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call-of-ishmael · 9 months ago

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The Last Ishmael OCD Post

One of my first times that i dabbled into character analysis was about Ishmael's OCD, people like that post but i really feel i could have done better

Canto V was my last major chapter i was willing to read. As i put more distance between me and the story, i want one final farewell in the form of finally fixing up my analysis

PART I: THE META-TEXTUAL

Before i delve into the writing itself, here is some pointers the story gives to her OCD in the form of flavor text and descriptions.

Firstly we have her Bio

This is easy to miss as its just a tiny blurb above her whole intro blurb.

Now, "obsessive compulsive neurosis" is a very weird way to phrase it, "obsessive compulsive" is clear enough but "neurosis" is odd, this is not TOO odd though, as "neurotic" used to be how OCD was classified as a disorder.

However if we look at her bio in Korean, the particulars do simply straight up say "OCD" very clearly, you'd need to MTL but this was also confirmed to me by a friend from SK

The sinner bios are biased though, and are written through a very corporate lens, so lets see if there's any other pointers elsewhere

Her base EGO, Snagharpoon, actually does just that

Her passives name is called "Compulsion" and in its gameplay design its a very interesting way to also point to it

Ishmael is a very all or nothing person, you do it well or you don't do it at all, and this is reflected on how this passive aids you to play

This passive is excellent for boosting the consistency of playing by only going for "Favored" or "Dominating" clashes, while punishing you for taking chances on clashes you MIGHT win

Base ID Ishmael is also a unit with all single coins, rolling tails puts her in a very unfavorable position so this also adds an extra safety net on top. Worth noting being all single coins is also a high risk high reward type of play style.

Finally we see two more pointers id like to note, both from Canto V

The Compulsive`s Knot, an ego gift themed after a naval rope, one of many in the dungeon all alluding to her struggles.

Most obviously though

Her exclusive status effect, Compulsion. This is in direct reference to her EGO passive, providing an attack boost at the same time it provides a drawback in the form of low SP.

We are gonna talk a bit more about this passive since it ties into another gameplay oriented way to point towards her OCD

During the story dungeon we have an event where a noise is heard, you are given two choices, check, gain SP, don't check, lose SP.

Compulsive checking is probably the most well known (to the conditions detriment we will talk about it later) hallmark of OCD

Notably, this doesn't aid Ishmael, while checking can avoid the combat encounter, not checking only has a chance of triggering it, and most interestingly, her SP will always start at -25 during combat encounters. Meaning the temporary boost in her sanity will just get reset next battle, should you decide to check. Checking wont satisfy her anxiety for more than a brief moment.

Lastly the most obvious ones are all the references to Obsession. These are so abundant i feel if you are familiar with the Canto its redundant to have them, i wanted to draw more attention to the allusions to compulsion, as they are less common.

PART II: BEFORE THE STORM

Even since before her own Canto, we can see Ishmael's ruminating and anxious tendencies pop up during previous chapters, which for OCD is important to explore as OCD is an anxious and ruminating disorder.

So lets talk a little bit about OCD! Its a disorder characterized by repetitive and constant intrusive urges to perform a task or a thought (lets keep this in mind for later)

These thoughts or actions are used to try to relieve stress from an anxiety inducing thought or situation. The most common example is OCD exacerbating germ phobia, and causing people who have it to wash their hands in excess.

While OCD is usually described as "irrational thoughts" i feel that's a pretty limited way to view it in my own experience with it. OCD compulsions and thoughts can be informed by very real worries, the worry of getting sick, of making the wrong moral choices, of hurting others. Being clean is a normal and a good practice to stave off getting sick, its the frequency and intensity that turns it maladaptive, OCD turns your own lived fears and traumas against you, and those might very well be real things to worry about, which makes dealing with it very hard.

Enough of that off to the writing!

Lets start with Canto II

This is the first example of her constant need for a lack of ambiguity, previous to this we see her complain about the treatment the sinners are receiving from Effie and Saude, skeptical of the whole deal.

Until shes shown the plans, they are so well crafted shes able to anchor to that and calm down.

This by itself is not really much other than being very detail oriented, lets look a bit further into the chapter

Here we see that aspect elaborated upon more, this moment is framed as a very important one between Dante and Ishmael in their dynamic later on, Ishmael is incredibly upset at the plan having fallen apart so quickly, while yes this is not unreasonable to be upset at, her anger is remarked on by Dante and Gregor as very intense and unusual. This in my opinion is a minor but clear indication her need for planning and considering every option is due to a deep anxiety, but don't take it from me, lets look at Canto III

Here we are told pretty explicitly, Ishmael moving quickly and asking lots of questions is something Dante has noted as an anxious habit.

And here we have more elaboration on what exactly that moment at the Casino meant for Ishmael, it was enough anger and disappointment she has stopped expecting Dante to perform well and instead taken it upon herself to see things go according to plan, this is VERY important to her.

And her worries, are repetitive enough to annoy others, and to be remarked upon by Dante.

This is perhaps the more notable chain of events to point out previous to her chapters aside from 4.5, as it helps contextualize all her usual ways of acting in a more complete light, showing a lot of this is driven by a deep anxiety

And this all makes S.E.A all the more interesting as it pays off on this.

Something i quite enjoy about Limbus is how it re-contextualizes things characters have previously done and said. And the events of S.E.A and Canto V bring a lot of interesting stuff to the table

Lets get cracking with this chapter

In general shes extremely confrontational, and tense, more than usual

But its her anxious outbursts i wanna focus on, what she puts

emphasis on.

This chapter is so crucial in this whole analysis. We see some behaviors way more clearly now, firstly we see her emphasize her need to be absolutely 100% prepared for this, no ambiguity no risks she wants certainty.

But we see something even more clearly and that's her ruminating behaviors, shes brought up things like this to a smaller extent before like commenting on a lot of aspects but here we see in full display her inner world become externalized, shes started voicing worries shes never voiced before can Dante turn them back always? What if Dante dies? What if the sinners get eaten can that be turned back?

And these don't all get brought up immediately, she mentions them in different conversations, pointing to the fact shes constantly going over the subject in her head with no pause, and she gets frustrated when she cannot work on these worries when she cant do anything to quell the anxiety.

And the last part, when Dante finds her so fixated in her planning its impossible to even talk to her. She has to perform some action do something to stave off the disaster she can see coming in her head

As someone with OCD inevitably i have to mention the personal component that drew me to analyze this was how real this feels to when you spiral

A lot of the times OCD is explained as the compulsions being something you do cause you feel its a sort of ritual to stave off disaster. Its in this way i see it reflected in this moment.

As we see with Heathcliff acting as her foil, he points out her worrying is really not doing much other than just her talking and talking, and by the state shes in when Dante checks in on her, aimless not even paying attention to anything else we see the main objective of the planning really isn't practical as much as a compulsive coping mechanism.

She has to do something

PART III: INTO THE DARK

Lots to cover and honestly i will make a companion post to this with all the examples, so for this section i wanna cover some highlights instead, as well as a general discussion of the tone.

The way this chapter is structured is very interesting, its really reflective of the mental state of Ishmael. The chapter feels really aimless, they wander around not really ever finding what they need, which drives Ishmael more and more tense and frustrate

Its a good continuation to how we see her by the end of S.E.A fixated on one goal one thing

As previously stated shes inflicted with a constant special and unique to her status effect called "Compulsion" as covered in Part I

Her behavior is also reflective of this

For a good part of the first third of the chapter shes in her room, the whole time whetting her harpoon, nonstop

However you might notice compulsion is not as present as obsession, and compulsion is also important to OCD its in the acronym! And i have seen others point to it too

However id like you to remember, in the post earlier i said thoughts can fit into OCD, compulsions can be mental and sometimes almost exclusively or mostly mental. Its even in the DSM noted that for diagnosis the compulsions to count you for a diagnosis can be mental in nature

Its in this aspect that i feel Ishmael shines a lot

In general OCD in media is lacking in representation and is often a trait given to assholes or villains

The normal conception of OCD in movies or TV is of neat freaks or control freaks, Compulsion is usually heavily emphasized when it isn't the whole picture

Often ignored though is the aspect of Obsession, some people can have Purely Obsessional OCD (Pure O), this isn't a formal diagnosis or term but its colloquially used by people who have it. Its a bit of a misnomer, as compulsions are present but internalized as mental rituals or rumination

Usually its harder to diagnose, its harder to treat as there's no apparent compulsions others can see, and the people having it seem pretty high functioning to the people around them.

This can be noticed though in people avoiding certain subjects, avoidant behaviors can be the clearest external behavior.

I personally read Ishmael as having more mental compulsions, the way she tends to be a more ruminating and anxious character than outwardly compulsive

During S.E.A and Canto V we see outward compulsions more but from the examples from previous Cantos we can see that's not her usual and she operates more on anxious overthinking most of the time.

However another aspect that ties into mental compulsions is in the previously mentioned avoidant behaviors, we see her isolate and try to stave of having to deal with her worries in both S.E.A and the beginning of Canto V when shes in her room, in both cases doing some excessive preparation in a compulsive way.

CLOSING THOUGHTS

As previously stated Canto V deserves its own companion post, and ill work on that later, i feel this encapsulates what i wanted to say well enough.

I wanted to discuss the previous signs of her behaviors that make me certain her OCD is an intended textual read, and in my opinion a well executed one

Canto V was hard to read as it felt very real and very familiar to the worst times i have had due to my OCD.

Shes a character that despite my distaste i have developed for the franchise, it will never stop meaning a lot to me same as her chapter will always be a piece of storytelling that affected me deeply in ways others haven't

To close i want to leave off what i feel encapsulates the feeling pretty well, in my favorite moment with the membrane consuming her as a metaphor for letting fear, anger, obsessions and compulsions cloud your mind until you forget why you were even there

To you, dear reader, Bon Voyage

#ishmael lcb #ishmael limbus company #project moon #lcb ishmael #canto V #canto v spoilers #limbus company #lcb

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endermaybe · 3 months ago

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I loved reading the "From Eden" story, written by @aquaquadrant and the accompanying art by @lunarcrown. I keep thinking about the story/world, so I decided to be kind to myself and write it out, so at least my thoughts will be organized.

Or so I thought. It turned out to be more of a ramble than a coherent piece of text. I'm not gonna do it to myself to check and clear up everything, it's supposed to be a fun write, not a chore. I've made a lot of (obvious) observations and asked a lot of questions, but that's me just 'thinking out loud'. And I knew it would be long, but I hadn't expected it to be this long. I'm not sure if anyone will be interested in reading all of it, but here it is anyway.

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I love it, and everything about it.

I love the whole "Hells to Pay" universe. I love how alive the universe feels while at the same time it still feels very much like Minecraft. I love how it has very much game logic while at the same time having very real stakes and dangers.

I love the characters, both the ones based on youtubers and the original ones. The first category are clearly recognizable with their way of speaking and mannerisms and the latter seem just as well developed. I love how everyone has depth. Everyone has strengths and weakness, even if it's not always obvious. No one is fully good and even the worst characters have some good qualities. And everyone has the ability to change and learn, for better or for worse, but only if they choose so.

I love the writing. The way it's structured makes it fun and easy to read. The wording very much supports the world and it's characters. I love how it lingers on some moments and quickly goes over others, it feels very natural. And though I am the kind of person that wants to know anything about a universe/story they love, I do think that the amounts of exposition and explanation are great. More would probably hinder the telling of the story itself. And I love all the extra bits of the world told through answering other peoples asks.

I love the art. Everyone is unique and easy recognizable. The bodylanguage and faces are really expressive. It's great to see. Beside that, it's also an artstyle that I just really enjoy.

So onto more details of the story. A LOT more details, I basically did another deep read to make sure I didn't miss anything. Spoilers I guess for anyone who hasn't read the story but somehow did find this post.

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Lunarcrown's into comic looks amazing. It also wonderfully shows what kind of world Hels can be and the nightmare that is Tango's life. When I found the story, this intro was enough to get me hooked.

I think it's funny that the first part of an eleven chapter story (of which two are two-parters) is called a one-shot in the authors notes. I mean, I'm not a native English speaker and all that, but I don't think that's correct. Was it intended to be a stand-alone story? Had it been the plan for the AU to be told through short stories?

It's a small thing but I like how every new chapter/place is introduced by "Somewhere in [insert world], a player [is introduced, doing something]", with very minimal variations. It's a nice returning bit, through the whole story.

The way Tango's imprisonment is described is chillingly beautiful. It's horrific, but at the same time almost casual. But that's what is has become for Tango: just another day. In the same way, the manner of escaping is grueling, showing clearly his desperation. Well done.

It's so clearly noticeable, even through the immediate relief of escaping Hells Tek, that he's been through so much and that it impacted him so much. And then he decides to hide it and pretend it didn't happen for another decade. Even if he didn't fool people nearly as much as he thinks he did, it's so sad he though he needed to do that. Not to say that I can't understand it. Sadly, it probably stopped him from openly enjoying what he had: his freedom, all the wonderful experiences of the overworld and his friends. It's an amazing first chapter.

Also I love the way you write Xisuma.

And hello Bravo. I don't really like him as a character, too arrogant and snobbish. But at the same time, I love his journey and it's fun to follow him. He didn't deserve to be stranded here. But then again, that was kinda the point of the Universe's little experiment. I wonder, if he would one day learn about that, would it make him feel better or worse?

It's interesting to see his outside view of Hermitcraft. And them being considered a private bunch in this universe, while we see them pretty much place every block of their megabases, through streams and timelapses. Then again, in-story Hermitcraft is only in it's second world/season. I haven't been following Hermitcraft for THAT long, but it probably isn't a fair comparison. I wonder which of the Hermits Bravo was familiar with. Some of the redstoners, probably.

Timmy leaving his save spot to talk to Bravo wasn't something I noticed om my first read, and it's sweet of him. I love Timmy, and at the same time I want to yell at him for taking such poor care of himself. It's nice to see that through all he experienced he hasn't lost his kindness.

I've been definitely overthinking this, but while rereading Timmy explaining what Hels is to Bravo I was wondering how he knew the difference between Hells and a normal world. The logical explanation would be that some other player told him. But I remembered a post were there was mentioned Timmy was a Listener and I am a sucker for any Watcher Lore (and your version is great), so my mind came to the conclusion that a Watcher told Timmy. After all, he seems so lonely and so attention starved, that he would probably love it when the Watchers are around him. Maybe he tries to talk to them, make them stay a little longer. Most Watchers wouldn't be interested in him, since they can't make him leave. They would only be at spawn if someone more interesting has died without a respawn point. But maybe... Maybe some of the nicer Watchers decide to humor him, and talk for a moment. Maybe after a few times, they discover it's nice to sometimes just have a conversation with a player and just... start telling him things. Random bits of trivia, events that they've Watched somewhere else, things about their old lives. They would still be mostly doing other Watcher stuff, but when they are bored, or were about to visit Hels' spawn anyway, they stop by a certain avian.

Like I said, I've been overthinking this. It probably doesn't fit your story, but it has been fun to imagine. I like the idea that Timmy is one of the few players that is completely comfortable with being a Listener. And I like the idea of someone that people don't spend a second thought on casually having conversations with literal deities.

Back to Bravo for a moment. The stretchend out death-loop that is his way out of spawn is interesting to see. He starts out relatively optimistic but get's a hard and painful lesson on what life in Hels is like. By the time he meets the Arena recruiters he seems to understand why Timmy doesn't leave spawn. Bravo is glad with the resources he has, even though in any other world a second-day player would probably put him to shame. His first instinct on seeing players approach him is now to hide. He's already changed a lot, probably without even realizing it. And that is before he snaps.

The symmetry between the ending of one chapter and the start of the other is well done. One duo dies and Bravo finally gets a break in his struggle to survive. Another duo dies and Tango has a big setback in the game he's participating in.

The tone of chapter 3 is very different from the previous chapters. For a big part, it is an adaptation of Jimmy's and Tango's first episodes of the Double Life series. It's impressive how that part is both true to the source and a good adaptation. And then it smoothly transforms in your own work. Well done.

"They have only one bed." Look, I am very new to fanfiction, but even I know that this is a classic. I don't mind. Classics are classics for a reason, and you've written it good. I love the awkwardness here between the two of them.

Somehow the thing that's hardest to believe is that Grian would be the one to propose an end to the death-game, and it's funny that other characters seem to find that hard to believe as well. But it's a fun set-up to change mid-way in a death game to a survival world.

The addition that the soulbound can make you aware of your partners feelings and that it amplifies whatever is already between them. And thank you Impulse, for sharing your wisdom and for talking some sense into Tango. All the things Tango worries Jimmy will hate about him, seem to be the things he hates himself for. No wonder he feels unlovable. And thank you Pearl, for giving Tango some perspective.

So much of this chapter is just lovely and wholesome. After the Ranches have one good conversation, things just organically develop. Their relations grows closer and stronger. Tango learns to love and how it feels to be loved, he learns to be vulnerable, he slowly starts lowering his walls. There are still mountains of old pain, but there are new pieces that are healing as well. Thank you Jimmy, for being the healer that Tango needs. If only it would last.

Back to Hels. It's a nice detail that beds are a high end item. I guess that means making wool from string isn't possible (4 string into wool never felt right anyway). Though an anchor would prevent a long death loop by running out.

The inner workings of Hels Tek are a nice bit of information, though the place itself definitely is not. How does it compare to other redstone labs, like iRaid? Many workers probably only tolerate the restricting of their freedom because it's still better inside than being alone on the outside.

Clear is a fun character, especially when interacting with Atlas. He can get away with almost anything because he is just to valuable to loose in Atlas' eyes. He is a tragic mess but highly intelligent and takes pride in his work.

It's very telling that young Atlas, with just two minutes of life experience, already assumed the worst of others. That is not something he learned. Why would someone bother to plug a hole at spawn? Ease of traveling? And it's wood, valuable and burnable, it could have been part of a make-shift bridge, or something. Atlas really is the worst. Oh, and rule number one of Minecraft: don't dig straight down, smart guy.

It felt strange to me that Timmy lied to Atlas about Bravo, while pointing them in the direction that Tango want, the guy Atlas is actually looking for. But now I realize that Tango could "still see spawn in the distance", just before the portal spawned. Did Timmy in turn actually see Tango leaving and Bravo joining, from his higher vantage point? That would mean he probably did protect Tango, by not telling the full truth. Also, he's seen both of them. Has he noticed their likeness?

I hadn't caught on to Timmy casually lying Bravo in the first few times I read this chapter. It's sweet. And that he is able to do so while sounding casual surprises me. It feels like a stark contrast with his counterpart, who seems to be a bad liar and with an very emotive voice. And Timmy managed to do so in the face of a powerful man who has already subtilty threatened him and his with minions around. A quiet display of (inner) strength.

Timmy has delayed Atlas and Bravo meeting for five years, half the time Bravo spend in Hels. Five years without answers, five years without any hope of returning. If Atlas had found him the next time Bravo respawned (shot by a skeleton, if matched up chapter II and V correctly) Atlas would have put things together. Bravo would probably have jumped at the chance to get to Hels Tek, to civilisation, and he hadn't learned the "healthy Hels skepticism" yet. Atlas would be his savior! And would have been able to fully shape Bravo's image of Hels. Now, Bravo had to build his own image. Would he think it would have been worth those five years? Maybe, after he finally escaped Hels. I hope so, for Timmy's sake.

Tango had five more years on the overworld because of Timmy's lie. Five years of healing, but also five years of hiding and festering. He would have been in the fifth or sixth world of Hermitcraft, which would have had more resources than Double life. But the Hermit are more thinly spread and not focused on pvp. And on Hermitcraft, Tango probably would have been alone, when Hels Tek came for him. Others would have probably too far away to reach him in time, if they even knew were to go. Or maybe Tango would have been lucky and Hels Tek would have entered minutes before the final battle of the season 6 Prank War. Probably not but that would have been funny. There is a chance that the five extra years were unnecessary and only stopt him from fully healing but I think its way more likely that it saved him. On Double Life and with Jimmy at his side it seems that everything was exactly right for Tango being saved and to make sure his past won't come back to hound him anymore.

I truly hope that Timmy's little lie made things better in the end. I didn't realize that I had so much to say about one sentence in the story. I hope you didn't mind the sidetrack.

Atlas looking for Tango in the Arena seems to be the reason that the recruiters that made Bravo snap ran into him in the first place. Credits were it's due, thank you Atlas, for giving Bravo the means to gain things like good food, end-game armor and weapons. I still don't like you.

Considering Alisker has a spy in Hels Tek, and doesn't actually want hybrid farming to succeed, could the failing of respawn anchor be due to sabotage? Or maybe it was just the will of the Universe. Also, Alisker humiliating Atlas is very satisfying.

The downward spiral of Hels Tek is also very satisfying. It seems that Atlas never bothered to make any protocol for things taking a turn for the worst. I guess that just would be unimaginable for him. And then dr. Clear manages to halt that spiral in one lucid peptalk. That makes me sad that his lucid moments seem to be so rare and frustrated that he uses his skills and talents for Hels Tek. Clear Cut's mental health issues could be some form of heavy depression. That would be treatable. Earlier in the chapter it was mention he has to use potions of swiftness to be functional, but that sounds like management to me, not treatment.

The difference between Atlas meeting Bravo, and Atlas meeting a young Tango is interesting. Tango's base is hidden, while Bravo's is not. Bravo asks questions before deciding whether to attack, while Tango does not. Both of them are wary, but Tango seems eager to work in a redstone lab, while Bravo only sees it as a way home. All of these differences seem to be learned, though. And young Tango is cute.

Bravo at the start of chapter VI has plenty of Hels experience, but without Atlas having manipulated his worldview yet. Still, it's not a pretty picture. He thinks Atlas is probably dangerous because "he’s from Hels, after all". As if overworlders can't be dangerous. Does he know how players on anarchy servers can be? Does he know how an UHC works?

Overworld players gain the ability to travel between world as teenagers, and Bravo mentions next chapter that he probably stopped aging while still looking young. Tango was recruited as a teen, and spent only a few years in Hels Tek. He is the same age as Bravo. In other words, Bravo probably didn't have that much of a window between gaining access to multiverse travel and getting trapped in Hels. Maybe Bravo is just naive when it comes to overworld players.

You know, I really thought Atlas was the one to bring out the worst in Bravo, but perhaps all he did was stop Bravo from examining his own biases. I know Hels is a though place but I can't believe Bravo is that special for having a grand total of three pieces of furniture. He also already considers hybrid players part monster. One of his first thoughts on hearing Hels is an actual prisonworld is that the players that have spawned here must deserve it. And when Atlas guesses that Tango managed "to utilize [Bravo's] connection to leave Hels", Bravo interprets that as Tango willingly trapping him.

Bravo's early days in Hels Tek probably mirror those of Tango. A rundown of practices and procedures of the place, other scientist gathering information about him, leaving the communicator with other scientist to let them figure out the data. Probably to work with the same iron farm scientist Bravo talked to. But Bravo is aware what it's actually for, Tango was fed lies. And Tango was a teenager that had probably grown up feral and just entered a community for the first time.

Hels!Keralis is another fun character. I love that one of the extreme traits that he got from his counterpart is more eyes. How does he know that Bravo isn't from Hels? With the number of eyes he has it somehow wouldn't surprise me if he has some sort of special sight. Or it could be corporate spionage.

I haven't mentioned it before but the way you write the passage of time, with short snippits to show significant moments or changes, is very good. It really gets across how not everything happens in short order, how events can have far reaching effects and how change can happen slowly. It also helps you feel that time has passed and the world isn't static.

Once Bravo had his first impression of Patho, he really didn't bother updating his opinion unless other players made him. Bravo wonders what it could take to loose an eye, and there is something that can do that. In some of the worldbuilding posts it's mentioned that Martyn lost one eye, and Grian both of them, to Watchers. It would make sense that an experienced player would be recruited, but it could also just be an coincident. Bravo disapproves of the fangirling towards Patho, but I wouldn't be surprised if he once was a big fan of Etho. Legendary overworld redstoner and all that. (IRL during April Fools 2013, Etho was famous enough to get his own Minecraft block) The manner Patho let's Bravo know that he doesn't like to be touched is way over the top. Patho is another interesting character, but one of those that I'm very glad of that he's fictional. At the same time it's sweet of Patho that he is very much willing to educate others and share his knowledge.

I like the touch that the first two times the portal is lit, it has everchanging colours. Like the Hermitcraft portal Tango went trough. And it's later explained that inter-world portals have unique color-paterns, depending on their destination. So Tango is still on Hermitcraft in the early attempts. After that it switches to the red-yellow-green of the Traffic SMP/Life Series.

Bravo almost shows some critical thinking and empathy when he finds the Tango Tek farm, but it's immediately ruined when Atlas shows up. I hope Bravo gets nightmares about this when he finally learns how to self-reflect. Bravo's sarcastic reply on whether he has said his goodbyes is telling. He could have made friends if he had wanted to, I'm sure. The scientist had been welcoming and curious about him, and as a redstoner himself it's not as if they had nothing in common. That's a good base to build upon.

His first moments in ten years in the overworld are beautiful. Though Bravo has very many flaws, I do have sympathy for him gotten trapped in Hels. But not for anything else at the moment.

Jimmy reflecting on getting to know the Hermits is fun and wholesome. The little things he has learned about Tango, the thing he seems to love most about him, seem to be mainly related to being a blaze hybrid. All the things that are just Tango. That makes Bravo's claim that he should have been Jimmy's soulmate just plain wrong.

The whole conversation between Jimmy, Tango and Bravo is amazing. Jimmy is trying to figure out what is going on and all is knows for certain is that the person he loves is scared and hurting. And once again Bravo almost seem to realize the universe isn't as black and white as he though it was.

And then the fight! Tango's terror and fight response. Jimmy's terror. Tango's shutdown when he realized that he hurt Jimmy. Just wow. And Jimmy's reaction to seeing Tango freezing up is pretty much forgetting he is on fire because Tango needs him! Poor, poor Tango. Bravo clearly sees himself as a good guy by taking back his rightful place and trying to help Jimmy, not realizing that for Jimmy he is the villain and the leader of the group that invaded the Ranch and is kidnapping his boyfriend. And Jimmy placing himself between the invaders and the portal, knowing he can't win is a beautiful show of his care, courage and determination. These guys have very shallow definitions of strength and weakness.

The Cavalry arrives! And the announcing their presence with the horns is very much Double Life. I know that battles are hard to write, but you did an amazing job with it. It's definitely chaotic with much going on, but it's clear to read and good to follow. Every Lifer does their part in the battle and everyone has their own fighting style.

Was Bravo so angry of Atlas that he tried to follow him back to Hels? The place that he tried to leave for ten years? The moment the portal breaks he is surrounded by overworlders. He can blame the battle going wrong and the mistrust of the players on Atlas, but they give Bravo a chance to explain himself and he messed that up all on his own. And Bravo has seen they are pretty much what he thinks overworlders should be. It's a server where they don't grief bases, where they work/fight together, where they defend each other, where they ask questions and don't immediately attack. (Outside the battle, but that doesn't count, they saw their servermates in trouble.) But they don't welcome Bravo as one of their own. They restrain him and mistrust him. They don't see him as different from the other players that came trough the portal. ("What did you guys do to him", emphasis mine) They hear his explanation but don't believe him. They dislike it so much they kill him, meaning this time he is send to Hels and it's not a fluke or mistake. It's overworld players wanting him gone.

I don't think he realizes this, not at first at least, he has his mind on other things. But once he has time to process what happened? It has got to hurt, even if he doesn't admit to himself he was wrong. I think it all does help later with Tango's words finally reaching him.

Jimmy's fear of not knowing were Tango is when the portal is broken is so real. So is the relief on knowing he's still (physically) with them. Scar being the one to shoot Bravo feels right. Scar has a goofy and easygoing demeanor, but he is very capably and not someone who you should cross, and Bravo did that by saying nasty things about his friend.

