#also even then still have her have consequences

[hexhomos]

The jayce mel breakup scene was a long time coming and jayce was right (IMO)

What if i told you this entire conversation was not just about their situation but something else. What if told you this is all double-speak criticizing mel's type of self-lucrative governance where only the shiny pearls are elevated from the muck? Where only the prodigies are worth saving?

Why would you save just me? why wouldn't you want to save everyone? This is about the city. This is about her long comfortable reign and how she argues in S1 that Jayce needs to make concessions for corrupt politics, that he needs to mold himself in their image.

You focused on me because I could make you money (that you already HAD) while countless lay dead every day as a consequence of your lack of awareness, your aspirations of empire-metagaming. The richest woman in the city aiming to make herself richer; an impulse she inherited from her family that she reproduced as law. Ten years of this and she's just now waking up. SUCKS!

He's still an investment. He's still base value. This is him after seeing the heat-death of all that exists and realizing all the layers of compliance.

The actual physical pain cutting through. How Jayce starts to glitch out the closer she gets trying to explain how she simply couldn't see all that damage coming as a result of her billionaire machinations & he's once again assaulted by images of THE TOTAL APOCALYPSE that is to come if they just continue to play nice/do nothing to address the present. The way this is also Jayce speaking on Viktor's behalf, positing both of them as an unit when he had no voice against Mel before as a zaunite (see again the bomb scene in s1, Viktor's POV disregarded as Mel focuses on pushing Jayce towards power, the same way Ambessa was preparing Caitlyn to take over, the same patterns.)

Jayce shouldn't even have apologized for this shit he was right but this show hates to talk politics, all of the finale was avoiding the point. This was the bare minimum and ppl still got mad at him for saying it!

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[golden-redhead]

One thing I will say about this season is that it really emphasized just how much Silco and his actions contributed to Jinx's issues and how much his presence affected her negatively going forward.

Most of all, though, I think it proved once for all that Vander and Powder had a special bond where he deeply cared for her and genuinely saw her as his own. Especially in season 1, I think a lot of the fandom latched onto this idea that his relationship with Powder was much more shallow than the one with Vi and as a consequence, she connected with Silco so strongly. But just because Vi and Vander were close and he acted as her mentor in many ways doesn't mean he didn't care about the others and didn't have his own connection with Powder. Just because we didn't see it doesn't mean he was neglectful or cared about her any less. He and Vi had a special bond, yes, but that's because they are similar. I also think that in some ways, he saw himself in Vi, just like Silco saw himself in Jinx. He wasn't a perfect father, he wasn't without flaws, but it's clear he did everything in his power to keep his kids safe and ensure a peaceful future for them.

Through their interactions this season and that alternate universum jumping, we found out that they both deeply cared about each other and Vander fully accepted Powder as his daughter. He clearly loved her a lot and she also saw him as a father figure in her life.

Moreover, even though alternate universe Powder also dealt with grief, this time over using Vi, it's clear that Vander was able to give her the support she needed. She didn't turn violent, she didn't struggle with constant hallucinations. She grew up to be smart, resourceful and compassionate. She grew up to be a healthier, stronger version of herself. Someone who's loved, appreciated and has her own place in the world. And all that even after facing the enormous loss that Vi's death must have been.

It speaks volumes about how much Silco projected his own trauma onto her and prevented her from ever realizing her full potential. I don't think he did it intentionally, I don't think he doomed her to be like this as a choice... He certainly loved her and in his own way wanted what's best for her.

But regardless of his intentions, that's still what happened.

Hurt people hurt people.

That's one thing that Arcane made blatantly clear.

[tinseltrinkets]

The ending of Arcane did have its imperfections, but I don’t think all of them are unintentional. Yes, some of it I’d say are flaws in the writing, but in terms of there being some lack of closure and the issues regarding Piltover’s oppression of Zaun not being fully resolved, Caitlyn and Vi not communicating fully, it feels fitting.

Caitlyn asks Vi if she’s still in the fight because she’s right, the fight isn’t over. Humanity is a cycle of violence and peace, it’s inescapable, but any moment that you can deliver even the smallest amount of solace within those is cosmically significant and it is always worth it.

Even between each other, Caitlyn and Vi still have a lot to work through. Communication is key in relationships, but they have the base understanding that they love each other, and that matters.

And even with Sevika as a councilor, there’s still so much to be done in terms of reparations and truly understanding the consequences of their bigotry and oppressive regime. Jinx understands this, but it’s no longer her place to be the symbol of resistance, and it never was. She takes to the skies and leaves the cities to a rocky resolution that she doesn’t need to be apart of anymore.

(Maybe I’m biased because I’m a Jayce and Viktor stan and I’m very happy for them but I do want all the characters to be happy and equally so. I’m also hoping Ekko’s still in touch with Vi and the firelights and that Mel finds peace too)

[thousandyearphantombunker]

Unlike Namaari King Magnifico deserved redemption. He might have been narcissistic and a bit of a control freak but he also felt like he was burnt out and underappreciated/misunderstood (imagine hearing "why can't you grant my wish please help me!' and being unable to explain yourself without breaking that person's heart- the frustration irritation and guilt from those reactions would kill me) and people want to help him for selfish reasons. Imagine meeting someone you think could lighten your load of work and become a friend or confidant only for them to tell you they're helping solely for selfish reasons. That's crushing. and he's not wrong that granting everyone's wish is a bad idea- why waste a wish on becoming a talented pianist if you could just practice on your own and get good? Why ask for a wish to become a doctor when you could just study and become one on your own? Are the people here that lazy? What moral questions would you have to face if someone asks for their child's disability to be cured or for them to have their lover return their affections or if they ask to be eternally happy or get rid of bad but needed realities like death? What ills could those wishes cause (this is giving me flashbacks to the 'board of governors' song from Jekyll and Hyde - very important good questions that got ignored by the protagonist but atleast Jekyll faced actual consequences for being a dumb ass and not answering them) And then there are wishes that are outright dangerous- ill intent unto others.

