#also I'm pretty sure I'm not the only one that has put thoughts to this or came to these same conclusions but hey I still need to ramble

[quodo-brainrot]

I did an interesting thought exercise with this. Several people in the notes have already pointed out that Odo would have been super OP if he could flawlessly shapeshift into other people like the other Changelings can. (And in the course of the series, we see exactly why it's so OP.)

But! There is one interesting and hilariously simple weakness they could have introduced if they decided that Odo was that good.

Quark is on to something when he starts licking objects to try to figure out if one of them is Odo. You know why? Because Odo doesn't have a sense of smell or taste. I doubt he could replicate something that he can't even sense, so an Odo shot glass would almost certainly taste weird compared to a normal one.

The fact that Quark uses this strategy repeatedly suggests that it has worked at some point, even if we never see it on camera.

I believe that lacking a sense of smell would be surprisingly devastating to any attempts to masquerade as someone else.

Science and speculation under the cut.

As kids, most of us were taught that animals (especially canines) can smell a kajillion billion times better than humans can, but that's a pretty broad statement that has a bit of an 'apples vs. oranges' bent to it.

Humans are actually quite good at smelling the things that are important for us to smell... like each other.

I'm sure you've heard of how blind people are sometimes known to develop a much more keen sense of smell to compensate. Some become capable of identifying people based on scent alone.

Well, it turns out that we don't actually need to go blind to be really good at smelling each other, it's just that a lot of our scent processing is done subconsciously.

With all that in mind, I'm now envisioning a hilarious episode where Odo tries to mimic Rom and Quark just fucking instantly shuts him down because not only has Odo failed to mimic Rom's specific scent, but Quark can also hear that his heartbeat and breathing patterns aren't anywhere near accurate.

Figuring that maybe Ferengi are just an edge case due to their natural hypervigilance, Odo tries to mimic a human and finds that even the humans are suddenly suspicious of him - even if most of them can't put their finger on why.

To the humans, it's very much a classic example of being in the presence of an 'Alternate' - there's something uncanny about this person, but the explanation for why is juuust out of conscious reach.

I think it would be especially funny if humans and maybe Bajorans are the only races who can't really articulate why they feel suspicious. Almost every other race just immediately nails it with 'he doesn't smell right.' I feel like Cardassians would be especially good at it.

Even with this weakness, the storylines with the other Changelings mimicking people wouldn't necessarily need to be altered or removed. You could just write that they isolated themselves enough to avoid too much suspicion, or they simply used their authority to quickly shut down anyone who doubted them.

But poor Odo is absolutely no match for DS9's found family - they all know each other too well, to such a degree that the Station-Wide Polycule is a widely accepted headcanon. They're all so accustomed to the thick fog of pheromones hanging over Ops that they're going to immediately be suspicious when Bashir shows up smelling mostly of nothing (but also faintly of Quark for some weird reason).

Absolutely transcendent move from Star Trek to write a shapeshifter character who's kind of bad at it. You're like, "oh so he can impersonate other characters?" and they're like no he's not very good at faces :(

[mister-mykal]

9-1-1 8x06 Thoughts on the Buck, Eddie, and Tommy of it all

Okay I have like almost no followers, which makes sense because I usually only normally lurk here. I'm also sure none of my followers are into 9-1-1 here, but I just need to scream into the void on the off chance someone sees this. None of my friends watch this show so I really just hope even just one person reads this and makes me feel a little less foolish because a lot of the discourse here is so "us vs them" and black-and-white. This is gonna be obnoxiously long, so I don't expect anyone to read all this, if any of it, but I'll put a TL;DR at the end. I will not be bashing Tommy or Eddie in this post! Also I'm typing while it's late for me and my ADHD makes me a horrible proofreader, so sorry for typos and the such.

I hate fandom drama, I cannot care less about whatever beef bucktommy stans and buddie stans have I've been trying to mostly ignore it. I'm just upset if this ends up being sloppy writing on the 9-1-1 team's part. I'm gonna try to be nuanced about how I felt about 8x06 because I feel like there is a way to do this and not completely screw the writing for either Tommy or Eddie.

Tommy does not have to be endgame, that is fine. I think Eddie is definitely more popular with the fans and plenty of people love a good slow burn. Their chemistry is also undeniable. But plenty of people enjoy Tommy too, despite his cavalcade of haters. And to have thrown away what seemed like a character arc in the making for him seems like a waste if this is the last we see of him? I hear he's going to be in at least one more episode, so I hope they do that justice. I don't need them back together, I just need this to make better sense.

I know people really hate Lou and Tommy, but I'm pretty neutral about him. (Idk how true the very little things I've see about Lou is because I keep hearing he's homophobic, misogynistic, racist, etc. but I have not be able to find any receipts. If it is true, that sucks and I get why they would try to write someone like that out of the show. However, just I'm gonna focus on it from purely a story perspective right now.) I enjoy seeing Buck happy after all the shit he's gone through in his past relationships. I was cautiously optimistic from the interviews that said he was finally "getting of the hamster wheel". But yet again, Buck loves with his whole heart and has his hopes dashed. It would have been one thing if Buck was the one who ended things, but really? This again? He doesn't need his heart broken AGAIN. I don't care who Buck ends up with, I just want him to be happy and secure with whatever partner he chooses.

Why bring back a previously established character who has some growing to do and then throw them away again? Boooo, if they wanted Buck and Eddie's queer awakening arcs to happen separately, and weren't interested in expanding Tommy's character, they should have just set up Buck with random throwaway guy. Otherwise it's just drama for the sake of drama instead of something that's in greater service to the narrative or character writing. Tommy becoming Eddie's friend first especially feels too intentional. Tommy already having established relationships with Hen, Chim, and Bobby feels too intentional.

Tommy's insecure feelings over Buck eventually choosing someone else, likely Eddie, over him is incredibly real and make sense. He's never felt like he's had a place to belong in general. He's jealous of the 118, he's jealous and threatened by Eddie's relationship with Buck. Honestly, I also wouldn't be surprised if Eddie was the one who caught his eye at first because it's not that hard to clock Eddie if we're being honest. It's pretty clear Tommy was baffled that Buck was fighting to get his attention over Eddie's. Why set up this arc and end it before it's even started? If there's a ever a starting point for Tommy to grow, it's right here and now. Otherwise it makes no sense.

At the same time, Eddie's character writing makes ZERO sense if he isn't a deeply closeted gay man (or at least asexual, but that's unlikely, especially with the way they've been positioning Buck and Eddie for the longest, and especially the way they position Eddie and the Hot That whole interaction with the hot priest and the mustache, beard, fruit juice, plenty of metaphor we all picked up on that. Never has an actual straight character said "no offense, I'm straight" like that within the context of the surrounding narrative. Like come on? Denying yourself FRUIT JUICE? Denying yourself joy?? which gay used to be a synonym for? Girl, please. And even with Josh's speech a bit? I think it's obvious enough that it could also be extended to Eddie, even though he's closer to Buck's age. Growing up Catholic is pretty rough for queer people.

On top of the fact that there are plenty of other hints while he did/does have love for Shannon, it was almost always in the context of that she is the mother of his child. He literally had a panic attack over someone mistaking Ana for his wife, and over their relationship starting to get serious. Ana is a lovely lady that most men that are attracted to women would be happy to have... so what's the issue, really? And then he only thinks about staying with her simply because she could be the new mother to his child. Be so for real.

And Eddie honestly has been pretty awful to the women he has dated, and you can either choose to read that as him being a chauvinistic, exploitative pig (doesn't really align with the rest of his character), or someone deeply in the closet who doesn't really want to be with a woman. (yeah, that's sounds more accurate.)

We can reconcile all of this though. Buck more than likely has romantic feelings for Eddie, I think it'd be silly to think otherwise, but even though Buck has figured out who he is, it doesn't mean Eddie has yet. He's made progress, but he has at least a little ways to go left. As far as Buck knows, Eddie is straight in this moment. He's never hesitated to write him off as his "best friend", while Eddie... well, he'll realize he's in love with Buck soon enough.

Still, I feel like it's a bit disingenuous to say that Buck doesn't care about Tommy at all, he is clearly hurt by the break up. At the very least, even if they don't get back together at all, they need to talk this out like adults and have Tommy explain himself better, because it's obvious Tommy has walls from from past experiences. Doesn't make it okay that he did Buck like that, but no one on this show has been perfect so... 🙄 At the very least we should get that one episode from that "See you around, Buck" (Ouch, Tommy. Though I feel like that was more so Tommy distancing himself to Buck to protect himself more than to hurt Buck.) Though just as easily, we might only ever see him here and there again on calls that require air support so who knows. 🤷🏾

There were some pretty obvious parallels set up between Abby and Tommy this episode. Abby and Tommy were both firsts for Buck, they're both around the same, older age. Both of them are experienced and life and deeply lonely, so how could they possibly turn away someone who has as much love to give as Buck does? Both of them are, seemingly, just stepping stones on Buck's way to self discovery. Buck even says it himself, he calls their relationships "transformative", but obviously because the experiences Tommy has had as an older queer man, he's probably not a stranger to beings someone's flyover until they get to their actual destination. I understand why he would want to protect himself like that.