It's a relief that Bravo has finally up enough to stop working with Atlas. Progress? His fight against the hired muscle parallels the fight Tango had in brutality, as much as he might deny it. and slicing his own neck is brutal as well.

I'm still not sure how to feel about the Bravo/Timmy reunion. I'm happy that Timmy isn't alone anymore, that he is with someone who has been, not quite nice, but at least polite towards him. At the same time Bravo isn't doing this for the right reasons, he later admits as much himself. He is using Timmy as a substitute for Jimmy. Thing is, he doesn't know Jimmy. Is he really so hung op over the whole 'should-be-soulmates' thing over a stranger? I don't get it, and that could very wel just be a me problem. But he does want Timmy around, even if he's not Bravo's first choice. Since Bravo stepped through the portal that was supposingly taking him to Hermitcraft, Timmy might have been the only one that has been there for him. Timmy was the one who explained Hells to him, without trying to manipulate him. He has been welcoming to him. He has been the one who showed sympathy when Bravo died. The only thing Timmy wanted was not to be alone, but he didn't force that. I hope Bravo's biases don't blind him towards all that.

And that final sentence. If he can’t have the sun, he’ll learn to love its shadow. I know I haven't been the only one going crazy over that. That one sentence it saying so much. I've also have been (over)thinking what that makes Timmy, symbolism wise. The sun doesn't actually have a shadow, being a light source. But there is one thing, it isn't a real shadow, but there is something that is a lack of sunlight. If Jimmy is the sun, Timmy is the night sky. Both are beautiful on their own.

Back to Double life and their aftermath of the battle. I like that you fully wrote the aftermath. Things like this often get skipped or summarized. Now things have calmed down a little, the players have room to feel their exhaustion, their fear, their pain, to become more aware of their wider surroundings and to start figuring out what actually happend. It seems that no matter the universe, the Ranch is destined to burn down. It's sad to see, especially with how warm and cosy you had written the place. And ofcourse Etho and Joel have water buckets, with that clutching trick they love doing.

The state Tango is in, is heartbreaking. No one seems to be sure how to handle that situation, except Impulse, but that might just be appearances. Impulse and Jimmy have a very similar comforting warmth around them, I'm not sure how to call it. So, while Jimmy might feel useless (and the 'intrusive thoughts' aren't helping), I don't think he would have done a bad job with helping Tango. But Impulse has known Tango for years, and has some experience. And he didn't just went through the things that Tango or Jimmy just did. Jimmy's comment about the lights show that he does know Tango, no matter what he thinks. It's interesting that the comments from the Watchers right after are ambiguous in whether they are directed at Jimmy or Impulse.

You cannot sleep, there are monsters nearby. That sentence fills me with dread ever time I read it. It's a dread probably every survival minecrafter knows. And for that sentence to be directed towards Tango is devastating. Luckily Jimmy knows just wat to say to pull Tango out of it. The whole conversation after feels beautifully sad and vulnerable and raw. And it's once again devastating that Tango still feels that he has to be strong in front of Jimmy and only let's himself cry when he thinks there's no one to see it. But Jimmy is not doing nothing, he is being Tango's shoulder to cry on, an that is worth a lot.

The game-chat log of the battle is a fun read. It's very bare-bones, due to it's nature but it gives a good overview and a good indication of how the other Lifers reacted. You have a very good grasp of how you can use the chat in the story. Also, good job Bravo, you did the impossible and make Jimmy hate someone.

Tango's desperate attempt to avoid talking about what happend is painful, and it doesn't exactly work when other players were actually there to witness it. He's still afraid of being rejected because of the truth. And when de finally talks about his past he uses the word 'evil' to describe the players of Hells multiple times, he really believes it. Of course, his friends know better. I like how mad the Lifers are about Tango's past, how offended they are for his sake. And Tango's fear of they kicking him out never crossed their minds.

Whether or not it makes sense for this AU to have a concept of years, I'm glad they exists because it makes it much easier as a reader to keep track of time and of a player maturity. Gradual growth isn't really a thing in Minecraft, so it could even work as kind of sub-growth-stages between player children, teens and adults.

Another vulnerable conversation between Tango and Jimmy, with Tango admitting things he probably never said out loud before. But how bad is it really if he found a healthy way indulge in his questionable desires? And it's not like death is permanent. I can't argue with Tango saying he's messed up, but that's the trauma, not an inherent part of him.

I don't think he has deceived and lied as much as he thinks he has. His friends seemed to realize that Tango had a traumatic past and that some things set him of. They knew Tango didn't want to talk about it so they didn't ask. And he may have hidden his past and a part of his personality, but that was mostly lying by omission. Were the parts of his personality he did show false? Did he not want people to have fun with his games? I highly doubt that.

And it's not as if he's the only one with questionable personality traits on this server. In chapter IV Pearl gave him a bucket of powdered snow so she wouldn't succumb to the temptation of torturing her own soulmate, for example. Nobody is perfect, don't try to live up to an impossible standard.

The good thing about Tango saying all his insecurities aloud is that others can point out he's wrong, and Jimmy let's him know very clearly. Tango seems to be so surprised about it. He never considered his fears being wrong.

All things considered the Ranchers seem to handle the burned out ranch well. They're sad about it and Tango feels guilty, and that makes sense, but no anger or panic or deeply repressed feelings. Progress? Jimmy's comment about liking to wear the gloves is cute. Him not giving them back to Tango is also saying that Tango doesn't need to hide his claws, or himself. I thinks Tango is starting to understand that, even if he has trouble believing it. Same with all the players showing up, Tango sees that the truth about him hasn't scared them off.

I guess that there have been times that all the hiding was too overwhelming at times. Those probably moments Tango looked for Hels. If he was there wouldn't have to keep lying to his friends. He would have felt so much guilt, especially after learning that he had a counterpart that was probably trapped there. So it's a good thing it doesn't show up.

The similarities and differences between Patho and Etho explaining the portals stuff are fun. They have different experience with portals and different tools to work with, but they figured it out. And Patho isn't willing to give up one redstone ore block, while Etho is willing to get up and look for one with a friend.

Every time Tango mentions something about his past in Hels, Impulse seems to be in conflict to be a comforting presence or to be in righteous furry. It's hard to blame him. It's nice to see Impulse and Jimmy kind of team up to try to help Tango work trough everything.

I'm not sure how firewalls and whitelists work (or don't work) in combination with hacked portals. I'm also not sure how those exactly work. Then again, I know it's more important that they work than how they work. My brain just wants to understand it.

Tango, I get that you want to protect your friends but going into Hels alone isn't the solution. That way they at least get hurt by your actions and you actually encourage them to make unprepared, desperate attempts to get you back. If Tango had succeeded in breaking the portal, the Double Lifers would still try to follow. Since they know Bravo met Etho's counterpart, they would probably open a portal with his data. That would definitely have been interesting, but that would not have been good.

Thankfully, Jimmy is there to prevent all that. It's good to see that he stands his ground when Tango wants to cut others out, even though Jimmy has his own insecurities to deal with. And he already followed him to Hels, so of course Jimmy wouldn't think twice about following Tango into a trap.

Bravo has so many villainous vibes. It's a miracle he hasn't noticed it yet. He has figured out why they are here, but at the same time doesn't seem to realize they are here to help. And the hypocrite is calling Tango a monster for his temper, while he started the fight because of his anger. Bravo is a very good fighter, we've already seen, he's been in much tougher fights against much more experienced fighters. So it's not that surprising that the Ranchers lose.

Even after they lose Bravo keeps on hurting Tango with actions and words. It's no wonder that Tango realizes that the personality trait he hates so much about himself -a thing that makes him believe that he deserves all the bad stuff- is something he inherited from Bravo. It's something he only has because it comes from his 'better' counterpart. And that realisation gives him wat he needs to get through to Bravo.

Bravo's breakdown is beautiful to watch. You can see his whole beliefsystem falling apart and him having nothing to keep up his mental strength. It's so well written. For all the wrongs he's done, I never saw him as an evil person. Arrogant, biased and misguided, yes. Even so, he came to Hels with a strong sense of justice but he had to spend so much energy on just surviving that somewhere along the way he had to give it up. One can only have a survival mentality for so long before things have to give.

Tango understanding what Bravo must have been trough heartwarming. And I'm very much with him on this. Him embracing and accepting Bravo and Bravo finally accepting him is great. And now it's time for Bravo to begin his redemption arc. I absolutely love redemption arcs and -though I don't think Bravo's finished at the end of the story- this is a good one.

Timmy and Jimmy meeting each other is pretty much the opposite of Bravo and Tango meeting. No mistrust or hostility at all but mostly awe. It's nice how Tango describes it in his point of view. Timmy admitting he understand why he isn't good enough is just so sad. He knew Bravo couldn't fully accept him as he was, and he sees that his doppelgänger looks much better than him (rather objectively, being healthy beats being unkept and skin-over-bones). Jimmy basically goes all 'protective big brother' over Timmy, it's great. It's a relief that Bravo learned to (or at least started to) see Timmy as his own person.

The last scene of chapter X. It was so frustrating to wait to see wat happened next. Bravo seemed to be on Tango's side, so it would probably be a ruse. At the same time, it wouldn't have been the first time if Bravo had lost his temper and stopped being smart. I'm rather new in the fandom side of Minecraft Youtubers, so this was the first chapter I came across and the first time I had to wait for an update. I found it after someone reblogged some of Lunarcorwn's art (along with a tiny excerpt) about this chapter. I was immediately fascinated, and after the intro comic, I was sold.

The start of the next chapter doesn't give immediate resolution to a first time reader. Bravo is definitely convincing. He has to be, Atlas is not easily fooled. But knowing what's going on there seem to be small tells in how Bravo acts. Or maybe I'm just imagining things. Bravo's aggression looks like anger but is probably his newfound guilt and insecurity. He only talks to answer Atlas' questions, his speech seems more to the point while at the same time he uses more filler words.

It's interesting to see Bravo trying to trust Tango and Jimmy, while at the same time having learned to be distrustful of everything. He's really going back and forth between the two. Thankfully, Tango is understanding and shows him grace. Why does Bravo tense up when Tango mentions his friends won't attack on sight? Had he forgotten that overworld players don't tend to do that? It would probably be painful for him to realize there are things he has unlearned or forgotten.

Poor Timmy probably hasn't interacted with more that one person in ages. The Double Lifers must be very much overwhelming, especially since many of them aren't exactly low-energy players.

It's Tango's job to make sure his friends don't go with a bad -but easier- plan? Talk about role reversal.

The conversation between Bravo and Timmy by the portal is nice. I like whatever kind of relation they have, messy as it is. I'm not saying it's good, but it's interesting to read about. They each have many issues. Bravo is now aware of that, but I'm not sure if Timmy is. I'm not even sure Timmy knows what a healthy relationship looks like. They both care about each other and I think they could help each other out. But at the same time, Bravo has anger issues and biases against Hels players and hybrids and Timmy is both and probably wouldn't set any boundaries. At this moment them being together could either be healing or toxic. So I get Bravo's hesitance.

Jimmy's hostility towards Bravo is so odd to see. It's so unlike him, though it's fully earned. Tango and Bravo sharing their braincells while coming up with a plan is fun, especially since Tango has to tell his friends that every time that, yes, he is on board with what Bravo says.

I admire Tango's courtage to enact the plan. Then again it's in a way a variant on Tango's earlier plan to sacrifice himself, now it's only temporary. It's no wonder he looses his nerves and fully panics at the last moment when he is actually faced with the machine that caused most of his suffering. Once again: poor guy.

Bdubs has a point about Bravo calling others bad, but Patho literally disemboweled him so I think Bravo is being fair in his case. As for instinctSV, he barely appears in the story, so that's hard to say. But I don't think you get to lead a company in Hels by being trusting and charitable.

Grian and his Watcher abilities! This is a great moment to use his powers, especially since he so hesitant to use them. And he and Jimmy are right, this is not the moment to explain it all. This is the second time that Grian uses his silent 'Watcher voice' in a group meeting and this time there is an extra Listener around. Grian's secret is all but out.

Grian getting Mumbo to come with him with some crazy but true explanation somehow sounds like a very Grian thing to do. I love your portrayal of Mumbo. It's been a lot so it's no surprise that he needs a moment to wrap his head around it. Mumbo is a good friend, keeping how he helped/helps with Grian's eyes a secret. And Grian turned up on his redstone world? Wouldn't that be single-player? How did Grian manage that? And it's good to know that Grian told Mumbo what happend over time.

Something that stood out was that Mumbo stopped himself from tugging his mustache. The way it was worded was like a habit he tries to unlearn. It was also something Clear did but didn't seem to mind.

Tango finally understands he doesn't have to do this on his own and that he can rely on his friends. The warmth he has for the people around him here is so sweet. And he finally doesn't just want to confront his past, but actually wants to put it behind him. He still thinks that the "entire mess is solely his fault" (as if he asked for it) but he knows they will do whatever it takes to help him. "Is it really any wonder he learned how to be a good person just by knowing them?" Just beautiful! Though, is he seriously gonna give Jimmy a lecture about self-blame? That's just funny.

It's promising that Bravo corrects himself about the burned Ranch. Especially since nothing about it is even spoken out loud. He might have had a change of view, fully ingrained change requires more than that. But Bravo is willing to work on it. He does note himself that he wouldn't have been able to see Tango's influence on the interior.

It's entertaining to see how Bravo describes the Lifers, and Mumbo. The sentiment of wanting to kill Atlas is very understandable. Though Bravo is the Plan Guy, Jimmy is the leader here. He listens to Bravo because Bravo has the most expertise. But Jimmy is the one who the rest listens to, the one who keeps the conversation on track and the one who validates the plan.

Tango and Bravo realizing how much they both have changed due to were they have been living feels like something they needed. I like how they are now that they're not hostile towards each other. Bravo and Timmy's realisation neither of them is a builder is a fun parallel of Tango and Jimmy, and I'm glad Tango is there to watch it. It feels promising somehow.

Once again, Jimmy is being a leader here. Checking in, helping, dispelling fears. I highly doubt that Jimmy sees himself as a leader, though. The talk between Jimmy and Bravo is amazing. It just radiates growth and caring.

Tango in the farm. Oof. It's amazing how he is so close to drowning in despair, but still manages to find something to hold on to. And then he realizes he was strong enough to survive it all before, and that he is stronger now. It's wonderful how he let his good memories strengthen him, and that while he is currently living through his worst nightmare.

Clear not realizing Hels Tek is being invaded and said invaders being fine with Clear just continuing to do his own thing is really amusing. Clear 'recognizing' Grian is so sad. But Grian doesn't seem to have the instinctive recognition of his counterparts name, and later when said counterpart realizes Grians name, it's not his player name. That's interesting. I appreciate that Grian stays with Clear and I wonder what is said between them off screen. I hope Clear eventually realizes Grian is not Scáil.

The invasion of Hels Tak is a fun read. Overpowering the first guard went so smooth! Then the ravager just had to shake things up. It's nice that during everything, Pearl and Scott seem to have patched things up and are flawlessly working together now. Jimmy seems to notice a 'intrusive thought' cutting another off, noticing how odd that is, even if he doesn't understand wat it means. Bravo and Jimmy fighting in sync is awesome! What's also a difference between this fight and the previous is that Jimmy uses his wings while fighting. Something that wouldn't be fair in a friendly fight. Tango notices later that he fights way better when he does use his non-human-side, for Jimmy it might be the same.

It's so nice that Jimmy notices that Tango lost the fear he always carried with him. He handled the last hours in the farm well. The first time I read this part I was so worried that there wasn't any mention of breaking the respawn anchor. I couldn't imagine that they would forget while standing right in front of it. Luckily there was no need for a respawn. I had also been a little nervous about Timmy and Bravo, had they made sure they would respawn at Double Life if their spawn point got reset? (Is that even possible for Timmy with his Hells-comm?)

Sweet Jimmy does not tolerate his boyfriend being name-called. And sweet Tango won't stand for his boyfriend being hurt. They're cute like that. It's good to see that Tango being called a monster has lost its power to hurt him, no matter how hard Atlas tries. He's finally able to fully accept his mob-side. It feels good that the three of them manage to piss of Atlas so much that he finally cracks, giving Tango the closure he needs. And then what's probably the most satisfying punch in Hels' history, even inflecting permanent damage.

This is the first time Tango consciously reached out for his own fire, isn't it? His own firestorm is a beautiful thing. And powerful. I'm so happy for Tango! Atlas having to helplessly watch how Tango casually strolls to the portal is extra satisfying.

Atlas just sitting outside and letting his laboratory burn really shows how defeated he is. If he was any other person I would probably feel sorry for him. And why is he so surprised that Tango and Bravo are the ones that beat him? They're both smart people that know how he works and with plenty of reasons to hate him. Are they really that unlikely to bring him down? Or did he underestimate them because they don't have the authority to boss others around? Good thing Tango had his friends on his side and that Bravo understood the power of friendship.

And then bX has the pleasure of kicking Atlas while he's down. Must have been a great relief too, to let the hybrid-farmer know his life's work was done for.

Even for the Hermits that had known something was 'off' about Tango, finally hearing what happened must have been a shock, for the ones that didn't know yet. And for Tango it must be nice to be able to tell it on his own terms, this time. He probably knew by now that the Hermits wouldn't abandon him after telling the truth, but having conformation must still feel great. It's also great that talking about it is becoming easier.

Alisker and xB are very sweet together. Very different from how they interact with other people. I admire Alisker's long term plan and how successfully it played out. He really made sure Atlas' damage stayed limited. I just wish his plans hadn't required for Tango to be locked in the farm in the first place.

I think it's a wise choice for Bravo to take some time for himself. Processing and healing from everything that happened can be nasty, and at those times it's nice not needing to mindful of others. At the same time, part of me is worried he's gonna overcorrect himself or close himself off. I'm not sure how excluded different worlds are, and how much contact players can have through the multi-net, but I hope that Bravo stays in contact with at least Timmy. It's sweet that Bravo clearly cares about Timmy's progress as well and that he regrets they both have to take different roads to heal.

The progress Timmy has already made is wonderful to see. Not only physically, he questions Bravo's decision to go and voices his discontent. Gently, but still. It feels like he's learning how to stand up for himself. Timmy himself really wanting to grow as a person is very promising, especially as someone who represents his counterparts (*checks external authors posts*) passiveness and victimhood.

Dbubs first appearance in the main story! His and Patho's relationship is both so warm and unhealty. I love complex people and I love complex people being even more complex together, and this story is full of them! I also love it every time when players are having that instinctual recognition at the proof of existence of their counterpart on page, whether is just the name or meeting face to face.

I wonder why exactly Patho wants to leave. It's not he didn't know about them having counterparts. Why does it suddenly matter? Is it because they visited Hells? Because they visited Hells together? Because of the recognition Patho felt? Or is it something else?

False, seriously? I don't think having someone chained up like an animal is keeping you in Tango's good graces. And you basically told him it could wait until he got back, while you're holding your twin prisoner! There might be something wrong with Sym, but what's wrong with you? It sounds like an interesting story, and I definitely have questions.

Poor Scáil. His suffering might actually surpass that of Tango in the farm. And if he's been like this since he left Hels Tek, it's been more than a decade, considering they never met. How did he become like this? I know it's related to Grian almost becoming a (full) Watcher, but this can't be how this is supposed to go. And even Grian has control of his abilities. Scáil using Grian's Watcher name makes me wonder how how much player vs Watches they actually are. Grian, please check in on your counterpart.

Stress' way of talking is always fun. Her and Doc's origin is cool. And I'm curious what your interpretation of the Hivemind is. Doc not having a Hels is a big relief, considering Doc himself already loves creating game-breaking machines. That trait would be terrifying on someone with a Hels mentality, let alone an amplified version of that trait. I understand why they are conflicted about it, though.

I'm glad we finally see Instinct in person. I like him and the vibe he gives off. Atlas working for him is amazing, how far he has fallen! I hope Instinct enjoys bossing him around.

Tango making the video about Hels and how to get there surprised me when I first read it, even though it makes sense. A lot of Hels players will probably change for the better because of it. It might also wreck the Hels economy. Overworld players could give their counterparts a way out, or provide them with resources that are easy to get in a normal world.

I have so many questions about it all. Can mobs travel through portals? How would it work when someone creates a portal in a creative world? Could they just spawn in rare items (elytra's or even things like spawn eggs) and bring them to Hels? Can counterparts create hacked portals when both of them are at different places in Hels? If so, that would create fast-travel. That would be especially valuable in such a giant world.

It would probably kind of sting for Bravo to see the video. Everything he needed to know and took him a decade to figure out, quickly explained in one video, uploaded not long after he finally escaped. Not that I think he woud disagree with uploading it, it's just, where was that when he needed it?

The idea of Bravo seeing Tango's video is interesting. Bravo could see all the videos Tango made while he was trapped in Hels. All the inventions and games (first Decked Out) that Tango created, all the projects he worked on with other Hermits. Tango could see the ones that Bravo made before they switched places. He could see how Bravo acted before Hels crushed him, the friends he had back in the day and how young he was when he got trapped. I wonder if they do that, and how it influences how they see each other.

It's very nice how you worked Steve, Herobrine and Alex in this universe. Does the Hels firewall being down also mean that overworld comms now work there properly? Herobrine being Hels former admin makes sense, as the first counterpart, though I hadn't expected it. It's nice that there won't be new player condemned to spawning in Hels.

The scene with Jimmy and Tango is just lovely. The cuffs and everything they stood for were so loaded for Tango. I'm glad he's finally able to take them off, and that Jimmy understood how much it meant for his soulmate.

I love how the last paragraph is inspired by the end credits poem. And I love how it both does and does not breaks the forth wall, and the things it explains. It's a nice touch that it's in-story explained by Aqua and Lunar.

-----

And that was it. For the main story anyway. I've also read the short stories from the Hels To Pay universe, but I leave that for another time. Maybe. I liked writing this but I've had enough for now. If you actually read all of this, you have my uttermost respect.

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skidtheperson · 5 months ago

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Will Finley be evil??

Some things I noticed about Indigo Park...

With the character designs, something I had noticed about them was that while Finley is one of the main people in the group with Rambley, Lloyd, and Mollie, strangely enough, he's the only one without white pupils.

In fact, the only other person who has them is Salem, who is speculated to be bad, or at least IS bad in the cartoon/games. Why would Finley share this small detail with the villain?

At first, I thought it was because eye color was too close to white, but that isn't the case with Salem. Her eyes are a vibrant pink, so white would be fine against it. Maybe Finley has a better chance at this explanation, but there's still OTHER similarities the two share.

They're the only two not really looking at the camera, looking instead to the right. They both have yellow tinted sclera, and are also the only two with rounded highlights in their eyes.

Along with this, there are things in the intro I at least haven't seen people point out.

Firstly, on a sticky note, although it's difficult to read, the words "Power in Park?" are written out.

This does align with the game, as somehow the park still has access to electricity and power, even after being shut down for 8 years. Why they'd keep supplying an empty and abandoned theme park with power is beyond me, but it could show that maybe someone is keeping the place running, or at least on.

Another thing I noticed is that when we're shown the Oceanic Oddesy poster, next to it is a sticky note with "Replaced?" on it.

This could mean multiple different things. Finley got replaced, Finley replaced someone, or there was a replacement of some sort with the mascots. Sone of these could be possible (with Finley being replaced the least possible since he's still here), and fans have already speculated a replacement did happen with Lloyd and Rambley.

This is a Finley post, so I'm not gonna go into detail about that, but you can find the multiple posts about that theory by yourself.

But anyways, Finley replacing someone could make sense on why he shares similarities to Salem. He could have been the right hand man to Salem, helping her out, but being more of a shy and quiet follower/minion before the creators decided to put him in the main gang, replacing someone else in the process.

Anything could have happened, but overall, I think all of this evidence could point to Finley being evil in this. Almost everyone else who has white eyes has been confirmed to be good (Example : Rambley being confirmed by UniqueGeese to not be an plot twist evil character, and UQ also confirmed Lloyd will be an important/good character), thus filled in/black eyes could be a sign the character shown will be a bad character in the future.

Anyways, that's my two cents about things no one else has pointed out yet. Thank you for coming to my TED talk.

#indigo park #rambley the raccoon #indigo park rambley #finley the sea serpent #indigo park finley #lloyd the lion #indigo park lloyd #mollie macaw #indigo park mollie macaw #salem the skunk #indigo park salem #theory #long post #indigo park chapter 1 #indigo park theory

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otakusheep15 · 10 months ago

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Ranking Hazbin Hotel Songs (S1)

I’m seeing people do this on TT, but I don’t like posting on there, so I’m posting my list here instead. Obvious warning, but these are my own personal opinions. I think all of the songs are absolute bangers, but there are some that are better than others, so keep that in mind.

16. Welcome to Heaven

Pretty much the general fandom consensus. It’s not a bad song, and I like Darren Criss as a singer, but it’s too short and doesn’t do a whole lot for the plot.

15. Finale

This might be a pretty hot take, but I’m not that big of a fan of the finale. There are some parts that I like individually, but as a whole song, it doesn’t do it for me. It’s still good though.

14. Hell’s Greatest Dad

I think this one is the one that’s gonna upset a lot of people, but I really don’t vibe with this one. No, it has nothing to do with Mimzy. In fact, I actually like her a lot, but that’s besides the point. I’m not a huge fan of talk singing, and that’s what both of Alestor’s songs are, so they aren’t going to be very high. Not even Jeremy Jordan can save this song.

13. Stayed Gone

Again, I’m just not big on talk singing. I like this one just a bit more because I like Christian Borle’s voice as a talk-singer just a bit more than Jeremy Jordan.

12. More Than Anything (Reprise)

This is a really cute song! I wish we had more Chaggie moments in the show, but I’m glad we got this. It would be much higher, but I don’t like how short it is.

11. It Starts With Sorry

Idk why so many people hate this song. It’s so cute! Charlie’s voice is so good, and I like the lesson Sir Pentious learns. It gives off children’s show song, but in a very good way.

10. Out for Love

Carmilla my beloved! I am obsessed with her. I like how she taught Vaggie in this song. Again, my only real problem with it is how short it is. Idk why they made some of their best songs so short, but I need a longer version.

9. Happy Day in Hell

I am a big fan of introduction songs in musicals, and this is a perfect example of why. It’s a nice way to see Hell, especially through the optimism of someone like Charlie. It’s silly and upbeat, and I like that a lot.

8. Poison

I love this song so much! Blake Roman did such a fantastic job with his performance as Angel. I’m not usually a big fan of this particular type of pop, which is why I have it a bit lower, but I think it fits well with what they were going for in writing this song. It’s absolutely perfect.

7. Whatever it Takes

I need these two to have another duet at some point. Their voices fit so well together. Both of their individual parts are also very solid. All around just a good song.

6. You Didn’t Know

I blast this song at least once a day. My fave part is Lute, and I wish we got more of her singing voice this season. Jessica Vosk is so talented, so I hope we get more in season two. Obviously, Charlie and Emily’s part is also amazing, and I like Sera’s parts as well.

5. Hell is Forever

Ah yes, my favorite Christian rock song. Seriously though, this song is so good. It’s most similar to the actual kind of music I listen to, so of course it’d be pretty high on this list. It’s a good intro to Adam and the angels in general, and it slaps.

4. Respectless

Velvette might actually be one of my favorite characters. She, for sure, has my favorite design of any character, and she might have my favorite female voice as well (tied with Lute). Also, she was so real for what she said to Carmilla. Her voice is just very fun to listen to.

3. More than Anything

Jeremy Jordan is the reason I live and breathe. His voice is literal honey. He and Erika Henningsen harmonizing has brought new meaning into my life. I may not have daddy issues, but I think this song healed them anyway. It’s so cute.

2. Ready for This

I’m a sucker for a good rally song, and this is exactly that. Cannibal Town is also my favorite location of any place we’ve seen, both in Hazbin and Hellava Boss, and I adore Rosie. The cannibals were very funny in this number, and I like that Charlie was able to gain some confidence.