King Magnifico isn't evil he was under stupid amounts of pressure from his duties to his kingdom, his duties as a wizard who had to contend with these questions and all the work he had to do- on top of all that he has trauma specifically related to this stuff. He's got a thankless shitty job but still pushes through until he can't anymore. He was being selfless until the stupid plot picked up and he had his PTSD triggered and out of fear (which the audience sympathized with for obvious reasons) and after the whole book thing he was possessed and didn't have control over his actions. He deserved some consequences for picking up the book but nothing as harsh as the mirror imprisonment. He deserved to have people point out his fears were valid and that granting everyone's wish isn't a good idea and in some cases it's not even his responsibility. Sometimes you have to make your wish come true on your own and ask yourself the heavy questions- he deserved to be portrayed as sympathetic- He's like genie from Aladdin shackled down by his powers and that he was handling that work load alone with zero thanks and all the frustration of people depending on him more! He wasn't planning to do bad the whole movie! The worst thing he did was open an evil book when the pressure finally got to him

the movie should have let him be right in some aspects "okay maybe granting everyone's wish is bad, and maybe we should appreciate your work more but the only way for us to stop relying on you is if you let us grant our wishes on our own, even if you think it'll hurt" and having Asha, her friends and his wife take on more responsibilities. Maybe he has to share half of his magic with them and it weakens him and he's no longer the sole ruler and basically having him have to confront being a control freak. Having to trust others with his power and chill out. Him and Asha having to let others be disappointed angry and ungrateful and not let it bother them but also having to check themselves and their sense of superiority and Magnifico again would have to check if he was being too harsh etc.

King Magnifico wasn't evil. He's was right that granting everyone's wish is bad and dumb. he was in the right. The story should have shown that he was in the right without making him the good guy and had Asha be an actual character with an arc but instead of actually writing that story Disney decided to make him pure evil out of nowhere so you wouldn't think about how terrible the moral was (which would still earn my ire but I digress) but the thing is Magnifico became evil cause he was possessed- so while not totally innocent it instead emphasized the bigger problem with the movie

He genuinely is selfless and because of his trauma believes what he's doing is right- that can work for a villain but you have to be a real good writer to make it work- you have to make his actions more irrational and selfish and cruel inorder for people to recognize him as a villain (as a rule of thumb if your villain isn't doing something irrationally cruel and is fully in the right then you probably fucked up. If your writing a well intentioned extremist- you either have to make their methods insane or their motive- selfless but irrational or something- something has to be wrong with their mindset or rationale and something definitely has to be wrong with their actions) but clearly the writers can't pull that shit off. They made him completely rational and sympathetic on top of it all

And again he was possessed.

He did nothing wrong prior to that.

Not every villain has to be redeemed and have a son story attached. But for fucks sake if anyone deserves better it's him. The problem isn't that every villain is redeemed the problem is that the villains who get redeemed/get to be sympathetic anti heros don't deserve it and the baddies who do deserve better get treated like garbo

I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.

So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.

(Spoilers below)

King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.

When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.

It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.

However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.

This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.

When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.

Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.

After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.

Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.

When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.

His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.

Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.

The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.

Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.

Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.

Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.

I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.

Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or make no sense from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye

[adonneniel]

Ok, nevermind, I am going to try and put my complicated thoughts on paper.

So, about Dragon Age elves being intentionally inspired by Jews.

Like, on one hand they’ll always hold a special place in my heart because when do Jews *ever* get to be portrayed as elegant and mystical and beautiful? Even if modern DA elves are a fallen, oppressed people, those vibes are still present. And even if it’s not always handled well, the struggle between the more assimilated city elves and the more traditionally minded Dalish is very real. The longing for a lost homeland. The ache and resentment and fear that nothing is stable & people could turn on a dime. The isolationist tendencies that arise as a consequence of that. Perhaps prickly and defensive to outsiders, but loving and community-centered to their own.

In short, it resonates, and I always felt like I had room to roleplay and embrace these concepts, particularly in the older games.

Tbh even the Dalish clans always on the verge of dying felt real. Perhaps too real. And I think the main problem (for me), was that it was never treated with the gravity and respect it should’ve been. The characters shrug and move on.

Even Davrin’s distaste for his people’s focus on the past doesn’t bother me. Because not only do people like that exist, they still made him unapologetically Dalish (he even named his gryphon Assan! An elvish word!) It’s obvious he still cares deeply about elves, and he was the only one who consistently expressed concern for modern elves when the topic came up. If they’d handled the rest of the elves in the game better (which I’ll expand on in a second), I think he’d actually serve as a great constrast to Bellara.

But then we get to the Evanuris, constant victim blaming, and the inexplicable white-guilt projecting the writers added in Veilguard. (And that last one stings because minorities are never treated as individuals—a bad apple is always turned into a representive of the collective.)

Choosing to make the Evanuris the root of Thedas’ woes might be a neat twist in isolation, but it’s *not* in isolation. Not when Jews are at the center of every conspiracy theory and often painted as this nebulous, shadowy cabal controlling society for their own nefarious means. And to then have the gall to paint *all* modern elves with this brush? As if they’re responsible for a few shitheads that existed thousands of years in the past (that also happened to enslave them). As if they’re somehow complicit when past games have made it abundantly clear that elves are treated like trash with ZERO institutional power? (And Veilguard conveniently brushes this under the rug).

It’d be one thing to make Bellara apologize—because it’s kinda in character—but there’s no meaningful pushback. And elf!Rook has at least three opportunities to spout those same bullshit white-guilt apologies. Tbh, it soured me to Harding’s entire questline.

And the distressing reality that the Evanuris might make people even more distrustful and violent towards elves? It’s practically framed as a *new* fear. Which is utterly ridiculous when even an elven Inquisitor can state that people will always find a way to blame elves (with an appropriately resigned anger)

And going back to Bellara, I hate hate hate that her questline almost encourages us to throw away the Archive, as if this monumental resource is selfish to want to preserve? And why do we get to make this choice? Rook might not even be a elf! It’s similar to the framing of Merrill’s quest to restore the eluvian, but at least Merrill fights tooth and nail for it. Why is the desire to reclaim and discover lost knowledge always presented as stupid and dangerous?

One last thing: Epler said they were trying to give the Dalish a win in Veilguard, and I assume baking in a “save the Dalish!” quest was an attempt to make up for the potiential massacres in past games, but, uh…it failed imo. How is it a “win” to make them nothing more than poor little props for the Big Hero to swoop in and save? They have no agency. They’re shown no respect. We don’t even get to talk to them!

Anyway, I’ve seen some excellent takes on the anti-indigenous racism baked into the elves, but not one from a Jewish perspective. So here’s me, a Jew, venting about a series that’s somehow still near and dear to my heart, and probably always will be, despite the racism and antisemitism. (Though whether I’ll replay datv or buy any future games is up in the air. Right now veilguard feels like the last straw—the mediocre writing failed to make up for the highly questionable & infurating choices made).

