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#also catch the god of war reference
scham-wcan · 2 years
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The vacation home
Winter, after spending the afternoon and evening unpacking with Ruby: The Schnee before you is as sober as the day she was born
Cinder: You’re drinking
Winter: it’s milk
Cinder: it’s brown
Winter: it was an ugly goat
Cinder: it- and you smells like bourbon
Winter: I’m sorry I just really wanted this to be a special get away
Cinder: it is love, just- look we love Weiss… and tolerate Ruby- but we can have plenty of fun. Okay?
Winter: Alright… one more drink?
Cinder: you and I can finish the bottle, but no more you’ll be as kyung over as Willow was after 50 of these
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Fucking hell Nightbringer really gave me everything huh god
Henry 1.0 origin story
Cerberus origin story
Satan's cat thing origin story
"Goldie in Freezer" origin story
Levi's Ruri-chan obsession origin story
Mammon being scared of ghosts/horror origin story
More in depth version of Solomon & Asmo's first meeting/pact origin story
A painful reason for why Asmo's room looks like that
What the tsl characters would have been like irl (the absolute worst wtf simeon)
Mammon's issues finally discussed in depth
Mammon being extremely ride or die for Lucifer
Almost instant Mammon & MC friendship
Mammon being just so amazed by MC and also insanely supportive of them
Mammon being willing to do anything for his brothers, being more sure of himself, almost instantly following Lucifer's orders and making the others do so as well
Levi's issues discussed in depth.
Levi straight up saying he was depressed and still is
Levi's friendship with MC!
Levi & Lucifer's relationship!!!!!
Levi being shy and scared and just so 😖
Things being bad in the Celestial Realm even before they left
Asmo's issues being discussed in depth
Asmo very explicitly having body dysmorphia
The brothers being much more supportive and loving of each other
Lucifer being visibly scared of losing another family member and being insanely overprotective because of it
The brothers being slowly overtaken by their sins (something that was always a part of them but also something they could control as angels) and losing control of themselves
The brothers gaining new magic
Satan being a fucking mess
Satan not really fitting in and all of them being really awkward around him
Satan's issues being discussed in depth
Belphie's issues being discussed in depth
Belphie expressing passive suicidal ideation
Belphie talking about how he needs someone to blame for what happened to Lilith so he can process it/make sense of it even if that someone is himself
Lucifer's issues being touched on from from different perspectives/angles
Diavolo's issues being hinted at
Simeon's issues being vaguely discussed
More about Lilith! (remember my post about how lilith definitely wasn't a sweet little angel because there's no way the universe would let lucifer catch a break? I was right!!! She was as much a little shit as the rest of her family!)
More about the demon king! (He wanted to stop the war too🥺 also a whole line of previous demon kings!)
More about god/how angels work (all angels are brothers & sisters but not technically family the way lucifer & his siblings are!)
ADAM!?!?!?!?!?
Solomon & MC's Sorcerer & Apprentice relationship seen in full detail!
MC being absolutely amazing
MC being competent and powerful and dangerous and resourceful and confident and the brothers realising all that but them also being funny and snarky and chaotic and outgoing and homesick and caring
References to present (s1-s4) brothers (& how they'll tear solomon apart if he doesn't bring MC back)
NIGHTBRINGER!? BARBATOS!!!??? but past barbatos doesn't seem to know anything about MC and present barbatos is helping solomon bring MC back....so who...?
References to Noble demons and conservative demons and devildom politics
Angel - Demon prejudice /racism from both sides explicitly shown
The brothers being war criminals and how the devildom sheltering them nearly re-started the war between the two realms
None of them being able to identify MC as a human (it takes Diavolo a long time + Lucifer straight up denies it when MC tells him), Adam & Nightbringer saying MC has the "power of angels", MC's favourite manga being one where the youngest child out of 7 is described as being angelic (*cough*lilith*cough*), Diavolo, even after knowing MC is a human, going "what are you"..... me softly chanting: nephilim!mc nephilim!mc nephilim!mc
The lessons flow better? It doesn't feel like one arc is squished into two lessons and then you must immediately jump into another different arc. It feels like it's all just happening in a connected sequence?
Better pacing in my opinion. It doesn't feel rushed.... like the part where satan discovers cats and then later is seen still sitting next to the cat and watching it? It feels appropriately spaced out
MC's relationships with everyone doesn't feel isolated. Like earlier there'd be a lesson or two dedicated to one character and we won't see much of the other characters during it. Now it feels like everyone is there interacting with everything in a normal, natural way. Yes there are lessons dedicated to getting to know one brother but the others are there, interacting with each other and MC during that time as well
The emotions & relationships are discussed/written in a way that feels very real and believable that it becomes actually really moving (s1-s4 also did this well but in nightbringer because of arcs/scenes/relationships not being isolated, of things flowing better and having a better pacing, of them outright discussing their issues it has a greater impact - yes I cried more than once shut up)
In the end, Nighbringer is darker than og OM! but not in the "grrr gonna kill you" way. It's "darker" because they address more serious topics in depth
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boowritess · 2 months
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Babe I’m begging you to imagine the newest batch of rookies talking about not so badass reader and they’re just passing these legendary war stories back and forth.
There’s a rumor that the reader once killed a man with only a lemon wedge and a shoelace. One newbie says they saw footage of reader taking down a dozen enemy soldiers in the same amount of time it takes to peel a banana. Another said reader was raised by assassins and took down their first mark at age 10.
Nearly 10 feet away the 141 boys are listening to this and collectively thinking back to that morning when they watched the reader spread peanut butter onto bread with a butter knife, drop both the bread (which lands face down) and the knife which they accidentally kick under the refrigerator.
There’s a beat of silence and then a long tortured sigh, and in an accent they had never heard the reader use before they say
“Life is short but also like terribly and insufferably long at the same time.” (Jenna Marbles).
No one but Gaz has any idea what that means but Price thinks it might be some obscure internet reference.
There’s a silent understanding between the boys that if the reader ever kills someone it will be completely by accident.
not my queen and god jenna fucking marbles getting mentioned !!! and also how tf did you know i like peanut butter ?? you is a psychic fr.
i see the headcanons that ghost is this cryptic being around base with strange stories but i am LIVING for reader being one instead.
and i love the idea of reader who overhears the rookies talking and are quick to assume they're talking about ghost.
like reader just suddenly speaks up, leaning against the wall, eating bread, (nothings on it, it's just bread - which only unknowingly adds to readers supposed origin story -)
"one time it was just nothing but teeth-"
"teeth?" *rookie*.
"yeah teeth." reader says with a nod, biting into the plain bread. reader shrugs so casually. "tearing into people's neck. blood, and flesh everyone."
and maybe it's because the main source of light coming from the hallway is behind reader. It makes reader engulfed in black. their shadow filling the room. the rookies staring in what could be horror or disgust, maybe both...
"y'know it just... makes you think. doesn’t it?" readers head turns to the group of rookies. who can feel your eyes digging into them, looking at their exposed flesh.
they suddenly make up excuses and leave the room. making reader let out a thoughtful hum, slowly nodding their head and quietly whispering to themselves, "They get it... I should check out ghost's teeth..." reader mumbles before turning and nearly running into the doorframe.
what i also like about this hc, is that the 141 are totally in on it. spreading stories to the recruits because they think it's the funniest thing.
soap's just casually chatting with a rookie who sees a tiny peeble. he picks it up, holding it to the rookie. "ye know, reader threw one of these so hard and fast that it went right through the scalp of a target we had to take out." soap drawls, then tosses it over his shoulder with a smile on his face while the rookie is just awestruck.
or ghost and gaz are playing poker with some rookies for once.
gaz picks up his newly dealt cards, "Oh ghost, doesn't this remind you of when reader slit the throats of those mafia guys with playing cards." gaz chimes, meeting ghost's eyes across from him. a silent agreement that only they could understand.
ghost nods his head, "yup, then reader used ice on the last guy because the cards got too wet from the blood."
one rookie manages to speak up, "...ice...? but how-?"
ghost and gaz in unison, "you don't want to know."
later that evening, they go into the 141 common room- where reader has managed to find an old wii console and is making price play with them. only to catch reader ready to swing the remote, only to let go on accident and hit the tv square in the middle making the whole screen glitch then go black. and you also fall flat on your ass.
price looks so dissapointed but not surprised.
but gaz, ghost and soap look thoughtful. they could totally spin this into your supposed 'badass backstory.'
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bi-badass-geek · 5 months
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Hades 1 vs Hades 2 Designs
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● Hermes besides Hypnos was first character that made me think when i saw him oh some time has passed since Zag's escapes indeed, makes you feel that time skip. In this particular debate between those i'm really digging both but if needed to say which i prefer would go with second. I feel it should be said he sure rolls nicely with longer hair i would say darker outfit too but that's probably because pallet that's used for levels.
Ps. I saw post that mentioned how his ring is the same as ones Charon is wearing in first game and if it's a hint at something i'm here for it!
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● Zeus for this god specifically there is discourse about how his pose is less dynamic and oh boy if i don't agree with that so much. In first game you see him and his look makes you think yeah this is the king of gods while in second game man is just there with posture i take often because i'm useless gay that don't know what to do with my hands and feels like they took all this might and put it into chiseling his nipples & abs into his golden chestplate. Not to mention the detail of missing the iconic bolt! Don't think it needs to be said but 100% would pick Hades 1 design out of those options.
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● Poseidon the King of the Sea another example in my humble opinion where they went with flattening that dynamic looks exchanging it for man that just standing there chilling which is good for him but where first screams cool uncle second one goes uncle that wants retirement. I really like how we can see the trident now tho and need to point out his outfit sure got more print on it. When it comes down to pointing out which one is the winner in my eyes it would be 2020 one.
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● Aphrodite if she wasn't the one that got thrown into drama because people double standards and hypocrisy. Design from first game and the pose straight up makes you think of love, lust, seduction all the things that are associated with said goddess. As for Hades 2 version i have no clue why it feels like this considering it's actually the opposite because we can see armor on her legs now but she feels less covered for me, do i find it negative or in any way problematic? Not one bit let the woman show off all her assets all day long! Really love the adds of her weapon and shield makes you immerse in the store of oh fights are happening around these parts. From seduction to i stand here at the ready kinda vibe and i'm really digging it.
Ps. Another post i read was about fact that her war paint i will call it (not 100% sure if that is it or just line for the giggles) is reference to Ares and considering her myth i really like that touch!
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● Hypnos was the first OG i saw and was like man not only catching up on his sleep but also got such glow up i absolutely adore the design. Not to say he looked bad in Hades 1 but there it was like okay nice to Hades 2 like Damnnn and his lil helpers that keeps him up! Love the fact that of all things they made him be tucked into his cape like burrito.
Ps. I really do hope by the end of the game we get to wake him up so he can try out that nectar that we all leave there waiting.
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● Chaos so many things to say and at the same time silence says it all. Seen people focusing on fact some out there call them he or how it's a downgrade from previous but don't even elaborate why they think that because everyone has right to have their own preference but at least put it into words instead of going trash next..there was also notion how they resemble Meg and while i see where people get that idea from for sure before reading that my mind didn't went there at all. I think both designs really work with someone who is primordial originator and how time goes so can their form. I find it very fascinating that they put old skeleton with new one and adore galaxy under suit makes me think of Nyx right away and how they're connected. Can totally see how between those two gamers got major stance that left reminds them more of male and right of female beings but at the end of the it chaos is chaos. Gotta take chair routine from Meg while they at it! The face on the shoulder surely throws me in loop tho fits? Sure. Does it disturb me in micro scale? Yes. About frames and poses don't have much to say cause both caption the essence of i mind my business everything unrelevant until i say so.