1. Loser, Baby

I’m officially changing my brand to the #1 Huskerdust shipper ever. I’m so obsessed with them. This episode is tied for my favorite with Hello, Rosie! Keith David needs another song immediately, and so does Blake Roman. They sound so good together, and I can’t wait to hear more of them!

#Hazbin hotel #charlie morningstar #angel dust #alastor #vaggie #sir pentious #hazbin hotel lute #hazbin hotel adam #lucifer morningstar #carmilla carmine #hazbin hotel rosie #hazbin hotel husk #hazbin hotel vox #hazbin hotel velvette

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mulders-too-large-shirt · 6 months ago

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s2 episode 16 thoughts

damn. this was another episode i had to stretch out over TWO DAYS because a storm RUDELY interrupted me, but to say i was at the edge of my seat was an understatement. i was entirely invested. every beat was excellent. and most of my notes were asking the question: what is going on? so join me as i walk you through every single time i was confused (but in a good way)

so i read the synopsis and saw there was a mulder's sister mention........ interesting....

it opens with mulder monologuing about his quest in life to find the truth, and i'm into it, and then we see a helicopter... but it's HIM in the helicopter being medevaced?? so this monologue must be taking place at a later date? or is a sort of cosmic narration of his coma thoughts??

he is beat to hell and back and they are putting him in a TUB

scully bursts onto the scene and they try to be like "who are you" and she is NOT playing around, she's all "there's no time for this, a man is dying" queen.......

so he's still going on- either cosmically or in a sort of post-event narration- about "what happened on the ice" justifying his every belief. and also that he thinks that aliens are HERE and they are COLONIZING? which i feel is a bit of a jump. like aliens being a thing, okay, possible. colonizing earth? i mean, also possible, but like... don't they have better things to do?

they have him in the tub to prevent hypothermia but scully is yelling that THE COLD IS KEEPING HIM ALIVE and i'm wondering if she knows that because 1. it's obvious medical knowledge and she is simply out-doctoring these other doctors or 2. they're doing what you would normally do for a patient in these circumstances, but she knows there has been some sort of alien fuckery that needs to be addressed in a different manner

then, right as we hear that HIS HEART STOPPED, we get the little spooky song and the intro. my notes consisted of: HUH?? WHAT IS GOING ON??????

okay. jump back in time. two weeks earlier. yeah let's figure out what led up to this.

(i do get hooked when we jump right into the heart of the matter though. as a plot device i will be Sat for this convention sorry)

but my notes were still lingering on what i had just seen. first, that his face was broken as hell, and that makeup must have been unpleasant, and i can't imagine that being filmed being placed in a tub was much fun either

BUT, on the other hand, i think it's good that we're evening out the scales of each character almost dying. while he did get kidnapped in the s1 finale and almost die in the s2 premiere, scully's coma arc was a lot more dramatic, so it is good that it was his turn. we need to see them worried about each other in equal measure.

okay okay. back to the start of the episode. for real. two weeks before this whole ice bathing event, a ufo sort of thing crashed above a ship in the arctic. and the news is saying that a russian agent was rescued from a ship crash. because you can't just say it was a ufo.

cutscene to a women's health center in scranton. and my first thought was, please do not say we are gonna see some character come in with an alien pregnancy. and thankfully that is not where that went. because s2 is too early for that. work up to it a little bit, you know?

the doctor at the health center is watching the news, and he clearly recognizes the man they are shown being lifted from the crash. and he goes to run out the room.

oh? as soon as he escapes from the room.... he is being BEATEN by the dude he just saw on the tv. OH??? BIG NEEDLES???? foaming with green liquid??? the place is set on fire after that?? we have seen these needles with liquid used on aliens before....

dude, what's going on, i wrote in my notes... the girls are scared

okay, so here's what we have so far: three doctors who perform abortions have had their clinics set on fire, and their obituaries forwarded to mulder

(at this point, we see the credits which i'm used to ignoring, but this one has more names on it.... because DAVID wrote the story with MR. CARTER???? okayyyyy putting that yale degree to WORK!!!!!)

wait. we get visuals on the three newly deceased doctors. and they. all have the same face??? and no records on them at all.

they go to visit a suspect, who had a "have you seen this man" ad in his pocket for a local newspaper, so they go to that city and try to investigate

she thinks it's a setup because they have been given weirdly little information, and he thinks there are more doctors out there with the same face that need rescuing... lowkey agreeing with her but i know how these plot devices play out. so.

she's calling the number they gave her and serving looks on the phone, work, but a tip has been made that the next guy is in syracuse, so they're off on a new york road trip

an fbi agent is sent off to the scene, and we see the next same-faced doctor in syracuse, where he is talking with someone about "sharing the planet"... but. well. here's what my notes had to say:

"NOOOO MORE GOO... THE DOCTOR DISSOLVED AND THE BULLETS AREN'T DOING ANYTHING TO THE KILLER? BUT THE GAS IS KILLING THE AGENT... LIKE WE SAW IN THAT EPISODE WITH THE GUY WHO COULD GO UNDERWATER!!"

so we see the fbi agent is very dead, but then he comes right back on screen, and we are dealing with a shapeshifter!!!!! the dead guy has been placed in the trunk of a car with some funky markings on his face. using the likeness of the dead fbi agent, he tells our duo that there was nothing to see at the address they located. and the killer shapeshifts again, leaving me thinking about how cool being a shapeshifter would be.

cut to skinner cam, who has become something like a strange cousin to me. he is PISSED that mulder went on a side quest without his permission because an agent DIED but mulder is very confused because he talked to the agent and he was very much alive? (but it was actually the shapeshifter, of course) and for once mulder is too stunned to speak

scully is at hooooome checking her compuuuuter and she is wearing a flannel!!!!! yes casual wear let's hear it for comfortably scully!!! make some noise!!!

despite looking very comfortable she is not pleased because someone sent her a disturbing email, and she wants to know if mulder got one, too- it's another of the same faced doctors, and this one is in washington. right in their area!

on his way over to her apartment, we run into.... A NEW CHARACTER???? his name is ambrose chapel, and he is allegedly from the CIA... do we trust him? what was he doing outside her place.

they go into scully's apartment and i'm like, dude, we couldn't have done this in a place that wasn't her apartment? but well. why not welcome a strange man in there?

he's going on about the soviet union and the genetic anomalies from twins being studied and turned into clones, who will be used to sabotage the medical system. and all the clones- who are called gregors- are being systematically eliminated in exchange for the knowledge that created them.

pause. no i actually don't want to analyze the alleged soviet gregors who will somehow poison the medical system. i'm looking at scully's apartment. she must have moved back into DC after being reassigned from the academy. so is this the same apartment as her first one? i can't tell. this gregor stuff is complicated and i'm admiring the art on her walls- it looks like little watercolors or postcards of beach scenes. that's so sweet.

so it turns out that this ambrose chapel is the one that placed the ad they had called earlier, and he says the gregors are trying to reach mulder, and they need to work together to protect them, i guess. weird cross department alliance. i don't buy it.

scully is sitting on her couch looked confused as hell. me too girl i'm just trying to figure out if this is the same apartment from s1. sorry to the gregors.

we next see someone in a room full of green liquid that looks like those big tanks of lemonade at the mall. it appears to be a gregor. i imagine that this is NOT lemonade and is instead sustaining some sort of alien creature....

but now we're back with our agents and ambrose chapel visiting a new gregor in a hotel. when gregor opens the door, he is really scared of ambrose. and there's also another lady in the room with him who is hiding. things were going real rapid fire at this point. my notes were just a series of questions, or statements followed by question marks to express disbelief:

"gregor JUMPS OUT of the window but somehow GETS BACK UP? and now he's running away??? so we get a chase scene. WHO IS THIS AMBROSE FELLOW??? and why is there a lady in the room hiding behind a curtain???"

mulder is going after gregor on foot when he gets HIT BY A CAR????

but he says he's fine and tells scully to keep going. ambrose is stalking this gregor like a cat, and gregor has no choice but to climb something to escape.

but noooo!!! the shapeshifter is back!!! the shapeshifter WAS ambrose?? the gregors must be able to sense who the shapeshifter is.

"ambrose chapel" tells scully that the gregor got away, but she steps in some familiar green goo that indicates things are not looking great for our gregor, and he is likely gone. too soon.

"how are you feeling?", scully asks mulder. "like i should have taken the crosswalk", he says LMAOOOOOO

scully is pointing out the obvious: this ambrose fellow is sus as hell. "what happened to trust no one?" "oh, i changed it to trust everyone, i didn't tell you?" LMAOOOO this man cannot stop running his damn mouth

he's all, i ran a background check on ambrose, and he is totally clear, he's been working at the CIA for 17 years! and she asks so WHY, if he has been working here for 17 years, does he need OUR HELP? and also the gregor was CLEARLY running from him, and not us!

he accuses her of being paranoid which 1. kettle calling pot black and 2. rude as hell??? she is speaking total sense here

OHHHH THE GIRLS ARE FIGHTING!!! and again she is NOT wrong.

"you'll pursue a case at the expense of everything, to the point of insanity, and expect me to follow you. there has to be somewhere to draw the line" and is she wrong??? she does not get paid enough to deal with all of this, and he's endangering them... and he seems to just assume that she will do anything he asks of her.........

"if the pursuit of this case seems like insanity to you, feel free to step away from it" he says, in a way that is very judgemental and accusatory and not at all understanding of how wild this whole thing sounds. and i'm taken back to his opening monologue, how he was going on about the pursuit of the truth interfering with his relationships... exhibit a!!

she points out that SOMEONE DIED and he deflects by saying "those are the risks you take! you either accept them or you don't"

(now, when signing up for the fbi, i do not actually think "murder by alien" was on the risk of disclaimers signed so.)

((ugh he's pissing me off here. i get it, the bloodhound need to sniff out the truth without regard for anything else, let alone something as simple as safety. but could we maybe LISTEN to our partner???? just once????? GRRRR))

(also they keep calling ambrose chapel by his last name and its making me think of chappell roan, my beloved above all else. this is not very h-o-t t-o g-o of mulder to be ignoring scully's concerns)

despite the high levels of tension and voices being raised, she pulls out her shoe that had stepped in the alien gunk and shows him how it has been burned through. his eyes light up in fascination and he says we need to go get this tested now and also can you prepare an autopsy bay? we can't figure out how the agent in the syracuse situation died. and then HER EYES expand with childlike wonder and everything is momentarily right with the world again.

he comes down to the autopsy- perhaps as a form of apology for his earlier rudeness- and watches while she goes over the stuff. and everything looks normal except his blood was clotted somehow??

"skinner's gonna wanna know why you didn't file your report... what are you gonna say?" "just the truth. i got hit by a car!" LMAOOOO okay honesty king

(it was at this point i lost power and had to spend the rest of the night wondering what the hell was going to happen next until i could finish it the next day.... i truly deserve compensation for this happening twice in one week. what sick and twisted force is out there trying to keep me from running this blog, huh?!?!?)

okay we're back. mulder is going into skinner's office.

he must have came up with a report real fast, because he goes to give it to skinner, and he says he didn't call him to talk about that:

"your father has been trying to reach you. there's been a family emergency"

(proving once again that skinner is serving the same functions as a high school prinicpal)

he calls his dad, and his mom picks up... and he asks why she was at "dad's place".... MULDER CHILD OF DIVORCE CONFIRMED?!?!?

scully stops by his office with an address she found to go on, and he says you go there, and walks out. she asks where he's going and he said "home" and did not elaborate. and said nothing else.

(this pissed me off because RIGHT before scully was kidnapped, he had similarly made an abrupt exit on here and i thought that he would stop doing that and start saying a proper goodbye but no. he has not learned. ALWAYS say goodbye and tell your friends you love them when you leave- it is NOT negotiable!!!!!!)

she drives to the address and it is... very creepy... it's the room full of tanks that aren't lemonade but they look like it!!!!! and ambrose chapel (NOT to be confused with chappell roan!) is pushing the tanks over and stepping on the chunks of stuff that comes out of them... very gross...

scully calls mulder and asks him to please call back because she thinks she is in danger, and someone is following her, sitting outside her apartment, BUT HE IS BUSY!!! WITH FAMILY EMERGENCY!!! which she does not KNOW ABOUT because he DID NOT TELL HER!!!!

he arrives at his dad's place and i am not shocked that man is either from or has spent a significant amount of time in massachusetts, specifically martha's vineyard. like yeah. this isn't shocking to me. it just makes sense.

(although if that were the case, he'd be MUCH more obnoxious about the patriots and the red sox, and before he mentioned going to dodger's stadium and having a shirt from the new york knicks.... so what's the truth?!)

his dad is on the porch and is being kinda weird- do BOTH our agents have a strained relationship with their fathers? and his dad shakes his hand and it's Weird. but he sees his mom is talking to someone inside.

SISTER REVEAL??? it was the girl who was inside the house when the agents and ambrose showed up to find the gregor! AND i think it's the same girl that gave them the map back in binghamton... but i could be wrong?

in the morning he gives his mom a kiss and tucks her into bed. aww.

then he walks outside and it looks like he is either gonna start hyperventilating or crying, but his "sister" is on the porch and he goes over to talk to her- what do you say after 22 years?

she says she was returned around age 8 or 9, and placed with a family, and that she couldn't remember anything until doing some hypnotherapy a few years back, and the memories of her family and all of the horrific testing returned.

(and sorry i'm not buying it. idk it just doesn't seem to add up!!!!!)

but he's hugging her so it's probably best he can't hear me say that. my guess is someone is trying to distract him from the truth.

but, she already knows what is going on... she says a bounty hunter is after her "father" (which confuses mulder because... same dad?) but she corrects herself and says the man who adopted her is one of the gregors- and he is an alien- and they'll be after her soon, i guess for maybe knowing the truth?

at this point in the episode we begin a series of phone calls in which both parties repeatedly miss each other's calls and i was like whyyyyy. whyyyyy.

anyway scully is leaving. she's in a jacket and she's taking the bus and i love her so bad. she says where she is going on the phone but i assumed she was lying because it was in public.

and mulder's "sister" is saying that the hit man can disguise himself as anyone. so he's trying to reach scully, who is back at the site of the lemonade-looking alien tanks.

she pulls a lock picker out of her fanny pack because that is my baby.

and when she goes in all the alien stuff is smashed. she's looking at the alien meat on the floor. and she picks something up and. OH FUCK, i yelled at my screen. i hit pause SO FAST. she was holding a PULSATING ALIEN EMBRYO. but some guy is in the back!!!!!

she tries to get him to stop whatever it is he's doing but he says "you cannot hurt us" and then all of the remaining gregors with the same face are in the room!!!!!!

so she puts them in maximum security but the windows on the cars weren't blacked out and i feel that they should have been. and just as i make note of this we see the shapeshifter hit man... NO!!!

scully ACTUALLY goes to the motel she said she would, and they miss calls 2 MORE TIMES... i will start biting!!!!!

and back where the gregors are being watched, the guards switch, and a new fellow walks in... and i guessed it was the shapeshifter, and yes indeed it was, he busts out his needle that turns the gregors to acid....

there's a knock at scully's door at like 11:30 at night and she goes and gets it and it's mulder!!! where were you, she asks, when her phone starts ringing...

and who is on the other end but... mulder.........

no.... shapeshifter......

TO BE CONTINUED?????

ARGHHHHHHHHHHHHH.

this is so unfair because had the power NOT been knocked off i could have seen this episode yesterday and then part 2 tonight. but now i shall be forced to wait until TOMORROW to see what happens. soooooo evil.

i should have known we were gonna get another two-parter when we were halfway through the episode and still no mention was made of any ice. you know, the ice we began with?

anyway. i really really liked this episode. the pacing was great, as much as i complained about their argument i thought it was excellent conflict, we learn more about mulder, but i do not believe that is really his sister. sorry. and if it IS her i'll be forced to issue a formal apology but until then i remain doubtful. has anyone considered doing a blood test. this predates 23 and me.

aughhh i need to know how he ends up an ice cube!!!!!! and i will have to wait until tomorrow. and while i technically COULD watch part 2 tonight i want to have a real good bit of time dedicated to breaking it down

(i saw the episode after the next one is about zoo animals and i was like hell yeah this is what i love about this show. we get some heartbreaking alien infiltration content and then some possessed elephants)

((WAIT. ARE THEY REALLY GONNA GET TO GO TO THE ZOO??? LIKE I'VE ALWAYS DREAMED OF?? but it's a zoo of ANGRY animals so it's not even going to be relaxing??? this is SOOOOO unfair...))

#lowkey put him on for writing some more episodes... let the man cook #much to think about #scully in her flannel at her apartment with the beach scenes on the wall...#you can see why mulder yelling at her would make me so angry!!!#man this write up took me extra long because i had SO MUCH to say!!! that's what a good episode will do to ya #i worry sometimes i go a bit TOO play-by-play on these things. but i guess i make the rules here huh.#anyway. we are having fun. i am having fun. and today there were no storms so this was an improvement!!!#juni's x files liveblog #2x16 #the x files #txf

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multifandombullshitbabes · 7 months ago

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Random Merlin Rewatch: Where a random number generator gives me a season and an episode from BBC Merlin; and then I comment on it as I go.

Today's episode: Season 4 Episode 7 - The Secret Sharer

Before I start, let me just say and I have done my uni exam and that's why I haven't been posting these even though I really wanted to. Not joking, I had to let my fingers rest 'cause I wrote all my notes and shit. It was a lot. Anyways, let's fucking do this.

LET'S GO INTRO!!!! YOUNG MAN!!!!!!!!!!!!!!!!! WOOOOOH

EWWWWW WHY IS AGRAVAINE TOUCHING MORGANA LIKE THAT I'M GONNA PUKE BRO

Damn, Morgana's eyes are so GREEN, that makeup really does it for her. Kinda funny she's wearing it to bed though. Girl.

GOOD LORD MAMA, HELLO

Agravaine needs to chill the fuck out. Every time he's on screen he gives me the ick. Ugh. Also Morgana looked so damn paranoid talking about Emrys. "He knows everything. All our plans, all our secrets." Girl.... RIP Morgana you would've loved therapy (or not).

Ohhh... interesting Morgana's reaction to Agravaine's accusation of Gaius, saying that he's the ones working with Emrys. She almost looks... hurt? Like. She really doesn't want to face the reality that Gaius exists, in the sense that she's just so hurt by everything these people that "loved" her have done. She just feels so betrayed by everyone, so hurt, so ANGRY. It's so tragic.

Oh my GOD. I NEED PEOPLE TO STOP MANIPULATING MORGANA!!! I'M SICK OF IT!!!! The way she hesitates!!! When she knows that it means that they're going to use Gaius or maybe even kill him!!! The way that she moves away from Agravaine, processing this, the way he INTERRUPTS THIS and insists, again, that it has to be Gaius, they have to do something. And for a second she almost looks so fucking scared, like!!

LOOK AT HER!!! ANOTHER PERSON THAT'S BETRAYED HER!!! SHE'S SO HURT AND SCARED!!! OH GOD HER AND ARTHUR ARE SO SIMILAR.

She even blinks her eyes after that line from Agravaine, like blinking away tears, her eyes are so shiny bro, I'm gonna cry :((. And after blinking she turns all smirky and "evil" and shit. Jesus Christ. I could write a whole thesis about Morgana and her character progression holy shit.

LET'S GO MUSICCCCCCC

AHHHHHH the iconic breakfast in bed scene!!! Yay!!!

I don't blame Arthur for spitting that out, shit looked dry as FUCK. Also there's a bunch of crumbs on the bed, Merlin, YOU'LL have to clean that up!!! Don't give yourself more work!!

"I don't know anything about Polishing." We really need more appreciation about how Bradley delivers his lines, this one is just too funny, only hearing it, bro. Also. Merlin writes Arthur's speeches. One of the best pieces of canon in my opinion. It's just so comical, for some reason. And they must be good too, 'cause no one's questioning them. It's just such a subtle way to show that Merlin IS smart. Sometimes. A little bit.

Merlin, babe, you cannot be serious. You writing the new bible or something, what the fuck is this.

"You don't have hours." Most threatening and terrifying Merlin's ever sounded. Arthur's better than me, I would've have an anxiety attack so bad it'd send me straight to hell.

THIS INTRO IS EVERYTHING!!! WHY ARE THEY SAYING THINGS SO PERFECTLY SILLY!! I LOVE IT!!! Also, damn, Arthur's BUSY. I guess we do forget that kings had to, y'know. Do basically everything, like be a judge sometimes. Hello??

Ah yes, what I've been waiting for: the wrestling Arthur out of the bed scene. Love it. No notes, really.

"You're doing very well, Arthur." WHAT IF I CRY???

"I don't think so."???? ARTHUR WHAT IF I SMACK SOME SENSE INTO YOU, SHUT UP!!! YOU'RE DOING PRETTY GREAT IN MY OPINION, LISTEN TO YOUR MANSERVANT FOR ONCE.

A tiny bit of appreciation for Arthur's chest hair.

Thank you.

Love that Agravaine just. Ignores that it's Merlin writing Arthur's shit. He must have gotten such a shock right at the start and now nothing's surprising anymore.

The fact that Morgana, all in black, has a white horse is so fucking cool to me. Work that shit, queen.

OK GORGEOUS?????

Hate the way Agravaine speaks. Shut the FUCK UP.

Arthur. Arthur, honey. Yeah, you've got to stop being so easy to manipulate. I know it's hard, but your uncle is so fucking obvious doing it, please, please, just. Please. Holy shit.

Morgana's dress (cloak?? hood?? idk) is so pretty.

Morgana being the last of her kind, High Priestess of the Triple Goddess. Merlin being the last Dragonlord. Something something...

Also. Some obvious orientalism is this episode. Kinda icky, but unsurprising giving it's BBC and also like. 2011 or whatever. But still. Ugh.

Welp. Welp, welp. Can't really say much about that, can I??

I can't remember, but I'm assuming that bracelet she gives to the Catha is from Morgause, simply by the look of pain in her face when it's out of her grasp. Literally, when will my wife's suffering end?

I wonder just how many different kinds of magic beings and users there are in JUST the five kingdoms. What about the rest of the world?? Like. that's just so cool!! I love world building, maybe one day I'll waste away some days just building up lore and lore, probably some made up, but mostly from all cultures and countries. That would be cool as fuck actually.

Agravaine's smile is so FAKE, FUCK OFFFFFFF

Ew, why does he just touch everybody. Weird uncle vibes, for sure.

Oh, I just don't like how Arthur's so quiet. I bet Agravaine's just gotten in his head so bad. He already looks ready to cry, like Gaius has already betrayed him. He's so used to that, what's one more?

Jesus, this hurts to watch. The fact that Gaius knows exactly what's happening, and he's trying to be as truthful as he can but Agravaine's just. making it all worse and horrible. This is so bad.

Ok, Gaius, I know you're better at lying than this. Fucking damnit.

EW. Agravaine's little smirk?? What the fuck is wrong with him? Jesus, I feel so sick watching this, knowing that he's just basically sentenced Gaius as a liar!! Fuck!!!

Well, at least Arthur noticed that Agravaine was being a fucking bitch. Not all is lost.

"... we might find some (proof)." Oh, ok, so you're just admitting that you're going to fabricated evidence against Gaius? Oh ok.

JESUS THESE MAN'S TITTIES ARE JIGGLING GOOD LORD

OH MY GOD, NOT THE PECS FLEXING??? I'm assuming normally you don't see that when you're on a horse adjusting yourself 'cause you got clothes on but this guy DOESN'T and you can SEE EVERYTHING.

The way that Merlin opens the door is so funny. He is NOT amused to be called upon by Agravaine. Mood.

Why is Agravaine's smile literally so disgusting, I cannot.

EWWWWWWWWWWWWWWWW WHY DOES HE SMILE SO MUCH???? VERY MUCH WEIRD UNCLE VIBES. VERY MUCH "PUT SOME CLOTHES ON, YOUR UNCLE'S COMING." VIBES. EW. EW EW EWWWW

Love seeing Agravaine getting humbled, thank you big titty man.

Really? Really??? A book boldly proclaiming that it's about magic and sorcery, kinda hidden by one (1) sheet of paper as your proof? Really??? Are you for real right now?? Fuck off.

It is actually so upsetting seeing Agravaine in Merlin and Gaius's space. Like that's not for you, disgusting bitch.

Not Merlin finishing polishing the dagger and setting it on Arthur's nightstand JUST as the warning bells start to sound. Lol. Lmao even.

OH MY GOD THEY'RE DESTROYING GAIUS' SHIT??? WHAT THE FUCK

No no no. I hate this. The fact that Merlin now get's why Agravaine made him polish that dagger. He's fucking blaming himself right away, oh I can't do this.

Merlin literally looks like a baby in this shot, holy shit. My baby :(((.

Agravaine's acting (not the actor's, is the actor acting the character acting!! which is so fucking cool) is so fucking annoying. It's so obvious, dammit, Arthur, you're a king, how can you not see it!!! I know he's family, but you barely know him!!! I know he's from your mother's side and you want THAT side to be good unlike your father's side that's brought you so much pain, I know, but come ON!!!

Oh, Merlin's so mad, not at Arthur, at Agravaine and himself, but he's so hurt, so scared, so pained that it comes across as quietly, restrained angry, and it's fucking heart breaking.

Oh god. This is one of their most painful fights in my opinion. I think they get so fucking heart breaking when it's Merlin just. trying to show his side, trying to get Arthur to understand but Arthur just cannot because he's been given a certain information that WOULD make his actions sensible, but WE know they're lies!!! We do, Merlin does, but he can't just say that 'cause it might reveal HIS lie, and it's just UGH!!!!!!!!!! FUCK

MERLIN IS FUCKING TEARING UP I CAN'T. "He would not leave without saying goodbye to me." I AM GOING TO PUKE.

The way Merlin turns away when he's close to crying, ohhhhh. Oh BBC Merlin writers when I catch you. Colin Morgan when I catch you.

"I don't wanna lose another friend." I think these are the moments that really make me wanna chortle Arthur. I truly feel like he cannot understand the depth of the power that he has compared to Merlin. 'Cause what does that threat mean? Just them stop being friends but Merlin's still employed? Arthur sacking Merlin? Arthur treating Merlin how he's treating Gaius right now? Because, truthfully, with the power that Arthur has, any of these options is viable. I think this is what scares me, Arthur just cannot comprehend that he just cannot threaten his friends, his loved ones, like this just because he's king now. He simply cannot. The weight of it is different. Even if he would never hurt them, it doesn't matter, he has the POWER to. That's what's so scary. And then he wonders why Merlin doesn't tell him things. How can he?

The way things just. Change between the early seasons and now. The way Gaius talks to Morgana, knowing she wants to kill him, when he saw her grow up. I'm gonna be so fucking sick, y'all, what the fuck.

Does she braid some of her hair with leaves?? Or a green ribbon? What is that in her hair??

Not gonna lie, Morgana is so hot in this scene. Jesus. Love that voice, and that's all I'm gonna say.

HE LOOKS SO BABY!!!!!!!!!!1

I love that Gwen doesn't even question that Agravaine's behind it. She's like "I'll use my charms to get Arthur to see reason, don't worry bestie."

ICONICCCC GAIUS USING MAGIC!!!!!!!!

Oh, I love when Merlin doesn't even use words. Just golden eyes and BOOM. Magic.

MERLIN FOR FUCK'S SAKE BRO YOU CAN'T EVEN SNEAK OUT CORRECTLY WHAT THE FUCK!!!!!!!!!! That's so fucking funny though, I'm losing it-

GWAINE!!!! MY BABY!!! You look like a puppy :,).

Oop. Cock blocked.

Merlin is just in a fucking mood and honestly he deserves to be. But it is interesting how differently he acted with Gwaine and Gwen. I wonder if he's being shorter with Gwaine 'cause he's a knight now, and he knows that knights talk and are closer to the king's views than the servants. Classic class division and such, even if Gwaine is not like other knights. He just cannot be sure now. Also 'cause he almost got found out my Agravaine which does not good for your nerves I bet.

