#also another reason why I don't want to read the manga first

[piracytheorist]

"Sy-on boy" vs. "Second son"

As someone who a) watches the anime first and then reads the manga (and doesn't read manga chapters that haven't been animated yet), b) is quite cautious about Damian's character and c) doesn't even like Damιanya as a ship, I think I have a very different perspective on Anya's view of Damian - at least, according to the point the anime has reached - to the point that I can get VERY confused whenever I see some shippers talk about that. To the point I go like "Is there something I missed?"

And there IS something I miss. And that's manga-only (or at least manga-first) context.

In Japanese, Loid thinks about Damian being the second son of Donovan Desmond, using the word "次男" (jinan) which literally means "second son".

Damian uses the same word for himself later,

and Anya picks that up from then on (though using hiragana characters instead of kanji, as she does in general). And maybe because of that use of simpler characters, the manga translation team decided to have her call Damian "sy-on boy" - a mispronounced "scion boy" - instead of simply "second son".

The thing is, though "sy-on boy" makes Anya's speech sound simpler and more imaginative, fitting her age more, it can also sound more endearing, cute and affectionate, if you lean towards that. Meanwhile, "second son" can range from neutral at best to derogatory at worst - especially considering that Damian is not dealing very well with the fact that his older brother is already an accomplished Imperial Scholar and has raised the bar very high for Damian.

Again, my first contact with the story was from the anime, where Anya simply calls him "second son".

Which, if I'm honest, already sounds appropriately silly. Who calls someone, even the second child of a family, that? Anya's use of "haha" for mama and "chichi" for papa is already kind of incorrect when she talks to them, she's young and has still got lots to learn, in the same chapter/episode she called Becky "milady" until Becky reminded her of her name, and also Damian pissed her off so she has no reason to refer to him with his name (yes I'm fully taking her side on this, bully victim for bully victim). She heard both Loid and Damian use "second son" in their thoughts, so same way she called Becky "milady", she picked that up as a way to call Damian.

I actually wonder why the manga translation team went for "sy-on boy". There's no indication that Anya heard the word "scion" ever before, so it sounds out of place, and honestly, with what I said above, out of character for her. In a weird way, though, it actually fits with how she manages a decent score in her "Ancient Language" test many many chapters later.

(I am aware that there was a fan translation of some chapters before the manga got picked up for an official translation. I have no access to the fan translation, so maybe "scion" was used there and it passed on to the official translations in that way?)

Anyway, what I mean to say is that the use of "sy-on boy" may have encouraged a more lenient and even "encouraging" view of Anya's feelings for Damian, even though through her actions and words she keeps showing that she would rather not be around him, but she has a mission to accomplish.

And with that, though I don't know any Japanese myself, I'm leaning towards the conclusion that "sy-on boy" is not a translation that accurately communicates Anya's sentiments.

And as someone who is very passionate about defending Anya's mistrust of Damian, the use of "sy-on boy" in the manga translation sounds... misleading. Maybe it just feels that way to me because I am a bit more cautious, but it also explains why some fans are so passionate to the point of saying Damian never actually bullied Anya - or to tell me to my face that I shouldn't call Damian a bully because it upsets his fans. If the manga has her use a nickname that could show she's on equal footing with him and could betray, under a certain interpretation, some hidden affection for him, then you kind of understand why people reach that point. It doesn't mean it's right to say Damian was never a bully, or to tell me that after I've shared I still carry scars from having been bullied, but you know. Fandoms will be fandoms.

[tofixtheshadows]

You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.

The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.

For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.

I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.

Like, this

is funny.

But this?

Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.

The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.

I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:

Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.

And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.

[neil-gaiman]

Hi! RE: your journal about the right for lolicon fiction to exist even if you disapprove of it, would you say it can also exist for titillation purposes, or do you stand by it for artistic reasons, or for the purpose of exploring dark themes only? I always thought you were saying the former, but I just wanted to ask. It's chill if you don't wanna answer this. Have a good day!

Here we are, 15 years on from that blog entry, and I still haven't read any lolicon, I'm afraid, so I have no idea about its themes. The context was whether you should be sent to prison for owning lolicon. What I said back then was,

In this case you obviously have read lolicon, and I haven't. I don't know whether you're writing from personal experience here, and whether you have personally been incited to rape children or give inappropriate hugs by reading it. (I assume you haven't. I assume that Chris Handley, with his huge manga collection, wasn't either. I've read books that claimed that exposure to porn causes rape, but have seen no statistical evidence that porn causes rape -- and indeed have seen claims that the declining number of US rapes may be due to the wider availability of porn. Honestly, I think it's a red herring in First Amendment matters, and I'll leave it for other people to argue about.) Still, you seem to want lolicon banned, and people prosecuted for owning it, and I don't. You ask, What makes it worth defending? and the only answer I can give is this: Freedom to write, freedom to read, freedom to own material that you believe is worth defending means you're going to have to stand up for stuff you don't believe is worth defending, even stuff you find actively distasteful, because laws are big blunt instruments that do not differentiate between what you like and what you don't, because prosecutors are humans and bear grudges and fight for re-election, because one person's obscenity is another person's art.

Because if you don't stand up for the stuff you don't like, when they come for the stuff you do like, you've already lost.

[tender-rosiey]

to be honest, idk how you did it but you truly got me stoked over heian era husband! sukuna. i hate the man with most passion (bcs of what he did in the manga), but i couldn't help but giggling, crying, kicking my feet with butterflies in my stomach every time i read your husband!sukuna stories. your writings are *chef's kiss*, i read all of those more than twice already.

idk if you're currently open for request or not, but i want to ask, are you comfortable writing angst/hurt no comfort stuffs? bcs my mind keeps imagining what and how the husbands (gojo, geto, sukuna, nanami) react to their wife (y/n) got klled right in front of their eyes? perhaps bcs of their enemies or something, the enemies know you are their weakness (imagining sukuna, the king of curses, who's feared by most, or satoru who's known as the strongest — turns out have a weakness that he himself perhaps is not aware of is so mindblowing(?)) anyway, you don't have to write it if you're unable to, no worries and no pressure!!

"YOU— WHO I HAVE LOVED TILL LOVE BURNED"

— when you die in front of gojo, geto, nanami, and sukuna

a/n: hehe i am so glad that you like my heinaera!sukuna MWUAH 💕 we gotta ignore what he is doing in the manga 🧍‍♀️ also sorry in advance y’all, but I lowkey had a blast writing this; hope you like this anon <333

GOJO SATORU:

satoru stood outside the operations room, anxiously tapping his feet on the floor.

he clutches his hands tightly, and his eyes are trained on the door, fixated on your cursed energy that he can feel through the door.

you were going into labor, after long 9 months of waiting.

the two of you were going to finally meet your baby girl. the same girl that the two of you would talk to at night, whispering and giggling amongst yourselves.

he knew that the pregnancy was hard on you, and that’s part of the reason why he is relieved that this day has come.

the moments are long agonizing, and what kills him on the inside are your screams of pain as you try to push out your daughter.

he wanted, so desperately, to be with you in the room, but the doctor decided against it; they thought that it would be better to free the room as they worried that there might be a risk in the labor.

that worried him, but he had no choice but to abide by what they said. finally, the sun smiles upon him, and he hears the cry of his daughter.

he stands up, grin overtaking his face, and eagerly awaiting being let in.

he waits.

and he waits, but nothing happens, and he stops the first nurse that goes out the room, “what is happening? is my wife okay?”

the nurse splutters and nods, before dashing to another room. he doesn’t believe her for one second, and so, he tries looking into the room through the windows on the door.

he can’t see anything, but he can still feel your cursed energy. that’s the only thing that calms him down.

but, he can’t find it in him to sit back on the chair. he leans on the wall beside the door, and his nails dig into his knuckles, almost making them bleed.

he doesn’t snap out of it, until the doctor walks out, lowering his mask, “mister gojo—”

he walks past the doctor and heads inside.

“y/n!” he calls out, but he is met with the sight of the nurses covering your figure with a white cloth. his eyes widen, and he grips the wrist of one of them, “what are you doing? she is not dead.”

the nurse’s brows furrow, and her expression turns into of one of pity. he snaps his head towards you then at her, “she is not dead. I can feel it.”

he can still feel your cursed energy, so they must be wrong.

he looks down at you and cups your face gently. he moves your face to his direction, and he whispers, “pretty girl, you did so well, but you gotta wake up now.”

your face is limp in his hand, and his eyes grow frantic, “y/n?” he urges, “please say anything, yell or scold me even.”

he rubs his thumb across your cheek as he chuckles nervously, “love, I can feel your cursed energy. the prank you’re playing is a bit too much, no?”

“mister gojo,” one of the nurses calls out, “I think it’s from her.”

he looks up, and he sees your daughter in the nurse’s arms. she is wailing loudly, and—the nurse is right—she is emitting your cursed energy or remnants of it, he realizes now.

“mister gojo, you need to have skin-to-skin contact with your daughter,” she speaks softly, gently handing the little girl to him.

he takes her, wordlessly, and he mindlessly opens his chest to hug his daughter to it.

the nurses exit the room, and satoru is left to stare at you.

he sits on the bed, one arm holding your daughter and the other hand holding your face. he speaks up lowly with a small and quivering smile, “wifey, come on, wake up. our daughter is here.”

said girl lets out a small huff, and satoru finds himself biting his lip as he lays his forehead on your own.

“come on, y/n,” he begs, “she even looks exactly like you,” he pulls you closer, “you cant do this to me—please, not you too.”

GETO SUGURU:

the businessman sighs, “I won’t pay more than what I offered. geto. my words are final.”

“and who are you to be making orders? geto asks, resting his elbows on the desk, “I could kill you with the flick of a finger, so either you give me the two million yen—I know you can provide—monthly, or you can say goodbye to this life and empire you built.”

the man taps his palm and sighs, “I assume that we won’t be reaching the outcome I want?”

geto tilts his head with a smile, “come on, you still have the power of choice.”

the man stares at geto for a second before speaking up, “your wife is a lovely woman,” he grins, “too bad she has to depart so early.”

at the moment, for the first time since that incident, geto feels his heart drop to his stomach.

he jolts up, grabbing the man by the collar and slamming him into the nearest wall, “what nonsense are you spouting?”

geto’s grip on the man’s throat quickly tightens.

the man is barely able to choke out his reply, “y—your dear sweetheart has been poisoned, since she went to your ‘usual’ café spot, and my men were there,” he grins manically, “better go and try to get your goodbyes, while you’re at it.”

your husband throws him on the floor and releases his most brutal curses to eat him. the man’s screams are ignored, as geto hurriedly runs to the café.

his heart beats violently against his chest. how did his curses not notice anything? how could he let you be in danger?

he slams the door open and yells out, “y/n?! y/n, do you hear me?!”

the café is empty, and the only person present there is you. the others having long fled.

you look so pained, letting out labored breaths and furrowing your eyebrows in discomfort. he kneels beside you and gathers you in his arms. he rises to his feet, but halts when you let out a pained shriek.

“I am sorry, honey, I know, just hold on,” he comforts. you shake your head and bury your face into his chest. he tightens his embrace on you and quickly starts running out.