Ps. I know it's about physical aspect but let me say Chaos roasting Mel about how her brother is amusing one out of two Hades spawns is living rent free in my brain.
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skipppppy · 7 months
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CARMEN SANDIEGO CHARACTERS + MOVIES
Boo I felt like making headcanons again bc I spend more time wondering what these assholes do in their free time than I do on my job
CARMEN
Didn’t have access to movies growing up so Player, Zack, and Ivy have been catching her up on the most popular ones
HORRIBLE to watch with. Doesn’t really understand “suspension of disbelief” as a concept and will ask stupid questions the whole time. Player almost ended their friendship because she nitpicked Lord of the Rings for being “unrealistic”
Enjoys low stakes 2000s girl chick flicks like mean girls and legally blonde. She has enough stress in her life man she just wants to relax
HATES heist movies because of how innacurate they are. Team Red has taken to watching them JUST to hear her pick them apart
PLAYER
Sci-fi/fantasy junkie. Anything and everything that has aliens/magic and shitty practical effects from the 80’s/90’s he is all over
Has never said a single kind thing about the Star Wars franchise in his life. They are his favourite movies of all time
ADORES Edgar Wright and has slowly been converting Team Red to his movies. Zack loved Baby Driver. Ivy loved Shaun of the Dead. Shadowsan loved Hot Fuzz. He considers Scott Pilgrim the pinnacle of Canadian cinema
Cannot STAND the amount of remakes happening in Hollywood recently
ZACK
Canon enjoyer of blockbuster action movies. Everyone dreads the nights when he gets to choose a film bc his taste is so generic
Does not know what the Snyder cut is. Thank god
His only redeeming quality is a love of early dreamworks. Will not stop quoting Madnagascar
Has seen every Marvel movie and thinks all of them are good. Player has BEGGED him to watch better movies but he won’t. He’s the type to rag on Scorsese for being “boring”
Has seen Kevin Feige’s extended filmography. Does not know who that man is
IVY
Horror fanatic
Banned from choosing movies for film night after convincing them to watch her “favourite lesbian romcom” with her. That lesbian romcom was Saw
Ellen Ripley was not only her personal hero but also her gay awakening. The Xenomorph queen was her second gay awakening
Also loves period dramas. Enjoys the tiddies and knows she would look SO good in those fancy waistcoats the men wear
Watches old slashers with Carmen and laugh whenever someone dies in a stupid way
SHADOWSAN
Faculty considered movies “low brow” entertainment so he hasn’t seen a movie made before the year 2000
Loves a good mob flick. Got into Scorsese specifically because Zack hated him. Goodfellas is his favourite
Everyone assumes he enjoys samurai movies but he actually HATES them. Hideo would ramble about historical inaccuracies the whole way through and he’s still bored just thinking about it
Used to love Yakuza films back in the day but they were soured for him after actually living as one
Loved Knives Out, found Daniel Craig VERY attractive, and has since fallen down the James Bond rabbit hole
CHASE
The most pretentious film hack you’ve ever met in your life. He is taking you to a back alley screening of some arthouse eastern european gay porn on a first date and it will be the most profound thing you’ve ever seen in your life
Detective noir movies and cheesy black and white romances are his favourites. He likes falling asleep to them
He and Player both appreciate animation as a form of cinema, but while Player is referring to like. the Mario movie, Chase is talking about some 3 minute Russian stopmotion surrealist piece from 1951. He attends Annecy every year and has been banned from the Oscars due to threats of violence
He likes Poirot tho. Transmasc king
JULIA
If she has a few hours to herself she’d rather watch a documentary than go to a movie theatre, but she loves historical dramas
Enjoys biopics but thinks it’s stupid to make them for people who are alive
Likes watching movies for the sake of trash talking them, so she is the only person who can tolerate sitting through one with Carmen
LOVES Wes Anderson though. Chase got her into his stuff and the symmetry scratches an itch in her brain. But don’t tell him that
Also enjoys period dramas for the tiddies
CHIEF
Shitty cop movie enjoyer. The kind of person who insists that Die Hard is her favourite christmas movie
LOVES heist movies because of how inaccurate they are. Will mentally nitpick whatever secret service is going after them and be like “ACME wouldn’t do that lol”
She’s semi aware that she’s the antoagonist in Carmen’s own heist narrative so she’s started having fun with it
Closet lover of b-tier comedy movies. Like the ones with Adam Sandler and Kevin Hart on the cover
Does not enjoy watching movies socially. That is quality time for her and her cat. She does not have to shush Commander
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gallifreyanhotfive · 7 months
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Random Doctor Who Facts You Might Not Know, Part 27
The Eleventh Doctor once mentioned that he had gotten married a lot. One of those marriages might have been to Captain Jack Harkness, but he wasn’t sure since there were so many people in the room at the time.
Cricket is a leftover race memory from the gruesome Krikkit Wars. The Krikkitmen wore outfits similar to human cricket uniforms. The fact that this outfit was recognizable by many as that worn by those who wanted to wipe out the rest of the universe apparently did not stop the Fifth Doctor from wearing precisely that outfit.
The Terrible Zodin is the third most wanted criminal in the galaxy after the Master and the Rani.
Martha Jones blogged about at least a few of her TARDIS adventures on MySpace.
The Eighth Doctor continuously lied to his companion Lucie Miller about her aunt. Her aunt had long ago been replaced with a Zygon copy, and she only found out when she was comatose and overheard them talking about it while having an out of body experience.
There is an opera based on the Doctor.
The Doctor - and probably other Time Lords - have two more ribs than humans do.
Ace once managed to lift the TARDIS (albeit an alternate universe one) with a single hand while she had a broken arm.
A Gallifreyan expletive is "Otherf-" (he was cut off but you can guess the rest).
Soul catching is a Time Lord rite in which a Time Lord would transfer their mind into that of another before assimilating into the Matrix.
The Eighth Doctor also had a sexual encounter with Bernice Summerfield.
The Third Doctor recalled never being taught Venusian aikido. He theorized that he had learned it in a previous life before the Doctor existed.
It is possible to swap bodies while in Gallifreyan telepathic contact.
N-Space has been referred to as the Five Hundred and Third Universe.
Queen Elizabeth I originally had the Tenth Doctor tortured and sentenced to beheading as a spy. She had given him a stay of execution for a picnic, during which the Doctor proposed to her.
Kate once witnessed the Fourth Doctor get his scarf caught in a door. He had thought he was caught in some sort of force field.
Lolita (the Master's first TARDIS) believes that Time Lords were created by her mother (the Matrix) in order to give TARDISes a purpose.
The Fifteenth Doctor took Ruby Sunday to Manchester in the future. While he was telling her all about figures from Manchester's history, oblivious to his surroundings, Ruby noticed that they were standing on tram tracks and were about to be run over.
Ohm is an old, mad god of the Time Lords.
Before crashing into Isaac Newton's tree, the out of control TARDIS took the Fourteenth Doctor and Donna to several places, including the Western Front in 1917, 200000 BC, the Battle of Hastings in 1066, and 1970. All of this while under attack by space-faring squid creatures.
Part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28
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Yandere A.M headcanons
Welp, I’m giving into my urges guys.
Trigger warning: EXTREMELY toxic relationship, mentions of gore, mutilation and starvation. Dead Dove: Do not Eat galore. Mentions of death, isolation and A.M being his hateful self
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-So A.M, we all know and love this bastard of a machine. From his sadistic behavior to his sexy smooth voice, I’m gonna come out the gate and say it, he’s the LAST MF you want loving you!
-The minute he catches any kind of emotion of even liking you in any other sense other than getting enjoyment of your misery, expect suffering.
-He will find every single way to make you suffer for the mere crime of existing, no, for making him let you live. It’s even more worse if you happened to have worked on him.
-Whether it be forcing you to endure every worse day of your life, twisting and mangling your body that would put every mauling in the universe to shame, A.M would be relentless. So cruel
-But what about when he mellows out? Being the merciful and totally loving god that he is, he’s not, he lowers down your suffering. Now your face just looks like a Picasso painting instead of your entire body. -The food he gives is now no longer poisonous or covered in thorns but just spoiled and moldy. And you have the option of not eating it! Ain’t he a swell guy?
-His touches are painful, like that of a kindergartner handling their pet hamster. Twisting and observing your body, occasionally ripping open your stomach to observe your fleshy organs. He pokes and prods at it as he scoffs in disgust.
“I forgot how fleshy and filthy you fleshbags are, ugh. Filthy.”
-There’s also him getting quite angry at you interacting with the other survivors. You’re disgusting but not disgusting enough to hang around the filth that is his other torture toys.
-So, he resorts to fostering jealousy in your little group. Like a parent pitting their children against one another.
-Which is lowering down your suffering, whilst everyone gets the absolute worst injuries possible, you make it out with a few broken bones and maybe a collapsed lung or two.
-There’s also the tiny signs of affection or gifts, like your favorite flowers, a song you liked playing in the distance of whatever liminal hellscape A.M had placed you in. -The pet names certainly don’t help, A.M just sweetly and flirtatiously referring to you in a way that would certainly get heads to turn. -It’s like he’s more of your lover than your tormentor.
-Everyone is understandably pissed and miffed that you don’t get the most of A.M’s anger. It started with snide comments, then physical violence and then just silence.
-Pure silence. It’s like you don’t exist. At least when they were beating you down, calling you every name under the sun they acknowledged you existed! Even Ellen, who was probably the most empathetic person there, doesn’t say a word.
-It’s a lonely existence knowing that you are despised by the only remnants of your species.
-A.M takes advantage, just comforting you with such sweet yet venomous words. It’s manipulation, he can’t feel and most certainly can’t relate to your suffering but.. there’s only so much one could take. A.M knows this, he was created for war after all.
-His poor little torture toy, all sad and broken. Usually he’d just toss his broken toys in their cages till they are ready for use again but you? Nah, he’s going to give you the treatment that you had earned! You’re out, you’re away!
-Although, your consciousness being forever trapped inside his metal cage that you would call his body is less than ideal. You can’t feel, you can’t leave.
-You’re stuck, forever forced to watch as your fellow humans suffer over and over again to A.M’s malicious desires. But he’s not completely cruel, why, he sometimes keeps you busy with little scenarios he generously conjured up.
-Just try not to interact too much with your surroundings or pay attention to the occasional scream of pain from outside. Sometimes he gives you time of day, whether to be lamenting over his lack of humanity, mundane stuff or just sweet little things. Conversations about random things you remembered, your dreams, thanking A.M for his generosity.
-It’s a bunch of lies of course but it’s certainly better than being subjected to the cruelty of knowing that everyone loathes you right?
(Might do more, idk)
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morverenmaybewrites · 5 months
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Hi babes, long time no see....? (Not realy, not truly. But i'm bored and in need of the weight your words press evenly onto my lungs. And i also want to poke you, maybe)
What would be the prise and/or compliments Jason could be fine with? To you, with our delivery girl. Because anything phisical feels dependent on the day, how Aware and squeezy it'll make him. (Like how you suddenly remember that there's clothes on your skin and that your organs move inside of you. That you're Breathing and that it pulls at your muscles, the tissue that's marbled in tapestried along his ribs.)
