#also for all the people in the notes saying this has to be a joke i promise you everything said here is 100% true

[eicsferrari]

never met - op81 smau

summary: people start making up rumors about oscar and yn. problem is they never actually met

face claim: random girls from pinterest

a/n: this is chaos but it was fun to write hope you like it

masterlist

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gossipf1 singer yn and oscar piastri are reported to be dating according to inside sources

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user5 please let this be true

lando rue, when did this happen?

user14 helppp what is lando doing here

user3 my two worlds colliding

user7 she's not good enough for him

user8 ?? he's not good enough for her

yn inside sources who??? i never saw this man in my life😭😭

user10 he's a formula 1 driver

yn oh i only know lewis hamilton aka the goat aka the loml

user10 fair

yn he looks cute tho👀

sabrinacarpenter no yn!

yn 😊😊

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yn posted a story

caption: this is the man yall think i pulled? Damn thank u

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↪sabrinacarpenter you are insane😭

↪lando +61 12345678 text him

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yn jazzy nights are my favorite

♡liked by sabrinacarpenter, oscarpiastri and others

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user6 best night of my life

sabrinacarpenter i'm in love with you😍

yn me when i see you

user1 oscar liked...

user4 don't start

user1 i just stated a fact

user9 obsessed with your voice, i want you to sing me to sleep every night

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gossipf1 yn and oscar spotted hanging out after her concert

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user8 i fear this couple would be too iconic

user4 just... no

user5 i dont know this man my ass

yn in my defense i really haven't met him then!

lando it's true i can confirm

lando i can also confirm yn was oscar's most listened artist last year

oscarpiastri why are you here?

lando gossip is my bat signal

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yn trip made it out of the groupchat

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lando groupchat and it's only two people

yn get off my comments

lando i got you his number and this is how you repay me?

user9 lando tell us who it is🙏🏼

user3 if lando set them up it has to be oscar

user7 i'm in love with her aesthetic

user5 white shirt=oscar

user14 stop we don't know

sabrinacarpenter did my invite get lost in the mail?🤨

yn babe i'm sorry he means nothing you are the love of my life

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oscarpiastri posted a story

caption good company yn

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↪user4 gossipf1 ended up setting you two up huh

↪sabrinacarpenter i remember when i was the one taking her pictures...💔

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yn sorry osc i go where lewis goes🏎️

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oscarpiastri 😐

user4 osc🥺🥺

scuderiaferrari everyone is a ferrari fan ♡liked by author

francocolapinto hamilton fan first, a girlfriend second. i respect that

user5 did he just confirm that they are girlfriend and boyfriend?

mclaren 💔

yn sorry😔

charles_leclerc i approve son oscarpiastri

yn forza ferrari!

user26 we lost her to a sports guy...

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oscarpiastri posted a story

caption prettiest girl is in fact my girlfriend

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↪yn giggling blushing throwing up kicking my feet🥺🫶🏼

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yn posted a story

caption he's still mad i did not wear orange

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↪lando it's papaya not orange😡

yn same fucking thing

lando it's not !!

yn ok but the word papaya is so ugly

lando YOU TAKE THAT BACK

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yn the rumors are now true, i'm his favorite artist and he's my (second) favorite driver

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user18 she's gorgeous😍 he's just there😐

francocolapinto yes yes you might kiss but did he ever say he wanted to learn your language just to understand your jokes? i don't think so

yn call me when you are his top artist on spotify loser

user12 don't mind me i'm just patiently waiting for the love songs this will inspire

oscarpiastri you are never going to let me live this down, right?

yn you are stuck with me and my bad jokes sorry bro

sabrinacarpenter just remember she was mine first papaya boy

oscarpiastri noted🫡

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oscarpiastri she finally wore papaya

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user2 she's so hot🥵

yn not that word again😭

lando i will block you if you keep hating on the papaya

yn do it i dare you

yn i look so good tho

oscarpiastri you always look amazing

yn i love me a boy who can sweet talk

lando god stop being cheesy on main🤢

yn weren't you going to block me??

lando i should have

yn just do it you coward

user23 yes yn put the car guy in his place!

lando why are you supporting her when your page is dedicated to me??? are you a fan or a hater?

user23 i'm your biggest fan! but i support women's rights and women's wrongs so i'm with yn

yn HA even your fans like me better😛

lando you stole my teammate and now my fans what else do you want from me😭😭

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lando posted a story

caption disgusting

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↪yn disgustingly cute yes

lando whatever helps you sleep at night

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oscarpiastri posted a story

caption dont let their online banter fool you, they are friends

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↪yn babe don't expose us like that😔

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oscarpiastri 🧡

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yn DELETE what if lewis sees this?

user21 she's so real

lewishamilton i feel betrayed

yn nooo💔😔 you will always be n1 in my heart

oscarpiastri 😐

yn deal with it

yn i am so incredibly proud of you and i love supporting you🥺🧡

oscarpiastri thank you for being here<3

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yn posted a story

caption i'm going to tell my kids this is their dad

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yn posted a story

caption just kidding, i love you oscar

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↪ oscarpiastri i love you more❤️

[brooklynbear32]

It's super fun to be an Evanstan fan, even if just enjoying it as fiction/fantasy, but also:

I'm certain that, outside of our little corner of tumblr, 99.99% of the world sees him as the height of masculinity AND he has never done anything to "no homo" his way to that reputation.

Maybe I'm reading into it, but I've never thought that the joke to him naming Sebastian over Hayley or Hemsworth over everyone else is poking fun at himself for thinking of men first. With the Hayley bit, I think he's subtly pushing against the premise of the question that working with a hot woman is a perk of the job, like she was just there to be eye candy. When he mentions Sebastian, it reminds us that both Hayley and Seb are his co-workers.

With the Hemsworth bit, the joke is that most people instinctively compliment the person next to them, or at least, not single one person immediately out as being better. The joke is that Scarlet is right there, and he just told her that he finds someone else hotter, without hesitation.

Can I believe that Chris is bi/pan/queer etc? Sure, and I do tend to believe that way more people are somewhat bi/pan that 100% Kinsey 0 straight.

But what I'm trying to say here is: Chris doesn't give a fuck that people could see these gifs and think he's queer. He knows what he's doing and saying. His body language in that last gif with Hiddleston isn't just affectionate, it's stereotypically female. Chris has no problem vocalizing attraction or admiration for men, because he genuinely does not see being female or gay as inferior to being himself.

Which, of course, is what you'd hope for any man, especially one raised with women and a gay brother. Unfortunately, it's still rare enough to be note-worthy, and I'm sure it contributes to why we all love him so much.

Chris Evans: extreme fanboy.

[hitlikehammers]

tremolo

…what if instead of learning clarinet or percussion, you could learn to read the music of hearts? 💕

rating: t ♥️ cw: love at first sight, car crash (off-screen), SUCH FLUFF ♥️ tags: ✨magical realism au, musician eddie munson, paramedic steve harrington, kinda soulmates (it makes more sense with the magical realism part), character study, softness

for @steddielovemonth day one: "Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of love everyone becomes a poet." —Plato

It was just like learning any instrument, really.

At least what they tried to convince Eddie to believe at the tender age of nine.

But it was all about finding an aptitude, apparently. Developing a talent. Fourth grade rolls around and he fucks up blowing with a reed, manages to give himself a tongue splinter. Nearly passes out on the brass. Ends up with the choir lady looking over horn-rimmed glasses and narrowing her eyes at him less like a teacher and more like a fortune teller or something, scrying what’s to come of him, like she can see through all that he is and will be, before she goes scribbling something on his little slip of paper already marking all the failed kinds of music he’ll never get to make and telling him: go to Room 011.

But no one ever goes to Room 011.

He meets a petite woman with mousy hair and clothes that look like they belong to someone else, somehow. She introduces herself as Miss L. She looks like a Miss L., so he doesn’t think any further on the point.

You will not play much, really, she tells him, and the way she talks is kinda funny, like she learned words but not from people actually saying them out loud. Eddie kinda likes it, though. The playing is only for emergencies, and if you find your True Note.

Eddie doesn’t know what most of that means, except for the fact that the whole point of trying—and failing—at all the instruments was to join the school band with something to play. So if that’s not what he’s going to learn, then what the heck is Eddie meant to be doing down here—is what he wants to ask.