“suguru, it hurts—moving hurts,” you cry, and it makes him kiss the top of your head firmly while nodding, trying to comfort both himself and you.

he thanks the heavens that he arrives at the estate, and he gently places you on the bed. he looks back at manami, “call all the healers and doctors, now!”

he looks down at you, and he grips your hand with it and presses it to his lips. he murmurs softly, “you will be okay; don’t worry,” he clutches your shirt.

he repeatedly apologizes and brings you fully into his arms. he watches your breathing slow down, and he feels your skin get colder. your expression starts to relax little by little.

it sends geto into a frenzy. he snaps, “where are the doctors?! why is no here yet?!”

manami runs inside and pants, “a-all the doctors have been k-killed.”

geto stops feeling the tips of his fingers, and he looks down at you. he starts breathing frantically, “then get anyone! anyone who knows about poison!” he cups your face and shakes you lightly, “y/n, please open your eyes.”

“suguru,” you say weakly, and he instantly lowers his head, so he can hear you better. you whisper softly, “I love you.”

he nods repeatedly, “and I love you too, so you have to stay awake, so we can say it again, yeah? come on, y/n.”

he moves your hair away from your face, his hands shaky as he falters, “can you say it again? one more time.”

your body stills in his arms, and he shudders, “just o-one more, y/n…” he closes his eyes, burying his face in your chest. your arms are limp, and he is left hugging your body.

everybody stays silent, and they watch geto not leave or loosen his hold on you.

he looks up slowly at manami and speaks lowly, “round up everyone that had an affiliation to that scum; those filthy monkeys will pay for what they have done.”

NANAMI KENTO:

nanami heaves a sigh of relief when he spots yuuji, “are you okay?”

the young boy nods frantically, and nanami looks around him then at yuuji again, “is y/n not with you? have you seen her? anywhere?”

yuuji shakes his head, regretfully, but nanami takes a deep breath, “it’s fine; let’s search for her together, okay?” he assures.

yuuji smiles and nods, determined, “yes!”

nanami barely manages a reassured nod of his own, his mind focused on finding you. in fact, he starts running, eyes quickly scanning each street and corner for any sight of you.

he clenches his jaw, remembering what you said before taking this mission.

“kento, I have a really bad feeling about this.”

he dismissed your worries and pulled you close, pressing a soft kiss to your forehead. he hummed softly, “I know, but we have to do it. if things go bad, then we have gojo present anyway.”

gojo is not present. shibuya is slowly turning into a city full of blood and corpses, both non-sorcerers’ and sorcerers’. he regrets not listening to you, but what else could’ve been done?

all he can do right now is find you and make sure you’re okay. that is his first and most important priority.

“nanamin, I found her!” yuuji screams excitedly, pointing at you who was busy thwarting off the myriad of curses charging at you. at the sight of you, nanami’s body relaxes, and he lets out a small smile.

you punch a curse back to a building, so you can finally turn to your husband.

“kento!” you grin and start running towards him. you throw yourself into his arms, and he—as always—catches you. he pulls you close and takes in your presence, burying his face into your hair.

he lets out a small breath.

“I am so glad you’re okay,” he says, but then he feels a strange wetness on his hand. he pulls away slowly and looks down at it. his eyes widen in alarm.

it’s covered in blood.

he looks up at you and mutters, “y/n, are you hurt? where are you hurt?”

“I—I don’t know,” you look up at him, “I can’t feel anything, k—kento; I don’t want to die,” you plead, and he quickly tears off a part of his suit to cover your wound and trying to stop the bleeding.

yuuji quickly goes to try and find shoko.

he hugs you closer, applying pressure to the wound, while pressing gentle kisses to your hair, “you…you won’t; don’t worry.”

you grip his shirt weakly and look up at your husband. you manage a small smile, “have I told you how handsome you are?”

he chuckles weakly, trying to stabilize his voice, “mhm, but I would like to hear you say it again tomorrow; can you do that?”

you nod slowly, “yeah…”

he stays silent for a second and grips you a bit tighter, “do you promise?”

your breathing starts slowing, “promise,” your body relaxes against his, and you feel his hand go to hold your own. he massages your ring finger and raises your hand to his lips.

you close your eyes with a smile, “I love you, ken.”

“I love you more,” he replies instantly. you stay still, and nanami embraces you with the entirety of his body, burying your face into his chest.

he clenches his jaw and whispers, “so much more.”

RYOMEN SUKUNA:

the king of curses dodges another attack with a full-blown smirk on his face. he swiftly turns and slashes the person till they drop into pieces. his chest heaves with excitement.

that is until he catches the smell of your blood.

he turns behind him, and he is greeted by a sight that he would usually take the time to relish in: a myriad of dead bodies, some piled on top of each other, and blood splattered and spilled everywhere.

he ignores of all that as his feet take him to where he senses your cursed energy.

he sees you standing in the middle of the bodies, and your stance is weak. you’re clutching your side, trying to stop the bleeding. he slowly walks towards to you and teases, “what happened? the queen got hurt?”

you let out a small chuckle, “shut up; it’s a minor injury, nothing worth noting.”

that is until the skin over your chest starts bubbling, and your heart explodes. the blood splashes all over him, and your body drops lifelessly to the floor.

sukuna’s eyes lock with your own blank ones, and he can’t process all the feelings he has.

his chest starts heaving particularly quickly, and his jaw clenches. he bends to his knees—something he never thought he would do—and raises your head towards his, searching for a glimpse of your cursed energy.

his eyes bore into your own as he speaks your name roughly.

“stop playing games, y/n!” he barked, shaking your head in his hand, but you grace him with no response.

“haha! I took out your dear wife; what will you do about it now, you monster?!”

sukuna eyes’ snap to where the voice came from.

he then decides that he will put that man through torture that is not even close to the amount of fury in his chest. sukuna is silent, as he gently lays your head down and walks towards the man.

the sorcerer’s smile starts crumbling, and he quickly falls on his back while trying to move away from sukuna.

“s-stay back, or I will kill you!” he attempts to threaten, but sukuna’s expression is blank. blank being a permanent furrowing of his eyebrows and his lips are pressed into a thin line.

the moment the sorcerer turns his back, trying to flee, sukuna cuts his feet.

sukuna doesn’t give him the chance to scream and wordlessly stomps on his back. little by little, he presses harder on the man under him.

he continues until he hears the cracking of bones and coughs full of blood. sukuna watches as the man tries to claw at his feet, in attempt to escape.

“I will make you suffer ten times over for what you have done.”

and it goes down in history as the biggest carnage sukuna has ever committed.

it didn’t stop at that man.

it extended to all the villages surrounding the vicinity. every sorcerer met a crueller death than the one before him. the single women were eaten, and the married ones were slaughtered.

no man was to enjoy what he was stripped of, and he would let the world remember your name along his through the passage of time, and he would make the temple he erected in your name stand tall forever.

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do not copy or plagiarize or I will rat you out to my bestie

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[maychorian]

Dungeon Meshi has fully consumed me, especially a certain tiny union man, and I want to ramble about Chilchuck's traumatic backstory for a bit. Mild manga spoilers under the cut.

The first time I read the manga I missed this bit, since I was reading an online version that didn't have all the extras included. Since I've come across this litte omake, though, I haven't been able to stop thinking about it. It just explains so much about why Chilchuck is the way he is.

First, at a surface level, it's interesting that this backstory only comes out in the framework of talking about a monster. Chilchuck is offering basically an anecdote about succubi, adding to the conversation he and his party are having about a monster species. It's all very casual and offhand. No one even remarks on what that experience would have meant to Chilchuck on a personal level, and he doesn't dwell on it, either. You have to wonder if Chilchuck would have ever mentioned it at all if they weren't specifically talking about succubi.

But holy heck, just think about this for a moment. On one of Chilchuck's first outings as an adventurer, possibly the first time he joined a party, his fellow adventurers were planning to feed him to a monster. He's only alive now because he had the instinct that something was wrong and had the speed, wisdom, and stealth to run away. He could have died. He could have been murdered. And it's implied that this happens to half-foots frequently in this world.

How traumatizing would that have been for a young adventurer? The people he should have been able to trust to have his back were literally planning his death, all for monetary gain. He was treated as disposable, a resource to be exploited, not a person. Not only is there the trauma of narrowly escaping death here, there's also the trauma of being mistreated and abused by other thinking, intelligent beings.

No freaking wonder he has trust issues. He's been working with Laios and his party for three years at this point and he's never shared a single solitary personal detail about his life, not even his age. He can't bear to allow any vulnerability to show, because he can't allow himself to be taken advantage of again. No wonder he's so prickly and wary. No wonder he's so sensitive to being viewed as anything other than a capable, skilled, fully realized and autonomous adult. No wonder he shies away from affection and any hint of closeness, especially in the early chapters of the manga.

I'm amazed that Chilchuck had the strength and fortitude to stay in the business at all. He considered his options and took steps to keep himself safe, including only accepting pay in advance and starting a union to protect himself and other half-foots. (Another tidbit you don't get at first in the story--Chilchuck is not just a member of a union or the leader, he started the whole dang thing to begin with.)

But what's so lovely, and wonderful, what makes this story take over my brain so completely and utterly, is that Chilchuck doesn't stay this way. Over the course of the manga, he opens up more and more. He allows himself to be emotionally vulnerable; he shares more and more details of his life. He treats Marcille and Izutsumi like daughters, Laios and Senshi like brothers. He loves them and allows himself to be loved in return.

And that's one of many reasons that Dungeon Meshi is one of the best found-family stories I've come across in a long, long time.

[slackerlifewhere]

In defense of Deruth

Fair warning, there will be some SPOILERS so if you haven't finished the first novel or you care about spoilers, I suggest you don't continue reading. Thanks!

I'm a reader of fanfics, manga, manhwa, manhua, and novels. I basically consume different stories whenever I'm bored (which I usually am).

But the things I've read most often involve parents, which I'm not really looking for but it's there so whatever.

I had to read stories with basically the same plot but different...ingredients but the thing I notice is that most stories involve abusive or neglectful parents. And it's weird to me. Like can't heroes or villains have good parents and they turn out the way they are because of other circumstances? Obviously, it's because authors want us to root for the character but for me, it's just lazy writing.

So imagine my annoyance when, after reading the first volume of TCF, I see several fics hating and trashing Deruth Henituse and saying he's the worst father in existence.

I get it. He's not the best father. His wife, who he loves very much, died and left him as a single father. He has responsibilities as a count and soon marries Violan who has Basen by then. They have another kid soon after, which is Lily. He seems to entrust the responsibilities of the heir to Basen after OG Cale's reputation took a nosedive. In a sense, he appears as if he doesn't care about OG Cale's feelings and reputation and looks like he's focusing on his other children.

BUT he's not the worst father either. Listen, you may hate him for whatever reason, whether you've consumed too many stories with bad parents or you see yourself in OG Cale, BUT he's an okay parent.

Let me list the top three fathers that are absolutely disgusting compared to him before I explain why I think he doesn't deserve all the hate he's getting:

1. Marquis Stan

We all know what happened to Taylor Stan and while we can blame it on Venion, it's also because of their father. Their father is basically an asshole who wants to see his children fight for the heir's position. And he doesn't care if they end up killing each other for it. It's basically like watching sports for him at this point. He's mainly the reason why Venion grew up into a twisted bastard. While yes, Venion is not innocent in any shape or form after what he did to his brother and Raon, it's obvious he became that way because of his father.