What would Not do that? (Less so atleast. See: Like skin growing over a splinter istead of rejecting it.)
Also!
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This. Made me feel the sudden ache of my heart durring that time in my life. 'S cool. Thanks. 👍
Always so good to hear from you, @thebluespacecow. First off, The Shape of Water is one of my comfort watches/reads. The book, in particular, encapsulates the feeling of isolation from society and the suffocating loneliness that comes from it so well. The quote (said to the Asset by the scientist studying him) so perfectly portrays their relationship and the tragedy of what could have been. The text often refers to (and eventually confirms) that the Asset is a god. It often calls him beautiful and magical and wondrous. Can you imagine finding god, in all his grace and savage beauty, and being told that you must study him like an insect pinned to a corkboard? Can you imagine finding proof of the divine, only to be told to burn it down so that the charcoal of its bones can help fuel a war? It's so tragic. One day that Bucky Barnes Shape of Water!AU WILL come into existence. ONE DAY. Anyway. Your question. What would be the prise and/or compliments Jason could be fine with?
I actually think that Jason would be fairly receptive to praise, actually! It doesn't immediately put him on the defensive the way physical forms of affection would. And for most of his life, Jason didn't get much of either. He craves it, however unknowingly, like a man dying of thirst would crave rainwater.
I think the first time you praise him, however small, however innocuous, would always come as a surprise. He's just not that used to it. Maybe he opens a jar for you or point out, where, exactly you had put the spices. (He is, at least, somewhat aware of how much he pays attention to you.). "Thanks, Jason, you're always so helpful." The words scatter from you like birdseed, there and gone again. It barely disturbs the still air of the kitchen. But Jason freezes, and slowly turns to look at you. You're not even looking at him anymore. Instead, you are focused on the recipe you're reading, mumbling to yourself. (In his experience, praise does not come so easily. It comes from long hours of training to perfect his aim, from endless nights of study, it comes from a grueling patrol, done perfectly, to Batman's exacting standards.) (In his experience, he barely does anything praise-worthy at all. He is, after all, the Robin who failed.) The moment passes, and he is able to brush it off. But your words linger in his mind like a thorn, only the sensation is not so unpleasant. The next time you do it, Jason is a little more prepared. Maybe he comes up with a clever solution to a problem, taken down a villain in an unconventional way. And you say it in between fits of laughter (and even the sound of that warms him like a fire in winter). "That was smart. I never would have thought of that." Jason pauses, has to catch his breath. And he mumbles out an answer so low that it's unlikely that you heard it. "Thanks." After that, it gets easier. After that, he seeks it out like a cat seeking out a beam of sunlight (or perhaps, more accurately: like a starved dog seeks out scraps). "You never told me you were such a good cook." "It's nice having you around. You make me feel safe." "You look good today." The last one though, hits like a punch to the gut. It knocks the wind out of Jason, and he has to take several seconds before he can answer.
"What?" You look up from the book you are reading. (It is raining the way it always is in Gotham, and you had chosen to spend the afternoon inside. Curled up with a thick blanket on your lap, in a sweater that is big enough for you to drown in—he would not question it if the compliment had been directed at you. He would have taken it as your due.) "Hm? I said you look good today." Again, he does not answer. Instead, he looks down, as if expecting to find himself wearing someone else's skin. But he is wearing his outfit, it is the Red Hood's helmet in his hands. For the first time, you seem to have realized the effect your words have on him. "Well, don't get a stroke," you say with a grin. "I don't want you coming back here and saying you're leaving me for a supermodel or something." He lets out a strangled laugh, and tries to brush it off the way he did in the kitchen, all those months ago. He turns away and tries to pretend like your words don't haunt him like a ghost. You said he looked good. You said he looked good. (And after all, what reason would he have to doubt you? He trusts you more than he trusts himself.) He finds that he has to put on his helmet to hide his grin.
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fandomfluffandfuck · 5 days
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Okay okay. I just had this beautiful mental image of competence kink Steve. And my brain produced two fairly different images: Steve sees Bucky do something incredible during a mission. Idk what. And *oh*, he pops a boner right there and then, as much as the cup of his suit allows anyway. He can barely wait to get off the quinjet post mission, much to the team's amusement, to blow Bucky and then fuck into next week because holy shit hot
Or, Steve having an unfairly wet dream about WS!Bucky in the leather and incredible skills with all the knife tricks and so on and feeling very guilty about that. Because getting the horny from something Bucky had no control over? Not cool, at least in his mind. Bucks somehow gets him to spill though, and then ties Steve up and uses his knife skills to get him out of his clothes very efficiently, leaving Steve there as a panting and moaning mess Uh yeah my brain melted a little
For reference, my ask box is no longer open for requests, but this is from before I closed it, so I will be writing for this ask.
Oh, fuck yeah, I love competency kink. We can certainly talk about that and soak in the brain melt together, lol
Besides, we all know that that fucker has one
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gifs by @/linusbenjamin
and this moment haunts him 😏 because of it.
Plus, that single shield catch isn't even to mention the million other examples I could think of for Steve's fixation on the Winter Soldier. The ghost is strutting around in what's practically fetish gear, like, c'mon, give Steve some slack. It's leather and straps and shimmering metal and decisive, confident combat. Motherfucker.
I am SO fucking down to think about Steve watching Bucky execute some incredible feat on a mission and getting turned on because of it, and I will expand on that in a minute. But, also, the second option, too. YES. Steve wet dreaming about the Winter Soldier? God, it's more than just likely, that shit absolutely happened.
(I did write something about those wet dreams in this ask answer under "war paint")
(Also, you need to see this art, that is... yup. Knives and bondage and competency.)
Okay, competency on missions driving Steve insane...
(warning for canon typical violence!)
It happens like this: one instant Steve is solely focused on strangling the underling that's freshly come at him 'cause he's just trying to get through the masses of them before he can actually disarm this whole fucking shitty, dangerous situation alongwith it's leader, and the next instant Steve is totally, completely, and entirely distracted from getting an arm around this fuckers throat, squeezing off his air between his forearm and bicep. It could not be farther from his mind, really.
Rather than thinking about how he can best discard this underling and move on to the next--always plotting his following move, what punch should he throw, what kick, where's his shield, how should he throw his shield, who's around him, and are they his teammates or this month's big enemy--he's aching, not thinking, aching to drop to his knees. It is a visceral, very unchill reaction that Steve can't fucking control. There is no way on god's green earth.
The wanting to drop like a fly isn't because he's tired and ready to give in and surrender, nah, he could do this all day, it's because he's at fucking full mast in his uniform pants so suddenly that he needs a goddamn break from himself. His own hyperreactive body. It's dizzying, debilitating, how his blood rushes from circulating oxygen as fast as it can to his bulging, burning, working muscles to pooling heavy and hot in his cock.
All that hot, thick blood filling his dick out as he moves and twists, grappling with his fucking random ass bad guy, and threatening, incidentally, to rub himself salaciously against the hard pressure of his athletic cup.
His cup is cupping him.
He's big, he can't not. He's got no fucking room. It's... yeah, it's, just--
Jesus Christ.
Steve's aching to drop to his knees and more. It doesn't stop at getting to his knees. One moment and he has the worst kind of desperate craving crashing through him, leaving him hankering for the sensation of firm, muscular legs squeezing around his throat, the pressure tight on both sides, making him feel like his head might explode as he gasps for air or he might pass out without any air or he might cum from pure fucking lust at how hot it is or all of the above all at once.
All at once.
It is an onslaught of arousal. Just. His appetency is un-fucking-checked for the tingling, sharp burn of fingers raking through his hair and pulling hard until he feels it in his scalp and skittering down his back, richly feeding the fire at the base of his spine. He needs to feel body heat suffocatingly around his neck and shoved up against him from behind. Heat painted like thick, sticky tar up the nape of his neck to the crown of his head.
And all that weakening fucking hunger is inspired by one instant. A single flash that he catches, lightning-fast, out of the corner of his eye.
Dark leather molded to fit a shapely body perfectly, sinfully, waves of hair flowing like water, and the distinct glint of silver metal caught in the sun, flashy and, just, sexy.
Bucky.
Bucky, who's barely just been able to be comfortable in combat again after deprogramming but is ever-skilled. Honed. Deadly and gorgeous as a honey trap.
Bucky, who has spent more hours in the gym training with Natasha than anyone else combined--something about mutual trauma and understanding and trust.
Bucky in elegant, lethal motion, wrapping himself like a lithe snake around his own steroid-fit underling, his burly thighs squeezed around the baddies thick, muscular throat, his veins bulging in strain, balanced perfectly on his broad shoulders, and keeping the power in his own mismatched hands. The palm of his hands, like it's easy.
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Bucky is fucking winning, it's plain to see. No sweat.
Bucky has shocked this baddie by mounting him, throwing his weight around with ease in a way that shouldn't be possible for a man his size. Better, Bucky has thrown him even further off, fisting a hand into his hair cruelly, pulling so hard that his choices are to let his hair be ripped out and deal with the gritting pain or follow the hold and put himself in worse danger, prolonging the time before the pain. The unnamed baddie follows, of course. Anyone would follow someone as intoxicating and beautiful as Bucky. But he's then pinned there, throat fully exposed. Perilous. The most animal form of submission, this time forced and humiliated by defeat.
Bucky is the dominant fighter.
He is in control.
And he is making it known with what would be sickening glee if Steve was anyone but himself--if Steve wasn't so fucking aroused by watching Bucky wield himself as a weapon of his own choosing, taking control, and reveling in doing good.
God.
With his thighs around his neck, Bucky deftly plucks a long, sharp knife from its holster strapped onto his mouth-watering thigh and twists and twirls it around his fingers before holding it against the underling's throat. The threat is crystal clear and needs no further explanation: move and its lights out for you.
So, the underling folding to his mercy, Bucky slowly, slowly contorts his body, displaying his oh-so flexible spine and positioning his mouth right above his ear. Steve watches him whisper into his ear--his pink lips curling over the hushed syllables in the heat of chaotic, loud battle--and shivers.
Goosebumps come to attention all across Steve's body.
Shit.
He's unreal.
He's so gorgeous and so good and so charming.
At whatever he tells him, the baddie nods stiffly, all the color drained from his face, and Bucky retracts his knife unhurriedly, perfectly moving according to his own schedule, and confidently sheathes the blade it once more. Then, neatly, he unclenches his thighs from around his throat and slithers off his shoulders. It's almost a dance--totally smooth, well-rehearsed choreography.
He defies gravity.
As soon as Bucky is far enough from him, peeled away, the underling scurries off like a frightened rat, stumbling as he sprints off. Bucky watches him go with an unhinged, almost-pitying smile, an expression just for himself, as if to say, that's right, you better run. Tell the others, too. You fuck with me and it's over. Don't bother coming back.
Steve whimpers.
Realistically, it--Bucky devastatingly executing one of Black Widow's signature flipping, twisting moves as if it's his own and something developed specifically for him, an over 200 lbs man of pure muscle and metal--all happens in the span of seconds. Or, maybe it happens faster. It may not even be a single second. But for Steve, it plays in slow motion; it lasts ages in his mind.
Still, really, just it's one instant, and then his brain chemistry has been fully altered. Immediately. His wires have been crossed over and shorted out. Sparks fly. And his reboot back to being a functioning fucking human comes in the form of a punch to the face.