He manages a little politer version of the same, his nan’d be proud. His dad wouldn’t care even if he was around and not behind bars. His uncle might be happy that Eddie’s kept his nose clean just this one time. So he figures he does okay.

But really, he just wants an answer. He was supposed to get to learn music. It was the one thing that was keeping this whole year feeling like he could maybe, maybe survive it.

It also means he doesn’t have to take the art class that’s mostly kindergarten crafts instead of real art, so.

“You will be learning music,” Miss L. answers, more patient than most grownups; “you are here to learn how to read the songs that hearts sing.”

And that is, by far, in all of his whole nine years of living, the most fucking absurd sentence that Eddie has ever heard.

——

He’d kinda thought it was a joke, when he left that first afternoon to get back before Language Arts.

Turned out: nope. It was not.

He’d maybe thrown something slightly less childish than a tantrum, when what he got was a big set of earphones and a box the size of an Easy-Bake Oven, where apparently he’d be playing some kind of recordings to start his lessons.

“Do you not wish to learn?” Miss L. asked so simply, and Eddie…

Eddie reminded himself that no matter how foolish and stupid this was, it couldn’t possibly be worse than making construction paper collages with Elmer’s glue, so.

He put the headphones on and pressed play.

——

His workbooks didn’t look like anyone else’s in band—in fact, Eddie didn’t think he was actually a part of the class band, like, he wasn’t expecting to play at the spring concert with the flutes and the trombones, anymore. When he had sheets of staves to fill out they didn’t have straight lines. He didn’t draw different circles with little flags and bridges connecting them. He…

“When there are no keys, and there is no time signature,” Miss L. had explained, and it took time to make any sense; “you are the rules, and you feel what is a melody,” she’d tapped something that feltbeautiful, like daffodils blooming, though Eddie couldn’t say why; “and what is a warning.”

And then she’d tapped again, and it clenched in Eddie’s chest like a tornado siren, and…yeah.

That was kind of the best explanation he could have asked for.

——

It’s in middle school, when everyone else gets new band directors while Eddie sticks with Miss L., that it starts to…well.

That’s when the fact that Eddie’s alone in his lessons, and no one seems to know quite what he does—and the other kids who get that kind of treatment are usually the ones who can’t add or spell right, who have some kind of problem to work on extra hard—but it’s around then that Eddie starts being called names for it.

It’s not too bad, at first. Eddie’s worked for his two full years of elementary school lessons to get through recognizing the songs, suffers the point where recognizing becomes unbearable, overwhelming—Miss L. never left his side when he held his head in pain for all the noise, all the songs because they were everywhere, in everyone, and how was he supposed to learn what was right and what was good and what was just okay but then what was also everything the opposite when he couldn’t even think—

But she taught him the tools, the ways to sift through the chatter, as she called it. Because not all of it was a warning; not all of it was bad just because it wasn’t beautiful.

Some of the noise just was.

She showed him how to trust his own ear; his own song in his own chest as a guide, because that’s why he was here: he had a gift, an aptitude, built in and in need of development. Liked they’d said in the beginning.

He’s nearly thirteen when she teaches him how to write his own songs, in the not-notes and the no-tempos. In the nameless flow of sound.

It’s when his classmates overhear one of those works-in-progress, the taunting gets worse, starts to hedge toward unbearable.

Until Eddie asks if he can just stop: quit this. It’s not worth it. He doesn’t want to be a freak.

“It is a rite of passage, to ask this,” Miss L. says slowly, no judgement, and weirdly no pity; “but I should tell you first,” and her eyes narrow more than Eddie thinks he’s ever seen them.

“Your skill is already greater than any I have seen, and is only getting sharper, more keen.”

And hell if a teacher’s ever said something niceabout Eddie Munson, let alone something that sounds like flat-out praise.

“They cannot hear the music, this is why they say those things,” she flicks her wrist less like conducting a chorus and more like shooing a gnat, like that’s the appropriate amount of consideration the comments deserve. “Your task has always been to teach them what they do not know, to show them the wonder they are ignoring as they live and breathe.”

And while it really would have been nice to know that before signing up for this…this what, calling? Vocation?

While that would’ve been nice, Eddie…Eddie can at least mostly understand he wouldn’t have understood any of it in the fourth grade.

He barely understands now.

But he can feel it. He understands how to feel the music that fills all those gaps.

“This is common,” Miss L. turns back to him, steeples her fingers while humming something from the radio: not bad, but not beautiful. That’s what she means, he realizes. The radio plays common.

“This,” and she puts a hand over her own chest and keeps time with her fingers on the tabletop as she hums a wholly novel thing out of thin air, and Eddie has never seen someone else recognize the music, has never watched someone compose in the veins where the songs that hearts sing are played, let alone in real time; maybe she never had because he had to lean for himself, first.

But it is kind of exquisite to witness.

“This,” she stops, and raises a brow pointedly in Eddie’s direction; “is human, built in your cells.”

Eddie couldn’t name why, precisely, but he feels…shamed, but also empowered. So different, but they make an almost compelling melody together as they clash.

“They will call you freak before they call you prodigy,” Miss L. says it like a fact, which…kinda sucks to hear, in all honesty.

“They will label you insane, before they recognize you as genius,” and the way she adds that part makes him feel like that was her personal burden to bear, and he aches for her in it.

“They will cry out garbage and nonsense,” and here, these words: these are the ones Eddie knows immediately he’s meant to be hearing, be weaving into notes the strongest, the ones she wants him to keep closest and never lose:

“They will cry out worthless,” she spits out with a venom he’s never heard her use; “before they will sob in the face of your masterworks, and how they will breathe magic in the soul.”

And…Eddie doesn’t know exactly what to do in the face of the conviction she says that last part with. To doubt it, as he instinctively wants to, feels vile; the most egregious disrespect. He can’t bring himself to even try. So, he asks instead, voice rough:

“When will it change?”

Because despite everything: he doesn’t want to be a freak.

“That I cannot say,” she sighs, and she does sound sorry; “and it may never change at all.”

Eddie doesn’t know if he’s built to handle that, the possibility of never.

“But even if you leave, here and now,” Miss L. cuts into his despairing; “even if you stop your learning, the songs will never leave you.”

Oh.

Oh, so did they…did they teach him to hear a endless goddamn curse, and as a fucking kid—

“You would always have come to hear them,” Miss L. must read his mind, or maybe just his face; “just never with any place to funnel the noise,” and he…guesses he should be grateful. He nearly went mad in those early years, before she taught him how to make new melodies, concertos the likes of which even the great masters hadn’t penned, because they played in a different medium. Their notes and structured time were useful, but limited.

And if they never heard otherwise, how would even the most brilliant talents know what they were passing over, leaving behind?

“Do you still wish to leave?”

Eddie turns, almost having forgotten Miss L. was still sitting there, watching him. Almost having forgotten what he’d come to ask, to give up.

There’s no question left, now.

He gets out his notebook, his pen, and starts as he always does.

With the listening.

——

It’s a genuine distraction—the songs get louder with time, but Miss L. tells him that’s a sign of his skill growing, his notice of the equivalents of key signatures and ligature notes in the heartbeats he passes every day—but it costs him passing senior year once, and then again, and almost a third time until by the skin of his teeth, he manages. While every other teacher shames him for it, derides him as incurably stupid, or at the very least unambitious to the point of embarrassment, the extra years mean more time with Miss L., and Eddie…most days, Eddie is nothing but thankful.

More time means Eddie also learns that the songs he hears are as much a public service as they are an art form, as much a defense mechanism as a craft. He knows when bullies are on the prowl, and to make himself scarce for their screeching cacophonies. He knows when he has to be less of a coward and step in when a wild rhythm makes him sick with its fear.

The more he pays attention to the not-quite-beautiful songs—especially when he thinks on them later and stumbles upon nuggets of the exquisite inside every way they weren’t—the more he remembers years ago, out of almost nowhere, but maybe…maybe everywhere, like it’d been written in his heart’s song the day she spoke it:

“My first day,” he enters the same room—not the same-same room but the one in the high school that’s as abandoned as all of them have been, always Room 011—but he enters the room close to the end of the year, the last year, with the question thick on his tongue, and woven the same in his song as he closes the door and feels his heartbeat quicken for no reason and every reason, like he’s long learned these songs always do.