In fact, Taylor is also a victim of Marquis Stan's abhorrent parenting. He's not evil like his family but he learned to be independent and to fight back because he doesn't want to become like them. He died in the original story.

So yeah. Marquis Stan is absolutely disgusting and no one can change my mind that he's the worst existence among all the fathers in the story.

2. White Star

The only reason why he's not number 1 is because he's not a literal father but he does pose as one for DHB. If you know what he did to dragons, then I don't need to summarize it for you. For those who don't, you need to read the novel because it's going to be a long explanation. All I can say is that he's also the reason why DHB became so crazy. And honestly, I'm glad that even if Cale is very guarded at DHB, he still gave him the freedom to choose and repent later on.

3. Zed Crossman

He's the lesser evil of the two but he's kind of like Marquis Stan but tamer.

He basically has his three kids fight for the throne while ignoring or favoring one over the other. And he doesn't even try to hide that he doesn't care too much unless it involves his plans.

He basically wants to see who is more fit for the throne but he doesn't stop them from sabotaging one another.

Honestly, I put all the effort on Tasha and Obante's part that Alberu became a better person. Zed is completely useless.

---

So...is Deruth a bad father?

Before I answer that, here's the thing about OG Cale. He's a complex character who is grieving most of his life and wants to protect his siblings in his own twisted way. In order to do that, he needs to act like he's trash and push everyone away. But is that Deruth's fault? Eeeeh kinda but not really???

They both lack communication as father and son. In fact, the moment KRS, now Cale Henituse, was forcefully transmigrated into OG Cale's world, it's shown that Deruth is trying to communicate with his son.

The first few chapters show that he cares for his son in his own way when Cale sits down to join them in breakfast. He attempts to talk to Cale even though he was hesitant. He seems surprised but happy when Cale answered. Yeah, it's shitty that OG Cale's family and Ron didn't notice he got switched but in all honesty, it'll be hard for a normal person to come to the conclusion that a God was involved. If I were in their shoes, I would find it suspicious (probably thinking that something happened that changed that person's actions and personality) but I wouldn't think of transmigration or God of Death. Conspiracy theories aren't the first thing I'll think of. That's just dumb to use as an excuse for hating the Henituse family.

People, fans, want family drama but in all honesty, they're just ruining OG Cale's character in the way they do it. It's actually disrespectful to his sacrifice for his family. He made that deal with God of Death not only because he wants to see his mom but also because he wants his family to live after they all died in the war against the White Star. He lived through that war with him as the sole survivor of the whole family. That sucks. He could've stayed but he didn't want to and also because he already died in the future anyways. If he wants to help them as himself, I doubt he'll shut up about it to the God of Death, regardless if it's a literal god he's gonna argue with. Let me remind you that this guy is so stubborn, he made a trashy reputation to help his brother.

Instead of doing it himself, he chose to let KRS (who didn't know he's going to be involved in a war in another world btw) save his world and family in exchange for seeing his mother. He chose to leave not because of Deruth (not completely, at least) but because he simply wants to. And he's content with his decision, regardless of his regrets.

By the way, his mom, Jour, is also not pretty great if you think about her decision before she died (my unpopular opinion but whatever). I do think her final conversation with him and her following death traumatized him in a way that I can't help but feel angry for him. It's mainly the reason why he hates the Harris Village that Choi Han ended up in. It doesn't excuse his reaction to the village later on but it does explain why he hates the place, even if it's not their fault his mother died. So yeah, I don't like his mother (I'm not talking about her reincarnation btw. She's a kid). That's not the way to care for your son, ma'am.

Deruth is obviously trying but a relationship needs to work between two people and not just one. That's what you call a one-sided relationship, guys. It's why OG Cale and Violan are not close. Both of these characters don't try to be close, maybe not because they dislike each other but maybe because of a misunderstanding or whatever (who knows).

Cale only got close to her because he actually treats her with respect (also because...you know...he's an orphan and was abused as a kid so deep inside, he thinks Deruth and Violan are good but not the best parents). And whenever Cale gets hurt or is in a bad situation, we sometimes get their reaction. They're worried and angry for him. They want him to stay away from danger. In fact, the last few chapters are basically Deruth getting angry at Cale for endangering himself (completely understandable).

You can also argue that Deruth didn't try hard enough. Well, let me just tell you as someone who's been depressed since I was a kid that whenever my parents try to ask me what's wrong, I usually reply with "nothing" or "I'm fine." So for parents to try harder doesn't usually end up with a heart-to-heart talk unless the other wants to talk.

So yeah, I think KR novels and manhwa are basically the reason why some readers immediately jump in defense for the character they like because of possible abuse and neglect from parents. Without thinking about it properly. Like please, if you hate a character, at least try to understand them first and list down the other worst characters before you actually say that they're the worst.

Side note: The worst thing that I also notice is fans also target Basen and Lily. They include the whole Henituse family and write a fanfic about how abusive or neglectful all of them are. BASEN AND LILY ARE LITERAL KIDS. WTF ARE YOU GUYS THINKING. They didn't do anything to OG Cale??? They're just there?

Did I just create an account to rant about how stupid some fans are? Yeah, pretty much. You can hate on Deruth but don't include the kids. They're kids??? Without any involvement with OG Cale and Deruth's drama?

Reminder: I haven't read the second volume because I'm planning to read it when it's completely translated. That way, I won't have to wait too long for the next chapter.

[runabout-river]

Thoughts on JJK chapter 270 (spoilers)

Before I write my thoughts down, I have to confess that they've been tainted by a post I read I after reading the chapter. I decided to write the first part of my review as I had initially wanted to but the second part will discuss the things I read afterwards.

We start the chapter with a beautiful scene of a grave belonging to Tsumiki but my first thought was... what about Tsumiki's soul that had prevented Megumi from killing a girl?

If this is what Tsumiki's end and Megumi's final reaction to that would be, why did Gege bother including her soul as an active character into the story?

I also tried to find the raws to see what exactly was written on her grave. Only her surname? And was it also in English?

After that we get to Tengen and what happened to her and it was exactly here where my thoughts of this chapter went a big 🤨😵🧐🤬🤪

So Yuji just punched her out? And nothing more happened to her? The Culling Games are over? How did that happen? And through which remains would she stay stable? There was nothing left of Sukuna, at least nothing that had gone through Kenjaku's ritual. The only place she would be stable would still be inside Megumi. Her barriers are magically stable as well.

What a... neat ending to all those plot threads...

Then we come to Maki finding her past helpers and telling them that all the reincarnated sorcerers would be separated from their hosts by Yuji soon and...

That's against established canon. We already had the discussion that the souls of the host's can't be saved because they've been pushed down to complete darkness. Choso couldn't feel the soul of his host anymore and that was how the narrative absolved him from any wrongdoing because now he didn't have to give his body back for ethical reasons and he hadn't made an unethical deal to be reincarnated either.

Only Megumi was said to have a chance of being saved and no one else.

So now I'm here and scretching my head thinking... was Gege so desperate or time constipated to end the manga that he threw that point out? Or is sth else going on here...

We get Takaba back and he has a suspicious looking partner now, with whom he can do more comedy.

Now I don't think that's the real Kenjaku there. It's more likely that Takaba simply imposed that hairstyle on his new partner because he's missing his short time best friend.

For an actual Kenjaku comeback, he wouldn't have Geto's body anymore. Imo, Kenjaku did have spare bodies lying around he could've fled to at the last second though.

We get more loose ends being tied up and for Higuruma it's clemency. This is another point in the "everything turns out perfectly good for the good guys" part we have been bombarded with in this chapter.

I'm like, Gege, isn't this too much? Wasn't JJK darker than this? Even Shoko gave up her smokes. The military plot is just "we'll deal with them" and there's no mention of JJ societal instability with the clans falling apart.

Either he really wanted to wrap every loose end up... or

Gege forgets Megumi's scar on a pretty big panel and we get an anime love complication with one chapter remaining. It was funny though.

Then we come to the end where we're set up to believe that life of the first year trio will go on as it should've been without those major Shibuya/Shinjuku complications.

Just going on missions and living life like that.

Now, one could accept that kind of ending (why isn't that in chapter 271 though?) But it comes off as so... lackluster and mended with fire after big chunks of the plot were cut off.

After I had finished the chapter, I was the most disappointed at everything that had to do with Tengen and the CG. So Gege sets up that the sorcerer life will continue afterwards. Even without wanting a Part 2, just ending the CG and Tengen's story like that is... unnecessarily boring and wasted space for nearly everything that came before that.

But then I read @thepersonperson post on how the last 3 chapters of JJK could possibly have been an induced dream sequence this whole time.

Induced by Yuji through his ability of creating fake memories right before defeat/death. His own DE is an application of this and Sukuna's strangely similar ability of talking with freshly deceased people in a dreamscape.

When Yuji had first expanded his domain, I went on such a ramble at the time about these strange abilities of them both. What I said back then was that Yuji wasnt an active/aware participant of them but by now he had acquired Sukuna's CT and again a DE.

This could mean that his induced dream sequences could've evolved enough that he became aware of them instead of only pushing them into someone else. In other words:

Yuji is dreaming of his best happy ending.

And here truly experiences that but he can't tell until now that it's a dream. He might very well be lying on the ground now about to die.

The post I linked adds more details to this theory like inconsistent character placements and "mistakes" like Megumi's scar suddenly missing, which would be commonplace in a dream.

That last picture up there with the guy who's supposed to be cursed but it was actually his girlfriend who had her perception of reality altered as well as the name of this chapter, would be the final hints about the last few chapters having been another glitch in perception.

Now only one week is left then we'll get our final answers to JJK. If this dream theory is true, then Gege will establish himself as the biggest troll, either with a JJK 2 or with a tragic ending.

(And if this really comes true, then I don't think I'll manage to escape the spoilers)

But whatever might come and even though I'm meh about the end (as it's presented to us right now) I still love JJK and immensely enjoyed reading, watching and engaging with it 😄

[batmanisagatewaydrug]

reading update: july 2024

full disclosure: I started out July in a bit of a mental lurch, really feeling stuck in a rut. there are a lot of reasons for that, absolutely none of which need to be shared with the general populace of tumblr dot com, but suffice to say that I was feeling listless and reading was not a high priority. I was pretty content to accept that this was going to be another month where I didn't finish a lot of books. I was too busy for most of June, and now too unfocused and bummed out in July.

and then that ended up not being the case. I think I can chalk that up to three things:

very early in the month I realized that none of the reading I had been planning on getting to was grabbing my interest at all, so I did something drastically different: picked up a YA memoir that I bought at pride on the recommendation of a bookseller. not my usual kind of reading at all, but YA is very readable and memoirs grab me fast because I'm nosy, so I figured it might be great for getting out of a rut. and boy, was I right!