WOW. Gwaine, baby, STAND UP. Get some self-respect. Good god. At Merlin's back and call, it's really ridiculous bro.

Immediately on a secret mission, love these boys.

Not Agravaine seeing his plans fall apart, GET REKT LOSER.

I wonder if Morgana's a good cook. I think she isn't actually. Just never gets recipes right. Burns things, undercooks others.

Oh, poor Gaius... he really tried to fight it but...

It's really fun watching the series and recognizing common clips used in edits.

The way Gaius speaks about Merlin with such wonder and pride... crying rn.

LMAO NOT MERLIN JUST COMPLETELY TRIPPING BOTH OF THE GUY'S FEET. ALSO THE WAY THE CATH TURNED??? HELLO??? HE LOOKED LIKE A SQUIRREL.

"We should split up." "Yeah." two dumb bitches saying "exactlyyyy"

"If you find him, don't wait for me." Gwaine IMMEDIATELY disagreed with that, Merlin dearest, he's not gonna let that happen.

Oh my god, Morgana hasn't met Gwaine yet. All she knows, from Agravaine, is that he's a "hothead". Lmao. lol even.

I love how Agravaine, literal dagger to Gaius' neck, is disagreeing with Gwaine's very keen observation, that he's the kidnapper and traitor. Girl, shut the fuck up.

Gwaine is so handsome. Also, yes, not completely stupid because, if Agravaine didn't kidnap Gaius, how did he know where he was, hm?? Bitchass.

Jesus. Credit when credit's due, he can be a good liar. Also, I feel like Gwaine's acting like he believes Agravaine's innocent, mainly because he can sense something fishy about him. His question, "So you agree he was abducted then?" is so SMART. 'Cause what else can Agravaine do but agree and declare Gaius an innocent man? Yeah that's fucking right, bitch.

Morgana is literally so hot and tragic when evil, good lord.

UGH, Morgana using magic without words, YES!!! Love her being powerful.

Face card never declines for either one of them, good god. Y'know what, more and more I understand Mergana. Just. Look at them!!!

OH THE WAY MERLIN KNOWS THAT ALATOR KNOWS HE'S EMRYS. OH MY GOD?????

Oh jesus, the way Morgana's just RELIEVED to finally know who Emrys is, she's so scared of him she just doesn't want to be scared anymore. Her voice is so soft here :(.

HOLY FUCKING SHIT HE YEETED THE FUCK OUT OF MORGANA WHAT THE FUCK, WOAH!!!!!!!!1

Oh wow that scene just gave me chills, holy shit holy shit. The way Alator just kneels and allies himself to Merlin. Jesus Christ, that's my drug bro.

Gwaine and Arthur interacting. Gwaine being so soft about Gaius, so worried :(. Arthur too :(((.

I really do love how royals just think the servants can't fucking hear. Gwen is right there as they speak very sensitive matters. Like bitch?? They have ears I promise??

The way Gaius and Merlin communicate their fears and anxieties :((( I'm so emotional bro.

"My worry is Arthur." and THOSE are your loyalties, while Alator and other's loyalties are to YOU, Merlin, 'cause you're supposed to bring forth Albion, but you're too busy having a fucking CRUSH TO DO IT!!!!!!!!!!

Oh, the way Arthur walks into the room and Merlin cannot even BEAR to look at him. He's HURT. As is his right.

The way Merlin immediately lightens the mood, 'cause he wants things to be easy as possible, even if it gets hurts swept under the rug like this. UGH. AGHHHHHHHHH.

Boys. Stop eye fucking. You're supposed to at least be a little mad at him, Merlin, you kinda deserve that, y'know.

Love that Arthur believes without a doubt that Gaius withstood torture for him and Camelot and won. Like. He truly sees Gaius as this strong figure. Just always there since he was born, bro. Even before, while he was being made!! That's bonkers.

I love how Arthur understood Gaius' lied even though Agravaine talks in the "evil manipulative guy" voice all the time. Fuck off bro, I swear.

The Gaius is trying to teach Arthur to understand the complexities of magic, that it's all evil or all good, it's all different. I love this scene so much.

Pretty boy.

And that is it!!! God, what an episode!! I feel like this episode is a good starting point for a show rewrite, in which Arthur gets more and more curious about magic and tries to understand, and maybe we'd get a magic reveal and shit like. I like that a lot.

#bbc merlin #merlin #arthur pendragon #gaius #morgana pendragon #hey look i posted a thing #Merlin Random Rewatch #good ass episode

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dumbistsmartass · 8 months ago

Text

saying something about every hatchetfield production

spoilers, some nonsense, zero consistency with what I talk about, hurriedly written text, and back Cinderella’s Castle, QUICKLY, the kickstarter ends on May 4th. Also I mostly won’t be talking about the message to take away from all of them because I plan to make that another post.

TGWDLM: the catalyst of it all, it set up many fan favorite characters. Also my personal interpretation is that the musical we watch is actually happening in canon and is being put on by Pokky/Paul. Also how much of someone’s personality remain after infection?

Black Friday: it does pretty good as our first (true) intro to the LiBs it works very well. We get more General Macnmara who quickly becomes one of my favs. It also adds a lot of my other favs to the Hatchetverse, Hanna, Lex, Ethan, and Tom

NPMD: probably my favorite of the mainline musicals. I really hate Dirty Girl tho. The musical version of Hatchet Town is better than the OST version. The characters all have really good chemistry. I love Grace as a warning about the consequences of using religion as a fear tactic, when she sinned and wasn’t instantly punished for it she decided to take matters into her own hands and became a bloodthirsty maniac. The fact we got so close to a good ending if Max hadn’t fallen is darkly funny.

Hatchetfield Apeman: I don’t know how to feel about this one, it’s an interesting story but I think shouldn’t have been the first nightmare time story as it set a bad precedent for a lot of people.

Watcher World: I FUCKING LOVE WATCHER WORLD. The horror buildup of “what the fuck is happening here?” was genuinely amazing. The idea of a paranormal amusement part made for the amusement of an elder god id so cool. I feel uncomfortable saying the work “Sniglet”

Forever and always: one of my favs, the mystery of the two Emma’s is amazing, and the twist of which Emma Paul chose is amazing. It does make me wonder tho, is Emma a robot in every timeline? Also im just gonna assume that Tinky is connected to this one.

Time Bastered: another of my favs, the way it connects with FaA and the very clever time travel writing were highlights. The Ted is The Homeless Guy twist is really clever, and the ending is tragic

Jane’s a Car: holy shit my opinions on this one is so mixed. I love the bonding of Becky, Tom, and Tim is so wholesome. I REALLY hate that scene. Also is Jane turned into a car in every universe?

The Witch in the Web: our true into too Webby. Massive lore dumbs sort of weighted it down for me but it was still good.

Honey Queen: god I love this one. The fact that the LiBs aren’t mentioned until the very end was a really good choice. Both Zoey and Linda going to any length to win was some great tension.

Perky’s Buds: I went into this one expecting it to be kinda mid, and I was right but it was on the high end of mid. Ziggy being NB and played by a real NB actor is great! The bird hive mind is genuinely kinda unnerving despite how cute they are. I personally think they should have died, then content on the rooftop with the fire would have been such a good ending, but the police showing up to arrest them packs less of a punch.

Abstinence Camp: again, one of my favs, I fucking love this one and it also has the best Nightmare Timr song. It’s a fun way of exploring the “if you have sex in a horror movie you die” trope. Grace once again gets some sort of power and abuses it.

Daddy: I have mixed feelings, it’s a genuinely interesting plot but it get pretty uncomfortable. The song at the start made me think it would be a more empathetic take on Sherman Young but it definitely fucking wasn’t.

Killer Track: what is there to say? Killer track is actually so fucking amazing, if you will watch anything from this list watch this. I’m saying nothing else

Yellow Jacket: not at all what I was expecting, but it was great! From what I heard I was sort of expecting a high school drama with Pokky doing his bullshit in the background, but I loved this too. Also the ending hurt me.

Workin’ Boys: Pokky strikes again, but I’m not sure why TBH. Motherfucker just decided to fuck with his one most loyal subject and for what?

#hatchetfeild #hatchetverse #the guy who didn't like musicals #black friday #nerdy prudes must die #lords in black #nightmare time #nightmare time 2 #workin’ boys #team starkid #star kid #starkid #tem star kid

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icegirl2772 · 7 months ago

Text

My Intro and Fics

Note: This will be edited as I continue working on my stories.

I've been lurking on Tumblr on and off for years now. But I've been getting more active on here that I've really gotten back into writing fanfiction. So, it may seem silly, but I felt an intro was in order.

I'm IceGirl2772. You can call me Ice or Icey. I've been writing fanfiction since I was 10 or 11. If you look at my FFN stuff... be prepared for the cringe. But nowadays, I am much more active on AO3.

Here is my profile link (AO3). Since the post is gonna be lengthy, as I provide a bit of background for the fandoms I write for and the stories I have, I'm adding a Read More. But in short, I write for the following fandoms (in alphabetical order): Big Time Rush (TV Series), CSI: Crime Scene Investigation, Criminal Case (video game), Harry Potter, Hawaii Five-0 (2010 series), Loonatics Unleashed, Teenage Mutant Ninja Turtles (2012 series), Thunderbirds (1965 series) and Transformers: Prime. Everything is fandom blind friendly.

Just a fair warning: I list a lot of the tags my fics have, and a few of them are NSFW. I'm also gonna be updating this as I go, so it's subject to constant change.

I'm gonna do my fandoms in alphabetical order for simplicity's sake.

Big Time Rush

I have four fics in this fandom to date:

Take a Shot in the Dark | Teen and Up | No Archive Warnings Apply | James Diamond/Original Female Character, Background Kendall Knight/Jo Taylor, Background Logan Mitchell/Camille Roberts, Brief Original Male Character/Original Female Character | Kendall Knight, Kaelyn Knight (OC), James Diamond, Logan Mitchell, Carlos Garcia, Katie Knight, Gustavo Rocque, Kelly Wainwright, Palm Woods Kids, Jennifer Knight | Kendall Has a Twin Sister, Songwriting, Childhood Friends, Male-Female Friendship, Childhood Friends to Lovers, Chaos, Other Additional Tags to Be Added | 17/29 Chapters | 133k Words | WIP

She was always along for the ride. The twin sister. The best friend. But now, Kaelyn Knight was about to become the heart and soul of Big Time Rush as Gustavo takes her under his wing.

Going to Hollywood is certain to change the boys. But how will it change Kaelyn?

This fic holds a special place in my heart because I went back and forth on this idea for years, and it was actually through some of the friends I met here on Tumblr that I got the courage to post it. So... thanks.

Better Than Neil | Teen and Up | No Archive Warnings Apply | James Diamond/Original Female Character | James Diamond, Kaelyn Knight (OC), Original Male Character(s), Background & Cameo Characters | Teen Romance, Teenagers, Can Be Read Standalone, Snippets, Not Beta Read, One Shot, Fade to Black (kinda), James Diamond is Actually a Great Boyfriend | 1.4k Words | Complete

Kaelyn thinks of all the ways James is a better boyfriend than her ex.

aka an idea that would not leave me alone. :P I also wanted to gift this to @myloveforhergoeson because she's been a massive support to me as I write Take a Shot in the Dark. Thanks for everything, mate. :)

We Do (But Friends Don't) | Explicit | Underage | James Diamond/Original Female Character | James Knight, Kaelyn Knight (OC), Kendall Knight, Carlos Garcia, Logan Mitchell, Jennifer Knight, Gustavo Rocque, Kelly Wainwright, Palm Woods Kids | Horny Teenagers, Adolescent Sexuality, Teenagers Having Sex, First Time, Safe Sex, Multiple Sex Positions, Multiple Orgasms, Blow Jobs, Oral Sex, Jealous James Diamond, Friends with Benefits, Idiots in Love, Characters Are 16 Years Old, Other Additional Tags to Be Added, Might Be Out of Character | 4/24 Chapters | 15k Words | WIP

Neither of them meant for this to happen. For James Diamond and Kaelyn Knight, the rules were clear. It was meant to be just sex. They were best friends first and foremost. It would stay between them. No feelings.

But neither of them considered the feelings that were already there.

Yet another idea that wouldn't leave me alone. I was about to let this idea wither away and die, but I met some... very corrupting influences. (You know who you are. ;)) And here we are. Special shoutout to @partiallypearl for helping me with the title. :)

It's a Wonderful Life | General Audiences | No Archive Warnings Apply | Kendall Knight/Lucy Stone | Kendall Knight, Lucy Stone | Christmas, Christmas Fluff, Cuteness Overload, Big Time Secret Santa 2024, Cross-Posted on Tumblr, Limited Dialogue, I've Softened Lucy with Age, Just a Whole Bunch of Kucy Cuteness, My First Work for This Pairing | 1.2k Words | Complete

One Christmas Eve, Lucy reflects on how much her life has changed since first moving to Hollywood, and just how wonderful it is.

This was my entry in the @bigtimesecretsanta and I was assigned @partiallypearl. Still hope you loved this, mate. :)

Planned Fics in This Fandom:

First Sequel to Take a Shot in the Dark - takes place during Season 2 of Big Time Rush

Second Sequel to Take a Shot in the Dark - takes place during Big Time Movie

Third Sequel to Take a Shot in the Dark - takes place during Seasons 3 and 4 of Big Time Rush

Odd one-shots

My Secret Santa gift (which I am keeping under wraps ;))

CSI: Crime Scene Investigation

I only have one fic in this fandom to date:

Butterfly | Teen and Up | Creator Chose Not to Use Archive Warnings | Past Nick Stokes/Original Female Character | Nick Stokes, Kadelyn 'Kady' Stokes (OC), Original Characters, Warrick Brown, Gil Grissom, Catherine Willows, Sara Side, Greg Sanders, Jim Brass | Nick Stokes Whump, Nick Stokes as a Single Father, Father-Daughter Relationship, Family Feels, Family Bonding, Season/Series 01, Past Character Death, Other Additional Tags to Be Added | 8/24 Chapters | 12k Words | WIP

There was no denying the life of a CSI is a hard one. Different horrors every night shift. Different monsters emerging from the shadows. Always a new crime - some more horrific than others. Nick Stokes has always been one of the most empathetic CSIs, so he was often one of the most affected on the night shift.

But then, he thinks of a little girl waiting for him at home, and remembers his determination to make the world a better place for her. For his daughter. For Kadelyn. And the weight of the world is instantly lifted off his shoulders when he says two words: 'Hey, butterfly.'

This fic is a rewrite of a very old, very cringey fic I had up on my FFN. All of the chapters are very short and focus on a moment between Nick and his young daughter before, during or after an episode.

Planned Fics for This Fandom:

Stories of a similar vain to this one - all focusing on each season of the show. All named after butterfly in different languages.

Criminal Case (video game)

(There's literally no GIF for the fandom)

I have four fics in this fandom to date:

The Adventures of Avery Samuels: Welcome to Grimsborough | Mature | Graphic Depictions of Violence, Major Character Death | David Jones/Player Character | Avery Samuels (Player Character substitute), David Jones, Samuel King, Nathan Pandit, Grace Delaney, Alex Turner, Eduardo Ramirez | Season 1: Grimsborough, Police Procedural, POV First Person, Co-Workers to Lovers, Male-Female Friendship, Friends to Lovers, Minor Character Death, Canon-Typical Violence, Miscarriage, Implied Sexual Content, Innuendo, Suicide, Bombs, Implied/Referenced Drug Use, Heteroromantic Bisexual Character, Implied/Referenced Cannibalism, Implied/Referenced Torture, Racism, Past Character Death, Death of a Child (referenced), Implied/Referenced Domestic Violence, Sad Ending, Other Additional Tags to Be Added | 74/122 Chapters | 612k Words | WIP

After completing her education at the police academy, Avery Samuels is ready for her career as a police officer in the Grimsborough Police Department to begin. She is assigned to work with David Jones, her older brother's childhood best friend. How will things unfold between the two of them as Avery navigates her new job and her new life?

This is something I originally wrote on Wattpad, and I wanted to save it when I deactivated my Wattpad account. So, I transferred it to AO3 and kept it going. It is certainly going to be a wild ride.

Nothing For You Here | Teen and Up | Past David Jones/Charlotte Jones, Brief David Jones/Player Character at the End | David Jones, Charlotte Jones, Background Original Character, Cameo from Player Character at the End | Set After the Conspiracy, Regrets, Rejection, Whumptober 2024, r/FanfictionExchange, Rated T Because This Author is Paranoid About Ratings | 2.6 Words | Complete

Charlotte had always feared rejection. It was why she waited this long to go to Jones and tell him she wanted him back. But even if a small part of her was prepared for the rejection, it didn't make it hurt any less.

r/FanfictionExchange Whumptober 2024 Fic. Prompt: Rejection

I'm taking part in the r/FanfictionExchange -tober fest because I wanted to challenge myself. I'm doing four one-shots responding to Whump, Fluff, Kink and OC. This is my Whump Entry.

Something Right | Explicit | David Jones/Player Character | David Jones, Avery Samuels (OC/Player Character) | POV First Person, Porn with Feelings, Porn with Plot, Oral Sex, Couch Sex, Penis in Vagina Sex, Missionary Sex, Friends to Lovers, My First Attempt at First Person POV Smut, Female Perspective, r/FanfictionExchange, OCTober 2024 | 4.5k Words | Complete

When Avery comes home from a trip, she wonders if she did something wrong leaving Jones with easy access to her journals to tell him what she couldn't. But she finds that she did something right.

AKA when Jones and Avery would finally get together if The Adventures of Avery Samuels unfolded differently.

r/FanfictionExchange OCtober 2024 fic. Prompt: Friends to Lovers

I'm taking part in the r/FanfictionExchange -tober fest because I wanted to challenge myself. I'm doing four one-shots responding to Whump, Fluff, Kink and OC. This is my OC Entry.

Welcome to the Rest of Your Life, David Jones | Not Rated (TBD) | David Jones/Player Character | David Jones, Avery Samuels (OC/Player Character) | Minor Character Death, POV First Person, Friends to Lovers, Retelling of a Story Through Someone Else's Eyes, Rating To Be Determined, Other Additional Tags to Be Added | 1 Chapter | 7.1k Words | In Progress

It was meant to be a punishment. At least, that was how Chief King had described being assigned a rookie officer to David Jones. But then, he walked into the office and saw not a punishment, but the beginning of the rest of his life.

Or 'The Adventures of Avery Samuels: Welcome to Grimsborough' told from Jones' POV.

This was something I was toying with for a while now, and I just finally decided to take the plunge. Besides, I had a lot of fun doing the couple of chapters from Jones' POV. So, I thought to myself, 'Why not?'

Properly Improper | Explicit | Arthur Wright/Player Character | Arthur Wright, Emily Campbell (OC/Player Character) | 1890s, Season 4: Mysteries of the Past (Criminal Case), Older Man/Younger Woman, Office Sex, Alternate History, Somewhat Quickie, Not Beta Read, The Author Regrets Everything | 3.3k Words | Complete

Alone in the chief’s office aboard the airship, the usually uptight Chief Arthur Wright finds it can be fun to be properly improper with his young bride.

This is me making a very interesting introduction to my new Criminal Case OC. This is Emily Campbell, and she is Avery’s ancestor. I’m setting her up for when I start writing a fanfiction for Mysteries of the Past. I was planning to wait until I finish Avery’s story in World Edition, but I could end up bringing it forward because I’ve basically got everything set in stone for the whole series. I’ll decide in the New Year. :)

Planned Fics for This Fandom:

The Adventures of Avery Samuels: Welcome to Pacific Bay - Title subject to change. Sequel to Welcome to Grimsborough. Follows Avery in Pacific Bay.

The Adventures of Avery Samuels: Save the World - Title subject to change. Sequel to Grimsborough and Pacific Bay. Follows Avery during her tenure in the Bureau.

Mysteries of the Past: The Adventures of Emily Campbell - Spin-off focusing on Avery's ancestor Emily Campbell as she moves from England to Concordia. Based on Season 4 of Criminal Case.

The Adventures of Avery Samuels: A Final Conspiracy - Follows Avery as she returns to Grimsborough. Will be the final story in the series. (I'm not doing Seasons 6-8.)

Some one-shots of varying ratings.

Harry Potter

I have two works in this fandom:

Just a Man | Teen and Up | Creator Chose Not to Use Archive Warnings | No Romantic Relationships | Unnamed Hufflepuff Student, Background & Cameo Characters, Various Characters Mentioned But Not Seen | Voldemort Dies, Past Character Death, Second Wizarding War with Voldemort, Battle of Hogwarts Aftermath, More Book Than Film Based, POV First Person | 575 Words | Complete

The thoughts of an unidentified Hufflepuff student in the immediate aftermath of the Battle of Hogwarts.

This is my very first work in the Harry Potter fandom. I'm a Hufflepuff, so this was born out of me wanting to shine a bit more of a spotlight on the house.

It was a question that many Hogwarts students asked, regardless of whether they were planed in Gryffindor or another house. It was certainly asked as the dark days loomed. When certain events brought that question to the forefront more than ever.

What did it mean to be brave?

I wrote this thinking of a message by a local antibullying organisation: Speak - even if your voice shakes.

Planned Fics for This Fandom:

My plans are very fluid. I am hoping to write more one-shots. I don't see myself writing a mutli-chaptered story in this fandom.

Hawaii Five-0 (2010 series)

I only have one fic in this fandom to date:

Snow Angels | Explicit | No Archive Warnings Apply | Danny "Danno" Williams/Original Female Character(s) | Danny "Danno" Williams, Felicity "Flick" McGarrett (OC) | Winterfest 2024, Cabin Fic, Snow, Smut, Danno Loves HIs Wife, McGarrett Sister OC, Oral Sex, Sex in Front of a Fireplace, Penis in Vagina Sex, My First Work in This Fandom, Not Beta Read, No ConCrit Please, Possibly Out of Character, r/FanfictionExchange, Orgasm Denial, Fluffy Ending | 5.4k Words | Complete

Recalling how his wife has never seen snow, Danny decides to see if he can turn his beach girl into a snow angel.

AKA Snow. Cabin. Smut.

Written for r/FanfictionExchange Winterfest 2024-25.

I wrote this for a fest that is currently being run on the r/FanfictionExchange subreddit. I decided to do a thing involving snow, cabin and smut. As it says in the summary. I've been toying with the idea for a while of doing a series of fics involving Danno falling in love with my OC, aka Steve's sister. Saw this as an opportunity to get that off the ground.

Planned Fics for This Fandom:

My plans are very fluid, but I'll definitely be coming back to Felicity "Flick" McGarrett down the road.

Loonatics Unleashed

I have two fics in this fandom so far:

A Million Things | Teen and Up | Creator Chose Not to Use Archive Warnings | No Romantic Relationships | Ace Bunny, Brylee Bunny (OC), Lexi Bunny, Danger Duck, Slam Tasmanian, Tech E. Coyote, Rev Runner, Zadavia, Various Character(s) | Childbirth, Character Adopted at Birth, Interspecies Family, Found Family, Ace Bunny as a Big Brother, Diabetes, Menstruation, Coming-of-Age, Canon-Typical Violence, Bullying, Other Additional Tags to Be Added | 21/27 Chapters | 110k Words | WIP

Brylee Bunny is a million things. An orphan. A teenage girl. An aspiring photographer. A diabetic. An outcast. A... superhero? Brylee is thrust into her new life: a life where she has superpowers and she, along with her adoptive brother Ace and five other individuals, save the world from evil on a daily basis. How will she adapt to her new life as a superhero? Especially when it brings up even more questions about the family who abandoned her at birth?

I started writing this on FFN several years ago and decided to bring it over to AO3 when I decided to make AO3 my main fanfic site.

After certain events unfolded (re: defeating your boss's evil brother), Brylee decided that two certain bunnies need to pull their heads out and tell each other how they feel.

r/FanfictionExchange Flufftober 2024 Fic. Prompt: Love Confessions

I'm taking part in the r/FanfictionExchange -tober fest because I wanted to challenge myself. I'm doing four one-shots responding to Whump, Fluff, Kink and OC. This is my Fluff Entry, and I decided to use this opportunity to pay tribute to my original OTP.

Planned Fics for This Fandom:

A Million and One Things - Sequel to A Million Things. Follows Brylee during the events of season two.

A Million More Things - Sequel to A Million Things and A Million and One Things. The final story in the Brylee Bunny trilogy.

Teenage Mutant Ninja Turtles (2012 series)

I have three fics in this fandom so far:

In the Darkness | Teen and Up | Creator Chose Not to Use Archive Warnings | Leonardo/Original Female Character | Leonardo, Alina Herber (OC), Raphael, Donatello, Michelangelo, Hamato Yoshi / Splinter, April O'Neil | Canon-Typical Violence, Interspecies Relationship, Interspecies Romance, Implied/Referenced Child Abuse, Child Abuse, Child Neglect, Other Additional Tags to Be Added | 19 Chapters | 84k Words | WIP

They introduced her to their world, now she can introduce them to hers.

What can possibly go wrong?

Something I started writing eight years ago and originally got abandoned, but renewed interest thanks to review exchanges on Reddit (along with rewatching the show) got me back into this.

Mine | Explicit | No Archive Warnings Apply | Leonardo/Original Female Character | Leonardo, Alina Herber (OC) | Mating Cycles/In Heat, Porn, Knifeplay, Aged-Up Characters, Leo in Heat, Yeah I'm Doing My Own Take on This, Interspecies Relationship(s), Interspecies Sex, Oral Sex, Multiple Sex Positions, Multiple Orgasms, Does This Count As Rough Sex?, Characters Are 18 Years Old, Pussy Slapping, My First Attempt at Interspecies Sex, First Time, Light BDSM, dom!leo, I'm Bad at Tagging, No Concrit Please | 4.6k Words | Complete

Usually, Alina stayed away when the Turtles were in heat. Well, at least from Leo, who was most affected by her presence. That changed in their eighteenth year.

Same ol' story. An idea wouldn't leave me alone. Met some bad influences who encouraged this. I wanted to see if this was something I could explore down the line in my current Leo/Alina series, so this also served as a... test balloon of sorts.

Leo and Alina sequester themselves away from the world as they work through Leo's heat together, making some surprising discoveries about each other.

Somewhat sequel to 'Mine', but can be read standalone.

r/FanfictionExchange Kinktober 2024 Fix. Prompt: Praise Kink.

I'm taking part in the r/FanfictionExchange -tober fest because I wanted to challenge myself. I'm doing four one-shots responding to Whump, Fluff, Kink and OC. This is my Kink Entry, and I decided to use this opportunity to do a somewhat sequel to Mine.

Planned Fics in This Fandom:

First In the Darkness Sequel - follows season 2 of TMNT 2012

Second In the Darkness Sequel - follows season 3 of TMNT 2012

Third In the Darkness Sequel - follows first half of season 4 of TMNT 2012

Fourth In the Darkness Sequel - follows second half of season 4 of TMNT 2012

Fifth In the Darkness Sequel - follows some of season 5 of TMNT

Potential for various one-shots focusing on Leo and Alina

Thunderbirds (1965 series)

I have six stories in this fandom. It's by far my most active:

The Thunderbird and the Doctor | Mature | Graphic Descriptions of Violence | Scott Tracy/Original Female Character, Background Alan Tracy/Tin-Tin Kyrano, Background Virgil Tracy/Original Female Character | Scott Tracy, Tracy Family, Indiana Evans (OC) | Based on Original Series, Scott Needs Some Loving, They Need a Doctor, Implied/Referenced Child Abuse, Narcissism, Angst and Romance, Angst with a Happy Ending, Attempted Murder, Kidnapping, Birth Control (one chapter), Pregnancy, Brief Descriptions of Labour | 50/50 Chapters | 292k Words | Complete

There was a missing component to International Rescue, Jeff Tracy felt. They needed a doctor. So, he found one. Dr. Indiana Evans was one of the best-known trauma surgeons. She wants to make a difference. Little did she know how much her life would change along the way.

