#also i Will draw her turning into all those other things

[houserautha]

These Destined Ends

Part Nineteen

Summary: Jessica fulfilled the wishes of the Bene Gesserits to produce a daughter. You’re now burdened with the task of not only marrying the na-Baron, but also bearing his child — the Kwisatz Haderach. Will you take your fate into your own hands? Or will it always belong to those who control you?

Pairings: Feyd-Rautha x f!Reader

Word Count: 4.5k

Warnings: MDNI, 18+. Fighting, Feyd eats ass and pussy, a little humiliation, violent sex, drowning(?)

A/N: I was really in the mood to write some unhinged sex, so, here we are. Surprisingly there is a lot of plot too

“For someone so…prolifically opposed to the Bene Gesserits, you aren’t working very hard to dismantle our ideas.”

Your mother’s voice slips over you, slick as oil. It takes an enormous effort not to keep walking and pretend like you didn’t hear her. She would just stop you, anyway, which is the only reason that you turn around.

“Go ahead and spit out whatever you’re trying to say. All of your riddles bore me.”

Jessica licks her tongue. “Hm, so cunning.” When you don’t say anything else, she draws up her shoulders and sighs. “You claim you don’t want to trick the Fremen and yet you are still dragging them into your fight.”

“This is their fight as much as ours,” you snap.

“It’s all apart of our plan.” Jessica spreads her hands wide. “They will follow you as the Holy Mother, and then they will follow your son as the Lisan al-Gaib. And if you’re successful in your endeavor against the Emperor…well.”

She smiles, the rest of her words going unspoken. We will rule the Known Universe.

A fist of regret forms in your stomach. “I want to liberate them. It is not my intent to keep them…under control.”

“Oh, but you’ll manipulate them to get your way first? Such a noble act. You’re just like your father.”

You tuck away this last insult to examine later, why it cuts you so deeply. Instead, you focus on how Jessica has said aloud your guilt, brought it to life in a way that you had been trying to ignore. No matter how hard you fight against the Bene Gesserits, you somehow end up still adhering to their false prophecy. An inescapable fate.

“What do you want from me?” You ask her. It’s repulsive how efficiently she can crumble your composure.

“To impart a reminder.” Jessica steps closer, sand crunching underfoot. “I did all of this for you, daughter. To protect you. And I will not tolerate your insubordination.”

“To protect me?” You echo, sneering.

Jessica’s laugh is dry and bitter. “You are not as cunning as you think. I married you to a man who would shield you with his life, fill your belly with his children — ensure you a status as a figure to be reveled. I made you a god.”

“You did nothing,” you say back, lacking any real conviction.

“You’ll understand soon. You might already, the depths that a mother’s love will go, and what we’ll do for our children.”

Jessica lifts a hand to touch your face, then thinks better of it. She must sense that this is the most devastating thing she could ever utter to you because she brushes past you without another word, leaving you open and bleeding.

You hate that she’s right.

That you’re playing into the Bene Gesserit’s design. But you see no other way to even glimpse freedom for the Fremen if not recruiting them in this self-made battle. Except it wasn’t self-made, your thoughts scream at you, it was the Baron and the Emperor.

Anger boils under your skin. You’re sick of others telling you what to do, dictating your life while you were pushed along like a leaf in a strong current.

“You need to eat,” Feyd chides you, bringing you out of your thoughts.

“Hm?”

“Eat.” He indicates your ration, which you haven’t even touched. “You need to be strong.”

You blink. You can’t even fathom eating right now, especially not with this much guilt churning in your stomach. Blurting out, you tell him, “I think I’m going to do something completely absurd.”

Feyd, who had been ravenously devouring his own ration until this point, pauses. He swallows.

“Alright.”

“Alright?” A smile tugs at your lips. “Don’t you want to know what it is?”

“I don’t care.” He leans back. “You’ve been uncharacteristically quiet. I suspected you were planning something.”

“You are either a wonderful husband or wonderfully stupid, Feyd-Rautha.”

“I’m told that I’m just all around wonderful.” Feyd’s eyes narrow. “Now eat.”

The plan unwinds from you between forced bites of food. It starts as a single thread that unravels itself until it’s all unspooled, leaving you to hold the pieces. A strange calm settles over you. You’re in control. Capable. Powerful.

Feyd gives you his support. Not that you believed he would do any different.

And when you reveal parts of your plan to Jessica, you frame it in a way to make amends with her. To be compliant. You have no way of knowing how convincing you are, but she lets you gather the Fremen to speak to them, all the while her blue-on-blue gaze watching you carefully as you ascend the slab of rock used to preside over sietch-wide meetings.

Feyd lingers a few feet behind you, Gurney not far from him, an uneasy truce between the two.

Beneath you, the Fremen gaze up with looks of awe; even Chani observes the proceedings with a look of interest.

You’ve earned their trust.

And now you’re going to take it away.

"The final days of our siege on the Emperor and his Harkonnen pets are upon us," you call out, voice booming, "I have never been so honored to walk alongside any other people, and I have the utmost faith in our victory."

You’re met with a cheer of approval.

It takes a moment for the crowd to quiet before you can continue. There's an electric current in the air, nearly infectious, the anticipatory thrill before battle. You hope that you're not making a mistake as you say, "To go into battle, you must trust your brothers and sisters, trust your leaders. I must confess that I haven't been honest with you."

Out of the corner of your eye, you see Jessica move to stop you. Feyd, with cotton in his ears and anger in his eyes, doesn't let her get far.

The crowd rumbles, wary.

"I am not the Holy Mother." Sounds of confusion arise, which forces you to raise your voice. "I am a flaw in the plan of the Bene Gesserits. I failed to learn their power, and therefore, my child cannot be the Lisan al-Gaib."

"What? Is this true?" At Stilgar's emergence, the sietch stills.

You regard them as evenly as you can, throat constricting. "Yes."

"But you knew everything. All of the signs of the prophecy —"

"It was a lie. A ruse."

Stilgar's tremulous control of the sietch snaps. The Fremen riot this information, hurling insults, pushing and shoving and jostling like one enraged creature. You stand your ground. You knew this would be devastating to deliver, not nothing could prepare you for the raw portrayal on their tanned faces.

As planned, Feyd and Gurney ward off anyone who tries to get to you — Feyd slides twin daggers from the sheaths at his waist, metal glinting dangerously. The Fremen lurk, circling, but they do not engage, not when the na-Baron has now learned their ways atop his own lethal training.

You bear the weight of their fury as best as you can. Somewhere deep inside, you know that they have to expel this from their minds and their hearts before you can say anything else, but that doesn't mean it hurts any less. You commit each expression of betrayal to your memory. If they were going to suffer, then so would you.

The sound of shifting sand is your only warning before someone hurtles past you — Chani, somehow slipping past your defenses, only barely misses you as you step aside at the last possible moment. There's not enough time for you to recover from the surprise before her next attack, sweeping your legs out from under you. You fall, hard, on your ass but have enough forethought to scramble backwards.

"Chani, listen to me —"

"I knew we should've killed you when we found you in the desert," she hisses.

She advances on you and each step she takes you shuttle back, pain ringing out in your spine. Your son is safe, you can sense it, but you don't know how long that will last with Chani gaining on you.

"Chani —"

"We trusted you," she wails, "we trusted you!"

You manage to your feet, one hand going to your stomach. A fierce wave of protection washes over you, and you insist, "You still can."

Chani springs for you.

You gasp with shock as she seizes you, eyes wide with anger. "When will you stop fucking lying?"

"I'm not lying," you breathe out. "I am not the Holy Mother. I am Lisan al-Gaib."

Whatever she expects you to say, it's not that. She pauses, and you take the chance to slam your elbow into her throat. A choked sound escapes from her, but she releases you, and you stagger past her to reclaim your spot at the top of the rock. You don't have much time. If you don't say what you need to, then you'll lose them forever.

"Brothers and sisters!" Gripped with desperation, you shout, "I tell you this because I am not the Holy Mother. I am the Kwisatz Haderach. I am Lisan al-Gain. And I will lead you to freedom."

"She's lying!" Chani roars.

"The prophecy states that the Lisan al-Gaib's mother will be a Bene Gesserit, that the Messiah will take the name Muad'dib, take you into battle for your freedom and for a new Arrakis. Have I not fulfilled that? Have I not promised you those very things?"

The protests subside slightly. It might be to decide how best to kill you, but you seize the opportunity. "I should not have lied. I was afraid. I thought if I told you the truth, you would be mistrustful because I was with child, that I was wed to your enemy. I know my mistake, and I know that I can't retract it, but I beg for you to forgive me."

"How do we know if we can trust you now?" Stilgar asks, expression hardened.

"You don't, and I can't fault you for it. But if you let me, I will prove my sincerity in the following days, by defeating the Emperor and securing our rightful place in the Known Universe."

"Never," Chani snaps from behind you.

You let some of your emotions leak into your voice, "Then what will you do? If you dispose of me, there will be no Atreides bombs. You will have no weapon against the Emperor and the Sardaukar, the Baron and his own army. Do not be so blinded by your anger that you make a mortal error. Only together can we be triumphant."

While Gurney and Feyd work together to fend off the crowd of protesters, Jessica finds you, nearly toppling you from the rock and wrenching your arm from your shoulder. "What are you doing?"

You wrest your arm from her grip. Quickly, you flick your gaze over the revolting Fremen, over all of those you had grown close to, then return your gaze to her. "Making myself a god."

The water lays impossibly still. You stand at its edge, taking in the enormity of the subterranean pool. All of the lives of the deceased Fremen reside within, a watery tomb, untouched. How deep did it go? You imagine your life's water funneled into it, how small and insignificant it would be, barely a ripple on the surface.

Tomorrow, you would fight.

The Fremen returned their water to the sietch to be used one day in their new world, an endless cycle of resourcefulness and unity. How many lives would end here? How many lives to reach the new world that Kynes described?

You sigh, and the sound echoes throughout the cavernous space. There's a strange, tranquil calm here, silent and still when everything else has been a mess of noise. Even now, focused on the depth of the sacred pool, your mind races with worry and indecision. You just want it to stop.

Perhaps tomorrow would offer you peace.

The peace of the battlefield, your body acting on instinct and years of practice. You could handle that — bloodshed, death, being a weapon. You could not handle this new position of power you put yourself in, though. An act against the Bene Gesserits, but at what cost? You alone were to blame now for the inevitable jihad. But you protected your son from this fate, you put a cease to the lying and the deceiving, and now you could wrest the control that you always wanted.

The sound of heavy bootsteps rings out in the death chamber, scattering the handful of Fremen who had been working. You hadn't missed their pointed stares or the wide berth they gave you, but you were grateful nonetheless for their departure, especially since it was prompted by your husband. His presence, even at your back, anchors you instantly.

"You've been here awhile."

"Have you been watching me?" You ask, turning to place him in your peripheral, a sketch of black and white.

There's no mistaking the twitch of amusement on his features. "You're a fool if you think I ever stop."

Since the day that you proclaimed yourself as Lisan al-Gaib, Feyd had taken it upon himself to be your security detail. It's not unlike before, but now with more menacing stares. A second shadow, one that you love more dearly than your own. You smile. "Should I be flattered?"

"If you'd like." The metallic sound of his blades sliding into their sheaths precedes him, then his hand gently sweeping the hair off your neck. Feyd's mouth is warm at the top of your spine, the tiny amount of skin showing.

Your eyes flutter shut. "I can't believe it's finally here."

"Finally being the operative word," Feyd rasps, "I've waited a lifetime for it."

You turn to face him, heart panging. He's so beautiful like this, in this dark light, the blade before its whet on stone. You know from experience that this could change frighteningly quick, but you still appreciate these fleeting moments with him, that they're yours alone.

"Only one more day," you tell him.

His gaze searches you. "We have better ways to spend it than staring into this pool and analyzing our decisions."

Your cheeks burn. Of course he knew what you were doing. Your attention drifts from him to the sacred pool again, the expanse of water beneath the teeth of the stalagmites. "It's difficult when our decisions impact so many."

"I know, jewel."

It's this level of understanding that compels you to him, how he knows better than anyone else the dilemma you have. And he doesn't offer empty words or sympathy. Just...himself. His strength and his solidarity. And you want him, all of him.

Unable to go another second without touching him, you pull him into you and tilt your head, his mouth claiming yours without hesitation. One hand slides behind your head, cradling you, and he deepens the kiss. There's nothing soft about Feyd, nothing done without fervor, and you moan as he bites down on your lip. Taking your open mouth as invitation, he slips his tongue inside, brushing it over your own.

Molten heat erupts in your core. You wend your arms around his neck, matching his intensity and scraping your nails over the back of his head. He shudders, the familiar nudge of his cock stirring against you in response. Wanton, you grind your hips into him, eliciting a growl from deep within his chest. Feyd guides your hand to palm his hardened length. "Let me distract you."

"This isn't an effort to fuck me one last time before we die, is it? Because you only had to ask."

You squeeze his head through his pants.

Feyd inhales sharply, but the intensity on his face never wavers. "You won't die unless it's by my hand. And I'm feeling charitable."

"Is that because I have your cock in my hand?"

"It certainly helps."

You smirk. Although you're both aiming to keep the tone light, his message is clear — he won't let you die tomorrow. It's a promise he's made before, and one that comforts you in your lowest moments. There's other ways to declare your love, but this one was uniquely Feyd's.

You never would've thought that the promise of your death could sound so sweet.

In vain, you make an effort to free him from his stillsuit, but they're infuriating efficient at keeping everything out. You can't help it, you whine. With a chuckle that brushes over your spine, Feyd steps back to relieve you of your frustration, working the mechanisms of his suit.

The first hint of his bare shoulders has you clenching your thighs together like a virgin, wet already. You should've been ashamed at the immediate reaction, but you really don't care. Feyd slowly rolls the stillsuit down his chest. Your stomach swoops. He's corded with muscle, powerful arms flexing as he moves the stillsuit low on his hips. Cunt clenching and pulsing with anticipation, you watch him remove it, noting every inch of your husband's divine physique.

"Have I told you that you're beautiful?" You ask him. There's an array of thin, delicate scars across his skin that you trace with the tips of your fingers — older ones, ones that you've put there, the still-pink wound from the thopter crash.

Feyd's lips hitch. "You've called me many things, but that's never been one of them."

"Well you are," you tell him, "you're beautiful."

"Quit saying things as if you'll never have the chance to again." His tone is brusque. The expression on his face can only be described as tormented, anguished, undoubtedly confronted by the same reality of tomorrow.

It's not your intention to provoke him, but it spills out of you. "We don't know what's going to happen to tomorrow. Anything —"

"I'll tell you what's going to happen." Feyd grabs a handful of hair at the back of your head, pain lancing through your scalp. "We're going to slaughter those that wronged us, and I'm going to fuck you amongst their still warm bodies. But tonight, I'm going to remind you that no harm will come to you unless I inflict it."

Something breaks open in you at this. Feyd yanks your head back and the momentum sends you staggering, falling to your knees. He advances toward you and you eye his cock, curved and throbbing, veins black with his blood.

Feyd fists his shaft, giving it a lazy stroke as he watches you. "You get on your knees and instantly think you get this cock?"

"I —" your face burns. Isn't that what he wanted?

"Filthy slut," he murmurs, still stroking himself.

Heavy lidded, dark eyes swimming with glee, he orders you to turn around. You obey, and the air is snatched from your lungs when he pushes you forward onto your hands and knees, sand biting into your palms.

The water of the sacred pool trembles.

You're utterly vulnerable as Feyd starts to work the clasps of your stillsuit, fingers grazing over your skin in the most delicious way. The suit falls from your shoulders and you lift up each arm as he tugs it off, mouth following its path with open mouth kisses. He snakes around you to cup your breast, flicking one stiff nipple with his thumb.

The action sends a bolt of pleasure straight to your core. You bow into him, and Feyd massages you, alternating between flicking your nipple and rolling it between his fingers.

It's truly torturous when he revokes his hand to continue pulling your stillsuit off, and you whimper at the cool air in his absence. Soon he's tugging it around your knees and finally discarding it, leaving you vulnerable to his gaze. Quivering, whether with cold or anticipation, you bite out a yelp as he traces the seam of your ass, then the tight ring of muscles.

Feyd palms your ass, kneading it, forcing you to spread your legs further. He blows a stream of breath over your sensitive center.

"Shit, Feyd," you mutter, teeth gritting. You hate when he teases you, offering you only a taste of what he plans to do.

In reply, he circles the ring of muscles, then dips his other hand to greet your clit.

"You are the most beautiful," he rasps to you, ministrations making you squirm. "Especially like this, so desperate."

The warmth of his mouth ghosts down your spine, the cleft of your ass, before settling there. He kisses your entrance while applying pressure to your clit, one, then two fingers slipping inside your slicked folds. If you could howl without somehow disturbing the dead, you would, but the sanctity of this place keeps your mouth shut.

A laugh rumbles from him because he knows, he knows that you'll let him fuck you here but you'll still uphold your respect in this way. All of the worry and concern for tomorrow is chased away by the punishing effort of his mouth and fingers, replacing it with a lightheadedness, the predecessor to your orgasm.

He curls his fingers, twisting and turning them with practiced precision. Meanwhile he slurps from behind you, vigorous, eager, his spit combining with your arousal wetting you from front to back. Feyd continues to finger you while he flattens his tongue and licks up, circling the ring of muscles before flickering over it. You can feel yourself spinning closer and closer to your climax, stomach tightening and cunt throbbing.

"Do you want to come, jewel?" He asks, biting at your ass.

You cry out in surprise and then, panting, answer, "Y-Yes."

Feyd withdraws from you. He sucks his fingers clean, the sound driving another bolt of pleasure through you, before shoving your face into the sand and tilting more of you to him, hips shifting. This time he brings his attention to your cunt, implementing the same ferocity, lapping and feasting with dizzying effect.

He seals his mouth around your folds and sucks.

It doesn't take long for you to completely come undone, whimpering, shuddering with each wave of your orgasm. Feyd focuses on you until you're thoroughly spent, then releases you with a satisfying squelch. Gasping for breath, you would've collapsed if he hadn't been holding you upright. There's no time to recover, though, as he slips his hand back into your hair and inches you to the edge of the sacred pool.

Stars are still bursting behind your eyes. You stammer, "Feyd, what —"

"I hurt you because I love you," he rasps into your skin, pressing a kiss between the blades of your shoulders.

And then he forces your head underwater.

The pool is shockingly warm. But it's not enough to ward the chill of shock that washes over you: first, that Feyd would desecrate such a sacred site, then the twist of horror when he doesn't immediately release you. Bubbles escape from your mouth. Your eyes are open, you think, but you can't tell, it's pitch black beneath the surface.

As you expend the last of your air in a silent scream, your lungs pinch with panic — he's going to kill you now, he's going to drown you.

He yanks you back up right when you think that you might never take in another gulp of air. You sputter and gasp, wet hair clinging to you, using whatever measures necessary to keep yourself above the water. But Feyd overpowers you, and he ducks your head under.