Akwaeke Emezi also has a new novel out, and if you don't know then please note now that I'm a person second and an Akwaeke Emezi fan first. their newest novel was a sinister joyride, non-stop twists and turns that I couldn't put down until I saw the characters through to their bitter ends.

and, of course, over in the Dungeon Meshi manga I got to Mithrun. I've only had Mithrun for a couple of chapters, but if anything happened to him I'd kill everyone in this dungeon and then myself. even if I hadn't been able to read anything else, that would have kept me running back to the library for more Dungeon Meshi.

all of which added up to a fairly voracious appetite for books being reignited in my brain, and my second most book-heavy month of the year so far (still haven't beat May, but there's time). sick!

so - what have I been reading?

Delicious in Dungeon Vol. 7-10 (Ryoko Kui, trans. Taylor Engel, 2019-2022) - mannnnn I know I'm not saying anything that hasn't been said elsewhere, but Dungeon Meshi is so. fucking good. the way that Kui starts to raise the stakes of the story and grow the world beyond the core band of adventurers is so conscientious and well-done, timed perfectly so it never feels like having an undercooked heap of fantasy exposition thrown at you all at once. instead everything proceeds at a perfect simmer, leaving me feeling like the frog in that pot of boiling water who didn't notice how dire things had gotten until it was very suddenly too late and I was screaming bloody murder at a book. things have gotten so dire that I'm yearning for the days when fighting a red dragon was our biggest problem - and yet, through it all, every character remains rendered with humanity and compassion, no matter how scary, dangerous, or outright alien they first appear. I'm not naming any spoilers, but I need [REDACTED] to fix shit ASAP in Vol. 11 and [SUPER REDACTED] is on my shitlist fucking forever. also Mithrun sweetie you're perfect, do as many crimes as you want.

Heart and Hand (Rebel Carter, 2019) - my romance novel of the month, as picked by my lovely patreonites! this self-published historical romance promised some messy f/m/m, following a biracial (half Black, half white) young lady, Julie Baptiste, as she responds to a marriage ad that takes her out west to the fictional town of Gold Sky, Montana. Julie's sort of a standard historical heroine - she doesn't care for the silliness of high society and vastly prefers the company of books, looking forward to becoming Gold Sky's schoolteacher - but her marriage has a twist: rather than marrying one man, she's agreed to marry two, a pair of friends who have been inseparable since they served together in the Civil War. this book is charming, for sure, but I can't help be more intrigued by what isn't there than what is, namely: are these men having sex with each other or not? Rebel? hey, Rebel? why is there no DP in this two husbands mail order bride book? that was, like, he bare minimum that I expected. for the love of god, why did those men never put both of their dicks inside Julie at the same time? why did we spend so much time on emotional conflict that could be easily resolved if anyone just talked to each other when Julie's two beautiful husbands could have been having sex in front of her? HELLO?

also, listen, this is such a nitpick, but I am FROM Montana and it feels personal: I know that the general poverty of frontier life isn't sexy, but god these people are WAY too well off. at one point Julie enjoys some fucking BANANAS, something that I goddamn assure you were not easy to come by in late 19th century Montana. a banana. as fucking if.

All Boys Aren't Blue (George M. Johnson, 2020) - as is proudly advertised on the back cover of my copy, in recent years All Boys Aren't Blue has been the second most-challenged book in America behind Maia Kobabe's Gender Queer. reading through All Boys Aren't Blue it was initially hard to see what exactly was so objectionable, until I realized that a queer Black person living their life with compassion and joy is the scariest thing some of these motherfuckers can possibly imagine. Johnson writes about their life growing up in the nexus of racism, homophobia, and masculinity with wisdom and endless compassion, directly addressing young people who may find themselves in similar positions to offer them assurance that they, too, can be okay. more than anything, All Boys Aren't Blue is a plea for young people to live their lives without fear and shame. it's a beautiful blessing of a book that I hope brings comfort to every innumerable kids who need it.

Little Rot (Akwaeke Emezi, 2024) - how do I even begin to describe Little Rot? definitely not for those who feel squeamish about sex crimes, I guess that's an important place to start. this novel starts with the breakup of a long-term Nigerian couple, Kalu and Aima, and follows both of them into a weekend that starts with drugs and sex parties and spirals increasingly out of control from there, drawing more and more characters into a complicated snarl of money and power. Little Rot has the seedy, lurid draw of an episode of SVU if SVU ever grew up and realized that cops don't do shit, reveling in the nastiest that Emezi's imagined city of New Lagos has to offer. cannot say this book is for everyone - few of Emezi's novels are - but god, it's a thrilling study in corruption.

The Persistent Desire: A Femme-Butch Reader (editor Joan Nestle, 1992) - this is a massive and fascinating historical document, assembled by Nestle as part of her work with the Lesbian Herstory Archives. within this collection are letters, interviews, academic essays, poems, and transcribed oral histories from all manner of self-identified butch and femme lesbians. while some of the contributors are recognizable names in the history of American queer activism (including Pat Califa, who's a bisexual trans man now lmao), others are women who were just trying to live their lives with as much authenticity, comfort, and dignity as was possible in their time. (although, notably, the vast majority of these women are white, and all but a very few are Americans. racial and cultural diversity is not one of the collection's strong suits.)

the personal narratives span all over the twentieth century, and I was really delighted to see the very frank discussions of what would be written off as "bad representation" by a lot of queer resources today: butches overdosing on toxic masculinity and getting in messy bar brawls, femmes committing outlandish acts of adultery, lesbian sexual awakenings taking place between fairly young children, and one extremely memorable instance of a butch getting unexpectedly pregnant and decided to do a little sex work on the side since she couldn't get more pregnant than she already was. I was particularly fascinated by the many, many accounts of "second wave" self-identified lesbian feminists who tried to do away with butch/femme identities and "politically incorrect" expression of lesbian sexuality altogether (that's everything but mutual cunnilingus, btw) in pretty eerie echoes of contemporary radfem arguments. at close to 500 pages it's definitely better suited to skimming and stopping to read whatever catches your attention rather than trying to read cover to cover, but I think this is a really invaluable piece of history.

American Mermaid (Julia Langbien, 2023) - this was a novel, for sure. American Mermaid is a novel about a broke, anxious high school teacher named Penelope whose novel, also called American Mermaid, is a runaway success that gets optioned for film. Penelope quits her teaching job and moves across the country to Hollywood to work on the script with two dude bros who don't really Get what American Mermaid is about, and set to work turning Penelope's weird, unsexy female empowerment novel into an MCU-style action romp with a hot young lead. the novel's strongest when it's deep in the spirals of Penelope's frantic mind, probing the conflict between her fairly desperate need for cash (she wants to be financially independent of her conservative father, she has good reason to suspect breast cancer is in her future, she wants to start a family someday) and the artistic affront she feels at watching her story be disrespected and dismantled. where it's weaker is in the extensive chapters of the story-within-a-story; while useful for context, I straight up didn't need to read that much of Penelope's novel. and the plot overall kind of felt like it fell off the rails near the end once Langbien finishes making her point about how Hollywood sucks. it's not bad, but it's also just... fine. it's fine!

How to Taste: A Guide Discovering Flavor and Savoring Life (Mandy Naglich, 2023) - how do I put this so nicely? this book is for people who are kind of dork ass losers about food, a group that I do very much count myself as a part of. I first became acquainted with Naglich's work when she appeared on a podcast called the Sporkful, which claims that it is "not for foodies, it's for eaters." I'm a fairly devout listener, and after listening to Naglich describe her efforts to become a master cicerone (one of the world's most elite beer tasters, a distinction that is taken Very Fucking Seriously) I thought sure, whatever, that's a book I can get behind. Naglich is maybe a big more entertaining as a podcast guest than a nonfiction author. in places the book can be dry or roughly constructed in a way that suggests another pass by an editor or maybe a co-writer would have helped. and straight up, there are just weird fucking typos in this book that are like. crazy to me, I cannot believe they got through. the cheap-ass cover art also suggests this was not exactly a high budget production.

but having been very mean about it, there are a lot of extremely interesting tidbits about the world of professional tasting here! it sounds awful and you couldn't pay me to do it, but here's the cool thing: Naglich is extremely aware that what she does is insane and she knows that the average reader doesn't want to learn how to identify where a coffee bean was grown just by sniffing the bean from across a room. what she offers instead are really approachable ways to be more conscientious about how you interact with and appreciate food! and she also shares some really cool info about tasting snobbery that IS bullshit, to help you sort out the stuff that actually matters and emphasize that fun and personal taste ultimately trump any "rules." it's a very dorky book but I, personally, did have a good time.

Sex Criminals Vol 3: Three the Hard Way (Matt Fraction and Chip Zdarsky, 2016) - every time I read another volume of Sex Criminals I find myself thinking "man, hang on, do I ever actually like Sex Criminals? am I enjoying this?" but then I end up placing a hold on the next one. I don't know, it's charming! it's like so very VERY 2010s in its dialogue, by which I mean it's like. you know. it's giving Joss Whedon before we all found out how bad he sucked and collectively booed him. but man, I love a story that's down to get weird, and Sex Criminals is sooooo about being weird. and yet also very normal where sex is concerned! considering this is a series all about people having freaky world-altering powers that activate when they cum, sex is treated as an incredibly ordinary thing, warts and all. I like that! I like seeing that! idk, I don't need every comic to be perfect, as evidenced by the fact that I'm actively enjoying Azrael: Angel of the Bat. sometimes the vibes are just good.

[kindestegg]

Putting together a timeline for the Collector's backstory

Hi!! For the Future just happened!! It was insane!! Anyway as a Collector superfan, fantasy worldbuilding fanatic, and also Collector's actual chosen dad (real, not fake, he revealed this to me in a dream /j), I decided to try and interpret the crumbs we got both from direct and indirect clues in the new episode, as well as tying back to earlier episodes.

I want to start first with the paintings on the Archive halls, which seem to tell a story. I chose to interpret them, from the first shot we see them in, as chronological from left to right, as that usually tends to be how one would read things (at least in the west, don't worry, I haven't forgotten about manga and all that, but I don't think the crew was following manga rules).

Here is a picture of the hallway I am using for reference. This specific shot seems to only have unique paintings aligning (there is an animation quirk that happens later on that makes it not so but I will get to this later), which is why I have elected to extract the timeline from this. Another reason is that, as we will see, the first three pictures definitely seem to fit in a neat chronological order, which would make it hard to doubt the placement of these paintings as being chronological here.

The first seems to depict our Collector, as the smaller one of his species, and three, bigger collectors. For convenience's sake I am in fact choosing to interpret these paintings as being things that happened to him and part of his memories. It makes sense: there is an emphasis on this smaller figure several times throughout the paintings and I cannot think why Collector would put random pictures of some other child collector's life, as well as we have to imagine the crew wanted to tell a story with these, otherwise they would be as random as the sun and moon paintings on the other side of the hall.

So it seems in this first picture, the bigger collectors, perhaps his family, are observing a planet, maybe even the planet the world of the Demon Realm is on.

Here is where I take a detour to add excerpts from the book Collector had King read to him (I should eventually make an analysis post on why Collector wanted this read to him, but all in its due time):

As the book states, collectors, by nature, observe things and then collect them by keeping them in stasis.

Going back to the painting, all indicates that this would show these particular collectors, likely the family of our younger Collector, were interested in the planet the Boiling Isles is on, and this painting depicts the first stage of their plan, observing this planet.