Even if that's the case, I don't think Buck would want to leave things like this. I know in one of the interviews Oliver says Buck is be heavily considering if he wants to fight for this or not, but at the very least I hope they've shown his growth and showcase his emotional intelligence by calling out Tommy that it's not fair to him to sorta decide how he feels, even if it is Buck's first relationship with a man.

It's far from Buck's first relationship and idk, it feels a little icky to tell the bi person to go fool around a be a slut when he's said that he's tired of sleeping around and wants to settle down. That can just be a character flaw with Tommy (I've met plenty of biphobic monosexual queer people), but at the very least can't Buck call him out on it? Let them have a more mature, complete conversation and let Tommy say the quiet part aloud. At the very least, I get Tommy's intention, he doesn't want Buck to have any regrets, but I don't think he knows just how much he's hurt him and how many times he's been through the situation.

Something really upsetting, even though Tommy has had his problems and hasn't been the greatest person, really sad about any closeted queer person who's been nasty, but much of it came from circumstance, not getting a chance to grow after they literally set that up with the script. Well, you do you I guess. At the very least if Tommy is nothing more than a plot device, couldn't you have let Buck come to conclusion they should break up and give him even an ounce of power in his romantic pursuits for once? Instead of the one loving too hard and too fast and hurting from it? The interview where (I don't remember who exactly) said we wont be seeing much more of Tommy, if at all really annoys me because if this is it? Ugh. That break up didn't feel conclusive at at all.

TL;DR: Wasting a previously established character as a plot device after setting up what seemed like some sort of character arc for him even if he wasn't Buck's endgame seems like really sloppy writing if you decide to discard him back into the obscurity for the rest of the series. It feels like a cheap way to add extra drama and the implications and situations you could create from at least dragging this out a little bit more could create a more satisfying resolution to this at the very least. Why retread old ground again when you said that you wouldn't and waste all the potential you were setting this up with this scenario? It still seems unresolved, so hopefully this tie this up, regardless of who Buck ends with in the end (because the focus really should be on Buck finally getting the love and care that he deserves in a romantic relationship, or at least getting to end one amicably.)

Anyway tear me apart, ignore me, whatever. IDC anymore.

[curapicas]

I find it curious Link Click uses the twins flashback to shove on our faces right away the parallels between Cheng Xiaoshi and Li Tianchen. Both combative boys, protective of their family, somewhat naive in different ways and quite enamoured with looking cool. So yeah, there's parallels, but to be fair the writing is good enough that you can find parallels with the main duo regarding any of the new s2 characters. And I think Link Click cleverly does that so we only realize closer to the finale what is, in my opinion, the strongest parallel: Cheng Xiaoshi and Li Tianxi.

They are both "the babies" of the group. Whereas Cheng Xiaoshi has two endlessly nagging friends who often scold him and push him to do better, Li Tianxi lost both her mother and a brother capable of caring for her, thus her needs go ignored as she grows up with Qian Jin. Qiao Ling and Lu Guang work together with CXS to earn a living/pay off his debt, LTX is used by her family to carry out the shady stuff they don't really need to do (both CXS and LTX get in extremely emotional and vulnerable situations because of it).

Cheng Xiaoshi eventually grows and understands his powers as a duty, and even though LG and QL still try to shield him from the worst*, they look proud whenever he shows what he's capable of (QL even calls him cool!). LTX's one "act of rebellion" is framed as a betrayal and she's straight up murdered. In the confrontation, she even prefers hiding behind CXS, whom she met hours beforehand, exactly bc she knows what her family is capable of.

Both are sensitive people, burdened by well-meaning actions with over-the-top consequences (it hurts to try and explain this one). In (this specific trauma for) CXS case, he was already an adult and in s2 spends the entire time reevaluating and adapting; in LTX's, she was a child and hardly knew how to deal with this guilt and /waves hands/ everything after

I really like this parallel of their running and emotional actions setting off this part of the plot. They cross paths, but the people they help do not have their fate changed significantly by this. But those moments where they FEEL Emma (+Lu Guang in this specific parallel) and Chen Bin were enough to carry LTX and CXS both into their roles in the story.

LTX finally "goes back" to the home she idealized, CXS is waiting at home for his parents. They cross paths, both get shot in that tunnel, but just as quickly go down opposite directions. LTX out of care for her (criminal) brother, parts with him; while CXS waits, he also built a new home for himself with new people he can call family. There's hope for him yet.

*tbh they're a biiiit controlling, but I can see that habit developing through the years, not because they don't mean well

[writing-hat]

Was rewatching Hands of Time because I wanna get Nya right for my fic (I know I won't but this is an attempt), and I am suddenly remembered of Karlof.

Why is there a metal master? Isn't Cole supposed to be the earth master?

So! Here's why Cole can't metal bend - at least not now, not in this universe, and/or not in my head

Everyone has their own opinions! And this is just me speculating I guess! You can skip if this bores you lmao

Okay for those that are reading my insane and ridiculous overthinking that makes sense for me but might not for everyone cuz I can't explain shit (also cuz yknow this is a lego show for kids all of this wasn't thought through lmao)

So Metal Bending from ATLA is something that always makes me go insane because it is super well brought up AND built up. Because, yknow, Toph is a fucking badass and she's the best actually no contest here I don't take criticism- BUT BUT it's something that somehow feels expected because of how well she handles her powers and how it works when it comes to earth benders

Now for Cole, and earth masters in general, this wouldn't work in my mind, because I feel like the ninjas powers work more in a- "magical" way?

NOW YOU KNOW ME, this does not mean magic doesn't work with physics of our world, yaddi yadda, yknow how crazy I am when it comes to powers being handled with a price, and actually thinking of physics (to an extend, I didn't major in that for a reason LMAO). But it does occur to me that the connections between powers work differently in Ninjago compared to ATLA

This is also why Nya wouldn't be able to blood bend in my mind (EVEN IF THAT'S FUCKING COOL and I want to see content of it always and forever (are there any content on it actually harrass me if there is I wanna see that)), because she's not that kind of close to water, but she is close to it in an other way?

How would I explain that. Hm.

So like imagine a path, and it bifurcates in two different kinds of fields, but it still started from the same branch. Here, one becomes the bender of the matter, reaching potential as badass as blood bending, while the other masters it, understanding how it works to its fundamental, going as far as fusing with the element itself ; it's what makes it so that fire benders can bend lightning, and why that can't be for the ninjas/masters. Because it was never meant to be that.

This comes with the idea that the "Illusion of Separation" is a thing in ATLA! Which, I think would also be the case in Ninjago IF the FSM hadn't seperated them (the powers)- but I still don't know how to explain my thoughts there, other then to say the FSM had all powers before and there's no way he didn't use them at the same time or make them fuse (yknow aside wind and water of course) but he stopped that when he decided to pass it on future masters? something?

And that's why Karlof is the Master of Metal. It got seperated.

(doesn't that mean it can be brought back together? Lloyd I'm looking at you)

ALSO! I think what's taken into account here is the differences between metal and dirt, rocks and such. The chemical/physical differences, how iron is but a mineral in most cases incrusted too deep into the rock before brought back and used to make pure iron (or something idk the exact names) or used to make steel (with carbon levels being too high but yeah this goes to deep I'll stop now) (also if I'm wrong please tell me I'm not a scientist and idk that much on the subject (I think that shows))

More so, Toph's powers and bending works with WAVES! Cole's doesn't (yet, because if he can actually cause earthquakes then O BOI)

Not only that, but they are all born with those powers, and it's hard to master. But for the ninjas, they're "on their own", in way that the generations before them didn't get to teach them shit before they poofed out, and those that are left behind are people that were as clueless as them- looking at the Smith Parents, or even Wu! Who prbably has to learn everything from his father's scrolls because the FSM is a piece of crap actually (not sure how he's handled in the books but rn in my mind he is a piece of crap with how Wu and Garmadon react to most things (that's another talk a bit more Encanto flavored (generational trauma yknow)))

Also, there's the fact that it took so long for the show to show us Cole control the earth from a distance! Usually, his powers are associated with strength- which is in my opinion a huge waste of talent, BUT AT THE SAME TIME IT'S REALLY COOL! You know what I mean?

BUT COLE, even if he doesn't bend metal, there are other things that come with earth powers, things I CAN'T WAIT TO write about, but won't speak for here since I'm still working on it (also they might actually suck but Idc I'm having fun lol)

I wouldn't be surprised if other people found about these abilities tho. Y'know it's the internet! Lots of people think of the same thing

But uh yeah! I guess that's it?

Thanks for reading, and see ya!