Miss L., for her part, just nods; waits.

“You said,” Eddie rolls his lips together; “emergencies.”

It’s a delay tactic. They both know it.

She’s kind to play along.

“Mmm,” she hums; “the slightest bits, yes, you can shift the rules to change the song, because you made the rules to begin with,” she eyes him carefully, then. “But only by bits, and in only the most dire moments.”

Yeah, yeah, sure. He never thought he could like…write lines to coax a heart to sing itself back from the dead or some shit. He gets the point.

Again, they both know: that’s not the point he’s here for, heart pounding high in his throat.

“But then you also said something else.”

This time, she doesn’t nod at all; just stares. Eddie has to clear his throat twice to make a sound so as to ask:

“What’s a True Note?”

Because Eddie’s had a couple flings here and there. And the idea of anything real with someone else, alongside the weight of this…talent of his, this training that’s defined half his life by now: it’s really nothing more than a stray idea. But Eddie can’t really hide from the fact that, somewhere along the way, he’s suffused that idea with so much promise and potential, but with no legs for it to fucking stand on.

And he’s about to graduate. About to go out into the world and…who the fuck knows what.

He needs to either hold onto this insane, silly notion of some cosmic meant-to-be match waiting for him somewhere, that it’s at least possible, and then hold on to it like burning—or let it go, and get on with the rest of his fucking life.

“Do you know how I said you could sway the rhythm just the littlest bit, in the greatest of need?”

Of course he did. She literally just said it.

“Your True Note will sing like you have never heard before,” she tells him like it’s not something…immense; “and that song will sway your rhythm so much more than the littlest of anything.”

She just fucking says it, like it isn’t already swaying the rhythm his heart sings in. Here and now.

“That heartsong will change your world.”

And all Eddie can even think to ask, to make more plain in it, is just one thing:

“Will I change theirs, too?”

Miss L’s eyes lock to his and hold for enough seconds where it should be uncomfortable, where his chest starts to grow unbearably tight.

“Hmm,” she considers finally; “if it is meant to be that way.”

Eddie wants to scream. It’s not enough.

And still somehow, it will have to be.

——

In the months that follow his freedom, he misses Miss L. Kinda desperately.

But the lack of structure, the openness of knowing he has to find a way to piece together all the snippets of song he’s bombarded with: it is the reason he ever picks up a guitar. It’s the whole learning heartsongs thing that he has to thank for it, a roundabout journey toward the destination he’d wanted from the beginning.

Or else, that he thought he did.

It’s not just guitar, though. He eventually learns the woodwinds without ending up with a splinter in his mouth. Figures out the different harmonies at hand in making sure he tempers the way he breathes for the brass. He loves the piano, and the cello especially, alongside guitar and double bass: he makes a trip back home specifically to see her and ask—Miss L. tells him it’s probably because of their strings, like hearts have, too.

It feels right in a way things haven’t felt in a very long time.

Which is really how he comes to not only understand, but to accept in his bones: no matter if they ever call him prodigy or genius, if he ever plays a concert hall or anywhere but on a street corner with an open case for change, he was made for this; built for this. The woman with the horn-rimmed glasses who sent him to the basement music room saw it in him. Miss L. proved it to him by teaching him to prove it to himself. He doesn’t know if he’d have picked it, but he knows it was never something he could have picked or turned down in the first place at all: it’s who he is.

He is the music. He is the songs that hearts use for singing. And maybe someday he’ll meet someone who sees it in him, and hears his song, and sings ecstatic. Maybe.

He hopes.

But either way: this is his life.

This is his melody.

——

It takes years before they do sob for his masterpieces, for them to be ready for a style and cadence they don’t understand because they will never comprehend the language, that speaks deeper than the logic required for any of those rules. It takes a long fucking time before they start listening with the lens of the first song any of them ever learned. But the time does come, and Eddie is grateful, because he’d genuinely feared the maybe-never he’d been warned about. He’s glad that’s not where he is, now.

But now? Things start to happen almost unbearably fast. Shows here and flights there, guest appearances and interviews, record labels and live recordings, a book deal he can’t even begin to think about. The world tips on its axis and Eddie only really considered that happening to him for one reason: because of a song so beautiful, in a Note so True—this isn’t that.

But everything still feels upside down anyway; totally off-kilter.

He’s crossed ten time-zones this time. He’s exhausted, but he has a performance tonight, just like he did in the tonight of the place he just left. The car he’s in on his way to the next venue is sleek, like they all are now; his team is already there preparing, so it’s just him and some local hires he hasn’t even had a chance to learn the names of yet, which he hates. He hates being privy to their songs and not even knowing their names, let alone their stories.

He jots the notes he gleans from how they sing without their words on the drive across town anyway. Waste not, and all that.

Eddie has the pen in hand, cap between his teeth, when the truck plows straight into them.

What follows would be unsurprising, if Eddie could process it from a bystander’s point of view—as it is, the only thing he knows in the melee is the music.

He is devastated, as he reaches out for the slowing songs around him, knowing in the back of his mind what their slacking tempos mean, and marveling with something like horror at how beautiful each one is as it starts to fade: still unique, still something Eddie could braid into a piece, certainly one to draw tears.

His own song is ebbing, he knows, but it’s less important than the sweet melodies around him, especially—

Oh.

Eddie thinks, with what may be the last thought left to him as pressure and heat and pain tingle at the edges of the music, almost too strong now to be drowned out by the notes that are what Eddie is at his core: but he thinks he may be too far gone already, because what he begins to hear is…

Exultant. It’s…

If Eddie believed in a heaven, this would be what the hosts there sang. When the idea of divinity is bandied about, they can only ever be talking about some cheap imitation of what Eddie hears now. Luminous. Effervescent.

Beautiful in a way that exceeds the word itself so deeply that it barely fits, obliterates the notion on sight.

And what a gift, Eddie muses as everything dims to black, to hear such Notes, such perfect music as the last thing he has to hold onto in the end.

To end on something that’s True.

——

The next tones Eddie hears are mechanical. He winces—not bad but certainly not beautiful—and then winces harder because wincing itself fucking hurts.

He holds himself still, seeks the song he knows in his own veins: yes, and he’d been so sure it was gone, because there’d be an accident, a crash, he’d been thrown, crushed, songs all around him were dying and he’d heard the magnificent symphony of otherworldly perfection so—

“I’m technically not supposed to be here,” a voice interjects, or no: drips in leisurely, like comfort, like honey; “because you’re a patient, and I’m,” and Eddie forces his eyes open to see the voice come out of a man, who is pointing at his chest: a uniform. Medical.

“I’m not dead?”

All signs do point that direction but…Eddie had been kinda fairly sure he was done for.

“God,” the man chokes like he’s pained, like the idea hurts him, and why; “no,” and he says that a little fiercely, protective almost; “though not for lack of an effort.”

He looks tired, as Eddie’s vision starts to clear some more. He looks radiant. Exquisite.

Beautiful.

“You saved me?”

Because Eddie clocks the uniform now: paramedic. The ones who come onto the scenes and try like hell to save who they can. Heroes.

“I helped,” the beautiful man says, like a hero would, of course. But…it still doesn’t make sense. If the man does this for his job, then Eddie isn’t special, so then why is he so vehement, and then what of all the fading songs Eddie remembers, because Eddie had heard—

“What about,” he starts, but there’s a hand over his quickly, soothing.

“Everyone’s here, different wards,” the hero-beauty tells him in lows tones; “we don’t know if they’ll all make it through the night, but,” he nods, like…this is enough.

And it is. Except…

“How?”

And where Eddie is baffled, his hero just quirks a brow.

“Don’t tell me you never covered emergencies?” he asks skeptically. “Most dire moments, greatest of need?”

And it’s with those words that Eddie’s world slows very quickly to a halt. The music swells in a way he’s never known: because it’s always present to hear.

Buts it’s never been so tangible to feel, not like this, and with such…magnificence, no lesser word could touch it. Maybe he truly is closer to death than not, maybe that’s the reason for the fervor in this man he doesn’t know—the choirs of the angels Eddie wasn’t banking on swells and is visceral, and this hero sits before him, speaks the words that have haunted Eddie more days of his life than not, and—

“This was where the music took my life,” the man pulls at his collar, indicative again: the heroism. He…he saves people, because he, he also hears…

“But I couldn’t have done it without you.”