As a quick aside, I would like to say it is likely collectors do know what families are, and they may even form familial bonds and hierarchies. One such nod to this is of course Collector calling Odalia "Mamadalia", but also, this:

It is barely visible, but in a few quick shots you can see the next page of the book. Not only does it seem to use the words "interdimensional" and "dimension(s)", likely referring to the nature of collectors themselves or their residence, but it also uses the word "Family".

So, to recap, three adult collectors, likely our Collector's family, had their sights set on the planet the Boiling Isles is on.

And one of their first contacts was the Titan Trappers.

We now know that despite the resemblance to titans at first glance, titan trappers only wear their skulls and pelts to look like them, making the hunt easier, as well as to, I imagine, indicate pride in their spoils. The indication we have this is not a titan is primarily the spear utilized here, the fact the fur does not match the rest of the body, and the yellow glowing eyes.

I will discuss this further down through showing evidence with the other paintings, but there seems to be a recurring theme in the paintings that depicts the trappers and collectors as always having yellow eyes, whereas the titans are depicted with red eyes.

As Lilith explains further on, books found in the archive detail that a titan's power can actually cancel out the collectors' powers.

She also goes on to say that this why Collector's predecessors (her words not mine) wiped out all the titans.

If such is the case, then that explains why they chose to ally themselves with the trappers. It's likely they needed an intermediator, otherwise they would have not been able to fight the titans full on. In exchange, they likely shared whatever arcane knowledge they could to help in the fights, powering up the trappers.

This would line up perfectly with the trappers' worship of their Grand Huntsman, who as we all know, derives from the Collector and his entire species in aesthetic and looks.

As for why they did not want to risk peaceful contact with the titans besides the reason of their powers being able to be canceled out by titans, there is also the crossed out passage in the book:

Though our Collector declares he tried to "fix" it, we can still clearly see what was originally written, implying that any creature who attempts to stop their work shall meet a deadly end, and maybe even the entire planet will have all of its life wiped out.

So it is likely the titans were not fond of the collectors attempting to collect things in their planet, and fought back, causing the collectors to learn firsthand of their weakness to a titan's power, and to then ally themselves with the trappers.

Which, leads again, to the second painting, depicting two collectors in front of a trapper. The taller one, which I assume is part of our Collector's family, is trying on a skull.

By their side, I will assume is our Collector, due to the smaller stature, and something curious about the body language placed here for him seems to indicate he is examining the skull before putting it on. This could indicate he had an interest on the titans from early on. This will be important later.

As a quick addendum before we move on, I have come to conclude it's highly likely collectors have the ability to change size. In the first painting, the three adults are larger than the entire planet, with our Collector being only a bit smaller than the planet itself. However, in this second painting, the adult is not even as tall as the trapper depicted here, which, if we assume trappers are common witches and demons simply adorned with pelts and skulls just like the modern ones, were not as giant. Similarly, Collector is also way smaller, hence the theory that they change size.

We have seen our Collector possibly changing sizes in canon as well, both in the Owl Beast dream as their hooded figure form seemed massive, and then when they have just broken out of their prison. It's possible collectors scale down their massive size to fit whatever planet they are on.

Next is the third painting, which depicts a familiar scene...

Indeed, this seems to be an almost one to one recreation of the mural we see in Echoes of the Past inside King's castle. We even receive some extra content to it: We now know the titan depicted here had wing like structures on their arms, as well as was protecting an egg, and was accompanied by a smaller, likely juvenile titan.

Notice also how they both have red eyes, but the trapper has yellow eyes.

This all but confirms that the mural is depicting a trapper smithing a titan (whether it is our Titan we do not know for sure), and that the collectors had a hand in this.

Moving on, we have this painting:

Again, going out of the assumption the smaller figure is our Collector, he seems to be approached by four other adult collectors. These collectors however, are slightly different than three he was earlier with: first of all there are four of them, they have no split faces, and their hats are adorned with celestial bodies on their tips. For the sake of convenience I will refer to these as "The Elders", as their difference from our Collector's supposed family, as well as possible authority denoted by their hats, makes me think they are older and more powerful than our Collector's family.

Anyway, The Elders appear to be satisfied with our Collector, one even extending an open palm to them in a friendly gesture. I confess my interpretation of this is more speculative than the other paintings, simply because of the vagueness of it and how it does not seem to tie well into any other pictures or current lore we have.

But my current understanding is that, since one of The Elders is making such a gesture at Collector, they are maybe giving something to them, offering an opportunity. Their authority would certainly denote power above even Collector and his family, so they would likely be able to call the shots in their hierarchy.

Due to this, and considering the next paintings, I have elected to interpret this as The Elders entrusting Collector full control of watching over and collecting things from the planet he and his family had their eyes on. If this happens chronologically after the deal with the trappers as well, this could indicate the Elders have deemed it safe for our Collector to take over.

It also would explain why he calls himself The Collector, he's the designated collector for that planet, the caretaker of this planet and the one meant to observe and collect from it.

Which makes this next painting all the more interesting.

Collector, is surrounded by what seems to be four baby titans. They have their arms up, reaching for him, running to him. Playing. His expression also indicates happiness, eyes wide, hands on his chin, a little smile.

Recall for a moment that in the painting depicting the first contact with the trappers, our Collector had stopped to examine the titan skull. He was interested in them, he wanted to play.

This would align with Collector's "fixing" of the book, going to the lengths of desecrating what is likely an ancient book that dictates/documents the entire culture of his species to ensure his message of playing and friendship is more important.

If we take this painting and the book addition in conjunction, we can come to the conclusion Collector, once left alone, went out of his way to befriend and play with whatever titan babies were left out there. He was likely happy with this, as nothing about this picture indicates a struggle. And once again, these are definitely titan babies due to their eyes being red.

One may be concerned considering the fact the stars here could indicate they are in space, but there are a few counter arguments to this: Collector does not seem to imagine someone could suffocate in space as he suggests people on the moon could just hold their breaths, so this contradicts the idea he would have had experience with this.

The baby titans also seem to have playful body language rather than showing any anguish. And furthermore, when discussing the painting with my boyfriend he pointed out the blue waves could be an abstraction of the shoreline, indicating they were playing on the beach. In short, it is just the simplest explanation this depicts a peaceful scene rather than one with the babies suffocating, as it would not align with the rest of the story here.

There is also the matter of Collector straight up denouncing "the others", which we can only assume refers to the other collectors. It's no wonder he would feel that way, since they were the reason for his new friends' families being all but wiped out, and were less interested in playing with the creatures they observed and rather only preserving them.

Which only makes the present of the Isles and the state of titans and collectors all the more worrying, as well as concerns us with a last, pretty elusive painting...

This is what I meant by animation quirk: Getting a picture of this painting was so hard because it's the very last one in the timeline line up I showed you in that first screenshot, but when the camera zooms in on King and he runs up to get Hooty and we SHOULD get a proper look at it...

... It's pushed back again and the last two paintings get repeated. Which makes me think this is either an animation error, or they REALLY want to make it hard for us to get it.

BUT! After a bunch of rewatches and looking at some slowed down clips again, I was finally able to find the ONE place it repeated, on the scene where Belos!Raine is walking down the halls ominously.

And it is quite the revelation.

This depicts three adult collectors, likely our Collector's parents, staring down menacingly at a titan... perhaps THE Titan this time? It's worth noting this is not the same titan depicted in the painting with the trapper hunting down one that was protecting their egg, as that one had smaller wings and a skull that covered their entire jaw, whereas this one's skull only goes to the muzzle, just like King's does.

Something interesting is that this titan is accompanied either by other very weird looking titans, or these are other creatures that inhabited the Boiling Isles at the time and were also casualties in the collectors' path.

There is also fire surrounding this picture, which makes me think again of the "clear the earth, scorch the air" verse. It's also odd these collectors are approaching the titan(s) despite the fact titan magic could easily push them back, so it could be that they are betting it all on this and going on to cause massive destruction. But the titan seems to be holding up a hand as if gesturing for them to stop, or wait... they're not fighting back like with the trappers. Why?

Well, if this takes place after the painting with Collector playing the baby titans, it's possible these titans had become accustomed to our Collector and did not expect such an attack. It's likely they may have at first understood that this Collector was a child, one that was more interested in playing and befriending them rather than hurting anyone, and cautiously took them in.

Now, whether it was a misunderstanding with Collector's family thinking they were in danger or they were angered by their refusal to hurt titans... we know how the story ends. The titans were all wiped out, safe for King's egg, and Collector was sealed away by King's dad, likely one of the last things he'd ever do.

Overall I think our Collector's backstory is both horrifying and sad. Horrifying because of what his species is capable of, but also sad because despite his efforts to make peace with the titans, it couldn't save them and cost him his freedom. It's no wonder he was so happy to see a titan again, and latched onto King: this is like his second chance.

[luna-blood]

I was debating on YouTube about Sasuke but YouTube deletes comments, especially those that have a link. It was also difficult for me to search for the publications. So I gave myself the task of collecting posts from all Sasuke fans and neutral critics of the work 'Naruto' that talk about Sasuke and his relationship with the other Naruto characters. I have also included my contributions, such as questions to other users and post responses. I hope this post helps you when you need support when you are debating in favor of Sasuke. Without anything else to say, I leave you the links:

Positive qualities of Sasuke.

Sasuke's chakra is extremely powerful, voluminous, and denser than Senjutsu chakra!

It is false that Bee could have killed Sasuke any time he wanted.

¡Sasuke has been shown to nullify mortal wounds with Raiton!

Sasuke is literally the first person to survive the Raikage's Liger Bomb.

All Sasuke received from Raikage was a small lip bleed, while Raikage lost an arm and another Kage, Gaara, had to intervene to save his leg and his life.

Orochimaru's "physical condition" has nothing to do with his ritual and Sasuke's victory.

Analysis Sasuke vs Deidara.

Sasuke killed Danzo; he did not commit suicide.

Are Itachi and Kakashi really prodigies at the level their fans believe them to be? No.

The only reason Naruto managed to hurt Kaguya was because Sasuke forced her to change dimensions more than once and she herself had changed dimensions about four times in total.

Because Sasuke haters say that Haku is simply more tragic and a better person than Sasuke; and Batman too!

What is it about Sasuke that provokes people so much, compared to all the other fictional characters (in and out of Naruto) who have done bad things? Gaara was killing people for fun in part 1, but no one ever complains about him not being punished. Zuko from ATLA burned down a village of civilians, sent a hitman after Team Avatar, and was just lucky that no civilian was injured/killed, but everyone adores him. But Sasuke is unredeemable for threatening to destroy the village?

A back and forth on why Sasuke is a much better realized character, with thematic and narrative depth, compared to Kurapika and Zuko.

Sasuke is the imperfect victim unlike the perfect victims of ATLA and Full Metal Alchemist.

Sasuke's character is too good for the Naruto universe.

Are people upset that Sasuke was going to let the Shinobi Alliance perish?

Sasuke as a feminist icon.

Sakura is a female incel.

Sakura is a narcissistic.

Sakura inserted herself because she wanted validations from people who were out of her league, that's why. She is perfect for self-insert.