This time you have some notion of preservation and keep your eyes and your mouth shut, even when your lungs scream in protest. It's all for nothing, though, when you feel him notch his cock at your entrance.

Feyd wrenches you up again. Through your gasping he growls out, "You are mine. In life and in death, jewel."

He slams into you up to the hilt. You have just enough time to cry out before he's dunking you back under, withdrawing and then slamming into you once more. The pain and pleasure entangle themselves within you, make it difficult to decipher one from the other, entirely infused.

Your survival instinct is yelling at you to fight and you thrash, desperate to rake air back into your lungs. But there's no mistaking the utter thrill of him pounding into your cunt over and over again, quite literally holding your life in his hand while he does it. Only Feyd could straddle this delicate line of control — only Feyd would you let hold such power, one infinitesimal decision away from ending your life for good.

And so it goes, Feyd rutting into you while intermittently releasing you from the pool's watery embrace. Sometimes he keeps you above the water for longer periods of time. At least, it feels that way, there's really no way to tell. Tears leak from your eyes and you cry and beg. No matter how much it makes your cunt clench, you can't turn off the part of you pleading for reprieve. And sometimes he keeps you under the water for eons, the edges of your vision darkening, but he always pulls you back up.

You're suspended in this constant ebb and flow. You have no sense of being, of time, no sense of whether you're coming or not even though there's waves of pleasure beneath the panic.

Feyd's cock swells inside you. You're sore already from his fervent thrusts, thighs quaking, but you know he's close to chasing his own release.

You flop down onto the wet sand as he finishes. Chest heaving, you squeeze your walls around him as he spills his cum in you. He lingers until he's done, then crawls by your side by the edge of the pool, where you're still trying to catch your breath and find some inkling of clarity. Feyd curls up beside you, pulling you into his arms and whispering praises in your ear.

Shivering, you allow him to envelope you, warmed by his rasping voice and the gentle touch of his hands over your bare skin. He brushes a thumb over the slight swell of your belly. You don't know how long you stay intertwined like that, both of you coming down from the high of your passion as the pool returns to its former stillness.

Frankly, you didn't want to know the repercussions you would face for treating the sacred place so vile. No one would know but the two of you, of course, and the countless people who had returned their water there. You say a quick prayer of forgiveness to whoever is listening as Feyd kisses you. At least you would both go to whatever Fremen hell together, which was the least you could ask. Just like he said.

In life and in death.

Tags:

@moonsoulk @heartarianagran @torchbearerkyle @taleah @mamawiggers1980 @jovialeggsbailiffsoul @avidreader73 @unicorntrooper @beebeechaos @kamcrazy123 @wo-ming-bai @m-indkiller @sp4ceboo @dacreshoney @stopeatread @the-na-baroness @therealslimshady-1 @unnisumi @aoi-targaryen @psychoffin @lauratang @austinswhitewolf @bloodyziggy @aleemendoza2425-blog @forgedfromthestars

[haruka-vii]

Help request to Rayman and retrogaming fans

Unfortunately, as much as I’m making efforts in solving my long-term unemployment situation there are things out of my control and I reached a point I really, really, need help.

Besides my grandma’s recent passing, there’s been a collection of unlucky events happening to me and my family in a small time interval. Both our dish washing machine and my Nintendo Switch Lite need to be repaired. The console stopped turning on regardless what I do and it’s out of warranty already. The console’s fixing, alone, can be up to 103€ according to the Iberian Nintendo support page).

But the worst case was our car’s “death”. Days after my grandma’s funeral, the car burnt its electronic system to the point of replacing that system being more expensive than the current value of the car of the same model without problems, meaning we were forced to replace the whole vehicle to a different model. The car is essential for our quotidian lives even for simple things such as doing groceries and buying food and cat litter for our seven small felines that we own. The latter unpredictable expense is very costly and adds a bigger layer of problems on my family’s end about financial management given that my mother is also jobless and there’s the bed replacement (done in January 2024) funds I want to also return to her whenever I manage.

2025 is going to be a difficult year for me and I already recently had to shrink down my Crash Bandicoot collection to a single item for a start but it’s still not enough. Now I had to make a very difficult decision of selecting personal items from my private Rayman collection and make them available to anyone in the Rayman and retrogaming fan community to be able to purchase in case they show interest in any particular object.

Please note the following details:

Products that are shown alongside with other product or more in the same photograph square means that those items are only sold as a pack/batch and not separately. I can clarify which ones by DM if you aren’t sure through the photographs.

I ship to most countries in the world, and always with tracking code so we’re both able to know its whereabouts. I won’t accept other types of shipping due to safety reasons.

The shipping address and other sensitive information will be exclusively used to ship the parcel.

Prices will be always discussed by DM, as well shipping costs as these vary depending on the destination country and parcel weight.

PayPal only for payments. While I prefer EUR currency I can also accept GBP and USD.

I’m conscious of how a good portion of the list contains particularly rare and valuable collectibles.

Some items prices are negotiable, especially if someone is interested in acquiring at least 3 different items or more that combined make up a significant total.

All items work 100%, including the Playstation accessories.

The Rayman memory card will be formatted if it gets a new onwer.

MS-DOS era games require emulation techniques to work on modern computers and there are community projects like Rayman Control Panel that help with that.

All games are complete in the box and between very good condition to like new.

The Rayman memory card is in good overall state.

The statues are like new and will be packed carefully to avoid transportation damage.

I can consider including the matching Switch videogame to the pack if I get a fair offer.

I reserve the right to not accept a sale for reasons not mentioned here.

List of items available in the photos:

Rayman Gold [PC/MS-DOS] (Rare, Original Big Boxed United Kingdom Edition)

Rayman For Ever [PC/MS-DOS] (Rare, Original Big Boxed France Edition, it even includes a Ubisoft catalogue with unique Rayman drawings)

Quick CD-ROM Demo Nº2 - Rayman 3: Hoodlum Havoc [PC/Windows]

Rayman M [PC/Windows] (United Kingdom Edition, still factory sealed!)

Rayman Rush [Sony PlayStation] + DualShock Controller [Sony PlayStation]

Rayman 2: The Great Escape [PC/Windows] (Very rare, Original Big Boxed United States of America Edition; I only saw maybe not more than 2 copies like this for sale online in over 15 years)

Rayman 100 Niveaux Inédits [PC/Windows] (Rare, Original Big Boxed France Edition)

Rayman Designer [PC/Windows] (Rare, Original Big Boxed France Edition)

Rayman 1 [PC/Windows] (Rare, Original Big Boxed European Edition)

Rayman Gold [PC/Windows] (Rare, Original Big Boxed France Edition)

Rayman 3: Hoodlum Havoc [PC/Windows] (The manual is translated in Portuguese but the games are in multilanguage)

Rayman 2: The Great Escape Sony Playstation Memory Card (Guillemot brand, uncommon item)

Rayman Raving Rabbids [PC/Windows] (Original United Kingdom Edition)

Rayman Raving Rabbids Activity Centre [PC/Windows] (Original United Kingdom Edition)

Rayman 2: The Great Escape [Sony Playstation] (Original France and Germany Edition)

Full collection of 4 medium-sized PVC statues of Mario+Rabbids: Kingdom Battle characters

Other alternative ways to help me that don’t involve buying my Rayman items:

Ko-Fi donations (https://ko-fi.com/haruka_vii)

Currently opened with the goal I’ve referred earlier of collecting enough funds of the bed replacement expenses to return to my mother combined with the needed funds to be able to send my Nintendo Switch Lite for repair.

Art commissions

I can open a limited number of slots and draw single or groups of characters in a single digital or traditional drawing. Details can be discussed through DM!

Reblogging and sharing

If you know anyone who could be potentially interested in getting anything please share them, it’s also a help!

I don’t like to ask help but it’s been a rough timeline for me. Thank you for reading in advance, any help is greatly appreciated while I don’t manage to find a job. 🙏

[elaine19day]

Hey guys~ Sorry for my late post, I was super busy today and just came home and only now was able to take a closer look at the new merch and the post that OldXian made. So, first things first - I stand corrected, lol The leaked merch turned out to be real after all. For me personally, quite surprising because it's a LOT at once. (I mean, 58[!!] different cards/buttons/tickets/plates plus 4 special extras……. WOW!!) Also what I mentioned in my last post already - it's quite a bold move to release merch with those old motifs from early manga chapters and calling it "time mosaic" lmao.

Who knows what went on when these decisions were made at mosspaca headquarters, lol

It's safe to say the images definitely got leaked by either a hacker or a person working there. And a lot of people on xiaohongshu were able to produce replicas quickly and sell them to unsuspecting fans. Which brings me to my next point:

The quality of the merch and the quality of the drawings itself. I promised you to address this 'issue' should there ever be an official announcement about these new items and that happened today.

So. First of all - if you saw the posts on taobao or XHS yourself, where people sold fakes, or even if you saw only screenshots from it, you can tell the image quality definitely seemed off. This will most likely be attributed to two things - producing merch from a small, low quality image will make it look blurry and distorted, sometimes pixel-y. And the other reason could be upscaling. If you use shitty programs to make images bigger, it'll look blurry and unfocused. You can go back to my previous post and take a close look at the parts that I circled and highlighted to point out these issues.

Now. About the thing I initially didn't wanna address because I know some people won't like it. If you look closely at the images posted by OldXian herself today, even there some things still seem a little bit 'off' or 'rushed'. There has been speculation in the past that OX uses an AI model (probably fed/trained with her own works) to generate new images quickly and then she'd just draw over them to fix minor issues etc. Please keep in mind, this is just speculation and rumors. I am NOT saying that this is the case. But it might be a possibility. Personally, I can see quite a few artists using these methods to save time, especially when they're under high pressure. (And if they use their own models, trained with their own works only, there's nothing immoral about it, if you ask me. But that's just my personal opinion.)

So there. This might be an explanation for some of her illustrations or panels looking a bit funky sometimes. The other possibility is simply that she's rushing it when working on these things and heavy time pressure makes it a bit messy. Once again - NOT saying she definitely uses AI, just telling you about the rumors that sometimes surface on the net. That's all.

Anyway. About the merch itself. It drops in about 12h from the time I'm posting this blog. (8pm Hangzhou time)

The taobao link for the items is this for now: https://item.taobao.com/item.htm?ft=t&id=792490172782 

There are 4 different options and all of them are blind boxes, meaning you'll receive totally random motifs, unless you order a whole box, which will guarantee you 1 of each regular motif. However, all 4 lots have 1-3 limited pictures, which you might be lucky enough to receive, the chance is small though. (In case you order a complete box and there's 1 or more of the limited motifs inside, it'll lack a regular motif in its place. Example: if you order a full box of 8 buttons and one of them is a limited edition button, one of the regular 8 motifs will be missing in its place. There won't be 9 buttons in the box. It will always be 8 for a full box!)

Option 1: (18 Yuan | ca. 2,70 USD each) Button badges. There are 8 regular badges and 2 limited edition badges. If you order a total of 8 pieces you will not only receive the display box, but also an acrylic standee with Tianshan riding a scooter as a special extra.

Option 2: (10 Yuan | ca. 1,50 USD each) Laser Tickets. There are 17 regular tickets and 2 limited edition tickets. If you order a total of 17 pieces you will not only receive the display box, but also a Shishiki board with Mo from the metamorphosis series as a special extra.

Option 3: (18 Yuan | ca. 2,70 USD each) Tinplates. There are 10 regular plates and 1 limited edition plate. If you order a total of 10 pieces you will not only receive the display box, but also an acrylic standee with Zhanyi cooking/cleaning as a special extra.

Option 4: (15 Yuan | ca. 2,25 USD each) Acrylic Cards. There are 16 regular cards and 3 limited edition cards. If you order a total of 16 pieces you will not only receive the display box, but also an acrylic standee with all 4 boys as chibis as a special extra. [Note about the acrylic cards: The Mo Guanshan card will be the same that was already given as a limited extra during the last round of blind box button badges!]

If you live in the US or Asia, you will most likely be able to use taobao and order directly from the mosspaca shop via the app with the link I gave you above. If you live in a country that's not covered on taobao's shipping list, you can use an agent to order the new merch. Please refer to THIS POST here where I previously explained how to use superbuy and similar shopping agents for buying things from taobao. In case you use superbuy, please keep in mind: They don't offer paypal anymore, so you'll need a credit card or bank transfer or apple pay/google pay.

Also, think carefully if you really want ALL of the merch, even if you're a die-hard fan. You saw I have put the rough amount of US Dollar with each item, so if you buy all 4 boxes, you'll have to pay over 110 USD for the merch alone, plus domestic shipping from mosspaca to the warehouse and then international shipping, which can be as high as 40 USD, depending on where you live. (And perhaps even customs fees on top of it.)

If you have any questions, please drop them below and I'll try my best to answer them~

[tangledmovielove]

Why I Can’t Stand Tangled: The Series Rapunzel – She’s the Complete Opposite of the Character I Loved

I loved Rapunzel in Tangled—she was brave, kind, and selfless. But the Rapunzel in Tangled: The Series feels so unlike her movie counterpart that I can’t stand her character in this show.

In the movie, Rapunzel was a character who would do anything for Flynn. She was willing to sacrifice her freedom, her life, and everything she knew because of her love for him. Their relationship was about mutual trust, loyalty, and deep selflessness. But in Tangled: The Series, Rapunzel is almost unrecognizable. She comes across as self-centered, indecisive, and constantly dismisses Flynn’s feelings and opinions. Her behavior feels so out of character that it’s hard to see her as the same person.

One of the most frustrating things is the way she allows others—especially Cassandra—to insult and belittle Flynn. He’s constantly made the butt of jokes and treated poorly by those around him, and Rapunzel rarely, if ever, stands up for him. In fact, when he speaks up for himself, she often sides against him! Flynn has a mind of his own, but in the series, Rapunzel seems to dismiss his opinions and needs as if they don’t matter. The Rapunzel from the movie would never treat him this way.

The Marriage Rejection: A Major Betrayal One of the biggest disappointments is Rapunzel’s reaction to Flynn’s marriage proposal. In the movie, she loved him so much that she was willing to give up everything for him. She even offered to stay locked in the tower forever just to save his life. But in the series, she rejects his proposal, acting as if marriage is somehow a prison for her. This not only feels out of character, but it’s also insulting to Flynn, who’s putting his heart on the line only to have her brush him off. It sends a terrible message, suggesting that true love isn’t enough for her unless it’s always on her terms.

What makes this rejection feel even worse is that it’s not even based on any logical reason. They’ve known each other for months, and considering the historical time period, marriage would be the natural next step. And yet, Rapunzel hesitates, as if she’s constantly questioning her love for Flynn. For a character who was willing to give up everything for him in the movie, this lack of commitment is a complete betrayal of who Rapunzel was supposed to be.

The Constant Manipulation and Lack of Accountability Throughout the series, Rapunzel hides secrets from Flynn, manipulates situations, and uses time travel to “fix” Flynn’s personality when he dares to disagree with her. This kind of behavior is controlling and unfair, but she never seems to feel guilty or take responsibility. She even draws his face on a punching bag to please Cassandra, never apologizing or showing concern for how hurtful that could be to someone she supposedly loves.

By the end of the series, it feels like everything always has to go her way, while Flynn’s needs and feelings are constantly ignored or trampled over. Rapunzel’s treatment of him is selfish and dismissive, as if she only cares about him when it’s convenient for her. This kind of behavior feels toxic, and it’s not the love story I remember from the movie.

The Hypocrisy of Tangled: The Series Rapunzel The Rapunzel in the series is not the fairytale character she was meant to be. She’s the opposite of the girl from the movie who was ready to sacrifice everything for love and freedom. Her behavior is hypocritical: she rejects Flynn’s love and commitment, takes him for granted, and constantly lets others disrespect him. If anything, the series’ version of Rapunzel treats Flynn more like a sidekick who’s there to serve her than a partner she truly cares about.

The movie’s Rapunzel was kind, selfless, and full of love. But the series’ version seems like someone else entirely—self-centered, ungrateful, and unwilling to compromise.

For me, this isn’t Rapunzel at all. It’s a poor rewrite of the character, turning her into someone who acts selfishly and constantly overlooks the love of someone who’s been nothing but supportive and devoted. This series doesn’t deserve to be canon, and I’ll always remember the real Rapunzel as the one from the movie who knew the true meaning of love and selflessness.

rapunzel is an absolute piece of shit. anyone who likes her is questionable x.

[longelk]

ok um. indulgent of me. but drawing request could you draw the most euphoric moment of a potential kaycee's transformation into mothman or werewolf (or otter) (or leshy)

i know what you are

[birdcatt]

[maddieandangel]

Had a weird Hollow Knight-related dream a couple days ago, so I decided to draw a major scene I remembered from it dgsgshf

More context will be in the tags, for those interested!

[im-smart-i-swear]

unable to let go

something something both of these fuckers have spent so long depending on each other that they cant function w/o the other guy despite Tashi's continously worsening mental state and unhealthy clinginess and Soup's desire to explore the world and meet new people...

like the thing about soup is that she had never really been a person who does well stuck in one place for too long, but also tashi is her brother. theyve been through hell and back together and she feels immense guilt for even considering having a life outside of their little family, and also she has NOT worked through her gladiator trauma AT ALL and has been just holding everything in and trying to be a perfect caring figure despite all the anger and frustration she experiences on a daily basis...

(tashi is dealing with that too, but hes never been as good as her at hiding it, and also he has the tendency to make this stuff everyones problem - thus sidelining soups problems by accident. i think soup is kind of what tashi desperately WANTS to be, in a way. on the outside shes the 'stoic selfless caregiver' and i think tashi is jealous of that, so much so that he sometimes forgets that soup is just as much a person with her own problems and desires and flaws as everyone else)

soup is frustrated by how shes been having to take more and more responsibilities as time goes on (bc of tashis Whole Thing and buddys fear of assuming any kind of leadership position) and a part of her loathes this life and she wants to leave. i think her and zoras relationship plays a big role in her feeling on the matter bc shes NOT part of the family, shes someone new and diffrent and thats enticing... also over the years soup had built up this calm easygoing persona that zora can see through, zora is very aware of soups violent past and she is not sfraid of it, giving soup a safe space to express those more negative feelings freely for the first time in YEARS

Its very hand in unlovable hand coded but they very much love each other still and thats kinda the problem

Also putting some notes on their younger selves here bc this feels relevant to how these two ended up

[sysig]

Charming! (Patreon)

[bigfrogdraws]

based off those two cats you know the ones

[carbonateddelusion]

been reflecting on the kind of person I've become after these past 3 years since the anniversary of me leaving is coming up

I looked at your blog because I was trying to find images of Bennett's design... ended up going on a rabbit hole. idk if you've looked at my blog before but I haven't so much as peeped at yours in years, I stopped like a month after it happened because it was making me so much worse mentally

I dunno if you still feel that way about us, but I'm fine with you disliking me. I did a lot of fucked up shit and I'm sorry, you deserve to be mad. even though a general lack of understanding of boundaries bc of my upbringing and autism could excuse SOME behaviors, there's still a lot of shit that I can't excuse.

something I'm especially sorry about was treating your issues like they weren't as big as mine. I realize now how much you were suffering, and I was too blindsided by my own mental illness to see how terribly you were feeling and how unsupported you were. I remember feeling like I had to placate you because if I didn't things would fall apart again, and that isn't fair to you. I treated your feelings like an inconvenience and that you werent smart enough to get what was going on because I supposedly had so much more experience in suffering. that's not what good friends do to other friends.

anyway. I don't know if you'll ever read this or see it or whatever, but. I don't know how I feel about you. you represent the memories of a lot of pain from around that time in my mind. I don't HATE you, but I'd rather not think about you for too long. I'm very happy to see that you seem to be doing way better, though. you deserve that, and don't let shitty people like I was in the past hold you back

I think it might be interesting to catch up. if that's ever something you'd be fine with doing. I dunno of I'd be comfortable with it myself but whatever. I still think of you, and most of those thoughts are just "I hope they're doing okay".

please keep creating

[solalunar-eclipse]

To everyone in the comments begging for a fic about this: PLEASE go read Heart of Gold with Blood-Red Eyes!!! It’s by this artist and features Shadow in a similar dynamic with Fleetway Super Sonic, and it is fantastic.

