches up involuntarily with another orgasm, and oh god, it hurts.

You’re whining high in the back of your throat, little mutters of “too much, ‘s too much Lan-, oh fuck,” whispered between you both. But he isn’t stopping, doesn’t show any plans of stopping anytime soon, and another orgasm wracks your body, feeling like you’ve been struck by lightning. 

“Red, red, Lando, oh god, red,” you gasp, barely able to fucking breathe. You want to sob in relief when you feel his fingers immediately leave your puffy, abused cunt, but you immediately want to mourn again as his heavy body lifts off of you. His thick hands leave you, leaving you suddenly cold, and you whimper softly.

“Hey, hey,” Lando’s gruff voice filters into your ear, close to your face, but keeping his distance, not taking the chance of touching you when you don’t want it. “Hey, baby, are you hurt? Are you hurting anywhere?” You try to answer, but no sound comes out, your throat sticky and choked. “Just one word, baby, yes or no. Are you hurt?”

“No,”  you mutter, your voice breathy and ruined to your own ears. “Just,” you cough, “hold me?” 

Lando doesn’t hesitate, moving next to you and gathering you up against his naked body, his warm skin a comfort against yours. He’s a little sticky with sweat, but you know that you’re even stickier. You feel wrung dry, the area between your thighs too tacky with a mixture of you and Lando. You’ll need a shower later, but you content yourself with just breathing in Lando’s scent, warm and musky, with a hint of his woodsy deodorant. 

He holds you against him like you’ll disappear, tracing his fingers up your spine as you sync your breathing with his. Neither of you speak, simply existing together as you come back to yourself. You’re not sure how much time passes, only that Lando holds you steady, strong and unyielding in only the way that he can be.

“‘M sorry,” you mumble against his chest, and Lando jerks suddenly, arms hugging you tighter.

“No, baby,” he says, so vehement that you giggle softly. “You never apologize for using the safe word, okay?” You feel his hand come up to nudge your chin up, forcing you to meet his gaze. “I am so, so glad you felt safe enough to use it, okay? That took a lot of strength, and I am so proud of you.”

You can’t help how your eyes start to burn at his words, and you desperately want to bury yourself inside of this beautiful, strong, understanding man, and never come out.

“What happened, sweet girl? Just so I don’t do it again, okay? I just need to know,” he whispers, voice cracking just a little bit, and it breaks your heart. You lean up to press a comforting kiss against his lips.

“Just because I can cum multiple times Lando, doesn’t mean I should, okay handsome?” you croak out, and you watch Lando’s brows furrow. 

“You get so hyper-focused on making me cum, baby, and even though that is like, every girl's dream, it starts to hurt after a while, you know?” Lando nods at your explanation, and you smile softly at him.

“You are so, so good in bed baby, but my body can’t really handle that many orgasms back to back. Maybe we can keep it to a maximum of four?”

Lando smooths his hand over your cheek before cupping the back of your head, guiding you into a soft kiss. “Okay, baby, four it is,” he mumbles into your mouth, and you giggle in response, bringing one of your hands up to brush a thumb over his stubbly cheek. 

“I love you Lando,” you whisper, and Lando whimpers softly, almost like he’s relieved.

“I love you too baby, so much. So fucking much,” he says against your lips. He kisses you softly, again and again, chaste and warm and loving.

“You’re too good to me, Lando Norris.”

[reidmarieprentiss]

Ink Impressions

Summary: Y/N is a hot new tattoo artist that Derek and Emily want to see more of...

Pairing: Spencer Reid x fem!reader

Category: fluff

Warnings/Includes: tattoos

Word count: 2.1k

main masterlist

Derek Morgan found himself walking through a part of town he didn't visit often. His steps slowed as he passed a new shop front: Ink Impressions. The sign was sleek, with an artistic flair that caught his eye. It was new, and he’d heard a few people at the gym talk about how talented the artist was. Curious, and with a rare free afternoon on his hands, Derek decided to check it out.

The interior was a mix of industrial chic and cozy comfort. Dark wooden floors complemented exposed brick walls adorned with framed tattoo designs ranging from intricate mandalas to minimalist line art. The hum of tattoo machines filled the air, mingling with the scent of antiseptic and the quiet murmur of clients and artists in conversation.

Derek approached the front desk, where a young man with a friendly smile greeted him. "Hey, welcome to Ink Impressions. How can we help you today?"

"I'm thinking about getting a tattoo," Derek replied, his voice carrying its usual confidence. "Do you guys take drop ins?"

The young man nodded, gesturing towards the back of the shop. "You’re in luck. Our lead artist is available. Her name’s Y/N. She’s amazing. I’ll take you to her."

Derek followed, feeling a mix of excitement and anticipation. They rounded a corner, and there she was. Y/N was seated at her station, her focus intense as she worked on a client's arm. She was striking, with vibrant hair that fell around her face in waves, a few tattoos peeking out from under her sleeves. She exuded an air of confidence and artistic passion that immediately drew Derek in.

The young man cleared his throat softly. "Y/N, this is Derek. He’s stopped by for a drop in. Do you think you can fit him in before your next appointment?”

Y/N looked up, her eyes meeting Derek’s with a warmth that made his heart skip a beat. She smiled, setting down her tools and removing her gloves. "Hi, Derek. It’s nice to meet you. I’d love to help you with that. Do you have any specific ideas, or would you like me to create something unique for you?"

Derek felt his usual charm waver slightly under her gaze, but he recovered quickly. "I have some ideas, but I’d love to see your take on it."

After Y/N finished with her initial client, she sat down with Derek and discussed the concept, and Y/N sketched a design that captured the essence of strength and resilience, elements that resonated deeply with Derek. Her talent was evident in every stroke, and he was impressed not only by her skill but also by the way she listened and understood the emotions behind his request.

As she prepared her station, Derek glanced around the shop, trying to mask his growing interest in her. "So, how long have you been tattooing?"

Y/N smiled, her eyes sparkling with pride. "About seven years now. I started apprenticing right out of high school and never looked back. I opened this shop a few months ago."

"That’s impressive," Derek replied, genuinely admiring her dedication.

Y/N began the tattoo, her touch gentle yet precise. "What about you? What do you do?"

"I’m an FBI agent," Derek said, watching her work. "Behavioral Analysis Unit."

Y/N looked up, a hint of intrigue in her eyes. "Wow, that sounds intense. Do you solve a lot of mysteries?"

Internally, Y/N couldn't help but laugh. She knew exactly who Derek Morgan was. Spencer had talked about him often enough—his partner at the BAU, a close friend. She could almost hear Spencer’s voice, recounting their cases, his admiration for Derek's skills and strength.

So this is the famous Derek Morgan, she thought, amused. Small world. But she kept her face neutral, professional. She didn’t want to mix business with pleasure. The last thing she needed was for Derek to know she was dating his colleague. It would complicate things, and she prided herself on maintaining a clear boundary between her personal and professional life.

"Yeah, it can be," Derek replied, oblivious to her internal amusement. "It’s challenging, but I love it."

As the session went on, Derek found himself captivated not only by Y/N’s talent but by her presence. She was easy to talk to, and he enjoyed the way she seemed genuinely interested in his stories. There was an effortless connection, a spark that he hadn’t felt in a long time.

When she finished, Derek looked at the tattoo in the mirror, his heart swelling with emotion. "It’s perfect," he said, his voice thick with gratitude. "Thank you."

Y/N smiled, her expression warm and sincere. "I’m glad you like it, Derek. It was an honor to create this for you."

As he paid and prepared to leave, Derek couldn’t help but linger. "Maybe I’ll be back for another one," he said, his tone slightly teasing.

Y/N’s smile widened, and there was a twinkle in her eye. "I’d like that. You know where to find me."

As Derek walked out of Ink Impressions, the cool air hitting his face, he couldn’t stop thinking about Y/N. He knew he’d be back—not just for another tattoo, but to see her again.

—

The bullpen was bustling with the usual Monday morning activity as the team settled back into their routines. Derek Morgan entered with a confident swagger, a fresh energy emanating from him. As he passed by desks, he couldn't resist pulling up his sleeve to show off his new tattoo. It was an intricate design, beautifully done, and it immediately drew attention.

Emily Prentiss, seated at her desk, caught sight of the tattoo and her eyes widened in admiration. "Wow, Morgan! That’s incredible. When did you get that done?"

Derek grinned, obviously pleased with her reaction. "Got it on Saturday. There’s this new shop called Ink Impressions. The artist is amazing. She really knows her stuff."

Emily stood and walked over, examining the tattoo more closely. "The detail is fantastic. Who's the artist?"

Derek leaned back in his chair, a playful smile on his face. "Her name’s Y/N. She’s not just talented—she’s also incredibly sexy."

Emily raised an eyebrow, a smirk forming on her lips. "Sexy and talented, huh? Sounds like you had quite the experience."

Derek chuckled. "You could say that. She’s got this way about her—confident, passionate about her work. You should definitely check her out if you're thinking about getting some ink."

Emily's interest was piqued. "I’ve been considering a tattoo for a while now. Maybe it’s time to finally go for it."

Derek nodded enthusiastically. "You won't regret it, Prentiss. Y/N’s the real deal. Plus, the shop's vibe is great—professional but with a cool, laid-back atmosphere."

Emily looked thoughtful, already envisioning what design she might want. "Alright, I’m sold. I’ll swing by Ink Impressions this week and see if she has any openings."

As they chatted, Penelope Garcia sauntered over, having overheard part of their conversation. "What’s this about a sexy tattoo artist?" she asked, waggling her eyebrows.

Derek laughed. "Garcia, I think you’d love her. She’s got this artistic flair that’s right up your alley."

Garcia clapped her hands together. "Well, now I have to see this for myself. Maybe I’ll get something small to start with."

Emily grinned. "Looks like Y/N might have a few new clients this week."

As they shared a laugh, the phone rang, signaling the start of another case. The team quickly shifted gears, but there was a newfound buzz of excitement. Derek's tattoo had not only impressed his colleagues but also sparked a sense of camaraderie and curiosity.

Throughout the day, Derek couldn't help but think about Y/N and the connection they’d shared. He was eager to see her again, not just for her talent but for the undeniable chemistry between them. Little did he know, Emily and Garcia’s upcoming visits to Ink Impressions would bring them all a step closer to intertwining personal and professional lives in ways they hadn't anticipated.

—

Emily Prentiss walked into the shop, greeted by the familiar hum of tattoo machines. She was greeted warmly by the receptionist and soon found herself in front of Y/N, who looked up with a welcoming smile.