[night-triumphantt]

I have some thoughts about the arcane ending w nowhere to go but uh, if ur not here for some critique keep it pushing loll

Now that I’ve had a day to digest I’m actually v disappointed w the way the story gave up on its revolutionary messaging. The focus of season one is the piltover and zaun plot, the oppression of Zaun and its impacts on the characters, it is how vi and powder are orphaned, it’s why viktor is disabled, it is why the undercity struggles, Zauns independence is what silco was fighting for, vander and silcos ideological disagreements are based on it etc etc. the tensions between the two cities is rising and rising and then it just, fizzles out and pivots and makes viktor the main antagonist without any recognition of how he got here. And don’t get me started on how there’s zero consequences for cait who is?? Still an enforcer??

The plot highlights through Vi that the enforcers are an oppressive arm of a system w how she was treated as a CHILD and even as an adult and she betrays her ideals, to do what she thinks is right bc she thinks she has to take out her sister and bc cait asked her to do so as an enforcer. And then in doing so she betrays her ideals so aggressively that she is now the exact thing that hurt her, an enforcer, traumatizing a child, utilizing the gas on the undercity, excusing the consequences. And when she faces Caitlyn, cait obfuscates and says she wouldn’t have missed even tho that’s not *better*. Bc ok let’s say she didn’t miss, she just kills jinx in front of isha? and she just gassed the city w what we know is toxic gas? And then she discards vi bc vi isn’t going along with what she wants. Cait then is never shown reckoning w the biases and cruel things she’s done and said after that. There is ONE conversation w her and Vi and it’s framed as Ambessa is the issue which, she is partially but like, topside enforcers were all behind her and Cait was quick to lean into all her preconceived notions of zaunites. (Speaking of making what’s her name a mole was stupid and imo done just to make it so Cait doesn’t have to have that convo w her?? Idk)

Also, Vi goes on a drinking spree in which we never actually see her reckon w what she did as an enforcer, (it’s mostly framed around Cait) and then she hurts isha and,,, nothing?? No sorry?? Nothing. Vi has no plot that shows us her thoughts, her reckoning w what she did, or anything. In my opinion it’s bc the writers wanted cait/vi to work and if Vi actually had to think about what happened and what she did then they wouldn’t have worked out. Vi w/ no one to protect who has to rebuild her identity and really decide how she ended up where she did, I would have loved to see it. Her and Jinx’s convo where she says u don’t need me to protect u was actually rlly good, them reconnecting as equals & Vi seeing how jinx became a symbol of the undercity, fighting for it together, finding how she lost her way, like, cmon. Jinx not ending her story w yea actually u should die previously suicidal character, (don’t worry, this is a good way to die) and instead doing the hard work of rebuilding, and seeing a future for herself that isn’t painted in tragedy, surrounding herself w ppl who love her and help her grow (while silco loved her he could not help her grow bc of his own unhealed wounds) using her ingenuity to rebuild w ekko, like, ugh. These are very rough thoughts that got kinda, long, but yea in conclusion, while I loved the characters, the refusal to *commit* to the political message they started hurt the show a lot, and I’m rlly sad for what could have been.

I have a lot more thoughts about sevika and Mel as well but I’m mostly just bummed.

[mydearestbeloved]

Chapter 16 [Draft]

Sung Jinwoo/Trial Player!Reader

CW:

Inspired by @circeyoru ‘s “Future Power Couple”

[Masterlist🦋✨️]

You needed to rein in your anger for now. Jinwoo needed to defeat Baran as quickly as possible to obtain the ingredients necessary to cure his mother. Even though he might not yet know whether it would work, you did. The future you knew was enough to justify setting aside… whatever this was for the time being.

It was clear that Jinwoo wanted your support; otherwise, he would have already gone to the Demon Castle. You should have convinced him to go solo. According to the story, he’d be fine. Your interference might bring troublesome consequences, yet you wanted to help him—perhaps selfishly this time.

You still blamed yourself for what happened to his mother. You knew her eternal slumber was meant to drive Jinwoo to grow stronger. But you had the power to prevent it, to cure her, and yet—

At one point, you unconsciously began to feel that helping him was a way of making amends—for your helplessness, for things out of your control. Not just his mother [Why do you blame yourself?] but also for not arriving sooner from the garden. For being too late to save his father, even if the system might have stopped you anyway. You could have tried. Yet you were too late [it’s not your fault]. Too late to save his father. Too late to help the people devastated by Kamish.

[It was out of your control.]

---

The garden was as serene as ever, a tranquil oasis filled with blooming flowers and butterflies flitting through the air. The soft hum of nature provided a soothing backdrop, yet the tension inside you was anything but calm. You sat at your usual spot by the gazebo, sipping tea from a delicate cup, waiting for him to arrive via the invitation you’d sent with your butterflies.

When Jinwoo stepped into your domain, the portal sealed behind him.

Was it just you, or did he look more haggard than usual? Was it because of your… disagreement? He shouldn’t care that much about you. You needed to be sure of that. Otherwise… you didn’t know what would happen to this story.

"(Name), I'm sorry—" Jinwoo began, his voice tentative, but you cut him off with a raised hand.

"Sit," you said simply, taking another sip of tea. Your tone was measured, calm, but there was no room for argument.

To his credit—or perhaps his detriment—Jinwoo sat immediately, like an obedient dog, responding to its master’s command.

You laughed, and he flinched, thinking he’d done something wrong again. But you laughed because of the irony. Here sat the soon-to-be strongest man in the world, obeying you like a lost puppy. You didn’t know whether to laugh, cry, feel exhilarated, uneasy, or all of the above.

It was both endearing and unsettling.

You needed to address this situation—quickly.

But for now, Jinwoo needed to focus.

"Let’s set that aside for now," you said, waving off his attempt at an apology. You noticed him opening his mouth again, perhaps to protest, but one sharp look from you silenced him effectively. Lovely.

At least he listens when it matters.

"You need to return to the Demon Castle to gather the final material for crafting the Holy Water of Life, correct?"

"Y-yeah," Jinwoo stammered, caught off guard by your directness.

"Then why are you still here?" Your voice held a firm edge. Why hadn’t he already gone? He didn’t need you for this, not really.

"I—" Jinwoo faltered, the words dying in his throat. He was going to ask you to accompany him, but why? Why didn’t he use this time to leave, to step away from your anger? He couldn’t admit it, not even to himself, but leaving without resolving things with you felt… wrong.

Running away from this felt wrong.

You sighed, leaning back in your chair. The tea in your cup swirled as you tilted it slightly, your thoughts as restless as the liquid. "I’ll help you," you said at last, the words measured but sincere. "Though I’m not sure how much help I’ll actually be. Just give me time to prepare.”

He clearly hadn’t expected that. “You don’t have to—”

"I don’t," you interjected, cutting him off once more. Your gaze softened as you set the teacup down and folded your hands on the table. "But I want to. Let’s just leave it at that."