This baby was what got me back into fanfiction writing full time. So, seeing this complete felt very bittersweet. In many ways, it's my first baby.

The Thunderbird and the Doctor After Dark | Explicit | No Archive Warnings Apply | Scott Tracy/Original Female Character | Scott Tracy, Indiana Evans (OC) | Porn, Porn with Feelings, Some Plot, Blow Jobs, Oral Sex, One Shot Collection, Additional Warnings in Author's Note, Unprotected Sex, Masturbation, Multiple Sex Positions, Hand Jobs, No Dialogue (some chapters), Cunnilingus, Mutual Masturbation, Medical Kink, Sexual Roleplay, 5+1 Things, Cockblocking, This Author Sucks at Dirty Talk, Temperature Play, Restraints, Blindfolds, Aftercare, Bathtub Sex, Light BDSM, Couch Sex, Birthday Sex | 23/25 Chapters | 55k Words | WIP

The missing scenes from The Thunderbird and the Doctor. What exactly do Scott and Indiana get up to behind closed doors?

This is my smut collection. It's the missing sex scenes from the main story, but you can read it without reading the main story. Especially if you're just looking for some smut.

The Thunderbird and the Geologist | Teen and Up | Creator Chose Not to Use Archive Warnings | Virgil Tracy/Original Female Character, Background Scott Tracy/Original Female Character, Background Alan Tracy/Tin-Tin Kyrano | Virgil Tracy, Arizona Adams (OC), Tracy Family | Sequel, References to Previous Story, Past Character Death, Falling in Love, Happy Ending, Might Contain Inaccuracies, Child of Death Adults (CODA), American Sign Language, Other Additional Tags to Be Added | 8 Chapters | 25k Words | WIP

Sequel to 'The Thunderbird and the Doctor'.

We saw Scott find his missing piece. How about Virgil? It was pure fate that saw Virgil meeting Dr. Arizona Adams, a world-renowned geologist who also happens to be Indiana's childhood best friend. Will their road to happily ever after be smooth sailing?

This is the second story in a series I'm planning focusing on each Tracy brother and their love story. It's early days, but I'm happy with it so far.

Jeff reflects on the sacrifices he's asking his sons to make for his dreams, and is resolved to do what he can to rectify that.

I wrote this one-shot on a plane trip actually (personal note: never write on an iPad again). I actually posted it on the anniversary I started posting The Thunderbird and the Doctor, which made it even more special.

A Tropical White Christmas | General Audiences | No Archive Warnings Apply | Tracy Family, Original Characters, Penelope Creighton-Ward, Tin-Tin Kyrano, Background & Cameo Characters | Christmas, Christmas Fluff, Snowball Fight, Snow on a Tropical Island, References to Canon, Pregnant Character | 1.5k Words | Complete

Brains had given the Tracy family a great gift this Christmas. One they were determined to make use of.

This is written in reference to the Thunderbirds episode Give or Take a Million, where Brains made it snow on Tracy Island. So, the boys enjoy it the old-fashioned way. This was written as part of the Winter Fest on the FanfictionExchange subreddit and gifted to @kristylime, a good friend of mine and co-mod who gave me the idea. Thanks, mate.

Two people experiencing an unlucky day meet at a train station, and their day looks up.

I wrote this in response to the Fate and Luck Fest on the FanfictionExchange subreddit.

Planned Fics in This Fandom:

The Thunderbird and the Photographer - Gordon's love story with photographer Mirabel Marks.

The Thunderbird and the Author - John's love story with author Adalyn Rowe.

The Thunderbird and His Sweetheart - Alan's love story with Tin-Tin

Odd one-shots

Not in this fandom, but I am thinking of doing a fic based on the reboot with a new OC, but similar to The Thunderbird and the Doctor

Transformers: Prime

I have two fics in this fandom:

Save You | Explicit | Graphic Descriptions of Violence | Jack Darby/Original Female Character, Optimus Prime/Arcee | Talida Prime, Jack Darby, Optimus Prime, Arcee, Ratchet, Cliffjumper, Bumblebee, Bulkhead, William Fowler, Starscream, Decepticons | Kidnapping, Torture, Teen Romance, Rewrite, Amputation, Aftermath of Torture, Psychological Torture, Implied Sexual Content, Pre-Canon, Might Contain Medical Inaccuracies, Angst with a Happy Ending, Is This a Dead Dove Fic? | 23/23 Chapters | 64k Words | Complete

What if Jack somehow discovered the existence of the Autobots earlier than planned? His best friend has disappeared and he soon discovers that there is more to her disappearance than meets the eye.

This is a rewrite of a story I brought over from FFN, which is in turn a rewrite of my original Talida Prime series. I wasn't happy with what I was doing and had done, so it led to this.

Zombie | Explicit | Graphic Descriptions of Violence, Major Character Death, Underage | Jack Darby/Original Female Character, Optimus Prime/Arcee | Jack Darby, Talida Prime, Original Characters, Optimus Prime, Arcee, Bulkhead, Bumblebee, Ratchet, Cliffjumper, Miko Nakadai, Rafael "Raf" Esquivel, William Fowler, June Darby, Megatron, Starscream, Soundwave, Other Character Tags to Be Added | Post-Traumatic Stress Disorder - PTSD, Past Torture, Past Abuse, Flashbacks, Season/Series 01, Amputee Character, Teen Romance, Eventual Smut, Characters Are 16 Years Old, Is This a Dead Dove?, Slight Alteration to Canon, Other Additional Tags to Be Added | 9 Chapters | 39k Words | WIP

Sequel to 'Save You'.

It's been two years. The Decepticons have retreated into the shadows. Talida is haunted by her experiences, but is slowly moving forward with the help of her loved ones. But the tranquility is disrupted when the Decepticons make a dramatic return to the scene, causing a significant blow to the Autobot forces and marking the resumption of a war that has haunted Talida since birth. The Autobots gear up for another fight alongside old and new allies, but will they all emerge unscathed?

As mentioned, this is a sequel to Save You. This follows season one of the show, but some changes will have to be made because, in this series, Jack knew about the Autobots before the show's canon.

Planned Fics in This Fandom:

Sequels to Save You and Zombie. Unknown titles. Unknown if any other fics will crop up.

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connan-l · 9 months ago

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Now that Season 7's first trailer is out, it slightly validated some of my theories about which chapters is going to be adapted — so I decided to make a prediction of what Seasons 7 & 8 could looks like (I mean, we still don't have any confirmation for Season 8, but there's no way we don't get it, right?) I'm probably going to be very wrong but it was fun to try and think about!

I'm going to make the assumption that we'll get 13 episode instead of 11 because of something fun I found out: so far there's been 74 episodes of NatsuYuu (OVAs notwithstanding), which means that if we add two seasons of 13 episodes we'll reach the 100 :) So I hope we actually do get 13 episodes this time (I've also seen some people wondering if we'll exceptionnally get a 22 or 26 episodes season because of the 15th/20th years anniversary, which could be fun but I doubt they'll do that sadly).

Season 7:

Episode 1: Chapter 84 (Mini-Nyanko) Episode 2: Chapter 80 (Yorishima intro) Episode 3: Chapter 77 (Hakozaki 2) Episode 4: Chapter 83 (Kitamoto bookstore) Episode 5: Special 17/84.5 (Teen Matonato 2) Episode 6: Chapters 95 & 96 (Isamu arc) Episode 7: Chapter 81 (Flower bed) Episode 8: Chapters 92-94 (Miharu arc) Episode 9: Chapters 92-94 (Miharu arc) Episode 10: Chapter 87 (Nishimura) Episode 11: Special 8/31.5 (Chobi special) Episode 12: Chapters 88 & 89 (Souko arc) Episode 13: Chapters 88 & 89 (Souko arc)

Season 8:

Episode 1: Chapter 71 (Ake & Shiro) Episode 2: Special 14/67.5 (Birds & Reiko) Episode 3: Chapters 106 & 107 (Yorishima arc 2) Episode 4: Chapters 90 & 91 (Tenjou-san/painting arc) Episode 5: Special 19/89.5 (Matoba station) Episode 6: Chapters 85 & 86 (Tanatsutaki inn arc) Episode 7: Chapters 85 & 86 (Tanatsutaki inn arc) Episode 8: Chapter 99 (Origami) Episode 9: Chapter 108 (Chobi) Episode 10: Chapters 100-104 Homura arc Episode 11: Chapters 100-104 Homura arc Episode 12: Chapters 100-104 Homura arc Episode 13: Chapter 105 (Post-Homura)

For Season 7: I know some people wish the season could start with the exorcist chapters, but I think it makes more sense we begin with a ‘normal’ slice-of-life Natsuyuu episode rather than the more heavy stuff. It’s been seven years, after all; they need to reestablish the series’ characters and world properly, and I think chapter 84 with the clay mini-nyanko is th best one for that. I mean, in this chapter we have: Natsume returning a name, mentions of Reiko & the book, cameos of Tanuma and the Fujiwaras (the anime could probably briefly add Kitanishi, Taki & Sasada too), and a bittersweet story about a yokai Natsume befriends — so I think it’s perfect for a new start to a new season. Then it makes sense to follow this up with the exorcist stuffs in episodes 2 & 3. I'm hesitating which one would go first though; if we follow the manga chronologically then it would be the Hakozaki one, but I think they'll likely choose to reintroduce Natori first... I do believe it's important to introduce Yorishima early on too so that they can later adapt the second Yorishima arc in Season 8, to really establishes him as this new important recurrent character. (Though I wonder if 2 exorcist episodes side-by-side would be too much, so maybe they'll adapt Yorishima intro for ep2, then have another slice-of-life episode, then have the Hakozaki chapter.... who knows)

After that I’m no sure on the order, but there must also be the Taki brother arc for a Taki-focused episode, then the Kitamoto & Nishimura chapters. I think it’d makes sense to adapt both of the Kitanishi chapters in season 7 so that then in season 8 they could adapt the Tenjou-san/painting arc in order to make it feel balanced (or they could do the reverse and adapt Tenjou-san arc before in season 7, but I think it's better if it comes after). And then have the flower bed chapter as another slice-of-life episode (which I think is important to have before the Souko arc thematically). Not gonna lie it really frustrates me that they decided to adapt the Tanuma & Misuzu chapters in a movie, because now Tanuma doesn’t have his own arc like Taki has :( At least he still appears more than her in other arcs, but they’re not focused on him so it’s not the same.

So the Chobi special from Volume 8 might seems weird to be in season 7, and admittedly I doubt it'll ever be adapted (maybe in an OAV?? But who knows) - but I thought about it because of Chapter 108 which is also centered on Chobi. Having the Chobi special before Chapter 108 seemed logical to me, though there's more chance we'll get another special like Special 14 or 18. (UNLESS they manage to adapt the Chobi special with Chapter 108 in a single episode... I dunno).

And there's no way they don't adapt the second teen Natori special, which has to be before Miharu arc. I think the Miharu arc will happens either in the middle or towards the end of the season, but I believe having Souko's arc as the final would be pretty emotionally impactful, with ideally 2 episodes. It’s the origin of the Book of Friends after all, so it’s important to really highlight it (though I doubt they'll do that unfortunately, I think they'll likely try to cram everything into a single episode as usual with the 2 chapters arcs -_-).

For Season 8: I think it makes sense to start with slice-of-life chapters with this season too, but admittedly I wasn't really sure which one. The Ake & Shiro or the origami chapters seems the more likely. Then there's still Special 14, which could also make a fun slife-of-life episode.

The Tenjou-san/painting arc and then the Noren inn arc in this season was more fitting than the last in order to balance the focus on Natsume's school friends - and like I said earlier, even though chronologically it happens later in the manga I think they will adapt the second Yorishima arc as well here. I think it’d make sense they decide to adapt the special with Matoba here too (It could be in Season 7 I suppose? But then it would a wayyy too exorcist-focused season).

What I’m the most confident in is that they’ll decide to end Season 8 with the Homura arc, and that it’ll take 3 episodes. This is such a long, important arc, and if they don’t mess it up it would make an amazing final; especially if after that we don’t get another new season until at least a few years.

(Hopefully we won’t have to wait 6 years for Season 9 afterwards… There was 2 years between Season 2 and Season 3, and then 4 years between Season 4 and Season 5, so if Season 8 is released in 2025 then I hope we’ll get Season 9 in like. 2028-2029. please.)

Anyway, just for fun I tried to imagine what a Season 9 could look like too:

Season 9:

Episode 1: Chapters 109 & 110 (Kaka arc) Episode 2: Chapters 117 & 118 (Occult salon arc) Episode 3: Chapter 112 (Taki Matoba tea party) Episode 4: Chapters 113-116 (Younger Cousin arc) Episode 5: Chapters 113-116 (Younger Cousin arc) Episode 6: Chapters 113-116 (Younger Cousin arc) Episode 7: Chapter 111 (Tanatsukitanishi beach) Episode 8: Chapter 120 (Hakozaki 3) Episode 9: Chapters 121-126 (Portrait of a Girl arc) Episode 10: Chapters 121-126 (Portrait of a Girl arc) Episode 11: Chapters 121-126 (Portrait of a Girl arc) Episode 12: Chapters 121-126 (Portrait of a Girl arc) Episode 13: Chapters 127 (Homura cats returns)

This would make for a super plot-heavy season, but well all the recent arcs ARE very plot-focused lol. I initially thought that maybe the Portrait of a Girl arc could make it more to a potential Season 10 while the younger cousin arc could the final for Season 9, but ending the season on such a personal, Natori-focused arc like that would be a bit... strange. So! If we have Portrait of a Girl as a final, I think it makes sense for the occult salon arc to be at the very start of the season to introduce Shinobu and Clara (I vaguely thought it would be fun if they introduced them in Season 8, but the idea of a whole season where we start with the looming threat of Matoba's mysterious sister only to have her identity revealed at the very end is really cool too). I think the beach chapter too could be nice after the Natori arc as a sort of break before we got back into the heavy plot stuff with the 3rd Hakozaki chapter. I gave Portrait of a Girl 4 episodes here because I think it's what it wolud need to be properly adapted (it IS the longest arc to date after all, with 6 chapters!) but because of that I had to scrap the Hinoe chapter (which could then be adapted into Season 10). However I think it's more likely they adapt it into a three-episodes arc sadly (same thing with the Younger Cousin arc, they'll probably cram it into 2 episodes rather than three...)

And here it is haha. Can't wait to see how completely false my predictions will be lol.

Following this, the still unadapted chapters would include: Chapter 119 (Hinoe/Natsume crossdressing), Chapter 128 (current arc) that would fit into Season 10, then Special 18 (Nyanko meets little boy), Special 20 (movie special), Special 21 (little traveling yokai), Special 22 (Ribbon Nyanko & Mana Kitamoto), all of which could either fit in Season 10 or in an OAV.

#Natsume Yuujinchou #NatsuYuu #Natsume's Book of Friends #Natsuchou #Natsume Takashi #Nyanko-sensei #Natsume

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mangora · 9 months ago

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So I haven’t been fulfilling my obligations as resident Scike enjoyer recently and I finally have a night with no coursework due, so here’s a meta analysis post about my interpretations of Scott and Mike’s characters, primarily as told through their relationship with one another. This isn’t necessarily accurate, some of these are definitely reaches or headcanons with little basis in reality, it’s not like a serious essay; this is just for fun since I find their relationship (or I guess, my idea of their relationship) fascinating 👍

So, naturally we start with episode one, where we’re introduced to Scott and Mike as well as the other generation two characters. Scott, off the bat, is unfriendly and untrusting; even before Jo says anything, he eyes her with malcontent. Scott looks at Mike with a seemingly annoyed expression when he’s introduced next. Mike, in contrast to Scott, is smiling and taking in the view. Scott notices immediately when Zoey nudges him and stares at her arm; I don’t think this demonstrates any sort of feelings for Mike on Scott’s part, yet at least, but rather it seems to display his social awareness. He’s already trying to gauge both Mike and Zoey’s personalities and dynamic— he could also be judging them, or a mix of that and the aforementioned gauging. Regardless, Scott’s already shown to be suspicious of others.

Meanwhile, Mike’s shown to form an attachment right away, specifically to Zoey. Their very minor interaction causes him to smile and espouse that the view is beautiful, though he’s obviously regarding her. This causes him to let his guard down, along with Zoey, which leaves both susceptible to being shoved out of the way by Lightning. Take note of this, as Mike’s desire to form stable relationships becomes a hallmark of his character. The dichotomy between Scott being untrusting when he should be and Mike being trusting when he shouldn’t be will become a running theme as well.

The next time we see them both is after the intro, when Scott refuses to help Cameron and calls him a “spaz”. This is contrasted with Mike being too kind with Zoey when they should be helping Staci out of the water, which causes him to be pulled underwater by her and could have led to them both drowning. This not only aligns with our theme of trust vs lack thereof, but also Mike’s goodwill vs Scott’s lack thereof again. It seems that what Scott needs, Mike supplies to a harmful excess; however, as we will touch on later, both of these incidents with Mike only occurred when there was another person there (Zoey) who he sought to impress or bond with. Right now all of these exist in an unjoined microcosm, but once again, scenes like this repeat throughout the season.

Another scene worth noting is Mike’s confessional directly after. Mike’s already attached himself to Zoey, admiring her kindness and immediately jumping to the idea of a relationship with her. We’ve already established that Mike wants human connection, but here we also see the added element of insecurity; he already fears rejection for his “quirk”, which we will later discover is his DID (called “Multiple Personality Disorder” in the show; I am not fucking calling it that). He doesn’t state it to the audience yet, showing that maybe he’s not as trusting with people who he can’t directly connect with; even though he probably knows that he will inevitably be outed to them, for lack of a better term. Since he’s insecure about this, and because he says he hopes his “condition doesn’t ruin anything for [him] again”, we can draw the reasonable conclusion that Mike’s probably been rejected for his DID before, whether by potential romantic interests or by his peers more generally (with the added context of season five this could also be referring to how Mal got the system sent to jail, but honestly I’m not sure if the writers planned that far in advance so we’re not really gonna talk about it). It could also be possible that one of Mike’s motives for joining the show, besides the money, was to make friends or find a partner in a new group of people who didn’t know this detail of his life, and to do that by hiding his DID. Once again, this will seem like less of a reach as we continue to see this pattern unfold; it’s good to establish now the idea that Mike is heavily concerned with interpersonal relationships and self-image so we can continue compounding on that thesis as we go on.

Next time we see either Mike or Scott is on the beach. Staci is talking about her family and Mike is obviously ignoring her in favor of looking at Zoey. This shows that while Mike is nice, he might not view everyone as an equal opportunity for human connection; he gets attached to Zoey instantly and regards her above everyone else, quick to establish a clear-cut and intense relationship in his mind with someone he barely knows. When Zoey even implies that they could become friends, he appears overjoyed. He’s so excited, and for what? Put a pin in this.

Our focus shifts back to Scott briefly in the team formation scene before the first challenge. Scott and Lightning smile at each other (or maybe generally? It’s unclear if Scott’s looking at him) as they’re put on the same team. His smile fades when Brick shouts “Sir, yes sir!”, but rather than looking maybe annoyed or angry, he looks uncharacteristically concerned. His smile returns when B shoves Brick, then changes to annoyance when B’s put on his team. There are two major explanations for this. The first and most likely is that Scott’s scoping out his teammates and competition; he’s happy that Lightning’s on his team because he’s not very smart, then concerned and happy again when Brick’s put on the other team because he’s loyal and physically capable, and then he’s upset that B’s on his team because B’s intelligent and looks (is?) strong/fast. However, on the other hand, Scott’s expressions seem oddly earnest, especially considering how he behaves throughout the rest of the series. Maybe he’s secretly glad that Lightning’s here because he enjoys his company. Something that really caught my eye was Scott’s concern for Brick. Brick’s obviously military (likely due to family circumstances), and in season five, we learn that Scott’s dad is ex-military. Scott might be slightly worried because he knows what the military is like, or what military parents are like. We’ll talk more about Scott’s potential home situation later, but I dunno, something about him in this scene seems weirdly tame considering how he is normally; he seems oddly worried and not about the right people, like all things considered it would be best for his plan if his team was weak but he seems constantly annoyed by the additions of people like Dakota and Sam.

Skipping over more of Scott being annoyed at people and Mike being anxious, when the teams get their names, Mike is the first to ask about the references to chemical waste. Though he’s very likely one of many to notice this, the fact he asked first and without hesitation shows that he’s both worried and quick to observe things. He continues to appear concerned by the growling of the “monster”, but seems to hold back from showing this, staying still with a worried expression. He might be trying to keep it cool to protect his image; or, maybe he’s trying to keep others from worrying as well, considering that Cameron’s already freaking out. When it gets closer, he holds Zoey in his arms. He has an urge to protect those he cares about, even if he has little reason to care about them yet.

Later, during the actual challenge, while Jo and Anne Maria are outwardly annoyed by Brick, Mike tries to politely state that this isn’t working. This is the point at which Chester fronts; we learn later that Chester most commonly fronts to deal with frustrating situations. Mike himself cannot express frustration for whatever reason, likely because he’s afraid to. Meanwhile, Scott does his first confessional, where he states that he has a plan that’s sure to take down B (and implied to take down everyone else as well). Scott’s overly confident and expresses frustration with the gleeful notion that all will be handled eventually. Shortly after, Scott smiles as he and the other Toxic Rats overtake the Mutant Maggots; this is odd, as we will later find out that Scott wants his team to lose. This could be an example of him trying not to play his cards too early, but later it becomes apparent that Scott’s quick to snap when he’s upset. Was he perhaps earnestly excited to win as a team and had trouble masking that as well? Perchance (I can just say perchance, because it’s my meta post, and I do what I want).

It’s worth mentioning now that we’ve covered episode one that Mike and Scott have somewhat inconsistent characterizations; as the series goes on, Mike is more prone to show annoyance or outbursts of fear, while Scott rarely shows genuine happiness when his plans aren’t working out. This could be a result of changing writers, a lack of ideas for one or both of them, or simply them changing and adapting to the game. Make of that what you will; I’ll try to explain things to the best of my ability and puzzle them together in a cohesive analysis, but shit’s a bit wonky.

In episode two, we finally hear Scott’s plan: he’s intent on making his team lose the challenges to “lull the other team into a false sense of security, then pick them off one by one”. This is an interesting concept, considering how fucking stupid it is: if Scott loses most or all of his team and the Maggots continue working together, that security will become real, they will dominate him and any allies he might form (which he does not seem intent to do), and he will lose near immediately unless he’s already planning on how to split them up, assuming any of them would fall for his tricks. However, Scott himself is a little dumb, so this is fitting. He’s so unwilling to work with other people that he seems to have tricked himself into thinking that he can do anything by himself and manipulate people with no outside help. This is unrealistic, and gives the viewer a perfect insight into Scott’s antisocial and bleak worldview. He’s so unwilling to trust people that he hasn’t even figured out how to fake a relationship with any of them for his own benefit.

In the scene where the teams are walking to the Bay of Dismay, Zoey and Mike have their first proper conversation, and it is approximately thirteen seconds long. Zoey brings up Total Warriors Two, and Mike is pleased that she knows about it. He states that if she likes kickboxing as well, he might have to marry her. First of all, film-enjoyer and kickboxer Mike real as fuck; but more importantly, this is another example of Mike attaching himself to Zoey incredibly quickly and incredibly closely. He’s desperate to be liked by her, desperate to be inseparable from her even. Unlike Scott who’s pushing everyone away without a plan, he’s seemingly nudging closer to someone without a plan or a concern for her actual, well, personality. I don’t think this is manipulative or weird at all, to be clear; and Zoey was likely trying to relate to him because he also clearly enjoys his company. It’s just endlessly intriguing how he’s already endeared herself to her.

Once the game actually begins and the Maggots are asked which one of them wet their pants, Mike’s the one to pipe up with surprise, almost making fun of the person in question. Knowing that Mike’s afraid of his own secrets being revealed in this challenge, this clues us in that, while Mike might not have bad intentions, he does partake in judging (and depending on how you interpret his words, shaming) people for their own secrets. He might, to a degree, lack social knowledge (“this might make the person uncomfortable” etc.), empathy, or both. In this right, he’s somewhat selfish. Throughout the season, actually, he continues to show inklings of selfishness, even if they aren’t born out of malice.

After this, the Rats are dunked into the water. Scott’s bitten and dragged out of the stands by Fang, and his team does nothing to rescue him. This upsets Scott, who then refuses to do the rest of the challenge. While this might be part of his plan to lose, it seems that Scott was genuinely upset and offended; he expected his team to help him when he would never do the same for them. More selfishness. Anne Maria seconds Scott, and Mike’s quick to join her since he’s worried about his own secrets being discovered— something that he insists to them isn’t true. I don’t have to explain this, I don’t think; Mike and Scott are alike in their selfish desires for preservation. The thing is that Mike backs down after Jo becomes upset with him, while Scott carries on. So Mike does care about avoiding conflict and being invulnerable to his whole team, but with Zoey specifically, he needs to be liked; not just regarded with neutrality, which appears to be his goal with other people; and he is afraid of being judged, or seen in a negative light.

During the challenge, Scott attempts sabotage for the first time, which fails. He tries to keep the rat from B, and is outwardly antagonistic towards him, which could have easily been used against him. This is another action that Scott seems to take strategically, but barely considers the consequences of. He just needs to be mean, apparently; he can’t control the urge to sabotage or insult, even when it would hurt him.

In the same challenge, Cameron catches Svetlana fronting, and asks Mike about it, which he denies entirely. The Maggots win, which Scott, again, seems genuinely upset about. This is where I’m laying out my theory officially that Scott takes these losses personally but is convincing himself that they’re sacrifices, rather than him genuinely not caring because it’s part of his plan. Maybe he knows that he could be on the chopping block every time and is bracing himself; maybe he enjoys winning each individual challenge for a sense of glory but won’t admit it to himself because it doesn’t work with this bullshit Lone Wolf plan he has. Either way, this brings us to episode three.

In episode three, Sam flings his breakfast into Scott’s face. Instead of pretending it’s okay, Scott throws a spoon at Sam. He then calls him a wimp for complaining about his food. Aside from this being another example of Scott being unable to mask his feelings for the greater good, this leads into the point of Scott’s home life. Total Drama as a series is full of bits that are normal in its cartoon universe, but are disturbing or terrifying taken in a real-world context; look no further than the season’s baseline concept of “we put teenagers on a nuclear island”. Scott living on a dirt farm is one of these things; having to eat dirt is bad in a literal context, and worse when adding the idea of it being a metaphor for not having food to eat. Scott is, quite literally, dirt poor; we’ll talk more about his audition tape later, but in it, we also see that Scott’s house is infested with rats and in a state of complete disarray. In season five, we learn that his father is ex-military and his mother’s a waitress; and since they own a farm, they did or do have two jobs. Scott’s also generally a country boy stereotype, and country folk aren’t exactly known for being well-off. We can almost guarantee that he grew up in a rough economic situation, and has ways of coping with or appreciating it while still working fervently to escape it. Take that for what you will.

Following this scene, Mike admits to the audience that he has DID with a shameful tone. He rushes to explain that he tries to control his alters, as if he needs to or should, but that they don’t listen to him. Mike not only lacks control, but is also attempting to control genuine other people, all for them inconveniencing him and making him worry about being judged. This is another point at which we must acknowledge that Mike is selfish, but also selfish with a sympathetic purpose; he doesn’t want to be judged, and doesn’t want to be alone. When confronted by Jo about Svetlana, he lies and says she’s a character, but fails to actually mimic Svetlana. He’s either a bad actor, doesn’t know Svetlana that well, or both.