"Hi there! What can I do for you today?" Y/N asked, her eyes sparkling with curiosity.

Emily smiled, feeling instantly at ease. "Hi, I’m Emily. A friend of mine, Derek Morgan, got a tattoo here recently. I was so impressed that I decided to get one myself."

Recognition flashed in Y/N's eyes, and she chuckled inwardly, remembering the charismatic agent. "Ah, Derek! He’s a great guy. What are you thinking of getting?"

As Emily described her idea, Y/N listened intently, her mind already envisioning the design. Despite knowing Derek and his world, she kept her focus on her craft, maintaining the professional boundary she valued. But as she worked on Emily's tattoo, she couldn't help but feel a growing connection to these agents, wondering how long she could keep her secret before the lines between business and pleasure inevitably blurred.

—

The BAU team had decided to unwind after a long week, gathering at their favorite local bar. The place was lively, filled with the hum of conversation, clinking glasses, and the distant sound of live music. Spencer Reid had just returned from visiting his mother in Las Vegas, and he was grateful for the chance to catch up with his colleagues in a more relaxed setting.

As the team settled into their booth, drinks in hand, Emily Prentiss and Derek Morgan were excitedly discussing their recent tattoos. Emily pulled up her sleeve to show off the intricate design on her forearm, while Derek proudly displayed the tattoo on his bicep.

"You guys have to see this," Emily said, her eyes shining. "Y/N is incredible. Her artistry is on another level."

Derek nodded enthusiastically. "And she's not just talented—she’s smoking hot. I’m telling you, she’s got this whole vibe that’s hard to resist."

Emily laughed. "We were just saying, it’s almost a competition to see who’s going to ask her out first."

They both looked at each other, playfully competitive. "You think you can beat me, Prentiss?" Derek teased.

"Oh, I know I can," Emily shot back, a mischievous grin on her face.

Spencer, sitting quietly beside them, listened to their banter with a growing sense of unease. His fingers tightened around his glass as he processed their words. The name Y/N echoed in his mind. He knew exactly who they were talking about. His girlfriend, Y/N, was the talented artist they were raving about.

Trying to maintain his composure, Spencer asked, "What shop did you guys go to?"

Emily turned to him, still smiling. "It’s called Ink Impressions. It’s a new place, but it's already getting a lot of buzz."

Spencer bit his lip, a mix of emotions swirling within him. He felt a pang of jealousy but also pride knowing how highly they thought of Y/N. He took a deep breath, reminding himself to stay calm.

Just then, the bar door swung open, and Spencer’s heart skipped a beat. Y/N walked in, looking around until her eyes landed on him. She smiled warmly and started making her way over to their table.

Emily and Derek continued their playful debate, oblivious to Spencer’s internal turmoil. "I don’t know, Derek. I think I’ve got the upper hand. I mean, she seemed pretty interested when I was there," Emily said, winking.

Derek laughed. "We’ll see about that, Prentiss. I’m not backing down from this challenge."

Spencer couldn't hold it in any longer. He set his drink down and cleared his throat, catching their attention. "You might want to rethink that competition."

Emily and Derek looked at him, confused. "What do you mean?" Derek asked.

Before Spencer could answer, Y/N reached the table, her presence commanding their attention. She placed a gentle hand on Spencer’s shoulder, leaning down to kiss his cheek. "Hey, baby."

Spencer's face lit up with a smile, and he looked up at her with obvious affection. "Hey, beautiful. I’m glad you made it."

Emily and Derek’s jaws dropped simultaneously. "Wait, you two know each other?" Emily asked, incredulous.

Spencer nodded, a hint of smugness in his voice. "Yeah, you could say that."

Y/N grinned, sliding into the booth next to Spencer. "I guess the secret’s out," she said, laughing softly. “Spence here is my boyfriend.” Y/N gazed at him lovingly.

Derek shook his head in disbelief, but there was a playful glint in his eye. "Well, Reid, you’ve been holding out on us. I guess that means you win by default."

Emily chuckled, raising her glass. "To Spencer and Y/N. I guess we don’t need that competition after all."

The team raised their glasses, toasting to the unexpected revelation. As they settled back into their conversation, Spencer felt a sense of relief and happiness. He had nothing to hide anymore, and the night seemed even brighter with Y/N by his side.

[darealsaltysam]

I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT

below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this

oh my god okay okay where do i even start

opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up

watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok

this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!

i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis

arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie

but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.

i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.

the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this

OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD

jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed

the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH

all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!

once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM

rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it

the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that

okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT

FEYD FUCKING RAUTHA LADIES AND GENTLEMEN

oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER

stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET

just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT

when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.

the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd

GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.

dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.

and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell

speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing

what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah

special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast

WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL

the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS

a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!

anyway. back to the horrors.

i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP

i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me

chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!

SPEAKING OF GOOD ACTING

TIMOTHEE

FUCKING

CHALAMET

listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.

he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing

paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting

like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different

what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!

also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg

when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us

also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore

have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her

okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive

chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much

THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD

IT ALL CAME TOGETHER SO SO WELL

THE WORMS

THE SENSE OF SCALE

THE FIGHT CHOREOGRAPHY

THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME

THE SOUND

EVERYTHING FLOWING TOGETHER SO WELL

the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell

every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis

gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3

the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall

i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell

i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3

OHOHOHOHOHOHOH. OH. HERE WE GO

HERE WE GO YALL

THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK

THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!

THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh my god oh my god oh my goddddd where do i even start

okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys

paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around

i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more

i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?

but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.

oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.

theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point

another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!

this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani

chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"

i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.

sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3

[darkficsyouneveraskedfor]

Country Rose 3

Warnings: age gap, power dynamics, creep behaviour, other dark elements. As usual, be mindful of your content consumption.

I also beg of you to leave me some tuppence in the form of a comment and/or reblog. You are cherished!

Enjoy, my loverlies.

You go down and find Martha in the kitchen. She smiles so brightly as you appear and offer to help her finish the corn. You can't help a sliver of glumness. Your mother never was so happy to see you. No, it's her disappointment that pushed you accept the job  to move away to the middle of no where. 

The more you think about it, the more you doubt yourself. To what end are you putting yourself through this desolate purgatory. It might be novel and peaceful now but you always tend to grow bored with the familiar. It's the very reason you flunked out of college. You couldn't do the same day over and over.  

"What are we making with the corn?" You ask, hoping the conversation can ease the tension, not just with Martha but in your mind. 

"Oh, I got some potatoes to roast and some beef. Homegrown," she explains, "you do a lotta cookin', sweetheart?" 

"Mostly out of boxes," you laugh, "but I'm willing to learn. How are you roasting the potatoes? Quartered? Sliced?" 

"Oh, you are so darned helpful," she brightens and gently taps your arm, "you can grab the sack just there," she points to the pantry door, "and give em a scrub before you cut em. Anyway you like. I'll pick out some seasonings." 

"Sounds like a plan," you agree. 

You set to work. You haul out the heavy canvas bag with a grunt and barely get it on the counter. Martha hands you a metal strainer, dented from years of use, and you fill it, rinsing the skins in the deep sink. 

"Clark said something about school," Martha says, "you'll learn a lot more out here." 

"Oh, yeah, dropped out," you turn and pick up the knife she set out with the thick board. "You know... just wasn't for me. My mom didn't want me sitting around and to be honest, I hate doing nothing." 

"Lots to do around here," she assures. 

She doesn't seem sad at the statement. She seems excited for your help. You're almost relieved as you expected cow dung and horse flies. 

"I'll be sure to carry my weight," you promise as you start chopping.  

"Mm, how sweet you are," she trills, "I see why Clark brought you here." 

"Uh, yeah, I'd hate to let him down. And it's a far way from home." 

"Why, you're grown. Not really meant to be home, is it? Finding your way like we all do," she hums and fills a pot with water, covering the corn cobs. 

Before she can attempt to lift it, you're at her side, "let me, please." 

"Oh, dang, you are just like, Clark," she mutters  "I'm not out to pasture just yet." 

"I know, but... it's heavy even for me," you assure her and show your effort as you carry the pot to the stove. 

"Mmm, still my house," she frowns and backs up. "Well, when I was your age, me and Jonathan were married for a while. Couple years but... no kids. Not til Clark came along." 

"Oh? How old were you when... when you had him?" You ask out if courtesy. You peek at her. You're not sure of her age and you're not bold enough to guess. Clark has to be at least in his mid-30s. 

"Oh, yes, about his age now," she answers as if reading your mind. "He's mine. Ours. Not by blood. Could never... you know..." she looks grim as she lowers her chin, "all the same, me and Jonathan never saw him as anything but ours." 

"Adopted?" You wonder. 

"Think we were meant to wait for him," she perks up, "anyway, how can I be sad with such a good son? Don't ya think?" 

"Yes, Clark is very nice," you agree. 

"Sweet boy," she preens, "strong, gentle, smart." She clasps her hands together, "I'm sure I don't need to say it." 

"Mm, uh huh," you murmur, not really sure what she means. 

“I know a lovely idea,” she says, “I have the meat marinating so why don’t you take him some of my sun tea? It’s his favourite.” 

“Ah, um, sure, I can do that.” 

“And take your time. You don’t gotta stay inside all day,” she chimes. 

“There’s a pitcher in the fridge. Put some ice in before you rush off. Have some yourself if you like.” 

You take the task as an opportunity to see more of the farm You pour a glass of the dark iced tea and add a few cubes of ice. Martha watches you go with a bright expression that leaves you a bit uneasy. It’s just her way, you guess. Maybe it’s a part of her condition. Clark mentioned she wasn’t quite herself. 

You head out and stop at the top step of the porch. You realise, you don’t know where to look for him. Instead, you look out at the fields and the barn, and the meeting of blue and green off on the horizon. It’s beautiful. You think this is what it feels like to have your breath taken away. 

“Hey,” Clark startles you as he appears. “Dinner already?” 

“Um, just tea, your mom sent it out,” you come down the steps to meet him. His skin glistens in sweat that dampens the edges of his shirt. The fabric clings to the thick muscles beneath.  

“Thanks, you have any?” He accepts the glass and gulps deeply. 

“Not yet, maybe with dinner.” 

“How’s ma doing?” 

“Fine, fine. I’m just helping her. She seems happy.” 

“She would be,” he shrugs, “always wanted a daughter. Spoiled me for sure but I know. She would’ve done well with one.” 