[charlesoberonn]

Phineas and Ferb episode idea: After Candace shows her photos of all of her brothers’ creations, Linda thinks that her daughter is a talented graphic artist and signs her up for a competition. Candace is frustrated and about to tell her mom the truth but then Jeremy shows up and he’s like “Wow, Candace, I didn’t know you were a graphic designer. That’s so cool. Btw, my little sister is also gonna be at the graphic design competition.”

Long story short, Candace asks her brothers to help her become a graphic artist for real so she could beat Suzie.

Meanwhile, Doofenshmirtz has gotten tired of designing -Inators so he designed the Comes-Up-With-Inators-Inator to design them for him. The Inator’s creation are a hit among other Evil Scientists who buy them in droves. Doofenshmirtz is then signed by Vanessa to an Evil Contracption Designing competition (held in the same building at the same time as the graphic design competition, of course).

Desperate, he asks Perry the Platypus to help him get his mojo back so he could design -Inators again.

Cue musical montage of Doof and Candace training to learn/relearn their respective art form.

It’s the competition(s). Candace is a nervous wreck, but Jeremy believes in her. Doof is all self-assured and ego-boosted by everyone thinking he’ll win, but then he sees his Comes-Up-With-Inators-Inator (who looks like a robotic him) also signed up for the competition.

While getting ready for the competition, Perry is accidentally almost spotted by Phineas and Ferb. He sneaks behind the curtain to the behind the scenes. That’s when he discovers that the goal of the competition is to design a doomsday weapon. Nervous, he swaps the cards with those of the graphic design competition.

The competition begins. The graphic artists are assigned to design a doomsday weapon while the Evil Scientists are assigned to design a cool band poster.

The scientists are baffled, but they do their best. The Comes-Up-With-Inators-Inator is stuck because it’s physically incapable of drawing anything but Inators.

Meanwhile in the graphic design competition Candace does her best but her brain goes blank. Suzie meanwhile is trying to sabotage her by switching her card back with the card from the other tournament. Unfortunately it’s the card of the Comes-Up-With-Inators-Inator, who now goes to task designing a Doomsday weapon.

The competition is finished. Candace’s work is mediocre, but she wins by technicality for being the only one who drew the correct thing.

Meanwhile at the Evil Scientists competition, the scientists all drew terrible posters except Doof whose poster is beautiful. He’s about to be declared the winner but then the Comes-Up-With-Inators-Inator reveals what it’s been working on, a doomsday machine. Everyone panics, and Perry the Platypus tries to stop the machine, but fails. Then the machine ticks down to 0, and nothing happens.

Turns out the Comes-Up-With-Inators-Inator is terrible at coming up with machines. All of its Inators don’t work. Which unfortunately for Doof results in all of his previously happy customers showing up to complain because their Inators didn’t work either. He asks Perry to help him again, but Perry is already gone.

“There you are, Perry.” “Curse you, Perry the Platypus!”

Despite winning, Candace feels hollow because she only won by technicality and all of the other designers were much better than her. She feels like a fraud. But then Jeremy shows up and asks to buy the rights for her poster, because he thinks it’s really cool. Candace is happy.

The End.

[room-surprise]

New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of ​​what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of ​​Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of ​​it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

[roosterforme]

Yours Truly, Bradley Bradshaw Part 21 | Rooster x Reader

Summary: Bradley is learning firsthand just how lonely a deployment can be when he's gotten used to talking to you all the time. You are more than happy to record your daily adventures for him, including your steamy ones.

Warnings: Fluff, angst, masturbation, adult language, romantic Bradley, 18+

Length: 3700 words

Pairing: Bradley "Rooster" Bradshaw x Female teacher!Reader

Check out my masterlist for more! Yours Truly, Bradley Bradshaw masterlist

Your original plan to commute to work from your apartment in Mira Mesa went out the window after the box from Bradley arrived. Suddenly his place seemed cozier now that there were tidy rows of envelopes from him covering the table in the living room. You sipped a mug of coffee and looked at all of them, selecting the one that said Open me with your class.

"Whatever you say, Bradley," you murmured with a smile, tucking it into your tote bag for work. You missed your kids almost as much as you missed him, but at least you'd finally get to see them today. You just hoped there was something upbeat in the note, because you were going to have to inform them that he'd be gone until Career Day. Or maybe longer.

Opening the note that was meant for you and your class before digging into all the others just felt right. Really, he was a faithful pen pal to all nineteen of you, even if his current letters were pre-written. As you drove to work, you wondered how long it would take your students to ask about Bradley. Turns out, it didn't take too long at all.

You were standing behind your desk, getting hugs from some of the kids as they got reacquainted with each other and the classroom for the first time in almost two weeks when Jayden asked, "What did you get Lieutenant Bradshaw for Christmas?"

Images of lingerie danced in your head as you cleared your throat. "Stationery," you replied. "So he can write us letters while he's deployed."

"He's deployed?" asked Nia, face lighting up. "With Marty?"

"Can we do another drawing contest with him?" shouted Oliver, already getting colored pencils out of his desk.

"Will you ask if he's allowed to take a video while he's flying this time?" Violet asked calmly.

"Actually," you replied, walking slowly to the front of the room with a single envelope in your hands, "we can't do any of those things. He's not allowed to communicate with anyone who isn't on the aircraft carrier this time around. If he writes to us, he'll have to save the letters until he returns."

Everyone stared blankly at you. 

Jackie raised her hand. When you pointed to her, she said, "But we're not like random people. We're students of aviation. We're his pen pals."

"Yeah!" came a chorus of voices, and you were half tempted to write up a petition to the Navy for all of them to sign.

You had to clap your hands and wait for them to clap in response after they all quieted down again. "I have a note that he wants me to open with you. Should we do that now?"

After literally everyone agreed that was a good idea, you opened it and found a handwritten link to a YouTube video followed by a short note that you read out loud.

"Greetings, Fourth Graders,

By the time you read this, it will be January, and I'll be on an aircraft carrier in the Atlantic Ocean for a seven week deployment. I'm sure your lovely teacher has explained that sending and receiving letters is sadly not a possibility for me right now. I'm going to need you to keep track of all your questions about aviation until I get back for Career Day next month. I'll bring some of my friends along, and we can answer them for you then. Sound good?

Make sure you listen to your teacher, and I'll see you all in February.

Yours Truly,

Lieutenant Bradshaw"

You looked up from the notecard and added, "He also included a link to a YouTube video. Should we check it out now?"

It was actually amazing how quietly they all sat in anticipation while you set up your projector and typed out the link. When you turned out the lights, you had to grab onto the edge of your desk as Bradley's face and voice filled your classroom, even though he wasn't actually there. The twenty minute video began with him sitting on his living room couch in his worn out jeans and the Top Gun shirt you wore to bed last night, and you realized he must have filmed this on Christmas Eve when you were out with Natasha.

"Hi, everyone," said video Bradley as he waved to his phone camera. "I thought I would try my hand at a little lesson on aviation so your teacher could get a break. Make sure you take notes. There will be a quiz the next time I see you."

All of your students were watching him with rapt attention and pencils poised over their notebooks. Bradley kept them engaged and entertained while you fell even more in love.

-----------------------------

"What the fuck?" Bradley groaned as he sank down into an empty spot on one of the long benches in the mess hall. The spaghetti looked like mush, but his stomach was growling so aggressively, he decided to take a bite anyway. It tasted just as bad as it looked, and he grimaced as he started to shovel it into his mouth anyway.

What he wouldn't give for dinner at Salvatore's. Mouthwatering pasta. Expensive as hell wine. You in a short little dress with his hands all over your thighs. Maybe Bronco parking lot sex.

Instead he got another USS Gerald R. Ford meal which was barely edible, and a view of a very hairy Atlantic Fleet aviator with the call sign Curly. Fantastic. Even the garlic bread was so stale it was hard to chew, but if he didn't eat, he would start losing weight. And if he started losing weight, it would make working out harder, which would suck, because going to the gym was his main source of entertainment.

Other than writing letters he couldn't send.

"Are you gonna finish that?" Curly asked, pointing at the roll Bradley only bit the corner of.

"It's all yours, man," he replied, watching the other aviator pick it up and crunch on it with a smile. 

Bradley picked up his tray with the intention of heading to his bunk to change into gym clothes, but when he got there, he collapsed onto the twin sized bed instead. It was clear that he'd only been brought along for this deployment to fly one very specific mission, because as a whole, the Atlantic Fleet pilots were young and green. But as a result of the current political climate, he had internet access completely taken away from him, and he was stuck here for five more weeks with nothing to keep him sane. He didn't even have Marty this time around. Just the pretty stationery set you gave him and the holiday cards from your students.

So he would do what he always did now. He would write. To all nineteen of you. But mostly to you. He realized, like he always did, that this was probably the most boring shit that anyone would ever read. How many times could you really read about your boyfriend telling you that he loved you and missed you. It wasn't like he was writing elegant poetry here.

Gorgeous, I miss you so much. You'd cry if you saw the spaghetti I had to eat for dinner. First thing I'm doing when I get home (besides you) is driving us to Salvatore's, and I won't stop eating until I pass out. The Atlantic Fleet food makes the Pacific Fleet cabbage rolls seem like a delicacy, and the US fucking Navy can quote me on that. 

I love you. I wish you knew I was coming back to you instead of Norfolk. I wish I could ask you to use the credit card in my sock drawer to fully stock the refrigerator before I get home. The only things I want to do for three solid days after I arrive back in San Diego are eat, sleep, and fuck my girlfriend.

Definitely not poetry. "Was my writing this shitty last time around?" he murmured to himself with a laugh. It couldn't have been if you kept responding to him for the duration of that deployment. Just thinking about your letters, both professional and personal, made him ache right now. Your emails and your sassy selfies and the sunset photos were things he didn't even know he had been taking for granted.

One letter from you now would have made everything so much better. With a deep sigh, Bradley changed to head to the gym.

------------------------------

Time passed slowly. Packing up and moving boxes of your things from Mira Mesa to Coronado helped, but you were a little too nervous to unpack too much other than the necessities. You didn't even want to think about that right now. All you wanted to do was plan your next visit to the wine bar with Natasha so you felt a little less lonely. 

As you hung the framed blueprint of the Super Hornet Bradley gave you in the living room, you realized he would have to be lonelier than you were. At least you had Jayden's tales of Vanessa the dog to make you laugh during the work day. And you went out to dinner with some of your friends you hadn't seen recently. And you had a never ending text thread with Natasha now. 

There was a pretty good chance Bradley didn't know anyone on this deployment, and you wondered if he was spending a lot of time in the gym. What you wouldn't give for a gym selfie. You collapsed onto the couch and scrolled through the images of your boyfriend that you had saved to your phone.

"God," you moaned. He was so hot. Especially in front of a sunset. Especially with your lipgloss smudged on his cheek. Especially when he was looking at you in his arms instead of at the camera. "Fuck."

When someone knocked on the door, you nearly fell off the couch. Your eyes caught on the envelopes from Bradley that you hadn't yet opened lined up on the coffee table as you walked across the room. The last time you had an unexpected visitor, it was Natasha. The time before that, it was Vanessa. You didn't know who to expect, but you squared your shoulders and pulled the door open with an abundance of attitude only to find a slightly hunched over older woman standing there.

"Oh!" you said, immediately softening your stance. "What can I do for you?"

She looked from you to the Bronco in the driveway and then back again. "Is Bradley home?"

"No, he's not," you told her, unsure about how much information to give. "Is there something you need?"

She eyed you carefully. "Are you his girlfriend? The teacher he fell in love with?" This stranger knew who you were. When you gave her a concerned look and took a step away from her, she said, "I'm Edith. I live next door. Sometimes Bradley helps me with yard work and repairs around my property." She smiled and added, "He only lets me pay him in piano lessons."

"Edith!" You told her your name with a smile. You knew exactly who she was, because the first time Bradley wrote to you about getting piano lessons from his retired neighbor, you fell halfway in love with him on the spot. "Right, of course! Bradley is actually deployed for a few more weeks." She looked immediately dejected, so you asked, "Did you need help with something?"

"I don't want to bother you with it," she said immediately.

"Please," you replied, already reaching for your shoes. "I'm so bored without Bradley around. I would absolutely love a distraction, Edith."

She wrung her hands and then held them up. "Well, I can't change my light bulbs, because my arthritis is bad this time of year when it gets chilly out. And my back patio is so dark at night, I can't see anything."

"Say no more," you told her, joining her on the porch and closing the door behind you.

It only took you a few minutes to change the exterior light bulbs and rearrange her patio furniture. Then you cocked your head to the side and asked, "Is something beeping?"

Edith sighed. "My smoke detector needs new batteries."

"I'm on it."

She led you inside the sliding glass door, into her kitchen where the beeping was annoying enough that you didn't know how this woman could have slept in the house unless her hearing was starting to slip. Edith told you where you could find a step ladder and new batteries, and once you finished that chore, she started digging around in her purse, pulling out five dollars.

"Thank you for your help," she said, trying to hand it to you as you walked past the piano with the step ladder.

"I am absolutely not accepting your money, Edith. This was the most entertaining part of my day. As long as your arthritis allows it, you can pay Bradley in extra piano lessons when he returns." 

The idea of Norfolk suddenly made you feel anxious, but Edith smiled. "Oh, he's an advanced student. He mostly just plays from memory. I only point out when he's flat instead of sharp."

You weren't sure how long it had been since Bradley checked in with her, but as long as he was allowed to come back to San Diego, you'd make sure he did it more often. "I'll send him over as soon as he gets back."

Edith smiled knowingly. "Something tells me he's not going to want to leave your side right when he gets back. But maybe after a day or two, you could send him over?"

"I'll do that," you told her with a chuckle.

After you walked back across the yard and let yourself inside, you kicked off your shoes and decided to treat yourself with one of Bradley's notes. You'd been trying to ration them, but they were all so tempting. The ones you had already opened were stacked up on the kitchen counter where you could easily find them to read them again and again. You took a few seconds to decide which one felt right, and you settled on Open me when you need a laugh.

Inside the envelope, you found no note at all. There was just one photo, and when you pulled it out, you burst into laughter. Natasha was right; twenty-two year old Bradley was endearingly skinny and mustache-less. He still wore that same grin today, but he really grew into his frame. You marveled over how fresh his scars looked in the picture, deciding to hang it up in the bedroom for now. 

And when you woke up on Sunday, the photo was the first thing you saw.

You reached for your phone thinking you could text Bradley before tossing it aside in frustration. You were frustrated in every way. Mentally and emotionally, but also physically. You missed sleeping next to him most nights. You missed his warmth and the way he kissed you. His strong body and attentive hands.

When you tried to burrow down under the covers in just his sweatshirt to go back to sleep, your skin felt like it was charged. Like there was an undercurrent of need that nothing would soothe except for Bradley.

Open me when you're in bed

That's what one of the envelopes said. You bit your lip before burying your face in Bradley's pillow and moaning. The need was still there, more palpable by the second. You had about an hour before Natasha was supposed to pick you up for brunch and the wine bar; it was the perfect time to read that note.

You ran down the hallway to the coffee table, grabbed the envelope, and took it straight back to bed. Your curiosity had been gnawing away at your mind over what could be in the note meant for the quiet solitude of the bedroom, and now was your chance to find out as you slipped back under the covers.

Gorgeous,

You better be in our bed right now. Maybe you just got home from work. Maybe you're still waking up for the day. Maybe you're ready to fall asleep soon, but you just need something to take the edge off. It doesn't matter, as long as you're thinking about me and my hands all over your body. I hope you're ready to read about how I would take care of you right now.... in an abundance of detail.

You moaned as you looked around the room, wide-eyed like someone was going to catch on to what he had written to you. Desire flared inside you as you squeezed your thighs together and took a few deep breaths before continuing to read.

You're beautiful inside and out. It's no surprise that you really get me going. One thought about the soft swell of your ass or the way you taste when you cum is enough to get me seriously hard. Jerking off while thinking about you is fantastic, but nothing compares to the real thing. Next time I see you, we're taking our time to get reacquainted, but right now, if I could have you, it would be fast and dirty.

"Oh god," you groaned, closing your eyes as you pushed his sweatshirt up, letting cool air meet your warm skin. Then your hand slid down to the apex of your thighs, and you weren't at all surprised to find you were wet.

You look sinful in that bed. I just know it. I wouldn't be able to keep my hands off you. My lips would find your breasts before sampling my way down your belly to that soaking wet pussy. When I say every inch of your body is Gorgeous, I mean it. You've got such a tight, pretty little pussy, and I would love to tease you until you're so worked up, you're practically crying. Just my mouth and fingers until you're begging for my cock, Gorgeous. Go ahead. Beg for it.

"Bradley," you moaned softly, a complete mess for your boyfriend even when he wasn't with you.

Good girl. Now touch yourself just how I'd touch you. Rub yourself just right. Use two of those fingers to warm yourself up and then dip them down inside that perfect pussy. So fucking tight, you drive me insane when I can't be with you. I'd be right above you, singing your praises, telling you how much I love you, and pumping my fingers in and out of that pussy while you whine and beg.

This note was absolutely lethal. You were already close. Sweat beaded on your brow as you stroked your fingers along your clit before pumping them inside you. His name was never far from your lips as you kept reading.

You taste so fucking sweet. I'd run my tongue everywhere until you couldn't stand it. I would eat your pussy until you cum in my mouth. I'd keep going until I couldn't handle how badly I needed you. Then I'd fuck you so hard and fast, you'd have tears in your eyes, voice ragged as my body slapped against yours. Tits bouncing as I bottomed out, holding you in place as I came inside you. And then I would let you know that I'm yours.