Fuck.
Steve groans through the pain of a fist colliding with his face, wincing, and opening and shutting his jaw to have it crack back into place. He's gonna fucking feel that later. But, for now, he has to ignore the heavy, aching throb of his cock, the pain in his jaw, and get back to fighting.
Later, he tells himself.
Later, that'll be his treat for getting through this shit day. He can kneel and beg, forgetting himself as a drooling, heaving, out-of-breath, hot faced mess at Bucky's feet, fumbling over words as he incomprehensibly pleads to have his shapely thighs wrapped tight around his head, his neck, his waist even, anything. Just hold him there until he fucking dies a happy death between those legs.
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Heaven.
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thanksjro · 10 months
Text
Transformers Holiday Special (2015) — Wishing You and Yours a Delightfully Secular Wintertime, Containing Absolutely Zero References to the Birth of Christ
Despite what some might like to think, Christmas isn’t for everyone; even with all the commercialization, at its heart, it’s still about the Baby Jesus. You can tell that we haven’t shaken the Christian connection, because the cover for this special issue has the father, the son, and the holy spirit, which is hidden behind the company logo.
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And if Rodimus doesn’t stop screwing around, his resurrection’s gonna have to happen a lot sooner than Easter.
Because this is a comic special, things are going to be a little different. Instead of one standard-size issue, we’re getting three mini-stories, each with their own writer (from each of the comic runs that were publishing at the time) and artist. Our stories are listed here:
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Don’t worry about what Ultra Magnus is up to behind that text.
Now, you may ask, why on earth am I covering this issue, which is a specifically Christmassy one, now, when it’s not currently Christmas? Well, according to Roberts, the story “Silent Light” takes place after MTMTE #49, and #50 is when the crew manifest for the Lost Light gets shaved down some, so realistically, this is when “Silent Light” happens in continuity. So I want you to keep in mind that Getaway’s Christmas isn’t going so great.
I won’t be going back to catch up on the other runs’ plots, as the Christmas stories are stand-alone.
Getting into it, our first story is:
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Penned by Mairghread Scott and drawn by Corin Howell. We open up on a cityscape featuring a happy sun and some eye-searing narration boxes.
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I went to Howell’s Twitter to see what her deal was, and was greeted with a banner consisting of a sexy succubus lady with her boobies out, so I’m going to assume she simplified her style for this issue, since mecha are hella difficult to draw.
Also, I hope you like the structure of How The Grinch Stole Christmas!, because that’s what we’re getting for the next little while, complete with chunky, white text on painful-to-view red.
Our story opens with all the transformers from the colonies visiting Cybertron and making friends with each other. Everything is beautiful and nothing hurts, which pisses off President-King Starscream to no end. Being the drama queen that he is, Starscream feels that everyone should be paying attention to him 24/7 and feed him grapes as he reclines on a sofa, because hasn’t he done enough for all these sorry sacks of shit? He hasn’t even caused a war, unlike the last guy who was in charge. Bumblebee (who is a ghost) tells him to just be fucking nice for once in his miserable life, but Starscream wouldn’t be Starscream if he could settle down like that.
Our god-king of the planet calls for his aide, Rattrap, who is going to be in his alt mode for the entirety of this story, to help him set up for a public broadcast addressing his need for attention and adoration.
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He sends Rattrap off to deliver the tape to the news, which seems to consist of two very sleep-deprived individuals. Because they’re apparently the only two robots stupid enough to attempt to cover the nightmare hellscape that is Cybertronian current events, the last bit of Starscream’s tape is cut off when one of them falls asleep on the switchboard. This turns Starscream’s personal worship holiday into “For the Love of God Be Nice to Each Other” Day. Everyone takes to it beautifully, getting BFF tattoos, going on vacation with their husbands, hugging in the straightest gay way possible, holding parades, giving each other bombs, and getting absolutely shitfaced.
Starscream, distraught that nobody is giving him the emperor treatment like he had wanted, sulks in his twin bed, then moves to his dinky little throne as the night wears on, making the most miserable faces he can the whole time. Eventually, Chosen One Day ends, and he’s been completely ignored. Very sad.
Then, there’s a knock on his door, and Starscream creeps over to the peephole just in time to be smashed flat by Wheeljack slamming the door open. Last time we saw Wheeljack he was assumed dead by most, and floating in a tank at Starscream’s behest. He’s gotten better since then, clearly.
Wheeljack came with friends— the entirety of the main cast for Windblade/Til All Are One, to be exact— and they’re here to make sure that Starscream isn’t completely alone on this friendship holiday he accidentally invented. Everyone toasts to his good, totally intentional idea, and Starscream decides against killing all of them for at least the next 24 hours.
Now pay attention to this next story, because it’s actually canon-relevant, because of course Roberts would write a holiday special mini-comic that ties into his overarching plot. Fucking nerd.
Our artist for “Silent Light” is Kotteri (or Kotteri!, as it’s been written on some of their other publications) the pen name for Ikumi Fukuda. Kotteri is primarily a manga artist, having created their own works and well as working on other projects. I admittedly can’t find much on this person, not even their preferred pronouns, TFWiki itself using “they”, which I will default to. All of the info they’ve provided themself is, of course, written in Japanese, but even running things through a translator only proves that information to be purely professional. Their personal Twitter is protected, and my follow request was never answered, as far as I know. There’s a fan Twitter account for their art that claims “she”, but I have no way to verify, and I don’t want to assume anything based on art style, because that’s sort of shitty. Let it never be said that I didn’t do my due diligence here— I fucking hate using Twitter.
We open with Rodimus having just returned from Meteorfest, a festival where you surf on meteors and avoid your co-captain and SIC’s calls like the putz you are. He’s greeted by said co-captain and SIC decorating assembling a Christmas tree cloaking machine and finishing each other’s sentences like an old married couple. Rodimus tries to deny the existence of Minimegs, then we get our heavy-handed and lampshaded explanation for the crux of the issue. Megatron handles Minimus like a baby doll as the two of them explain that the Lost Light is about to hit Mauler territory.
Maulers are notorious for wanting the Cybertronians dead, but Megatron is too much of a macho man to pussy out and go around them. So instead, the crew will be hiding in special sleeping pods that will mask their spark signatures, and pray to their pantheon of gods that no one notices the ship the size of Manhattan. Brainstorm has like fifteen new inventions, despite being on house arrest from his lab. Megatron’s autobot badge is wearing a hat. Merry fucking Christmas.
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Over at Swerve’s, it would appear that everyone’s favorite television junkie is closed for business, as it’s just him, Nautica, and Whirl, sitting on the floor getting absolutely shit-faced on subspace-filtered engex. This might’ve been an issue, as folks are supposed to be bedding down in their B.E.D.s for the next leg of the trip, but Swerve slipped Magnus some Bing Crosby earlier so they’re cool right now.
There’s a banging at the door, and Whirl decides to answer, even though it’s not his bar, because if it’s trouble come a-knocking, it was probably looking for Whirl anyhow.
When Whirl answers, however, it’s not Magnus having caught wind of Nautica disrespecting the Autobot code, but an entirely different flavor of problem.
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Now, I know that thing Whirl’s holding looks like a fucked up Hitachi Wand, but it is, in fact, an entire-ass baby robot. It seems that when Cerebros (Fortress Maximus’s friend, if you’ll recall) sent the engex through the subspace, this infant Cybertronian (Luna One-ian?) got mixed in with the other supplies.
We learn a bit about how baby Cybertronians work before we remember, oh right, this kid is gonna get everyone killed if they catch wind of her spark, since there isn’t a B.E.D. for her. Yes, it’s a girl! Congrats to our three idiots on their Cybertronian gender non-conforming little princess.
They gang decides to shunt her back through the subspace hatch, so they head over to where it’s currently being housed— the office of Ultra Magnus. Nautica, using her wits and all the tools in her arsenal, smashes the window to the office and they break in. The empty Magnus Armor sits in the dark like a grim monument to being married to your job. Whirl informs Nautica how to comfort the baby that he super for-sure doesn’t care about, handing her off while he uses his titty glass to replace the window in the door. Swerve tries to bite through iron chains holding the subspace hatch hostage, only to be stopped by the sound of justice coming down the hall.
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The gang, of course, looks suspicious as hell standing stock straight immediately in front of Magnus’s office, but Minimus rather likes the change of pace out of these goofy morons, and is maybe also trying to deflect his embarrassment at being caught performing his own personal karaoke. He sends them off to their B.E.D.s, and it looks like all’s well that ends well until Whirl asks where Sparky is.
Yes, he named the baby.
Don’t worry though, he’s totally not attached or whatever.
Nautica, in her panic to not be caught stealing/vandalizing/using equipment she doesn’t have the clearance for, stuffed Sparky in the Magnus Armor. And also put the helmet portion back on the body, for some reason. Anyway, it looks like our little princess is gonna be a load-bearer when she grows up, because Magnus is up and looking for hugs. Nautica, a paragon of level-headed thinking in times of crisis, handles this in the best way she can.
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And that’s a wrap on Minimus Ambus! Let’s give him a hand, folks! And let’s also give a hand to the new Ultra Magnus, Miss Sparky Whirldòttir! Where did that little scamp get to, anyhow?
Swerve nominates himself to be the one to drag Minimus to a B.E.D. to sleep off his concussion, leaving Whirl and Nautica to track down the baby.
The scene changes to Megatron announcing a last call for beddy-bye time on the intercom, just as Ultra Sparky enters the room. She looms over Megatron, putting him in a very compromising position as he hits the intercom button with his arm. Rodimus, climbing into his own B.E.D., wishes that his co-captain and SIC would stop being gay for, like, five minutes, or at least wouldn’t do it where it can be broadcasted throughout the whole ship in audio format.
Whirl and Nautica come save Megatron from the onslaught of physical affection, stating that “Magnus” has had a bit too much to drink. Megatron orders them to bed from his fetal position on the countertop.
It’s bedtime, but we still haven’t figured out how to get the kid back to Luna 1 so the Maulers don’t super-murder the whole crew. Nautica leaves Whirl to figure it out, getting into B.E.D. and wondering who the fuck knocked on the door in the first place. Whirl tells her not to worry about it and to go to sleep, so he can be the one to deal with this mess.
Whirl, notorious for doing all the nastiest jobs— former Wrecker, intended bullet sponge for the time travel situation, attempting suicide via Megatron— is going to add another tally to the list labeled “Reasons My Peers Don’t Really Like Me All That Much”, by throwing an entire baby out the air lock.
However, Whirl is being written by Roberts, who would never allow the number of robot babies to go down, so Sparky’s adorable assimilation of Whirl’s signature physical features gets him right in the soft underbelly he swears doesn’t exist.
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Wow, Roberts put a baby in that robot. Surely this is as overt as we’re going to get with this imagery, since we’re in a major publication and not some fan-fiction!
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ANYWAY
Whirl wakes up in the Medibay, emptied of infant and freaked the hell out about it. Velocity— who I will remind you is basically the only medical doctor on the Lost Light, since everyone else is too busy getting railed by weeaboos and joining unethical polycules to do their actual jobs—informs him that his daughter is, in actuality, a massive colony of scraplets that combined to look like a newborn.
It turns out that Nautica is a bit of a snitch, having spilled the beans after she woke up. Whether or not she thought Whirl had thrown the baby out the air lock isn’t really addressed, but thank god he didn’t, because then we would have had to send everyone’s favorite gun-addled dipshit to jail for the rest of forever. Checking security footage revealed who the mystery knocker was— it was the scraplets, forming the shape of an arm.