Oh.

Jinwoo felt an odd sense of déjà vu. It reminded him of the past, back when he was weakest. When he didn’t know anything about his mysterious benefactor. When he didn’t know you.

Thank you. He wanted to say it, but it didn’t feel like enough. It never did.

You took his silence as agreement, your lips curving into a faint smile despite yourself.

---

The silence stretched on, the air heavy with unspoken tension. Jinwoo fidgeted slightly.

“I—” Jinwoo hesitated. Should he bring up that dinner? No. It wasn’t the right time, not when you were setting your fight aside for his sake.

“Hm?” you prompted.

“…Can you train Tusk?” Jinwoo blurted out, summoning the High Orc Shaman before he could stop himself. The towering figure of Tusk knelt immediately, his glowing eyes filled with both reverence and curiosity as he regarded you, and… confused by his nervous master.

You arched a brow, eyeing the orc, setting down your teacup with a soft clink.

Jinwoo scratched the back of his neck. “He’s good at casting spells—” He winced at his poor wording. “I… I thought he could learn a thing or two from you—”

You moved, and Jinwoo stiffened. Standing from your seat, you approached the kneeling Tusk, your footsteps soft against the gazebo’s stone floor. Tusk, to his credit, remained perfectly still, though his glowing eyes followed your every move.

Reaching out, you placed a hand gently atop his head, patting him lightly.

The orc blinked. Jinwoo blinked.

"Alright," you said simply.

You smiled—a genuine smile that Jinwoo hadn’t seen in days.

It was meant for Tusk, sure, but his shadows were an extension of himself. And Jinwoo… Jinwoo clung to that small glimmer of hope.

---

“Enchanting equipment?” you asked, your voice cool and composed.

“Yes.” Jinwoo nodded, carefully pulling two items from his inventory. “A few days ago, I bought some gear in preparation to return to the Demon Castle.” He handed you the wind-attribute robe and the nameless ring imbued with a water-attribute.

You regarded the items with a practiced eye, fingers grazing the surface of the robe before both pieces floated midair, enveloped in your signature silver aura. Jinwoo watched as your shoulders relaxed, your eyes fluttering closed.

His gaze remained fixed as your butterflies began to swirl, seamlessly merging with your aura as they danced around the equipment. Your hair swayed gently with the magical currents, and for a moment, Jinwoo was captivated.

The light flared momentarily before dispersing, the butterflies scattering back into the garden. The robe and ring floated down gently into your open hand. Without a word, you handed them back to Jinwoo.

Out of curiosity, he activated the system to inspect their stats, and his eyes widened in shock. The equipment’s overall defense had tripled. Not doubled—tripled!

The robe’s magic resistance and affinity were leagues beyond its original state, and the ring now pulsed with latent power, its water attribute refined into something far more potent. Even the overall quality of the items had improved dramatically.

“You’re… you’re really amazing,” Jinwoo said, awe dripping from his tone as he examined the equipment.

You hummed in acknowledgment, though your focus had already shifted to your butterflies, idly letting them land on your fingers and shoulders.

You still weren’t looking at him.

Oh right. Jinwoo’s expression faltered as the realization hit. You were still giving him the silent treatment.

From the corner of your eye, you could see Jinwoo’s reaction—his head tilted down, his shoulders slightly slumped, his lips pressed into a tight line. He looked like a dejected puppy, an image made even more comical by his flickering gaze, which kept darting to you as if waiting for some kind of acknowledgment.

Your butterflies noticed, fluttering inquisitively toward Jinwoo before retreating back to you. Jinwoo’s shadows, peeking through the faint dark mist at his feet, mimicked the butterflies with exaggerated shrugs, clearly as lost as he was about what to do.

You didn’t react.

---

Yeesh.

Jinho shifted uncomfortably in the driver’s seat, glancing between the two of you as the car sped down the road. The silence inside was suffocating—not quite as unbearable as the last time he’d seen the two of you together, but still tense enough to make him itch for some form of normalcy.

His Unnie sat by the window, her head resting lightly against the glass, staring at the passing scenery. She hadn’t said a word since they left. His Hyung, seated in the opposite side of the passenger seat from her, occasionally flicked his gaze toward her, his brow furrowing ever so slightly before his focus returned to the road.

The tension was palpable.

Jinwoo cleared his throat, breaking the silence. “Were you able to sleep well?” he asked, addressing Jinho.

“Yes, Hyung-nim. Unnie is really a great host!” Jinho replied, his tone overly chipper as he tried to ease the atmosphere.

For the briefest of moments, he caught the smallest of smiles gracing your lips. It was faint and fleeting, but it was there. Before he could even process it, your expression returned to its usual steady, composed look.

The silence resumed.

This time, it was Jinho who cleared his throat awkwardly. “By the way, what business do you two have at the World Tower this early?”

“We’ll be going,” Jinwoo answered curtly.

Your gaze flickered to Jinho, and you added, “Take care of my shop in my absence, okay, Jinho?”

“Wait, what—?” Before Jinho could even finish his sentence, both of you were gone.

Jinho blinked, staring at the now-empty car. “Huh?” he muttered to himself, still processing the abrupt departure.

He sighed, leaning back in the seat. “Well… at least the tension’s gone now…”

---

“As we practiced, Tusk!” Your voice carried across the battlefield, clear and commanding.

Jinwoo stood at a safe distance, watching as the shadow of the high orc shaman obeyed your order, prepared to unleash a spell. Tusk raised the Orb of Avarice high, the artifact shimmering as it expanded to match his increased size.

“Fire!”

The command was punctuated by a deafening explosion of power. The beam tore through the battlefield, obliterating every demon in its path, only leaving a charred crater. The heat from the explosion rippled outward, stirring dust and debris, carrying with it the echoes of decimation.

Jinwoo whistled in appreciation, folding his arms as he observed the carnage. Behind him, his shadows shifted, and your butterflies fluttered in synchronized patterns, as if admiring the display.

Meanwhile, you floated upward, your butterflies swirling protectively around you. Once you reached Tusk’s massive head, you landed lightly, patting the shaman’s forehead.

“Well done!” you praised, your voice warm. A neon blue butterfly followed your gesture, landing on Tusk’s—well, tusk.

The shadow rumbled in satisfaction, his massive shoulders relaxing as he basked in the praise. Jinwoo couldn’t help but chuckle

Yeah, he thought, a small smirk tugging at his lips, leaving Tusk’s training to her was definitely the right call.

---

“Say, can your butterflies level up?” Jinwoo began as his dagger sliced cleanly through a demon, sending the dark creature crumpling to the ground. “Like my shadows?”