“Yeah, uh, but she loves you.” 

“Well, yeah, but every mother wants a daughter,” he says, “what about you? How are you settling in?” 

“Um, good. It’s... different.” 

“For now,” he says, “but you’ll get used to it.” 

[arabellaawrites]

infrunami | cl16

[ drabble ]

by which, she loved him too early, he loved her too late

pairing: charles leclerc x reader

warnings: none

a/n: hello everyone! this is my first fic ever and I'm so happy with how this turned out! I hope it was an enjoyable experience and I hope there wasn't any element that was unpleasant or unenjoyable for yall! I'm aware that it lacks dialogue and everything is past paced and doesn't have much room for detail! I swear I'm working on that and once I've perfected that art, I hope my writing will be more enchanted etc! alright enough yapping. enjoy the fic!

back then, you and arthur hated watching charles kart. the idea that you both needed to sit under the scorching monegasque sun for afew hours was never exciting but at least you get to watch arthur’s older brother, charles, kart. you’ve always fancied charles ever since arthur introduced you to him at the playground.

he was 3 years older then you and was the exact opposite of arthur, he was matured, well mannered and wasn't childish like you both were. that's what you love so much about him.

until he started going around europe to join racing series, when Arthur broke the news to you, you acted like it wasn't a big deal. you'll still get to see him on the television or during family holidays, right?. but that also means you'll be seeing him once a week or every few months, eventually a week turned into a month, a month turned into a year until suddenly you wont be seeing him at all which broke heart.

soon it was arthur who left you to follow in charles footsteps, racing across europe, joining f4 and achieving great things. unlike Charles, Arthur still kept in contact with you, constantly inviting you to his races and you both still enjoyed each others company, f4 soon turned into f3 and nothing has changed you still admired Charles from afar and Arthur would constantly ask "do you still have a crush on Charles?" or the occasional "y/n you have to let go" but you never did, Charles was your first love and you wanted him and only him.

every night you sleep in bed, tossing and turning, with arthurs voice continuously replaying in your head, but he was right you do have to let go.

when Charles first debuted for formula 1 for haas was when he first reached out to you in years with no contact. inviting you to join the paddock, to see him race in the pinnacle of motorsport, you were above and beyond the moon. strutting down the paddock next to Pascale and Arthur towards the hospitaly while also trying not to pay focus on the ever lasting sounds of camera shutters and kept your composure.

it has been years since then now Charles was in his 6 years in formula 1 and you have never been prouder, seeing him through his ups and down, supporting him through out all the hardships that this sport had caused him.

you often found yourself in and out of college trying to balance study with the constant travel to different races to support your best boys, Arthur and Charles. which alway lead you to end up in his, Charles, driver room before a race reassuring that he'll be fine and his team wont let him down again.

"your the best, y/n" he smiles before suiting up, making you stunned in place with a subtle blush spread across your face as you took his compliment.

barcelona 2023, and you just arrived at the Ferrari hospitality per usual, greeting the staff and Ferrari mechanics as your make your way inside until you bumped into someone making you tumble back as the mysterious man reaches for your waist, holding you steady, you smiled at him and apologized which made him smile back and that's where thing took off.

ever since that day you took has been seeing each other non stop and with that it ruined you and Charles relationship, plans were often cancelled, phone calls were usually ignored and text messages were left unopened. this took a toll on Charles, he's new profound feelings for you was too strong and by the time he realized that he has fallen, it was too late.

"mate please!"

Charles begged to Arthur over the phone, trying to figure out what his feelings were and was trying to piece in the clues in himself. he was frustrated, angry and confused he loved you but it was too late.

while you were living your best life, you had a partner in bed, your home always had that comfortable warm presence of your new boyfriend everything felt perfect, he was everything you ever wanted.

he was also everything Charles ever wanted to be, your man.

until one rainy Tuesday afternoon where everything went downhill, you just came home from them store and was welcome home by the repetitive sound of feminine moans that rang threw out the house. your groceries dropped to the floor followed by the sound of glass in your bag smashing which made the moans stop and your boyfriend ran out to where you were standing. "please I can explain this-" he frantically said while holding on to you as you tried to push him away, "I-ive heard enough! just leave and get your stuff while your at it!" tears swell your eyes as you tried to swallow the horrid sensation in your throat and pushed him away before running back into the rain and in your car. you broke down in heavy tears, your heart ache with hurt and sorrow as you try to make way to Charles place.

"y/n- who did this to you..?"

Charles said as he watches you stand in the rain, mascara running down your face and your clothes all soaking wet, without hesitation he pulled you inside and wrapped a towel around you,

" he cheated on me! how could he-"

you sobs onto him, "he was my-" hiccups "he was my everything and he just!"

you weeped into his chest as he held you tight and tried to calm you down. eventually you stopped crying and lifted your head from his chest

"cha.." you called out to him as he stroked your head and then looking down on you.

"know that I've-" you were cut off "yes I've known...I was an idiot, y/n...I realized too late. I really did love you...I was.." he sighed and looked down at her, "give me another chance, y/n.."

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#52: The Ring Finger (1.06)

gif cred: @machonnes

We’ve arrived at the TOWL finale. 🥹🥳

And y’all, the way this finale kicks off with that opening scene...🔥🔥🔥🔥🔥🔥. Episode 6 hit the ground running by starting with one of Richonne's greatest moments. I love how in the first episode of TOWL, Rick essentially gave his hand for the marriage. And now in the final episode, Michonne gives her hand in marriage. 🥰

Thanks to this gorgeous wedding ring scene and their parting kiss in the woods, this teaser is top tier. Also, Richonne + candle-lit scenes stayed a blessing to the end 🕯😍...

Sometimes there are scenes that make me want to know exactly who came up with the idea so I can thank them personally. And this right here is one of those scenes. 😋 Whoever’s idea it was to have Rick put the ring on Michonne’s finger while making love surrounded by candles needs a medal lol. 👌🏽🏅

So diving into these finale revelings, I noted that the episode description for The Last Time says “Rick and Michonne have to perform a near impossible miracle” And well, since Richonne is blessed and highly favored of course they pull off a miracle. 😇

The episode begins with Rick saying, “I remember it all. What it was like. Who we were. Who we are now.”

If I’m not mistaken, I don’t think we’d heard Rick say this line before this episode. Like the following sound bites from different characters are all lines previously said throughout the miniseries, but I think this opening line from Rick is new. And it hit me on the rewatch that he’s talking about him and Michonne specifically rather than a broader ‘we’.

Like I interpret this as Rick saying how, after all their years apart, he still remembers everything about the life and the love he and Michonne had before and who they were together. You know that man has an excellent memory. Especially when it comes to Michonne. 😋

And I like that he says ‘who we are now’ because even after all they’ve been through apart, after all the ways they’ve grown and changed, who Rick and Michonne are now is still so compatible and connected. Still soulmates. 😌

Also, the episode after Rick left TWD was called 'Who Are You Now' and I love that years later, this miniseries so beautifully illustrated that who Rick and Michonne are now are still wholly each others.

The first shot as Rick says this is a shot of mountains as the helicopter flies over the terrain. And then I adore that when he says “Who we are now” we get to see Richonne in the now as they lay in this setting that always gives me regal medieval vibes fit for TWD's royal couple. 🤩

gif cred: @nerd4music

Now, I always smile when I think about my first time watching this scene. I knew this episode had an S rating going in but I didn’t know what that would entail since I thought Episode 4 would probably be the last time Richonne had a bedroom scene. And so when they cut to this scene, I remember my eyes immediately focused on what items were left on top of the table because it’s the finale so I thought certainly the stuff on the table was intentionally placed.

But then...my eyes started picking up on some motion going on in the background - and I was gagged. 🫠

I quickly realized that the most important thing going on in this scene is those two lovebirds in the back re-consummating the marriage. 👌🏽

gif cred: @nobleriver

I love everything about this. 🥰 The sensual setting with the abundance of candles. (And I just know it was that true blue romantic Rick that lit all those candles for their special 'wedding night.' 😋)

The rich colors, the lighting, the literal and figurative smokiness coming off this scene, the way the camera slowly glides over the table and inches closer to Richonne fully in their element together. 👩🏽‍🍳💋

gif cred: @nobleriver

After Rick had to watch the memory of Michonne burn away in the premiere, it’s beautiful that in the finale Rick gets to be truly back with Michonne surrounded by the far more romantic and uplifting flames of all those candles. 🕯👌🏽

Whenever I see this scene now, Richonne is all I see. 😋 But the items shown really are intentionally placed and all tell the story of their travels: the noodles, the whiskey, the soda, the map and notes, the CRM uniforms and thread. And the sound bites that play from the characters also tell the story of Richonne’s TOWL journey.

At first, I thought the sound bites were simply recapping the journey, but on rewatch I see they have even more intention in both shaping the story thus far and setting up what's to come in this finale. 

First Michonne says, “My name is Michonne. I lost someone. Years ago.” And in the background it’s so sweet seeing all the caressing going on between Rick and Michonne. Once again, it’s a canon fact that he loves being on top of her. And I love the way they’re holding onto each other and the way he’s tenderly touching her face. 🥹

gif cred: @nobleriver

Then Okafor says, “You both possess something I believe the CRM needs to become what it needs to be.” And while Okafor was originally saying that to Rick and Pearl, the line is reiterated here because it’s Richonne who truly possesses something that can change the CRM for good.

(Side note: Y'all, I must admit it's a true challenge for me to try and write and pay attention to what these characters are saying right now when Richonne is back there like that making me distracted. 😋 I keep having to rewind and refocus.🤭

Like I know we all see the way Rick has Michonne's legs hiked up in the air during this part. These talented actors are very good at selling these scenes, that’s all I gotta say lol) 

gif cred: @nobleriver

Then it’s a bit of an audible jump scare when Jadis says, “People are a resource.” Didn’t quite want to hear a snake at a blissful moment like this lol.

But I'm pretty sure that corpse's line was used because Rick and Michonne are about to protect the people from the people with their plan to expose the CRM higher-ups.

Then we get a palette cleanser from hearing Jadis when we hear the best bestie Nat say, “I know how to build things and I know how to burn things, but it takes more than that at the end of the world.” And the intentionality behind using that line here is definitely because Richonne will end up employing Nat’s techniques to take down the CRM's leaders and also because the concept of building vs. burning was explored throughout the show and led to the answer that sometimes you have to do both. 

As Nat says this, we see Richonne’s backpacks and other things spread out on the ground. The way all their stuff is sprawled out...it seems like the second the mood hit and the candles were lit they threw everything off and got down to business lol.