(Also if you think I'm wrong about some things, which I prbbly am, or if you wanna add things, correct some of my stuff and all, you're welcomed to do so! I'm always open to being told I'm wrong LMAO)

[zenithofstories]

i didn't do a post last week cause i didn't have many thoughts; it was a pretty chill session. people got frustrated about the food situation and they set up bases *shrugs*

But this week...

snail week was fucking crazy

-first of all; Etho and Tango's predictions that the session would have seven deaths and end with three people on yellow—lolololoollolololol. three people on red and who knows how many deaths total. Jimmy died four times in the first like ten minutes 😭😭😅 also, how many individual times did Skizz turn red? three? in one session? hilarious

-the snails put them all in such peril that for the most part, they forgot who their allies and enemies were and just talked to everyone and anyone, sharing info. Tango and Joel, Tango and Skizz (admittedly after Skizz killed Tango), Skizz and Scar, Grian and Jimmy (Jimmy just straight up warned Grian that his snail was coming mid argument), Tango and Joel and Gem, Bdubs complimenting Skizz for his kill on Tango. And everyone just mourning everyone who died, even if they should have been rejoicing. They all just forgot they were playing a death game

-Martyn, Mumbo, Jimmy and Scott recognised the 'theory' or 'thought experiment' (meme lol). (i'm pretty sure Lizzie recognised it too, she just didn't want to say it so explicitly) Now we know who our meme lords are 🤣 (plus Grian chose the wildcard 😂) (the complete contrast to Etho who just let it walk right up to him lol) (and Jimmy who let it walk right up to him and then recognised it 😭😅)

-Pearl has an interesting habit of dying early each session and discovering wildcard mechanics in the process, helping her team to survive. I firmly believe that Jimmy still has the canary curse, but Pearl appears to be the wildcard canary

-we got this season's (first??) Tango Rage™ and it was because Scar burnt down his base lol. fork found in kitchen

-a whole lotta shitty assassination attempts lolololol. Skizz vs Impulse and Big B with the cobwebs without any snails close by, Jimmy trying to blow up a light green (illegal) and putting Skizz on red (very illegal), Ren vs Impulse (which was admittedly successful but only just, and didn't follow the plan), Skizz chasing Lizzie down, Bdubs trying desperately to convince Gem and Joel to sacrifice themselves to their snails so they would know their names, Jimmy trying to set Scott's snail on fire, Jimmy with all his tnt minecarts, probably more i've forgotten

-also a few pretty good ones, to be fair. Impulse distracting Etho from the creeper, Skizz vs Tango, Skizz chasing Scar into an underwater ravine, Scar and Jimmy drowning Bdubs' snail in a hole so he had to get close to free it,

-everyone just loved their snails lol. a bunch of people said they would miss their snails, and called them cute. Tango was overjoyed that his said 'yahoo' and stated it could kill him any time lol. (admittedly a few {Ren, Bdubs} called theirs freaks)

-i really love this series. i love when people are obviously having fun, and I love the sound of laughter. This series is honestly one of the most fun things on the internet. Joel's giggle especially is fantastic

-Lizzie: "i better not walk off a cliff in f5 mode. rookie mistake" 🤣🤣🤣🤣🤣🤣🤣 I can't tell if that was shade for Scar's first death or just a coincidence 🤣🤣

-so many snail cams 😂

-Skizz had better get credited for Scar drowning; it didn't register automatically and i desperately hope that they don't forget to give him a life for that. he totally killed Scar

-Grian, Mumbo and Lizze with absolute mega amounts of courage (or stupidity) and going underground. like just incredibly dangerous adventures to go where they have so little options for escape. massive respect for all three of them. also Martyn and Etho going to the nether to be fair

-the plot to turn snails invisible was so devious, and i'm so glad it worked, but pretty sad it happened to be Scar's. Ren should still get the credit for it though

-we ended the session with three people on red: Skizz, Scar and Tango, and four people on yellow: Ren, Jimmy, Pearl and Mumbo. i desperately desperately hope that no one gets eliminated next week. four episodes would be a devastatingly short season.

-Joel's shock at all the deaths was pretty funny lol

-Joel and Lizzie organised a meet-cute for their snails?? omfg!

-the snails are voiced by Oli (theOrionSound)? 😂 lololololololoolol

-i hope y'all have seen @rusty-courage's in a Nutshell this week; it's the cutest thing i have ever seen and perfectly encapsulates the vibes of the session

-hilarious how much Bdubs regrets the 'tuff guys' bit

-Martyn referring to Joel's 'forty-second obsidian' 🤣🤣🤣

-the family-friendly insults are great 😂 'jerk' is always fun, and Pearl's 'stinky butt' is hilarious

-the G's racing their snails up bam mountain was pretty funny

-Pearl saying 'i can see your sparkles, sir' and Ren not being able to help laughing. my beloveds

-Poor Jimmy is so determined to win, or at least break the canary curse, and he was so disappointed when he died so many times. he almost rage quit when the second creeper blew him up 😭

so i've just finished watching all the first episodes, so i wanted to give my thoughts on the first Wild Life session:

-so much fun i love it so much. i'm so glad they're all still having fun and continuing the series, and that Mumbo and Lizzie came back, despite dying early in Secret Life (i was a tiny bit worried they might get a bit dejected and pass on this one). also thrilled Ren is able to play this time; he's a blast

-there is a lot of mistrust going around which is very curious to me. most of it stems from previous seasons and has no bearing on what was happening at the time. Pearl straight up telling Cleo she expected her to betray her; Mumbo and Skizz not trusting Martyn, and then Grian; and then not trusting that Martyn just wanted to use their enchanter; the huge immediate aggression towards Scar when he came out of the mountain into Grian, Skizz and Mumbo's base; Mumbo not trusting Skizz (his teammate!) when he asked for someone to pass him a diamond; Scott, Cleo, Pearl and Impulse assuming Joel stole their cows, probably more i'm forgetting. it's definitely obvious to me that these people have learnt how the games work and learnt from the pain (as we do). i'm very curious to see if the general server mistrust grows, and the impact it has on everyone and the people

-i love JImmy, Big B, Lizzie and Ren forming a dnd party and Ren (in true bardic fashion) has a guitar within reach and is willing to break into song at the first campsite (this honestly might be my favourite moment from all the life series at the moment. the guitar within reach, Ren's beautiful voice, how much the others thought it was great. fantastic vibes all around)

-i really want Scar and Martyn to team up. they are both instantly mistrusted, to the point that both of them (in their first episodes, no less) expressed that if people are going to treat them like a villain, then they may as well act like it. if the two of them team up to take revenge on everyone being mean to them in a new series i think they would be a force to be reckoned with

-Skizz and Mumbo is a fantastic team-up. both very genuine people who are so funny together

-i hope they get the lag fixed, or that it was just from the size-changing mod and they don't have to deal with it for the rest of the series

-Gem and Joel's partnership - in the early days Gem is going to be a fantastic counterbalance for Joel; help keep him calmer and curb his wild ideas. But once Gem gives in to her own urges... oh boy

-does Big B know that he can go caving with people? cause he seemed to be under the impression that he had to get geared out before he could make friends and it would suck if he ended up alone all the time because it hasn't occurred to him that he can go caving with people right at the start

-double life thought: i know most people count Pearl as the winner, but did Scott technically win as well? cause they were the last pair alive, and died in the same tick. it probably doesn't matter at all, but i wonder about it sometimes (especially in how it would affect Martyn's lore but that's not canon)

-i don't think Jimmy has broken the canary curse. i subscribe to the theory that cause Lizzie died in the End, the Watchers weren't able to perceive it and then he was the first to die in the Overworld (i'm not counting Real Life as canon; it happened and i enjoyed it but it wasn't a full series and they were deliberately playing it silly as an april fool's joke. very glad that Cleo won though. hope they get a full series win as well)

-i'm glad that Tango and Skizz (deliberately) didn't team together, but i kinda wish Tango had ended up in a different group. him, Etho and Bdubs are fun, don't get me wrong, but a whole lot of the fun of the series is seeing people interact and work with people they don't usually. Tango and Jimmy was a top tier pairing in Double Life, and Tango is hilarious. i would love to see him branch out more and work with some more people

-there is more than just the wild card. Grian said he wasn't going to explain it, and i didn't notice anything else happening (but i'm also not expecting it to be much until they get to the late game). i think that there will be a wild card that affects the players, and then also something that affects the world? we'll see, i guess

-now that everyone who has played is playing (i'm pretty sure? if i've forgotten someone i'm gonna be sad) who is gonna sub in if needed?

-i love Mumbo's "that was sub-one intelligence mate" when they all fell 🤣

-i'm not sure what the purpose of including the creakings or whatever they're called? nevermind i just looked it up and they're going to be in the game at some point. weird. i'm not sure how i feel about creakings coming to minecraft though

-very glad they've got six lives this time. it will both allow them to not worry so much about mistakes and accidents (as evidenced by Pearl) and encourage them to take risks, which will be fantastic

[loumauve]

I snapped today at work, and by snapped I mean I politely commented on a help desk ticket by summing up an mess of an (type of) issue that's come up for at least the fourth time in the 2+ months I've been managing user accounts, and asked the person responsible to fix it (himself for once) because last time I fixed his mess-up it took me two whole days to work out the details with at least four other colleagues from different departments and I really don't want to do it again. there's other shit that needs doing, I've been working 10+ hour days for most of this week already, so I need to cut down not add on more.

(good thing tho - at least we managed to fix the issue where the dataset of a newer employee got mixed up with another one of the same name and therefore wasn't able to apply for any of the access/accounts she needed. technically not entirely my area but it does impact us not being allowed to create an account for her so I figured I might as well track that issue down. took three days and at least three other people, but hey - it should all work out now. yay for that)

[trianglegoddess]

Feral McGee™

It starts with the Joker. 

His goons picked up Tim Drake. Not specifically because it was Tim Drake, he just so happened to be in the Joker’s neighborhood, and we'll, he can't pass up that opportunity now can he? 

Except Tim Drake is watching, along with the rest of Gotham, at the Batcomputer. He’s nursing a broken foot and has been put on monitor duty until he's cleared for field work again. 

The guy looks enough like him, though. Black hair, blue eyes, and bags under his eyes for days. He's also got the same lean sort of build like he does. 