You were a short distance away, directing a volley of butterflies toward a cluster of demons. The faint hum of system constant notifications rang in Jinwoo’s mind as both your forces and his defeated demons across the floor in the coordinated teams.

“Yes, they can,” you replied, casting a spell that sent silvery light streaking toward Jinwoo. His health bar filled rapidly, minor scratches on his arms close up. A boost in mana regeneration and overall speed left him feeling reinvigorated as he flexed his fingers.

“They gain power differently, though,” you continued, spinning your scepter once to clear some demons encroaching on your position. “Instead of receiving direct experience points from defeating enemies, they grow stronger by feeding on lifeforce. It’s a continuous process, and it takes significantly more time.”

Jinwoo hummed, parrying a claw strike from a nearby demon. He glanced back at you as you effortlessly destroyed another group with a volley of silver projectiles.

You nodded. “They also have ranks similar to your shadows, but the system referred to them as stages of metamorphosis. Egg, Larva, Pupa, and Adult. Their forms change at each stage. Sometimes they grow larger, sometimes their colors or wing patterns shift, and so on. The last time I maxed them out, though, the ‘Adult’ stage was locked, so my strongest children remained in the ‘Pupa’ stage.”

Jinwoo tilted his head slightly, avoiding a beam of light that zipped past where his head had been moments before. The shot hit its mark, incinerating a line of demons behind him. He didn’t bother turning to check the scorched corpses. His focus stayed on you.

Your scepter glimmered in your hand, its tip still smoking faintly from the spell. You ran a hand down its length, your expression calm and calculated as more demons circled you and him.

“To ascend to the next stage, each butterfly requires specific ascension materials. The materials differ depending on the field I want them to excel in—whether it’s devouring, illusions, healing, or something else entirely,” you continued. Your voice was steady, even as you broke into a sprint straight toward him.

Jinwoo remained perfectly composed, lowering one hand, bracing himself. Without hesitation, you plant your foot in his palm, and he used his strength to propel you into the air. The dagger held in his other hand slashed cleanly through the demon hot on your heels.

Midair, you spun gracefully, casting multiple magic circles that hovered around you like constellations. Beams of concentrated light erupted from them, carving through the horde of demons surrounding Jinwoo with pinpoint accuracy. The spells struck true, decimating the creatures while leaving Jinwoo untouched in the center.

You landed gracefully, the silver aura around you dispersing as your butterflies fluttered back to various parts of the battlefield, supporting Jinwoo’s soldiers.

“It was something I gave the system feedback about. It’s why your shadows only need your permission to rank up.” You brushed a stray strand of hair from your face.

“A single Larva-stage butterfly is more than equal to an entire kaleidoscope of its siblings still in the Egg stage. And that comparison holds for the higher stages as well.”

Jinwoo’s eyes followed the graceful movements of your butterflies, a thoughtful look crossing his face. “So… when do you get to name them?” he asked casually, flicking the blood from his blade.

You turned to him sharply, your expression almost scandalized. “My children are living, sentient beings, Jinwoo. I name them as I see fit.”

Jinwoo smirked. “You’re telling me you memorize all their names? From the look of it, you’ve got hundreds—no, thousands of them.” He chuckled, expecting you to roll your eyes or laugh.

Instead, you looked at him blankly, reply just as flat, “Yes.”

Jinwoo opened his mouth to respond, but no words came out. After a second, he closed it again and shook his head with a soft chuckle. “Of course, you do,” he murmured, bemused. Honestly, he should’ve expected that. It was just so you.

A voice echoed in your mind, soft and respectful.

My Lady, Sir Jinwoo’s shadows have located the entry permit. We can now ascend to the next floor.

“Red informed me that Igris’ team found the entry permit,” you relayed to Jinwoo.

He raised a brow. “Red?”

“The child who always hovers to my right,” you said, and as if on cue, Red fluttered down to your shoulder. You patted her wings lightly, murmuring, “Well done.”

Igris materialized behind Jinwoo, confirming the butterfly’s report with a respectful nod.

Jinwoo made a mental note to ask you more about your telepathic connection and the mechanics of how your butterflies were born. For now, it was time to ascend.

“Let’s move.”

Together, you ascended to the 80th floor.

End Note:

Unfinished Draft of [18/11/2024] -

[sunatsubu]

Jayvik and time paradoxes

I can't stop thinking about Jayce/Viktor. They're driving me insane, absolutely INSANE. Because everything about them is a time paradox??

This is pretty rambly, I'm just trying to get my thoughts down in my attempt to stop going crazy over them and also just figure out what the heck happened because I'm still kind of confused about some stuff, also I am not very familiar with game lore, mainly just the show.

They circle each other and are so intrinsically linked in so many ways, being both cause and effect to each other's fates. Starting at a random point that ends up circling all the way back:

Jayce and Viktor invent Hextech

Jayce gets drawn into politics as a result, away from Viktor

Viktor gets desperate, experiments with hextech on himself, with Consequences (Sky)

Viktor asks Jayce to destroy hextech

Jayce, unable to let Viktor die after Jinx's attack, fuses him with it instead

This leads to Machine Herald viktor, but not quite; like Pre-herald I guess? Where Viktor still retains some humanity

Jayce gets told by alternate Viktor to stop him from becoming the Herald

In his attempt to do so, he kind of causes/hastens it instead?! (more thoughts on this below*)

alternate Herald Viktor regrets everything and saves baby Jayce/gives him the runestone**

Jayce grows up wanting to research magic thanks to mage Viktor, and cue s1 events that end up circling back to the first point**

*I can't stop thinking about how kind and gentle Viktor seemed when he was trying to help Vander. It really seemed like he was on a path to using his new powers for good, without any sinister effects (though maybe I missed some hints, need to rewatch). It wasn't until after Jayce blew his heart to smithereens that he seemed to start on that path of deeming emotions and humanity unnecessary, solidified when Jayce rejected him to join him as partners again.

**Still trying to wrap my brain around these last two. The existence of alternate Herald Viktor that brings our Jayce to his destroyed world in order to ask him to stop our Viktor - does this imply that Viktor would have still become Machine Herald even if Jayce hadn't tried to kill him? Was it an inevitable thing? Or is this still more time paradox shenanigans, where Viktor asking Jayce to stop/kill his younger self, is both the cause and effect of Herald Viktor? And yet another paradox, Viktor inspired baby Jayce to research magic and ultimately invent Hextech, which is what was needed for Machine Herald Viktor to come to pass. So it seems like there are actually 2 paradoxes related to the creation of Herald Viktor/apocalypse post Viktor's revolution.