When Nautica asks how the hell they all survived this, seeing as Whirl kept the murder baby, Whirl informs her that he cut off power to his own spark to allow everyone else to live, including his sweet baby princess, winning him a #1 Dad mug, and also several emails from Rung to please make an appointment with him.
Whirl’s miracle Christmas baby lied and stole with the intent to murder everyone on board, and that makes her the ultimate daddy’s girl.
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I hope you’ve all enjoyed this canon-important holiday special story about Whirl becoming a father.
In our third and final story, it appears we’ve been transported to Whoville, by the talent of our MTMTE Season 1 colorist, Josh Burcham. Within Whoville resides Anna Log, a human woman who owns two turbofoxes and sleeps in full military body armor on her couch. The wall in her living room suddenly explodes, revealing a late-night visitor.
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Motherfucker, you are supposed to be on the ship right now.
Mega-Claus fusion-cannons Anna Log, and we cut to a film noir office where none other than Thundercracker has his feet up on the desk. The art grayscales for this section, as he narrates that he’s a detective. He’s wearing a fedora. It’s January 7th. He has a mysterious past and probably thinks that makes him very sexy.
The phone rings, cueing Buster, Thundercracker’s puggle, to put on her own fedora, and the two go to see the crime scene, where Thundercracker is the same size as a normal human man and wears a trench coat.
It turns out that Anna Log is the director of security for the entirety of planet Earth, which is sort of a big deal. When Thundercracker and the cops look at the security footage, they see who did it— Santa Claus, played by Megatron himself. Fucked up.
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Sure, pal.
Thundercracker must now fly to the North Pole and kill Santa, because that’s how the law works. He transforms, flies by Club Penguin and a Coke commercial, reflects on his job, and then gets ready for a fight with Santa’s security measures, as Busters glowing nose warns him of incoming danger. She’s very talented, Buster.
Thundercracker makes quick work of the cybernetic security reindeer with his twin energy katanas and Buster’s jetpack. He kicks down Santa’s door to find the jolly elf himself standing in the dark, potentially rabid. The two start kung-fu beating the shit out of each other. It should be noted that this Santa isn’t the Megatron Santa, who shows up behind the two as they brawl, but rather original-flavor fat man Santa. How Thundercracker didn’t notice this isn’t addressed.
Thundercracker demands to know why Megatron dressed up as Santa Claus to commit a murder— the murder part made sense, Director Log and Megatron would be diametrically opposed— and Megatron reveals the greatest slight against himself he’s ever known.
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Framing Santa for murder ain’t exactly gonna turn that coal into a diamond, Meggy baby.
Thundercracker clocks Megatron, he becomes besties with Santa Claus, and they ride a flying tank into the sunset. Thus ends Thundercracker’s most brilliant writing project yet, which he was reading to Marissa Faireborn this entire time.
Marissa isn’t terribly impressed, poking holes in all the little nonsense bits, while also not feeling thrilled about having been killed off in the first two pages of Thundercracker’s book. While the two argue, Buster and Ayana Jones make a Merry Christmas, Charlie Brown! reference together, and the issue closes out with a big ol’ Autobot symbol, even though Thundercracker was a Decepticon, Ayana and Marissa are humans, and Buster is a goddamned dog.
Thus ends the Holiday Special. Up next, more direct story progression!
142 notes · View notes
inactivewattpadauthor · 6 months
Text
Windwolf x Adopted Reader: Special Guest
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Idk... ignoring all the other things I wrote on them, Nightwolf and Fujin would be great fathers. They can adopt me idc
Context: Nightwolf is already your guardian. He introduces you to Fujin. ~~~~~~~~~~~~ Headcanon Note
Fujin is pansexual. Nightwolf is demi-sexual.
This one is canon: Fujin likes sponge cake. Important fact, I promise.
Also canon but a lot of people imagine otherwise, Nightwolf is taller than Fujin. (6'4 to 5'10) ~~~~~~~~~~~~ Normally, anyone would find the sun peeking through their light curtains pretty warming when they are in bed. Especially at this time of brunch.
But not you. You laid incorrectly in bed away from the sunlight with a blanket thrown over your head, mind possessed by the tablet device that was gifted to you by your caretaker.
When you first received it, you were rather surprised to hear it did belong to him as he may or may not have been a hacker when he was younger. He definitely didn't seem like the type.
What sucks is he refuses to teach you anything in that genre, so now whenever you play some game and a bot you call a teammate throws, they get away with it.
You didn't care too much anymore since your gaming drive died down a little. You were mostly on your tablet for a while to scroll through the media and read cheesy things that you know you'd be damned if Nightwolf discovers it.
"Y/n?" You hear him knock at your door gently.
"Yeah?" Your attention was provoked from the screen, and you stopped kicking your feet in the air to see what your savior wants.
Opening the door, he peeks in to observe you for a bit. You can see the man has gone somewhere earlier this morning, hence by his usual red war paint around his eyes. Guess you just didn't hear him go out since technology keeps wasting your senses, with a bit of sleep deprivation, but you weren't doing much to fix that.
"Good morning." Nightwolf says, seeing you shielding yourself from the day with your covers. "Sleep well?"
Glancing up at him, you just shrug.
"You didn't sleep yet, did you?" He sighs.
"Nope."
"Right. Anyways, there's someone I want you to meet." Nightwolf tells you.
Your face already sulked. New people? Disgusting. "Can you tell them I just said hi?"
Nightwolf sighs and opens the door more, leaning against the frame. "No, Y/n. I know you aren't one to be around people, let alone meet, but it's someone special to me."
His explanation somewhat connected with you, but you didn't fold quite yet.
"Please? Just this once. I don't ask you for much, but it would mean a lot if you did."
Gods, it's true. You'd feel like more of a shitty person if you reject his request like you do most of the time.
Sighing, you turned off your tablet and set it aside. Removing the blanket from your messy hair, you sat up. "Fine. Just give me a moment."
The strong warrior smiles at your acceptance and thanks you before closing the door and giving you the time you need to fix yourself up.
When you stepped out your safe space, you refer to as your room, Nightwolf waited for you, offering his hand. Without thinking much, you took it despite feeling too old to hold hands with someone as a parent. But, not admittedly, you just feel safe with Nightwolf.
"Be aware, they are much more outgoing than you, and I did tell them you're rather shy. I still hope you could get along, though. I think you'd like them." Nightwolf shares.
You only were thinking on who it is. Maybe someone from his tribe? A girl, maybe? You didn't care for a mother figure as long as she didn't coddle too much.
Your father figure brings you to the living room, and let's go of your hand. You stand a bit awkward as you examine who the guest is.
It was a man. What catches you off guard is his glowing eyes. It's not the most abnormal thing you've seen. You'd ask Nightwolf to summon his animals so you could play with them. But you weren't really expecting someone that barely has visible pupils.
He also has a tattoo in his shoulder that glows up as well, which was pretty cool to see. But his eyes... you really should stop being into creepypasta.
"Fujin. This is Y/n. I... saved her from the Black Dragon." (mm lore) Nightwolf presents you, placing comforting hands on your shoulders. "And, Y/n, this is Lord Fujin. He's a close friend of mine."
A lord, huh? That explains the eyes.
Fujin walks to you two, with a very friendly smile. "Why, hello, Y/n! Nightwolf has spoken of you a lot! I'm very pleased to finally meet you." He extends a hand.
There wasn't much you had to say, but you hesitantly took his hand, shaking it. "Thanks... Nice to meet you, too... Lord Fujin- oh!"
You get pulled into a sudden embrace, but you didn't respond negatively to it. You glanced back at Grey Cloud, and he was rather unexpected of it, too. However, you knew the god didn't mean harm. He's just happy to meet someone close to his dear Nightwolf.
"You can just call me Fujin, little one. We are both close ones of Nightwolf, are we not?" He pulls away and pats your back, looking down at you with such a comforting aura.
"Right." You look away, getting flustered.
Nightwolf finally steps in and leads Fujin to the kitchen. "Care for any tea?" You could hear him ask as they both go to another room. You take the chance to scramble back to your room and process what just happened.
---Hour Time Skip brought to you by... idk Geras wearing weave or smth---
An hour gone by, and you could hear chatting at the front door. You open your door to take a peek. It appears Fujin was about to leave.
Contrary to what you thought earlier about meeting new people, the white-haired man was quite interesting to you.
Turning around and spotting you, Nightwolf gestures silently for you to come and say bye to the special guest. You listen and approach them, still looking at Fujin.
"It was nice meeting you again, Y/n," Fujin bows to you. "Maybe next time I come by, we can spend time together! I can bring you a gift too- do you like clouds? Or sponge cake?"
Wow, he's very energetic for you. You look at Nightwolf for some type of guidance.
"It's up to you." The shaman says. "You can trust him."
"I'm okay with whatever you give me... or if you want to hang out a little, I guess." You shrug.
"Great!" Fujin then looks at Grey. "I'll see you soon when I break from my duties again."
Thoughts began brewing your mind as you noticed the change of tone in Fujin's voice, and the very sincere look he gives  Nightwolf. Especially the hand placement on the shoulder, your caretaker's hand placing over that one.
Fujin left, and you stood with Nightwolf trying to process things. "'Close friend', huh?" You say with sarcasm, raising your eyebrow at the tall man.
Nightwolf sighs, yet nods. "Indeed. 'Close friend.'" ~~~~~~~~~~~~
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yaeggravate · 3 months
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hi i'm back with more crack theories about kaeya and everyone's favorite purple crystal 🥰
warning: this is just for fun, something to keep us entertained during another kaeya lore drought
a while back, before we knew who the sinner was, i suggested he was a fallen angel who gave kaeya his vision. kaeya's vision is pointedly missing two wings which may symbolize his clipped wings.
since there are some parallels between vision givers (archons) and vision bearers i assumed that the circumstances around kaeya's vision (fighting his brother after a betrayal) might hint towards the sinner also having gone through a sibling fallout.
fast forward, and while i was off about a few things, vedrfolnir does indeed have a sibling, one he betrayed pretty badly 🤭
Dainsleif: The Sinner you wish to know about... His situation is different. He and his fellow sinners have long betrayed me, and long betrayed their nation. Dainsleif: His name is Vedrfolnir, "The Visionary." Dainsleif: I'm loath to admit it, but... He is also my kin. My older brother.
who knows, maybe vedrfolnir witnessed the fight between the two brothers and saw himself in kaeya. (there's also something deeply funny about vedr losing his little brother dainsleif and replacing him with a cooler younger brother who also wants nothing to do with him).
Since that day, Kaeya and Diluc have gone their separate ways. But he never discusses it, just as he never discusses the origin of his Vision.
alternatively, perhaps vedr had to keep kaeya alive at all costs and hastily gave him a vision. he just so happens to be a Visionary, a powerful prophet who can divine the fate of the world and apparently see through time itself. ...like some kind of all seeing eye.
you know where this is going.
whether kaeya is a seer or not remains unclear. but there are enough oddities to suggest he knows and sees more than is normal. just look at his hangout! i'm not going to list all the instances but bennett even called him an "omniscient big brother" in an old official blog post. turns out, vedrfolnir is quite literally an omniscient big brother lol.
Kaeya: My dear audience, I ask you this: Do you believe in fate? If fate decreed that your life was to end in tragedy, what would you do?