It happens like this. 

The Joker is doing his monologue thing where he explains whatever twisted game he's come up with this time. He takes up the majority of the screen, so nobody can see Not-Tim behind him, not until the big reveal. Then he covers the screen again, getting up close and personal, before stepping back. In those quick few seconds, Not-Tim is no longer sitting there tied to the chair. 

Someone off camera lets the Joker know, and he whirls around, confused as the rest of Gotham. 

And then Not-Tim comes in with the steel chair. 

Or, well, a crowbar, but the reference holds up. 

He takes out one of Joker’s knees before punching him in the face. The Joker drops like a bag of stones, out cold. 

Then he looks towards the camera. 

“Hey there. I'm not really sure where I am, but also if he was after Tim Drake, he got the wrong guy. I'm not him, I'm just some dude. Anyway, I'll just-yep-” he carefully steps over the unconscious Joker, gives the camera a little wave, and then leaves. 

Batman and Nightwing enter shortly after, with the Joker and his goons out cold and tied up. The knots were complicated enough where, in the end, the police resorted to cutting the ties off of them so they could be properly cuffed and taken to Arkham. 

“A constrictor knot,” Batman tells Nightwing as they watch the villain be taken away. “Often used by sailors to temporarily tie things together to keep something in a bag, or to hold something to glue it back together.”

“Huh,” Nightwing says, scratching the back of his head. “Go figure.”

—

The next time it happens, it’s the Riddler. 

He’s laughing, giving his riddles to the Bats and recording himself to all of Gotham while his victim, one of the Wayne brats, hangs over a vat of something. From a distance, he looks like Tim Drake, or maybe a lankier Dick Grayson. And he’s not the only victim, they’re all scattered across the city, but he thought an important figure such as a Wayne should be under the Riddler’s direct supervision while he enacts his schemes. 

While the Riddler cackles and plots and waves his cane around, in the background all of Gotham can see the figure escape. Several Gothamites recognize him as the kid from before, who clocked the Joker. They all watch with bated breath as he sort of wiggles his way out of the ropes holding him up. Once he’s free, he climbs the rope and gets himself down safely. 

Gotham holds their breath as the kid casually walks up to the Riddler, who’s mid-rant. He politely taps him on the shoulder, and as the Riddler is turning around, the kid clocks him just as brutally as he had the Joker. He’s down with one punch. 

They think he’s going to say another sort of awkward goodbye, but instead he pats the Riddler down until he finds a piece of paper tucked into the inside pocket of his jacket. 

“Right,” the kid says, looking at the list. There’s a lot more static overlay now, and several wonder if it’s damage to the cameras. “Uh, the Clocktower, the Docks, and-” he squints at the page for a moment-”Mama Nacaroni’s? What the fuck is that? Anyway, uh. See you later, I guess. Oh! And we’re at the Gotham Arena. Have fun with him, I guess.”

The kid tosses the paper off to the side before the camera cuts to black. 

Just like last time, everyone is out cold and tied up. The Riddler himself is sporting a pretty bad shiner, but well deserved nonetheless. 

“Stop it,” Red Hood tells him. Batman just looks at him, and though Hood can’t see the top half of his face, he can tell that his eyebrow is raised. “You know exactly what I mean, B. Put the adoption papers away.”

“Hn.”

—

After that, it sorta becomes a game. The rogues of Gotham are no longer after a Wayne, or after anybody who holds any kind of social status like usual. They’re all going after this one kid, all determined to be the one to hold him. And each one is televised. 

Mr. Freeze freezes him in a block of ice, but due to the cameras glitching out, nobody can really see how he got free. They do, however, see the kid suplex Mr. Freeze. It should seem impossible, given his lanky figure, but he evidently has more muscle than he’s originally let on. 

Two-Face gets a hold of him, using chains and some power-dampening cuffs just on the off-chance that he’s a meta. They all watch as the kid leans down, pulls a bobby pin out of his hair, and picks the locks on his cuffs. One punch, and Two-Face is down. 

Gothamites are going wild for the kid. They’ve dubbed him Feral McGee™ (an online poll, of course), because every time he goes in for the punch he gets this feral look in his eyes. Also, just the fact that he casually goes up to these rogues and takes them out with all the casualness of doing something incredibly mundane? Incredible. The Gothamites are eating it up. However, despite the video evidence, nobody has been able to properly identify the kid. They know he has black hair and bright eyes, but any time he gets near a camera, it’s like there’s this weird, sort of warped quality the camera takes on. It doesn’t usually calm down until the fight is done-as one sided as they usually are-before he awkwardly skedaddles away.  

He gets kidnapped by the Penguin, Harley Quinn and Poison Ivy (though that was more just a friendly chat than anything), Mad Hatter, and the Riddler again. 

And then the Joker escapes. 

It’s no surprise as to who he’s going to go after. 

Due to one too many careless goons, they manage to find their way to the Joker’s hideout pretty quickly. This time, it’s all Bats on deck, and they all hide away in the rafters as Feral McGee™ is hung over a vat of acid. His whole body is tied up, hardly a single inch of exposed skin to be seen except for the neck up. 

They watch the goons, they watch the Joker, and they watch Feral McGee™. 

The Joker is monologuing, practically begging the bats to come find him before the timer runs out. When it does, the kid gets dumped into the vat of acid. 

Despite these stakes, the kid seems to be only mildly annoyed. 

“Fuck this, I have homework I still need to finish,” they hear him say. 

They all watch, amazed and confused, as the kid starts gnawing through the ropes. Human teeth shouldn’t be able to do that so easily, but one bit after the other, and soon enough the kid’s got himself freed enough to just climb up the rest of the rope. When he’s at the top of the crane holding him up, Batman lets down a rope and pulls the kid up and out of danger. 

“Oh, cool, you’re all here,” the kid says casually, as if meeting the entire Bat Clan is just a normal Tuesday. And then he pulls out a notepad and pen and hands it to Red Hood. 

“Can I get an autograph? You’re dope as fuck, dude.”

Red Hood has to look away and hide his face in his arms for a few moments to not give away their location with his laughter before signing. And then, one by one, the others do as well. They pass along the kid’s notebook with shit-eating grins and barely contained snickers despite the fact that the Joker is still right below them. Even Batman signs it, after his children don’t stop hounding him about it. 

In their distraction, they didn’t see the kid sneak away. He’s far away from them now, nearly right over the Joker. Danny waits, though, until the Joker has turned around as the timer almost runs out. They watch as he snickers at Joker’s flabbergasted look. The Joker comically looks back and forth and under objects the kid obviously isn’t under. However, before he can do or say anything else, the kid drops from the rafters and right on top of the Joker. He crumples to the ground, unconscious. The kid, however, just brushes the dust off of himself. Despite the fall he took, there isn’t a scratch on him. 

When the bats join him, they give his notepad back to him, barely able to contain their laughter at the absurdity of it all. The kid, too, joins in the camaraderie, laughing and joking along with them as Batman secures the Joker. 

“Okay, okay, but I gotta ask, dude,” Red Hood says at one point, looking at the kid. “How do you keep getting kidnapped?”

The kid just shrugs. “I get distracted easily. And I’m sleep deprived, so you know. Social awareness is kind of at an all time low right now.”

“Why are you sleep deprived?” Nightwing asks, barely hidden concern in his voice. 

 “Finals are kinda kicking my ass right now. Especially this dumb English homework I have. You guys wouldn’t happen to know anything about that, would you?”

“Oh, lucky for you,” Red Hood says, wrapping an arm around the kid’s shoulders as he walks them out of the warehouse, “I happen to know a lot about English. So, it is Shakespeare?”

“Yeah, Midsummer Night’s Dream.”

As they walk off, Batman calmly watches, though the rest of the bats can see his jaw twitching. Nightwing comes up behind him, clapping a hand on his shoulder. 

“If you don’t adopt him, I will.”

“Hn.”

[tizeline]

Presenting: The AU I accidentally created OOPSIE!! 😬😬😬

And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!

So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!

In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.

Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.

Anyway here's some references-

I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[celestie0]

gojo satoru x reader | fake marriage au [18+]

in holy matriphony ch4. in a mother’s eyes

ᰔ pairing. fake marriage au - neighbor&realtor!gojo x nurse!reader (ft. choso x reader & suguru x reader)

ᰔ summary. gojo satoru is your extremely annoying next-door-neighbor who you're pretty sure is the most insufferable man you've ever met. given the fact that you exclusively work the night shift at a chaotic emergency dept, just got broken up with your boyfriend of seven years, and have been taking care of your sick mother ever since her multitude of diagnoses, yet somehow your neighbor is the main source of stress in your life should speak volumes. but when your mother's medical bills start to skyrocket to more than you can manage, and you learn that said neighbor of yours has the best private health insurance plan in the country, you ask him to enter a matrimonial agreement with you for the spousal benefits all in the name of saving a few hundred thousand dollars. but you'll have to see if suffering cohabitation w him is worth any amount of money.

ᰔ genre/tags. fluff, smut, angst, enemies to lovers (sort of), annoyances to lovers (that's more like it), small town romance, fake marriage, next door neighbors, lots of bickering, suburban shenanigans, slow burn, mutual pining, gojo likes to play house but you don't, hatred for the american healthcare system, gojo always forgets to mow the lawn, jealousy, an insane amount of profanity, mentions of cigarettes, depression/anxiety; btw gojo in this fic is in his mid 30s n reader is in her late 20s

ᰔ warnings. reader in this fic has a sick mother w alzheimer's & cancer so there is secondary medical angst!!