During the first half of the challenge, Scott shouts at Lightning to shut his mouth, once again showing how hard it is for him to hide his true feelings. Meanwhile, Mike helps Zoey up a ledge instead of helping himself, showing that he knows when to actually be selfless as long as it benefits someone he cares about. Once again, we go back to Scott as the Rats win the challenge; and Scott is visibly and audibly upset. He doesn’t bother hiding it now, so why would he before? Another point for the “Scott is genuinely excited to win/mad about losing” theory. When his team is mad at him for picking the bad snow fort, Scott acknowledges that this is bad, but rationalizes that it’s part of the plan. Dude, he has no fucking idea how this plan is going to work, does he?

Now we get to the point where Mike finally acknowledges Scott, and tells Zoey to watch out because Mike thinks he’s “psycho”. Mike is the first person to bring up how Scott’s acting irrationally or untrustworthy verbally; and considering they aren’t on the same team, that means Mike must have been, at some point, watching him. As we mentioned earlier, he’s observant, and will bring something up either if he feels it’ll be uncontroversial or if he’s very concerned. Before Scott’s other team caught onto him, Mike did, and before they became cautious or seriously concerned, Mike did. Why? Does Mike have experience picking out these types of people? Was Mike, for some reason, interested in Scott either out of fear or admiration, and therefore paid closer attention to him than anybody else? Mike’s not a very strategic person in the game, but he is a bit strategic and wary socially, especially if he’s afraid of the other person not liking him. Did Mike view Scott as a threat? Maybe something more? Why? Did he recognize Scott’s selfish or secretive behaviors, maybe in himself? These are all, certainly, questions. Perchance.

In his scene with Dawn in the snow fort, Scott argues with her about how he’s not going to listen to the snowball, and says he’s full of negative energy; this causes a snowball to explode in his face. Scott’s unwilling to listen to others, even if it spells his own downfall. After this, Dawn claims that Scott wasn’t held enough as a child, which he stops to think about and is shown to be greatly uncomfortable with in the confessional. Dawn has previously been accurate about the home lives of other players (Zoey and Dakota), so we can assume she’s right. In which case, this is “Scott has a bad home life: part two”. Scott’s parents, at some point, did not meet his emotional needs; whether this was just in early childhood or whether it stayed consistent is unclear, but it’s likely that some of his behavioral issues would have been addressed earlier if his parents were attentive following his most formative years. Because his parents didn’t show him enough affection, he likely turned to either methods of garnering attention elsewhere or through other means, diverted that attention towards desiring victory and/or control for his own self satisfaction divorced from the opinions of other people, and/or a mix of both. We can also reasonably assume that Scott’s poor home life could go beyond simply emotional unfulfillment, since Scott seems worried at the notion of her knowing that, and likely wouldn’t be as concerned if he had nothing else to hide.

Dawn later seems to compliment Scott, calling him a “beetle whisperer”. He turns up his nose and leaves. This could be because he finds the notion of beetle whispering ridiculous, but I just like to think that Scott’s not used to getting compliments and doesn’t know how to react. Just because that’s kinda more wholesome and Dott’s kinda baller.

At this point, B melts the Maggots’ fort, and Jo asks Mike to do the “Svetlana thing”. Under pressure, Mike begins to panic a bit, unsure of how to escape the lie he’s found himself in, almost confessing; Cameron helps Svetlana front, saving him from this situation, and Jo regards Svetlana positively. This is just important to me divorced from Scike because not enough of you talk about Jolana. Moving on, Scott notices B melting the Maggots’ fort and momentarily panics, before melting the Rats’ fort instead and blaming B; while Scott has committed sabotage and swayed the team vote before, this is the first time his sabotage has actively caused the team to lose. You’d figure he’d be celebrating, but we don’t see that. After the loss, Mike goes to the confessional and worries about Vito showing up; we can assume that Vito is the hardest to control and/or would lend the most to affecting Mike’s social life, hence why he states that the situation has gotten worse and seems so on-edge. Scott’s finally gaining control in the game, while Mike appears to be losing it. Scott convinces his team to vote for B, and lies without a problem; Scott, it seems, is good at lying through his words, but has a hard time controlling how he emotes physically. Mike is the same; when he lies or hides information, his voice and face/actions don’t seem to mirror the stories he puts together on the fly. Mike’s not a malicious liar, he in fact has every reason to lie about his condition, if you consider lies of omission to be lies at all; but if you do, he is, in fact, a liar, and it takes one to know one. My Mutual Understanding clownery is all coming together.

In episode four, we mostly see extra examples of previous behavior from Scott: annoyance at his teammates (mainly Sam), selfishness and a lack of consideration for others (not helping Sam up and not caring when his teammates go missing), and being oddly happy over success when he shouldn’t be (excited to find the key). At this point, I began considering the possibility that Scott only likes losing when he’s in control of the loss. To fail when he’s trying to succeed obviously frustrates him, but to fail when he’s trying to fail is a success at failing. In less words, it's the need for power and control, again. Maybe he likes to win sometimes for entertainment, or a sense of accomplishment; he might just do it because he can sometimes. In which case, Scott’s a bit more unpredictable than first thought; he does things largely with one goal in mind, but can push that goal off or come up with other shorter term objectives whenever he feels like it. He’s consistently driven, but the thing he’s driving towards is subject to fluctuate when he gets bored or competitive or wants to feel in control.

On the Maggot side, Mike and company are obviously unhappy with and wary of Jo, but none of them say anything. Mike does, however, tell Cameron that he did a good job. It’s possible that after the last episode, when the two worked together along with Zoey to get up the hill, Mike has started seeing Cameron as another potential friend, as he rarely interacted with Cameron before, and we know they will continue to interact more in future episodes. Zoey says he’s “always encouraging Cameron”, implying that he does this off-screen as well, since (correct me if I’m wrong) this is the first time Mike has directly encouraged Cameron specifically. Mike says that Zoey’s all he thinks about when he’s in control, then laughs nervously, as if he’s afraid this joke is too personal or unrelatable or odd. When Zoey goes missing, Mike notices immediately, and begins to panic; the person he’s most attached to here, his only real friend right now, has just left him alone, and the anxiety is all-consuming. He’s worried about her, and probably also scared of being left alone with the rest of the team, who he’s not as close to. I’m going to draw the line here and say that I think Mike might have social anxiety, just in my personal opinion as someone who also has social anxiety. He’s hyper-aware, afraid of what others think of him, and heavily attached with one or two people. He’s also, apparently, very loyal and protective. He abandons the rest of the group to find Zoey despite the challenge, and is relentless when looking for her in a way that no one else in the challenge has been or will be later.

When Brick goes missing, Mike is concerned for him, as are Cameron and Anne Maria; it’s unclear whether this is because they care for him, they’re scared of missing as well, or a mixture of the two. When Anne Maria stands up to Jo for having a bad attitude, Mike also finds the courage to join her. Having someone who’ll agree with him or make the first move once again gives him a sense of confidence to voice his opinion and, assuming he had Brick in mind like Anne Maria, defend the people he (possibly) cares about without as much fear. Shortly after, he injures himself looking for Zoey; once again, he puts those he cares about above himself, but himself over the layman.

After Vito fronts for a while, Mike suddenly takes over when he hears Zoey cry out for help and attempts to save her instead of winning. His care for others (Zoey specifically but he could generally be concerned for everyone considering the state of affairs [big spider]) triumphs his need for victory, which again lends credence to the theory that he’s on Total Drama for social reasons more so than monetary ones. In the meantime, Scott’s unabashedly upset about winning the challenge, but again, appears concerned for Brick when he begins crying. When Brick’s switched to the Toxic Rats, Mike, Cameron, and Anne Maria are visibly shocked and upset, showing that they probably did genuinely care for him, making it more possible that loyalty to Brick factored into him standing up to Jo earlier.

In episode five, we start with Scott having a nightmare about a shark (Fang). He’s soon woken up by Brick’s alarm clock, though he’s not grateful for this; in fact, he begins punching the alarm clock as a demonstration of what he’s going to do to Brick later. Is it possible, then, that Scott would rather live in a nightmare, a place of strife and fear, than in a reality where he’s experienced a harmless transgression? Per freaking chance. Shortly after, Scott begins stealing from other players to frame Brick. It’s unclear whether this is because he’s mad at Brick for the alarm clock incident, or whether he recognizes Brick as a weak link on the team. Either way, this is probably the most premeditation we’ve seen from Scott, as his plan continues to develop throughout the episode, versus how he normally takes an action right after coming up with it to immediate success or failure.

During the challenge, Scott tells Brick to prove his loyalty to the team. There are many reasons he might have done this. One is because it’s simply fun to him; he might like seeing Brick squirm. Another is to gauge his actual loyalty and scope out his strengths/weaknesses to exploit them later. Once again, this could be a combination of the two; Scott doesn’t think highly of Brick, but he seems amused by him being a “doofus”. And after this, we see another instance of Scott ragging on someone (Sam) for being bad at the game despite that working to his advantage. It’s probably another instance of hubris: something along the lines of “I could do better than that; I won’t, but I could”.

Back to Mike, we see an example of him outright lying. Once again, I don’t blame him or necessarily think this makes him a bad person, but he is outwardly dishonest with Zoey when he claims that he just “gets so deep into character that he [doesn’t] know what [he’s doing]”. He promises to stop playing characters if Zoey wants him to, even though he can’t do that, and tells her she’s the most amazing girl in the world. His love for Zoey triumphs over his logic and planning for the future. He’s so desperate to be loved by her that he doesn’t even consider how to make that happen. This is similar to how Scott’s hatred for people or situations trumps his ability to consider consequences, as seen in episode three especially but also throughout the series. Both of them, despite trying to remain calculated and in control, are often so blinded by their emotions that they act or speak on a whim.

It’s at this point that I must inform you that I forgot that Scott accused Brick of stealing while he was underwater, making that his motivation for sending Brick down there. However, I do stand by the point that Scott’s also a bit of a sadistic little freak and just likes being mean, because he is. Sailing along, I also find it interesting how Scott has to whittle when he starts getting bored; another addition to the point that he’s impulsive at times. And returning to Mike, Dawn claims that Mike “likes her a lot” and “it’s all over his aura”. And now it’s at this point that I am becoming increasingly aware that Mike’s kind of just Zoey’s plus-one in terms of characterization and this post is pointless in that right, but I’ll be damned if I don’t stretch his actions thin enough to give him an actual personality, and then do the same for Scott, and then make them yaoi out. Mike’s a person that cares so deeply for people that it permeates his aura, the very essence of his being; his priority is to love people (Zoey) and be loved by people (Zoey).

When Scott finds out that his team got the better boat, despite wanting to lose, he doesn’t miss the opportunity to call them “suckers”. Once again, Scott’s goal is glossed over in favor of being a huge bitch to others. This reminded me of how, similar to how Mike’s a lover and wants to be loved, Scott’s a hater, and I think he might want to be hated. When you think about it, Scott hasn’t done a single kind thing to anyone on the island. He’s never upset when people dislike him, and takes every opportunity to be mean or sarcastic. When he does display a positive emotion, he never tells anyone or joins them in expressing it. Scott seemingly detests having positive relationships, perhaps because he’s simply annoyed and inconvenienced by them, but also perhaps because he’s afraid of losing them or feeling like he’s at the whims of another person’s emotions and wills. And in the end, as we know, Scott’s negative relationships will be his downfall, just like how Mike’s unwillingness to break his positive relationships will be his (as well as, y’know, Scott meddling). While it’s probably unintentional, they’re pretty decent foils for one another.

We get another Scott lore drop when he says that he’s been shooting kitchen rats with his Pappy since he was six. I’m not sure what to make of this really, I just think it’s kind of fucked up to have your kid shoot rats but like I also didn’t grow up in a hunting area so maybe that’s normal and not psychologically damaging. Later, Dawn tells Scott not to fire anymore goals, and he does anyways, to her annoyance. Scott has to know Dawn is suspicious of him, but he can’t resist pissing her off. See, he needs to make people mad; maybe he does this often, maybe he just wants to be on someone’s mind even if it's negative. He eventually tries to get smart about it and he does get her voted off later, but like, hello. This fucking guy. Even though Scott dislikes Dawn, however, he stops Jo and Anne Maria from hurting her after he frames her for stealing. Either he revels in her misery, or he secretly cares about her a bit; this is supported by the fact that she was the only person he didn’t talk about voting off his team in episode four. Anyways, back to Scott being stupid, he openly brags about his knock-off idols as well, when that’s super suspicious; like he really needed to rub salt in the wound that badly. Dawn even refers to him as soulless and sociopathic, and she’s not wrong. He’s so unconcerned with the wellbeing of others, as well as himself. It seems that nothing truly matters to him in the long term, so long as he continues meeting his short term victories in pursuit of what I believe to be an excuse rather than an actual reason. I think that rather than calculating his actions beforehand, Scott acts and creates a justification later, or a justification he can routinely add to. It seems that Scott might’ve picked the Rats because they were close and therefore easy targets. It would make more sense than his actual “plan”. He hurts people and tries to convince himself that he knows why when he probably doesn’t, which is awful but also somewhat tragic. He might not have a real sense of priorities or identity, but tricks himself into thinking otherwise to, once again, give himself more control. Does this make sense? Whatever, we’re like 5763 words in, it doesn't matter anymore.

Back to party sciking, in episode six, we see the formation of Team Men with Scott, Brick, and Lightning (and later, Sam). Scott’s finally making allies, and he doesn’t seem too upset about it. I think this might clue us into the idea that Scott does want positive relationships, but maybe doesn’t consciously understand that. He doesn’t fight Brick or Lightning on this when he normally would. Later, before the challenge, Mike tries to compliment Zoey, and in the confessional, she tells him to pick a side. And I feel like if you twist that enough we can get into bisexual territory, but I digress. Mike’s upset at his alters for ruining his relationship with Zoey, and while that’s true, he totally forgets to take into account that his alters are also people who also deserve access to the body. It’s more important to Mike that he gets what he wants rather than his alters get what they want, and above all, it's important that he maintains a firm grasp on his life with little to no interference. But he doesn’t seem aware of the fact that his alters are people. It’s almost like the personhood of someone can be diminished in service of his goals, and that he can cognitively distance himself from his actions if they become too (for lack of a better word) scary for him. This might sound familiar because it’s kind of what Scott does as well. They both hurt people in order to get what they want, it’s just that Mike’s unaware that he hurts people but aware of what he wants while Scott’s aware that he hurts people but unaware of exactly what he wants.

Zoey talks to Mike again, excited to dress a model, and despite the fact that he’s never shown an interest in fashion, Mike smiles. This is because Zoey’s giving him positive attention again. Mf is a bit of a lapdog to be honest. Scott would probably like someone like that, who’s loyal to a fault. The vision is visioning. Anyways, Mike catches a frog, not much to add but he does do that. Fang tries to catch Scott, and Scott notices and catches him with his own trap. He’s observant. Like Mike. They observe each other. Gay style. Scott also grins when Brick proposes a plan and creates an explosive. While Scott’s probably excited to see it blow up in his face, I like to think Scott also admires him a bit, adding to the idea that he secretly likes some aspects of his peers and just won’t express it. Mike tells Anne Maria that the maggot looks bad, which is slightly uncharacteristic of him but okay. He and Anne Maria were friendly before; maybe he’s trying to pull back in service of making Zoey feel better. He’s kind of destroying this sort-of friendship because he likes Zoey so much. Adding to this, he appears excited when Zoey says she wants to dress the maggot. He appears nervous when Jo argues with Anne Maria as well; whether this is because he still cares about Anne Maria despite everything or because he’s afraid of conflict/Jo is unclear.

It’s at this point that Scott begins manipulating Zoey. Just put a pin in that. Scott and Mike stand next to each other, if that’s anything? They also move similarly, like they’re subconsciously mimicking each other. Do you understand how difficult it is to write about Scike when it's episode six and the most they’ve actually interacted is standing near each other and looking in the same direction? Scott’s impressed by Sam, which is nice; he actually admires something about someone. I think being around people who he subconsciously wants to be friends with is making him slightly more willing to play the game and be nice to people in his own way. He even looks concerned when the yeti throws Sam, and again when the Maggots lose, like he doesn’t want to vote anyone out.

IT’S FREAKING TEAM SWAP TIME BABY THEY’RE ON THE SAME TEAM WAHOO!! Mike is immediately concerned, the most concerned out of the maggots. This is in part due to him approaching Zoey, but don’t forget, Mike thinks Scott’s off, he notices the things that he does and the way he behaves. Oh BABY he needs to save his friends from this guy, I smell a hero complex brewing.

In episode seven, the teams go into the mines. About eight minutes in, Mike finds a hat and excitedly explains that he’s always wanted one, to which Scott makes fun of him for being a “hat loving loser”. This is an uncharacteristically lame insult, which makes me think that Scott already has a distaste for Mike and is looking for any reason to insult him; this is probably because he knows that Mike’s onto him, and he doesn’t enjoy the mortifying ideal of being known. And it’ll ruin his plan or whatever. Later in the challenge, when Manitoba and Cameron are separated from Anne Maria, Zoey, and Scott, Scott tries to pin the split on Mike to get him booted. We can assume that Scott sees Mike as the biggest threat on his new team.

Later, Mike carries Cameron on his back to safety, and says that he hopes Zoey’s okay, despite him also being exposed to radiation. He thanks Cameron for coming back from him and calls him a friend. He’s just, so loyal to them, I don’t think I can say that enough. His friends mean so much to him. And I think Scott could see that and relate to it a bit, because instead of continuing to badger him, he suggests they lose the packs and find Anne Maria. The two of them, along with Zoey and Cameron, all look annoyed at Chris for not helping them, and Scott follows Mike as he leads the team to Anne Maria. I think it’s interesting that Scott stays with them even as the situation becomes life-threatening, and he even shares their surprise when the other team grabs their statue. The two of them run together to grab the statue and they both look happy to find it, even though Scott supposedly wants to lose. Maybe in this life threatening situation, they found an odd sort of comfort in and appreciation for one another, just for a brief moment. And despite knowing what Scott’s like, Mike trusts him with the statue as he runs off to save Zoey and Cameron, putting his own life in danger. This was obviously a mistake, as Scott throws it out, but for a second, it seemed like Scott was happy for him, when it was just him and Mike.

So Mike starts literally fucking dying defending his friends. Away from Scike, back to Mike prime, he’s about to be killed by the moles, has every chance to run for himself, and his radiation poisoning is getting worse by the second. But he still stayed behind to defend them. The situation got so dangerous that he even tried to tell Zoey about his DID, before Brick saved them. And that’s just??? SO fucking bananas holy shit. He cares about them so much, I dunno what to say. That’s his defining character trait and his fatal flaw, defending others; and it works even better juxtaposed with Scott, who’s defining trait and fatal flaw is only caring about himself. Foaming at the freaking MOUTH dude. He’s got issues, sure, but man he’s so sweet, love him. After this he’s the first person to confront Chris about this not being about the statues, but rather the mine; he’s more than likely upset that Chris put his friends in danger, especially for these ulterior motives. He’s so upset on their behalf, not even his own, that he stands up to the man who almost got him killed.

After this ordeal, Cameron confronts Mike about having DID. In his fear, Mike’s quick to ask who told him that. He’s afraid, first and foremost, that other people know and are talking about him; afraid that this has made him somehow unlikable or unlovable. At the mention of being able to control it, he’s overjoyed, and immediately agrees to help get rid of Scott. Scott’s the first person outside of Mike’s system who he’s been willing to genuinely disadvantage for his own goals. So Mike does not like Scott. But I feel like it’s an oddly intimate dislike. He dislikes him so personally, understands him so thoroughly with such disdain, for such little personal transgressions, that he’s willing to throw him under the bus to regain control over his situation. That’s special in a way, Scott’s the only person Mike would do that to. And considering how Scott treats everyone with hate as a way to cover his actual wants for human connection, and he hates Mike more than anyone else on the team, I feel like it’s safe to say they have strong mutual negative feelings in a way neither of them have experienced before. In a weird way, right now, with Mike having a sway over the team, he’s kind of more in control than he’s ever been. I can’t explain it, but the way they hurt each other goes beyond average contempt to me. In real life, yes, you shouldn’t hate someone that you have romantic feelings for; but I think something like this in fiction blurs the lines with intensity in regard for one another. It’s a blending of concepts. Lois it insists upon itself, but in a fun and intriguing way. I love when characters hate each other with the intensity and obsession that other characters love each other with.

It’s 2:40 AM and I just hit my pen so I could really lock in for these last two episodes before Mike’s eliminated but idk if it’s going to work.

In episode eight, we start off with the teams on the rafts. Scott comes up looking anxious about getting eaten by a shark, and Mike returns the expression, and says that the shark will never find them. This could be Mike comforting himself or comforting Zoey and Cameron, but do you know what it could also be? Comforting Scott. The person he’s responding to. Mike and Scott don’t like each other, but Scott still came to Mike first, and Mike still had it in him not to shame or ignore him. Am I making a big deal out of nothing? Absolutely.

At this point, Cameron explains to the audience what causes each of Mike’s alters to front: Vito fronts when the body is shirtless, Svetlana fronts when there’s a physical challenge, Chester fronts when frustrated, and Manitoba fronts when the body’s wearing a hat. I’m not sure what to make of Manitoba’s trigger(?), but the others make it apparent that Mike isn’t able to handle or is rarely able to handle physical challenges, frustration, or being shirtless by himself. And this is where I should talk about Mike’s trauma, probably. I’m not going to get too into things here because I’m not an expert on DID and also it could be mildly upsetting, but DID develops due to repeated early childhood trauma and different alters may be better equipped to handle certain feelings, tasks, relationships, or memories than others. Mike had to have experienced this repeated trauma and it likely had some sort of physical component, considering Vito’s triggered by the removal of the shirt and he mentions in his character bio that he doesn’t have any good childhood memories besides maybe riding his bike. This, as well as the rejection we discussed earlier, explains a lot about Mike’s personality unfortunately. He’s used to being hurt, and seeks control, stability, and love for that reason. He’s loyal and quick to form attachments because he probably didn’t/doesn’t have any at home. And he’s self-preserving and protective and aware of his surroundings because of this as well, because he has to be. We don’t know exactly what happened in Mike’s life, though there is an “Uncle Vinny” in his character bio (mentioned by Vito) and it is possible that Chester is an introject of an older relative. Regardless, it doesn’t matter. I would like to return to Scott for a moment, and renew the topic of his home life. We’ve discussed how Scott’s family probably isn’t well off, doesn’t show him enough affection, and likely never disciplined him in a way that stuck considering how he behaves. And his father encouraging him to kill rats for him doesn’t sound great either. Like Mike, it would make sense for Scott to have an unstable/unhealthy home life, and for that to translate in his characters. He also needs power over other people, he pushes away people and refuses to make friends, he has patterns of violence, and he’s fast to learn what makes people tick.

Back to the scene, Zoey starts by complimenting Mike, which he’s excited about (need for approval, ok). However, he becomes nervous when she says it feels like he’s hiding from her. Then when Dakota starts mutating, Mike is the first to diffuse the situation by stating that her hair is growing back. He also leads the charge in pulling the sign out of the raft. After Dakota throws out the sign, Mike also says that they have to get in the water instead. When Scott reminds him about the shark and tries to refuse, Mike shoves him into the water, annoyed. It’s sort of fascinating how much more dominating Mike is in this episode compared to others. Maybe almost dying (or rather, almost losing his friends) in the mine changed him. Or maybe he has more confidence now that he’s the strongest person in his friend group and he doesn’t care what Scott thinks of him, evident by him forcing Scott into the water when he never would’ve done that to someone else. Mike, again, tells the team to stay quiet to avoid provoking the kraken. Man is going off this episode. He’s instantly annoyed when Scott starts freaking out over the shark, he’s so done dealing with this man that he can’t handle it and Chester takes over. Dude they’re soooo in hate. <3 After this, Scott is irate over his team winning, more than he’s ever been before. His feelings are so strong that he’s focusing extra hard on this faux-goal to destroy his own team. Mike’s also upset because the challenge is dangerous, “even by [Chris’] standards”, probably because the last challenge was also ridiculously dangerous and he’s worried about a repeat.

While Mike and Cameron go ahead to win the challenge at Mike’s behest, Scott talks to Zoey. He knows that Mike has a secret just by watching them, and lets Zoey in on this to manipulate her. After this, Mike and Cameron tell Zoey that Scott’s bad news in return, and she claims that he still has a heart. Mike is saddened by the fact that Zoey trusts Scott more than him, and I just think that’s such a…thing to happen. In trying to keep Zoey close by hiding his DID, he just pushed her away more, towards someone who’s so similar to him yet so different as well. We find out from Cameron that Mike fronts when Zoey’s in danger, because he cares about her that much. Scott also steals the team’s compass from Mike and frames him for losing it, blaming him if they come in last, but he fails when Dakota clears the forest of thorns. Scott keeps losing to someone who should be so easy to beat and who represents everything that he hates: kindness, loyalty, and people who stand up to him. Meanwhile, Mike’s alters are becoming increasingly hard to control, and he’s still unwilling to admit to having DID, afraid this will dissolve the relationship that’s already crumbling due to him not revealing it; he’s stuck in an Ouroboros of fear. Scott, immediately after this, seems to be mocking Mike, loudly saying to Zoey, “Would I lie to you?” Scott just knows how to push this guy’s buttons in the perfect way to piss him off.

When Scott loses the challenge for them, Mike’s probably the most upset we’ve ever heard him, at least in my opinion. He doesn’t hesitate to let Scott know that he fucked up and that Mike thinks he’s full of shit. Mike tries to get Zoey to vote for Scott, done with this charade; Scott feels the same about playing around like this, and gets Cameron to admit that Mike has DID— but he doesn’t want Mike out yet, he wants to toy with him some more. You can see the horror in his face when Scott pulls out the idol. In order for Dakota to go home, it couldn’t have just been Zoey to vote for her, and Mike and Cameron voted for Scott, and Dakota probably didn’t vote for herself. Scott had to have either voted with her, or voted for himself for fun; but irregardless, he didn’t vote for Mike, even though he’s clearly Scott’s biggest target. He doesn’t just want Mike out, but wants to use him first, something we haven’t seen before. And yes, this is because Scott’s a bad person, and taking advantage of his weaknesses; but having his weaknesses known and used by someone would be a sort of ideal scenario for Mike, despite also being his literal nightmare. He doesn’t have to hide from Scott at all, Scott’s probably the only person that Mike can fully be mad at and confront about that anger. Which is very fucked up, but also oddly close, I guess. It’s a unique relationship, it’s interesting to me. The mortifying yet somewhat comforting ideal of being known going both ways. Toxic yaoi. Hate as an allegory for love. Y’know, the usual.

The toxic yaoi continues in episode nine baby, we freaking made it. The first line that catches my eye (or ear I guess) is “Multiple Mike thinks he’s a ladies man, what a loser”. First of all, reeks of gay thoughts and unaware jealousy; but second of all, notice how Scott and Mike continuously get more and more openly aggressive with one another. They’re falling into a routine with it, almost.

This is where Scott introduces the deal— AKA, starts blackmailing Mike to help him win the challenge. Mike’s incredibly upset, and even considers telling Zoey about his DID, but is ultimately still too afraid. He’d rather be used than be abandoned. During the challenge, Mike tries to quip back at Scott for telling him to look in the broom closet, but retracts it when Scott threatens to tell Zoey. He tries to look tough to Scott, but fails. And when Zoey’s in trouble, Scott refuses to let him help her, in favor of making him go through the trash. Like with everyone, Scott likes to see Mike squirm, but I think he’s best at it with Mike, and the most enthusiastic about it too.

I’d also like to mention here that Mike just kind of gives up and lets Scott pick him up and carry him. Just saying idk you know when you just pick up some guy who you hate instead of making him actually fight for you or run in front of you or whatever. Mike also snarks Scott when his car doesn’t work, which, ok, go off King. Mike finally stands up for himself to help Zoey, the desire to protect her stronger than his fear, but Scott remembers how to trigger Vito to front and uses this to his advantage.