The mere idea of turning over an entire manga in your head in which Sasuke hides a raging boner (at age 12) for Sakura is... repulsive. Don't you have anything better to do?

Sasuke never kissed Sakura.

The blow on the forehead is not the maximum expression of love.

Naruto Gaiden is a fucking masterpiece! It proves that Sasuke doesn't love Sakura.

Sasuke retsuden is not canon.

Sasuke retsuden is not canon, Jun Esaka herself said it and if you are a fan of Sasuke it is normal that you hate Sakura because Sasuke is unhappy with her.

Sasuke still considers Sakura inferior.

Sasuke didn't push Sakura away because of the curse of hate.

Sasuke rejected Sakura, Ino and Karin, he didn't push them away because he was afraid.

Sasuke is not in love with Karin and did not have sex in part 2 with Karin.

Why Karin's fans say she had sex with Sasuke in part 2.

What does Kakashi know about the genocide and the physical and mental torture that would lead the child victim to a fatal coma, at the hands of a family member?

Naruto is a narcissistic.

Why Naruto is the worst character.

How can anyone read the two chapter panels showing two very different worlds the characters occupy and be surprised by the way it ended? They were not going to reconcile since the world where Sasuke exists is the antithesis of the world where his former team resides.

Lee was never "good” at Taijutsu, let alone being a genius at it. The series' main theme, revolves around bonds. When the manga began, Naruto let loose Kurama (unintentionally) against Haku, breaking all Ice Mirrors that ... no Jutsu could break; and that, happened way back in the Waves Arc. How does that associate "hard-work" with Naruto's character, upon whom many poor souls project their misfortunes to feel vindicated, when two geniuses (Sasuke and Kakashi) in the near-vicinity failed? Naruto powered through this via nothing but brute force; and that isn't a precursor to hard-work. That's the exact opposite. With the beginning of the next Arc, the "if we work hard, we could beat all odds, too" trope lovers got their kicks from Sasuke's humiliation at Lee's hands (or gates?); but then they conveniently forget that Lee himself stated that what Sasuke accomplished was literally impossible for someone like him (he even emphasized on this argument). Gai even went so far as to state that even with the Sharingan's power, Sasuke should never have been able to do what he did (he literally invented his own Taijutsu maneuver from Lee's in a single day; if that's not prodigious, I don't know what is); and Gai, last I checked, is an authority on the subject of Taijutsu, not you—yes, you! Sasuke mastered Kimimaro's CS in under two hours whilst Lee survived simply because Kimimaro was dying and he literally died whilst delivering a death-blow to Gaara and Lee; so thematically, narratively, and metaphorically, Sasuke matched an adversary against whom both Gaara and Lee lost? That and Lee was outshined by Sasuke twice in a row, going so far as to undermine Lee in his own life endeavors that involved years of sweat and tears?

Shikamaru's revenge is meaningless unlike Sasuke's.

People who support Nagato but vilify Sasuke sound a lot more idiotic than they think.

In defense of Fugaku.

How does Sasuke's revolution develop?

Why didn't the narrative validate Sasuke's radical change from Konoha's Will of Fire to the Revolution?

Itachi massacred the clan out of conscience.

The difference between Kushina and Itachi is not that big.

The policies of Tobirama Senju and the Uchiha genocide.

At what point will people stop demanding Sasuke?

Tsunade was at the forefront of the Second Shinobi World War that massacred the people of Nagato, plundered their land's resources, and continued to use the land as a battlefield resulting in mass deaths, poverty, and suffering. A war that Konoha started.

Why do so many people still blame Sasuke for Sasuke's past?

Uchihas do not have mental illnesses.

Sasuke vs Readers without empathy.

Kishimoto canon vs Studio Pierrot fanservice.

The brilliant change of perspective and theme between Hebi and Taka Sasuke; and that there is no writing defect in the moment in which Sasuke stabs Karin to reach Danzō.

Tobirama never accepted the Uchiha as true allies like Hashirama did, never trusting them, something he admitted so openly that his brother had to warn him "not to continue pursuing the Uchiha." And the Uchiha weren't planning to kill innocent people, they were planning to take over the government itself.

Kishimoto is anti sasusaku and anti naruhina.

Kishimoto never wanted to write Boruto.

The real Sasuke fans.

Sasuke winking at Sakura was never happened in the manga, it was a translation error.

[thatuselesshuman]

Casper's 101 guide to improving your writing

So uh I'm not at all qualified to tell you how to write but someone irl told me I should make a guide so here it is. This is how I learned to write, and I like to think I'm not that terrible

Step One: Read

It's difficult to learn to write if you don't have the base material. It's like cooking, if you never eat different foods then your food will be bland cause you don't know what flavors are out there. Reading is the best thing you can do to when you start getting into writing. It'll tell you what your preferences are and it'll expand your vocabulary (both very important steps!). It'll tell you what POV you want to write in, certain words that give you the ick, plot points you enjoy, genres you like, how many mistakes you can tolerate, styles of writing you enjoy, etc.

Note: don't just read prim and proper books. Read fanfiction, read manga, read manhwa, read webnovels, read anything and everything that catches your eye. They all have their different qualities, and they're all better at doing one thing or another. Read, read, and read some more.

Step Two: Start Small, and Start Enjoyably

No sane person starts out writing massive novels out of the gate. A novel is a massive undertaking, and if you do it incorrectly it's a great way to kill your enjoyment though writer's block. What you're going to want to start with is short stories, one shots on Ao3, etc. Write small stories that are manageable and write a lot of them. Write stuff you enjoy as well, since you're not trying to impress anyone. This step is to dip your toes into the world of writing and kindle a good starting flame so you don't crumble into the ground the first time you hit writer's block.

Note: Don't be afraid to start with nitty gritty stuff if that's what you enjoy writing. I personally started with heavy angst, whump, torture, and the like because that's what interested me. That's what I wanted to write. There's nothing wrong with writing whatever the hell you want. I stand by the fact that censorship is the death of art.

Step Three: Practice Detail

Have you ever looked at a passage while reading and thought 'huh, this description is really bland'? Well I have. A mark of a good writer is being able to describe everything down to the dirt (not that you always should, but that's another lesson for another day). You may think that it should be easy to describe things in detail, but trust me when I say that it's a skill. Some ways you can practice are:

Describe your room in excruciating detail through brush strokes (like you would a painting)

Describe a mundane object through the lens of someone from the far past

Describe the nature around your house in abstract shapes

Describe a waterfall through the perspective of someone who has never seen one in their life

There are plenty more, but here are some to get you started.

Step Four: Grammar

Trust me when I say this is most people's least favorite step. It's boring, I know, but knowing how to utilized commas, ellipses, — <- these things, semicolons, etc, is a relatively easy way to instantly boost your writing. No one likes to read a story where it seems like the author hasn't seen a period in their life.

Note: This is just general advice, but if you wouldn't want to read it, then don't write it. That's another reason why the first step of reading is important.

Step Five: Share Your Writing With People

Whether you share it with strangers (like I did) or people you know, sharing your writing is an amazing way to get advice and feedback. It's also a great way to meet people who have the same interests as you. Writing is a bubble with no outside interaction makes it harder to get better at writing because it's easy to have rose-tinted glasses about your writing. It's also easy to think your writing is ass, even if it's really not. Having people around you who will tell you the truth is great as a reality check whenever you're blind to how things are.

Step Six: Write Until Your Hands Hurt

This is the step that always shows up on writing how-tos, and I'm not immune to it either. The reason everyone says to write a ton is because you're never gonna get better or have a passion for writing if you never do it. It's like art or a sport, how the hell do you expect to get better if you never touch a pencil or never pick up the ball? Divine intervention? I mean that is possible but unless you're writing the Bible then I don't think God is going to bless you miraculously with amazing writing skills. It's like anything in life, practice makes progress.

Everyone starts out terribly, and there's always going to be that 8 year old prodigy who's better than you, but that's not why writers write. We write because if we don't, the voices hunt us down-

Anyways, jokes aside, that's my guide to writing. I don't think it's too terrible, but that could just be the glasses I mentioned in the fifth step speaking.

[iwriteandiamnosy]

Why Farcille isn't canon (and it is not a bad thing) part 1

CONTAINS SPOILER FROM THE MANGA AND ANIME

I love the ship so much, I want them to end up together ,but I don't think the ship is canon yet, at least in the main story that we see (is probably canon in the events post story). The lesbians have to work a lot before they can be together.

Let's start with Marcille; she is lovesick, we can see that she read a looong romance series, she is interested in Chilchuck's love life, but at the same time, she doesn't experience romance attraction.

What about her Succubus? I like to think that Succubus are likely to see not only sexual desires, but longing one (Itzusumi saw her mother).

Marcille saw a character from a story book, that she reminds her of herself, or maybe that's what she is aspiring to be, or it is just a silly teenage crush, and it's okay.

We can see that Chilchuck's Succubus kiss him on the lips (kids friendly, am I right?) but Marcille is kissed on the palm of her hand.

Yeah, romantic, but also kinda distant to Marcille, at least physically. I don't want bi erasure, but I don't think Marcille is attracted to him, but to the romantic idea of him, and what he represents. It is easier to be attracted to someone you never met, because you don't know their flaws, or what they are like truly (I also think that being attracted to fictional man is a very lesbian experience, but not my point). At the same time, it is okay to have a type but to be in love with a totally different kind of person :)

Her parents met and courted for 17 years, so she is in love with love, with a long courting and passion, she has a good example of it, but can't imagine herself in actual romance for her fear of death, and excapes in a fictional one because it meets her expectation (we can see how much she loves her dad and her mom, I think she loves their love too, their long story, and fiction meets Marcille's imagination).

At the same time, in 50 years she hasn't fall in love with anyone? We aren't mentioned a crush. I know that her life has been mostly a solitary one, because she is afraid of getting attached just to let go due the difference in lifespan, and because she has a growth spurt different from anyone. But in the last year before the events occur, she joins the party and has 0 attraction for anyone (at least that we are shown, and the Succubus confirm this). Why?

Because she can't let herself fall for anyone (at least consciously) because she is scared of eventually letting them go. It is easier to minding other business to something you can't have, and at the same time, longing for it, instead of working about your insecurities, and understanding that you have to let go at some point (I don't blame her, but she can't excape forever, if she wants to live a good life).

The offspring of mixed raced people, have a vital cicle completely different from one another, so Marcille doesn't know how many years she has, and it is scary for her. So she is not willing to let someone in, for many reasons, but her insecurity about her lifetime is one of them and the main one.

Now we pass to Marcille attraction to Falin (kinda gay).

First of all, we see how easily Marcille has let Falin in her inner circle, even if she is scared of intimacy (even a friendly one). In the academy, marcille is considered a prodigy, and left alone, admired but from far away (and this is Marcille's comfort zone, so she doesn't get attached). Falin enters in her life and gives her a new point of view, a refreshing one.

Marcille is so attracted and in love with Falin, but she doesn't recognize it. She "sees" or prefers to see Falin as a kid (and Falin is aware of this), because in that way you create distance between yourself and the person you love (self sabotaging at its peakest), and it is easier to rationalize her feelings. Notice how she belittles Falin's speech about her being a grown up, because in Marcille's mind, Falin being a kid is a comfort zone, she doesn't think of Falin as a grown up because she would be closer to death, and because she could be a person Marcille feels attraction to.