ᰔ chapter. 4/x

ᰔ words. 10k (omg a whole number...very sexy)

a/n. hellooo my ihm friends! hope you're all doing well. ahh i'm glad to finally be posting this chapter lolol. it's a littleee off tangent from what happens in ch3, but still has some important plot developments. it does dive into feelings of depression & anxiety, so just wanted to give a warning on that! but yea other than that i hope you enjoy and see you at the bottom!! :) also so sorry if there are errors i only had time to skim through it once :((

nav. ch1 :: ch2 :: ch3 :: ch4 :: ch5 (pending)

“Just go ahead and sign right here for me.”

You take the pen from the hospice nurse’s hand. It’s cheap black plastic with a pink fuzzy pom pom attached to the end of it with peeling glue. 

Your eyes briefly flit across the paragraphs detailed in printed ink until your gaze lands on the highlighted lines at the bottom of the page. Your signature. Spouse’s signature.

“We’ll need to have your husband come here to sign the paperwork as well, since he’ll have to add your mother on his list of dependents, but we can certainly get started on expediting this process for you since the insurance has already been pre-approved,” the nurse tells you as she accepts your signed paperwork and then neatly tucks it into one of the compartment holders. 

The afternoon goes by smoothly, with your mother surprisingly patient as she sits in the waiting room while you wait for the nurses to formally show you to her new room.

You thought that you could put off putting her in hospice for a little longer, because in all honesty, you weren’t prepared to let her go just yet. You weren’t prepared to not have her in the house anymore. But lately, she’s been putting herself in lots of danger, like attempting to take her own medications when she does not know the correct dosing, and forgetting things on the stove when she attempts to cook.

But the last straw was when you came home from a very brief run to the grocery store at night a couple days ago to see a handful of your neighbors out on the front lawn with your mother at their side. She had apparently gotten out of the house and walked down the neighborhood, then fallen on the sidewalk but was unable to get up. When your neighbors had found her, a miracle as they were just coming home from dinner and caught sight of her in the illumination of their headlights, they tried to help her get up but she couldn’t. She couldn’t even tell the firefighters that came by to help her what her name was, or what year it was, or where she lived.

It was when you realized you couldn’t even keep her safe anymore that you had to let go.

“Is that a wedding ring?” your mother asks, pointing a trembling finger to it as she lays tucked inside her new hospice bed, “are you married?”

You glance down at the ring Gojo gave you in the courthouse, almost surprised to find that you were still wearing it in good faith. “Yes, mom. I am.”

“Why am I here?” she asks you, “I don’t want to be here.”

You stiffen a little. Although you were mentally preparing yourself to answer these questions, the preparation didn’t make it any easier. “I know. I’m sorry. It’s just for a little short while, okay? The doctors want to run some tests on you.”

“Who are you married to?” she asks.

“To Satoru,” you tell her, “our neighbor.”

She lets out a small gasp. “The sweet boy who fixed our A/C?”

You roll your eyes. not sure why your mother has hyper fixated on that memory with Gojo when most days she’ll look at you like you’re a stranger. “Yes mom.”

“Oh, I like him,” she tells you with an affectionate nod. She hesitates slightly, wearisome of some other thought that flashes through her mind. “How long have you been married?”

You let out a small sigh. This is already a conversation you had with her a couple days ago, and it doesn’t feel good to lie to her. It was hard enough to do once, but to have to constantly lie to her over and over again over all the smallest things just so that she stays calm and safe and happy seems to drain you of all your energy and happiness you had left in your bones.

Little white lies, that’s what they are. Harmless ones. That’s what you tell yourself to absolve yourself of the guilt.

“I’ll come back soon, okay? I’ll tell you more about him some other day,” you say to her, speaking gently in the way an adult would speak to a child. The way she used to speak to you. You could never exactly pinpoint when those roles became reversed.

You finish discussing some more insurance matters with the front-desk nurse as she puts together a small folder of documents for you. While she works, you glance at the little counter shelf that includes a plethora of pamphlets on how to deal with the complicated feelings that arise from putting a loved one in hospice care, and dealing with the emotions of having a relative with advanced stage dementia. They are pretty brochures, lovingly creased at the folds as if looked through multiple times by people who walk in and out of this facility, but seemingly only few take them home. You slip one of each into your folder when the nurse hands it to you, manage the best smile possible, and then turn on your heel to head out the hospice doors.

The sun is setting outside as you take the walk back to your car, which was purposefully parked a half mile away to afford you the luxury of a melancholic stroll. Somehow, you feel like you’ve left a piece of yourself back at the hospice. A feeling you can’t quite shake from your bones.

Your feet stop walking somewhere along the sidewalk on their own, the street lights above you flickering brighter into life as the sky is now a dusty gray with only streaks of purple. There’s a liquor store you spot across a small parking lot to your right, and you’re guided towards it, but not without a sickening feeling in your chest.

When you open the door, the bell at the top jingles, and you glance to the right where you see a lanky young man playing some sort of shooter game on his phone by the cash register. You grab a bottle of vodka, a bottle of white wine, some packs of skittles, one of the mini pizza boxes at the hot food station, and then dump it all onto the counter.

The young man scans all your items without even so much as sparing you a glance, but does take a look at your ID, then says, “Total’s $68.65, cash or card?”

“Card.”

Just before you tap your card, something displayed behind the cashier counter catches your eye. Something familiar, something tempting, something you weigh in your head about twenty times within one millisecond all due to the cortisol coursing through your veins and you eventually say, “Uh, and could I get one of those, too?”

The cashier looks behind himself to what you’re pointing at before turning around. “Sure.”

The same jingle is heard on top of your head as you leave the store, now with a burning hot mini pizza box in your hand as well as a plastic bag that carries your candy and the two clinking bottles of alcohol.

“Oh!! omg, y/n,” you hear a feminine voice call out and you’re instantly wincing. The last thing you wanted was to be bothered right now. You just wanted to go home and get drunk and then pass out on the floor of your living room. But alas, the world is small.

You turn around to see Hana come running across the sidewalk lot towards you, and when she’s about a few feet away, she glances down at your hands and all the things you were carrying. You quickly shove your last-minute purchase into your jacket pocket with a shameful conscience, and try to hide the plastic bag of liquor behind your calves. There was no hiding the pizza box, but at least that was the least incriminating.

“Oh, Hana, wow! What a coincidence seeing you here,” you say to her, pressing your lips into a small smile.

“Yeah, I um,” she points over her shoulder towards the hospice that’s standing tall in the darkness of night, cells with windows illuminated with light. If you didn’t know any better, you would think it was a prison. “Remember I told you my friend’s mom is sick and she’s at this hospice?”

“Yeah,” you say.

“I was just visiting her mom with her,” she tells you.

“Aw,” you comment, “I see, I see.”

You adore Hana, you really do. She was there for you when the whole Yuna and Choso thing went down, picking your shifts up for a good week when you couldn’t stomach going into work when your ex-best friend’s stupid face was gloating in the halls over how she stole your boyfriend. Hana was there for you when you were a new hire and all the doctors were being bitchy about a “newbie in the ED”, but she stood up for you, even cussed the fuck out of one of attendings for the whole hall to hear when you were being disrespected by one of them. She’s someone you can beam about how hot the EMT and Firefighter men that stroll into the ED are, too. A priceless companion.

And even though you two have hung out after hours sometimes, it was still always a little awkward to see a coworker outside of work.

“What are you doing here?” she asks.

“I actually, um, was going to tell you at our shift tomorrow, but I just admitted my mom to the hospice too,” you say, “and…thanks a lot for telling me about it. I really appreciate it. It seems like a wonderful facility.”

Her eyes briefly widen with surprise before they soften once again. “Oh, that’s wonderful, love. I hope all goes well. And your little insurance scam worked! Good for you!”

“Shhh,” you hiss at her, looking around yourself with paranoia, “the feds are everywhere.”

She laughs, sweet in the air, before the sound settles and she looks at you with something reminiscent of well-intentioned concern. Her eyes flit to the plastic bag you were still holding behind your legs. “Hey…um, if…if you ever want some company when you come to visit your mom, just let me know. I hope you know you don’t have to do everything alone.”

You blink at her, sucking in a short breath to respond, but it only leaves you as a slight puff of air. There’s a silent gratitude that you give her, because it’s hard for you to express any feelings with words, but you’ve found that the people in your life who know you best can always read you without them. 

“Thank you, Hana,” you manage to say with a slight croak to your voice because you were fighting back tears.

She smiles at you. “Take care, okay? And see ya tomorroooowwwwww,” she coos at you, coming up to you to give you a small hug, a squeeze of your upper arm, and then she heads back towards the direction of the hospice.

You watch her walk away until you can’t see her anymore. And then you head towards your car.

When you arrive at your neighborhood, you park in front of Gojo’s house. You have a feeling that you won’t be able to bear the vast emptiness of your home now that your mother is elsewhere, and so you drag your feet up the stone stairs of his house with a heavy heart instead.

The spare key that he gave you weakly pushes into the keyhole with about as much force as your fingers can manage, and you realize they almost feel atrophied. 