His hand on Eddie’s tightens, like gratitude, and Eddie…gapes like a fucking fish, and then—

“There’s something else.”

“Not just here to check up on the fruits of your medical miracle?” Eddie’s tongue feels heavy, thick in his mouth; he feels sluggish all over, weighted down and like he can barely move because…this man hears the music that hearts make.

Can he hear the ineffable beauty, like Eddie can? He must, that’s how it works, so why is he not in the same amount of awe—

“Not just,” the man smiles small, but real, a little hesitant. A little…shy, maybe, before he straightens, leans a little closer.

“Watch that screen,” and he tracks Eddie’s gaze until Eddie’s fixed upon the ECG, the most disappointing distillation of the songs he’s learned to find so much wonder in.

But then the man is pressing Eddie’s hand to his own chest, which…is forward, given they don’t even know each other.

Eddie is maybe still on, or at least just-recently-off, death’s door, and either way he’s fucking thrilledwith this development, warm beneath his palm.

“Now count.”

It only takes a moment, to put the gestures together into a statement.

The beat under his touch matches the line across the screen. Exactly.

But this man’s not the one attached to the monitor.

“Got it?”

Eddie nods, and the man doesn’t hesitate, lifts Eddie’s hand and presses it back to Eddie’s own chest.

“Again.”

And that’s…that’s not the same rhythm as the one on the screen; the songs don’t match at all.

But Eddie can still hear the one that does—the beauty. The exaltation.

“Can you,” Eddie asks, lifts his finger that’s got a clip on it, and the man’s a professional, he’ll understand—looks less than conflicted about disconnecting Eddie from wires and leads before clipping his own finger and letting the screen shift to a new cadence.

The same one under Eddie’s hand, in Eddie’s own chest.

“Holy fuck.”

“Yeah,” the man barely breathes, and Eddie notices now how intense his eyes are, focused solely on Eddie, and…Eddie remembers the words that came after the ones about emergencies. About how little he could help, but that he could still do something.

But with only one person, it could be—

“You didn’t just sway my rhythm,” Eddie half-gasps; “you made it your own.”

And oh: Eddie never tied the song of hearts to the song of laughter, but from this man, the huff of incredulous joy that slips from him now—they’re made wholly of the same stuff.

Symphonic. Staggering. Weeping to feel this much, in the soul, to be privy to such a…

Masterpiece.

“Worked both ways, it seems.”

“I heard you,” Eddie blurts out, because it makes sense now; “before I, when I thought I was,” dying, when he thought it was all over; “like I’ve never heard anything before.”

And now: of course this man hears the heavenly movement Eddie thought was a mercy before the end but was instead the arrival of everything he’d ever hoped to one day find, literally coming to rescue him in more ways than one; but that song is somehow commonplace to this unfathomable angel on the earth.

And what this man hears stronger, louder, dearer seems somehow to be Eddie, the song he sings from the chest, in how it’s causing those caramel eyes to glimmer, and to barely blink lest they miss something in just…Eddie.

“You never stopped,” the man says with urgency, with feeling; “your song never stopped,” and then he’s closing his eyes and laying both his hands over his own chest, where Eddie’s heartsong is ringing full and maybe changing his world, because the song in Eddie’s chest sure as hell has already changed his, and—

“It’s extraordinary.”

And Eddie, in years of ridicule, in months of celebration, in all the ups and downs and doubts and hopes this life of songs and hearts and rhythms and beats has left him with, in all of it—

Those two words rewrite his whole fucking being.

“True Note,” Eddie mouths more than speaks before he scoffs; “shit, but that seems like a really fucking inadequate thing to call it,” and his eyes lift to take in the man who he knows, he knows is going to be his magnum opus, or more: is going to write the magnum opus they will be and breathe and share from here to all ends:

“To call you.”

And there’s the clearest sense of a trip in a beat, but who it belongs to isn’t clear, and maybe that’s the reality for them both now: every subtlety of the song is now shared, now theirs.

“You could start with Steve.”

Eddie looks up, breath a little heavy, but the smile on the man’s face is broad and kind of overjoyed, kind of looks like Eddie’s chest feels:

“My name’s Steve.”

And that?

Best damn title for a symphony Eddie’s ever fucking heard.

✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @dreamy-jeans137 @estrellami-1 @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @rebellatlas @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yesdangerpls @yourmom-isgay @1-tehe-1

divider credit here

[xinganhao]

some notes on to all the boys i've loved before!svt (hyung and maknae) | 💌 est. release dates for special chapters -> feb. 13, thurs (hyung) & feb. 15, sat (maknae), gmt+8.

(1) in the smau, cheol is 'your best friend's brother', but it was originally supposed to be something else: 'your [older] brother's best friend'! i brought it up in conversation with someone (chugging-antiseptic-dye, i think) and was convinced to do a switcheroo at the last minute.

it's acknowledged in the first line of the letter ("this is the cliche of all cliches...") but something about cheol just slots into the trope all too well. i've seen people joke that he's a strong start, and i blame myself for squeezing the 'pretty girl' and 'gorgeous' pet names in one screenshot. lmao.

(2) jeonghan being an upperclassman at the school play was a call made by diamonddaze01, with respect to jeonghan having attended an acting institute for a short while. initially, the 'main lead' trope was supposed to be seokmin's— but i was convinced that jeonghan's acting background is way too underutilized in fic. [linking jeonghan's acting stint in KIGGEN(키겐) ((PHANTOM)(팬텀)) _ PLAYBACK(다시보기) for funsies!]

the little letter is so jeonghan as well, particularly "you didn't have to be so nice to us." i think it's very telling of hannie, to crack jokes and give words of encouragement even to the 'smallest' role in a production.

(3) i have zero shame in admitting that this trope came way too easily to me. guitar teacher!shua? sign me the fuck up. it's a blend of all his little passions— the guitar, other people, etc.— and so it was a bit of a no-brainer. couple that with his politeness over the letter and you have something that is just so shua-coded.

i have visions of fingers with embeddings of the strings, of shua's eyes crinkling in quiet laughs as he teaches you to play. it's all in the letter, and i'm just amused at the thought of MC being so distracted over her crush on shua that she didn't learn anything past the most basic song to play on guitar.

(4) nothing like a good rivals to ...? trope to get the blood pumping! i will be honest: if i had a say, my hyung line vote would go to junhui. the ending line in his letter ("wen junhui, if i didn't know any better— i'd say that you liked me a little bit, too") was my absolute favorite for the hyung ver.

this one has a healthy dose of emotional constipation/tsundere!jun/etc., although here is also a small confession: the trope was initially soonyoung's. i switched it out after staring a little too long at his exclusive fairytale photos.

(5) among the hyung line, this was the one i settled on last, if only because i had to pull that switch. this was prior to soonyoung admitting he knows how to get latte to stop kissing him ([sighs heavily]). i was thoroughly amused by MC falling for the owner of the pet she sits often.

i like the line "you care deeply for all loving things, big and small" in the letter, if only because i think it's characteristic of how soonyoung is as a person. latte is technically a plot device (lol) in this story, although i can just imagine how part-lovable/part-insufferable soonyoung would be as a client.

(6) this is not the first gamer!wonwoo trope you will see. it will not be the last. this was also a relatively easy trope to assign, although a expounds on it by referring to wonwoo as "the guy you meet/play with on the League of Legends forums." i make a passing LoL reference in the letter, because that's the foundation of the crush: the bespectacled guy on the other side of the screen who will beg and borrow for one more game with you.

i tend to make my gamer!wonwoo's a little more on the awkward/'loser' side, so the cockiness in the texts are certainly new. i didn't want to get too nsfw on the main (lmaooo) so the jab of "i didn't know you liked my fingers that much, though" is up to your imagination. (:

(7) in her reblog of the hyung post, heartepub says something to the extent of "i can imagine jihoon's fingers shaking as he types out 'if you want'" and it endeared me to no end, because of course. anicon-goer jihoon is another stroke of brilliance for a. in hindsight, i think it's just a little too niche to hit the right makrs, but i wanted to do something that was characteristic to the members.

this almost became something akin to jihoon falling for a cosplayer/being a cosplayer himself; i don't think i had enough room to worldbuild that much, though. overall, this is adjacent to a more tsundere jihoon/a jihoon that reciprocates but cannot confess.