I'm all yours, Gorgeous. You absolutely own me.

You were panting, grinding the heel of your hand against your clit as you came. Bradley's note fell from your fingers as your back arched off the bed, and you grabbed the sheet as you cried out. You could hear something familiar mingling with your own voice, but it took you a second to realize your phone was ringing as you writhed around in bed, heart pounding fast from your orgasm. You rolled onto your belly and grabbed your phone as you sucked air into your lungs.

Natasha Trace

Shit. Shit. You tried to get your breathing under control as you answered her call, but you even sounded strange to your own ears as you said, "Hello?"

There was a pause before Natasha asked, "I'm leaving now, and I might stop for a fancy coffee on my way to get you. Do you want something?"

"Sure!" you replied, trying your best to sound casual, but pretty sure you were failing.

"I'll be there soon."

You dropped your phone and reached for the journal instead to let Bradley know just how hard you came for him before you got dressed for the day. 

-----------------------------

"Bradshaw!"

It felt like an almost foreign concept for Bradley to hear his name now. Essentially nobody spoke to him outside of his mandatory meetings, and he'd spent so little time in a cockpit over the last few weeks, he spun around in surprise when someone called him.

Of course it was Admiral Walker. Bradley wasn't sure if he was being punished for what Cyclone had done, but he was hardly given any flight tasks to work on. But now that his deployment was starting to wind down, he realized the danger he was going to be flying into for his mission was much more than he originally anticipated.

"Admiral Walker, Sir?" he replied, saluting his superior officer. He wasn't looking to ruffle any more feathers here as long as it meant he'd be going home to you before too long. He felt sick with longing, missing you so much, especially at night, that he hurt until he was finally able to fall asleep. And then he'd wake up to the same choking feeling all over again the following day.

The older man examined him closely for a few beats before saying, "The weather looks ideal for tomorrow. You're team leader. Be ready to go at first light."

"Yes, Sir," he replied, because there was really nothing else to say. The sooner he got this over with, the sooner he could return home to his house in Coronado where you lived now. Where you were waiting for him. He just needed to get through this safely.

--------------------------------

I hate how isolated he feels. He's not thriving. He's not even eating well. He needs a hug. Gorgeous is enjoying the box of letters even is she is missing him terribly. I think I'll send him home soon. Thanks @beyondthesefourwalls

PART 22

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[subskz]

…i lost the tag limit war

the reader changing the subject the instant she feels seen by minho is such a subtle but valuable hint that i think says a lot abt the type of person she is, that moment really stood out to me! i know i literally just said this but right down to every minute detail, you've characterized both lino and the reader so masterfully it has to be the most enjoyable aspect of this story for me...and on top of that i just love how you write their conversations so much, they’re both such lil nerds…my intellectually stimulating smarties debating w each other even now 🥰 it all feels so comfortable and natural and draws me into their relationship w such ease!

their discussion abt colors is hands down one of my favorite scenes in all of invisible thread!! it's such an oddly heartwarming conversation and that perfect, out-of-the-box way of thinking that’s just so undeniably minho...it almost reminds me of synesthesia how he describes feelings through color! "the very essence of our humanity" "the orange that paints the sky when the sun is about to dip into the ocean" the way you embodied each colors through emotions/experiences was so wonderfully done, i understood each one instantly like it was a picture being visualized before my eyes. it makes it even more touching that minho and the reader come to understand each other on a whole new level through that way of communicating their moods <3 and for some reason when he gives the example "i feel like that moss green that no one seems to pay attention to" that really tugged at my heartstrings ㅠ it almost feels like he isnt just giving a hypothetical there, like he's giving a small glimpse into his true feelings without saying it outright. maybe he feels invisible deep down, too

them falling asleep together on facetime was so soft and tender ㅠㅠ leave it to lino to ramble abt sous-vide as a bedtime story and complain abt getting SCAMMED lmao the way that is actually smth he would say 😭 "he closes his eyes, thinking that maybe he just found the silence you talked about earlier on" this line got me so good ): it seems at first that he's bringing the reader peace but she's bringing him peace in her own way as well...her feelings abt his eyes changing from fear to longing is such a lovely detail and HER COMPLIMENTING THEM!!! HIS STUNNED REACTION </3 "this is the first genuine compliment he's ever received" oh my god does my moss green theory actually have any merit.....does he really feel invisible to the world too...do not do this to me sahar ㅠㅠ but the way he thinks such lovely, adoring things abt the reader in that moment but instead of voicing them he whines abt being hungry....so endearing and so HIM i cant get enough of how youve written minho here ur singlehandedly reminding me why he is allegedly the love of my life

the kintsugi mention made my heart leap in my chest!!! "when you look at that vase, you know it was once broken, but it doesn't take away from its beauty" please...that sentence in itself is so moving when you apply it to the context of what the reader has been through her whole life, not just a single crack but repeated breakages. and for it to come from someone like minho; it feels like exactly what the reader needs to hear to truly begin to heal herself...he doesn't coddle her but is still so gentle, putting things into perspective like nobody else can w his unique worldview and mental strength ㅠㅠ and i think i just lost my mind realizing that this scene loops right back to the clay comparison you drew at the beginning of the story oh my GOD....the reader is like a clay pot molded by her mother, broken in places and repaired over and over to create smth still damaged but just as valuable...and lino is the gold filling in the cracks....sahar you are INSANE for this one im kissing ur brain and tucking it gently into bed

the scene w minho in the rain 😞 i was not prepared to see my meow meow upset...but i love the way you wrote it so much. how oddly quiet he is, even to the point where he's not commenting in class or teasing her, and that's the key detail that lets the reader know smth's off w him...i also love that nothing in particular caused his low mood. it's such a human quality, and he allows himself to be human and feel his feelings until they pass. "he knew his emotions would regulate themselves" i cant explain why this line stood out to me so much i really love it, i think it's just such a shining example of minho's mindset...not necessarily optimistic, but practical enough to not be completely swamped by the darkness either. it creates such an interesting contrast to the reader's personality to see how they both handle their emotions, w her pushing hers away and him letting them run their course. but the fact that he typically tries to retreat into himself until he feels better, yet strangely enough, he doesn't mind it as much as he'd expect when the reader catches him in a vulnerable state...my babies ㅠ i also really loved the part where he uses her shower and thinks abt the scent of her soap as he washes up, it's so so sweet n intimate i'm such a sucker for things like that ): there are so many small things minho notices abt her like it's the most natural thing in the world, they're both so attentive of one another

"you were both just trying to make it through the day" and "he knew he wasn't invisible. at least not to you" were critical hits to my heart...it feels like a breakthrough in their relationship—the first time the reader truly truly sees minho, all sides of him, and she accepts them all without question <3

the gradual progression of their friendship is so gratifying to read bc of how organically you made it all flow together!! i adore the entire sequence that shows us how they start to care for each other more and more…the casual intimacy of the reader applying her lip tint to his lips (and him not studying for his quiz on purpose 😭💗 come ON) lino worrying abt her eating enough, the reader tying his bangs out of his eyes, complimenting him so matter-of-factly, and him BLUSHING ALL OVER THE PLACE it’s so over for me x2 they are so tender in their actions even when they tease each other nonstop. it all leads up so perfectly to the point in the story where minho finds himself being drawn to her apartment without even realizing it when he doesn't feel well. the subtle shift from him initially trying to shut her out bc he's so used to managing his bad days on his own, to him eventually leaning in to her kindness and seeking her company instead...and the way she just understands what he needs immediately, allows him to sit in silence and simply exist in peace next to her. describing his mood as "too much of every color" really struck a chord w me as well...i'm just so so in love w the running theme of colors you included throughout this story, it's such a brilliant way to put emotions into words <3

the lil parallels here n there from the beginning of their relationship until now are so cute as well; how lino makes breakfast for her the first time and leaves before she wakes up, but this time, he promises to stay and eat with her...to not be invisible ㅠㅠ i think what's making me craziest of all is how they're both so hyperaware of each other's touch. like when their shoulders brushed while sharing the reader's umbrella, how the reader suddenly finds it difficult to concentrate on her book when lino holds her wrist as she shields him from the sunlight...and little does she know it's the exact same for him too, like when she rested her head on his thigh and all he could focus on was the sensation of her hair tickling him 😭 they are so enamored w each other and have become so tangled up in each other little by little...they don't even fully realize it yet but they've made a permanent place in each other's lives now

"you were already on the other side, you realize. his eyes pulled you in and you were stuck in there, swimming in a pool of honey" oh my GOD!!! ㅠㅠㅠㅠ her feelings abt minho's eyes changing from fear, to longing, to at last the comfort of getting to see the other side of those black holes...this line hit me like a truck it might be my favorite from the entire fic ㅠ i have a feeling i'll be saying that abt many more lines to come when you verbalize things in the most poetic ways imaginable heheh but this one truly got me so good, the delicacy in which you describe minho makes the reader's growing affection for him all the more heart-fluttering~

minho hesitating to wipe her tears )): the way he's so careful abt touching her in any unwarranted way bc he can sense that she shies away from skinship is so devastatingly sweet...and then him pinching her right after to make her stop crying NEVERMIND I CANT STAND HIM ACTUALLY. but the way he consoles her is so endearing and so so minho...very simple and sincere, he knows her well enough to immediately figure out the best way to take her mind off of the issue instead of dwelling on it. "you didn't care what shape he was in, you just needed him to be in it" i've already pointed out so many lines oh my god i'm so sorry but each one is like another arrow through my heart ㅠㅠ i feel like this sentence is such a perfect testament to the reader and lino's relationship; they've both seen each other at their best and worst and it doesn't change anything abt their feelings, they care for each other unconditionally 😞 also the reader being afraid of physical touch bc she craves it is SO heartbreaking but so raw...i think it aligns so well w her past bc she's so used to either being invisible, or only being perceived negatively when she is perceived. it makes perfect sense how terrifying she'd find it to bare herself to minho when her whole life she's been deprived of genuine affection...you've really done such a phenomenal job of characterizing both her and lino i cant say it enough!

now...the entire final scene...where do i even begin...i had a feeling the climax of the story was going to hurt but not like this ㅠㅠ the reader's inner turmoil as she debates reaching out to her mother again, that conflicting mix of hating her yet somehow still missing her...it's such an inexplicable and confusing feeling for ppl who have experienced that kind of neglect but so so real and you captured it so candidly. it really added a whole new layer to the reader's humanity, for her to be unable to completely let go of their relationship no matter how painful it is to hold on to...for her to cling to the hope that maybe she could be worth smth to her mother if she did everything right ): i genuinely had the exact same reaction as her when you revealed that her mother had deleted her phone number...it felt precisely like a bucket of ice cold water to the head. the reader trying to pinpoint the exact moment in time where her mother stopped loving her was what really crushed me most...what a heart-wrenching sentence ㅠㅠ the fact that she's tried to hard to find solace in other places and people and tried to grow into her own person after entering university, but even so, those marks left from her childhood are still there...a vase full of cracks 💔 as much as it hurts to read, i love that you included this bump in the road of her healing journey and made a point to highlight that healing isn't linear

and minho 😭😭😭😭😭 the way he handled the reader's outburst is so touching...the way he's immediately able to recognize that her feelings are misplaced and smth much deeper is going on beyond what he sees on the surface...using that astuteness to put his own feelings to the side in the moment is so minho. this entire scene is just blossoming with powerful lines i can't forget, but i was especially affected by the reader saying "i'd need you and i can't afford to need someone else." it's such a tragic summarization of her in my opinion...how she went her whole life being unable to rely on anyone but herself, so the moment she's faced w minho, all her instincts say to reject it no matter how badly she craves that intimacy ㅠㅠ and lino saying "i'll be by your side for as long as you'll have me" is such a beautiful declaration of love...it's so selfless and unconditional, and it fits so seamlessly w how their relationship progressed throughout the story, how they were by each other's sides at their best and worst moments.

"the world doesn't stop because we need it to" "we'll make it stop" and then describing their kiss as like "seeing color for the first time"...i'm going to melt into an inconsolable puddle over all these callbacks to their first date together don't think i didn't catch the ways you weaved those in throughout this final scene..you made it feel so complete, like things have come full circle. i already mentioned how much i loved their conversation abt describing colors to the blind, so for their first kiss to be written that way, like the reader was blind to the true color of the world until she met minho....i am going to be ill that is so intensely romantic sahar ㅠㅠㅠㅠ

"he was the invisible thread stitching your wounds back together." another heartaching line ): what a way to personify the quiet love minho provides...it may be invisible to everyone else, but not to her

i'm so sorry for my horrifically long comment haha but i'm just thrilled i was finally able to read this beautiful fic 😞 just as i'd predicted, you're a phenomenal writer!! the amount of love and effort you poured into it went above and beyond, i hope you're so proud of yourself for creating such a stunning work!! it's very clear to me how every interaction you wrote between minho and the reader was so carefully thought out and so meaningful to the overarching theme of the story, it's all done with care and purpose and there's smth special to be found in each line of dialogue! it's like you carefully stacked more and more on to the foundation of their bond until before we know it, there's an entire home there that they built steadily together. that kind of subtle progression is my absolute favorite thing. i'm also so blown away by how the reader's mother, though never actually making an appearance until the final scene, has such an heavy impact over the narrative. it's like she's a ghost haunting the reader's every action, every decision, every inner thought...i find it so impressive how you were able to incorporate that effect into the story without us even needing to meet the mother! and i must've mentioned countless lines that stuck w me throughout the fic, but just know that there are countless more i could've pointed out as well...you truly write so so beautifully. so poetic and emotive, but also not so flowery that it becomes hard to follow, i'm truly floored by your ability to achieve that perfect balance! on top of the story being so immersive in itself, your writing style made invisible thread such a genuine delight to read <3

this feels like the kind of story i'll be thinking abt for a long time after finishing it, the kind to revisit over n over bc i'm sure there are so many lil easter eggs you included that i may have missed! i'm positive i'll come back to it many times in the future hehe...but i can't wait to read more of your writing as well! ^_^

Invisible thread- one

pairing : minho x reader

genre : university au, academic rivals to lovers (rivals not enemies because they respect each other), slow burn, fluff, angst.

warnings : reader has a very bad relationship with her mother, insecurities, talk about murder but as a joke, mention of alcohol, reader has she/her pronouns.

summary : Your studies were your lifeline for as long as you can remember. What happens when Minho comes into your life and rips it away from you?

word count : 20k

Author's note : I've been working on this fic on and off for the past two months, so if you do enjoy reading, please let me know. asks, comments, reblogs i read them all and they truly make me the happiest <3 (also i based this off my own college experience, where we study two terms and there is one person on top of the class every semester)

part two

You have always been first in your class.

Not because you particularly enjoyed studying. You simply felt that your worth was solely tied to the marks on your papers.

You never wanted to crumble under the pressure of studies, to hole yourself up in your room for an assignment you won’t remember in a month. But achieving good grades was the only way for you to feel seen; to make someone stop in their tracks and acknowledge you. 

A simple “good job” that you preserved inside your mind, as a reminder that you did exist to other people. Considering that the majority of your life was spent in silence. 

Your mom put a roof above your head and food on your table, but she never asked about your day, nor did she seem to care. You felt as though you were no more important to her than the tapestry hanging on your wall.

At times, you imagined that if you stood close enough to that tapestry, you could merge with it as one. The intricate embroidery would wrap around you and draw you in. And your mother wouldn’t notice. She would regard you with the same indifference she showed towards that textile- a mere decoration, at times a nuisance when she had to dust it.

You always ate your dinner alone. When you scraped your knee, you tended to the wound by yourself. No one attended your childhood musicals, and you patted your back when you cracked an egg without dropping a shell into the bowl. 

You’ve come to learn since your young age that all your milestones, both small and significant, would be celebrated alone. 

On the rare times your mother would acknowledge your presence, she’d unleash a flurry of criticism your way as if she was eagerly awaiting the opportunity to strike you down. She'd toss crude comments over her shoulder as easily as a casual hello, leaving you feeling battered and bruised in her wake. 

You felt as if you were shoreline rocks, and your mother was the ocean. You never knew if she would be like a gentle tide, barely brushing against you, or an enraged storm, mercilessly crashing down on your being. And you weren't sure which one was worse: to be invisible or to be seen and despised.  

That’s why you grew up plagued with self-doubt. You made friends throughout your school years but you never allowed them to get close enough to really see you -you feared that they might glimpse the very thing your mother seemed to despise in you. 

Throughout your childhood, you were like soft clay in your mother's hands- pliable, and easy to mold. And she indented you, everywhere, carved in edges and dips where they should not have been ones. Handled you roughly when you should have been treated with care. And as the years went by, you hardened- much like clay, but her touch remained imprinted upon you. It was difficult at times to discern who you were and who she made you to be.

You tried to start anew when you went away to university; to rewire your brain into believing that you were enough- you exist and you shouldn't prove to anyone that you deserved to be alive. But her words haunted you, they were like skeletons in your closet- but the closet was you. You could never part from them.

So, you fell back into the same pattern of seeking good grades and congratulatory words from your professors. Every A+ you got infused you with a momentary sense of worthiness.

But unlike in high school, you weren't always the best. Your competition came in the form of a single man named Minho, who seemed to excel in every class you shared.

Minho was mostly quiet, but whenever he spoke, you found that his words carried weight. Your professors consistently agreed with his points, and you envied the confidence he exuded. You wondered what it must feel like to be so sure of oneself.

It wasn't until a month into the year that you had your first interaction with Minho. You were in your Constitutional Law class when your professor Kim brought up the notion of ‘Separation of Powers’. You were arguing that judges shouldn’t be included in the writings of law when you heard a scoff from the row behind you. You turned around, raising a brow at the culprit, "Is there something you’d like to say?" you asked.

And in response, Minho smiled lazily, an air of smugness surrounding him, "I just don’t agree." The professor urged him to explain himself, so he leaned back into his chair, eyeing you. "Judges are the ones who practice the law every day, and sometimes they find that none of the written texts fit their case. If they get involved in lawmaking, they can help address those gaps or uncertainties." 

"Who's to say that those judges aren’t biased or politically motivated? They’ll end up writing laws to fit their own preferences," you pointed out, raising an eyebrow at him. "We elect judges to interpret and apply laws, not make them. If they start writing laws too, we'll be violating the separation of powers between the legislative and judicial branches. That's what keeps our entire system from crumbling."

Minho rested his chin on his hand, tapping his cheek thoughtfully with his index finger. "Aren’t legislators prone to biases too? Your point doesn’t stand then," he challenged, tilting his head to the side, "and judges can participate without going overboard. They can provide input on proposed laws without actually drafting them. That way, we ensure that the laws are crafted with a clear understanding of how they'll be put into practice." 