These time paradoxes defining their existences makes me think they weren't supposed to exist. Or at least, the ways they so significantly affected the world, weren't supposed to come to pass; Hextech, Viktor's Revolution, apocalypse. So while their ending breaks my heart into a million pieces, it makes a lot of sense. In order to cancel out what they'd do to the world (or just Piltover? this is another point I'm curious about, did viktor's revolution affect ALL of humanity?), they had to erase themselves from existence. It's so. romantic and tragic, but not really on both those counts? Like somehow deeper, too deep, to put such simple labels on. Honestly I don't even really know how to describe what their story makes me feel.

Bit of a tangent, but one interesting anomaly is the alt timeline Ekko was in. So Jinx would always be an important factor in Jayvik's fates since her attack almost killing Victor is the catalyst for a lot of things. Mage Victor says Jayce is the one thing across all timelines that could stop him, implying there are MANY timelines where Herald Viktor comes to be. Which thus means in all those timelines, Jinx is the unstable mess we know and love, the one who would attack the council. So that makes it interesting (and kinda gutting because its like Jinx is destined to suffer in most timelines) that Ekko's alt timeline was most likely rare in its stability, where despite Vi being gone, Powder is relatively happy and the world (Piltover/Zaun) is quite peaceful.

This is a seemingly random segueway, but Jayvik very strongly reminded me of the german show Dark. (WARNING FOLLOWING IS MAJOR SPOILER FOR THAT SHOW)

A completely different genre and story, but both are about two people whose destinies are so linked together throughout time and alternate universes, but weren't supposed to exist. And they could only save the world, allow it to go on untouched from the devastating effects they would have on it, by taking themselves out of the equation.

[mikichko]

combustible - highly flammable, easy to burn cw: gn!reader, avoidant reader, angst (?), somewhat comfort (its comfort to ME), all lower case a/n: a self-analysis. but if y'all catch strays that's not on me... also been a while since I've written so be gentle with me please

he's sixteen when the cat skitters from him the first time.

he's familiar with the pattern of an animal seeking shelter, some refuge from the cruel hands of the world. he's seen her test the limits and bounds of their steps, slinking around the garden as she tries to find safety.

he also knows she skitters the fastest and furthest away the second something unfamiliar breaches her space. first sign of discomfort and she's gone. it takes her days to return.

he wonders if she knows of the cruelty within the house. she must. ears as keen as hers have heard tommy's shuddering breath, he's sure of it.

and yet, the crashing inside never spooks her.

but somehow, his initial steps towards her always did.

simon still remembers the drop in his stomach, guilt cooling the pit of it, as he saw her galloping away. her hind legs coming between her front paws, moving so fast her front paws didnt even have a chance to come off the ground. he'd felt sick watching her scramble away from him. the nausea at her departing figure felt worse than the dread of returning inside.

so he'd sucked in a breath and stepped back behind the sliding door. whatever was waiting for him was better than disturbing her peace.

who was he to disturb the semblance of safety she'd worked so hard to find. slinking from alley to alley until she ended here. he at least had his own hands to ward off blows with. she didn't even have the dignity of that.

it took her days to come back. every day she was absent turned his stomach. shame weighed down his steps until he took the time to set up hidden food and water bowls to greet her. it was the least he could do for her. food and fresh water to greet her when she deemed it safe to return. a small token to let her know the space is hers, safely provided to her no matter what.

she'd still back away when she saw him at the door. half a bite of food falling from her mouth as she spotted him, slinking back instinctively.

but simon makes no move to open the door. he just watches her behind the safety of the glass.

they're locked together before she blinks quickly, assuring he's still standing behind the glass before returning to her food bowl.

it's a few more days of this before she turns to him, closing her eyes ever so slowly and then, turning her back to him.

simon can't help the smile that spreads across his face, warmth blooming in his chest as he feels genuine joy for the first time in a while.

gradually, she eases up. she even allows him to stand outside with her, at a distance. a few more weeks of this and she tentatively slinks between his legs as he freezes. doesn't even breathe to spook her away as she scents him, marking him as hers.

patience yields results and on sunny days she's curled up on his lap while he enjoys a hot cuppa.

this is why he blames himself when you run.

he'd breached the boundary too quickly, pushed too hard against the ease of the relationship you'd built. he hadn't meant to, but he'd seen he change in your gait. had noticed how you'd started to hide parts of yourself that he'd been privy to. the clothes didn't change, but your laughter did. dimmed down, clipped and short, just long enough to fool others but simon knew you better.

he sees you transform before his eyes, a version that had existed only before he knew you. hardened by the winds that had eroded your softness.

you'd erected walls for refuge. necessary to ward the winds intent on toppling you, though it had the unintended consequence of keeping kindness at bay. unable to feel it through the stone.

yet, simon had been granted access within the concrete barriers. privy to what was withheld from others.

and he'd pushed his luck.

he'd known some conversation were likely to push at you, irritate the way skin does when it rubs against itself, but you'd held strongly through it all. in the end, it wasn't a specific conversation that triggered your retreat, but the culmination of it all.

he'd watched how you'd clammed up. laughter dying on your lips as the realization dawned on you.

you were overexposed, overly comfortable, and unprotected.

your things were gone the next day.

his side table clear of anything of importance to you. small traces of of you through out his apartment, in the crevices, just enough to keep him off your scent. to prevent him from becoming alarmed.

he's a damn good soldier though. better at understanding when someone's got the urge to run with no intention of coming back. exceptional at finding people.

he gives you two days.

no messages or calls, all so you can breathe a little easier. work yourself out of state of mind you'd found yourself in. to no longer feel bare and exposed.

then, he shows up at your coffee shop. orders your drink, his drink, and waits.

the baristas know him by now, and they know you're his keeper. at least, that's what's been floating around amongst the regulars. so when you approach the counter seeking some liquid energy they simply gesture towards simon.

you're an expert at hiding yourself from others, so your face of neutrality never wavers. but simon isn't any other person, he knows better.

he sees the small, sharp inhale through your nose, the tightening grip around your phone, your other hand twitching against your leg. you're unhappy, but not angry.

he'll give you your space, he'll never deny you that, but he'll always be near. watching you from behind the glass while you get comfortable again. until you're able to have your back to him, to let your fingers graze the back of his.

until you find yourself curled into his side again.

he's willing to wait.

you eye him as you take a seat across from him, body uncharacteristically rigid.