(8) on a technical end, i'd written mingyu's letter first buuut i rewrote it... and so i consider seokmin's the first that i really wrote for the maknae line. immediately, i was worried i'd be screwed and everybody would be able to tell that i am madly in love with this man. anyway. we ball.

for the maknae line, my vote admittedly goes to seok! one part i really enjoy is the parallels between "everything good about the summers… the hot days, the crackle of campfires, the chirping of cicadas" -> "you're the sun, seokmin. you're the fire; you're the song", which is really just MC's roundabout way of confessing that seokmin is everything good about her summers.

(9) it took several consultations with maplegyu to nail gyu's trope. she's eventually the one who came up with the prospect of him being that handsome constant on public transportation. the letter says a lot about mingyu's more caring attributes, and there's also a bit of a parallel to hannie's.

mingyu doesn't have to be nice, to be sweet, and yet he wants to. <- this was a concept i'd wanted to integrate in the texts, but since the texts come first, i didn't know how to make it seamless. the vague idea here is "is mingyu sweet to you because he likes you, or is he like that to everybody?"

(10) combining the two things i love (bookstores + minghao) is, unfortunately, a cheap shot on my end. bookstore cashier!minghao sliding in with a pickup line alluding letters to milena just had me shaking my head at myself, honestly.

i couldn't resist sliding in a small poetry reference. his letter ends with "xu minghao, you could sell me the world" -> which is a shameless allusion to maggie smith's good bones, namely the part where it goes "i am trying / to sell them the world. any decent realtor, / walking you through a real shithole, chirps on / about good bones."

(11) the idea of 'weekend warrior' seungkwan entails some backstory-telling, since i feel like it doesn't translate too well in text/letter: seungkwan is a guy you run into a lot at your weekend markets. the two of you exchanged numbers, mostly for convenience, to discuss produce and essentially find somebody to go with! for my fellow filipinos, the scene i have in mind is comparable to the salcedo saturday market hehe.

i've gotten a number of reactions to seungkwan's 'mrs. boo' quote, which, you know what? completely valid. MC x seungkwan bicker like an old couple, and the thought of a seungkwan on the flirtier end is just a little too good to pass up on.

(12) 'friend of a friend' vernon is a very specific trope wherein you find your acquaintance/etc. attractive and desirable. there's a joke constantly made that a crush is only a crush until you find out more about them, and i feel like that's the vibe of this particular verse. vernon is ~mysterious~ and [seemingly] unattainable, making him the guy of your dreams.

the letter is vague enough. the texts are a little more in character, in what (i hope 🤞) reads like actual textspeak you might expect from this Man.

(13) i do think it's worth clarifying that chan is not blood-related to MC; 'auntie's son' had a longer title ('the son of your mother's friend') that didn't quite roll off the tongue lol. this one has two lines i enjoyed writing ("i think i'm supposed to fall in love with you" + "i don't want to have you, because then i stand the chance of losing you), and overall just slots right into the childhood friends to ...? trope.

i've grown quite fond of the more sunshine-y aspects of chan's personality, hence the excitability and sarcasm in the texts. it's a bit of a puppy love situation, admittedly, and it's a question of whether that's enough for something real.

thank you for receiving this little project so well! :") whenever i do annotations, i always say "this story is yours now"— but the choose-your-own adventureness of it all makes it all the more true.

see you all for the special chapter! xo linking one final time for those who want to cast votes/reread:

[plaidos]

previous anon here. i get what ur saying here but i think there’s a fundamental misunderstanding in thinking someone who complains about plastic surgery is complaining about ALL plastic surgery. i think someone joking that “if ur thinking about getting lip fillers/a nose job that’s the devil speaking” (which is usually the main form i see) isn’t the same as someone demonizing life saving procedures. there’s nuance. to use your metaphor, if i hate the meat industry, im going to criticize meat. and there ARE ethical ways of meat production, but the industry at large sucks. and it’s weird to deal with as a trans person who has wanted gender affirming cosmetic surgery, but also hates the way most cosmetic surgeons treat and speak to other trans ppl (especially the ones who aren’t WASPs).

i've said this in the notes and i'll say it again here: i am not misunderstanding that somebody who complains about plastic surgergy is complaining about ALL plastic surgery. i just think that "i hate plastic surgery" is an absolutely categorically unacceptable way to shorten your complex & legitimate feelings on the topic because of the fucking atmosphere around trans surgeries at the moment.

also, no if you hate the meat industry you dont need to "criticise meat" this is the exact same thought terminating nonsense im ttalking about. meat literally itself is not unethical. there is nothing to criticise about meat itself. it is literally the industry and standards throughout society that you should be criticising.

you are not progressive & subversive for saying "i hate plastic surgergy". this isn't a "i hate men" situation, plastic surgery is vital and necessesary for some people to survive, and you are denigrating those people when you callously pretend that "i hate plastic surgery" is in any way a meaningful & believable shortening for "i am against the racist, xenophobic, antisemitic practices rife in the culture surrounding cosmetic surgery". there will never be a way you can say the words "i hate plastic surgery" that makes that opinion justifiable.

[golden-bubblebee]

OH MY GOD this is such a big gripe for me!! I love my baba lots, but he has this idea that

1. Animation = boring and for kids

2. Animation = it is all the same

And I'm like!! No!! I even pooled anime into it just to get my point across, comparing the storyarc of Death Note and I think Prince of Egypt. Bc there is no comparison!!! They're two wholly different movies!!

And I agree, some animation does look more 'childish' (read: more rounded out 3d animation, like rise of the guardians) and some movies are better at finding that balance between 'adult jokes and themes vs child jokes and themes'. Emperor's new groove is a film that I think is very good at it. Personally, I think frozen less so. So guess what! I'm not rewatching frozen! It wasn’t my jam! But not because of the animation. Frozen has beautiful animation! Those don't go hand in hand!

Guess what, some of my favourite movies are from 1969 and 1993. On modern tellies, they are grainy blurry films. This doesn't stop my love for them!

I tried arguing this with him again when he was watching Love Death Robots on Netflix, an adult animation series in which every episode is its own shortfilm, and they're all animated differently.

I said 'okay what abt LDR then. You like watching that. That's also animation!' To which he replied 'no but LDR is different'

Maaaan. The difference is ofcourse that LDR is not a family film. There is nothing about that animation that's meant for kids. Well guess what, neither are Death Note and Naoki Urasawas monster! Those are animations, and they are big and scary!

Plus, I do also think that automatically assuming animation is only for kids, because it is animation is just plain wrong.

I tried using Big Hero 6 as an example. 'It's a film about a guy who loses is brother in a horrible fire. It follows his story of falling into a depression because of it, and slowly crawling back out when he goes on a journey to find the cause of his brothers death, and avenge him'

Does that sound like 'kids only' to you???

He then shrugged and said 'animation just isn't my thing'. Which, I do think, to an extend, is fair. Sure, you prefer irl people films. I can’t really say anything because I personally am not a big fan of live action films.

But there is one difference that gripes me:

Animation always looks different. Look me in the eye and tell me that Atlantis and tangled are the same style. I dare you.

Ofcourse there is stylistic overlap (Atlantis, Treasure island, prince of Egypt - Moana, frozen, tangled) but the messaging and themes of each film is different. Treasure island is a darker film, with pirates and tech and futuristic objects. Prince of egypt is oranges and reds, nature and architecture and a vast expanse of nothingess. To me that's like saying 'Oh I didn't watch Into the Wild, because it has real people in it. I watched the Matrix, and that had real people, and that wasn’t really my thing.'

It's not an argument I will win with him soon, mostly because he is so strongly convinced that kids movies ≠ family movies (if it's for kids, I can't enjoy it! Even if they deal with heavy topics like bad familial bonds, mourning and depression, having your dreams crushed, losing all hope, and so on) and that animation = animation, even though there are strong stylistic differences in it.