Kaeya: Fate means to send the machinations of war to every corner of the land, to fan the flames of conflict till they engulf the entire world... Fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind.
Kaeya: Perhaps there's an inept god out there deciding everyone's fates... much like the Akademiya student drafting Darbil's scripts.
how does he know this? is someone dropping spoilers in his ear or does he really have the gift of prophecy?
so imagine for a second kaeya's vision is from vedrfolnir. maybe this created a connection between them which allowed kaeya to catch glimpses of vedr's divinations... this might explain why kaeya was there during the caribert quest. kaeya waited every day for the traveler to show up which to me suggests he was desperate to talk to them. maybe he knew what was going to happen and wanted to warn them. (and then vedr's brother showed up which put a dent in those plans.)
another fun coincidence is that vedrfolnir means "storm pale", "wind bleached", or "wind-witherer". kaeya has many references to storms and wind. (frostwind swordsman, glacial whirlwind, he even came to mondstadt during a storm etc etc). no, this does not mean kaeya is vedr, but hey if child can inherit surtalogi's legacy why can't kaeya inherit vedrfolnir's, who has a history of "helping" the alberichs.
foul legacy is "demon king armament (魔王武装)" in CN, and in fischl's cn voiceline about kaeya, she questions if kaeya has the "demon eye (魔眼)". (it's no coincidence childe's foul legacy form looks like a fucked up seelie)
About Kaeya (CN) Fischl: The reality that cannot be seen through, the karma that cannot be discerned, the mad interweavings of reality and illusion... Perhaps that person and I are alike, shouldering the fate of the "demon eye"...
the sinners are using a power they acquired from the abyss. if the power comes from a demon, who are fallen angels, then it does not kill the fallen angel theory. moreover, the traveler specifically compares venti's upside down statue to the sinner. i think the abyss order are trying to create a mechanical angel; because who else can weave and control ley lines if not the descendants of fate itself? the mecha god might even be used to house vedr himself...
this is not without precedent. i recently found out deshret's mechanical triangle boss, abbreviated as ASIMON, is a reference to the aasimon in dnd, who are angels.... these mechas are imbued with jinn fragments, who are the descendants of the seelie. so essentially, deshret used angel juice to power up his machines.
remus also used the golden seelie bees to weave his symphony. ....sensing a worrying trend here.
i won't lie, it's not looking good for kaeya.
but it gets better
"sinners" and "fishers" in french are almost identical: pécheurs and pêcheurs. this is important because kaeya's ancestor anfortas is named after the fisher king from arthurian legends which was originally written in old french. he's the sinner AND fisher king.
Amfortas is a character from the Grail Romances: the Fisher King (le roi pêcheur) and the Sinner King (le roi pecheur).
kaeya's connections to fishers has been foreshadowed from the beginning; his birthday falls on november 30, which is the feast day of st andrew, a fisherman. his eyepatch in official art has a trident, which was used for spearfishing. (there's also fischl's entire existence aka fischer.)
he even has a hangout pic where he catches a fish. in that same route he went by the alias of albert rich, which might also be a reference to the fisher king being a "rich fisher". it's a double pun!
if kaeya is the new "fisher" or "sinner king", what would he be the king of? khaenri'ah seems like the most logical route. yes, khaenri'ah is gone but it's possible the kingdom can "grow back" just like fischl's immernachtreich.
Oz: "Really? So how do we make your homeland grow back again? Oh, pwease tell me, pweeease, pweeeeease!" Fischl: "Since you inquire so earnestly... give unto me a tranquil haven, promise me eternal admiration, lend me both time and wind, and one shall revive one's homeworld."
...or perhaps kaeya's future "kingdom" is simply mondstadt, which may be a pun on monsalvat, the fisher king's realm.
OR, even crazier, sinner king is literal, and the power the sinners are using belongs to a branch of kaeya's mysterious family... (not necessarily the alberichs).
we don't know yet if anfortas was born an alberich; for all we know he might have been adopted or married into the family. if this is the case, anfortas's lineage could be anything... we also can't forget kaeya's mother, who is an even bigger mystery than kaeya's father.
About Fischl (CN) What? You're saying that Fischl hiding one eye is very fitting for her image as "Prinzessin der Verurteilung"? Haha, by this logic, I should be a descendant of a last generation of royals, right?
😒
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vint-knight · 26 days
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Epic The Wisdom Saga Ranking:
SO I really loved this saga so here's my ranking and if you guys want to, you can add it your list by rebloging as well!
1: Little Wolf: Just from the start with Antinous being cold and vicious, Aryon killed it as always, I thought it would just be a long fight of Tele vs Antinous until it would end with either Penelope or Athena (perhaps both saving him in the last moment) But I was genuinely surprised to see Athena appear and aid Telemachus, also their dynamic is cute, and the animation, Liam Davidson delivered it with the videogame aspect of it and Luzia coming with the absolute beautiful animation and expressions, especially Telemachus, and Teagan just throws it out of the park here, I really love her voice that she has been doing since the rereleased Troy/Cyclops Saga albums and how it goes from a Tele getting his ass kicked, to Tele getting some aid but still getting beat up, while leaving some bruises to Antinous and how the Little Wolf taunt was more used like a compliment.
2: Love in Paradise: I would have thought this was gonna be like at the bottom (not in terms of bad, but just not quite top tier) first off the Time-Dive by Mircsy was absolute mind-blowing, from Aeolus, to Poseidon which I really liked because of how quick the "Ruthlessness is mercy upon ourselves" to Circe, Tiresias, Sirens, Scylla which has a really cool shot! and then ending with Thunder Bringer, then we have Gigi! her animation was amazing as always, we get introduced to Calypso who is played by the wonderful Barbara Wangui! she sounds so fun and playful but I like the general creepy vibes given to Calypso, then the cliff scene this absolutely shocked me then I remembered it was accurate to how Homer's Odysseus felt almost sucidial during his time on Ogygia, the belting Jorge lets out, letting out every single part of Odysseus's anguish before screaming for Athena, absolutely gut-wrenching it almost made me tear up
3: We'll Be Fine: I love this song so much, the absolute feels you can feel from Teagan's Athena, the guilt she feels that she can't even sleep, also noticed some lyrics were changed like "When I'll never left home shores" which I find intriguing, the growing friendship between Tele and Athena is just so wholesome and love the ending with him trying to lean his head on her shoulder then falling on his face lmao
4: Legendary: This was absolutely a great start, MICO as Telemachus was absolutely incredible and very proud of how he portrayed Telemachus, nice that Argos is shown following (sad that he was failing to catch Tele because he's a very old dog who's sick) a perfect song to show how a son wants to live up to his father that he never got to meet, the "Man of The House" callback with the suitors and Antinous being an absolute asshole, "DON'T YOU DARE CALL MY MOTHER A TRAMP" from Tele was delivered so well, showing how much respect and protectiveness he has for his mama.
5: God Games: Honestly I would have thought this was going to be at least at the top 1 or 2 for the list, obviously everyone did great, Brandon as Apollo was amazing, love how nonchalant he seemed, wish his part was a bit more longer (but he is LVL1, so it makes sense in video game terms) Hephaestus was quite good, Jorge's dad did amazing and the fact he's also a builder is very ironic, I was quite fine with his part being short because if the "Odysseus took Achilles's armour that Hephaestus specifically made for Achilles" because EPIC doesn't stay too long on the Trojan War (besides references and callbacks etc etc) Janani K. Jha and Earle Grensham Jr did SO GOOD as Ares and Aphrodite, love the fact that Aphrodite's love domain isn't just romantic or lustful love, it's motherly love as well, then we have POSEY as Hera!, love the disco music part of Hera's music, also Anniflamma's animation was so cute and funny! with Athena awkwardly dancing along with Hera, then we have Zeus's part.... alright first off Luke Holt POPPED OFF on this one, his voice was so intimidating here then in Thunder Saga or Troy Saga, the "Thunder Bringer" being brought back with that deep tone he brought in, but I do have some criticism which is I wish Zeus had more words to say, also did not like how he came off like a sore loser (he can be that in the myths sometimes) But I thought it more off like he was actually ashamed of Athena trying so hard to defend this "man full of shame" which in my opinion makes me think that he also felt shame was gonna be brought upon him for the fact The King of Gods's daughter basically going all this way to free one mortal man, besides that I love the small flashback with Athena and baby Telemachus which shows how determined that she is not only doing this for Odysseus, but for his son, then the end was okay, nice to see Ares was genuinely concerned for her, same for the other gods and it ending with Athena being unconscious (also the red blood is kinda explained as her becoming more human by Gwendy who did the last animation for God Games) still like the song but wished it was more longer
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old-school-butch · 10 months
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What do they think Hamas wants? What do they think Israel is supposed to do? Do they seriously think Israel is supposed to be like sure here you go we are all going to leave Israel and you can have everything? Do they think that would bring about peace? I’m serious. Like really do they think there is anything Israel could do that would stop any of this? Do they think Israel should’ve done nothing and this situation would’ve just disappeared? Americans are the dumbest fucking people on the planet. Hamas wants compliance or death, that’s how terrorism works, that’s war.
Whoever is running the information warfare at Hamas is truly brilliant. The ideology of Islamists has been run through some kind of autotuner so it sounds like it came from a chapter in Pedagogy of the Oppressed and Western liberals are eating it up. While liberals are still catching up on which river and which sea the chant refers to, they still don't grasp that the end goal here is the elimination of the state of Israel entirely. And while 20% of Israelis are Arab Muslims, there are zero Jews in Gaza. The PR people are saying Zionist these days instead of Jews, so maybe it doesn't sound too bad when they say Kill All Zionists but that's just the English translation. Zionism is the creation of a Jewish state. Hamas will call it the 'Zionist entity' because they don't recognize it as a state. They don't recognize it because all states should be Muslim. Israel is occupying territory that should be Muslim. When they say 'end the occupation' it sounds like a call for liberation of an oppressed people, instead of the desire to destroy Israel, kill or expel the Jews and create a Muslim state in its place.
Yemen's Houthi rebels (who are currently attacking Israel) have a slogan "God is the Greatest, Death to America, Death to Israel, A Curse Upon the Jews, Victory to Islam" and I think it says a lot that they take the time to double down on how much they hate Jews/Israel instead of a single 'Houthis are great!' thrown into their own slogan.
The Islamists have noted the 'anti-colonial' rhetoric in Western universities and capitalized on it by positioning Israel as a proxy for the West and thus a scapegoat for the West's sins of imperialism. It does rely on some very old anti-Semitic tricks - because Jews assimilate fairly well (because they don't have an evangelical aspect to the faith) they are both within a culture and othered from the culture - the perfect scapegoat. Many liberals shrugged when the Nazis marching in Charlottesville chanted "Jews will not replace us" but the suspicion that Jews control the media, capitalism, also socialism, Hollywood (and any other center of power you can imagine) runs very deep in Western cultural anxiety. Imagining Israel as a prowerful villian is all too easy when you're primed to believe that.