"just a cup of coffee. take your time with it, i'm not in a rush love. i'll be here"

@wraithdance pspspspsps

[revenge-of-the-shit]

No actually I'm coming back to this at how the enforcers completely lost all nuance by the end of the show. Like. In season 1, we have:

Cait learning as an enforcer how she has lived an extremely privileged life, how enforcers are not seen as protectors but oppressors

Marcus, a complex character who knows what he's doing is wrong, who is arrogant, who is deeply flawed, but also one who clearly loves his daughter and does all of it for her

Grayson, who works with Vander and does what she can to keep the peace, who has power but also knows her power has limits and tries what she can, but ultimately even her own actions continue the oppression even if she might not want to do it, and at the end she dies for it

And then at the start of S2, we have some conflict where Vi does angrily reject the first offer for her to join, where we are introduced to someone like Loris who rejects the enforcers joining into martial law... and then that's it. By the end of the show suddenly it's everyone vs Noxus and the Machine Herald. Which is fine on its own, United Fronts have been a thing that have historically happened, but there's so many things completely unaddressed or brushed aside. Cait never even faces a single consequence or a moment of introspection as to how gassing civilians is bad, actually. Vi joins the enforcers and then doesn't really think about it much at the end despite multiple jabs from Jinx. A lot of the violence from enforcers is suddenly attributed to Noxian interference, be it from Ambessa or Rictus or Maddie.

It's not that fully surprising because at the end of the day, Arcane is a Western show being shown on Netflix. But it's still disappointing.

Idk I feel like making Maddie Nolen a traitor loyal to Ambessa does an extreme disservice not just to Maddie's character but also to the potential political message of Arcane. Had Maddie really, truly been earnest and kind and compassionate the whole time, and had she died in the battle, it would have done so much more for her, for Caitlyn, for the show. Here is a gentle character whose life and innocence would've been stripped from her because of war, because of imperialism. Here is a ray of sunshine who followed Caitlyn loyally through thick and thin, who shows Cait price of working with other oppressors.

But also: here is the bubbly character with a smile, the first to eagerly join in to a descent to fascism and martial law. Here is the "good cop", the gentle enforcer, who faithfully joins in a quest that involves gassing innocents of a city. Here is a kind soul, but also a soul who after expressing some doubts about the methods used, continues to work directly with and as the oppressors of innocents. Even the best of the enforcers is a part of the unjust oppression of Zaun.

Instead, she's written off as a spy, a mole, bad all along. Any nuance that her character could have brought is stripped away and she's killed and discarded without a second glance. The enforcers as a whole I feel could've been approached with more nuance, and she would've been a part of it. Instead, she's one-dimensional, a complete turncoat.

[disheveledtranquility]

A little Eddie whump character analysis deep dive.

And defending symbrock while I'm at it and why I think movie Eddie was actually well thought out as a character and not just because "the stereotypical macho blonde asshole would not have been popular."

I'm exhausted so hopefully I didn't mess up the details too bad. Been a while since I read the comics.

Sprinkle in some of my ADHD so expect a bit of rambling. I added some gifs because I do love a picture book.

It's canon that Eddie Brock was abused by his father growing up. And the abuse was mostly emotional, lack of love, and lack of concern.

And gentle reminder that not everyone handles trauma the same, no matter which kind, and I feel like the way they wrote Eddie for the movies showcases another side to that trauma versus the comics. There's so many little details that even if it's just Tom being the amazing actor that he is portraying that side and not actually having those details written for him, it's still amazing.

Because Eddie's father was cold and emotionless after he lost his wife during childbirth. And of course Eddie tried everything to gain that love, just to be constantly subpar and never good enough for even a second glance.

After an accident involving drunk driving where Eddie hit a child, their relationship only got worse. And later in the comics, he disowns Eddie completely after he loses his job.

The movie version of Eddie is the broken version of that trauma.

He tends to shy away from situations where you'd assume he'd rush in to, like saving Mrs. Chen.

Trying to help or inquiring when he notices Maria missing. Anything that involves complex emotions. He's a reporter, yes, and he's cordial when he needs to be, but he seems to stick to his job and otherwise keep to himself. They don't exactly show that he has any friends, just Anne. So he's probably introverted because of the years of abuse and having to feel like he has to do everything alone with little to no strings attached.

Even simple things like getting into Anne's emails can be misunderstood. It's not malicious, but more misguided. He loved Anne. He didn't do what he did with intent to get her in trouble. But his poor decision making is probably also a part of not actually being raised and not knowing how to handle certain situations such as actually talking to your partner before you do things on your own? So much could have been avoided. And Eddie had good intentions of getting rid of Carlton Drake, but ruined his own life and Anne's as well because he didn't think things through.

He can't handle his emotions well (might also tie into the noises issue he seems to have that are not related to Venom, a possible trigger for him).

He has a lot of nervous ticks that also tie in with someone growing up in an abusive household. Emotionally stunted ticks. Like holding eye contact when someone he cares about is upset with him and he doesn't know how to fix it (because everything he does is wrong).

Even something you might think is simple, like apologizing, have had negative consequences as a child and might be why even though he's no longer in that situation, his brain isn't used to connecting any good emotions between them. He's probably not used to apologizing sincerely because doing so never meant it would change the outcome.

His mannerisms get worse when he's particularly anxious, like when he might have thought Venom didn't want to come back just as Anne when she left and never wanted to come back.

Again, because he pushed them away, just like Anne. Again, because he messed it up. And again, because he didn't know how he was supposed to fix it.

Because Eddie cares so much even though his head is always such a mess. Makes me think his dad had a say or two about Eddie constantly groveling for his attention and the way it might have made him seem weak, and Eddie in turn stopped himself from letting himself be so open and able to talk about these issues because of it.

His inability to form and/or hold any kind of positive relationship is a good telling sign.

He grew up vying for love without success. He doesn't know what a healthy relationship is supposed to look or feel like long term, even though he tries.

He probably just looks for some level on comfortable routine in his day to day with someone, assumes that's the best he's going to get, and hopes for the best. Any change and it throws him completely off center. He's not used to communicating in a relationship when he grew up talking to a wall.

Also why I think he handles being with Venom so badly. It's not the eating heads and it's not the whole 'alien living in my body' ordeal.

If something isn't obviously positive it feels negative to him in his mind, which makes everything worse. He's selfish in needing to keep his mental state positive. It no doubt contributed to his alcoholism.

He became a people pleaser. Not in the way of gaining attention, but because he's constantly trying to avoid any negative sentiments directed his way. He's already damaged. He doesn't want to have to feel worse.

Eddie is in constant fight or flight with Venom without knowing what the symbiote will do next and how he, Eddie, will be perceived. He becomes very anxious, and later, angry. He's always walking on eggshells.