Maybe next time I should tell him that news media and social media are the same thing and that I don't go into newsmedia bc I get all my info from social media instead. Watch him get an anheurism right there in front of me.

animation being treated like a genre instead of a medium is something that actually makes me go insane. beauty and the beast is a romance. the emperor's new groove is a buddy comedy. big hero 6 is a superhero movie. moana is an adventure film. the lion king is a drama. treasure planet is sci-fi. if i was talking to someone who hadn't seen these movies before, and they weren't specifically interested in animation as a medium, then i wouldn't necessarily assume they'd enjoy all of these. and that's just disney movies! try telling an anime fan that fruits basket and fullmetal alchemist are the same genre and see how they react!

[elliesglock]

Azzi go with Paige bad live!!!

some side notes before anything:

this live yalll 🚶🏼‍♀️‍➡️ unserious asf. first of all quit playing in my face kk with the my man comments you are so sick. i like how she switches from the my man comments to laughing at the baby stud comment like gurllll we know what you are 😭 don't even have to spell it out.

first of all, paige looking all fine in this live azzi i see why you were having some trouble studying in this live wooowweeeeee.

so there's gonna be some big time jumps in between everything because we don't see azzi a lot. however paige has never been subtle about her girl so we still get some lovelyyyt moments.

in the beginning of the live, amari walks in and they start laughing at her cause "her man's" over. kk leaves to go introduce the guy to the live and imo paige follows her out. she obv goes straight to her girl it sounds like and is giggling and laughing with her while kk's in amari's room. this probably why she's so irritated later in the live cause she can't know one moment of peace with paige 😭.

they come back into paige's room and kk sets down the camera. paige is so close to that camera like honey back up please i can feel that breath. she's staring HARDDDDDD at those comments and that's when a comment pops up that makes me want to shoot people. "paige with azzi real bad 🙄🙄". LIKE??? and ofc this nosey ass girl JUMPSSSS to touch the screen and read the comment. her eyes get all wide and she taps kk, she's laughing and kk starts laughing too. like they know yall. the way p's eyes LOCK DOWN when she sees azzi's name in the chat in general. it so gives who's talking about my girl? what they know about her? why are yall mentioning her? UGH PROTECTIVE P YOU ALWAYS BE FAMOUS. kk pushes paige in a joking way but you can tell she's so over them and us lololol. she's like i already have to hear them 24/7 talking about each other and now yall are giving them even more opportunities to mention one another GET OUTTTT.

skip to a little later, i think p's missing her girl a little bit and says, "get azzi on live." yall this whole live she's literally talking and wanting azzi to come in the room. she's mad because azzi's taking an exam and is so far (3 feet) away from her. kk kinda pauses and goes, "hmm?" like babe im just gonna pretend you didn't say that. i've heard you talking about this girl all day 🙄. live pauses for a second and im not sure if its kk doing it in case p says something or if it's just that uconn internet. i'm sure it's because of that toaster wifi. there's a interesting little moment next i wanted to bring up cause i find it funny. someone in the comments says, "kk should i get back with my ex?" and kk kinda hesitates and goes, "nooo..?" and paige says no as well. kk laughs at this. in a manner where it's sorta like she's saying girl you know damn well you did. she's basically calling out p subtly cause she knows she got back with azzi and she thinks she's being a hypocrite. that's just my interpretation according to my timeline. p's thinking of her freshman days oop. the comment replies back and says they were dating for 3 months and both of them say yeahhhh let it go. p confident as hell in her answer cause she knows she had azzi for so long and knew she was hella right for fighting for her back i know that's rightttttt.

someone in the comments asks where's azzi? kk reads it out and paige immediately says yeah go get her like she was waiting for the opportunity to speak or even see her girl again. THIS GIRL IS SICK IN LOVE YALL. she also has this....tone when she says it. veryyyy sensual. kk walks out of the room and goes up to azzi. also i'd like to point out HOW CRAZY it is that azzi's just posted up in paige's dorm room (that's not even a's dorm room btw) and she's just chilling doing an exam. azzi's a better soldier than me because the fact she's doing an exam with the literal LOUDEST most obnoxious woman ever near here is straight willpower. but since she's been caught doing hw before multiple times with paige i think she likes to do it in her dorm room. imo it's because if she gets a little frustrated she can go to p and have a little break and some snuggles before locking back in. and she knows p will help her and do whatever she needs to get through the assignment mentally and physically. p's her rock and that's always how it's gonna be. kk says azzi wants a cowboy hat from the live and azzi says nooooo in that cute little pouty voice she has. you can hear p GIGGLE in the back like a little school girl and i just find it so funny because she's definitely hanging over the edge of her bed watching the interaction to get some of her azzi time in. going back to what i saying earlier, i think az's a little upset because of her homework ofc but also because she's having a hard time and she can't go and cuddle like she's used to with p because kk's in there on live :(. poor azzi baby you'll make it out. kk asks if she's okay (like genuinely worried aweee) and azzi says she's taking an exam. kk goes ohhh and leaves immediately. paige obv is hanging onto every word because she pipes up and yells, "that's! don't let her- she's not taking an exam." GIRL HOW WOULD YOU KNOW?? she just wanna tease azzi every chance she gets. kk walks away and go back to p's room and as she's walking in she makes eye contact with paige. as if p was already staring at her and giggling for teasing azzi. they both start laughing. girlll leave my princess alone damnn. kk says "she is actually" and p responds and says "is she?" and i just want to point out whenever paige says something about azzi or is talking about her she gets this tone of voice. her voice goes deep and she speaks very lowly and flirty like. almost like the thought of azzi gets her feeling something and it translates into her voice. SHOOT ME IF YOU WANT TO BUT IM JUST SAYING.

later on, kk brings up wanting to see sabrina and steph in a three point shooting contest. paige not being able to help herself says, "my moneys on azzi." like when it comes to repping your girl yall are not fucking with p at alllllll. again, it's like she's bringing up az cause she misses her and her girls away from her :(. i know my friends and i do that whenever we're missing our significant others, we'll just bring them into conversation more because we're thinking about them heavily. kk sorta laughs and goes off camera for a second because she knows it's soooo goofy of paige to bring up azzi out of no where when the topic wasn't even about az. by god paige will make it about her tho. however, she comes back on screen and daps up paige almost like she's saying yeahhhh im tryna get like you in the future and rep my girl like that!! they both say "you already knowwwww!" and the first thought that came to my mind was dang p is so in love with azzi's talent and she wants everybody to know that's her girl and that's her goat. i mean she does it all the time saying azzi is the best player in the world.

kk sees a comment that says "i got my money on azzi lol" that's making fun of p. she laughs for a second and hands the phone to p to show her. p laughs with her little azzi smile reading it before repeating you already knowwwww. she's subtly hinting again that that's her girl and she WILL be her biggest fan and yall are not allowed to be at all. kk goofily says "and we're gonna end the live" at the comment and they both laugh.

they move on, but p can't stop talking about her girl for 5 minutes. again, because she's thinking about her and wants her to come homeeeeee (her room). she'd rather rip her skin off than not bring up azzi. so she says, "she's not even taking the test no more." she's so desperate it's soooo hiliarious. kk pipes in and says yeahhh she's chatting! p agrees. she needs to go mess with her again, so she brings in the big guns and both her and kk go in this time. kk goes in and says "are you okay" and I KNOWWWW az is giving her the dirtiest look and kk looks a little scared now. but fret not p knows she can mess with her and azzi will never get madddddd cause that's her girl and she loves her (at least in p's delusional head she thinks azzi won't say anything to her). so here's comes this loud ass bitch screaming " AZZIIIII!" and i know az's body immediately tenses up cause girl me too. and then paige screams, AZZI again. it's giving a little kid trying to get their moms attention fr 😭 she seems so done and defeated when she says, "no paige pls im almost done seriously." and she's truly begging for her life cause she knows p will keep annoying her. p obv gets very sassy and pouty and doesn't like this cause she goes, "WHAT THE HE....." before kk mutes her. they probs bicker for a calm little ten seconds and p ofc loses and tucks her tail between her legs. next time we see p she's sitting on the bed again playing her game, oh azzi put belt to asssssss!! she said SIT YO ASS DOWN I NEED TO FINISH THIS. and no matter how loud and sassy p is she's gonna do what her princess says.

kk leaves and goes to go to other peoples dorms. but the legend says azzi stayed and finished her final and went to paige's room and stayed the night 🤫 i just find it so funny as kk's leaving she says goodnight to both of them it just gives she's saying goodnight to her moms and leaving their room before going to sleep. it's so adorable. my kk pazzi's kid agenda IS UPPPPP rn.

that's it yall, thanks for reading!!!