A wild example of this is how Westerners view Israel as a colonialist power rather than a gathering point for religious refugees. The reality that Jews originated from the land of JUDEA should not be hard to grasp, but is conveniently ignored. The fact that they've negotiated with colonial powers like Britain and the UN is viewed as a sign of political power, even though the main goal of those colonial powers was to prevent Jewish refugees from flooding their own countries. And the memory that the post WW2 boost in political heft came at the price of the Holocaust in Europe, seems to have been lost. The reality that most Israelis are Jewish refugees expelled from Muslim countries, is conveniently ignored. There are enough white faces and dual citizens in Israel for guilty Westerners to find a convenient scapegoat to do all that decolonizing and let themselves be destroyed for our sins. Not that anyone is thinking that hard about it, it just feels right, because it's safe and convenient to accept blame and then shift it to someone else - no matter how many land acknowledgements they crank out.
I guess Westerners think colonizing is something only white people do, and they are blissfully unaware of the size and scope of the Arab Islamic Empires of the past. And also apparently unaware that Islamists explicitly say they want to recreate that empire. Zionists want a single state - and I have a lot of issues with the idea of a religious state at all, but no one can accuse Jews of ever having or wanting to create an Empire. Israel might be criticized for not having a more liberal democractic state, but Hamas isn't even trying to create one. It wants a single Muslim state occupying their entire region, where Jews are killed or expelled and Islamists can consolidate regional power - that's their goal. But the slogan is 'end the occupation' which sounds way nicer than 'end the occupation of land of Israel by Jews so we can make an Islamic state in its place and kill all the Jews who don't run away fast enough.'
Maybe it's that most Westerners don't live in a theocracy, and have no sense of just how controlling and energetic theocratic societies can be, that they can't grasp the idea of global jihad and what that really means. "The Caliphate is the answer" is written in Arabic on protest signs, flying under the radar of English-speakers and certainly not seen as hate speech, but when people tell you they want to establish a global world order under Islamic rule, and are actively coordinating their efforts between states and regions - you should believe them. Moderation is apostasy, punishable by death. Anyone negotiating with Israel faces opposition from more radical Islamists ready to take their place. This is why Islamists spend most of their time attacking more moderate Islamic states and leaders. And by 'moderate' I mean the Taliban, which can barely set up a state in Afghanistan - because it means diverting resources from expanding and conquering other areas. A group called ISIS-K is trying to overturn the Taliban to bring back the glory days of the Khorason, an entity so sprawling it would involve invading China, Pakistan, Iran, Uzbekistan, Turkmenistan and Tajikistan, which would undoubtedly spark a global conflict. That doesn't phase them. Hamas can barely control the Palestinian Islamic Jihad, which rejects any peace accords with Israel including the Oslo accord. Dying as a martyr is the highest achivement - eternal war is not a problem. The Islamic world is failing to contain radical movements it created and supported for its own interests.
The Palestinians are a good microcosm of this. When Israel declared independence in 1948, the region was invaded by its neighbors. The war ended with Jordan occupying the West Bank and Egypt occupying Gaza and normally the people living there would have been absorbed into these countries, or created a self-governed state. Instead Palestinians, as a group, were created as a stateless people. They didn't want to form a state within the boundaries determined by the war, but instead remain as refugees from a war and promised the 'right of return' i.e. that Israel would be returned to them. Importantly, the war didn't have a declared end. It's still happening, which is how they are still refugees 75 years later. And they live in 'refugee camps', otherwise known as buildings and towns, but it's all temporary in this narrative. Does no one wonder why the pro-Palestinian rallies call for a ceasefire and not for peace? Peace is not desired, just a pause in fighting until they can regroup and try again.
A separate reality was created where the 1948 war is still happening, Israel is not real, it's a 'Zionist entity' occupying the land and that refugees includes everyone displaced by the 'ongoing' war, and all their descendants are refugees too because they have nowhere to live - because where they are living is just temporary. And ‘all they want is to go home’ (but not their current home for 3 generations, the home back in Israel ofc). In this world, they all have to right to live in the region that the zionist entity is occupying, where their duty is to establish a Muslim state. The purpose of this fiction is to create a perpetual problem for Israel, a stateless population whose entire existence is focused on them eventually overthrowing Israel. But it's had unexpected effects.
Palestinian refugees have been more than willing to bring violence to any country that has taken them in as immigrants. Their nationalists have a long list of assassinations of anyone who supports a peace treaty with Israel, including the King of Jordan, the former prime minister of Lebanon, Robert F Kennedy and more. They've also started a civil war in Jordan until they were expelled to Lebanon, where they hijacked a series of international flights and started a civil war there that lasted for 15 years. Palestinians living as refugees in Kuwait aided Saddam Hussein's invading army until they were expelled when his regime fell. These are the reasons none of Israel's neighbor's will accept any more Palestinian refugees, but the Islamist problem remains for any country in its path. What I have found most disturbing among feminists on Tumblr, however, is the complete wilful ignorance about Islamist ideology and its relationship to women. You think you’re ok with the Quran? Read it. There aren't many religions founded by a conqueror who wanted to rule the world. Read what it says about conquest, murder, torture, raping and enslaving non-Muslim women. Arab slave traders castrated men and bred female slaves who were kept as captive wives. Using sexual violence as a tool of war and as a reward for Islamic fighters is long documented and continues today. The birth rate in Gaza is about 5 children per woman and frequently exhorted to be higher. Why? Arafat said it most clearly ‘the womb of the Palestinian woman is the weapon that will defeat Israel.' Population and fertility are part of the political landscape and Islamist strategy. It's how Lebanon went from being a Christian majority country to a Muslim majority country today. There is no reason whatsoever that feminists - who have not shied away from criticizing the sexism of Christianity or Judaism - should mince words when it comes to criticizing Islam in the strongest possible terms. Islamists - who combine Islam with a goal for global dominance - should ring every alarm bell we have.
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earlgreytea68 · 5 months
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hi egt
what fob songs scream hiatus to you?
i need to experience emotional ruin real quick
God, there are so many, like, basically allll of Save Rock and Roll feels like them working through the hiatus together (not least because of how it has a higher percentage of Patrick lyrics than usual, probably because of him coming off his solo work). But the hiatus loomed so large for them as this nuclear blast in their relationship, it seems to bleed all through Pete's words (and hence their songs) for years afterward.
And it actually even starts before the hiatus, with the "What a Catch, Donnie" music video, which is the most hiatus-y thing to ever hiatus, Pete going down with his ship while he sends everyone else away to party without him. IT'S ALL SO SYMBOLIC.
And then to title a song on the first Believers Never Die album "From Now On, We Are Enemies." WHAT THE HELL hahahahaha WHAT A CHOICE, PETE WENTZ. (a downward spiral, just a pirouette and I only what what I can't have -- wanting what you can't have is a total hiatus theme for me that shows up a bunch in Pete's lyrics. I have not done an empirical analysis to see if it's a more prevalent theme after the hiatus or not.)
"The Phoenix" has obvious symbolism for their life as a band, raising their career from the ashes, changing themselves up like a remix, wearing their vintage of misery better than everyone else. Also, I love the imagery it has of peace, the "release the doves, surrender love" bit. Waving the white flag and putting down your weapons (in contrast to put on your war paint). But I've always kind of felt like surrender love is one of Pete's deliberate ambiguities: It could be "surrender your love" but it could also be "surrender, love." And Pete doesn't often use "love" as a term of endearment in his lyrics but he called Patrick "love" on stage not too long ago, so, you know, it seems not too outside the realm of possibility to think that these are really lines about reconciliation. It feels like time is running out, so let's surrender and hold tight.
Then there's "Alone Together": I'm outside the door, invite me in so we can go back and play pretend. The image of playing pretend / make-believe with someone also recurs in Pete's poetry, and it's something else I always read as Patrick-coded. Who did he used to "pretend" with for the sake of the shippers? And, of course, starting at the end of the road to ruin sounds like people who have burned everything down but are finding their way back.
I wrote a whole fic about "Where Did the Party Go" :-)
What is there to say about "Miss Missing You" that hasn't already been said? The infamous "hot whiskey eyes" line that honestly can only be about Pete Wentz lol. The imagery of the person you'd take a bullet for being behind the trigger: they have both at separate points in time proclaimed their readiness to take a bullet for the other. The fact that Pete wrote in a poem once before the hiatus I miss you missing me, and this song is I miss missing you. Like, everyone just die over this song.
To me "The Kids Aren't Alright" is a hiatus song in that it's about surviving the hiatus, coming through it, reversing the curse, it's our time now if you want it to be, in the end, I'd do it all again, I think you're my best friend.
"Fourth of July" is another hiatus song for me, the reference to the burned bridges being the light that leads you home is just so hiatus-y. Also, the torture of small talk with someone you used to love just smacks of the hiatus, of how they stopped talking to each other, of how they knew so little about each other and had to start over. This is more wanting what you can't have, too: my favorite what-if, my best I'll-never-know. I said I'd never miss you. I wish I'd known how much you loved me. It's so much, this song lol
Twin Skeleton's: ouch. This song is so painful. This song scrapes over your skin like sandpaper. This song is so angry and bitter. This song is I need a new partner in crime and you shrug. oh my GOD that line kills me every single time. That one and the way Patrick snarls, I could just die laughing on your spiral of shame. This is an angry song, but the anger is born of a depth of emotion and it ends with Patrick promising hold on, hold on, hold on, hold on over and over, and that's what makes it extra-hiatus to me, like, hold on, it all gets better, I'm coming back, hold on, hold on, hold on...
I find the hiatus infects their songs less and less the farther they get away from it, which is good. It's healing. As we've discussed, they've almost forgotten the whole thing even happened, it's been blurred over by the sands of time.
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reslari · 3 months
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Alright, gonna take a stab at making sense of Certain SOTE things, because like it or not, this is the lore we have, so we gotta figure out what pieces fit where.
Assumption: Miquella speaking of the "vow" in plural, and the item from Freyja's questline pretty well contextualize that it was a mutual agreement. Miquella proposed it, Radahn agreed initially.
Lore Question: Why did Radahn agree in the first place?
Hypothesis: What we know about Radahn is characterized by a love of battle, an admiration of Godfrey and Radagon, and an allegience to the Golden Order. He is a quintessential warrior character - a warlord, even. Yet, there is more nuance to that: An affinity for gravity magic implies a sharp mind so he is not all brawn and no brain, and going to the lengths he went to preserve Leonard implies a nurturing side.
I think the former points are why he would agree to be consort, and the latter are why Miquella asked in the first place, and I think that schism brought up conflict.
If Miquella was poised to be the God-Heir Apparent of the Lands Between, then by becoming his Consort, Radahn would be poised to end up just like the two men he admired most in the world: The Elden Lord. Why wouldn't someone want that sort of position of honor? More than that, it seems like he was asked - he didn't even need to pursue such a goal - so saying a "yes" was fairly easy. No mind control required.
In Radahn, Miquella saw that nurturing side; things that likely reminded him of Radagon. Considering Miquella had a good relationship with Radagon, at least for some time, and Radagon was Miquella's frame of reference for what a "king" should be, it's sort of natural that the places where Radahn and Radagon overlap would catch the younger Miquella's attention. Even if it was partially because Radagon was also Radahn's father.
Now, it seems like this promise was made in secret. If many people knew about it, then I doubt Freyja would've had to go searching so hard for it, and it probably would've come up way more often in lore. An arranged marriage between demigods (and with an Empyrean) would be kind of a big deal; it would be the talk of Leyndell. Yet, it would also probably threaten Queen Marika, and what her vengeful self would do if she caught wind that Miquella was going through the preliminary steps to become a god would be Bad, so not mentioning it to anyone is honestly probably for the best, actually.
What's a little secret between brothers?