"If your main concern is to ensure that the laws are impartial, we have people who work as consulting experts whose job is exactly that," you flashed him an innocent smile, firing back. "Also, wouldn’t these overstepping branches put the judges in a position to be perceived in a bad light? Is that what you want?"

Before Minho could respond, Mr. Kim intervened, putting an end to your debate, "Let's save this energy for your essays and see who can convince me more."

You gave a quick nod, swiveling in your seat without a backward glance. However, you could sense Minho’s gaze penetrating through your back- as if he was trying to read your most intimate thoughts. 

That was the first thing you noticed about Minho when he walked over to you. His eyes were brown, not a special color by any means. But they held a certain depth to them that seemed to draw you in like a black hole. You weren't sure what you would find on the other side, nor did you have any desire to find out.

He outstretched his hands towards you, stopping you in your tracks. "Minho," he introduced and your hand met his in a firm grip. The second thing you noticed about him was the coldness of his hand, as it wrapped tightly around your palm. 

Suddenly you were taken back to when you built a snowman for the first and last time. You were just seven and the ice was freezing, numbing your fingers as you worked. Your mother never told you that you should’ve worn mittens, or a thick jacket to fight off the cold when she saw you walking out of the house. The memory of your cold hands and the horrible illness that followed still left a bitter taste in your mouth, like an unripe fruit. With a jolt you dropped his hand, forcefully pulling yourself away from that memory. 

"Yn," you said back, and he smiled to himself, repeating your name slowly, each syllable dripping from his tongue.  

"We'll see who'll write the best essay, right?" he asked, clearly challenging you. There was a gleam of excitement in his eyes that reminded you of a child gazing up at cotton candy. 

That was the third thing you noticed about Minho; how expressive his eyes were. They moved with his every word, punctuating them. 

He was infuriating but also amusing. You've never had a clear competitor in your life. Or maybe you had, but you didn't notice them. You were always so reclined on yourself, trying to survive the day, you didn't pay enough attention to your surroundings.

"You want to compete with me?" You asked, and he smirked, leaning against the door, arms crossed in front of his chest. "What? Scared you’d lose?"

"Please." You rolled your eyes at his taunting, "Don’t come crying when I win."

"We’ll see about that!" He shouted after you as you walked ahead, leaving him behind.

This essay was insignificant. A simple way for your professor to assess your knowledge and work approach. And yet, you found yourself staying up all night to complete it. There was no way you were going to let Minho take this one thing from you.

Who were you if not the best in your studies? You were deathly afraid to find out. 

Later on that week, the professor handed you your grade back, 98%. You turned around to show Minho your mark, and so did he. You surpassed him, only by mere percents. "I told you so," you smiled cheekily and he pouted, holding a hand to his heart as if your grade wounded him.

"I'll beat you next time", he mouthed and you chuckled, "Whatever helps you sleep at night."

✹✹✹

The first time you studied with Minho was in a cat café near campus, called Limbo, about two weeks after your initial interaction. You stumbled upon it serendipitously while strolling through your university town. You couldn’t study at home, since you were easily distracted in there, and the eerie silence of libraries often left you unsettled.

Limbo, however, offered the perfect middle-ground: it was calm, not overly crowded, and the buzzing of the coffee machine blended harmoniously with the occasional mewls of cats, which helped you concentrate better. 

You were sitting in a secluded corner table at the café's back, a sleeping black cat comfortably nestled in your lap when you sensed a shadow loom over you. You glanced up quickly to find Minho. He was clad in a grey hoodie sporting a bunny holding up its middle finger. You had to bite your cheek to suppress a grin at his clothing attire.

"What are you doing here?" He asked. 

"You know for someone smart you sure ask stupid questions," you remarked, already looking down at the papers scattered in front of you.

He huffed, taking a seat at the table right next to yours, "I can’t believe that of all places you’ve found this café to study in."

"My apologies, am I disturbing you, your highness?" You asked sarcastically, and in retort, Minho mimicked your words in a high-pitched tone. You threw the pillow right next to you at his head, and Minho swiftly ducked, easily avoiding it. He chuckled loudly while you glared at his laughing figure. That was the end of your conversation that day. 

From that moment forward, it became a routine for the two of you to study at Limbo, every Saturday, without fault. You didn’t explicitly plan on it, but it seemed that both of you found it comforting to work there. And you could also tell that, unlike you, it wasn’t Minho’s first time coming to Limbo. He was friends with the owner, a sweet middle-aged man who offered you pastries whenever you stayed there until closing. The cats seemed to know him too, they mewled at his feet whenever he entered and he always greeted them with a soft smile on his face. 

You didn’t talk much in those unofficial study sessions, the both of you were consumed by your own work. But you’d steal quick glances at him every now and then, the sight of him so concentrated only fueled you to work harder.

Admittedly, your competition left you feeling anxious for days on end at first. Each time Minho came out on top, you’d found yourself losing your grip. Your studies have been the one anchor keeping you afloat your entire life, and now, Minho was ripping it carelessly away from you. So, you resented him- you were human after all.

But then, you realized that Minho’s taunting wasn’t malicious. He wasn’t competing with you to hurt you, he was doing it for amusement only.

You've slowly started to learn that despite his relentless teasing, Minho had a gentle aura surrounding him. Glimpses of which occasionally emerged like rays of sunshine piercing through a thick cloud cover.

True, he chuckled when you accidentally bumped your head on the table while retrieving a fallen pen. Yet, you also noticed how he began to cover the table's corners with his hand whenever you bent down. He swiftly retracted his hand, seemingly believing you didn't notice, but you did.

During class presentations, he deliberately prepared challenging questions for you, urging you to study twice as hard to ensure no stone was left unturned. Yet, whenever the professor praised your performance, Minho offered a subtle thumbs-up as a gesture of support. He winked at you each time he got the right answer and you didn’t. However, when he noticed you struggling with a particular subject, he scooted closer and patiently explained it to you. He got up before you could thank him, swatting his arm in the air as if he didn’t do anything of significance. 

To show your appreciation, you bought him a drink that day he helped you—a simple gesture that sparked an ongoing game of "win a bet, get free food". You bet on who would receive the first mark on an assignment or who would finish an essay first- anything to further deepen the competition between you.

That's how you came to know that he loved puddings, among other things.

Curiously, as the months went by, your mind began to retain these little details about him. How his eyelashes fluttered like butterfly wings when he blinked repeatedly during your conversations. How he glanced at the ceiling when lost in deep thought as if he was waiting for the answers to descend from the sky. Or how his lips take on the shape of an "o" while thinking of his response during one of your many debates. But you supposed that it was natural to take notice of such things when you spend countless Saturday afternoons with the same person.

You were still studying for someone else, in the sense that each time you stayed up working, it was solely to prove your worth to Minho. But at least unlike your mother, Minho's words never haunted you at night.

✹✹✹

Just like that, four months have gone by since you joined your university as a law major. It was nearing finals week and you were preparing it at Limbo. Minho was naturally present too, at his usual table right next to yours.

On the last weekend before the beginning of your finals, you were head-deep into your Criminal Law documents when Minho abruptly got up from his seat and settled in the chair in front of you.

"Yn," he whispers and you glance at him, "What?" 

"I have an idea."

"Keep it to yourself," you grin sarcastically, only for him to pick up your spoon and move it around in a threatening manner.

"Are you trying to scare me with a spoon?" you chuckle in disbelief.

 "Anything can be a weapon if you use enough force."

"Okay… that was creepy. What do you want?"

"The end of the first term is coming up. So, to celebrate our little rivalry-"

"It's not a rivalry if I’m always winning," you cut him off.

"Yeah, that’s why I have a fridge full of pudding."

"But-"

"Anyways, how about the top of the class takes the other out for dinner? A fancy one." He suggests, his gaze fixed on you.

"No, thank you. I already see you enough in classes."

"Didn’t think you wouldn’t up for a bet. Guess I was wrong," he remarks, a cheeky smile drawn on his lips. He knows you couldn’t possibly say no now.  

"Fine," you roll your eyes at his proud expression. "Prepare your wallet." 

"Mm, sure," he responds, before rising from his seat once more.

That day, you both lost track of time as you studied in Limbo until it closed down. When you finally stepped outside, stretching your tired limbs, you were met with the sight of falling snowflakes.

"Nooo, go away. I don't want to watch the first snow with you," Minho whines, referring to the superstition that watching the first snowfall with someone could spark love between the two of you. 

"As if I could ever love you," you laugh at the ridiculous idea, "that’d just be signing a death warrant."

You resume walking towards your apartment when suddenly something freezing and hard hits your back with enough force to make you stagger. Turning around slowly, you find Minho erupting in laughter, his body filled with uncontainable joy. He’s jumping and clapping excitedly, and for a fleeting moment, you can’t decide if your shock was from the impact or from how beautiful happiness looks on him. 

Snapping out of your daze, you swiftly retaliate by scooping up a handful of snow and hurling it at him. "Now you are cold too!" you shout, while he’s still laughing uncontrollably. 

Thus begins an impromptu snowball fight between the two of you. Unsurprisingly, you’re being competitive in this too, trying your best to strike each other before the other could recover. But Minho draws nearer to you, and in your desperation to win, you fall to the ground when he throws a snowball at your chest, gasping as if you’re in pain.

"Shit, did I hurt you?" Minho quickly kneels in front of you, concern evident in his voice. It surprises you for a moment- how worried he seems at the prospect of causing you pain.

But you shake that thought off and push him down to the ground, a proud smile on your face. In his fall, Minho instinctively reaches for you to steady himself, which ends up with you landing on top of him. Your faces are mere inches apart, and a soft gasp escapes your mouth at your sudden proximity.

Minho has a mole on his nose. You’ve never noticed that before. 

You quickly push yourself off of him, not enjoying being this close to somebody. "Why did you drag me down with you?" you grumble, shaking off the snow from your hair.

"Play stupid games, win stupid prizes," he cheekily stuck out his tongue, and you respond with the same childlike gesture before the both of you burst into loud laughter. The sound reverberates through your entire being, and it echoes in your mind long after the two of you go your separate ways.  

As you lay in bed that night, ready to drift off to sleep, a quiet realization dawns on you. This was the first time you've touched snow in since your childhood incident.

That unpleasant memory didn't cross your mind once. Instead, all you thought about was Minho’s infectious laughter, and the surprising warmth it stirred within you.

✹✹✹

You came first in your grade this semester.

True to his words, Minho texted you the name of the restaurant where you’d both meet to celebrate your win. As you got ready for your outing, you couldn’t help the nerves creeping up on you. Studying in silence next to Minho was something, going to a friendly dinner with him was another. You feared it would be too awkward and Minho would regret ever proposing such a thing.

So, as you sit in the refined BBQ restaurant waiting for him, you fidget with your hands, counting down to three in your head in an attempt to steady your breathing.

You were clearly not accustomed to existing with Minho outside of the confines of your studies.

"Did you wait long?" Minho asks as he finally pulls the chair in front of you and you shake your head no.

"Are you nervous?" he chuckles at your lack of words, and you frown, suddenly feeling defensive. "Why would I be nervous? This isn't a date."

"Who said anything about a date?" he smirks and you grab your fork threateningly, pointing it at him, "Don't say anything stupid or I will walk out."

"And stand me up on our first date? That's too mean.” He pouts, a hand on his heart and you can’t help but giggle at his antics. You were ridiculous for being nervous. This was Minho, the one person you’ve talked to the most since the start of this year. 

"What will you have?" he asks and you smile mischievously.

 "Most expensive thing on the menu."

"So you are only here for the food." 

"Well, it's certainly not for your company," you wink and he chuckles, his bunny teeth on full display. 

"And here I thought we were going to be civil with each other."

"When are we ever not?" you gasp dramatically and Minho swats your hand with the menu. "Just order whatever," you finally answer," I trust your food judgment."

"I could poison you, you know?" He smiles proudly and you roll your eyes at him, "Can’t you be normal, for once?"

Minho calls over the waiter and places your orders. The food is quick to arrive and Minho starts to grill up the meat, while you cut the Kimchi into smaller pieces. 

"Here," he puts the perfectly cooked rib onto your plate first and you smile at him, "Thank you."

"Eat up, don’t wait for me," he tells you and you nod, tasting the flavorful meat.

"Wow this is really good," you compliment and he smirks proudly at your words, "I know."

Minho places four other ribs for you, without eating one himself. You start to feel bad, so you grab his chopsticks, pick up the meat, and move it toward his mouth, "Open up."

"What?" He asks confused and you wave the food in front of his face, "Come on, you haven’t eaten anything."

Minho parts his lips slowly, and you feed the tender meat to him, before eating one yourself. You notice how his cheeks are slightly tinted pink now, and you account it to the intense heat of the grill.

"Oh, let's not talk about studies, my brain can't take another debate with you," you tell Minho in between bites and he grins at you, a gleam of excitement in his eyes. "If you were to dispose of a body, how would you do it?"

"I think our next celebration will be in an asylum." you smile too sweetly at him and he stares at you pointedly, "Please, I know you've already thought about it."

"Fine. Probably in a deserted land. What about you?"

"I'd cut their bodies and then bury each part in a different forest. In a different city."

His answer came too quickly, and you pause in your tracks, "Should I be worried?"

"You are too cute to kill." His tone is sarcastic and you make a show of gushing at his compliment, clasping both of your hands in front of your heart, "Growing soft on me, Minho?" 

"Yeah, I’m basically sooo in love with you," he replies with a smirk and you roll your eyes at him, an amused smile tugging at the corners of your mouth.

"What's your favorite color?" you finally ask, changing the subject.

"Purple."

"I'll keep that in mind."

"You'll buy me purple flowers?" He coos at you and you shake your head as you grab the utensil from his hand, to grill the meat your turn. 

"No. I'll paint your tombstone purple," you grin and he laughs loudly, eyes squinted close, and you can't find it in you to care that the people next to you are staring. 

"What's yours?" he asks when he calms down and you shrug, "Navy blue, I think."

"You do remind me of navy blue."

"And why is that?"

"When you look at it, at first glance, it looks like black. But the more you stare at it, the more layers you uncover. Just like you. There’s more to you than what meets the eye."

You grab your glass of water, gulping it down to hide the way your eyes just glossed over. You suddenly felt bare in front of Minho. How did he know?

You clear your throat, racking your brain for a way to move on from that question. "If you were to describe colors to a blind person, how would you do it?"

"Mm," he looks up at the ceiling as he mulls over your question, "I’d say that yellow is the feeling of eating ice cream on a sunny day, in an amusement park. Your fingers are sticky but your cheeks ache from how much you smiled that day."

"Yellow is carefree and happy."

"Exact. Now your turn, red."

"I’d say that... Red is the thrill that rushes through your veins when you do something you are passionate about, you know? It’s what makes our blood boil and our heart race. The very essence of our humanity."

Minho smiles softly at your words, seemingly agreeing with your description. "Don’t you think it would be easier if we simply asked, what color are you feeling today, instead of a 'How are you'?" He questions and you tilt your head to the side, "What do you mean?"

"Well, you could say, I feel like that moss green that no one seems to pay attention to. Or, I feel bright yellow as if the world's energy is stored inside me."

"And right now, how do you feel?"

"I feel orange, not the ugly orange." He precises and you chuckle, "the orange that paints the sky when the sun is about to dip into the ocean."

"A bittersweet orange, an ending that instantly strings along a new beginning. And you don't have time to rest."

Minho places his chin on his palm, eyeing you curiously, "Is that what you want? To rest?"

"Yeah." You admit quietly, "Don't you sometimes wish that the world would just stop, for a few seconds? Just like in a song, right before the beat drops. That silence, I wish I could live inside of it."

"I do too."

You both hold each other’s gaze for a while after that. You felt as if he was keeping you captive with his brown eyes, and he was slowly peeling each of your layers, in silence, as you were peeling his. For the first time, you think that you and he are similar, more than on a studies level. There was a part of his soul that understood yours perfectly. And it felt good, to be understood, for once.

"If you lived in this silence, what would you be doing?" he asks, breaking the serene quiet that surrounded you.

"I’d open a café that had books. And there'd be a little space, where people could paint. Or do pottery. And I’d have cats in there too." You reply excitedly, hands moving around in the air, you end up missing the way Minho gazes fondly at you before his smile morphs into a smirk.

"Please tell me you won't be cooking."

"Shut up. What about you?"

"I’d be a dancer."

"You dance?!" you whisper-shout and he frowns at the surprised look on your face. 

"Yeah. Why are you looking at me like this?"

"I just never expected it. Can I-"

"No." he cuts you off immediately and you pout. 

"I didn't even finish."

"I knew what you were going to say."

"Please, I won't make a sound I’d just watch. Pinky promise.” He grabs your now outstretched pinky with the tip of his index and thumb, lowering it down. 

"I’d only grant you this wish when you’re on your deathbed."

"Bold of you to assume you'd still be around."

"Death might be around the corner."

"Stop it."

"Close your door tonight."

"You are deranged."

Minho chuckles at the crestfallen look on your face, "I’ll think about it."

Just like that, three hours of talking have gone by, the conversation flowing easily between the two of you. And when you finally leave the restaurant, Minho grabs you a cab and you wave him off with a smile. You couldn't lie to yourself, you had a really good time with him. You liked to think that Minho was no longer just a rival, but a possible friend.

But now that you were laying in your bed, you couldn’t help but curse Minho in your brain. His repetitive talk about murder made you paranoid, and now every creak in your apartment made you feel as if death was really right around the corner. 

You decide to text him, figuring that if you couldn’t sleep because of him, you could at least disturb him for a bit. 

Yn : I hate you I'm paranoid from your murder talk

Minho : Poor baby

Yn : Is that you at my door?

Suddenly your phone rings, the shrill sound echoing around your apartment. It was a Facetime call from Minho. You panic for a few seconds, before remembering that you just spent your entire night with him. A call can’t be more daunting than a real-life meeting. 

"See, I’m in my home," he tells you as soon as you pick up and you laugh.

"It's pitch black, I can't see."

"Just say you miss my face." You can’t see him but you can clearly hear the proud grin in his voice. 

"What's there to miss?"

"Are you actually scared?" Minho asks gently and you clear your throat, feeling ridiculous all of the sudden. 

"There is a tree right outside my window and it keeps rustling from the wind," you grumble and Minho laughs at you. 

"Trees can't hurt you."

"No shit Sherlock."

"Close your eyes.” He instructs and you frown at his words. 

"Why?"

"I’ll tell you a story."

"Fine.” You close your eyes tentatively. It’s quiet for a few seconds and you feel yourself relax slightly. 

"So, I bought a sous-vide machine and-"

"Is your bedtime story going to be about meat?"

"Yes?” He replies as if it’s an evidence, “Now be quiet." You pretend to zip your mouth and Minho faintly giggles, before resuming his story. "So, I was saying. I bought one and I wanted to experience different kinds of meats. So, I bought a 30-day aged one and a 58-day aged one and I cooked them both."

"What did you use?" you ask quietly. 