The house is dark when you step inside, spare for the ambient street lights shining through cracked open blinds on the windows, and the curtains rustle gently from the draft of the AC, a chill that reaches you too by the time you make it to the staircase.

It doesn’t seem like Gojo’s home. A glance at the clock tells you it’s close to 8pm. You briefly consider texting him to ask where he’s at, why he’s out so late, when he’ll be home, and what’s for dinner, but you can’t even bring yourself to pull your phone out of your coat pocket.

Weak legs manage to take you upstairs and you’re about to pass through to your room when the slightly open door to the master bedroom taunts you, like a peephole into some other wordly dimension. Like the wardrobe in the chronicles of Narnia. A portal into your fake husband’s life.

With a palm pushing on the door, you slowly crack it open, and you know the anxious voices in your head are getting worse by the day when the creaking of the door hinges sounds like a lullaby to you. 

Was this an invasion of privacy? And did you really care if it was?

The room is big, with a king sized bed off to the left, sheets neatly made and duvet primly tucked under, like the way hotel beds are set up. You feel a slight flush of embarrassment when you remember you haven’t been making your bed in the mornings for the past couple days you’ve been living here so far, and you wonder if Gojo would judge you for something like that. If he’d think you were a messy or undisciplined person. If he would think less of you.

Truthfully, in a lot of ways, you still felt like a child. You barely weathered a lot of your formative adolescent years when dealing with your parents’ divorce, and you’ve had to put so much of your life on pause to take care of your mom ever since she got diagnosed. So here you were, in the body of a 29-year-old woman, yet still feeling so painfully juvenile. One that forgets to make her bed in the mornings, and on most nights can’t seem to stomach anything other than cereal for dinner. It was like you were still at a party that everyone else had left, except all it ever was is hell. Your life was such a stark contrast to the lives of other adults you’ve come across. The ones that wake up at six to go on runs, the ones that have paid off mortgages with five figures in their retirement accounts, oh god, the ones that meal prep, and the ones that, all things considered, have their lives together. The ones that don’t spend at least an hour of every day, in fetal position on their bed, sobbing until tears soak through the sheets of the pillow down to the feathers like bone, because you’re so overwhelmed with stress and preparing yourself for the grief of losing your mother which you know that, no matter how hard you try to save her from, will inevitably one day come. 

You used to cook dinner every night, make your bed every morning, and go to pilates on the weekends. Back when you were a little younger and healed and excited to live life. But now, you barely get by. Your priorities are with your mother. You can’t remember the last time you did anything nice for yourself, including something as simple as the luxury of getting to come home to a clean house because you hardly ever had time to clean it, not with all the doctor’s appointments you were driving your mother to, not with all the extra shifts you were picking up at the hospital to pay off your debt, not with all the times you felt too depressed to even get out of bed. 

But your mother is in hospice now, so you’ve made time, right? You’ve made the decision that everyone in your life has been begging you to finally do. So why do you still feel so empty inside?

By a quick survey of the room, you notice Gojo doesn’t really have many framed photos hung up on the walls or perched up on surfaces. None, actually. Only a contemporary painting above his bed frame and then a faded vintage horror movie poster plastered up near his desk. Not terribly odd, since in your experience most men don’t really do the whole “cluttering the house with millions of photos of their family” thing until they at least have a couple of kids and some purebred dog. The thought of Gojo someday setting up a little portrait photo at his desk with his wife’s—his eventual real forever wife’s, pretty face in it, posing with their two beautiful kids, makes an oddly melancholic feeling waft through you. You wonder if he would keep a two-by-two in his wallet, too.

Your feet move one in front of the other as your finger traces the surface wood of a dresser cabinet, something that looks a little vintage and oaky, in stark contrast to the modern minimalist vibe Gojo has set up in the rest of the room. A family heirloom, maybe? There’s no dust that coats your finger, which surprises you. If you were to run your finger across your dresser at home you’d have collected enough dust to snort down your windpipes like a recreational drug. But Gojo’s a real estate agent, making a living off of dressing houses up in perfect cosplay so that monetarily stable middle class families feel inclined to buy them. So you’re not exactly surprised he’s invested in keeping his own house in pristine condition too. 

There is a little bit of chaos, though. Like the shirt he has haphazardly hung over his chair at his office space over to the right. There’s a coffee mug sitting there too, porcelain and reflecting the moon light off, but upon peering inside you see that it’s half empty with stale coffee. He’s got pens sprawled across the desk, in a fashion that suggests he accidentally knocked them over in a rush, and slowly, like some grounding exercise, you place them one by one back into the paper mache pencil holder. It briefly occurs to you that he has a lot of paper mache containers of sorts around the house. You lift up the pencil cup, turning it in your hand until your eyes catch something written on it with glittery pink gel pen.

i luv u unkle toru! -yur BEST FREND 4EVUR juno!!! :D

A small smile makes it onto your face. The handwriting was messy, more like scratches than smooth lines, and nothing less than what you would expect of a child. You remember making paper mache and clay trinkets at preschool for your mom and dad when you were younger. And you’re sure if you were brave enough to open the box of memorabilia that sits in your attic some day, you’d see your own scratchy scribbled handwriting on them. An innocence that is long gone and buried, never again to be delicately placed on desks or counters for all the living.

The draft from the AC reaches you once again, brushing over your skin and causing a chill to shiver down your spine. It kicks at the curtains as well, causing them to ruffle up towards you, baring the dark outside world into the streets. And you notice in that momentary glance that there’s a roof just outside the window that overlooks the backyard. A roof? Spotted by a depressed woman going through a quarter life crisis? There was nothing more tempting than that. 

The window was easy to open, which only caused unease over the revelation of how easy it would be for someone to rob this house. You make a mental note to tell Gojo to get a ring camera or security system of some sort since he doesn’t seem to have one, but you can already picture him telling you something about how statistically low the crime rates are in this neighborhood compared to all the other neighborhoods, and then you’d tell him that it’s just for your peace of mind. But whether he’d compromise or not after that, you’re really not sure.

You take a seat on the roof, a little scared as you sit because of the slight slope, but it’s comfortable once you’re settled. You sit criss-cross-apple-sauce, staring out into the neighborhood of perfectly lined up suburban houses. You’ve got a better view into some neighbors' backyards, noticing that a couple of them had pools while some of them have big gardens. There's a cat resting up on a fence in the distance. A car drives by with headlights illuminating everything in its proximity briefly before zooming off. You glance up at the sky, and notice the full moon, but it’s too cloudy to see any stars. Or perhaps it was just the light pollution from the lamps making it difficult to see.

On instinct, your hand reaches inside your coat pocket for your phone, but your knuckles hit something else instead. A moment of brief confusion flickers through your head, but then you immediately recall the last-minute purchase you made at the gas station.

Your hand pulls out the object, and then you stare down at it. Squinting your eyes a little, because it’s a sight that feels familiar but also one you haven’t seen in so long: a pack of twenty Marlboro red cigarettes. 

You’ve tried a lot of things to manage your stress over the years. Excessively working out, eating a lot of sugar, going on six hour hikes to touch grass, flirting with random men at bars, fucking Choso until he was rendered speechless, multiple types of antidepressants, you almost tried smoking weed once with your roommate in college but you wimped out last second. But the habit that had gotten you through the years of 21 to 24 is held loosely in your hand right now. It’s been five years since you quit, but resolve was often a fickle thing. As the saying goes, once an addict, always an addict. 

There’s a brief moment of hesitation as you slowly peel the plastic off of the back, but then it all comes back to you like a reflex you’ll never forget up to where you slide a cigar up out and then pinch it between your two fingers. Forgetting to buy a lighter with the cigarettes is definitely something you would do, but because you remembered it was something that you would do, you remembered not to do it. The flick of the flame coming to life is ASMR you didn’t know you were painfully nostalgic for, and you balance the cigarette between your lips in that sort of movie-star way people used to obsess over back in the day. But just as you bring the lighter up to the end of the cigarette, and just before you can light it—

A hand shoots out in your periphery, grabbing your wrist and entirely stalling the movement.

You gasp, lips parting enough for the cigarette to fall from them and into your lap. The hand wrapped around your wrist is large and masculine, and you briefly consider screaming, but when you snap your neck to look at the perpetrator, you see Gojo crouched down next to you on this roof. You notice he’s wearing a black suit, a tie that was loosely secure hanging from his neck into the space between his spread thighs as he’s crouched, and whatever gel he had in his hair from earlier only barely remains as strands fall over his forehead haphazardly. He looks like he’s on the other end of a long work day. 

You blink at him, expression plastered with surprise, but his is only earnest. With breathtaking blue eyes that you realize he could easily use to surrender a person just by looking at them, like the way he’s looking at you right now. His lips are pressed together into a firm line, as if to suppress some emotion, but the slight crease to his brow makes you feel like you’re in trouble somehow. Like he was silently scolding you for something.

“I—” you stutter.

He lets go of your wrist and discreetly pulls the lighter out of your hand. And then his hand reaches for the pack of cigarettes you were balancing on your knee, but on some reflex that you don’t even think about, you try to snatch them away from him, and now you’re both tugging at the same pack of cigarettes.

“y/n,” he says, “let go.”

“No,” you say stubbornly.

He sighs and tugs a little harder. “Give them to me.”