I like how the most significant items are closest to Richonne’s bed. There’s a bloody sword and ax which feel like they pay homage to some of Richonne’s signature weapons. And I like how the blood on the sword and hatchet just adds to the fact that this stunning love story takes place in an apocalypse of all places, between two apocalyptic all-stars.

Along with the weapons, there’s Rick’s prosthetic, the meaningful iPhone, and the Danger lighter.

And best of all, y’all...there’s the wedding ring. 💍😏

gif cred: @coolpartytimefan

As Beale’s voice says, “You tried to escape four times. Why are you here?” Rick slowly grabs the wedding ring, serving as a visual answer to why he’s here - He’s here because of Mrs. Grimes.

And y’all, when I tell you I nearly passed out just seeing that he was slowly grabbing the wedding ring. 🤭 I did not know that this epic love story was going to get this good. #BoundlesslyBlessed.

Along with the visual answer, there's then a verbal answer to why Rick and Michonne are here when Thorne says, “There’s someone you love out there.” I love hearing that play over this visual of Richonne, because truly Rick and Michonne are the one for each other and their love has fueled them to keep going. 

As this is said, Rick proceeds to do the most romantic thing ever when he slowly slides the wedding ring onto Michonne’s ring finger. Just 🫠…our ship is goated for a reason. It just don’t get any better. 👏🏽

gif cred: @msanonships

I love the way Michonne is looking up at him with her hand on his chest and then when she realizes what Rick’s up to she holds up her hand and watches as he puts the ring on her finger all slow and sexy. And Rick is locked in during this moment, honey. 🔥

I adore how honored Rick is to be able to put this ring on Michonne and to be her forever husband and to have her as his wife. She’s Mrs. Grimes...

And I just love that he wanted her to wear the wedding ring for this intimate moment that gives such wedding night vibes. Like there’s something so sacred and majestic about this scene, especially with the lux colors, lush blanket and pillows, and the candlelight glow. 😍

Not only does Rick feel that Michonne deserves the world - he makes it his personal job to give it to her. And he does a damn good job, doesn't he? 👏🏽👏🏽😊

gif cred: @lousolversons

Rick is also very good at making things a moment and this crowning moment very clearly had an affect on Michonne. Because as Rick so tenderly slides his hand down Michonne’s arm and then looks in her eyes, Michonne looks up at her husband like she thinks he is truly the sexiest man on planet earth.

And you know what we always say…Michonne is always right. 😇

gif cred: @coolpartytimefan

I love that Michonne’s journey took her from one; looking quite taken by Rick in their pre-canon seasons of TWD.

To two; lying down alone fiddling with Rick's ring on her finger in her final TWD episode. (Which I've always loved that after Rick's season 9 departure, Michonne wore that ring because she knew that who she and Rick were to each other was 100% husband and wife).

To three; now lying down with Rick over her so lovingly placing her wedding ring on her finger. 🙌🏽🥳

Rick always wants Michonne to know, in every way that he can express, how much he loves her. 🥹 And the abundant love Michonne continuously has for Rick is always written so clearly on her face. 🥹

Also, with Rick not having a ring finger himself it feels like placing this wedding ring on Michonne during a moment where they’re this one and interconnected is almost like placing the ring on them. 

gif cred: @coolpartytimefan

As they have this eye contact moment that is just chemistry on another level, it’s paired with Michonne’s heartrending line from the masterpiece Episode 4 when she asks Rick, “Do you still love me?” And Rick passionately answers, “Always.”

Those are fitting lines to include because this TOWL journey had Richonne having to navigate what their love looks like now and officially see that they truly have always loved each other and always will.

And now here they are in this beautifully intimate moment, one in every way, letting their undying love just fill the entire atmosphere. 🥰

gif cred: @coolpartytimefan

And truly, Rick looks at Michonne like she’s the most beautiful treasure in the world. At this moment, he's looking at her like he’s again thinking “I love you always.” And in all ways. Amen. 👌🏽

I adore how, after he puts the ring on, both Rick and Michonne look like they've somehow managed to fall even deeper in love by the second.

Michonne softly places her ring-clad hand back on Rick's chest and then he leans in as they share another very passionate kiss. And y’all, the only beef I have with this teaser is with that fade-to-black. It comes in too quick lol. 🤭The fade-to-black could’ve waited just a second or two more, because you know some of us be greedy. 😂

But regardless, it’s a great hot-and-heavy kiss and just shows yet again that Rick and Michonne are each other's strongest craving. This whole Richonne ring moment was perfect. 🤩

TOWL really said 'I now pronounce Richonne the hottest husband and wife on television.' 🔥👏🏽

gif cred: @msanonships

Ages ago, I was really eager for Richonne to have rings of their own, and little did I know I’d just have to wait about eight years and then Rick would put a ring on Michonne in a stunning lovemaking scene like this. And once again, it was entirely worth the years-long wait. 😇

I appreciate the way this opening scene just immediately set the tone of how TOWL started as an epic love story and would conclude as an epic love story. What a dream. 👏🏽

And because we’re spoiled, y’all, the teaser doesn’t even end there. 

They then cut to the woods with Rick and Michonne looking like the baddest to ever do it in their black CRM uniforms as they walk forward with the helicopter in the back. Move over Mr. and Mrs. Smith, this is Mr. and Mrs. Grimes on a mission. 🔥

gif cred: @nerd4music

And then as Rick and Michonne walk, they stop and turn to each other and immediately kiss like their life depends on it and I’m always here for it. Like I’ll forever be elated over the fact that there were kisses in every single episode of this 6 episode miniseries, and not just that but most episodes had multiple kissing scenes too. Richonne kissed more in 6 episodes than they did in their four seasons on canon on TWD.

gif cred: @ricksmarlene

And truly, not even just from a shipper perspective but from a story perspective, it makes perfect sense for these characters who are madly in love and haven’t been able to express it for over eight years to be kissing all the time like this. Cuz I mean...

And now that they’re back together, of course these soulmates are going to make up for that lost time every chance they get. It's just realistic. 😌👌🏽

So I love that our goated captains came back to make this 6-episode miniseries and said guess how many episodes we can fit kisses into...

All 6, baby. 😋 This particular kiss in the woods is meaningful too because Rick and Michonne are about to part for the first time since agreeing to go home together and you know for magnets going their separate ways isn’t easy or ideal, especially when what they’re parting to do is dangerous.

But I love that because their kisses are communication, this kiss was the two making it so clear to each other that no matter what the CRM tries to do, they are each other's ultimate choice and they’re in it together.

Like I love the reassuring vibe of this passionate kiss and the way Rick holds her face and then the way they stare into each other's eyes afterward and nod, again communicating so much. 🥰 They’re about to reenter the lion's den and this moment just felt like them giving each other the strength to do so. 

gif cred: @nerd4music

And y’all, you know I stay getting distracted by Richonne so I forgot Michonne's voiceover is actually saying something in this scene lol. Lemme go happily rewind a sec. ⏮😋

Okay, so while they share this golden kiss, Michonne gives insight into their plan when she says, “It sounds simple, right? We go in. You get the briefing. I get the dossier she left behind. We bring what we know to the city, then go home. Together.”

As this is said, Michonne holds Rick’s arm until the last second as he turns to go which is sweet. They are really each other's baby, y'all. 🥲And as she watches him, we hear her say, “It’s never that simple.” 

gif cred: @msanonships

I know that this last line is meant to be ominous but one thing I'm grateful for about how TWD & TOWL approached Richonne is that it's not like other relationships and things in the show that have to ultimately end in tragedy. Richonne was built to last and be an actual lasting win for Rick and Michonne in this series, which is why I never feared that the two would split up or die because the love they found with each other is the one thing this franchise allows to be unbreakable and triumphant.

So next, Rick slowly walks up to the gates with his hands up as his voiceover says, “I’m Sergeant Major Rick Grimes. You probably think I’m dead.” I like that line because as we know TOWL was a whole journey of Rick dying and coming back to life through Michonne. So now, for the first time in a long time, it’s Alive Rick rolling up to the CRM. 👌🏽

gif cred: @sowhumpful

Then as the CRM soldiers slowly open the gate for him, the teaser ends with Rick recalling his father's words saying, “He said I didn’t need to be scared. That it was just ‘the burning.’” Then the scene fades to black just like how this teaser started and y’all, I just gotta clap it up for that teaser. That ring moment alone had me overjoyed and then the kiss in the matching uniforms and Rick's fine gait up to the gate was the cherry on top. 👏🏽👏🏽

We were already feasting and the finale was just beginning. I appreciate that since this is ‘the last time,’ this show let Richonne do what they do best one last time and just put their love and chemistry on full display. 👌🏽😌

[saurons-pr-department]

Isn't silvergifting weird ? I mean celebrimbor is the guy whom sauron straight up tortured and killed him painfully and it's 2nd most popular ship for celebrimbor?

At the risk of being a bit too blunt here, it's really only weird if you're under the (incorrect) impression that shipping is like when you think two of your friends would make a cute couple and not simply the idea that the dynamic between two or more characters is compelling in some way (which is what I've usually seen it be in the almost 20 years I've been in fandom spaces). There is value in stories that end badly. Lies and betrayal have just as much reason to be in a story as any other element.

Celebrimbor and Annatar/Sauron worked alongside each other for centuries. The arrival of Annatar usherd in a golden age of new discoveries and power for the Elves of Ost-in-Edhel/ Eregion as a whole. Celebrimbor let Annatar in despite the warnings of family, like Galadriel, and the Elves of Lindon telling Annatar to jog on and take his suspicious self elsewhere. Is he trying to make up for his family's tragedies caused by lack of trust? Does he want power? Does he want to outshine his (in)famous grandfather? Get one up on his father? And that's just Celebrimbor's side of this. There is so much to explore between these two, so it's really not surprising that romance is something that people include.

There's also quite a few flavours of Silverfisting/Silvergifting out there. There's the one where they both fall for each other. There's Sauron stringing Celebrimbor along because it suits his purposes. There's Celebrimbor playing along to try and get close enough to find out what Sauron is up to. There's Celebrimbor thinking Sauron actually wants to turn over a new leaf. There's the version where that's even true! There's Sauron thinking Celebrimbor could actually swayed to follow him. Etc. etc. etc. etc. I could go on forever.

And on a more general level, some of us like sad stories. Sometimes the cruelty just hits that much harder when it was preceeded by kindness. "I hate you" can sound kind of bland on its own, but when it replaces "I love you" it has the ability to cut that much deeper. It adds layers to each happy scene to know that that's not how it's going to end, to be privy to knowledge of a future the characters are hurtling towards, blissfully ignorant.