Also, noticed how Marcille says "You're still a little kid to me" and in the freaking next panel she looks at Falin as if she's the love of her life and they will grow old together.

Notice how in the anime they look even MORE in love.... dungeon yuri, aaaah dungeon yuri

I am going to write a part 2 :) sorry for any errors, English is not my first language. The images are not my own and are taken online, they are from the manga/anime or official books :)

Part 2

(Part 3)

[melonteee]

How do you feel about people who judge one pieces worthiness to be watched by the fact that all the women have big tits? Some people literally refuse to watch it for that reason alone and I think that's..kind of sad? Like I understand where they are coming from to an extent. (I must admit when I first watched, i thought it was very unnecessary) but over time I've actually grown to not mind/even like it LOL because I realized that it literally doesn't take away from anything at all. Unlike other anime. Which tends to take characters out of their own characterization just to give a boob to face gag or panty shot. But one piece doesn't do that?? And I was honestly kind of shocked. (I mean besides nami seeing ussop again after the time skip, but I thought that was fucking wholesome as hell) I would do the same thing to ussop LOL i say this as a fellow lesbian with big tits (like nami) who also wants to walk around half naked but can't because people are scared of the titty 😔

One Piece's style is so interesting because Toei do amp it up, but when you read the manga...Oda's style is like, ridiculous, but his women really do NOT look that bad. Like take this cover for example

Yes the waists are tiny and some of the boobies are boobying but is it...really THAT ridiculous looking??? I don't think there's anything bad about it at all apart from the fact the bodies are just the same, but it doesn't feel hyper sexual in any extreme way. While I do wish there was variety, the style doesn't make me jerk back in disgust.

Of course there are some panels where he DOES go a bit crazy with it, but it's nothing compared to what Toei does sometimes. But, as you said, Toei's fanservice is very minimal. We don't get out of place, weird panty shots or anything - at most we just get like...underboob LMAO.

Maybe I'm just super used to the style of One Piece now, as you also are, anon, but I do think Toei's ridiculous proportions is one of the reasons One Piece has SUCH a bad rep with it's women on a visual level. Because another example is Viola and this famous scene:

Like ??? Viola looks FINE in the manga, the proportions are whacky but not grotesque. Unlike the Toei version...which is where I can see why people judge watching it on the style alone LMAO

[mcgrillzdumpinc]

I'll likely make a more in depth post once I've read through all the translated light novels but

Hello Apothecary Diaries fans I am in volume 8 and would like to reassure you about the choking scene from volume 5

Spoilers under the cut!

Okay so there's a scene at the end of volume 5 (the manga is not there yet) that many have interpreted as sexual assault. For the sake of those sensitive to such topics, I'm going to give a light on spoilers version of the scene and then an in depth analysis. Personally, I do not view the scene as sexual assault, but it is very forceful and carries A LOT of very sad subtext. You'll understand what I'm getting at in the more depth part.

So, the general gist of the choking scene.

MaoMao and Jinshi are in the garden to escape a banquet. They talk for a bit about a very scary incident that occurred that day (thankfully nobody was killed) and share casual conversation. Then Jinshi brings up that they're at this banquet to find him a wife. I won't spoil the specifics, but fyi MaoMao has been wearing an accessory this whole time that loudly announces (to everyone except herself, of course) that She's The Favorite™. Despite how obvious Jinshi has been with his intentions, including holding her hand and combing his other fingers through her hair while mentioning the whole wife thing, MaoMao evades him while thinking "I'm not capable of love". So, she tries to dodge him by offering up another woman. This is what causes Jinshi to snap and choke her, as well as hold one of her arms behind her back to stop her from fighting back.

He doesn't kill her. As far as damage to her throat, the text doesn't indicate any. He then leans his weight on her. MaoMao then remembers how she was taught sex techniques against her will be the Verdigris House women & decides to use those techniques against Jinshi. She then promptly leaves and Jinshi feels like the most pathetic man in world.

The two don't interact beyond official matters until towards the end of volume 6. Jinshi brings more rare medicine in lieu of an apology. The two talk around the wife situation again and MaoMao gets tickled. It isn't until volume 7 that they have an actual conversation breakthrough.

That's my light on spoilers version of the events. Now I'll give a more in depth version, that's honestly a good chunk of my own meta-analysis around the events of volume 5.

Honestly, volume 5 is full of really interesting scenes regarding Jinshi and MaoMao. This is the first volume after Jinshi has been forced back into Imperial Brother status, yet the first thing I noticed that actually changed between JinMao is how MaoMao takes initiative with him now. As soon as she learns an insect plague might be on the horizon, she dives into unprompted research and delivers her findings to Jinshi. She's no longer working at the palace or for Jinshi, but she still takes on the extra burden. She also takes initiative to get Jinshi some extra sleep (though she misinterprets his desire to not sleep alone). And later in the novel, when they're in the paper makers' village, MaoMao acts so cute when reapplying Jinshi's burn scar makeup. I'll let screenshots talk for me.

Like man. She's so cute. And I wonder, if these two didn't have to deal with social standing and imperial drama, would we get way more of them just being cute and companionable? If MaoMao wasn't an unwitting member of the Who Wants To Be An Imperial Princess race, would her feelings for Jinshi have grown without so much pushing and urgency on his end?

But I digress. I think a lot of volume 5, especially once they reach their travel destination, is MaoMao trying her best to keep her blinders on even though she is in the thick of imperial drama. She's especially desperate with regards to the blazingly obvious fact that a certain someone of very high status is in love with her. I think the end of chapter 6 does a very good job of driving home one of the major reasons why MaoMao is reluctant to trust Jinshi's feelings.

To add fuel onto this unfortunate fire is that MaoMao, as an unmarried courtesan's daughter, was attacked as an infant by her mother, sought after by fucking Lakan of all people, ignored while crying as a baby, and forcibly taught sex (to the point of tears!). She also had to cover for Luomen's own eccentricities, specifically ensuring they had enough money to feed themselves. MaoMao, to put it shortly, has been taught not to believe she can attain anything beyond her very simple life of being a lowly apothecary.

And then here's Jinshi who, as a prince, has been forced to grow up fast & have all his favorite things taken away from him. I think MaoMao is the first time he ever wanted a person. He is, for lack of a better word, obsessed with her. I think a lot of his pushiness & tendency to be clingy with her is him desperately trying to make sure he doesn't lose her. If he makes her his wife, then, well, she can't leave.

And I think the choking scene is him finally at his breaking point. At this point, he has lavished her with gifts, been very forward sexually with her twice, and given her a new hairpin that is essentially this story's version of a promise ring. It's MaoMao's repression/reluctance vs. Jinshi's desperation and so far she's winning.

But then she pushes him past his breaking point and he takes physical action against her. MaoMao responds by performing an unspecified sexual act on him.

So why don't I personally take this scene as sexual assault?

Mainly because I think the people actually guilty of sexual assault her are the Verdigris House women who forced MaoMao to learn sex.

As far as I understand it, whether MaoMao can actually say no to Jinshi is left up to interpretation. If we're talking on social status terms, she can't say no. But if you look at Jinshi's overall treatment of her, both before and after this scene, I very much think MaoMao can say no and instead chooses to defuse the situation.

Because what isn't for interpretation, however, is MaoMao's abysmal impression of what love and sex can actually be for her. So she defuses a situation by using sex, something she herself doesn't like, and doesn't allow Jinshi to reciprocate, which leaves him feeling terrible, too.

I want to be clear. I do think Jinshi is in the wrong for physically attacking MaoMao. But the sexual portion of the scene, at least to me, falls squarely on the shoulders of MaoMao's fucked up backstory.

Anyway, I think I've typed for long enough. I am using the official translations of the light novel for this analysis, so if any fans have access to alternate translations or WN only knowledge that throw my analysis in the trash bin, please let me know (fyi puedo leer el español).

[lazysublimeengineer]

Isagi and his Football Theories of Personality

I knew at some point in this manga we will have an intervention of personality types attached to players based on how they play lol.

Sometimes I really think that the author himself has read numerous books about psychology such as Theories of Personality by Feist. How did I have a random thought like this? Just looked at Isagi's inner monologue about World Type Ego and Self-Type Ego.

That is the closest thing you can compare it to the MBTI of people.

At first it's amusing to read to have Isagi categorized the players according to what motivates them to play soccer. But it's also creative because the author is injecting another angle and subject other than playstyle and strategies out there in the field.

An explanation of World Type Ego vs. Self Ego Type is also helping the reader to get a glimpse of the character's motivation and reasons for playing that sport.

In this chapter, it is revealed that Kaiser has a World Type Ego just like with Isagi since in the previous chapters he couldn't ascertain which type he is alongside with Rin, Ness and the others. To get a gist of it, a World Type Ego is motivated by the external factors of their surroundings or environment such as prestige, fame, money and other tangible elements that can be calculated and explained in a pragmatic sense. From the start, reputation is an important thing to Kaiser. He doesn't hesitate to immediately assert his top and special position in BM when the Blue Lock players such as Isagi and the others joined their team in NEL. In the recent chapter, Kaiser had shown to abandon everything and go back to "zero" because his playstyle with Ness doesn't work anymore. His position and offer bid is being now threatened by Isagi's presence and skills so now he decided to do what is best even if he doesn't do it usually: teamwork with the other Blue Lock players such as with Raichi and now with Kunigami (or as the orange haired guy as he aptly calls him lol).

Well, in this part you can actually ask then what the hell is all of this and how does it connect with everything?

It's connected because this can also explain why his partnership with Ness is now in shambles and getting worse in each new chapter. Clearly Ness and Kiyora's type is not revealed yet. But well, as a reader we can prolly surmise what Ness and Kiyora is which brings me to the other type of ego according to Isagi: Self Type Ego.

According to what is being explained in the franchise, their motivation is determined by internal or intrinsic factors such as their beliefs, morally right or wrong actions and other personal factors that are important to them rather than the external and pragmatic factors. From the moment we were shown of Ness' character, his interpretation of events and surroundings around him is according to his personal values and beliefs. He makes decisions based on what he feels at that moment and that's a clashing thing to his family who greatly values logic and sound reasoning above everything else.

He decides to follow Kaiser because he sees a potential in him that no one else has and showed him the "miracle" of soccer. His interpretation of his character is independent from the other people's remarks about him being a diva and an asshole. His personal belief about Kaiser is so great as the statue of Liberty that it extended to great lengths of serving him until the end.

Which is quite ironic because in reality they really don't understand each other and their judgment of each other is distorted. For all Kaiser yapping that he molded Ness into being his servant and such, he doesn't really understand him in the end which explains his bafflement in the last chapter of the manga when Ness still declared his loyalty to him despite discarding him out there in the field. One can be the said to the other as well because his reassurance to Kaiser is the last thing that Kaiser wants to hear or see from him and fails to see the bigger picture which is now they're in this mess in the field because they're motivations are clashing: World Type Ego vs. Self Type Ego.

I remember someone asking me, but what about Reo? He's the same with Ness right?

Not really.