“But—” you stammer, voice becoming softer to see if that’d work on him, “I’m…” Your grip on them tightens. “I’m stressed.”

He raises an eyebrow at you, then finally loses his patience and snatches them right out of your hand. He stands up from his crouched down position to toss the pack off to the side onto the roof somewhere. You’re surprised when he lets out a sigh and sits down next to you on the roof, as if he felt the obligation to. His legs stretch out in front of him, but still bent slightly at the knees, and he leans backwards with his body weight braced on his palms laid flat on wood paneling behind him. “There are better ways to relieve stress,” he tells you candidly. 

“Like what?” you ask, and just when he opens his mouth to speak, you clarify, “and don’t say sex.”

He shuts his mouth and his eyes flit up to the sky for a brief second. “Damn. I didn’t have a back-up answer.” 

You roll your eyes, releasing a deep breath, then draw your knees to your chest before resting your chin on top of them. 

“I didn’t know you smoke,” he says after a century-long minute. 

You wince a little, because you were half hoping he was going to just drop the subject all together. 

You bite your lip nervously and hug your knees to your chest tighter as if to hide yourself from him. “I don’t. Well, I haven’t. Um, not for a while.”

“Huh. I see,” he says.

Another silence passes, and as he shuffles next to you, the fabric of his suit brushes against the fabric of your coat, and you’ve become entirely too aware of the feeling.

“So,” he says, breaking the awkward silence, “your mom’s in hospice now?”

You nod, enthusiastic enough to where you won’t look like you’re entirely depressed about it.

“That’s good,” he says, “no issues with the insurance?”

You shake your head. “They need you to sign some papers by the end of the week though,” you tell him. “We’ll have to go in person.”

He nods slowly to affirm he’ll make time for it. “I really hope things get better for your mom,” he says, voice soft as he stares off into neighbors homes like you had been doing ten minutes ago. You see the cat that was resting on the fence get up, do a big stretch, and start walking along the length of the fence. Your eyes briefly glance at Gojo, and you notice his gaze is tracing the cat’s path. 

“My—” you start, hesitant all of a sudden by the vulnerability you already feel swelling within you, most definitely due to sitting with someone on a rooftop late at night, but you decide that you’ll be nice to him for once, “…my mom seems to remember you a lot. More than she remembers me.” You let out a small humoring laugh, as if that fact doesn’t completely destroy you. “She was blabbering to me again for the seventh time about how you apparently fixed our AC.” You try to bite your tongue, but can’t help it when you say, “although I’m pretty sure you just pressed a bunch of buttons until it started working again.”

“Yup. That’s exactly what I did.”

You roll your eyes and sigh.

Another awkward silence.

“Can I ask you a question?” you say.

“Sure.” His voice sounds deeper, like he’s sleepy. 

“Why did you agree to marry me? That’s not something people just do out of nowhere.”

He glances over at you, and you flicker your eyes to him. “Why? Having regrets?” he teases, with a slight nudge of his elbow to your side. 

“Just answer me.”

He lifts his palms up from behind him and leans forward, placing his hands on his knees instead. “I don’t know. If something I could do would help someone out that much, I wasn’t going to say no.”

You hum quietly, still confused by his intentions. But you’re too jaded to question them.

“It costs nothing to be nice,” he adds. 

You run soothing circles over your thigh through the fabric of your jeans. For some reason, your mind wanders to Choso. Thinking of all the years you wasted staying with him even though you knew his affections were long gone, just because you didn’t want to break his heart. Only to realize that you never had that privilege in the first place. 

“I think,” you say, your voice barely above a whisper as you draw your knees closer to your chest, “that sometimes it does.”

A gust of autumn wind breezes by, ruffling the trees that the two of you are at eye-level with at the moment. You're pretty sure you’ve completely lost Gojo’s interest at this point, where he’s finally too tired to deal with your oddly cryptic attitudes and overall generally displeasing vibe, assuming this based solely on his prolonged silence beside you. You’re ready for him to get up and abandon you here on this roof, left to ponder every single thing you’ve done wrong in your life. It was any second now.

“Sometimes,” he instead speaks up, and it’s so surprising to you that you jolt a little bit, “you can do everything right, and people will still find a way to fuck you over. But I don’t think that’s any reason to stop being nice to others.”

You glance over at him, your eyes widening slightly, but he just continues to peer off straight into the night. His blinks are slow, lingering on being closed for a moment before he opens them again, and you’re mesmerized by the sight. The skin under his eyes is slightly dark from exhaustion, heavy with character that makes you aware that he’s just a person too. And for what feels like the tenth time this week, you realize that he’s—…handsome. And for what feels like the tenth time this week, your heart flutters in your chest.

He scoffs suddenly and dusts his hands off. “I sound like a fucking youth pastor.” He lets out an exhale before suddenly standing up onto his feet before you can think more on it. He looks off into the night again and lets out another exhale that sounds more like a sigh this time. “God, it’s getting a lot colder these days. Might have to start running the heater.”

You blink up at him with no commentary to add. 

He looks down at you. His face is relaxed, but you can tell those eyes are distracted. A shimmering blue ocean in its own world while he attempts to stay present in this one. 

He holds his hand out to you, and you stare at it blankly like you’ve got no clue what he intends for you to do with it. But you finally take the hint and curl your hand around his palm so that he can pull you up onto your feet too.

You stumble a little, falling forward from the sudden blood flow to your brain, but he holds you steady by the strong grip of his hands on your elbows. He’s close to you, close enough to where you can smell the faint lingering scent of his cologne. Something different than that expensive one he wore to the courthouse, but it’s comforting somehow. A fragrance that’s more him. And you feel nervous as you look up at him underneath pale moonlight. 

He lets go of your elbows. You feel cold from the loss of his touch. But his right hand moves to gently hold your left hand in his palm, holding it curled as his thumb barely grazes the stone you wear on your ring finger; the one he gave you.

The way his thumb prods at the silver band is like he’s inspecting its quality, as if it has to pass some test to be worthy of sitting on your finger. Or maybe just any finger, if you were to quell the delusion. You’re not sure if he’s satisfied with his inspection.

“Where did you get it—” you blurt out.

His gaze flickers up to your face briefly before he’s back to examining the ring. “It was my mom’s.”

Your mouth gapes slightly in shock, heart dropping a little in your chest, and all of a sudden you feel guilty. Guilty that he put his mother’s ring on your finger for something that was fake, something that was essentially a business deal, something exchanged to you out of fraud when it was a precious family heirloom that should be exchanged with love. And maybe he didn’t care about it much, some people don’t care about the sentiments of objects. But your mind thinks of the oaky vintage dresser in his room, so out of place in the aesthetic of its surroundings, a decision you can only imagine him of all people, mr. “everything in this house has to look like an IKEA catalog”, would do if the dresser held some importance to him that was more than meets the eye. And so you’re compelled to think that maybe this ring did, too. 

“Why would you give me this?! You could’ve just gotten a cheap fake diamond ring from a pawn shop and called it a day,” you ask him, suddenly feeling burdened by it.

“Well I wasn’t exactly given much time to think of other options.”

“But—” you start, only to realize you have no counter arguments for that.

He lets out a huh noise, like the sound someone makes when they’re pleasantly surprised by something, as he looks down at your hand that he still held in his. “It’s kinda crazy that it fits you perfectly. I wasn’t sure.”

Your mind wanders to when he slipped the ring onto your finger in the courtroom, followed by the kiss. Soft, sweet, the lingering warm sensation of his palm on your cheek as he cupped your face, the same way those heartthrob actors do in all those romance movies and kdramas that you watch on Friday nights while snuggled up in a blanket, wondering when anyone will ever kiss you like that. You remember the ghost sensation of his hand hovering over the small of your back, fingers lightly grazing the nape of your neck, his frame blocking out everything around you as he kissed you, just to pull away and for the two of you to then pretend like it never happened, as if it wasn’t one of the sweetest kisses you’ve ever known.

You slowly pull your hand out of his, the moment feeling too tender for your liking, and you clear your throat before flitting your eyes up to his. 

“Rule #1,” you remind him with a soft whisper, “no touching.”

You purse your lips, watching his round eyes blink once, then twice, before he shoves his hands in his suit pockets. He rocks back and forth on his heels for a few seconds, nodding slowly in submission, and then he turns on them to head back to the house. You’re standing a little stunned from the abrupt ending to this trance of a moment on the roof, and you’re also a little surprised with how your chest is heaving a little bit with fast breaths, but you eventually snap out of it to follow him inside too. 

You two make it back inside the house, with little words exchanged. You pretend to not notice the way Gojo tilts his head at his desk, like he’s confused about why it looks tidier than when he left it. You’re prepared to feign innocence or ignorance, but he doesn’t press you about it. 

“Y’know,” he says from behind you, his chest briefly brushing against the back of your head as he pushes the bedroom door in front of you open so that you can head out into the loft, “those oversized 1800s-esque nightgowns you’ve been wearing around the house kinda make you look like a less-hot version of Ebenezer Scrooge.”

“Go fuck yourself.”

•┈┈┈••✦☽✦••┈┈┈•

“Sign right here for me, sir.”

You watch as the nurse slides the papers across the high-raised counter of the hospice nursing desk towards Gojo, his eyebrows narrowing as his eyes skim the words on the paper and land at the highlighted lines where he’s been intended to sign. You feel nervous for some reason, as if he’d suddenly find something disagreeable and refuse to sign, then take you to the courthouse first thing to finalize a divorce and send you off to prison while claiming he was blackmailed into the whole marriage in the first place.