A ship doesn't need to be nice. It's purpose is to put an interesting story in front of us. And sometimes that interest comes from watching on in horror as the inevitable catches up with the characters.

[writingquestionsanswered]

I'm tired of my ideas always being big. It's overwhelming. I like seeing others' WIPs and ideas because they're just so simple... Like, that comic about a mermaid living in the ocean in our modern time and dealing with plastic trash. So simple and my own brain is bursting with ideas. But my own WIPs... they just start huge. I'd like something smaller... but I don't know how.

Stories Always Get Too Big

Stories can get out of hand quickly when they sprout too many independent threads. There are three primary culprits that serve as sparks that create these threads:

1 - Setting 2 - Non-Protagonist Characters/Relationships 3 - Back Story

The thing to remember, though, is that no matter how interesting your setting is, no matter how compelling your other characters are, and how fascinating the back story is, those things are not your plot.

Plot is the sequence of events through which the protagonist (and potentially other main characters) attempt to resolve the story's conflict by overcoming obstacles and setbacks in pursuit of a goal.

In other words, focus on this:

the protagonist > their normal world > the event that introduces a problem they must resolve > the goal they formulate in order to resolve that problem > the events that occur as a result of their pursuit of this goal > their attempts to overcome obstacles and setbacks encountered along the way > their attempt to solve the problem once and for all > failure or success > life in a changed situation/world

Anything else doesn't need to be there unless it is critical in order for one of the above steps to make sense.

So, let's take your mermaid example... though I haven't read that comic so I'm winging it here:

the protagonist = mermaid normal world = doing mermaid stuff inciting incident = finding plastic trash in the water goal = clean up/find the culprit and teach them to do better events = cleaning up, learning about humans, tracking down culprit climax = mermaid appeals to humans to do better finale = mermaid is living in a cleaner ocean

Now, let's say your brain starts to go off on a tangent about a deep oceanic rift and an evil merman wizard who lives there... stop right there. It's a fun idea, but what does it have to do with this story? How does it relate to the trash, clean-up, finding the culprit, or appeal to humans to do better? It doesn't. Theoretically, you could make it make sense... like, maybe the merman wizard likes the trash and wants the ocean to be dirty and gross, so maybe he is opposing the mermaid's attempts to clean up and to appeal to the humans. Okay, that works, so you can keep it. But, let's say you also have this idea about these creatures that live around the hydrothermal vents, and the mermaid meets and falls in love with a scientist who's studying them. Okay, again, interesting idea, but this one is much harder to fit in with the rest of the story. Sure, you could say the scientist is studying marine pollution instead... that brings it back around to the main conflict, but still, what does this relationship add to the story? How does it help or harm the mermaid's mission? How does it help to explore the story's themes or help deliver the message? It doesn't really sound like it does, so this would be an example of a thread you can probably snip.

And the thing is, it would be okay to follow a thread like that while you're plotting or writing your first draft, just to see where it goes and see if you can make it work. Part of why we edit and revise is to snip out the threads and elements that aren't pulling their weight. But learning how to curb them as they occur to you will help save you work later on down the line. Try writing those ideas down in an ideas document, and maybe those can be worked into different stories, a sequel, or a companion story.

One final note: I am very much aware that there are some epic writers out there who let wild tangles of threads sprout as they write, and they follow them all without abandon, relevant or not. That's okay, too. These are writers for whom that works, who don't feel overwhelmed by all of those threads, who want to write something bigger and more unwieldy. Maybe in time as you get accustomed to writing smaller, tidier stories, you embrace the bigger stories your brain wants to tell. Or maybe you don't. Whatever works best for you is all that matters. :)

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[costinblazetwice]

Momo and The Scent In The Dance Room

Male Reader X Momo

Word Count: 4.8K

A/N: The inspiration for this was to give more attention to the scents/smell of smut activities which I believe to be the most neglected of the 5 senses in writings, including my own. I could see why as it’s difficult, and often a bit too raw and dirty to write out but I enjoyed the writing this one, finding it a good challenge. If you have any thoughts or feedback I’d love to hear from you.

Also Happy Late Birthday Momo you are the cutest 🍑 in the world!

Scent is the most under appreciated of all the senses in the act of sex. Now you and your girlfriend Hirai Momo were guilty of also ignoring this powerful sense, focusing more on the touch, sight, taste, and hearing when alone in your bedroom.

But this all changed the night you stayed behind with Momo at the dance studio, you and your girlfriend shifting between different positions, bodies moving on instinct to the music being played on the speakers. The sound of your guys’s sneakers squeaking on the wooden floor blended in with the pop song being played loudly as the two of you moved to the rhythm, eyes on your own reflections in the gigantic mirror in front of you.

You were a couple of steps behind of course, which should be expected as your girlfriend is the dancing queen. But what surprises you most is how her speed hasn’t slowed at all despite the overwhelming heat in the room. Raising the temperature to such levels was her idea, some days choosing to keep it very cool and on this day very warm. This was Momo’s way of really pushing her body, making sure she has the ability to dance regardless of temperature.

“No more, I need a break,” you pant over the music. Momo doesn’t hear you or maybe she does but doesn’t acknowledge, her eyes still on her reflection and caught in a trance as her body grooves to the beat.

As you rest your back on the corner of the wall you take the chance to observe your charming girlfriend. She’s wearing a regular pare of sweats but what catches your eyes is how drenched her ass is from all the sweating and how you could make out the lines of her panties underneath. It didn’t help that she has a visible wedgie, her panties and pants having their fabric pulled into her ass, something that some may find embarrassing to watch but you find rousing. It is quite common in explosive dancing for your under garments to find themselves in uncomfortable positions and adjusting it continuously could become a hassle, so just leaving it be until after the session is over isn’t a bad idea.

Your eyes then move to the mirror where you see her reflection, watching attentively as the dance choreography involves a lot of lifting of the arms which allows you to catch continuous sights of her underarms, completely drenched with sweat and glistening under the light of the dance studio.

She was so seductive in these moments and watching her in her element like this, a sweaty and dirty mess that she was made it hard to turn away the dirty thoughts that were appearing.

The music finally comes to an end and Momo bends down resting her hands on her knees, sweat drops dripping from the tip of her nose, abs soaked as well with her navel visible from the tank top she’s wearing, abs tightening as she takes sharp intakes of air.

At this point the yearning for your girlfriend increases, you becoming more eager to quench this thirst that no doubt has been made in part by the rousing heat in the room, your body wanting nothing more than to cool down by removing your clothing and preferably hers as well.

“Ah, that was good,” Momo huffs as she picks herself up. “We’ve been going at it for a few hours now. I think that should be good.”

“I didn’t know this is what you go through each day,” you comment as you wave your shirt back and forth trying to find some coolness in this heat.

“I thought I’d make it extra rough since you wanted to join in today,” she teases, walking over to the wooden table by the doors entrance, pausing her phone to prevent the next song from being played.

Her back is turned to you as you watch with your heart racing, her bra strap visible from under her top, the drenched sweatpants, and the bitter scent in the air of her and your sweat combined made for a tantalizing experience. Maybe it was the pheromones that were guiding you but either way you bring yourself over to her, caressing her ass with your hands as you pressed light kisses to her neck.

“I mean… I wouldn’t mind doing something else that’s a bit rough,” you whisper into Momo’s ear as her eyes flutter, a low moan escaping her lips as you can see clearly she’s in heat herself and wants you just as bad despite not showing any clear signs earlier in the day, but then again you do know of Momo’s habit. Sometimes she’d watch you when you didn’t know, mesmerized by the way you move, your smile, and by the overall energy you bring. You typically wouldn’t even know about it until the clothes came off and you two would engage in some pillow talk.

“I-It’s getting late… and besides, this is the trainees room,” she stutters out unconvincingly as you know she wants this just as bad as you do. This was her way of playing tease, push and pull.

“The windows are tinted,” you grunt in her ear, tongue cleaning up some of the sweat on her shoulders but ends up making it a bit more messy. “And besides it’s late at night. It’s probably just you and me in the building. You’ve got the keys, no?” Turning her around so she now faces you, smirking when she gives a reluctant nod with eyes fluttering, her face reddened and her lower lip quivering.

“You’re just so fuckable,” you whisper as you bring your lips onto hers, initiating the first romantic encounter you two have had all day, knowing just how much Momo was aching for this as well. She was a homebody after all and loved being alone in your embrace, sometimes just watching tv with your cock warming her core or yours fingers lightly rubbing her cunt as you laid in bed after a tiring day.

Not being able to touch you all day as she was focused on her dance routine and on giving you the dancing experience made her an erotic mess, the anticipation building within her for this moment. Momo gets extremely horny on the days she does her intense exercise routines.

She knew what she was doing of course when she’d flash you her backside throughout the day, clear visible lines of her panties moistened and being pulled into her ass, her towel completely dry as she hadn’t bothered wiping off the sweat that had accumulated knowing you had your eyes on her throughout the day.

You guys had you lips locked, Momo being the first one to slip in her tongue, showing that despite the initial protest she was more than willing to help push the pace.

You and Momo stand in the middle of the room, tongue to tongue with your bodies pressed to each other. You can feel the sweat off Momo’s damp clothing as you press to each other, the sweat proof of the physical work the two of you have been putting in for the last few hours.

You tug at Momo’s tank as she raises her arms giving you room to pull it off, though it takes some tugging as it sticks to her body, the material of the shirt hugging at her due to the excess sweat. She tugs at yours as well as you break the kiss, throwing your own shirt off to speed up the process. Momo steps back and begins to unclasp her black bra, dropping to the ground as she lightly kicks it to the side.

“In a rush are we?” You tease as she rolls her eyes, your eyes glued to her full breasts with their firmness in shape, the nipples a bright pink which slowly harden from the sudden exposure out of her bra. She bends down to deal with her sneakers and you get the full view of her drenched cleavage where the sweat looks to have built up, tiny individual drops rolling down ever so slowly and coming into contact with her areola before dripping to the ground. Your desire to have your mouth nibble at her perfect perky pink nipples leaves you with a growing bulge in your sweatpants.

You proceed to quickly tear off your own undergarments, tossing them to the side and not even taking the time to untie your shoes properly, instead opting to rip them off roughly and toss them anywhere that wasn’t directly in front of you.