"Just garlic, and thyme, I didn't want to overpower the taste of meat. Anyways I cooked them, but I didn't have plastic bags so I had to go out and buy them."

"Mm," you hum in acknowledgment. You could feel your nerves slowly dissipate with Minho's every word. His story might be ridiculous but his honey-coated voice compensated for it, wrapping around you like a protective cocoon. 

"And I found pudding there so I had to buy it."

"Obviously," you whisper. Sleep was knocking on your door, but paradoxically you tried to fight it off. You wanted to hear the rest of Minho’s story. 

"And I went back home and I cooked it, then I plated it nicely with vegetables that I sauteed with butter and garlic. Just mushrooms and potatoes, nothing too fancy. Again, my main focus was the meat. But there wasn't a difference between the two. They tasted the same for me, for some reason. And I didn't like this because the aged one was very expensive. Maybe I was scammed. Honestly, that butcher looked kind of suspicio..."

Your quiet snores make Minho pause in his tracks, and he laughs quietly. You did end up falling asleep. He can't see your face clearly, but he can see its outline and he stares at you for a while. You look peaceful.

He goes to hang up but his finger hovers over the 'end call' button. You aren't talking, but your hums are quiet enough that they fill up the space around him. It calms him down, and he lets his head fall on the pillow, his phone lying beside him.

He closes his eyes, thinking that maybe he just found the silence you talked about earlier on. 

You just made his world stop.

✹✹✹

The second semester had just started and with it the return of frat parties. You were excited at the prospect of going to one with your new friend Mina. You met her in the library when you both went to grab the same book. You quickly apologized but she waved you off, handing you the book with a huge smile on her face. She was bubbly, like a human serotonin boost, and she started gushing about how much she loved the author. You saw her again in the campus cafeteria, and she skipped towards you as if you've both known each other your entire life. That was the start of your friendship.

You walk into the frat house, both your arms encircling each other. The flashing lights of the party blind you for a moment, and it takes you a while to adjust to the loud music bouncing off of the walls. But you like it, it was like a shield from the outside world and its problems. 

You feel yourself letting loose in the crowd, swaying your hips to the music. Mina spins you around and you laugh, dancing with no care in the world. It was just the both of you in that instant. 

Mina spots Jeongin in the crowd, a friend of hers that she had an immense crush on. You couldn’t blame her- he was very attractive; his easy smirk and his blonde tousled hair earned him lots of appreciative looks from the people around him. But when his eyes locked with Mina’s, you found that his face morphed into a beautiful smile, that made his dimples look on full display, as if it was only reserved for her.

“Go get your man!” You shout in her ears, so she’d be able to hear you. 

“What are you talking about?” She yells back, but you could see the nervous smile on her face.

“He likes you! Go talk to him!”

“I don’t want to leave you alone. We came together!” She clasps your hand in hers and you smile touched by her kind spirit.

“I’ll be fine. I’ll go to the kitchen to get some drinks. Go have fun!”

“You are sure?” She asks, her eyes darting between you and Jeongin, who was still looking at her, and her only. 

“Yes! Go!” You say, gently pushing her away. Mina jogs up to Jeongin who greets her with a side hug. He quickly glances at you and you shoot him a thumbs-up, to which he grins. You loved playing Cupid.

With that, you decide to head to the kitchen to grab a drink. You pick a beer from the fridge, double-checking if the can is closed before opening it. 

You lean on the countertop, sipping on your drink while you watch the crowd, humming along each time a song you knew played. You enjoyed watching people dance freely from afar, with no apparent care in the world.

You feel someone stand next to you and you brace yourself, getting ready to tell the person off if they decide to bother you. You didn’t have the energy for mindless flirting. But then, you smell the cologne that has lingered around you for the past term- Minho. You haven't seen him since your dinner. That was a month ago.

"Fancy seeing you here," he greets as he leans on the counter right next to you, his eyes fixated on the mingling bodies.

You turn around to face him, faking an outraged gasp, "Are you following me?"

"Mmm. You look nice", he compliments and you smile cheekily, "I know."

"Won't tell me I look nice too?" he smirks, leaning closer to your face. "Someone didn’t get enough compliments tonight?" You pout, placing a hand on your heart in mock concern.

"I did, but I want to hear it from you. You’re the only sensible person in this room."

"You look nice. Now leave me alone."

"Come on, I know you can do better than that", he jokes and you roll your eyes, muttering “You’re annoying”, under your breath.

Still, you comply, placing your arms on top of the counter and leaning your head on them to get a better look at him. He does the same, smiling, and you both stare at each other for a while after that.

The strobing lights dance on Minho’s face, casting enticing shadows on him. You've always known he was a beautiful man; you've looked into his eyes far too many times in your heated conversations. But this time was different, there was no cheeky smirk on his face nor a furrow in his eyebrows. He was simply looking at you, and it made a pool of warmth huddle in your belly. You feel yourself relax under his gaze, everything around you seemingly melts away.

You weren’t wrong when you thought that his eyes were like a black hole, pulling you in. But this time, you realize that you didn’t mind knowing what was on the other side. On the contrary, you longed for it. 

"I like your eyes right now. They remind me of the night sky. Black, with tiny little stars littered in them," you finally say.

Minho is taken aback by your words, he wasn't expecting you to compliment him, let alone to tell him something so special. He can feel his cheeks burn red at your words, feel his heart hammering in his chest. He's afraid you can hear it too.

He doesn't know what to say, so instead he clears his throat, plastering a smirk on his face, "I heard better." He hasn't. This is the first genuine compliment he's ever gotten.

"Oh, fuck off," you laugh and he joins you. The music was loud and yet the only sound his ear seemed to pick up was your laugh.

"Are you here alone?" He asks, and you shake your head no, "Came with my friend Mina."

"Did she leave you by yourself?" He frowns and you feel yourself warm up at his worried tone. "I told her to go talk to Jeongin."

"Next time, don’t stay alone."

“Fine, Dad.” You chastise and he stares pointedly at you, "I’m serious, yn."

You take another swing of the beer before turning your body fully towards Minho. After a few beats of silence, you finally ask a question that has been on your mind for a while. "Why do you say my name this way?"

"What way?" He questions and you shrug, "Slowly. People used to always rush it but you don’t."

"Well, it’s a pretty name. It deserves to be pronounced as a whole."

You beam at his words; you smile so brightly it makes his heart skip a beat. This is the first time you’ve grinned this widely at him, no hand in front of your mouth as if to hide it. He did notice how you were a reserved person outside of class, as if you were afraid of taking up too much place. But he could tell you were slowly unraveling, growing bolder with each passing month. He wanted to tell you that if people like you spoke more, the world would be a far better place. 

But he couldn't bring himself to say all of this, so he forced those bubbling words down his throat. "I’m hungry," he whines instead and you laugh at his pout. "I'm kind of craving a greasy pizza."

"Should we go buy it? You can tell Mina to come so we can walk her back."

"I’ll ask her."

You shoot Mina a text, asking her where she was and telling her about your plan. She replies that she’s with Jeongin who just offered to take her home, so you could leave without her.

"We can go." You tell him and he nods. Minho shrugs his leather jacket off, gently placing it on your shoulders. His warmth engulfs you and you sink further into it. His arm hovers around your shoulder not touching you as he leads you out of the party. He has never touched your body, you note, it's like he was everywhere and nowhere at once.

You both walk to an open parlor near the frat house, and you order a Margarita pizza to share. You sit down on a nearby bench to eat it- the night breeze too liberating to pass up on.

As you both finish eating, a cat with white and orange stripes all over her body approaches the both of you cautiously, and you pat her head softly. "Aren't you the cutest thing ever?" you coo and Minho chuckles as he scratches the cat’s chin. She purrs at his touch appreciatively, and you smile at the soft look on his face. 

"Never knew you to be this gentle", you giggle and Minho shushes you, "Let's not do this in front of the cat."

"Why are you acting as if we are a divorced couple and she’s our child."

"Easy, yn. You make it sound as if you want me to marry you."

"Now you're just projecting," you chastise and he laughs, eliciting giggles from you. He had a melodic laugh, you noticed, and you always felt a surge of pride whenever you made him close his eyes and tip his head from laughter. You felt as if it's a sight only you can see.

"I have three cats", he says softly and you gasp, "Really? We spent all of our Sundays in a cat café and this is when you tell me?"

"I only tell my friends."

"So we're friends now?" You gush and he rolls his eyes at you, "I take it back."

"What’s their names?" You ask curiously and his eyes soften at your question- you could easily tell he loved them dearly.

"Soongie, Doongie, and Dori. They are rescues."

"That’s very sweet of you Minho."

"Most of my scars come from them though," he chuckles but you sober up at his words, quietly scratching the cat's ears.

"What’s on your mind?" He asks and you glance at him. It was scary how well he’s starting to know you. But it was also nice; to be known is to exist, after all.

"I just... Sometimes I wish that memories would leave physical scars on you. Because at least then, you could treat them, put a band-aid on, and watch them fade away day by day. Because when the scars are emotional, you can’t treat them, you know? And someday someone brings up a name or a place, or you smell a certain scent, and suddenly they reopen as if no time has gone by at all.”

Minho stays silent for a while, mulling over your words. You don't mind, you weren't expecting him to comfort you. You just needed to free those words from the mental prison you've held them in for so long.

"Do you know Kintsugi?" he finally asks and you shake your head no.

"It's a Japanese art. They put back together broken vases with molten gold. It represents strength despite our flaws."

"That sounds nice," you sigh wistfully and he nods. 

"It is. When you look at that vase, you know that it was once broken, but it doesn't take away from its beauty, on the contrary, it adds to it. Scars, whether they are emotional or physical are there for a reason. They remind us of how we pushed through whatever life threw at us."

"Am I supposed to be grateful I survived this?" You chuckle lowly, as your hand scratches the cat’s ear. Your fingers brush against Minho’s and you hesitate for a few seconds before moving them away.

"I wouldn't say grateful for what you went through," he speaks once again, "but grateful to yourself. At the end of the day, the reason why you're still here is you. You put yourself back together," he then bumps his elbow into your side softly, "and hey, even if your scars reopen there will come a time when they wouldn’t anymore. Sometimes, it takes a while to be okay again."

This was Minho’s way of telling you that someday it wouldn’t hurt anymore. That someday you’d be okay. And you needed to hear that. You needed to hear someone else other than yourself tell you that.

"Thank you, Minho, I needed that", you smile at him and he grins back at you before his smile turns to a smirk. "I charge 15 dollars for the hour by the way."

"Oh, come on! You didn't even say something revolutionary." You are lying. Minho's words will echo in your mind long after this night- a beacon of light to hold onto.

"Oh, so now it’s no longer ‘I needed that’. Tsk," he jokes a smirk still plastered on his face.

"Okay, Mr. Therapist. I’ll pay for your coffee tomorrow, sounds good?"

"I should have you as my client more often," he winks and you laugh, head tipped back. You were grateful more than ever for his teasing, loving how it wasn’t awkward between you after your discussion.

"You are a good listener." You tell him as you stand up, dusting your pants.

"I’m good at everything," he grins cheekily at you and you roll your eyes playfully, "And here I thought we were having a moment."

You both start walking side by side toward your home when Minho speaks again. His tone is quiet as if he wasn’t sure he wanted you to hear him. "About earlier, your compliment, I mean. I suppose I didn't thank you. So, thank you," he scratches the tip of his ears and you shrug nonchalantly. "It's the truth. You might get on my ass but that doesn't change the fact you are a pretty man."

He doesn’t respond and you tug at the sleeve of his shirt playfully, "You won't tell me I’m pretty too?"

"But then I’d be lying."

"Asshole."

"Pretty," he replies without missing a beat.

You laugh loudly, hand tightly clutching your stomach and he joins you. There is a newfound lightness in your steps now. Unbeknownst to him, Minho just managed to lift a small weight off your shoulders, allowing you a brief moment of respite.

"This is me," you say when you arrive in front of your apartment block, "Thank you for walking me home."

"Of course. Don't dream of me."

"Idiot," you laugh waving him off and he does the same. "Oh, and text me when you get home safely!" you shout before heading inside.

For the second time this night, Minho is blushing profusely at your words. He sighs to himself, waiting patiently until a light turns on in your place to leave.

✹✹✹

It’s been two months since the start of the new term. You still went to Limbo, every Saturday with Minho- even when you didn’t need to study. 

Sometimes you’d just grab a book and you’d both read, a cat lazily lounging at your feet. You started sitting at the same table too; you figured it was easier since one of you always pays for the other. When you have a bet, but also randomly, when you notice that the other person is feeling down and you want to cheer them up without saying anything.

That's why you bought three bubble teas for Minho in a row. He was quieter these days, you noticed. He didn’t talk to you nor did he retort back in class. It was the first time you’ve seen him this way. As if he was a simple shell of the person he usually is. 

You were walking out of your Communications Strategies class, which Minho weirdly didn’t come to when you realized that it was pouring rain. You smile lightly to yourself, grateful since you thought about picking up an umbrella this morning. 

As you walk through campus, everyone around you running to take shelter, you spot someone sitting on a bench, completely drenched from the rain. Their head is hung low and you frown to yourself. They would surely get a cold if they stay there.

But then the person raises their head and you quickly realize it's Minho. You jog up to him instinctively, standing in front of him and shielding him from the rain with your umbrella.

He looks up at you and you feel your heart clench. His eyes are void of emotion and he stares blankly at you. "Are you okay?" you ask and he blinks at your words, as if his brain hadn't yet registered that you were there.

"Yeah."

"You don't look like it", you tilt your head to the side and he looks down again. You have to strain to hear his next words, muffled by the rain and his mumbling, "I don't want to talk, yn."

You decide to put away your umbrella and sit down next to him on the bench. The rain falls rapidly on both of you, and you feel yourself grow cold from it. 

"What are you doing?" He questions, turning to the side to look at you.

"Enjoying the rain. It is kind of stupid that we have umbrellas, right?"

"You'll catch a cold."

"I mean we always complain about the drought and then when it rains, we hide from it. But it's really beautiful."          

"Stop, I don't want you to get sick."

"Well, neither do I. Let's go eat some soup. My treat."

"Yn, I don’t-"

"I thought you were smart enough to know I won't take no for an answer."

"But I-" you cut him off again. "Also, I’m doing this for me because when you order for two, they give you a lot of side dishes. Now come on."

You stand up and he looks doubtfully at you, before following suit. You open up the umbrella again and hold it over both of your heads. He has to huddle close to you, and your shoulders brush against each other. Once, twice. Not that you're keeping count. But your body is always hyper-aware of Minho’s proximity. You also notice how he silently moves from your right to your left, this way he's the one walking right next to the speeding cars. Your hold on the umbrella tightens. You were still not used to those small attentions of his. 

You arrive in front of your apartment block and he hesitates. "Come up, I won't murder you I promise." You joke and he smiles lightly back at your words. Progress.

He enters your dorm and you can see him eying his surroundings. You know that if it was another time, he would have teased you about something- anything. But he stays quiet, and you find yourself missing the sound of his voice.

"Would you like to shower?" You offer and he nods, "Please."

You lead him to your bathroom and show him where the washing machine is. "Put your clothes in there for a quick wash and dry. You can shower meanwhile."

He nods again as you hand him a towel. "I'll be outside."

You quickly leave the bathroom to place the soup orders, and Minho discards his wet clothes, walking into your shower. The water is piping hot, and he leans his forehead on the cold tiles. He doesn’t move for the first ten minutes, too tired at the prospect of lifting his limbs.

Nothing particular happened. But he’d go through days when he’d quiet down because everything around him was too much. The feel of his clothes against his skin, and the sun streaming through his curtains. But it always passes. Minho was a realistic man and he knew that his emotions would regulate themselves. That’s why he didn’t like appearing vulnerable in front of other people.

But for some reason, he didn’t mind lowering his guard with you. He knew you wouldn’t judge.

He sighs, grabbing your cherry-scented shampoo and pouring it into his hands. He can clearly smell you now. The scent of your hair that always tickles his nose, whenever you are sitting close to him. Your body wash is next and he wonders if this is how your skin smells, like vanilla and jasmine, and something entirely you. 

Forty minutes later, Minho finally steps out of the shower. His clothes are clean and he quickly puts them on. He dries his hair with the towel as he walks out of your bathroom towards the living room. 

He finds you sitting on the ground, in front of a heater that looks close to giving up. He makes a mental note of giving you the one he has since he doesn't really use it. You changed out of your clothes too, and you are now wearing a pair of pajamas with little bunnies sewn into it. The sight almost manages to make him smile. 

"Still cold?" you question when you notice him standing behind you, unmoving, and he shakes his head no.

"Good, the soup is here." You say cheerfully, pointing at the steaming bowls sitting on your table. Minho hums in reply and you stand up, grabbing the towel from his hands to place it on the drying rack.

You come back, a soft green blanket in your hands. You sit on the couch and pat the spot beside you. Minho sits next to you, and you lay the blanket on both of your laps, before handing him his soup.

You start the show you’ve been last watching, as you both eat in silence, your legs crisscrossed. You make some comments throughout the episodes. You figured that it was a safe territory, to talk about something as mundane as this. He didn't reply but you didn't mind. You weren't here to have a conversation with him. You just wanted to distract him.

You realize at that moment that Minho always looked so put together to you. But he had problems of his own too. That much was obvious. It made you feel closer to him, in a sense. You were both just trying to make it through the day.

Two hours later, you get up to grab a book, handing Minho the remote to put on a show of his own. You curl in a ball in the corner, reading where you left off last night.

"Can you... Can you read out loud?" Minho speaks for the first time in a while and you look at him. His eyes are closed, his head resting against your couch.

"Sure."

You start to read, and Minho further sinks into the couch. He feels at home here. Because the blanket is soft and the light is dim enough to not hurt his eyes. Or it could be that he smells like you, a scent so comforting he wants to bury himself in it. Or maybe it's your voice that floats through the air, slowly clouding Minho’s every sense. He feels as if he could see the words you were pronouncing dancing in front of his eyes. You enunciated each syllable clearly, making sure that no sound was forgotten.

As Minho gently drifted to sleep, he felt as if he was part of the words you read out loud. He felt as if you were treating him with the same care, making sure that he knew he wasn't invisible. At least not to you.

When you wake up the next morning, Minho is gone. And his place beside you on the couch is empty. He made you breakfast, scrambled eggs, and freshly pressed orange juice. And right next to it you find a note, "Thank you for reading to me."

✹✹✹

Minho didn't believe in having a lot of friends. He was content with the two people he had, Chan and Changbin. The latter was his high school friend, he skipped a year and ended up being in the same class as Minho. They didn't talk at first until the day Changbin dropped a book on Minho's foot. The brooding man started apologizing profusely, and that was the start of their friendship. They've kept in touch since.

Chan was his roommate at university. It's not that he particularly wanted to befriend him, but Chan was a social butterfly and he quickly managed to pull Minho into his friendly trap. He annoys Minho the most, but in an endearing way. And although Chan is older, Minho still strangely developed a soft spot for him. 