(also aliyah and aubrey at the end isssssss soooo cute)

[h50europe]

From Evan Buckley With Love... also on AO3

Tonight, Fire Station 217 is transformed into a scene of elegance and festivity. The station's gritty atmosphere is replaced by twinkling lights and decorations as everyone dresses up for a special charity event. The goal is to raise money to renovate the children's wing of a nearby hospital, and the community has come together to make it happen.

Tommy and Lucy take to the dance floor, their laughter and joy contagious as they sway to the music. On a hunch, Tommy eagerly buys several raffle tickets, hoping for a stroke of luck.

As the drawing progresses, anticipation builds. When Tommy's number is finally called, a cheer erupts from his colleagues at their table. Grinning from ear to ear, he makes his way to the stage to claim his prize: a beautifully wrapped lemon loaf, one of his all-time favorite treats. The loaf is adorned with a cute tag featuring a hand-drawn fire engine, adding a personal touch to the prize.

Returning to his table, Tommy is greeted with applause and hearty congratulations from his fellow firefighters.

Tommy turns the tag over and his face falls. His stomach clenches, and his lungs feel like they're being sucked dry.

"What's the matter with you, Tommy? You look like you've seen a ghost," Lucy says worriedly.

But Tommy remains silent, clutching the tag and staring at it as if it were a cursed object. In a way, it is. The text on the tag reads From Evan Buckley with love. "This is a bad joke," he mutters. He can't believe he bought the ticket that would win his ex-boyfriend's handmade loaf.

How could Tommy have known that Evan had gone into a baking frenzy after their breakup? When his family and friends couldn't take another loaf, he spent a weekend wrapping and labeling them. He donated five loaves to charities around town, and one of them ended up at the 217.

What were the odds that Tommy, of all people, would win one in the raffle? Was it fate? Or was someone playing a cruel joke?

Tommy couldn't tell. But whatever it was, it killed his mood and brought back a wave of emotions and memories.

"Excuse me, I need some fresh air," he mumbles and runs off, leaving the loaf on the table.

His colleagues are wondering what happened. Curious, Lucy looks at the label and immediately knows what caused Tommy's strange behavior, but she keeps it to herself and gets up. The others watch her curiously.

"I'll go check on him," she explains and follows Tommy outside…

Tommy bursts through the side door of the 217 and into the fresh night air. The city is alive with the sounds of distant traffic and the occasional honk of a horn. The cool breeze carries the faint scent of blooming flowers from a nearby park, mingling with the aroma of street food from a vendor down the block. Neon lights from the surrounding buildings cast a colorful glow on the wet pavement, creating reflections reminiscent of a kaleidoscope. But Tommy remains oblivious to the vibrant display, leans against a lamppost and tries to catch his breath.

The night sky is clear, the stars twinkling like distant memories. He can hear the muffled laughter and chatter from inside the venue, a stark contrast to the turmoil swirling inside him. The air feels heavy with the weight of the past pressing down on his chest.

Lucy steps outside, her heels clicking softly on the pavement. She spots Tommy and approaches him cautiously, her concern evident in her eyes. As she walks toward him, her mind races. All this because of that note? she wonders. I knew they had a rough breakup, but this…

The city buzzes around them, but now it feels like they are the only two people in the world. Lucy's thoughts drift to the times she saw Tommy and Evan together and how happy they seemed. "He doesn't deserve this kind of pain," she thinks, her heart aching for her friend.

"Tommy," she says softly, "are you okay?"

Tommy looks up, his eyes reflecting the neon lights, and takes a deep breath. "I just… I wasn't expecting this," he admits, his voice barely above a whisper.

Lucy nods, understanding the unspoken words. The night air envelops them, a silent witness to the resurfacing emotions.

"I'll be here for him," she decides, determined to help him through this moment. "Do you want to talk about it?" Lucy asks quietly, coming closer.

Tommy shakes his head, then sighs. "It's just… seeing his name again, on something so personal. It brought it all back."

Lucy puts a comforting hand on his shoulder. "I get it. Breakups are hard enough without unexpected reminders popping up."

Tommy nods, grateful for her understanding. "I thought I was over it, you know? But this… it just hit me out of nowhere."

"That's normal," Lucy reassures him. "Healing isn't a straight line. Sometimes things like this happen, and it feels like you're back to square one. But you're not. You've come a long way."

Tommy looks at her, a small smile forming. "Have I? Should I even be over it? After… After eight weeks, two days and a few hours?"

Lucy smiles at him, "Don't tell me… You made that up, didn't you?"

"What?"

"That eight weeks, two days thing." She stares at him.

"No, it's true," he replies without blinking.

"You know that's unhealthy behavior." She decides to distract Tommy from his dark thoughts and suggests, "Let's go for a walk, clear your head a little."

Tommy nods. They link arms and walk down the street together, the city lights guiding their way. As much as Tommy tries to avoid thinking about Evan, one memory stands out in Tommy's mind.

It was a lazy Sunday afternoon, and they had decided to bake cookies together for the first time. Evan, a stickler for detail, insisted on following a complicated recipe he had found online. Tommy, on the other hand, preferred to wing it. As they mixed the ingredients, flour ended up everywhere—on the counter, on the floor, and even on their faces. They couldn't stop laughing at the mess they were making.

The real fun began when it was time to shape the cookies. Evan tried to make perfectly round cookies, but they kept coming out lopsided. Seeing an opportunity for fun, Tommy began to shape his cookies into ridiculous shapes: one looked like a dinosaur, another like a starfish. Evan tried to keep a straight face, but soon he was laughing so hard he had to sit down.

When they finally put the cookies in the oven, they realized they had forgotten to set the timer. They ended up sitting on the kitchen floor, watching the cookies through the oven door and betting on which ones would burn first. In the end, the cookies were a disaster - some burned, some undercooked - but they didn't care. They spent the rest of the afternoon eating their misshapen creations and laughing until their sides hurt.

It was a simple, silly moment, but it was one of Tommy's happiest memories of their time together. It reminded him of the joy they had shared. He sighed heavily. Even though he had initiated the breakup, it had left him devastated.

more here on AO3

Does anyone want more of it?

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[unproduciblesmackdown]

winston my quant of billions

[sukibenders]

Me when I see people compare the Cullens calling/referring to Jacob and the rest of the wolf pack as "dogs", "mutts" or "mongrels" to being the same as them being called "bloodsuckers" "leeches" or even, in Rosalie's case "blonde.":

[jichanxo]

made a tierlist of my kuwagami fics for funsies (+ notes for a few) ↓

(everything listed in the same tier are equals, so the order they're listed in has no meaning)

[giantkillerjack]

Ya know. I spent most of my life with horrible painful soul-crushing social anxiety.

And after about 25 years of continuous hard work, suddenly, people started pointing out - to my utter bafflement - that I had, in fact, achieved my lifelong dream of being charismatic. I'm 29 now; I feel comfortable in most social situations, and it is a very rare person whom I cannot make laugh.

I am, undoubtedly, finally, charismatic.

But do you know what I found?

I found that now that I have an understanding of which social rules serve which functions -- Now that I have an understanding of just how much damage my awkwardness was doing to people, well,

I found that, actually, my awkwardness never really hurt anyone at all. People were just judgmental dicks to me about it.

Now that I have the skill-level to (most of the time) creatively vocalize what is in my head as soon as I think it and without fear, I can confirm once and for all what I had always suspected:

I was worth talking to when I was quiet.

I was worth talking to when I was awkward, and when the words in my head took time and patience to hear, and when most of my jokes didn't land. I was worth talking to the whole time.

So I just... I hope that if you've ever wondered whether you are worth communicating with, the answer is yes. Absolutely yes. Each of us has a soul worth sharing - and if you and I were talking, I would happily wait for you to speak (or communicate in other ways) without condescending, and I would never shame you for that harmless awkwardness that so many people feel the need to violently stomp out.

You are worth talking to. You just are. And you deserve people who will speak to you with kindness, with patience, and with the basic immutable respect owed to all people.