You were left in your birthday suit, your massive erection pointing directly in Momo’s direction who has her shoes and socks off, but struggles with the sweatpants which stick to her toned legs as did the tank to her upper body earlier. The sweatpants turns inside out as she forcefully removes it off her feet, the inside of the sweatpants showing small patches of sweat that had built up over the dance session. You don’t opt to help her with removing her clothing, but rather stand there stroking your cock slowly, pre cum beginning to droop on your palm leading to the head of your cock to become quite sensitive as the liquid sticks to the tip.

This was a a sight you wanted to savor, your beautiful girlfriend a sweaty mess trying her quickest to get her clothes off so she could be stretched by you.

Just watching made your mouth dry despite the recent mouth-watering tongue to tongue action you two had when you were tongue deep in her mouth and vice versa. You watch as your girlfriend slowly takes her panties off with the wetness from between her crotch sticking to the fabric of the panties, breaking apart the further she pulls them down before she tosses them aside where they land next to her bra. There was a very obvious patch of her juices covering the area where the cunt sits on her panties and you were definitely going to find an excuse to keep those for later.

You walk slowly to Momo, hands immediately caressing her backside as your mouth crashed with hers, no longer dry as your tongues swirl in each others mouth, breath hitching between you two as you both need to break to take a sharp intake of breath. “Are you trying to eat my mouth?” She says playfully in between the kiss and all you can do is grunt in response, finding the taste of her mouth ecstatic and the sound of your entangled tongues lewd and lascivious. Your cock rested on her stomach causing the tip of your throbbing penis with its growing precum to touch her abs, causing a jolt to run through you due to the sensitivity of your cock’s head, your precum sitting nicely atop her naval area.

As you pull away you’re suddenly reminded of the dance practice where your eyes were pulled to her armpits. How nice they looked every time they were exposed and how you, in that moment, understood why some people really find armpits very attractive. Might as well give it a try.

You lift her arms up as she looks at you confusingly with a pout and her brows furrowed, pressing your tongue against her glistening armpit as she lets out a cry, not expecting the sudden sensation.

“N-not there babe,” Momo sighs as you let your tongue lather her underarm, Momo fidgeting under the ticklish touch of your tongue. This was a completely new experience for the two of you. The thought of eating her armpit out as though it was her cunt was never something that really crossed your mind but the way it was saturated with sweat as she danced just looked so… beautiful.

It doesn’t make sense, but then again it’s late at night in a dance studio and you two are naked in a room brimming with humidity. Now was not the time to worry about being “normal.”

Momo squirms as you continue to flicker your tongue at her armpit. Your other hand slides down Momo’s abdomen until you reach her cunt, using your fingers to rub at her folds as her whimpers now become drawn out moans, her hips bucking as the pace with which you rub her sensitive area hits a frantic pace.

Her armpit itself was smooth with there being a salty taste to it, unsurprising as it was where the sweat had built up throughout the dance practice.

You could feel your hands moistened from her cum as you finally pull yourself off of her underarm, gauging Momo’s reaction to see how she took that sudden fondling. Her red lipstick was slightly smeared with the plumpness of her lips sharing a resemblance with her throbbing pussy lips which itself was heavy with arousal, hair a disheveled mess with her bangs sticking to her forehead messily, and breathing heavy with her knees lightly trembling from the pleasure. You took that as a very good sign.

“That’s off the bucket list,” you joke as Momo responds with “Never knew you wanted to fuck my armpits.”

“Neither did I,” you whisper to yourself, surprised at you own sudden attraction to her underarm.

“Wait a second babe, I’m sweating up a storm here,” Momo says breaking the hold you had on her to make her way to the thermometer on the other side of the room when you stopped her, grabbing her by the wrists and turning her around. You wrap your arms around her legs before lifting Momo up as she lets out a shuddering cry at suddenly being lifted in the air.

“It’s kinda nice like it is, don’t you think? Makes this more hot, figuratively and literally,” You ask as you see her pull a sheepish smile while shaking her head, probably thinking how big of a perv you are but knowing that she was one too deep down.

With that reassurance Momo wraps her legs around your waist as you walk over to the long table where your phones and other gadgets sit and set her down.

Momo’s bare cheeks on the table causes a chill to run through her body as you spread her legs, bending down and planting a trail of kisses along Momo’s inner thighs, taking your time to get to her pretty pink pussy.

It’s a much dirtier scent than that of which you’re used to when having sex with a clean bathed Momo who typically smells of her peach creams and high end perfumes.

This on the other hand is more erotic and defiled, a scent of a woman who is at her most raw and most dirty, who has spent the last few hours engaging in intense bodily work which is responsible for this bitter scent which you find utterly arousing. It’s a musky smell that is quite strong on the nose, a bitter tinge to it but you find yourself loving even this part of your dancing queen girlfriend. This smell is raw, more carnal and frankly for some, maybe even gross.

This is the reality of sex outside of scented perfumes and shampoos. This is an unclean eroticism, the dirtiness of it feeling deeply primal. Momo herself doesn’t seem to care or worry that her scent may be coming off as more harsh than usual as her mind is simply on the toe curling pleasure that you are putting her through. And you don’t care either as you find the scent intoxicating and this entire situation exciting, wanting nothing more than to ravish Momo as though you two were wild animals wanting to engage in each others body in their most dirty state.

You press your mouth to her cunt and immediately taste the zesty and salty pussyfolds that are lubricated with her juices but also moist from sweat. “Fuck baby, do it like you always do,” Momo groans as her hands begin to softly tug at your dampened hair.

“Of course, love. I know just how you like it.”

First you inhale and then blow at her cunt, causing her to squirm at the sudden cool air and causing her to let out a whimper, her legs tapping quickly on the wooden floor, loving the feeling as goosebumps being to appear throughout her body. You lift her legs up so they’re now resting on your shoulders to give you deepest access to her folds. First you nibble at her clit, sucking on it as your fingers pump her inside, your hand moistened more and more each time you plunge in and out.

“Keep going babe,” Momo begs and you continue to give her what she wants. You trace around Momo’s pussy with your tongue, the salty taste being quite strong to swallow but you don’t mind in your current state of impassioned ecstasy. You take time to tease her as well, taking your mouth off of her lower lips and instead using your tongue to lap at her inner thighs.

“Not right now, Y/N,” she whines as you smile to yourself while nibbling the inside of her thigh before returning to the intoxicatingly musky cunt in front of you.

You let your tongue rest just above the clit where her neatly trimmed hair sits, now a disheveled mess from being drenched in sweat, and proceed to go up and down in a completely straight line as your tongue lathers up her sex, Momo letting out desperate, filthy noises in response. You go low enough to where your tongue is now lightly brushing against her taint. You flick at it, letting the tangy scent so close to her nether area intoxicate you with its strong aroma. Momo can only let out soft whimpers in response.

Now you return to her swollen cunt where you part her lips and stick your tongue into her hole, starting off slow and controlled before going frenetic, licking up and down the entire cunt, even the very few trimmed hair she has down there getting caught up in your frantic pace.

“Fuck baby just like that,” Momo moans having her hands in your sweaty hair, gently pushing your face closer to her sex as she grinds her hips into your mouth. When Momo grinds into your face with her hips like that you know she’s getting desperate, wanting you to use your tongue to go deeper, make her pussy a sloppy mess.

You include your fingers as well, pumping her inner hole as your let your tongue nip at her bud that has slightly swelled due to arousal. Her wet juices and the sweat mix together to create a torrent of wetness that engulfs your fingers. Each time you pull out your finger it’s more damp than before, the wetness from her slit steadily increasing in quantity.

You lift yourself up, immediately crashing your lips onto hers, giving her the opportunity to taste herself, a little kink you know she has. Something about the idea of tasting herself always turned her on and the fact that the mediator is you makes it even better.

Tongues collide and you stay in this position allowing Momo to taste the lewdness of her most precious area. She moans into it and grabs the back of your neck with one hand, the other helping her keep balance as she leans back slightly on the table, desperate to get more of the taste that has her addicted, the mixture of her cum mixed with your hot breath, the bitter smell of her sex and the sharp scent of your sweat.

You step back from the kiss as her hot breath lingers on your face, admiring the work of art in from of you. Momo’s bangs were stuck to her forehead due to the lather from the sweat. Her cheeks flushed, sweat soaking her toned body with drops slowly tumbling down falling into her naval area, the small amount of pubic hair she has around her cunt being a mess from the mixture of sweat, your spit and her wetness.

There’s also a noticeable moist smudge where Momo’s ass sits on the table, accumulating over the time she’s spent sitting there as her body heat increased from the sex and the room temperature. The humidity of the room has turned you both into a sweating mess, but that only increases the carnal pleasure of the whole situation.

“I need to cum baby. You’ve made me wait long enough,” Momo hums to you as she lays down on the table, legs spread in the air with her hole in complete view, her folds wet and slathered in her cream.

“It’s getting hot in here. Let’s finish this up,” you reply with a low growl, using the heat of the room as the excuse for why you’re in a hurry, when the reality is that you don’t know how long you’ll be able to last without cumming.

You align your cock with her center, rubbing the head against the lips of her pussy, the warmth emanating from her slit and the friction of your most intimate parts causing the two of you to moan out, the noise coming from her closer to gasps and hums as the long night of pleasure has made her very sensitive down there.

“Don’t fucking tease me,” Momo spits as she lightly kicks at your abs with one of her legs that’s swaying in the air. You laugh at this, so deeply in love with this woman whom you have done so many dirty, perverted things with because she draws these parts out of you that you never knew you had.

And right now with her laying on the table, both her upper lips and pussy lips swollen, sweat covering her breasts and abdomen, and her bottom lip quivering in anticipation, you knew what you wanted most was to make this a night she’d never forget.

To have her remember that on this night you had reduced her to a sweating fuck bunny who didn’t care what smell she was emitting or what she tasted like. In this moment she was cock hungry, hungry for your cock, and all she wanted was for you to imprint yourself into her forever.

“Alright love, I’ll give you just what you want,” is your response as you bury your cock into her in one fell swoop, giving her no time to adjust as you immediately begin plunging yourself into her.

“Fuck you’re so big baby,” Momo sobs as your hands grip her waist, hands having a difficult time holding onto her as they begin to slip from the sweat, but you immediately adjust yourself anytime that happens, loving the way your hands sink into her sides making her slim abdomens that much more prominent.

She wraps her legs around your waist, making your heart throb furiously. “Fuck, you know what you’re doing you little fuck bunny,” you groan out as Momo gives you a little smirk in between her gasps and moans, knowing that the feeling of her legs wrapping around you is all it takes to push you over the edge.