So, at this point, Vito gets clobbered and Mike has the fight with his alters, and it’s soooo bad, it’s so bad dude. They’re all fighting for control as if the moral isn’t that they should work together, it’s ridiculous, but I guess it also makes sense for Mike to be pushed to this considering everything? Glossing over this, anyways, Mike finally comes clean to Zoey and explains that he didn’t want Zoey to think badly of him. And I know everyone hates this scene, I hate this scene, “multiples just means there’s more Mike to —” yeah yeah yeah yeah fuck off idc that’s not how it works. But at least I think it does help draw a final parallel between Mike’s relationships with Zoey and Scott along with Scott eliminating him. Mike’s able to pursue his loving relationship with Zoey through her finding out about his closest secret, and Mike and Scott similarly are able to freely insult each other and develop this toxic almost-codependent-but-Scott’s-way-worse relationship because they also know each other, they know they’re hiding something and they’re familiar with each other’s personalities because hate drives them to look so deeply into each other. Mike gains Zoey and loses his dynamic with Scott, and vice versa, back and forth. These relationships can’t coexist, both because they’re so polarizing but also so similar in their intensity.

I didn’t watch the entirety of episodes ten through thirteen because it’s 4 AM and this is a Scike post, a 9274 word Scike post. But I did scrub through them and I would like to throw out there the Icarus imagery in episode ten when Zoey burns Scott for what he did to Mike, like Scott got too close to the sun or too in over his head, and Mike was his ultimate downfall. I’m also just going to skitter on past the “Mike makes fun of Scott while he’s in the trauma chair” because what the fuck. What was that.

The relationship between Mike and Scott in canon is, admittedly, less significant in canon than it is in my head, and less well-written and intriguing than I pretend it is, and it’s not healthy, and no matter how I spin it they never actually made up or understood each other in a major tangible way. But I think they should have. I think having them be characters who begrudgingly understand each other and care for each other in a way they don’t acknowledge or even recognize would give them some much-needed depth and maybe consistency. Scott in canon has no close relationships, and the two that Mike has weren’t necessarily great throughout the season even though I like to think that they are. It would be good for them. Adding a few more layers to each of them would explain a lot about their goals, their mannerisms, the contradictions in their personalities; it would make them both more sympathetic and relatable, into some maladjusted teenagers looking for an outlet rather than just a good guy and a bad guy who hate each other.

In conclusion, this post didn’t make much sense, and it was kind of a waste of time. But it was fun to think about these guys, and I could fix them, and also they’re more toxic in canon than first thought but I’m not necessarily complaining, because what’s a character without conflict and what’s a story without a theme? I didn’t edit or organize it, this was more or less my notes from rewatching the first nine episodes of ROTI. I’m aware it was super repetitive and rambly but I don’t have the time or energy to clean it up so, make of them what you will. Maybe this gave you a new perspective on Mike and Scott, maybe it didn’t, I dunno, I’m indifferent now, perchance. Like and subscribe for more Party Sciking. I need them to hold hands and wear the get along shirt and go to therapy. This ended up being more or less 9,738 words. Hope everything’s right in this, let me know your thoughts but please don’t tell me if you hate it. Goodnight Miami.

#alex’s td rambles #total drama #td scike #throws this to you. i don't remember half of what i wrote here #take a shot every time i say control or trust or power or annoy or smile or love or #cw abuse mentions #just in case #also i hope i got the psych stuff right i promise i did research #cw toxic relationship

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szilverer · 2 months ago

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hewwo

made this blog primarily to dump oc content & maybe liveblog a bit (its my first time engaging in a fandom space like this so im pretty lost, do lemme know if i mess up with tagging or etiquette or smth. more about me here.)

my main FL acc (Hreisz) is from 2016 but i only really started playing last august! ive finished my ambition in october but theres still a lot i dont know about the lore n stuff. recently made two alts & am slowly getting around to write/draw nice profile pages for everyone.

"H. Reisz", aka The Twilight Phantom // The Clawed Captain | LF (Looked Upon Fondly) | Oneirotect Silverer | ???

Hyacinthe R., aka The Sombre Pursuer | Nem | future Correspondent & Seeker | English-Romanian

"Zé Brito" or "Sev", aka The Zealous Backlander | BaL | future Monster-Hunter | Mixed Brazilian-British

feel free to send a CC or even just random in-character letters & menace help reqs :3c im a lil rusty but i'd love to write more

always open to asks/interactions here as well, just keep in mind i might take A While to respond as i am but an hermit with the barest of executive functions

trying to use this hyperfixation to practice digital art so there'll be random experimental doodles here as i try to find out wtf i am doing. everytime i open a canvas its a surprise. youve been warned

tags:

#chaindoodles -> art tag, #chainrambles -> text tag #fl liveblogging, #flore (fl lore)

#the twilight phantom -> the (main) blorbo

#nightmarriage -> my blorbo hoards trash. block this to be spared from witnessing their arguably most questionable decision (i.e chaining their stalker to themself so they won't be alone)

content warnings:

#light fingers spoilers (also general tag for LF) #nemesis spoilers, #evolution spoilers

just to be safe, i tag eyestrain/bright colours for some art.

#suggestive in case i draw (or write?) smth that can be perceived as saucy, spicy, horn knee, overtly kinky or implied nsfw. there wont be anything Actually explicit here though

i like #blood and injuring my characters both mentally and physically. so uh. that. possibly violence.? jokes aside, i like exploring heavy themes: mental health & psychological issues; abuse; general horror; death & grief; alienation; one's relationship with pain & self-destruction, intentional or not - these are all concepts that are gonna be present in the things i make one way or another. some mild religious iconography as well bc although im not religious i was raised catholic & i like playing w/ the aesthetic.

#body horror (mostly the shapeling arts kind)

#poor edward

So who's this "Twilight Phantom"?

I play a strict game with myself when it comes to my main blorbo: 99% of what the FLPC does, in the exact order i do it, is canon. This applies to small things like their possessions/wardrobe, for example - they pretty much only have the in-game items i own in the account to wear.

finding out reasons to explain why they keep the things they own, and why they don't just buy more clothes in-universe is part of the fun. (this game made them out to be a weirdo, naturally.)

It's been lots of fun to see this clean slate (and i do mean clean - i knew nothing about the setting/lore, or who they were as a person, so. well. this guy didn't either) get shaped by RNG, the narrative, And my mechanical wiki-fueled optimization decisions.

another extra rule i made for myself as a treat was making them a sponge to compensate for their inherent emptiness. this means they incorporate something from each important NPC they get involved with. they are a singer because of Clara and her twin. they only own a lab & got interested in research bc of Dr. Vaughan. they got a taste for exercise bc they accompanied Hephaesta's workouts for so long. and so on and so forth.

ill make a better, dedicated profile post eventually but for now have a playlist + an old vague intro + some early refs below:

[last updated: never. this is my self-callout to write abt recent developments bc ohh boy evolution was an entire year's worth of timeline progression.]

The first thing you notice about them is the cowl lazily draped around their head and shoulders, swaying behind their back like a cape in the colours of sunrise-- or, perhaps most familiarly, the velvety twilight that the newest star every so often provides to London. The second thing is the deep scars covering one side of their face, and the third thing would probably be the heavy eyebags under their sharp, dark eyes.

A relatively freshly-minted Silverer, H. Reisz spends more time in Parabola than London nowadays. Not that they had been in London for too long anyway, and it's not like anyone knows where they were before that either. The surface, yes, but it's a big world out there, right? They don't actually remember seeing the sun, or the sky, but H cannot deny the soft colours of twilight and sunrise have a special place in their heart. They recognise it without the memory of experiencing it, just like they recognised love in the depths of a certain Labyrinth. Hmm, two Labyrinths, actually. There was that one heiress too... and the Orphanage was inside one hell of a maze too... if they had a coin every time they found themself inside labyrinths, they'd... Uh, where were we? Well, anyway, being a new face, they had nothing to be known for so they simply gave out their surname instead. Or well, what they assumed to be their surname. "H. REISZ" were the letters sewn-in on a diminute corner of the tattered black veil that wrapped their head back when they woke up for the "first" time. They were surrounded by near-empty bottles of dried mouldy honey, absinthe, and who knows what else. Ah, the decadence... they couldn't even remember what honey could do at the time but they could recognise the stench of self-destruction right away, haha. Alas, if things were so bad they got to that point-- maybe this explains why moving on was so easy. Maybe they had somehow lobotomized themself on purpose. Who knows? They sure don't. It was only now, a year or so after waking up, that an epithet has started to stick around-- specifically by their actions as a Silverer and the services they provided. From nightmare-slaying to fishing out vestigial memories (the irony of an amnesiac doing this is not lost on them) to guiding and safeguarding lost dreamers, their glimmering signature cowl and the way it flowed rather phantasmagorically in Parabola started to leave an impression. To many dreamers, seeing a hint of pastel twilight colors signaled safety. It signaled someone you could trust to get inside your head. :)

#intro post #am i doing this right. idk.#fallen london ocs #the twilight phantom #chainrambles #chaindoodles #might post the drawings separately some other day #yes the hoe halloween costume has surprise lore LOL theyre literally just a friendly (winks) ghostie

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the-chessboard-is-personal · 2 months ago

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ii s1 liveblog but it's just one line per episode and all in one post because people seem to hate liveblogs

also under a cut so the post can be short

1 - gh. this is. 13 years ago?? yeah it sure looks like it. call me problematic or whatever but PLEASE tell me the animation quality gets better. PLEASE. I don't hate the show for this but it is hard to watch /gen

2 - bomb stuttering so much he needs subtitles feels like a harmful representation of people who chronically(?) stutter but I don't stutter so I don't have a proper opinion on that (could someone in the notes confirm or deny?)

3 - KILLED HIM?? (<- said when Balloon was popped) okay it's really funny how in this episode alone I could say that and be talking about threE DIFFERENT CHARACTERS-

4 - okay so I paused in the LOL scene and. "TO DO LIST: REPLACE COINY!" ? ..anyway. what the fuck was that

5 - no budget ass montage skip /silly- ah. nevermind 5.5 ?? - no actually I didn't know that about the 10 contestants thing because no one ever said it in an episode prior to that. also dictionary definition of Taco I see you

6 - who the fuck was that in the intro. is there an orange character?? also what the hell. I didn't install an adblocker for that. UNAUTHORIZED FUCKING THING 🔴. BLOW IT UP NOW!!

7 - who the Phuck is that. wait. that's another MePhone. OH SHIT THEY HAVE BEEF ?!

8 - MePhone 4S?? KILLED HIM??? hm yeah no wonder this show has "insanity" in the title what the fuck is going on

9 - ehh not much to say about this one tbh

10 - don't tell me the fucking COMMERCIAL OBJECT is gonna win

11 - hey neat slideshow. I See You. also yeah yeah this was 12 years ago, but. ......one of these characters seems like a harmful stereotype and this time I'm not talking about Bomb. uh. no further comment. AAAAAAAAAAAA AUDIO DESYNC AAARGHSDFKJG HDLS;JGHGHOS;GHSOLKG RAGRHJ HGARRGAHG RAGHRHAGHGH /negative (sorry again call me problematic but audio desyncs ruin things for me)

12 - oh. more episode 1 flavored pain and suffering. great. oh they don't like it either lol. also what is narnya

13 - OJ you dumbass you SAID THE THING. also hey neat clouds. I See You. ... [paper lore happens] me: yep uh huh *eyes glaze over*

14 - minecraft glass sound hahah[gets hit with the realization that Minecraft is 12 years old] ..haha idiotic island TWOOOO-...oh.

15 - it's him!! and he has claws now! oh he's pathetic. ohh hehe I see. "I'm pretty sure I don't." foreshadowing much? wait WHAT DID 4S JUST SAY

16 - "I guess it's nothing" mhm. sure... jhfkasf "Oh pleas[like button lights up]e, like you've never eaten a sock before" ..4 arms MePhone?

finale part 1 - NOO THE BOX IS OPEN!! wow why so many MePhones- oh wait that's. that's probably a parody of iphone. huh

finale part 2 - "you're DVD and I'm blu-ray" hahahahhaha yeah? you sure that's the gotcha you want it to be? ..oh. OH. w,hat ??hmm ratings huh? reminds me of someo[I am Thwomp'd]

one thing. why does the orange never show up again after that one thing in episode 6 ?

#the fuck up won't shut up!#ii #ii s1 #inanimate insanity #liveblog

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mermaidsirennikita · 4 months ago

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Hi! Do you by chance have any kind of reading list for newbies to romance who want good examples of common tropes & an understanding of how the genre has evolved over time? Or recs for iconic titles and pioneer authors in the genre? I know Nora Roberts and Danielle Steele are everywhere but are they really the best place to start?

I can offer some recs/guidance! My word definitely isn't gospel and I have my blind spots—I try to read diversely, but I can always do better and am a white, cis, physically abled woman.

Soooo in terms of Nora and Danielle, I'd say yes to trying Nora, no to her necessarily being the best START, and personally I don't care for Danielle's books. But that's a pure taste issue, and the big thing is that the vast majority of Nora's books are romance (more recently, she's been published some dystopia/fantasy-bent stuff with romantic subplots while still publishing romance, I believe, and she's been publishing her In Death series, which is romantic suspense with some sci-fi elements, for years as J.D. Robb) whereas a lot of Danielle's books aren't. The first Danielle Steel book I ever read as a kid was pitched as a romance. It wasn't, and I hated it.

Nora is very good, but I do think she can be a bit overwhelming for new readers just because she's been through so many eras. She also has a very distinct voice, and you're either gonna be into it or you aren't. Nora writes a lot of trilogies, which will sometimes offer standalones and sometimes reeeeally read as interconnected series that happen to focus more on one of three couples per book (while the other couples still stay on as strong supporting characters). See my favorite books I've read by her, the Circle Trilogy. It's paranormal romance with a strong fantasy element. While each book centers one of of three couples, the books must be read in order and all feed into this overarching "save the day" storyline.

But to cut to the chase... Here are some books that can offer you an intro "sampler".

Iconique Classiques

A Kingdom of Dreams by Judith McNaught. This medieval romance is enemies to lovers where they're LEGIT enemies to lovers, with a delightfully complicated heroine. It's a great example of Judith McNaught, who is a foundational author, and despite being written in the 80s (with all that entails) it holds up really well.

The Bride by Julie Garwood. Another foundational medieval with a "oh, this is 80s but it hjolds up" vibe. Arranged marriage with a classic medieval setup: the Border Marriage! (Scotland x England marriage for political purposes.) Alec Kincaid is an EXTREMELY influential hero, and this is just such a fun book.

Indigo by Beverly Jenkins. Beverly Jenkins isn't by any means the only author who's written historical romances about Black characters, but she's perhaps the most influential and probably the historical romance novelist wh does the most research in general. Her writing is gorgeous, and this book focused on a practical heroine who ends up in over her head after she nurses an infamously rakish Underground Railroad conductor back to health is just so romantic.

A Knight in Shining Armor by Jude Deveraux. This is a really interesting romance, again very 80s but still good (imo). It focuses on a heroine in the 80s who goes to a church to cry wishing for a knight in shining armor after being abandoned by her douchey fiance. Then a literal medieval knight literally time travels right before her eyes. And he's also a douche lol. But a hot one!

Johanna Lindsey is also a very influential author in the genre, but a lot of her big CLASSICS are more noncon-leaning. A big one is Prisoner of My Desire, in which the heroine is forced to rape the hero in order to get pregnant (he later does the same to her in revenge... and then they fall in love). Kathleen E. Woodiwiss's The Flame and the Flower also features the hero raping the heroine, and it's also a classic. I won't get into it on a request post, but if you want to explore the genre more academically~ and are okay with reading noncon, I'd encourage checking out these and/or McNaught's Whitney, My Love. They're good books, imo, but the reality is that consent issues are a part of the genre's history, and that books with consent issues did and DO appeal to many romance readers for reasons that I think relate to the genre's appeal in a big way.

Kiss an Angel by Susan Elizabeth Phillips. Susan Elizabeth Phillips did a lot to work towards the contemporary romcoms of today, except her books are often a lot more romantic and a lot funnier. This one is also generally WILD with a super dickish alpha hero who takes the heroine (who was forced to marry him by her dad) on a jaunt around the country with a TRAVELING CIRCUS. It's crazy. It's extremely fun. It's WILD.

To Love a Dark Lord by Anne Stuart. This is another historical, and to me it shows a lot of the early seeds of dark romance. You have a shady hero, a deal with the devil, and high stakes throughout. Stuart writes the biggest assholes for heroes, but this one is on the softer side for her.

Contemporary

Reel by Kennedy Ryan. Kennedy is one of the best in the biz! This book focuses on a famous director who falls for the up and coming actress he's chosen to star in his passion project. But she has a secret that could come between them. It also has a unique quality in that it goes back and forth between their story and the movie "script", which tells its own love story.

Get a Life, Chloe Brown by Talia Hibbert. The first in Hibbert's funny, feelings-y, and hot Brown Sisters trilogy. Showcases a heroine with chronic pain who decides to get a life (as the title suggests) witht he help of her hot neighbor.

Lush Money by Angelina M. Lopez. A super unique billionaire romance with a Latina heroine who is in fact the billionaire, making a very unique deal with a prince in need...

How to End a Love Story by Yulin Kuang. A successful author sets out to have her books adapted into a TV show, only to find out that one of the writers on the show is a man who was pulled into her sister's suicide when they were teens. (Basically: her sister jumped in front of his car, it was by no means his fault but the heroine and her parents hated him for it.) They can't resist their chemistry as adults, and begin a short-term no-strings thing that obviously... is a lot more. SUPER emotional, super hot, would recommend 100000%. READ THIS OVER EMILY HENRY. IMO.

Heated Rivalry by Rachel Reid. A great way to try sports romance, and a particular niche of sports romance called hockey romance, and a particular niche of hockey romance called GAY hockey romance. One of the only hockey romances I'm into, about a pair of longtime rivals who've secretly had a FWB situationship for years and are clearly in love but can't handle admitting it. SO. GOOD.

Chef's Choice by T.J. Alexander. A classic fake dating setup with a lot of cooking when a down on her luck woman agrees to pretend to date the French heir to a famous cooking family while he takes on a cooking... challenge...? To lock in his inheritance. A book with a trans hero and a trans heroine, rare (unfortunately) in romance.

Managed by Kristen Callihan. This is a great example of a rockstar romance, albeit one that focuses more on the manager of the band who's sooo uptight, and the social media girl/photographer he can't live without.

Lead by Kylie Scott. And if you want a rockstar romance that's about, well, the rockstar side... Here's a book about a recovering addict frontman whose world is turned upside down when his hard-ass assistant/sober living companion/unintentional best friend quits her job (because she just realized that somehow she's fallen in love with him).

The Kiss Quotient by Helen Hoang. A woman on the spectrum who's convinced that she's bad in bed (and wants to get married to please her family) hires a sex worker to get her out of her funk. Definitely recommend!

Historical

Again the Magic by Lisa Kleypas. This is the prequel to Kleypas's Wallflowers series. By and large, I generally recommend trying to read older editions of Lisa's earlier books—she's been making a lot of edits since 2015ish that I don't... love.... I haven't heard of any edits being made to this one, though, and she's one of the greatest historical romance authors of all time. This is a dual romance, with a second chance/revenge interclass romance as the main story, with an age gap sort of redemption romance in the second story. Both are excellent.

Thief of Shadows by Elizabeth Hoyt. Hoyt's entire Maiden Lane series is sooo good, but if you're going to read one book by her, go for the one with the virgin vigilante hero who finds love with a jaded society widow.

The Duke Gets Even by Joanna Shupe. This is a standalone that's even better when you read the prior books in its series first. However, I think it's a great sendup of historical romance tropes—you get a rakish heroine, a hero who likes some rough sex (giving AND receiving bites and bruises) and a lot of HIGH OCTANE EMOTION with a feminist streak.

A Lady for a Duke by Alexis Hall. A friends to lovers romance between a PTSD-ridden duke and a woman who, unbeknownst to him, is his best friend from before the war, who faked her death after the Battle of Waterloo in order to live as her true self. A rare historical romance with a trans heroine.

The Dragon and The Pearl by Jeannie Lin. A cat and mouse villain/kidnapping romance set in Tang Dynasty China. Super tense in the best possible way.

An Island Princess Starts a Scandal by Adriana Herrera. A sapphic romance set in 1800s Paris, with one heroine being forced to show the other the secrets of the lesbian art community as a part of a business deal.

Princess by Gaelen Foley. To me, this is a great example of CAMPY 90s bodice ripper vibes in the best possible way. A bodyguard! A princess! An age gap! It can't be! She lactates when he sucks on her tits (she's a virgin).

The Mistress Experience by Scarlett Peckham. A sex work-positive romance with a shy hero and a bold heroine, a super modern and exciting look at historicals.

Devil's Bride by Stephanie Laurens. This is one I would definitely recommend to see a throwback—it's a great example of the campy historicals focused on one big family, with a solid dose of humor. And I mean... you kind of need to read a book with a hero named Devil.

Unmasked by the Marquess by Cat Sebastian. A super lovely friends to lovers romance with a nonbinary protagonist. It definitely broke new ground in historical romance.

Waking Up with the Duke by Lorraine Heath. Lorraine is one of the best historical romance writers in the game and is known for turning bonkers plots (in this case, local man agrees to impregnate his impotent best friend's wife) into suuuuuuper emotional love stories. A must-read.

Paranormal Romance

Slave to Sensation by Nalini Singh. A really interesting, influential shifter romance with a heroine who's literally incapable of feeling emotion... falling for a hero who's a literal panther shifter that feels ALL the emotion.

A Hunger Like No Other by Kresley Cole. A CLASSIC paranormal romance and the first full-length installment of Immortals After Dark, the best PNR series I've ever read. Very classic hyper alpha werewolf book, with the "feminine but headstrong" heroine type Kresley's so good at. I would also make your way to Lothaire, which is later in the series but probably the BEST vampire romance novel I've ever read. A true example of a villain romance, which can be hard to find.

Dragon Bound by Thea Harrison. Another Big Alpha romance with mating bond stuff, this time featuring a dragon shifter who hunts the heroine down after she steals from him.

Morning Glory Milking Farm by C.M. Nascosta. Not MY favorite book, but it's cute, and if you want an example of the modern "soft monster" romance, this... is it. (Run, Run Rabbit is my Nascosta of choice, but it's definitely a darker bite and feels a bit less "monster romance" to me as the leads are werewolves. To me, a monster should be less... humanoid.)

Bride by Ali Hazelwood. I really liked this, but I also think it's good to read to see the contrast between currently lite paranormals and paranormals from the height of the early 2000s wave. Plus, it's a tradpub book with knotting, which... shows how far we've come lmao

Moonglow by Kristen Callihan. Another KCallihan, but she writes across so many subgenres! This one I'm recommending to illustrate a particular niche we don't get enough of—historical paranormals. A werewolf/witch book set in Victorian London? And he's a Scottish rake? HELL YEAH.

A Long Time Dead by Samara Breger. A recent release that offers more gothic approach, with a romance between sapphic vampires spanning centuries. You can totally see an Interview with the Vampire call and response thing going on, but as a true romance novel with more explicit queerness (referring to the Interview book, not the show).

Erotic Romance

Priest by Sierra Simone. Good for dipping your toes into the Sierra Simone waters, a very classic "taboo" (but the taboo is religious, so it's light for a lot of people) romance between a Catholic priest and a woman seeking to unburden herself. With unique usages for holy oils. For Simone, I'll also recommend..............

The New Camelot Trilogy. This is for people who are ready to expand a bit and explore poly romance—I personally don't think anyone writes poly as well as Simone. An MMF triad retelling of the King Arthur myth, with the president, vice president, and first lady in a tangled, semi-dark-but-more-emotionally-speaking-not-violently-speaking triangle. Her writing is MAGNIFIQUE.

Praise by Sara Cate. Sara Cate is hit or miss for me, but this one is a great way to try her out while getting a good example of a "sex club" romance. The heroine ends up in a light D/s relationship with her ex-boyfriend's dad, with a good bit of praise involved. ;)

The Master by Kresley Cole. Another author who has to be featured multiple times due to her expansiveness. This one is a Russian mafia book that involves some truuuuuuly interesting... devices. But also, a lot of heart, as Kresley Cole is so good at making everything work. An interesting contrast to Lothaire, which I maintain is the paranormal version of this book in a lot of ways.

Mafia Mistress by Mila Finelli. A great example of an Italian mafia romance, with a massive age gap and some daddy stuff. I will also say—it does end on a cliffhanger and you need to read Mafia Darling to get the full story. Mafia Madman is actually my favorite in this series and is about a different couple, but they're ALL super good.

His Valet by S.M. LaViolette. A historical erotic romance with boss/employee stuff, secret identity stuff, a great grovel, and a nonbinary protagonist. Gorgeously written, daring, and a must.

Preferential Treatment by Heather Guerre. A billionaire romance that critiques the very concept of billionaires, and a great example of a soft femdom romance.

Act Your Age by Eve Dangerfield. An interesting and again self-analytical daddy age gap romance.

Fantasy Romance

A Heart of Blood and Ashes by Milla Vane. An amazing barbarian-type romance with a big fantasy world and a ton of heat and swoony passion. A must!

The Witch Collector by Charissa Weaks. I just think this series is everything people tell you ACOTAR is, and I would absolutely recommend for multiple great romances (m/f and m/m), complex characters, and amazing dynamics throughout.

Kingdom of the Wicked by Kerri Maniscalco. This kicks off Maniscalco's Kingdom of the Wicked series, with witchcraft, demons, and more. This series began with a YA tone (the heroine was never underage, though) but in the second book Maniscalco transitioned to a fully adult sphere (and content...). You could also begin with the "adult from the start" spinoff Throne of the Fallen, it's up to you.

The Wisteria Society for Lady Scoundrels by India Holton. A whimsical and super romantic book kicking off a series with thieves, flying pirates, witches, and a ton of humor with a historical romance bent.

The Winter King by C.L. Wilson. Another high fantasy type romance with a conquering winter king marrying a summer princess in a true-making arrangement. Ice sculptures, war, and enemies to lovers goodness ensues.

Aaaand I don't read a lot of alien/sci-fi romance, but I'd definitely say that everyone should give Ruby Dixon's Ice Planet Barbarians series a try for the culture! Barbarian's Mate is my favorite, but Barbarian Alien might be a good place for newbies to start.

#romance novel blogging #romance novels #book recs

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nobodysdaydreams · 10 months ago

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OH AM I GONNA HAVE SOME FUN WITH THIS IF I EVER HAVE THE TIME TO WRITE FANFIC

(Or my reaction to Episode 61 of Wolf359: Brave New World).

Well gang, we did it. We've reach the end. Sorry for how my reactions went from super spaced out to speed running the finale in a number of days, but I did warn you that I'm just sporadic like that. Though I have been semi-putting Brave New World off, because as much as I want to know how Wolf359 ends, I don't want it to end. I love these characters. I want good things for them. As much as I hate what they did, I wish that Hilbert and Maxwell had gotten the chance to get the redemption arc that Jacobi got. Hilbert had plenty of opportunities, but Maxwell was young and its not fair. I don't know how much more sadness they are gonna throw at me, but I'm guessing its a lot and I can't listen to it all in one sitting, so I'm just mentally preparing myself.

I also don't want this to end because I've loved giving you guys these reactions. Thank you all for reading my rambles and enjoying them. It means a lot to me, and I hope you were entertained. Thanks for coming on this journey with me, and please know that the second this is over, I am gonna figure out how to unblock the wolf359 tags (I did it so long ago I forgot how I did it, oopsie-daisy), and I am am gonna be reblogging and going crazy over all your posts and fanart and stuff so I hope you're ready for that.

Plus finishing the podcast also means it's time for me to deliver on those fics I promised y'all, which have been very carefully written (in my head). I will write them out eventually, but if there is anything my tmbs mutuals will tell you, my wolf359 mutuals, it's that my ideas tend to lead to other ideas, which means my fics do tend to be a little long, but (based on the reviews I've gotten) worth the read. So it might take a while to get them on AO3, but when I do, I hope you enjoy them!