(I talk about this with some frequency, both on tumblr and in real life. At some point, maybe I'll gather all my thoughts on the matter into one post. At some point, I wrote about my personal experience trying to build my social skill. But I felt the need to say at least a little bit tonight after seeing this other lovely post, and I'm glad I did. It will happen again.)

[todayisafridaynight]

INCREDIBLY FUNNY that I refused to settle for just saying "bread" but yes it was those! So in that sense, the lavish bread physics are integral to conveying how important the little things were in getting him through prison. Still, for the sake of the drip…...... perhaps sacrifices are needed...

But yeah, I'm thrilled you noticed those things about the evolution of Jo's design, too! It's super interesting to think about in terms of storytelling, I don't think you're inarticulate in saying that at all. Speaking of, I also just look up "holder" to find prev asks at this point lol

Jo and Ichi's dynamic is also a major topic of interest for me (as we've seen). I think a lot of what's going on with them is definitely some variation of "old habits die hard." That's natural when you form that kind of uneasy coexistence. But like you mentioned, it's also telling that Jo picked up the nickname in the first place, because I went back through the entire script, and it really is the case that only Arakawa, Masato, Jo, and the people who raised Ichi call him that. It's reserved for his family.

I think this line about Aoki (that I completely forgot about before looking at the script again lol) may also shed some light: "A long time ago, I knew him as the young master. He knew me as Ichi." Because they all do that, don't they? Ichi still says Captain, Boss, and Young Master, Jo still says Boss, Ichi, and Young Master, Aoki still says Dad and Ichi.

Even though on paper these relationships should've dissolved with Ichi being expelled, Masato becoming Aoki, and Jo taking over as second patriarch, to one another, they're all still who they used to be. And as an aspect of how they communicate, the "learned language" that forms in families, it stands out when they're all on the same page with the terms they choose to use.

This line from Ichi also stood out to me: "But my aniki taught me different. He said whoever makes the first move is the victor. The guy with steel balls wins." Like, that's clearly Jo, right? For one thing, the "flavor" of aniki is different from Captain, of course--one is directly an appointed post, and one is more open to interpretation--but it also clearly shows that Jo's imparted his "philosophy" to Ichi in some ways.

I think, to a degree, it's one of those holdovers from RGGO that wasn't fully implemented. Because they're more or less the same in RGGO in this regard, but RGGJo does outright say it makes him weirdly happy that Ichi still calls him Captain, so that's a clearer indicator and makes the idea feel more "complete."

With what I said before about their "learned language," too, the Arakawa Family has this way of saying goodbye that's specific to them, and I really miss it in Y7. It is referenced briefly, but it's not a "thing" like it was in RGGO. It's kinda like how The Gang in It's Always Sunny in Philadelphia greet each other with "Hey-ohhh!" LMAO idk but. I Enjoy. But that's also why it stood out to me that LaD8Jo greets Ichi the same way as Y7Jo and RGGJo.

ALSO that is so sick the author of Soliloquy saw your art…… incredible……….. + as an aside since I was reminded, it's very true that sometimes people seem to "fill in the blanks" with tropes, and my favorite is honestly when it's both funny and offensive. There was this whole "phase" (and to everyone's credit it was short-lived) of playing Mine up like this Huge Misogynist because he's not attracted to women, and it's WILD to recognize that he's gay but still pull up homophobic tropes for funsies.

Like I was mad at the time mostly on account of the mischaracterization (because come on, even if you've only seen Y3, he is still uncharacteristically soft with Katase… not that he wasn't INSANE for The Slap, but it also wasn't at all rooted in the same things as say, Nishiki slapping Reina might've been.) But it was funny. Perhaps not in the way it was intended to be, but it was funny. And, you know, that's why I'm happy to stay in my own little corner as well.

You coulda just said bread it's ok 😭 I WAS right though it WAS a carb......

On the subject of language though, it's def something I picked up on (if my last ask wasn't any indication lmao)! It's a real neat detail and something I think helps push that 'family' theme Y7 has going on (or at the very least demonstrates how despite the times changing, they still have those bonds with each other whether they acknowledge it or not), it definitely being a case of picking up a habit/term from family.

About tropes in fan works though, I can't act like I'm guiltless of it LMAO so I don't have too strong of a leg to stand on when it comes to criticizing it (and I can't lie, sometimes I do find playing into the trope funny if it's at least based on something from the text and it's just exaggerated For The Bit yeah). However I do think the strangest thing was linking misogyny and Mine (I made a post rambling about it but deleted it like. .3 seconds later) because nothing he does in either Y3 nor RGGO is explicitly misogynistic? In the slightest? And as we talked about before he's considerably pretty respectful towards women? Again, he surely did slap a little girl, but it wasn't because she was a girl you know (still cringe to do but if we're gonna talk about it let's do it right please and thank you). As you say though, pushing that trope onto Mine just feels like perpetuating the harmful stereotype that gay men hate women, and in cases like that then I can't really take the piss out of it without having a weird taste in my mouth.

[shizuu-chann]

Yes, this!

It's always funny to me when someone's like Americans suck Americans are so weird and I'm like yeah buddy you'll get no argument from me and then they go on to be like "ew they SMILE at you on the BUS" or "they say THANK YOU TOO MUCH at restaurants" and I'm like wait hang on thats what you're going with???? We do WAY worse stuff than that dude like are you sure that's your final answer

[theabstruseone]

I slept in and just woke up, so here's what I've been able to figure out while sipping coffee:

Twitter has officially rebranded to X just a day or two after the move was announced.

The official branding is that a tweet is now called "an X", for which there are too many jokes to make.

The official account is still @twitter because someone else owns @X and they didn't reclaim the username first.

The logo is 𝕏 which is the Unicode character Unicode U+1D54F so the logo cannot be copyrighted and it is highly likely that it cannot be protected as a trademark.

Outside the visual logo, the trademark for the use of the name "X" in social media is held by Meta/Facebook, while the trademark for "X" in finance/commerce is owned by Microsoft.

The rebranding has been stopped in Japan as the term "X Japan" is trademarked by the band X JAPAN.

Elon had workers taking down the "Twitter" name from the side of the building. He did not have any permits to do this. The building owner called the cops who stopped the crew midway through so the sign just says "er".

He still plans to call his streaming and media hosting branch of the company as "Xvideo". Nobody tell him.

This man wants you to give him control over all of your financial information.

Edit to add further developments:

Yes, this is all real. Check the notes and people have pictures. I understand the skepticism because it feels like a joke, but to the best of my knowledge, everything in the above is accurate.

Microsoft also owns the trademark on X for chatting and gaming because, y'know, X-box.

The logo came from a random podcaster who tweeted it at Musk.

The act of sending a tweet is now known as "Xeet". They even added a guide for how to Xeet.

The branding change is inconsistent. Some icons have changed, some have not, and the words "tweet" and "Twitter" are still all over the place on the site.

TweetDeck is currently unaffected and I hope it's because they forgot that it exists again. The complete negligence toward that tool and just leaving it the hell alone is the only thing that makes the site usable (and some of us are stuck on there for work).

This is likely because Musk was forced out of PayPal due to a failed credit line project and because he wanted to rename the site to "X-Paypal" and eventually just to "X".

This became a big deal behind the scenes as Musk paid over $1 million for the domain X.com and wanted to rebrand the company that already had the brand awareness people were using it as a verb to "pay online" (as in "I'll paypal you the money")

X.com is not currently owned by Musk. It is held by a domain registrar (I believe GoDaddy but I'm not entirely sure). Meaning as long as he's hung onto this idea of making X Corp a thing, he couldn't be arsed to pay the $15/year domain renewal.

Bloomberg estimates the rebranding wiped between $4 to $20 billion from the valuation of Twitter due to the loss of brand awareness.

The company was already worth less than half of the $44 billion Musk paid for it in the first place, meaning this may end up a worse deal than when Yahoo bought Tumblr.

One estimation (though this is with a grain of salt) said that Twitter is three months from defaulting on its loans taken out to buy the site. Those loans were secured with Tesla stock. Meaning the bank will seize that stock and, since it won't be enough to pay the debt (since it's worth around 50-75% of what it was at the time of the loan), they can start seizing personal assets of Elon Musk including the Twitter company itself and his interest in SpaceX.

Sesame Street's official accounts mocked the rebranding.