And he supposes he has you too now. At first, you weren’t friends, rivals at most. He enjoyed reeling you up and having you frown at his words in your heated debates. He also liked talking to you, because your ideas were interesting and you always gave him a new fresh perceptive to see things.

That’s how he strictly saw you as, an intelligent human who he liked to debate with.

But then he started to look forward to meeting up with you at Limbo. He no longer minded the fact that you took his self-assigned table, from his high school days. And he laughed more freely with you, enjoying how you always had a witty retort sitting at the tip of your tongue. 

That’s how he started to notice things that friends most definitely notice. How you have a charm bracelet you always fidget with whenever you are nervous. How you stray away from physical touch. How you scratch your eyebrow when you are deep in thought.

But also, how you seem to have an obsession with cherries. Your cherry pendant, your cherry-scented shampoo, and your cherry-tainted lips. A friend would most certainly think that your lips are like red wine-stained glass.

He remembers one of the many times when you were at Limbo, and he saw you reapply your lip tint, or so you called it. You caught him looking and he swiftly averted his gaze, but it wasn't quick enough. Suddenly you were in front of him, a tiny red bottle in hand.

"Let me apply it to you," you smiled and he pushed your head away with his pointer finger. "No."

"Please," you pouted and he couldn't help but find you adorable. You sometimes reminded him of a small kitten. But he didn’t dare to call you by that nickname. 

"Never."

"If I score more than you in our environmental assignment then I will do it."

"Fine." he huffed so that you'd leave him alone.

Minho didn't study for that assignment. He blamed it on a headache, not that it's ever stopped him before. And two weeks later you were in front of him, eyebrows scrunched in concentration. You applied the lip tint gently on his plump lips, carefully tracing over his cupid bow. 

Your face was mere inches away from his and he noticed how you were wearing a gloss today, for change. It was shimmering under the lights and he usually didn't like glittery things, but he couldn't take his eyes off your lips. 

"All done!" you clapped excitedly, snapping him out of his haze. You then shove your phone camera into his face so he'd look at the results.

"You should be a model. Your face is perfectly sculpted," you comment nonchalantly, before sitting back in your seat. 

“I know.” He replies confidently, but his hand kept fiddling with the tip of his now pink ears. He couldn't concentrate for the rest of the night.

You were his friend because he always worried if you were eating enough. That’s why he urged you to grab a bite in the convenience store near Limbo, whenever you finished up your studying late.

This was one of the many times you sat on the minuscule table outside, hot ramen bowls in front of the both of you. Minho huffed in annoyance between each bite, his bangs were getting longer, disturbing him when he leaned down to slurp his noodles. 

“Here,” you stand up from your place, a hair tie in your hands. 

“What are you doing?” He questions as you stand behind him. You don’t reply, silently grabbing his hair and putting it up in a tiny ponytail, this way it wouldn’t get in his eyes anymore.

“Voila,” you sit back down, resuming your eating. Minho was grateful for the dimly lit street because his entire face was burning up. Your fingers in his hair were gentle and he wondered how it would feel if you ran your fingers through it. 

This was something friends think about, right? 

"I’ll cut my hair tomorrow," he clears his throat. He didn't know why he told you. You certainly weren't interested in his hair endeavors.

"What?!" you yell, "Don't. Your hair is beautiful why would you cut it?"

"Because it's getting longer."

"But it suits you."

Minho also noticed how you always threw compliments his way. Not in a flirtatious way, but in a genuine one. He couldn't help but wonder what made you this way. Did you so freely give love to others because you knew how it felt to not receive it?

"I’ll still cut it."

Minho returned home; his hair still clipped back in a ponytail. Chan eyed him weirdly but he shut him off with a glare. The elastic remained at his bedside since.

He didn't cut his hair.

The moment Minho started to consider you a close friend, was when you invited him over to watch your show. You didn’t force him to open up that night, and he appreciated it, more than he let on.

That's how a week later, he finds himself walking towards your dorm again. The thoughts in his head got too much, and Chan was immersed in his makeshift studio, which meant he won't be free for the next four hours, minimum.

He didn't plan on going to you. It was late at night and you were probably asleep, but his feet naturally led him to the direction of your place.

He knocks softly on your door. He wasn't even sure if he wanted you to open. What would you think of him showing up at eleven pm? He should have thought this thro-

"Minho?" you call out, and he startles a bit, his feet already inching away from the door.

"This was a bad idea, I'm sorry," he starts to retract back but you grab the hem of his jacket to stop him. "Do you... Do you want to watch my show with me?" you ask, a soft smile on your face and he nods tentatively.

"Okay, come in," you open the door wider and Minho follows you inside. The look in his eyes reminds you of the day you found him sitting under the rain. You didn't like it, you wanted him to find his spark back, his usual demeanor. He wasn't deserving of anything but happiness.

"I’ve started a new show, this one's a bit more romantic, so don't go around imagining me as the main character," you tease and he scoffs at your words, a smile tugging at the corner of his mouth.

He doesn't reply, but you don't mind. There was this secret agreement between the two of you, you would talk and he would listen. He needed the distraction, and you needed the company. Sometimes the line between alone and lonely blurs, and on days like these, Minho’s presence fills the void inside.

You comment on the scenes and Minho hums in reply, you watch three episodes in a row, and your eyes are getting drowsy, so you close them.

"Minho," you call out gently and he turns his head towards you.

"Yeah?"

"What color are you feeling tonight?" You ask, referencing to what he told you on your dinner celebration. That felt like an eternity ago.

"Black." You stay silent and Minho fidgets with his hands before speaking once again. "I feel a lot at the same time, too much of every color. That's why- that's why I said black."

"How can I help you feel yellow?"

"You already do." His admission came softly and it made your breath hitch in your throat. You wanted to open your eyes and look at him, but you figured it will only make him close off even more.

“Okay. Will you stay for breakfast?”, you whisper. You were very sleepy, the soft chatter of the TV and your hushed conversation were like a lullaby to you. 

"You want me to?" he asks, and he sounds so vulnerable you can't find it in you to say anything but the truth.

"I do," you admit, and that's the last thing you remember before sleeping.

Your head falls near Minho’s lap on the couch, your hair tickling his exposed thigh. Minho shouldn’t feel this way, he thinks. He’s sitting on the leather couch and his feet are touching the cold floor and yet all he can feel is three strands of your hair tickling him.

He glances at you, at your now parted lips and your relaxed eyebrows. His hand hovers over your hair, but then he curls it into a tight fist. What is he doing? He thinks to himself as he drags an angry hand through his face. He sighs, before standing up and grabbing the blanket you had on the opposing chair. He gently lays it on your body before sitting next to you once again. 

You told him to stay for breakfast. He’ll stay.

✹✹✹

2 months later

"Yn!" Minho shouts in your ear as he plops down next to you. You startle, dropping the book you were reading. 

"I hate you," you grumble, picking up your book and he smiles cheekily at you, "No you don't."

You were laying on the grass of your campus garden, in between two classes, trying to kill the time. It was April so the weather was perfect for lying under the warm sunrays. You loved spring, it always held within it the promise of a better time. 

"What are you doing?"

"I was reading before you got here and started to annoy me." 

"Don't mind me. Do your thing." 

"And what are you doing?"

"Enjoying the sun."

"You couldn't find any other place to do so?"

"Nope."

"You're annoying" You try to sound mad but the smile on your face betrays you. You started looking forward to any moment Minho randomly shows up throughout your day. Sometimes it's late at night when he's suddenly craving sushi and he drags you with him because if he's not studying then you shouldn't be too. 

Sometimes it's during the day, when he takes you to a new garden where he found the quote "cutest cats in existence". Not as cute as his cats, of course. 

Sometimes it's late afternoon when he just knocks on your door, and he's there with Chan-his roommate who sometimes joins your study sessions- snacks in their hands. You've learned that what Minho doesn't say in words, he compensates by spending time with you. And you didn't tell him but waiting for these moments has been the joy of your life for the past few weeks.

It made you feel excited- like a child waiting up for Christmas morning to discover what gifts they are receiving. 

So, you resume reading, as Minho is lying next to you. You could smell his pinewood cologne and you wished you could pour his essence into a bottle and carry it with you everywhere. 

You notice how the sun is hitting Minho’s eyes directly, and how his eyebrows are scrunched up at the aggression. So, you grab your book with your left hand, and hover your right one over his eyes, shielding him from the sun. Minho's breath tickles your hand and you can feel goosebumps rising through your skin. 

It's as if every physical proximity with Minho made you feel hyperaware of every part of your body, and how he can lighten it with a simple breath from his part. It made you wonder what it would feel to have his hands on your skin.

As if Minho heard your thoughts, he gently wraps his thumb and index finger around your wrist, steadying your hand in place so it wouldn't strain your arm. You suddenly don't know what page you are in, too overwhelmed by the feeling of his hands on you. 

His touch is very featherlight and you are afraid to move, to break the bubble you are suddenly pulled into. 

"Read to me," he tells you and you gulp. You never understood why Minho enjoyed it when you read to him. 

"Like my voice that much?" you tease, in an attempt to hide how affected you are. You were so close to him; it would be easy to slide down and lay your head on his chest. You wondered how his heartbeat would sound. Was it steady, or racing just like your own? 

"Yeah, it's calming," he replies sincerely, catching you off guard. You didn't expect him to compliment you, and now you are racking your brain for a retort, anything to make you breathe again. 

"Growing soft on me Minho?" you say, the same question you asked on your first dinner out. The first time you truly saw him, the first time you felt as if you were two pieces of the same puzzle, just waiting for someone to connect the both of you. 

He doesn't reply. And you sit there, patiently waiting. His first answer came so easily, so naturally, because he was being sarcastic, "I’m basically in love with you", he told you back then. So why can't he say it again?

"Yes, I am." He finally replies and you feel your breath catch in your throat. You try to account it for your brain misguiding you. It wasn't Minho speaking, it was the rustling of the leaves and the singing of the birds that you just heard. But it was him, and now his eyes are open and he's looking at you. Your hand is still shielding his eyes and his fingers are still wrapped around your wrist. And you are suddenly feeling. You are feeling too much. You don't know what to do with those feelings cursing through your veins and you can't face them. Because they are scaring you.

"I'll just... Yeah, I’ll just read," you say quietly, too flustered by his intense gaze. You were already on the other side, you realize. His eyes pulled you in and you were stuck in there, swimming in a pool of honey. 

"Out loud," he says and you chuckle, "Fine, Min." The nickname slips out of your tongue naturally and you quickly snap your head towards Minho to see if he noticed. 

His eyes are closed, and there is a slight smile on his face, and you can swear that he just repeated the nickname to himself softly. 

✹✹✹

You've been so sick these past days, you barely managed to go to class. Your head throbbed with pain and your entire body felt as if someone thoroughly boxed it. 

You were grateful that Minho reeled down his teasing because you had no energy to retort back. He may have noticed how sick you felt and truthfully it would be hard not to. You stayed silent throughout the day, and you looked so pale, you avoided looking at the mirror altogether.

Though Minho didn't talk to you, he still silently placed water bottles and some of your favorite snacks on your desk. You'd down the water, grateful for the relief it brought your sore throat. And when you didn't touch the food, he'd immediately text you 'Eat up', followed by a simple 'Please'. Having someone else care for your well-being felt weird, but it warmed your heart beyond what words could describe. 

You only came today to pass your Criminal Law mid-term, but your head hurt so badly that you weren't even sure what you wrote on your paper. The words blurred in front of your eyes and you almost slept in the middle of your exam, exhaustion threatening to take over your body. 

You fucked up, badly. You haven't screwed up this much in years.

You thought that you were slowly getting better since Minho surpassing you no longer sparked an unworthy feeling within you. But apparently, you were wrong to believe so. Self-doubt crept up within you once again, and the ugly feelings it stirred slowly clawed at your throat, making it hard for you to breathe.

It was one test, and yet it reeled you back ages ago. 

Tears threaten to spill out of your eyes as you hurriedly walk out of your class. You make a beeline for the library, figuring that it will be mostly empty by now. 

You pull out a chair and sit on it, lowering your head down so no one will see you. Your tears are falling rapidly and you hit your thigh repeatedly.  You hated how weak you felt in that instant. 

"Yn?", someone calls out and you curse internally. You don't have to look up to see who it is, Minho's voice has become a part of you- you could easily recognize it between a thousand mingling sounds. 

You don't want him to see you, especially not like this, weak and vulnerable and on the verge of breaking down. So you quickly slip a pair of sunglasses on your eyes, before raising your head to look at him. "Hm?"

"Are you okay?" he asks, his tone so soft it makes you want to cry ten times fold. You hated it, hated how attentive he was to you. You didn't deserve it. 

"Yeah, yeah. I'm just here to pick a book," you lie, abruptly standing up and heading toward the rows behind you. You desperately needed to get away from him. 

You pause in front of a random shelf and then you feel Minho standing behind you. You grab a random book and he peeks above your shoulder to see it, "Economics? You hate this subject."

"Why are you following me?" you turn around attempting your best to sound mad. When in reality, your heart was brimming with hurt. You wished you could get away from your body and seep into someone's soul to feel what it's like to love yourself.

"You aren't okay," he asserts and you hate it. You hate that he sounds so sure of himself. Was it that noticeable? Were you not fooling anyone?

"I am," your voice is shaking but you are adamant about contradicting him. You couldn't let him see you. What if he runs?

"Then..." he steps forward and you take a step back until your back is against the shelf. His left arm cages your body, but his right one stays by his side. He is leaving you an opening, you realize, an outing in case you feel uncomfortable. Against all odds, you don't.

 "Why are you hiding from me?" he asks, gently taking your sunglasses off your face, and placing them on the top of your head.

You don't look up at him, and he hooks his finger underneath your chin, gently raising your head. When your tear-stained eyes meet his, he frowns deeply, "Why are you crying?"

"it's nothing."

"Yn..."

"I fucked up, okay?! That was the worst test I’ve ever given in years." The tears start to flow at your words and you wipe them away aggressively. You despised crying in front of people. 

Minho raises his hand to wipe the tears away for you but he quickly retracts it- you probably wouldn't want him to touch your face. It was enough that he had grabbed your wrist a couple of weeks before this. He quickly racks his brain for something to do, because the sight of your tears is making his heart ache in a way he hasn't felt before. It's as if he's feeling your emotions deep within him.

In desperation, Minho pinches your arm and you yelp, startled. "What was that for?" you whisper-shout and he raises his hands in defense, "I didn't know what else to do."

"So, you thought about pinching me?" you chuckle in bewilderment and he scratches the top of his hair sheepishly. 

"I mean, it worked. Look, you stopped crying," he points out raising his brows at you proudly and you shake your head at him.

"Remind me to never cry in front of you again." 

Minho grins at you before his face turns serious once again. "Look, you are the smartest person I know," he pauses, adding with a cheeky smirk, "After me of course." Which makes you giggle against your will. 

"Shut up", you lightly punch his chest and he smiles. "One test doesn't define you. You always work very hard. I wouldn't lie to you."

"Mm," you hum and he frowns at your lack of enthusiasm, but still, he doesn't comment. 

"No more crying," he wiggles his finger in front of your face and you roll your eyes, wiping the rest of your tears away. "Fine. Pretend as if this never happened."

"What are you talking about?" he asks as if confused, and you can't help the smile tugging at the corner of your mouth. It's as if Minho knows exactly what to say to cheer you up. 

"Come with me," he tells you, gently pulling you by the sleeve of your hoodie. 

"Where to?"

"I’m craving ice cream."

"And why do you need me?"

"You're craving ice cream too," he says in a matter-of-a-fact tone. 

"Only if you're paying," you add with a giggle and he whines loudly, "I feel so so used around you." 

True to his words, Minho takes you to the nearest ice cream parlor. It's a 20 minutes walk away and you are grateful for the distance because it helps you clear your head a bit.

Minho lets you pick whatever flavors you want, and when you hesitate between two of them, he tells the cashier to put them both into your cup. This is how you end up with a container of 5 scoops of ice cream. You insisted you'd share, and Minho begrudgingly agreed when you threatened to walk out and leave him.

You then walk to a deserted alley and sit on the sidewalk. You didn't want to be around people right now, and thankfully, Minho understood without you having to say a word.  

You munch silently on your ice cream and Minho does the same, the both of you lost in your thoughts. You naturally take turns holding the freezing container, so it wouldn't numb the fingers of one of you.

When you're done, Minho stands up to throw it away in a nearby trashcan before sitting back again next to you. 

Suddenly you feel him gently tapping your hand. You look down to find that you've curled your fingers into a tight fist, so much that there are crescent indents visible on your palm now. 

"Let's play thumb war," he tells you and you giggle at his words. You never knew what to expect from him. 

Still, as your fingers hold each other, and your thumb circles one another, you feel yourself calm down slightly. You play a couple of rounds, and you know he's going easy on you, allowing you to quickly trap his thumb down. 

No one has gone to such lengths to cheer you up, and you suddenly feel so grateful for Minho’s presence in your life. You didn't care in what shape he was in, you just needed him to be in it. Which in turn makes you think how bad it'd hurt if he ever leaves. 

You don't want Minho to leave. You've gotten so attached to him that the thought of not talking to him again makes your heart race in panic. 

Minho notices the change in your expression, suddenly melancholic once again. Your hand has gone limp in his, the thumb war long forgotten by you. 

He curses under his breath, before looking at you. "If I dance for you, will you quit being so sad?"

"Dance for me?" you repeat incredulously and he nods, "Yes. I’ll show you an upcoming choreography just... Please smile?" 

"Okay," you giggle, plastering a wide grin on your face. 

"Not like that you look scary."

"Get to dancing!" you clap excitedly and he rolls his eyes, standing up and looking through his phone for a particular music. 

"Oh and no comment!" he looks pointedly at you, and you nod, pretending to zip your mouth and throwing away the key. 

'Finesse' by Bruno Mars starts playing and you are left mesmerized by the way Minho dances. It's short but it leaves you yearning to see more. His body moves smoothly, hitting each beat effortlessly. He made it look as if dancing was second nature to him, that it came as easily to him as breathing. 

You were speechless, rightfully so. You wished you could build a world where all Minho did was dance. 

"That was-" you start when he stops the music but he cuts you off instantly, "I said no comment."

"But--" Minho places his finger on your mouth to silence you, seemingly not thinking too much of it. But the feel of his finger on your lips makes you dizzy. Minho quickly takes off his hand, a blush evidently creeping up his neck. 

"Let's just go home," he sighs in defeat and you laugh despite the intense feelings cursing through you.

You don't know if you are imagining it but you swear that your pinkies brush against each other on your walk back. As if there was this magnetic force pulling them together. You wondered what would happen if you just linked your pinky with his. Would he grab you by the hand or will he let go of you entirely?

You were too much of a coward to find out. You were scared of messing up anything with him. So, you'd settle for this. Stolen glances and random outings. You just need him in your life. 