Tagging the mutuals who got me invested in this, and if you want to be tagged or untagged from these posts, lmk, or you can follow my blog or simply follow the tag "#bods wolf359 reactions". Anyone who has followed me for a while knows my updates are inconsistent, so I apologize in advance for that and for any spelling/grammar mistakes in my posts.

@sophieswundergarten @oflightningandstars @acollectionofcuriousreblogs @herawell @commsroom @lovelyladylavie

Episode 61: Brave New World

The fact that Brave New World was written in 1932 and Cutter and Pryce are old and the fact that the message of Brave New World is about humans losing their humanity...already we're setting the stage.

And based on Kepler's earlier declaration, why do I suspect that this is the part where Doug's daughter's life and Minkowski's husband's life are finally on the line. I know Cutter and Pryce won't hesitate to aim their guns at them (and probably the rest of the planet too).

That moment when you can't tell if Wolf359 starts with sad piano music, or if this is just an ad for another podcast.

Oh it's the intro. Hi Hera! Or Miranda...oh wait I genuinely can't tell if this is Miranda talking about herself or Hera talking about her.

Clouded eyes, weak heart, child genius, orphan, no friends...I see. Obsessed with making things stronger and better. Yeah, except for herself I bet. Oh. She made her friends. Because she could control them. "Never left her behind, never talked back, never were afraid of her...except when she wanted them to be." "The one thing she couldn't fix was herself" see I called it!

Until? Oh no. Marcus.

And Old Man? Almost as clever as her? "Hello little girl. I want you to make a doll for me. You're very best doll. It must look like a real person, and sound like a real person, and be a real person." "And if I can?" "Then you and I will fix the world. I will be young and you will be whole and the world will finally be everything it could be. Everything it should be."

Okay. Thoughts.

When I made my jokes about Pryce being Cutter's evil science girlfriend, I was not assuming a romantic relationship, I was trying to use that language to insult Pryce and Cutter by making them sound like the kids they hate so much in a frivolous, juvenile and toxic relationship. Then, I was told by a few of you that given this assumption, it’s important that I know that I shouldn't assume that Pryce met Cutter when she was young based on this story and it was meant to be "fairytale language", which does make sense given that Cutter being willing to call Miranda his "work wife" when he's known her since she was young enough to be his granddaughter is incredibly creepy.

I appreciate the clarification, but also, I really don't think it matters whether this is hyperbole or not. If it is, then okay. Pryce and Cutter's relationship is still weird. If it's not, then Cutter's a creep, what a surprise. Tell me something I don't know.

"And so they did. And everyone lived happily ever after. The end."

The fact that it's Cutter that interrupts Miranda's story to give that closing line and declare this the end adds to the creepiness. Miranda says what Marcus's promise to her was, but never says whether she agreed before Marcus jumps in with "and so they did". Also, if Miranda was dying, Cutter was her only chance at survival. It also sounds like she was a kid with a pretty messed up view of the world. Doesn't excuse anything she did, but see Cutter? THAT is how you give a good sad backstory, and she did it in five minutes. You spent a whole hour with Nash just so you could cry that the government took your precious telescope.

--------------

"THAT'S the evil plan?" Care to fill us in Doug?

"That's THE plan, yes." Shut it Rachel. It's evil and you know it.

It's...so evil. And so...planned. Doug's words might be simple, Rachel, but sometimes simple is better. It gets to the point and cuts through the BS.

"It's real and it's happening" And ARE you happy about this Kepler? And why tell them?

Good question Kepler, why are you here? Please tell me you're going to take Rachel away.

"You're going to help" "of course I am" Are you Kepler? Oh please tell me he gets a redemption arc and betrays Cutter.

Does anyone want to fill ME in on the plan? No one? Okay. :(

"Where's the trust?" That's not for you, Rachel.

"I really don't like her" I don't either, Doug.

"What about Cutter's plan?" WHAT IS THE PLAN? WILL BOB AGREE TO IT? WHAT WILL WORK? WHAT WILL THEY DO?

We can't stop them, so let's see our families again. No, Minkowski, you can do this! I believe in you! You can't just go home, we have two hours left! That's plenty of time to stop them.

It's been a long...years.

I forget how long they've been up there. And that everyone on Earth believes they're dead.

And not do anything about WHAT? WHAT IS THE PLAN PLEASE FILL ME IN.

What was that sound?

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Oh Doug is in the comms room. Oh yikes. It's okay, Doug. We've all broken very expensive lab equipment before.

"Living in a cuckoo clock" you have no idea, Doug.

"I wouldn't do that." Is that Pryce or Hera? And yeah why is there gas?

"Good boy" oh good it's Hera. Hera calls him good boy, Pryce just calls him boy.

"Who are you?" OH THIS IS DOUG MEETING HERA FOR THE FIRST TIME. At first I thought that Doug...forgot her? Or something? I was confused.

Ultraviolet halo? Contraband cigarettes. 😂

"Just ask. I'm here to help." Aw that was sweet.

-------------

Ew Rachel. I'm gonna start using "----" breaks to cut off sections.

"Actually he's in quite a lot of pain. Back to work." Always charming, Rachel.

"Thanks for saving our lives-" Kepler, that's a great question. What IS this? Where was the concern for brainwashed Jacobi or better still, WHERE WAS YOU CONCERN FOR MAXWELL? Or Jacobi dealing with her death?

"And do what? Get myself shot? Get you shot? No. I played the game." Was it worth it, Kepler?

"That's the lie you tell yourself. The truth? The truth is that you were afraid. And the only thing YOU did was try to save YOUR hide?"

Dang this dialogue is amazing.

"You're not wrong." "Which one?" "Both of you." This isn't YOUR conversation Rachel.

-----------

Momentary weakness?

Oh my gosh, the good food too? Why does Cutter hit so many show Curtain parallels? He might torture, enslave, and kill people, but he's gonna get them a good meal first.

Good for you Doug, turning down the wine. I'm proud of him.

This is a sweet moment between Doug and Lovelace. I gotta say, since I'll be reacting to this section by section, it's nice that they have it broken up a little like this so I can reach a section and then get to a stopping point if I need to.

I'm just worried about who is going to die. These conversations feel like goodbyes.

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Minkowski. I know you miss your husband. But...yeah, ARE you ready to go back?

YEAH WE'RE DOING THIS! To borrow from Eris's words: "Let's beat the bad guys 🥳"

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Quiet Rachel.

LET'S GO MINKOWSKI. WHO CARES WHAT CUTTER AND PRYCE WANT?

Wait. Destroy a whole species?

Are they talking about humans?

...are they ecofascists? Eugenicists? Pryce is literally disabled, how the heck...

"Only stay if you have to." Well, it sounds like you all have to.

"Hera what did you say to her" "Something a friend once said to me" 🥰🥰🥰

"I'm starting to think these guys are my kind of stupid" GO JACOBI!

"Adorable corpses 🥰" Rachel you suck!

"Come with us. You're still people, you're still on our side, even if you don't think you are." Very true. What do you think Pryce and Cutter will do to YOU when they have what they want? They'll dispose of you too.

"You're allowed to make mistakes as long as at some point you admit that they're mistakes!" "I was wrong and people died. All I can do is not be wrong again" "You knew what you were getting into" "No I didn't. I didn't know I was getting into mind control and reducing people to nothing. There's a line. And you're almost out of chances to get on the right side of it." PREACH!

"There is no line. Forwards. Always forwards." FORWARDS TO WHAT RACHEL? WHY HAS NO ONE SHOT HER YET?

"Thank you, Daniel, and goodbye." Oh so that's how it is. Goodbye Kepler. I look forward to your last minute sacrifice.

Character arcs woven like a quilt.

"We're going to crush them" Yeah, let's do it!

A full reboot? Worth the risk? That kind of stuff always worries me.

Is this Maxwell's notes? It's hard to recognize the voice on the recording. "She really was something special" Oh it is Maxwell.

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Ah. Another flashback! Jacobi meeting Maxwell.

Looks like Kepler got an important text.

"Cool stuff with robots" good work Maxwell. The best scientists can always dumb it down.

"The Whiskey speech" 😂

"You're one of the best. You're gonna do great things. It's the last nice thing you'll ever hear from me. Except: you need anything I got you're back. No matter what happens, I've got your back. I'll take you up on that." 😭💔

Oh it's okay. Take my heart. I didn't need it.

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"Are they going to do the smart thing?" "Well who are we to deny them an agonizing death?" Shut it Cutter.

They put a tracker on Jacobi? See I knew Rachel was a snake. So is Kepler, but at least he's gonna take a bullet for someone or something. My money's on Jacobi, but I could be wrong.

----------

Yep. Eiffel logs everything.

"I never got the chance to say I'm sorry. YOUR DAD LOVES YOU, YOUR DAD LOVES YOU SO MUCH." 😭😭😭😭😭😭😭💔💔💔💔💔💔💔💔💔

"Don't let anyone tell you that you can't do something. You can go so far. I wish I could be there to see it. I love you Ann. Always and forever."

AKJLS;DJFKL;SJF;ALSKDJFA;KD

Time to go? Oh. The comms room? Oh, right. Poor Doug.

"One more day, and then we're done." This is so sad.

Wait...what is happening? OH SHE LIED. SHE'S TAKING EIFFEL HOME TO PROTECT HIM. SO HE CAN SEE HIS DAUGHTER? DON'T DO THIS TO DOUG! DON'T DO THIS TO ME.

"Go home Eiffel, hug your daughter" OH HE CALLED HER RENEE!

This leaves me with so much feeling.

Eiffel can't leave he's the main character. Who will make pop culture references? Who will save the day through the power of random associations, luck, and good intentions?😭😭😭

I hate that they the bad guys know exactly what happened too.

"I'm so sick of this happening!" Use too Doug.

Oh "For god's sake just let me change the flight plan!" So that's what the F stands for. The lore I've been waiting for.

"People need to know what's coming?" Minkowski...I get why you did what you did, but HERA DIDN'T GET TO SAY GOODBYE.

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Is this Minkowski's flashback?

Oh when Minkowski met Hera.

"I heard units prefer to go by their serial numbers..." "I don't" Good for you Hera!

I love this. I love these flashbacks, but they just make everything so much more sad!

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Ah. More piano music. Does this mean we're back to the bad guys, or...?

Is this Cutter playing the piano?

"The Tempest. Do read a book sometime. Is this the best use of our time?" Pryce and Cutter are really the most toxic people.

"A storm is coming. And on the other side..." "Oh Brave New World." "That has such people in it."

Yes, Pryce and Cutter. People. As in humans. As in: NOT YOU.

"How have they decided to throw their lives away?" "By destroying the device"

WHAT DEVICE? What are you talking about?

Heck yeah a harpoon! I hope Cutter gets it.

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"This is Minkowski. I love schedules and musicals and that man who I married." 😂 1-2-3-4-5? It was a good guess Doug. Would have worked in my fanfic.

Okay here comes Victor...

...um what is happening? What is this?

...a surprise party? Sounds fun! 🪩🥳

Oh right, the bio tracker. I'm happy to see Jacobi pulled one over on him. Now shoot him! Please tell me that was Victor that got shot.

They...they trapped him in the room. "Tell me this before I kick your ass" Why on Earth would he ever tell you anything Victor?

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Okay, so they are blowing up Pryce and Cutter's evil device, but...what is the device? What ARE they doing? Did I miss it? I'm sure they're doing something to enslave or kill all of humanity, but I'd like the specifics.

"The Hephaestus has almost fallen out of the sky so many times, it's hard to believe it's happening." Well...the show isn't over until it's over.

Is this a Lovelace flashback? A date? A date with who? Oh, Hilbert. Not that kind of date then. Oh, this is her introducing Hilbert to the crew he's going to betray.

"Prudent to keep things formal" to avoid the guilt.

Selburg. Once again with the constant fake names. Dmitri. Matthew.

Though I think Miranda has always had hers.

----------

Yeah Doug. You've listened to her say it so many times. This is like me trying to drive in my hometown. No, I wasn't paying attention in the car as a kid, I was not the one doing the driving. I just zoned out and we got from point A to point B by magic.

Oh, Minkowski. "Get up and do it already. You can do it."

Yes you can Doug. You are the main character. You are the guy that's gonna swoop in at the last second when Cutter pulls one over one them. So you CAN do it. I believe in you, Eiffel.

"Victor Uniform Lemma Charlie Alpha November VULCAN" I knew it must stand for something! Good work Doug!

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Oh dear. More of Pryce and Cutter's marriage falling apart.

"Time to change the world." Or you could not. Maybe you could just not.

WHY IS THE DEVICE RUNNING? WHAT DEVICE? WHY DOES HE NEED TWO MINUTES?

Please explain this? Oh of course he has a speech.

Oh he's talking to the dear listeners, not the Hephaestus crew.

Ah. The Decima virus. Thanks a lot Hilbert. DEPLOY THROUGHOUT THE EARTH? He wants to cause a pandemic????

Automatic, can't be stopped, destruction of human race? But why would the aliens care? Oh because Cutter wants them to talk to HIM? But the aliens prefer Doug.

As do most others it would seem. Hurts, doesn't it, Cutter? All those years of experience and work, and yet, you still just can't have what he has, can you?

Ah. It's Bob. Did he just shock Bob? No temporal jumps, no disintegration?

"Remarkable and cold" No Bob, you saw Doug! It's just them. They don't need to be cold.

Willing to disrupt species survival??? What piece of tech do they want? Surrogates?

They want to fill the world with people they can control?

"You can't make duplicates of our species." Bob, they are worst than you can ever imagine.

"We're going to make better humans." "That is not the way that-" "Random part out of the equation" That's a bad idea. Do you know how evolution works? Do you know the negative side effects that have come out of selective breeding of animals? The unintended consequences? To quote Miranda from earlier in the episode: READ. A. BOOK.

"Our Humanity" Gross.

HOW ARE THEY ACCEPTABLE? IT'S MUSIC. WHY ARE YOU THAT DESPERATE FOR MUSIC?

Oh here is comes. Betraying Rachel and Warren.

OH TELL HIM BOB.

"Your brains can't handle it without modification. I cannot with my limitations. Do you have Doug Eiffel?"

Hahaha...hahahahahahaha....HAHAHAHAHHAHAHAHAHAHAHAHAHAHAHAHAHHAHA..... 😂😂😂😂

Oh boy...oh Cutter is gonna snap. If only Doug had just kept going...

Oh wow okay Cutter has lost it. What happened to emotionally playing the piano and giving speeches about how the time had come?

oh geez no, Doug is back. Doug, no, they need you for the evil plans. This is a good idea, but very bad timing.

"He wouldn't" Oh he WOULD. He really really would.

Show 'em how it's done Dougie Boy!

"I'll get it" No you will NOT Miranda.

Kepler, now is a great time to betray Cutter and Rachel. A really good time.

Also is Victor dead? I'm trying to keep track of how many bad guys are gone.

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"You're the only person who can receive the data Pryce and Cutter want" Oh dear.

"With my life darling, with my life" 🥹💕

So what is Hera going to do?

"Lets make sure at least someone makes it through this" YOU ALL NEED TO MAKE IT.

"Let's go get our idiot back" That's the spirit baby!

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Oh dear. Jacobi. "Terrific for an SI-5." Wow.

"I'm gonna win!" I hope so Jacobi. But it sounds very not good.

Oh and here's Doug. And um...other Doug. Aka Bob.

Bob. Do not do this.

That was it? "You shall not call me again" "No Bob. I shall not."

THEY KILLED BOB.

"I hate loose ends"

I mean, I saw that coming, but dumb idea. I'm SURE Bob's family will be cool with that! Oh right, he just...recreates himself. But this has got to be trippy for Doug because Bob takes his form. Imagine watching a clone of yourself die.

"Pryce is not right?" DANG IT DOUG, I WAS GONNA USE THAT PUN IN MY FANFICTION AND NOW I CAN'T (WELL MAYBE I STILL WILL WE'LL SEE WHAT HAPPENS HERE).

"Let's make a deal 🥰" Wow Pryce is the worst. Again, very trippy how much she sounds like Doug.

Wait. GOING IN? What does. What does "going in" mean? Don't go in, I don't like going in?

Ah yes. Going into someone's mind. I've done that in my fics before too. Fun stuff. And um...it's because you're disorganized Doug, I hate to tell you.

"That was...that was...that was..." OH SHE DESTROYED THE MEMORY. OH SHE TOOK THE MEMORY?

This is...horrifying. She could take his daughter away. She could take Hera, Minkowski, and everyone and everything away.

HERA! HECK YEAH!

Oh my gosh is she actually here? Like as a person?

This is everything.

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Ah yes, confrontation with Cutter.

Cutter has modified his body or he has a magic shield.

He can catch bullets? Of course he can.

I wouldn't try hand to hand combat either. I bet he gave himself super strength.

There has to be a weak spot. He has to have a weakness. But what could it be...

...what is the opposite of a chai latte?

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Ah. Back to Jacobi.

Kepler this would be a GREAT TIME to come in and get your arc. "I'm not a good guy" oh Jacobi. What's happening now? Oh has he been pretending to lose this fight to buy them time? What is happening? It's hard to tell.

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She's always been interesting, Pryce! You’re just noticing now.

"You don't look like me." Disappointed, Pryce? Sad that she’s better than you?

And the fact that all these AI want human forms...this is so sad. They structured them based on human consciousness so of course they want human bodies and experiences, that's just cruel.

Wait Doug got beat up in the 2nd grade? The Star Wars Prequels? "I might be okay without that one" No one tell him about the sequels 😂😂😂

"Of course you can. You can do anything." 💕

"You and what army, 214?" The sounds in this really makes the fight sound super epic. One of my favorite parts of the whole thing.

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Oh gross not Rachel again. Why is she still here?

And Kepler. Dude, you wanna hurry it up? Grab your arc or go, the clock is a-ticking.

"We're changing what humanity can be." you suck Rachel.

Pulse beacon, half power? What does that mean? The signal wouldn't have made it back to Earth?

"We have tell Mr. Cutter." "Do we?" KEPLER THIS IS IT!

YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES!!!!

He gave you a chance, Rachel. He gave you a chance. "After all, I am still a person. I'm on Jacobi and Minkowski's side. Even if they don't think I am"

And even if they never know you were.

Is she gonna blast him out the airlock? Rachel, you're dying, it's over! You were wrong! The best thing to do is let him live!

He's literally drinking as he goes out the airlock. My...my wish came true. But this isn't how I wanted it to... why now? Why like this? 💔

It's a true sacrifice though. Because even though no one will ever know, he still did the right thing.

You became more than just a Whiskey Boy in the end Kepler. You became so much more.

Rachel, no so much. You were never anything. It doesn't matter if Warren was not as good as you. Because now you're both dead. And your life, well...you were never anyone. Or at least, you haven't been anything or anyone for a long, long, time. So be quiet now.

Silence at last.

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HOW CAN CUTTER GET HER TO POINT HER GUN AT MINKOWSKI? WHAT...WHAT DID THEY DO?

Well this isn't good.

Ah yes. Back to Jacobi. Looks like Kepler's not coming to save him. But at least he took care of Rachel.

Explosives? Fireworks? Oh this is a party! 🎆🎇🧨

Well that was a grand surprise party! But um...does this mean Victor and Jacobi are dead now?

Ah back to Lovelace and Minkowski!

"It's...side wave radiation!" Okay, thank you Cutter, now we know what we need to shut down.

"Humans who do exactly what we tell them to do" "You're crazy"

Yeah. He is literally crazy.

OH SHE SHOT HER??? Oh no....Oh no please tell me SOMEONE makes it out of this.

What really did happen the night of Doug's junior prom? Sounds interesting.

Fishing with Dad? Okay these memories are getting personal.

Wait, what did Doug do?

What are they going to do? Oh they could delete the memories Bob put in there. But they need to find them before Pryce.

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Shut up about the stomach wound Cutter. No one cares. This isn't rewriting a person. And THAT'S NOT WHY PEOPLE CARED ABOUT HER YOU IDIOT. And without your intelligence and tech, who. are. YOU, CUTTER?

Renee Minkowski! YES! Tell him!

Lovelace you can fight this. I know you can.

Shut it Cutter. No one cares.

"Sooner or later, you're gonna do as your told" And sooner or later, you are gonna lose everything, Cutter.

"You really think I'm afraid of you?" "THE BEAUTIFUL THING IS I DON'T NEED YOU TO BE"

Please tell me they have the harpoon gun.

IT WAS THE HARPOON GUN? OH HECK YEAH!

"That's...not...how...this is suppose to..."

Yes, it is Cutter. Like you said. You know how these stories end. The good guys win. They might lose a lot in the process, but, they win.

Is he dead now, like, for real dead? I don't want to celebrate too early but MAN what a way to go.

He and Rachel even died in similar ways to. It's like they short circuited when they realized they didn't win.

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Ah Pryce. "I don't need to beat you. No matter how much I want to, no matter how much you deserve it, it wouldn't change anything. What I need to do is make sure you're not going to hurt anyone else again ever." That's right!

"I'm not going to hurt you." OH SAY THE CLIP YOUR WINGS LINE COME ON COME ON COME ON.

"Clip your wings a little. Goodbye Dr. Pryce."

So...Hera's gone now. So what is about to happen?

Oh no. Is she...is she gonna delete both their memories?

"Bye bye to my memories?" Oh Doug, oh poor Doug. His daughter, everything...oh Doug this sacrifice will not be forgotten. 🫡 This is so Milligan coded of him (@/tmbs mutuals).

"You can't. Don't do this." "Oooo...sorry buddy, we gotta" YEAH THROW IT BACK AT HER EIFFEL!

And goodbye. I hope you have a second chance with your daughter. I hope you never remember the trauma. All a bad dream. All a bad dream.

"Do you have any idea what you've...I'm sorry...what was I saying...where...where am I?" Oh my gosh the way her voice changed...and she apologized. Oh my gosh. She's literally a new person.

So...memories gone? Where does this leave her? Oh this will be fun in fanfics. Imagine having no memories, and people are weird about it, and then finding out that before you were basically the worst person to ever exist. How would you even mentally cope with that?

"Yeah commander, it's going." No, Doug! Doug!

"It was an honor, sir" Oh this is so sad.

"Hera...Hera I...I..." You know Hera. You were in his mind. Please tell me you know.

Oh. He's gone. 💔

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WHY IS RACHEL BACK I THOUGHT WE TOOK CARE OF THAT?

Oh it's her and Eiffel meeting, okay.

"Are you just asking if I'm the commander? Yes." I love Minkowski and Doug's friendship.

"Never use one word when ten will do" oh Doug...never change. Even if your memories are gone, I hope you find yourself again.

He didn't know you couldn't smoke in space? Oh Doug...at least now you can quit.

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"Do I know you?" Yes Doug. Yes you do.

She's briefing him. He...he doesn't remember Star Wars???

Well. At least he gets to watch it all again!

Wait. What's happening to the station? Are they...are they going into the star?

Oh no. So it's up to the dear listeners to save them, or...they just die here. Heroes. Heroes that everyone on Earth thought were dead already.

Oh she's rebooting now.

"Should we be doing something?" Oh did Renee pass out?

So...is Doug on the ship alone without his memories? What's happening?

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Where is Renee now? Lovelace? Where? What? The Urania? How?

Did they leave Pryce on board? Did Jacobi get out?

Oh good Hera, Minkowksi, and Lovelace made it. Jacobi did it! Nice work, Jacobi. Oh gosh he's so dramatic 😂

So I assume Doug made it too?

"What about Kepler" "No." Oh so, they must have found Rachel and discovered what he did. "You can't save everyone I suppose"

But you did save him, Jacobi. You did save Whiskey Boy.

And then where is Doug?

Oh he's listening to himself.

"I was a jerk" There's a lot worse things you can be, Doug.

It does make you wonder. If you looked at your life with a blank slate, what would you think? How would you be kinder to yourself? How would you be more critical?

"Am I still that same person?" If you want to be, Doug. If you want to be.

And what happened to Pryce? Please tell me you did not give her to the dear listeners.

IS THIS PRYCE?

Oh Hera and Pryce. "Your voice is like mine, isn't it?" "Nice to meet you, Hera." Oh. Oh my gosh. Pryce calling her Hera.

"And I'm...I'm going to tell you a very, very long story about the two of us, okay?"

I hope this ends well...

...please be a good guy, Pryce.

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Hey guys. Guys. Quick question.

Why are there 10 minutes left?

I um...I like this ending. They're going back to Earth, all is well. Please tell me nothing bad happens.

What happened with Pryce? Hera hasn't glitched at all? She did it. She conquered her fear. GO HERA! But um...what about Pryce? Is she...is she good?

Minkowski needs to find her husband. And yeah...you guys have a lot to figure out.

Lovelace...yep. Take Goddard down. Good idea. Explain to your friends you're an alien with extended lifespan...might want to break that gently.

Take who out?

Oh the ship. Is this it? They're going home? Please tell me they're actually going home. Don't tease me like this.

Oh right, what will Hera do now? I'm sure you'll find something.

And yeah. Doug might not know who he is, but he knows there are people he should see. And then...he'll figure it out. They'll all figure it out. "Am I still Doug Eiffel? I'm not sure. Want to find out together?"

Yes. I love this. 🥰

I also love how it connects to "will I miss you, when you go away forever Doug?" Yes, but he's not gone Hera. He's not gone.

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Five minutes left. So...what is that for? Do we finally get to meet Doug's daughter and Minkowski's husband...or…

That was wolf359! Oh it’s just the credits!

Great ending. But...wait. No wait. I'm confused hang on.

How did Jacobi escape from Victor to get the Urania? How is Hera going to survive on Earth? How did they fix those wounds? If the Hephaestus went into the star...

Wait. These aren't more alien copies are they? Oh wait, no Hera's here, sorry y'all I panicked for a moment. They duplicate human lives, but as far as I know, not AI. Also, if this was a happy dream sequence, why would Pryce be there? Okay, phew, we're good. We're...finally good.

And even if they are alien copies...the process will take 14,000 years. So. For the rest of their lives, at least. Especially since...they're still using Lovelace to spy on Earth. For the next 14,000 years. But I guess that’s a problem for future generations.

Okay. Great ending. Thoughts:

Cutter got what he deserved. So did Rachel, but I feel a bit sadder that she never realized the pointlessness of her life until it was too late (and really not even then). Also love that Cutter's original last name was "Newman" since he keeps making himself into "new men".

Kepler's sacrifice was great no notes. I hope he enjoyed the Whiskey.

Blessie should have come back, and in fanfic, I will find a way to make this happen.

Eris should have come back, and in fanfic, I will find a way to make this happen.

Are the Dear Listeners just going to leave Earth alone now? If the Hephaestus went into the star...does that mean they can make Rachel and Cutter copies? Because I don't like that...

I love that the aliens weren't the biggest threat in the end and Cutter was always the real monster.

Is Pryce cool now? She doesn't want revenge, does she? Like what do you even do with her at that point? (I have plans for this, don't worry).

How do they dismantle or repurpose Goddard? Cutter probably has guys still loyal to him on Earth or people who are gonna try to be the next Cutter now that he's out of the picture. How do you deal with them?

Okay...so the decima virus can be used for great good and great evil. Cutter apparently had stations with it set up all over the Earth. I hope no one stumble across one of those anytime soon. What exactly are they going to do about decima? It's still swimming about in Eiffel's blood.

Is Minkowski's journalist husband going to blow this case wide open? I hope that after her brief phone call with his secretary, Cutter didn't kill him to keep the rumors from spreading.

Will the families of all the other astronauts that died ever get closure? I know we don't want this getting out and causing panic, but they deserve answers too.

When. Is. The. Empty. Man. Going. To. Show. Up???? /j /It was Cutter the whole time because he has no humanity

Well that was fun. Again, the fanfic will probably take a good long while (I put off a lot in order to listen to this ending), but I look forward to mapping it out.

Once again, thank you all for listening along with me. This has been fun.

Now, to figure out how to unblock those pesky tags...

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