Your pace becomes accelerated, the table wiggling under the pressure as Momo lets out high-pitched shrieks, feeling the heat pooling in her lower back, not just from the pool of sweat beneath her on the table but from the approaching climax causing her body to tremble.

Your hands grip Momo’s tits and begin to roughly pinch at her nipples, angry at yourself for not giving these beautiful bosoms more love earlier. The aggressive tug on her nipples has her cry out from the sting that now reverberates throughout her body but her focus is turned to the pleasure that’s about to burst like a dam within her.

“I’m gonna cum!”

Momo screams as you feel her clench around you, walls fluttering around your cock.

“Fuck, I’m gonna cum too love,” is all your able to breathe out as your hips stutter, one last powerful thrust into Momo’s cunt as you spill yourself inside of her, body convulsing from the sheer pleasure. Your eyes drift to Momo who is breathing heavily, mouth wide open and eyes directed to you in a loving gaze.

You pulled your cock out and watched as your cum slowly drifted out, grabbing your towel which was nearby to wipe your falling semen.

“That was crazy,” Momo breathes out as she sits up and lifts herself off the table, falling into your arms as you two share a sheepish smile, embarrassment settling in after that animalistic fuck session.

She lets out an audible gasp when she turns around and sees the state of the wooden table that you two just fucked on.

“Is all of that seriously my sweat?” She asks in confusion pointing at the part of the table on which her ass sat and her back rested on, completely drenched with sweat. Well it’s not just sweat, some pussy juice too you thought to yourself.

“Good thing your towel’s still dry,” you chuckle, using her towel from before to wipe the table clean, though there’s not much you can do about the smell.

Momo goes to the corner of the room where she had thrown her clothes. She lifts her panties up and notices the damp patch where her slit directly sat, feeling bashful at the physical proof of her smutty behavior.

“Save that for me,” you yell looking in Momo’s direction as you roughly throw on your under garments, in too much of a daze from the pleasure to care about the dampness of the clothes that makes them feel heavier than usual.

“Save them?” Momo asks brows knitted in confusion.

“Yeah… I uh… think I’ve got a thing for smells now,” you explain bashfully, realizing how embarrassing it is to tell the girl in front of you how turned on you are by her bodily scent.

“I just think you smell hot,” you blurt out, eyes directed to the floor. You look up and glance at Momo’s face to gauge her reaction to your sudden confession, but to your surprise she wasn’t looking at you but rather around the room, nose continuously sniffing.

“Speaking of smells… what are we gonna do about the room?”

Good question. Your guys’s nose had adapted to the tangy, bitter smell of sex in the air but what would the inhabitants tomorrow think? It was pretty obvious that a cunt was ravished in this room judging from the scent.

Oh well, not much you can do today.

You pick up your phone and see that the time is well passed midnight. That would be a problem for the two of you trying to get back home in damped clothing. You suddenly got an idea.

“Let’s just sleep over.”

“Huh?” Momo responds in confusion.

“Why not? It’s super late and it’s not like we can clean the smell in this room. None of us brought any perfume with us. Might as well wait until it’s gone in the morning, and we can then empty it out for the trainees.”

You could see on Momo’s face that she wasn’t entirely convinced, looking at you completely deadpan.

“They’ve got a shower here, don’t they?”

Upon hearing that you see Momo’s eyes flash, giving in to your idea.

“Well.. alright. I don’t think it’s a bad idea to stay especially since it’s so late and our clothes are so dirty. But we have to be up by 8 and empty out, you hear me?”

You nod your head, knowing that the doors open at 8 for the rookie trainees while Momo and the rest of the more seasoned veterans have 24 hours access with their keys. The only rule was that certain rooms had to be emptied by 8 in the morning, one of them happening to be the room you two were in.

“Let’s hope the smell clears up by morning,” Momo murmurs as she begins to put on her panties, causing you to internally groan, hoping those would be the pair that you’d get to keep as a memento for today.

“I’ll hop in the shower. By the time we wake up tomorrow our clothes should be dry,” she states, fully clothed and keys in hand.

“You know, now that I’m thinking we do have this place all to oursel-“

“No way mister.”

She cuts you off with a stern face. You knew what her answer would be, going for round 2 here being counterproductive to wanting the scent of sex in the air removed, but you thought you’d give it a try.

Momo gives you a smile, finding your behavior enduring. “I’m off then, bye.”

She blows you a kiss as you wave her off. It was an exciting day and you got to see a side of yourself that you didn’t know you had, while also seeing a side of Momo you hadn’t seen before. Or better said… hadn’t smelled before.

[g3l3mb]

how to generate creative ideas:

(i need to get this out of my brain)

Make moodboards, playlists, keep a list of people who inspire you. Before starting a project think about the general vibe you want it to embody. Ask questions like “What would this concept sound like if it was a song?” ,“What would this concept be like if it was a person?”. Create a shirt that looks like a building you like, literally anything can be combined.

Take unrelated things or concepts and mix them together. Let’s take Addams Family as an example. “What if it was a story about a typical suburban family…but GOTH!”. It basically flips everything upside down. Or “What outfit would someone wear, who’s personality is the mix of the vibes of these two songs?” Random word generators are amazing for this if you don’t know where to start from.

Try making something truly BAD and then add a twist to it. It’s a great way for your brain to let go of expectations and then think outside of the box. But you can also use this to find out what you do not wanna do under any circumstances.

Think without worrying about the limits of what you can do and when it’s time for excecution, find a way around what’s impossible. It births more creativity and adds uniqueness.

Consider what your idea is NOT before considering what it is. Limits are the best way to avoid getting overwhelmed and giving up. Don’t ALWAYS do this though (unless you wanna…), it’s just something to try out when you feel like you’re seeing too many possibilities to the point that they’re contradicting each other. Unless your goal is to make something full of contradictions, you’re a Free Man, do whatever you want.

Keep a list of random ideas you have throughout the day in your notes app or something and then at some point actually review them. Keep what you think is worth exploring and then act on it.

Find out how something works very throughoutly so you know which aspect can be changed to create something new.

Take a concept and break it down into smaller concepts, ideas, questions, key elements and then also break those ideas down etc. This will naturally lead to associations, unique ideas you wouldn’t think of without doing this. I found that this is a great way of coming up with metaphors.

This one is similar to the last two: take a piece of art you really love and try to find out the thought process behind. What’s the story, where did the artist get inspiration from, how did they incorporate those ideas in their work. How did an artist combine their personal interests and knowledge into one big thing. For example: Tolkien was an erudite linguist, so much so that he created entire functional languages in his work, such as Elvish in Lord of the Rings. Hirohiko Araki loves 80’s music so much he named characters in Jojo’s Bizarre Adventure after music references. This is why no knowledge is useless knowledge.

Think about the times you’ve been the most creative before. What were the specific circumstances? For me my best ideas always come when I have a strict deadline for something unrelated, like school (which I’m way too willing to sacrifice), or when I’m doing something mindless like walking and listening to music, or playing a game that requires no thinking. Most of the time after 10p.m. This doesn’t mean I can’t “force” myself to be creative (tips above), it just means these are the times ideas come most naturally. For some people this might be being out in nature or experiencing high emotions, maybe having their life on the line idk, to each their own.

You can’t just create. You also need to consume. The more information you absorb, the more possibilities you have with your ideas. So if you’re not feeling that creative, that’s fine, it’s the perfect opportunity to learn something new.

If you don’t already do these things and you’re looking to get more creative my advice is to ACTUALLY TRY THESE OUT. You’ll best understand them in action.

[fanfic-obsessed]

How Old?!?!?!

Remember Folks, disregard any canon that contradicts this.

Timothy Wayne Drake disappeared when he was 16. He was taken captive in Eastern Europe at a WE event. A magical shield cut off all electronic communication, sight, and sound of the building for 6 minutes. According to every Super consulted, Tim’s heartbeat vanished at that time, and never reappeared. No facial recognition ever showed him again. No magical spell could find him, or his remains. Eight years later he is presumed dead by most of those who knew him, though his family still searches frantically for their Baby Bird. It is only the fact that they knew how much he loved Gotham, that he would want the city protected, that they did not let their obsession with finding him take them over. 

According to his file, Neal Caffery has been operating since he was 18. There are no records prior to that. By the numbers he is now 34, and had been working as a CI for the feds for 2 years.  He has never admitted to anyone that his earliest memories are six years ago, though Peter, El, and Moz have all figured it out.  But his abilities, muscle memory, and knowledge seem to support what's in his file.  That must mean something, right?

It was not a White Collar case, not really. Though there were just enough white collar elements to justify assigning it to Agent Burke and his team, this really was an Organized Crime case. However it was leading to Gotham, and no one wanted to go to Gotham. 

So Agent Burke, his two junior agents, and his CI were bundled into a SUV and told to report to Gotham PD to coordinate the case.  Upon arriving at the main precinct and getting out of the car; Peter, Diana and Jones all get strange looks from the locals on the street, though they do not know it, it is clear they are outsiders. 

However Neal gets out with a strange look on his face, “Why does the air taste..”

“Pink?” One the pedestrian answers, suspicion washing away.

“Yes” Neal exclaimed, then paused, “That’s weird, right? I feel like that’s weird”

The pedestrian gave a half shrug, “Ivy and Scarecrow double booked downtown a few weeks ago. Made things super awkward for anyone not vaccinated against both, but the vaccines made the air taste pink for some reason. The news said that the unvaccinated shouldn’t see effects any longer and for the vaccinated the effect would be gone in two more weeks”

Then the pedestrian left and Neal, entirely unconsciously, murmured about wondering if Ivy and Harley were fighting. When Peter tried to get more information about Neal having been in Gotham as they walked into the Precinct, Neal made a joke to cover the fact that he has no idea when or where he got the vaccines/immunities to Poison Ivy’s pollen or Scarecrow's Fear Gas.  

They manage to make it to the main bullpen without incident, by virtue of the fact anyone who actually looks up from what they were doing focuses on Peter, as lead agent.  When they get to the Bullpen, someone notices Neal and the entire room goes dead silent. Commissioner Gordon comes charging out, eyes wild and clearly on the phone with someone (Oracle, who happened to see Neal/Tim on camera-it is important to note that the group who took Tim made it so that any facial recognition program that would run either face would skip the match between Tim and Neal, but a person looking through a camera is different) saying things like “Holy Shit” and “Yes I see him, too”. 