"Thank you for today," you tell Minho once you arrive and he shrugs, as what he did wasn't a big deal.

"No, I mean it. Thank you," you repeat, trying your best to convey how sincere you were being. You take in a deep breath, before grabbing his hand and squeezing it, for a fleeting second, before dropping it again. 

Minho is sure that your hand will now be imprinted into his, that the lines tracing over your palm will merge with his as one. Your touch was barely there but it had electrocuted him. He wondered to himself if his body would be able to handle more from you. But he'd gladly burn in your fires for the sake of holding you. And he'd wait, unwaveringly, as time stretches alongside the two of you. He'd wait as long as it takes for you. 

"Yn, I..." he stammers, taking a step closer to you. His scent engulfs you and you shamefully close your eyes, inhaling it. When you open them again, you find Minho glancing down at your lips. You gulp, dazzled by his proximity. 

"You have a mole on your nose," you suddenly speak up and his eyes snap back to yours, an adorable confusion drawn on his features. 

"I like that mole," you continue and you wish you could dig yourself a hole and bury yourself in it. 

"Thank you," he chuckles and you nod vigorously, "You're welcome." 

"Can I ask you something?" he says and your breath hitches in your throat. "Sure."

"You don't like it when people touch you, right?" 

"Yeah."

"Can I ask why?" 

You want to confide in him, to tell him that it’s because you long for it, you crave it so badly. That this need has woven itself into the very fabric of your being. An ache so raw that it scares you at times. You’ve never known what it feels like to be held- it was uncharted territory to you. 

"Isn't everyone scared of the unknown?" you settle on saying, and he nods in understanding. Of course, he understood. No one knows you as well as him. 

"It's okay. I just wanted to know if I ever overstepped my boundaries."

"You didn't," you reply instantly. 

"Good. You'll tell me if I ever do, right?"

"I will." 

"Okay." 

"Um. I'll get going," you point behind you and Minho smiles at you, waving you off.

You walk for a few steps before coming back again quickly. You then grab Minho’s hand, gently squeezing it like before, "You are an amazing dancer." 

And then you drop it, running back towards your apartment block without waiting for a reply. 

Minho stays frozen in his place. You think he's an amazing dancer. And you held his hand for five seconds. 

That's four seconds more than the first time. 

Progress.        

✹✹✹

You haven't gotten out of your house for the past three days. 

Everything crashed around you rapidly, it made you realize that the ground you once stood on was only an illusion, elusive and fleeting. 

You were doing well; you were getting better. But then Monday came and you went out for a walk in the park near you. As you sat there, you saw a little girl playing on the swings, delightful joy dancing across her features. But then she fell to the ground and you instinctively stood up to help her, only to notice her mother running to her. 

The world stilled around you as you clearly saw it- how the little girl clung to her mother's embrace, her embodiment of hope and love. You never had that. You don’t even know what perfume your mother used because she never allowed you to get that close to her. 

You stood up abruptly, quickly heading back to your apartment block. As you ran up the stairs, you ended up bumping into one of your neighbors. You were quick to apologize but they ignored you, and the feeling of being invisible came back to haunt you ten times fold. 

You knew you shouldn’t have done it, you knew you should have deleted your mother’s number when she sent you away to university without a backward glance, relieved at the thought of you getting a full-ride scholarship and not needing her anymore. But you didn’t, you kept her number in the hopes that she’d call. On your birthday, on holidays, on a random Thursday to tell you that she did remember who you are. 

With trembling hands, tears welling in your eyes, you dialed your mother’s number for the first time in a year. You didn’t know what you were expecting. Maybe she regrets it. Maybe she misses you. Maybe she didn’t find the courage to mend her wrongdoings and that's why she never called. 

"Hello?" her voice rang through your apartment. Goosebumps erupted on your arms and your hold on the phone tightened. Her voice took you back to memories you thought you had buried. How you spent countless nights yearning to hear the sound of her voice, how you regretted it once she spoke to attack you.

You hate her. You miss her. You want to hang up. You need to ask if she's doing okay. 

“Who is this?” Her voice was devoid of recognition, freezing you in your tracks. You felt as if a bucket of ice was thrown over your head, dousing the flame of hope that flickered in your heart. 

She deleted your number.

You quickly hung up, placing your phone down on the table. The tears refused to fall. It was as if your body had long anticipated this outcome, leaving only your wounded soul to bear the pain. 

Healing isn't linear, you've read about it in books and heard it in shows and movies. One step back doesn't mean that your entire progress is gone. You know this, you've memorized those sentences. So why do you not believe them? Why does it feel as if you can never be free from the past? Why does it feel as if you’ll always seek something out of her? 

Those questions roamed your mind for the past three days, making you too tired at the prospect of lifting your limbs, let alone leaving your apartment. You sent your two friends a text, telling them that you're sick so they wouldn't worry. Not that you believed they would. Nothing made sense to you anymore.

You laid on your bed in utter silence- a tense quiet that was disrupted on the third day by someone knocking on your door. You didn't know who was there; you just hoped that they'd leave you alone.

To your surprise, you open the door to find Minho, some notes in his right hand and a coffee in his left. He sends an easy smile your way. You don't smile back.

"What do you want?" your voice is cold, but Minho doesn't bristle. A cheeky smile settles on his lips as he leans on your doorway.

"You didn't come to class for the past three days, so I brought you the notes. So, you wouldn't think our competition is unfair."

"Competition," you chuckle coldly, heading inside your apartment, and he follows suit. You start to pace around furiously, and Minho looks at you worriedly. "Competition?" you repeat, the word dripping off your tongue like venom. You turn around, marching towards Minho and standing a few inches from him. "You know what? Fuck you and your competition!"

"Yn-"

"Did it ever occur to you that I never wanted a part in this competition? That all I wanted was to be left alone?" you say, growing louder as you jab your finger into his chest repeatedly. "I never wanted any of this! Do you understand? I never wanted to be this way," you shout angrily in his face.

The worried look in Minho’s eyes snaps you out of your haze. You realize that you are being utterly ridiculous lashing out at Minho, when the one person you are mad at is yourself. 

Your anger quickly deflates, leaving in its trail an agonizing sadness. It's so sudden that it knocks the breath out of you, and you clutch your chest as if it could soothe the burn in your heart. Suddenly you are twelve years old again, crying in your room because you feel like no one has ever loved you.

But this time you aren't alone. Minho is in front of you, and his eyebrows are so furrowed you want to lean forward to ease the tension between them. His eyebrows, you liked his eyebrows, they were arched, and they framed his eyes nicely, and his eyes are brown and so big, and they always look at you softly and why is it getting so hard to breathe-

"Did I do something to you? Whatever it is I’m sorry," Minho panics, cutting off your frantic train of thought. But now, the weight of guilt adds to your overwhelming emotions. You shouldn't have lashed out at him, he brought you coffee and you yelled at him. Maybe your mom was right after all.

You shake your head left and right furiously, your words coming out in hiccups. Since when did you start crying? "It isn't- it isn't you."

"Then let me help you-", he steps forward, hand outstretched, but you take three hurried steps back and wrap your hands around yourself protectively. "Don’t. Please, don't."

"Why are you pushing me away?" his tone isn't accusatory. You've learned time and time again that Minho wouldn't do anything that made you feel uncomfortable.

"You won't understand."

"Then make me."

"Because I’m afraid!" the words slip out of your mouth before you can stop them. "I’m afraid if you ever hug me, I wouldn't be able to go back to hugging myself. I'd need you and I can't afford to need someone else."

You regret the words as soon as they fleet away from your mouth. He would look at you differently, he would find you pathetic and then he’d leave. And you wanted him to leave. But you also wanted him to stay. It was all so confusing. 

You felt as if your being was torn between two great forces, each one of them trying to win the war raging inside you. You wished someone else would make the decisions in your place, for once.

Minho places the coffee and notes on the ground before approaching you, his palms facing up in a gesture of surrender. "I won't leave you," he says softly. "I’ll be by your side for as long as you'll have me."

"Minho..." your voice catches in your throat as you utter his name- like a broken prayer. He stands before you, his eyes shimmering like the reflection of a river on a sunny day.

"Please, let me make it better." 

You nod tentatively and Minho comes even closer to you. He was treating you like one would with a wounded animal, giving you a chance to ultimately back out. But for once, you listen to what your heart has been yearning for. Your bones are aching to be held, to feel the warmth of a body against your own, to feel safe and secure. 

Minho embraces you, wrapping his arms around your shoulders and bringing you to him. You slowly bring your arms up and lace them around his waist. You are afraid, deathly afraid. His grip is loose, and you almost can't feel him around you, but when you lay your head on his chest, he tightens his hold on you and you instinctively let out a sob. 

He's hugging adult you, the woman whose heart was once again broken by her mom. But he's also hugging little you, the girl who was craving affection from everyone around her. In that instant, Minho is hugging every single version of you that ever needed a hug. 

You were right to be scared because you don't want to let go, you want to stay in his arms because they feel safe, like a shield protecting you. You can't go back to not hugging Minho. 

The sensation is overwhelming and your knees buckle underneath you. But instead of holding you up, Minho falls to the ground with you, as if you are two inseparable pieces of one puzzle. He isn’t here to fix you, he’s here to break down with you and help you pick up the scattered pieces.

You think back to that night in the park when Minho told you about Japanese vases. At this moment, it dawns on you that Minho has found a way to become a part of you. He was the molten gold binding your broken parts together. He was the invisible thread stitching your wounds back together.

Who were you fooling? It was him; it was him all along. 

Minho rocks you gently as you cry and cry and cry. His hand finds your hair and he plays with it as you sob. He tells you you'll be okay, you'll feel better and you try to believe him, his words wrap around your bruises like a healing balm. 

"There, there, love. You are okay", he murmurs, tenderly patting your head. A fresh set of tears wells up in your eyes. Love.

"I’m sorry. I'm so sorry," you apologize as you pull away from his embrace. 

"Why are you apologizing? Is it because you wet my shirt? I don't mind," he reassures you with a smile and you shake your head. 

 "I was mean to you and you didn’t deserve it," you explain through hiccups.

"It's okay, you weren't mad at me, were you?" he asks, wiping your tears away so gently with his thumbs, careful not to irritate the sensitive skin.

"No. Still, it isn't okay and I’m sorry. I'm so sorry." 

"Shh, don't apologize. It's okay." you look at him doubtfully and he rolls his eyes playfully, "Here I’ll even do your silly pinky promise, okay?" he laces his pinky with yours, but then he suddenly leans forward and places a chaste kiss on your thumb pad. "There, sealed forever."

You giggle faintly as a blush dusts your cheeks, "That's not how it works."

"I know."

Your giggle was far different from the ones Minho was accustomed to. It was small, and it didn't brighten up your face like usual. But he was grateful for it nonetheless. He realized how much he missed your laugh, and how all the other sounds in the world pale in comparison to it.

In that moment Minho thinks to himself that he'd do anything to make you smile again. He'd make a fool out of himself if it meant making you happy. He'd settle for a simple tug at the corners of your mouth, anything but the sadness that seemed etched in your face, as if it was blended into the colors that drew you.

You tentatively move around, before laying your head on his lap. Minho's hand instinctively finds your hair and he starts to gently play with it. It feels as if you've done this a million times before, when in fact it was the first. 

There was something wildly intimate about laying on the floor with the man who just comforted you. It made you want to spill all your secrets to him, one by one, and have him hug you through them.

"Did you mean it? When you said you'll stay?" you felt so vulnerable in his hold, as if he could twist you whoever he liked. But you trusted him. You trusted yourself with Minho.

"I did. Your walls are always up. It's hard to peek behind them. But I don't want to tear them down. I want you to slowly unbuild them. I want you to do it for yourself."

To do it for yourself, it's hard to even know who you are anymore. 

"I want to tell you."

"You don't need to."

"I know, but I want to."

"Okay. Take your time, kitten." he pats your head gently, and you try to sync your breathing to the rhythm of his touch. You were grateful that you were lying on his lap since you couldn't see his face. It made talking feel a little less daunting.

"On my 9th birthday... I was very excited. I'd been on my best behavior that month, trying to please my mom in the hope that, for once, we'd celebrate my birthday. Like a normal little family," you smile sadly, you were so hopeful back then.

"My birthday came, I woke up, excited. My mom was still asleep, nothing out of the ordinary. So, I made my breakfast and walked to my school. I wore my prettiest dress and put on pigtails with hair clips. It was my birthday after all," Minho smiles softly at your words, his hand now resting on your own.

"I got back home and waited for my mom to come back. She remembered my birthday, I thought. And then, she came but she didn't talk to me. So, I thought, oh a surprise party!" you chuckle, but this time the smile on Minho’s face is gone.

"It was then 11 pm, and the hope had slowly died in me. So, in my stupid innocent self, I went to my mom, and asked her "Did you forget my birthday?". And I remember... I remember the way she laughed. Cruelly. Like I had told her the funniest joke in the world. And then. Then she looked me dead in the eye and said 'I hate the fact that you are born. Why would I celebrate that?'"

Minho sucks in a deep breath at your words, and you exhale one right out. It felt comforting, to have someone else stomach the hurt for you. To take the weight off your shoulders, allowing you a few moments to breathe.

"I confronted her about it one day, but she said she doesn't remember saying that. It's funny how it was a random Thursday for her, but for me, it shaped my life." you smile bitterly, "I remember how jealous I was of the way the other kids talked about their mothers. They said the word so lightly. It must have reminded them of sunshine and ice cream and rainbows. But for me, it held an uncharacteristic heaviness to it. I grew to hate the word."

"I drove myself crazy, Min", you whisper and he brings you closer to his body, "was it me or was it her? When did it start? Was it because I was too loud as a child or maybe too quiet? Did I not cater to her fantasies of a kid? I wanted to remember every single thing that happened throughout my childhood, thread through every single memory. I tried to pinpoint the exact moment my mom stopped loving me."

Minho squeezes your hand tightly in his, and you feel as if he was pulling you away from the memory that had long trapped you. You were now watching it unfold from outside of the window, your hand in his, safe from the hurt it had inflicted on you.

"It's not you. It could never be you. Some people are simply not fit to be parents. It's never their kid's fault."

Minho tries his best to keep his touch soothing, to make his voice sound as soft as possible. But he was angry, he was so angry at the world for not taking care of you when you were younger. His heart broke, thinking of 9-year-old you being told such cruel words.

He wanted to turn back time and tell you that you were enough. He wanted to make the pain that seemed so anchored in you float back to the surface, and dissipate like sea foam meeting the shore.

But he couldn't do that. All he could do is comfort present you.

Minho gently pulls you up from his lap, making you sit upright. He crisscrosses his legs and you do the same. Your knees brush against each other and you feel a shiver run down your spine. You didn't know that even knees could emanate such warmth.

"Yn, look at me. The world wouldn't be the same without you in it," he cradles your face between his hands, "You hear me yn? I’m so thankful you exist."

His doe brown eyes are sincere, and it made you want to believe him badly. That's a good start, right?

"I’ll be back," he tells you, letting go of your face and standing up.

You hear Minho rummaging through the kitchen and you take the time to calm yourself down. Sharing those parts of you with Minho felt therapeutic. As if you were healing parts of your inner child. You have never talked about this with anyone before, maybe this is why it still hurt as badly.

Minho comes back five minutes later, his hands behind his back. You raise a brow at him inquisitively and he just smiles secretly at you. "Close your eyes," he tells you and you giggle, doing as he says. He crouches in front of you, and you hear him shuffle in his place for a bit.

Then, "Open your eyes yn," and you find him, in front of you, a cupcake you had stored in your fridge in his hands, and a makeshift candle lit up. "Happy 9th birthday, love. You did well."

You stare at him in utter bewilderment. You couldn't believe your eyes. How could this man be so thoughtful? He was wishing you a belated birthday, to compensate for the 9th birthday you didn't celebrate.

You panic, at the look in his eyes. You've never seen it, never dared to dream of it, of someone caring for you unconditionally. So, you try to scare him, to push him away. You didn't want him to regret knowing you.

"There are things I need you to know um", you chuckle nervously, "When I... When I throw up, I hold my hair, and when I’m sick I nurse myself back to health, and when I have a nightmare I- I hold my hand in the dark. It will be hard for me to hold yours instead."

"We'll start a finger at a time, yeah?"

"It will take time."

"I have time," he speaks easily, as if loving you was effortless and not a strenuous task. You couldn't fathom it.

"You are too busy-", he cuts you off instantly, "Not for you." 

"The world doesn't stop because we need it to." Your voice is quiet; this is your very last try. You are tired of fighting. You are putting down your armor and waving a white flag.

"We'll make it stop. Here, the two of us. On this floor. We'll take as long as we need to."

"I never deemed you as an optimist", you smile a little, a hint of teasing in your tone.

"I’m not," he pauses, gazing down at the cupcake between his hands and then at you. "But I feel that we deserve a bit of happiness together, don't we?"

"We do."

"Then make a wish."

You close your eyes for a few seconds, before blowing on the candle.

"What did you wish for?" he asks a fond smile on his face.

The answer came naturally to you, you didn't even need to think about it. "I wished for you."

Minho's lips come crashing down on yours, and you imagine that this is what it feels like to see colors for the first time. To discover a new world beyond the one you've always known.

The kiss isn't urgent nor feverish, it is one of comfort. Your lips spilling the words you have not yet said to each other. "I love you," he kisses you, "I love you too," you kiss him back. "I need you to stay," you swipe your tongue across his bottom lip, "I’m never leaving you," he opens his mouth allowing you entrance.

As you kiss him, you remember a fact you once learned in high school. The human body possesses seven trillion nerves. And for the first time in your life, you feel as if each of these nerves is alive. You feel that even the smallest atom is electrocuted with Minho’s love and it’s all you know within you.  

You feel as if the pain, the hurt, and the ache you've been through are slowly unraveled, and in their place, a timid happiness is starting to bloom. You imagine that when Minho’s lips met your own, the seven trillion nerves inside you exhaled in relief 'We've made it', they said, 'we'll finally be okay.'

Epilogue

You've always thought that epilogues were useless. How can you resume the rest of your life in one sentence, boil down the rest of your existence in mere pages? Because life doesn't stop at the epilogue, and a new book can start once again, right where you left it off.  

But with Minho, you didn't mind an epilogue. On the contrary, you longed for a soft one. You wanted to rest on this last page, you wanted to lay your worries on the words and tuck them into the syllables. And you wanted to wake up anew.

And this wasn't the end of your story with Minho. A lot happened after it. But it didn't worry you, because epilogues are about the one thing that doesn't change throughout the long march of time. And luckily for you, that constant was Minho’s love for you. From that day he held you, he has never let go.

It took time, for his warmth to seep through your bones. It took time, for your heart to forget the cold. But you wanted to do it. With him. You wanted to love and be loved.

The sound of cats mewling fills your apartment, pudding can always be found in your fridge and you haven't felt invisible in years.