Isagi has put Reo in the World Type Ego because first and foremost his original motivation is to win the World Cup which is an external motivation alongside with prestige and money. Reo is shown to be a logical and strategic person well, except for Nagi when he met him. But he is different from Ness. Their situation is different.

That's why when Nagi is losing motivation to play soccer again after beating Isagi and offering the millions of bid that he can gain to motivate him, it doesn't move Nagi as much because he doesn't need it. Nagi is motivated by intrinsic factors in playing soccer and that's why he was clashing with Reo at times. This is quite evident during the second selection.

Well, I can already guess what Kiyora's type of ego is but I'll reserve my judgment on that after we get more from his character in the future chapters.

Guess this is where this ends and my shower thoughts. If you've reached this part then congratulations for wasting your precious time to read this ramblings of mine.

[iwritenarrativesandstuff]

Ok so now that I've spent some time thinking about the whole "Chuuya was never a vampire" twist, I... still don't like it. For many reasons.

Here's my explanation; if you want to read it, please do. I strive to be fair. I want to wait for the manga release before making a verdict on whether it's bad writing or not, and I also want to see the start of next arc to see where they're going with all this.

If you don't want to read it, and you're having fun with the twist (it is funny. I will admit that much), then skip this and keep having fun! I don't want to ruin anyone's enjoyment.

First of all. It makes no sense. There are things that just do not add up. There was never an indication this was a possibility.

Bro. Did you put on costume makeup for the texture under your eyes? Did it wash off after nearly getting drowned and you had to frantically reapply it behind Fyodor's back and that's why we couldn't see your face for several chapters. Did you take it off again for your dramatic reveal here at the end? I demand smeared undereye makeup Chuuya in the manga when it releases hbfsdjhbfv

Ok this was more a joke. But here's what really irks me.

From what I can recall, this is. True. He needs to have made contact to manipulate gravity. It's also re-established in this very arc.

Great. So how the fuck did he slow the elevator? He was with Fyodor in a separate room! This makes no sense. Did he leave to stop the elevator and Fyodor was like "oh chill. ok come back soon"??? What?!

Here's another thing I want to address:

@ticklinglady I had this same question. However, on thinking on it again, I do have an answer that makes sense - they had to buy time for Sigma to use his ability on Fyodor, to gain knowledge on him about what he knows, and what his ability is. <-I feel confident in saying this is going to be important later. Sigma will still have a role to play and we will find out more about Fyodor!

Alright. Moving on to the themes, and why this also doesn't work (at least for me).

The theme in this arc is very much to do with the contrast between trust vs control. This is Fyodor's failing when it came to Dazai, and it is established very early on as the major contrast between them, in the Sky Casino arc. The vampires, though it seemed silly and random, fit nicely into that theming. And the conclusion, where Dazai showed extreme faith in Sigma and the Agency members (and what an interesting contrast that is; to have someone show faith in ordinary humans when his foil is a man who has faith in god but not humanity), that fits into that theming also. Ok, so this was an extension of that right? Showing faith in Chuuya, as always.

Yeah, no. I want to direct your attention back to this here.

This line is the one that had everyone going "oh man skk is going to fuck you up for that". I made an entire analysis back when this chapter first came out about the themes that we saw, and Fyodor's utter devaluing of the effectiveness of people beyond just their skills and abilities (it's here, if you're curious). This is why I suspected that, since Dazai and Fyodor are intellectually matched, it would have to be Sigma and Chuuya to catch Fyodor off guard - because he only values what people can do, not who they are.

Well, we got a little with Sigma, before Fyodor took control of the situation again. (Rip buddy.) Sigma's tenacity and unwillingness to fall for Fyodor's manipulating him away from helping the Agency was based off his personal choice and free will. He managed to shoot him! Fyodor was reduced to a cheap trick to get close enough to stab him! There was a certain level of payoff.

But Chuuya? I want you to think for a second. What did he actually do? Not a single part of this was Chuuya's idea. It was Mori's - he was at the very least sent undercover under orders, if not sent to Meursault under orders. He didn't even glue his own fangs in apparently. Now let's go over what he did. Why was it so necessary that it be Chuuya there? Well, obviously because gravity manipulation was needed to slow the elevator and the bullet. Oh... hm. So. His ability. Was what was needed, huh?

But it was necessary for it to be Chuuya because of the bond between him and Dazai, right? Oh. Wait. So, Chuuya's personality and goals don't matter - only his ability to read Dazai.

This twist makes it so Chuuya as a person doesn't actually throw a wrench into Fyodor's plans at all. All that matters is that he is Mori's executive and Dazai's partner. I guess he was "utilized" after all. I thought, with his characterization in Fifteen and Stormbringer, that we were moving away from this characterization of Chuuya only by his bond with Dazai. Do you want to scream.

You might be saying, okay, but at the very least it showed the depths of Double Black's bond! ...did it? Not really, at least not to me. The only impressive part of any of this was Mori's preparedness. This was barely an skk plan. It was a Mori plan. Double Black placing their lives in each other's hands is a Tuesday for them. This is nothing we didn't already know. And truthfully, it goes nowhere near the level of sheer trust we saw in Dead Apple. Mori sent Chuuya in sure, but it was only after everything settled down that he realized that Mori suspected Dazai would need help. Before that point, it seemed everyone thought Dazai was dead except Chuuya. Chuuya chose to jump out of that plane. Chuuya chose to risk his life. It showcased his personality, his free agency, and the level of trust they had far, far better. And it was emotionally satisfying! Dazai was extremely grateful that his trust paid off! Chuuya was somewhat conscious during Corruption, enough to weaken his own punch and shout Dazai's name! Dazai prevented Chuuya from having his ability be separated from him by the fog! They are an unbeatable team... but they were still left exhausted, and had to rely only on each other. How does what happened in this latest episode compare to that in a way that makes me believe they've actually outmaneuvered Fyodor?

Listen. I'll take twists that don't really have a great build up if they further the themes or character development, or it just makes for good drama. There's an interesting pay off, at least, so I say "okay, okay. Could've been done better, but I'll let it slide for the intrigue." But here? Nothing. It was boring. Are you bored.

Anime watchers were probably more fine with it. Maybe it was a little disappointing, but oh well. But manga readers have been having this plot dragged out for years. A lot of said fans (including myself) were excited to see Chuuya become main series relevant and receive present day development - and it seemed like we were going to get that with the recent publication of not one, but two Chuuya backstory novels, and the drama of this arc pitting Dazai and Chuuya against each other. Instead, this did absolutely nothing of interest for his character. Why was he even here?

Which brings me to the last point, which is the characterization.

Going back and re-reading this entire arc now, it becomes one big stage performance. Ok, fine, it's a little funny. But now there's hardly anything of value to these interactions. The only ones that actually matter are Fyodor and Sigma, and Fyodor and Nikolai. All that buildup to drama between Double Black, to another incredible display of trust, to something shifting and changing from the status quo... all that build up, and nothing has changed for Chuuya, or for Double Black. The show of trust wasn't even that dramatic really. Are you bored still.

This also weakens Fyodor's character to me. Fyodor witnessed their incredible show of trust in Dead Apple. I assumed he was prepared for skk-typical bullshittery, you know, being a genius on par if not greater than Dazai. You're telling me he was so overconfident he completely missed that Chuuya wasn't a vampire? Really? Fyodor really had nothing in place that would verify whether the vampires were actually under control? He wasn't constantly checking for a plan? It really was just red eyes and fangs, and he thought that was fine? That's it? Ok.

Truthfully, I was kind of :| about several of the preceding twists in the Meursault arc, particularly the dagger Fyodor pulled out when he started acting to Sigma, and the door railing being preemptively crushed by Chuuya before the drowning started. The dagger was actually ornate in the manga, which raised several questions - it couldn't have come from a guard. It made me think there was more to that interaction than just Fyodor pretends to have a split personality and that there was actually something to that knife. Well, it was made to be a regular knife in the anime, so I guess theorizing across those lines are dashed.

What bothered me the most though was the crumpling of the rail to stop the door from completely closing. There was no indication of this in the manga. None. No one could've predicted that - because it's stupid. The water filled so fast it couldn't get out of the crack in the door, even though it was huge??? Dazai was in the control room - you're telling me that there was no security camera focused on the door??? You know, where you would position a security camera??? It was dumb to me, but I was willing to roll my eyes and move on because I was expecting a good payoff to all this, and well, it was funny.

But now, the whole arc is one extended joke skk were playing on Fyodor. And you're telling me that's how our major antagonist goes out? Our major antagonist of several arcs? Be for fucking real.

And depending on when Dazai figured it out, it may even cheapen earlier scenes. If he found out after the elevator slowed like people have been theorizing, I could accept that. That's fine. But I need people to recall: in the actual episode he states "it was all an act".

Is Dazai probably lying to save face? Sure. But as of this moment we actually have no evidence it wasn't an act from the beginning. Remember that Ango was communicating the whole time with Dazai. Remember that Mori was involved and helped Tanizaki and Kenji get to safety. It's entirely possible it was all premeditated.

One last suggestion: the plan name was "Good-bye" as suggested earlier. This means that even if Dazai didn't know from the beginning, he knew by the time of his speech to Chuuya as he was drowning.

This means that his whole scheme with Sigma was not an extremely dangerous, life-risking play on his part at all (@daz4i has gone to explain why this sacrificialism isn't good for a suicidal character, which I recommend reading, but nonetheless it was still notable characterization for Dazai). And what about this?

Even his own flashbacks and memories were, what? A lie? A performance? For whom? Not for Fyodor, that's for sure.

For us. The readers. For the people who are invested in these two and their dynamic. For the people who wanted development between them, because there are actually issues there that have not been resolved. People wanted Dazai to show real concern. Chuuya is still bitter, even if Dazai thinks everything is fine and the same since he left. There was a tease that we're going to get how Chuuya felt when Dazai left the Mafia at some point in the future. People were making angsty art and writing and getting really excited because all the prior interactions had appeared to be set up for the payoff of this drama.

We get an introduction in the dungeon. We reveal their partnership and fearsome reputation during the Lovecraft fight. They perform flawlessly in Dead Apple. Throughout all this, they need no communication. They read each other and respond in tandem, always... but there's still an underlying tension in the way they do not talk to each other. I, and many others, had thought the prison escape arc was the breaking point for some development, since their prior appearances were all meant to establish them as a team, and this arc dealt heavily with the breaking of established things.

But no. Deus ex skk is perfect. They have no issues or flaws. Do you want to scream again.

Anyways. I recognize I'm probably just very disappointed right now and by tomorrow, I probably won't care anymore and will just roll with it. I think I was extra disappointed because while I tempered my expectations for, say, Yosano and Kyouka's involvement (sigh...), I fully expected skk would be handled well, being the fandom faves and where the money is at, so I guess I took the disappointment that much harder.

However, I'm eager to see how the manga tackles the ending, and if we will get any extra cues or better pacing there that may make me not quite so bitter. If it's any consolation, I do think we'll be getting Chuuya focus at some point in a future arc, and while I do think Fyodor is dead, I doubt he will have stopped haunting the narrative. He'll be back in some capacity. I'm pretty certain he's still the mastermind.

And I'm curious about the next arc and what's happening there. Maybe some things will be revealed later that will help smooth out the flaws here.