But the relationship is different with the symbiote than it is with Anne. Even if Eddie doesn't explicitly say it, he feels safe with Venom. More able to let that rage out that he couldn't before. And because he doesn't feel like the symbiote is going to actually hurt him, when his stress gets to him he tends to lash out at it. It's a lovely little cycle of abuse and Eddie really needs therapy.

Venom didn't fully understand the layers of Eddie's traumatized mind yet in LTBC, which is why I think it lashed out as well. Like Anne had with Eddie. Again, it's different though. Venom understands enough to see through that mess and see that Eddie doesn't mean anything with what he says.

It never does damage with malicious intent to Eddie, comedic acts aside. Not even with the fight between them in LTBC. It breaks Eddie's nose twice just to heal it immediately twice, and doesn't leave him with any lasting damage at all.

Because it cares about Eddie. And because it was never meant to harbor emotions, it's probably going through the damn gambit having to feel everything through Eddie and feeling just as hurt by him.

This is also why I think Eddie is constantly complaining in TLD. He's again in constant fight or flight and too comfortable with Venom, so he's just lashing out. But you can tell the symbiote takes none of it to heart, sometimes even seeming to ignore his remarks completely.

Maybe after a year with Eddie it finally understands the pain underneath all that stunted emotion, anxiety, and anger. That, and Eddie no longer drinks his negative emotions away, which means he has less ways to calm himself when he gets too stressed.

Through everything, Venom is the only one who has the ability to see the issues that are deeper. It stayed through all that mess and decided that what was under the baggage was worth holding on to, without Eddie having to try and explain why he is the way that he is.

[crushh-existz]

Violet & Powder

They try and try but in every universe they just cannot co-exist. They depend on the pure hope of the other coming home with the family they have found but the sisters will forever be two repelling magnets. Urging for connection but can never find the right side so they just push the other away only to be left in more anguish. Oil and water, never able to mix for long before separating cloudy and different from before. The memory of softer times push them on to seek such softness deep within their hardened exteriors, tested by time. With the purity of Powder to keep Violet’s heart in place and Violet’s strength to power Powder yet they still make each other rot. Jinx stole her sister but she cannot blame her creation. Even when the one who protects is keeping the monster at bay, they are never safe for long. Deep down they know the consequences of their actions but they didn’t dare break the cycle until one of them winds up dead.

I hope yall can understand what i’m getting at…

Also orange is isha btw…

[itoshikha]

on another note about arcane though, i do think the writers really failed to convey any sort of positive outcome for zaun in season 2.

for one, sevika doesn't speak at all in ACT 3, nor does she get to defend herself or her people in any meaningful way. they decided to throw her into being a council member, but one person from zaun and 6 other from piltover? what kind of voice is she actually going to have in that repression?

secondly, the jinx supporter girl people have grown to adore, gert, was suddenly killed while fighting alongside her oppressors who wrongfully beat and arrested her, in the uniform no less. really? who thought this was good writing.

lastly, i'd like to mention the 'im the dirt under your fingernails' comment from vi. it's so excruciating for me how they decided to end on a line that's only purpose is to clearly solidify the vast difference in their social status and put caitlyn on a pedestal. i can't pretend that showing their relationship in this light is healthy. that's the thing; their partnership came down to the fact that they aren't actually equals. that vi is always going to be lesser than cait and can't ever level with her. im sick.

the main thing this show focused on in season 1 was police brutality and the wrongful centrist, capitalistic mindset and they've completely failed to prove of piltover's wrongdoings in season 2. the war didn't lead to anything better for zaun. piltover's still superior, and the cycle of fascism is only going to continue. they made tortured people put on their oppressors' uniforms, caitlyn and vi poisoning zaun's air and murdering innocent people was never addressed, and piltover also corrupting the air and water in zaun through the hexcore never had any consequences.

as many poc creators have rightfully said, it's obvious that this show was made by white people for white people. as a white, anarcho-punk teenager standing among you all, i want you to know i understand completely, even if i'll never feel what you do.

banners /dividers by @/cafekitsune

[goreybaby]

this is the fandom i was referring to in my previous post lmao. but yeah. this. literally this.

jimmy did awful things, but there's no reason for people to literally shun him from their vocabulary, etc. it's immature, it's stupid. you can hate a character, hate the things they did, but when artists are too scared to draw him, write his name or discuss him in any way that is not direct hate, then you suck lol. you're censoring this fandom and pretty much belittling mouthwashing's masterful intent along with its various messages.

the main villain in mouthwashing is pony express. they hired a woman who was not qualified to do her job to assess real people who exhibit symptoms of debilitating mental illness, all because they do not care enough about their staff to do things correctly and safely. they are neglectful to their workers.

throughout the game, the player is constantly bombarded with posters alluding to the repercussions the crew members will face if they go against some very trivial rules.

evidently, jimmy is suffering from some kind of severe mental illness. he has hallucinations, acts in brash, violent ways, and is very detached from all the other crew members. in his psych eval, he claims he has a sexual attraction to cartoon horses — a completely inappropriate and unusual claim, something no sane person would even entertain saying.

jimmy was not given the psychological help he needed to improve. the devs even stated that the ship purposely has little to no windows to enhance the claustrophobic feel — no doubt would this affect someone suffering from whatever illness it is he is forced to endure, where hallucinations are prevalent.

while, of course, what he did to anya was vile and deplorable, if pony express was able to tend to jimmy's mental distress and actually hire someone who knows what they're doing, there is a chance this might not have happened.

now onto curly: people who claim he is at fault for not telling anyone about jimmy, or that he did not act soon enough.

for one, the time between curly finding out about anya's assault and the crashing of the ship was 24 hours. 24 hours of hearing that one of your crewmates has just been violently assaulted by your best friend. it is jarring, he needs time to process, and anya is clearly not someone who can handle high-tension situations well. so, him approaching jimmy and demanding he take responsibility would not only cause her more distress, but may also entice her abuser to react violently towards her. and ultimately, it did: he tried to find the gun after finding out about the pregnancy, and when that was not doable, he decided to crash the ship instead.

curly had to handle this situation with care. he needed time. more time. but he didn't have enough.

on the poster "Polle says lend a hand!" the small print reads: HR complaints about poor team synergy may result in collective punishment.

had curly established an even bigger problem by confronting jimmy, everyone, including anya, would have suffered the consequences. he needed to think about the best way to go about this for everyone, and especially for her, but again, he had no time.

think... pony express, the ultimate villain of the game, would have been willing to punish the victim for coming out about her assault.

look at the bigger picture. stop looking at characters as one dimensional, or as their faults. the entire crew has so much depth, they aren't meant to be taken at face value.

and seriously!! you're allowed to admire characters for their writing and still hate their actions; you can still pity a character who did something immoral.

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.