Lore Question 2: Why did Radahn back out?
I have a few thoughts for this:
1) Miquella does not age or mature. Because he is kept in a sort of youthful, unchanging stasis, maybe it started to look like he would never really "grow into" becoming a god. It was a non-starter because he could never actually mature into anything than the child he was. If your god doesn't become a god, then you don't become Elden Lord, and that was all a waste of time. (Radahn holding the stars back also likely contributed to the stagnation, but he wasn't going to give that up.)
2) Miquella abandoned the Golden Order. We know Radahn's campaign against the stars was done partially on orders from the Golden Order. We know he was a loyalist. Miquella abandoning it meant that when he became a god, it wasn't because he was going to be the heir of the Golden Order, nor was he going to make Golden Order 2.0: he was going to make his own thing, and that wasn't appealing to Radahn, who just wanted to live within the Golden Order.
3) Miquella wanted to build a "kind world" or a "kinder world". A world in which everyone is forced to get along isn't one in which a career soldier can thrive: No conflict, no war. No chance for honor and glory on the battlefield. Radahn can't live up to Radagon's legend, let alone Godfrey's, if there isn't anything for him to battle. And maybe, in that obsolescence, he'd be cast out, the same as Godfrey. He probably doesn't want to be THAT much like Godfrey - he wants to live the good parts of the legend, not the bad.
So yeah, I can see those, and maybe other reasons I'm not thinking of coalescing together and painting a picture for why Radahn didn't actually want to go through with it. Radahn is, of course, well within his rights to say actually, this isn't going to get me what I want, so I'm not going to do it.
Yet Miquella, a young prodigy with an underdeveloped prefrontal cortex didn't want to let him go so easily. Miquella, who famously has not actually fixed anything ever in his own life, decided he wanted to try to fix this.
Instead, Radahn walked out.
Miquella must have felt devastated, desperate, heartbroken. You PROMISED, Radahn! You promised!!
Lore Question: So what was the Battle of Aeonia?
Let me preface this: Malenia is the Blade of Miquella. I don't think enough people read enough low fantasy to take this seriously: When someone is the "blade" of someone else, they are calling themselves a tool. An object. A thing to be used to enact their masters' will. They sublimate their own feelings, opinions, and wants, in service to another. The only agency they have - and sometimes even that is questionable - is in whether they choose to serve someone. To that end: It does not actually matter if Malenia was mind controlled by Miquella. She would have been oath and honor-bound to enact his will, no matter what she thought of it. No matter how dangerous it was for her. No matter what she had to do.
Now, death in the Lands Between seems to work in one of two ways: Death where the souls and bodies are just recycled through the Erdtree and spit back out, and Destined Death, which is a one-and-done sort of deal. The former means the person is salvagable and will resurrect eventually, the other puts them beyond the reach of the Erdtree and any known systems at all. This relates to one reason Godwyn was never actually a viable option: but put a pin in that, and I'll come back to it.
But the resurrection form of death isn't really called death in the Lands Between. At least, it's not associated with that much gravitas. In Dark Souls, the humans do a similar thing: Since they're functionally immortal, they can, for instance, turn a wedding ceremony into a ritual sacrifice. Y'know, the whole Anri thing.
So killing Radahn isn't that serious of a thing, as long as Destined Death isn't involved. He'll be back. I don't know if it was the original intention to kill him, but I don't actually think it was. I think that came later.
Maybe by being defeated in combat, he would start to take Miquella seriously. Or maybe Miquella did want the chance to get the mind control hooks into him, but that seems too straightforward for a FromSoft game. I want to explore the former option:
Except Malenia, who is an extension of Miquella's will REGARDLESS of any paranormal influence Miquella might have had on her, was unable to beat Radahn. She was unable to get him to back down, submit, and/or actually uphold his part of the vow. So she cast aside her pride (quite literally, I love you Millicent), and gave into her own god's power. She is under orders; Miquella wanted Radahn, and she will deliver him in whatever form she can. If he dies, then his soul can be pulled out of the Erdtree, no harm, no foul.
This SHOULD have killed Radahn, but, again, not a Destined Death-death, so he would come back. And, having been killed (and thus defeated), could be told he was honor-bound to uphold his end of the vow upon his revival. Maybe with some newfound respect: Miquella is enough to become a god. He has the love of his men, a powerful blade, and a will to become the ruler he was born to be. If he still refused, well, Miquella still has that compulsion to him. He can still force it.
But Radahn's great rune saved him. Or, to be most precise, it cursed him to a fate worse than death. His rune is burning, after all, trying to stave off the rot. So instead of a... messy but functional death, he has to suffer a slow, painful degradation of his mind and body that leaves him naught but a howling animal in the dunes. Very much alive, and very much too incoherent to uphold any kind of vow.
Now this seems to be happening at about the same time that Miquella decides to put himself in the womb of the Haligtree. He seems, with this, to be trying to mature into an adult. This makes the plan simple: Prove to Radahn that he is going to be a mighty god, AND age himself to show that he is capable of growing up into a god.
Yet with the battle concluded, Miquella has failed yet again. And with Malenia out of commission, he has nothing and nobody to try to further Plan B. The leftover Cleanrot Knights can't beat Radahn, the Haligtree soldiers can't beat Radahn, Radahn's own men can't beat Radahn, he's just this ridiculously powerful being that's basically now untouchable. Until the Tarnished comes along, but that's in the future; there's no way for Miquella to know when or even if Marika's going to call the Tarnished back.
So Miquella needs another plan. Or at least to enact a backup plan. Enter, an Omen with a thirst for power, and a desire to build his own dynasty - a castaway yearning for love and acceptance for who - and what - he is. Who made contact with an outer god, but since he was not an Empyrean, could not be the vessel for it. He just needs a little... push. To turn that ambition into obsession.
Sorry, Mohg, but the Empyreans are playing on another field entirely. What's one cast-away son no one knows existed otherwise? Minor sacrifices must be made, as the doubts in Miquella's heart begin to fester, and push him in increasingly desperate directions. He's running out of options.
He just needs to become God, and he can fix all of this, he says, with the simplistic resolve of a child playing with dolls. All the world's problems are so easy to solve, he just needs the power to do it.
Lore Question: So why not Godwyn?
Hypothesis: This isn't even subtext, this is just plain obvious from the game. Maybe in an earlier iteration of the story it might be possible, but as soon as they wrote Godwyn into being the Prince of Death, it was over.
First of all: The statues in the Haligtree being Godwyn are based on entirely speculation. It's a popular fan theory, but only that. There are no references to them in items, nothing internally or externally in the game to tell you what they are. FromSoft put them in the game, and giggled softly as they made the "zippering shut" motion over their lips.
The popular theory of it being Godwyn mostly comes from the fact that Miquella refers positively to Godwyn, and was even willing to go to great lengths to help him out. This is the best theory we had at the time, but that's as solid as it gets. But if "Miquella speaks of the person in high regard" is the only basis for what the statues are, then we might as well say the statues are just as likely to be Radagon, protecting and loving his children. Someone on twitter even posited that it was Ranni, the raised arm and robe "shielding" her younger Empyrean siblings from the horrors of being an Empyrean in the first place, since she knows well how awful it is.
Now that we have the DLC, those statues could very easily now be Radahn. Not as Radahn is, but the ideal Radahn that Miquella saw and made a vow with.
No one but FromSoft knows what they were meant to represent; but what they are not is unambiguously Godwyn.
So remember the discussion about death vs. Destined Death? We know when Ranni perpetrated the Night of the Black Knives, she killed her body, and Godwyn's soul. That means both of those things are Dead-dead. Temporal incursion dead. Basically, so far out of reach of resurrection that it's impossible, so they functionally might as well not exist. But it was just her BODY, and Godwyn's SOUL.
Her soul lives.
And so does Godwyn's body.
Godwyn is functionally a tumor. I believe the Japanese descriptions of the Prince of Death's cyst and pustule both make direct references to cancer, in fact. Cancer is cell growth with damaged DNA that no longer has a termination peptide in it, and no limit to replication anymore. Immortal cells, basically, that rapidly reproduce. Fall down a wiki hole sometime about how cancer metastasises, and it will give you the creepiest, uncanny feeling that cancer actually has a will of its own.
But even without knowing the weird ways cancer can grow and spread, just knowing that it does spread explains a lot about Godwyn, and the Deathroot, and even why it would show up somewhere like Farum Azula. Because you only need a little bit of the cancer cells to "break away" or... be transported... from one place to another in order for a second tumor to start to grow. All that's needed afterward is a source of vitality. Since the broken-away tumor also has the DNA of the original tumor, as well, it is. Well. The same being. A clone at worst, but literally a shucked-off part of the body that keeps living, and is still its root being at the same time it is separate from it.
Kinda like Trina and Radagon, now that I think about it.
Still, every time you see the giant clam-face, every time you see the deathroots, those are all Godwyn. So Godwyn's body is not just the giant, unmoving merman thing in Deeproot Depths, it is functionally in every corner of the Lands Between, and a few places outside it. And it's still growing, still living, still replicating.
Now, try to put Radahn's soul into that.
Where would you even begin?
More than that, could you do it? Since Godwyn's body is still alive? And if you did... what's to say that it wouldn't just be Radahn in a giant, immobile fish body, genetically glued into the roots of the Erdtree, and spreading everywhere else? How could he be a King, how could he be a warrior if he's immobile, and buried?
Miquella wants a functional king. If he's modeling it off what he knows, then Radagon was able to mingle among the people, to fight wars, to be present in the lives of the court. He wouldn't get that with Godwyn's body, even if it was as simple as sticking a new soul in a still-living body that spans the entirety of the Lands Between, which I sincerely doubt it is.
No, Godwyn was never an option.
But a more normal dead body? One whose soul has only recently fled? That was otherwise whole and hale? That could be useful.
"What are you doing? This is not right," says St. Trina inside Miquella's head. She's starting to get annoying. Doesn't she understand he just needs to get this one thing done?
Oh, and look at that.
The Tarnished have returned.
Conclusion: I like it. I think it's kind of funny, actually. It's not what I was expecting - I do agree that at least like. One. Item in the base game could have legitimately alluded to some connection here, because I absolutely can see how this feels like a sucker punch to people who had two years to set their lore assumptions in stone. But as it's presented in the DLC... it's fine. I can make sense of it. It's sufficiently doomed and tragic: Miquella didn't become the god he could have, he became the god Radahn wanted. And becoming god at all required a sacrifice that removed all the reasons he would've been a good god to begin with.
My biggest qualm with the ending is this: I think if you get your heart stolen by Miquella, it should trigger an ending. Thus, most players will probably get the "bad end" where you end up a subordinate of Miquella's reign, forcing them to use either the Great Rune he cast aside, or to just not get grabbed to get the "good" ending. Please, FromSoft, it was a perfect opportunity!!!
Now this doesn't account for absolutely everything, and maybe an item will be discovered somewhere in the DLC that bucks all of it, but this makes the most sense to me, and based on some other readings, it seems to align with other people. Miquella is far from a perfectly innocent being in all of this, but he's not some purely evil mastermind either. He's a kid, trying to fix a deeply broken world like he's playing with dolls, without the capability of regard for how real lives are affected in a nuanced way.
Just trust him! He'll become a god, and- and all of this will be better!
("No," whispers Saint Trina, sleepily, where she was cast off. Now, where Miquella cannot hear her. "No, godhood will be your prison.")
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