The White Collar team, including Neal, is so confused as Commissioner Gordon ushers them to his office and closes the door (Oracle has her fathers office bugged with better cameras and wired for sound, also they do not know how much cover they have already broken for Tim-they do not want to make things worse instead of better). 

Commissioner Gordon calls Neal Tim, and Neal/Tim seizes for a moment like he was hit with electricity and says, in a deadened tone, “That name cannot be used as an Alias” then slumps like he is going to fall over. Peter and Jones manage to catch him and get him into a chair that Commissioner Gordon hurriedly pulls over.  The confusion that the White Collar team is exhibiting, plus questions like “What was that?” and “What did you do to Neal?” and “What did you call him?” do convince commissioner Gordon that these, at least, were not the people that took Tim.  It takes a few minutes for Tim/Neal to come to.  A few careful call and response questions tells Commissioner Gordon that the man with Tim’s face (and scars, from what he can see) does not remember anything.  These same questions were also clearly making the White Collar team, particularly Peter, as protective as they were making Neal/Tim confused and more than a little anxious.

Then Dick Grayson burst into the room, looking like he might have run all the way from Bludhaven.  He stopped dead at seeing Neal, whispered ‘Baby Bird?’ then lunged to pull Neal into a tight hug. Neal may have had no memories of being Tim, but his muscle memory remembered Dick’s hugs. That he was safe while Dick was hugging him, Neal could not help but relax into the hold. 

Dick start talking about getting Neal to Leslie both to make sure he's not hurting and to verify his identity (sounding apologetic but, no matter if Dick is sure this is Tim, they have to verify it), that ‘B’ is out of contact right now (on a JL mission off planet, the watchtower is preparing to extract him, but it will take a few hours-the JLD is also preparing in case they are needed) but should be back soon. He talks about how Alfred will be waiting outside for them, but ‘everyone else’ is waiting so they don’t overwhelm him (read clustered, and pacing, on buildings around Leslie’s clinic).  

Neal brings up, still wrapped in Dicks arms, that he might not be who they think he is. Dick agrees but also says that he isn’t, it is a case of mistaken identity and it is clear that Neal is not trying to trick them. Dick then says if it is Mistaken identity, Dick will apologize for the forcible cuddling and be grateful that, even if they don’t actually find him, he got a chance to hug his little brother one last time (Every single member of the White Collar Team, Neal very much included, is a little uncomfortable with this sentiment). 

At Peter’s awkward insistence (these people clearly miss whoever they think Neal is, and he doesn’t know if they would think about Neal’s criminal activities) the White collar team accompanies Neal, still clutched to Dick’s side, to a car waiting with Alfed right next to it, who is clearly having an emotional reaction to seeing Neal/Tim again.  Over the course of the car ride to Leslie’s clinic, Dick asks questions about who Neal is now (and reacts weirdly well to the whole Conman/FBI CI thing). Towards the end, Jones hesitantly asks why Dick is trying to get to know Neal now, wouldn’t it make more sense to wait until they were sure who Neal was. 

Dick laughs and goes 1.) Even if Neal is not his long lost brother, several of his siblings are going to want to befriend him (if nothing else than being a world class master art forger would get Damian’s attention, and everyone else would 100% be encouraging the friendship to give Damian more non violent friends) and 2.) Baby Bird is notorious for trying to mold himself into who he thinks other people want him to be. Right now he does not know enough about Dick to try and tailor his answers, plus is likely convincing himself that this is a case of mistaken identity. Thus Dick is collecting information for when Baby Bird inevitably tries to fit himself into whatever weird mold he thinks their family will want him to fit.  

Neal, still clutched to Dick’s side, splutters as the White Collar team cannot help but laugh at him. Also this somewhat convinces Peter that this might not be a case of mistaken identity after all.  

They get to Leslie’s Clinic. She runs through all the tests (Genetic and comparing previous x-rays, signs of artificial aging-for cloning, signs of the specific type of molecules that means time or dimension travel, brain scans, the few hormone tests that can detect magic-you can’t tell me that Bruce Wayne and/or Tim Drake, before he vanished, were not told at some point that there is no way to detect magic by scientific means and took it as a personal challenge). By every measure that she is able to test, Neal Caffrey is the missing Tim Drake.  She is also able to tell that his memory loss was likely caused by significant and repeated electrocution reinforced by some kind of magic, but cannot tell what or if it is still active, though given Tim’s reaction to his birth name (which happened twice more during the tests) and the fact that the Supers were never able to find his heartbeat,it is likely. 

By this time, Batman has now been returned to the watchtower and is being told of Tims return.

Dick tells Neal outright that their entire family’s love languages are stalking and poor boundaries (both maintaining and respecting). Dick also makes it clear that, while the Batfam is ecstatic that Neal/Tim is alive and want him in their lives, Neal is not required to attempt to get his memories back or have anything to do with them if he does not want (All of their therapists, the family could not go to just one, had worked specifically with them on how to deal with a Tim that has made a new life, how to accept that he is safe and happy but not with them-which is a realistic assumption after 8 years), but that likely Neal would be putting up with some limited stalking for the rest of his life (Look, the best we are going to get from the Batfamily is stalking from the shadows if Neal doesn’t want to interact with them-Also Oracle has already hacked the FBI for all of Neals records and files, and is the middle of arranging for the White Collar office to be bugged with her personal cameras/microphones). Dick also asks that the White Collar team come back to the Manor and to at least let the Justice League Dark look Neal over to make sure that there is nothing that is going on that will hurt him. 

Now, to be clear, Neal is more than happy to at least meet the rest of the Batfam.  Yes, he has a good life now, people he loves and who love him. But that is a relatively new development and there are a lot of blanks in his past. I mean at this point Neal still thinks he is 34 (as opposed to 24), and only remembers the last six years. They have not even gone far enough into the explanations to realize that there is a 2 year gap between when Tim was taken and Neal's earliest memories.  Also, while Neal does not quite have the same level of abandonment issues as Tim did, there is something about how visibly happy Dick is to see him that soothing something deep inside (Because he has six years worth of memories, and for most of them he did not have anyone who would have noticed if he had vanished).

They get back to manor just in time for Bruce to come charging into the foyer, still in the batman suit but with his cowl down. Bruce also looks like he might have ran from wherever he was. He had at least absorbed enough of what he was told about Neal to not call him Tim, and pulled Neal into a hug.  This also means there is a brief interlude while the White Collar team gets the ‘Bruce Wayne is Batman, we’re trusting you with this’ revelation (And absolutely everyone is going to be making fun of Bruce ‘Paranoia’ Wayne being the person who accidentally let the secret slip).

By the time they reach the main sitting room, the rest of the family has made it back to the manor (Barbara, Jason, Cass, Steph, Damian, Duke) each waiting on their own chance to hug their lost member.   Neal blue screens a bit at Jason (who is both very pretty and very sarcastic, which is Neal's type).  Through the discussions that follow there are at least two arguments between batfam members about who gets to have Neal to sit with them.

Neal decides that he will meet with someone from JLD to see about what magic might still be affecting him and regaining his lost memories. He and the White Collar team do decline staying at the manor and go back to the hotel rooms that the FBI rented for them (never realizing that Oracle upgraded them as soon as she realized who Neal was) as they still have a job to do. It is at this point that  Neal starts whining to the others, much to their amusement (also to the amusement of Steph and Cass, who were hiding on the balcony-there is no way there will not be at least one bat/bird hiding in the shadows around Neal for a bit), about his new, hot brother Jason.  Peter calls El, just so Neal can have his crisis with her instead of him (Never mind that being siblings is not as big a deal as Neal thinks it is).

Now Gotham, and its people, have a reputation at the FBI for being actually impossible to work with.  Even regular citizens stonewall so effectively that most teams simply give up. They simply do not like outsiders, and Gothamites can tell if someone grew up in Gotham or not, even if the person in question does not realize it (there are unconscious ways of moving if you have lived in Gotham for a certain amount of time). This is what the White Collar team expects to go against, what they are bracing for, no matter who Neal might or might not have been.  To their surprise this is not what they get. Yes, most people still peer suspiciously at Peter, Jones, and Diana at first, but even that settles down quickly (Some of it is Neal/Tim, being from Gotham, clearly trusting Peter and co gets them some good will; some is them not being sanctimonious about gotham; the rest is the batfam being vocal about liking these FBI agents-for Neal/Tim related reasons).  They solve the case, which branched from White collar into one of the Mob Families (at least two of the traffickers got the choice to talk to the FBI team, or deal with The Red Hood-Red Hood plays it off as using the FBI to take a shot at that family’s territory and being personally interested in Neal Caffrey).

Before they leave Gotham, Neal does meet up with a few members of the JLD who are able to find and remove the spells that prevent Neal/Tim from being found by the Supers and the Spell keeping him from being addressed as Tim. His missing memories were not fully caused by magic (There was a lot of damage caused by electricity-no one took that news well), but the magic was preventing some of his recall. With the spells off, it is inferred that some or all of Tim’s memories may come back in time. 

The White Collar team leaves Gotham with new contacts in their phones and also the bomb that Neal Caffery was a full decade younger than he thought he was (They do eventually figure out that Neal/Tim never actually committed the crimes in his file-not that the crimes were never committed but that Neal/Tim was basically went straight from where ever he was being held to being captured for ‘Neal Caffery’s’ crimes).  Peter later finds a much more complete medical record for Tim Wayne Drake in his home, with an ominous note to keep this file out of the FBI records, it is for personal reference only. They also leave with the decision to keep Neal’s identity a secret (As no one knows who the ones who took them are, or what the end goal is), telling only Hughes, El and Moz. By the time the WC crew reaches New York, the Bats already have bugs/cameras in the FBI building, Neal’s apartment, and Peter’s house.  They have also put trackers in every single pair of Neal’s shoes. There is also a schedule for who gets to stalk/hang out with Neal when.  

As far as the rest of the FBI was concerned, White Collar gets a lot of strange new contacts for cases.  Also they seem to have made an impression on the Justice League, as they become the point of contact between the Justice League and the FBI, by request of the League.  Occasionally hardened criminals walk into the FBI and ask to confess their crimes specifically to Agent Burke and his team. And Apparently their CI knows the Red Hood, somehow (in that the Red Hood sometimes showed up at their crime scene to flirt outrageously with the CI, the first few times the CI got really flustered but after that he started to flirt back). 

Eventually Neal/Tim does begin to remember his past, oddly enough the trigger was a spleen in a jar that was left on his desk in the White Collar Office (Ra’s Al Ghul was…pleased that Tim was not dead and displeased with the Organization the abducted him and  tried to fry Tim’s brain).