Instead, he pulls a pen from the chest pocket of his suit jacket, clicking the end of it and scribbling his signature onto the paper with some jet black ink that looks like it takes a second to dry. How pretentious of him. The pink pom-pom pen was right there.

The nurse behind the counter continues to chat with him about something, blah blah dependents, blah blah tax claims, blah blah you’ll receive an itemized bill in the mail. You’re trying your best to eavesdrop in on the conversation, but most of your senses are being occupied by examining all your surroundings. When you dropped your mother off at the hospice, your feelings were at the forefront of conscience, but now that you’ve had a couple days to come down from that overwhelming emotional high, you’re here to scope out the quality of this place you’ve just dumped your mom at.

The facility is clean and sleek, with a color theme of red and an ocean blue across the signs, the furniture, even with the paperwork they hand out. All the workers had color-coded scrubs based on their occupation or specialty, and none of them had stains on the fabric. You take a glance down at the modest leather pumps you were wearing past the creases of the long skirt, and notice that the floor was shimmering off their reflection in a perfect polish. It wasn’t bad, this place.

“Thanks, you too,” you hear Gojo say to the nurse behind the counter. He has a professional smile on his face, but still kind and genuine, which makes the woman at the computer something bashful and unable to make eye contact. He folds something that looks like a receipt into his chest pocket before tucking his pen back in there too and then turns to face you. You make a mental note to pay him back for whatever he just paid for, at least once you move some money around. 

Your eyebrows lift, feeling a little dazed as you blink at him blankly.

“Alright,” he says, shoving his hands in his pockets, the sound of his shoes on the polished hospital floors satisfactorily tapping in your ears as he took a couple steps towards you, “where’s your mom’s room?”

“Huh?”

“What’s her room number?” he asks you.

“Y-You wanna go see her??”

“Of course I want to,” he says, “she’s my mother-in-law.”

You roll your eyes and pet the fabric of your skirt to smooth the wrinkles out. “You’re getting a little too invested in this role of fake husband.”

“I get to annoy you all day and ride the adrenaline rush of committing a federal crime,” he says, “of fucking course I’d get invested.”

You sigh, tossing some of your hair to behind your shoulder before glancing up at the signs, squinting slightly to locate the ward where your mother’s room is, before you hear an extremely high-pitched and somewhat catty feminine voice call out from behind you. You glance at Gojo’s face as he peers off to whoever’s behind you, and you see him visibly stiffen a little.

“Is that Dayton county’s sexiest realtooorrr???” the voice purrs, and you turn on your heel to see a blonde bombshell of a woman clacking her kitten heels down the glistening floors of the hospice, with another brunette bombshell just a few paces behind her. Bombshell #2 sighs something like “it issss” before they walk right up to your fake husband and take turns at giving him a playful squeeze of his bicep. You have to physically stop your jaw from dropping at the sight. 

“Wow! Ladies, so–...so great to see you two,” he says out of polite obligation, and you immediately clock the fact that he doesn’t address them by name.

Bombshell #1 turns to look at you, all of her hair moving as one solid entity with the motion from all the hair spray that’s probably holding it up, and she points at you with a long slender finger that narrows into a french-tip. “Oh who’s this?? Another one of your clients??”

“Oh, no, she’s my–”

“I’m his wife,” you interrupt him, irritated for some reason. 

Both the women chirp something out like oh! before their faces twist with confusion. 

“I didn’t know you were married,” Bombshell #2 says in a thick New Jersey accent.

Gojo lifts his left hand up, the silver band on his hand glimmering under fluorescent hospice lighting. “Very happily,” he says, as if someone was holding a gun to his head.

Bombshell #1 crosses her arms, and you try not to stare at how nice her boobs look in the low scoop-neck jaguar print top she was wearing. You were no better than a man. And now you’re pissed off at the idea of Gojo glancing down too, but a flick of your gaze up to his face tells you he’s safe. For now. 

“You weren’t married when I asked you if you were a month ago,” Bombshell #1 sneers at him. It’s true, the math wouldn’t make sense, but in his defense, this marriage was a fraud.

“Or when you took me out for dinner last week after I bought my house,” Bombshell #2 snarls with an undertone of hurt. 

Gojo clears his throat beside you before pointing at Bombshell #2. “How is that, by the way?” he asks in an attempt to change the subject, “the half acre down on Maple Ave, right? You, uh, enjoying the pool?”

The woman let out an offended scoff and–were her eyes sheening with tears?? She puts her hands on her hips. “No. Mine is the three bedroom house with the cedar gazebo on 14th street.”

Her friend next to her rolls her eyes and smacks her gum between her cheek. “I’m the one that bought the half acre down on Maple Ave, jerk. Ugh!” She grabs her friend’s arm with a high-pitched hmph noise leaving her throat, and you can hear the other one sniffling subtly as she wobbles on her heels with her friend’s pull of her arm. 

Right before leaving the two of you alone, Bombshell #1 turns to you and says, “I hope you find someone who treats you better,” and then they storm off together down the hallway, their perfectly blow-dried hair bouncing in sync with each stomp.

You blink at the sight, a little flabbergasted from the interaction, and then flit your faze up to Gojo. You see him awkwardly scratching at the back of his head with a grimace on his stupidly handsome face. 

“That’s what you get for being a manwhore,” you tell him.

“I’m not a manwhor–”

“You went on a date with another woman while you were maaaaarrrieeeddd?!” you coo as you let out a fake gasp and slap your cheeks with your hands, “despicable, really.”

He lets out some disgruntled noise, the source coming from deep within his throat. “No. We weren’t fake-married yet,” he vindicates himself, “and it wasn’t a date. I just bought her dinner as a congrats for buying a house. Not a big deal. I do it for all my clients.”

“Satoru. You do realize you’re leading these women on, right? I mean, I’ve seen the way you talk to them. Even if you think you’re just being friendly, please know that your definition of friendly is most people’s definition of flirting.”

“That’s ridiculous.”

“It’s true.”

He raises an eyebrow as he glances down at you. “Alright, how come this flirting in disguise of friendliness hasn’t worked on you then?”

You scoff in disbelief before crossing your arms. Maybe you did deserve a better fake husband. “You’re never friendly with me. You’re always rude to me.”

“What? I’m not always rude to you.”

“Well, you’re certainly much more rude to me than you are to other women,” you say, tapping the tip of your shoe with irritation.

“Can we not do this right now? We’re in the middle of a hospice.” 

“God, you’re such a cop-out,” you mumble as you forcefully push past him towards the hallway that’ll lead you to your mother. You can hear that Gojo’s on your tail, following you down one of the more dimly lit hallways, and you can tell he needs to stall the strides of his Daddy Longlegs to not overtake your pace.

“What the fuck is a cop-out?” he asks you from behind.

“Look it up on urban dictionary, Grandpa. Unless you don’t know what the Internet is, either,” you spat. 

You waltz right up to your mother’s room just in time to see a nurse making her way out with a clipboard in her hands. She glances over to you when she sees you approaching in her periphery.

“Hi! How can I help you?” she asks.

“Is it alright if we visit my mother?” you ask her.

“Oh! Sure, let me just clean her bed pan really quick.”

Your brow furrows. “B-Bedpan?? Why is she using a bedpan??”

The nurse stops in her movements. “Well, yesterday and today, that’s just what she has decided to use.”

You immediately become hostile. “That’s not right. She never needed to use one at home. Why is she suddenly using one here? Is that not a clear sign of deterioration? The restrooms must not be kept well enough here if she doesn’t want to use them.”

The nurse becomes something meek, her eyes widening as her mouth gapes slightly. “Ma’am,” she squeaks out, “we see this commonly with patients as they begin to adjust to hospice life. We’ll urge her to use the restroom, but as of right now, we need to prioritize what she finds most comfortable.”

Your expression softens, your shoulders relaxing from their tense position, and you duck your head a little with guilt. “Right…I’m sorry.”

The nurse presses her lips together with a well-meaning smile before shuffling into the room and closing the door behind her. You sigh and lean your back against the wall next to the number plate, cheeks flushing slightly from the confrontation. You have no idea how loud your voice was or who heard you. But you try to convince yourself that you’re just stressed and trying to look out for your mother, although the guilt still sits.

You glance up to see Gojo staring at you with slightly wide eyes, his hands shoved into his pockets, and he tilts his head to study your expression.

“What?” you snap at him.

“Are you doing okay?”

“Just fine, thanks.”

“Are you sure?”

“Satoru,” you cut his questioning off by raising a palm into the air, “just—…just stop.”

His brow furrows together slightly, but before he can show any further concern, the nurse exits the room and holds the door open for the two of you. 

“All set!” she chirps, and Gojo moves to hold the door open in her stead, and then the nurse bolts down to disappear somewhere down the hallway.

You hear Gojo let out a small huff of a scoff as he stares down in the direction the nurse ran off in. “Glad to know I’m not the only one that’s scared of you.”

You roll your eyes and walk into the room through the open door.

Your mother lays in her bed, looking out the window with her hands resting on top of layers of white linen sheets, her skin looking slightly paler than usual. You approach her bedside slowly and she finally turns her head to look at you.

“Hi mom,” you gently greet her, sitting down on the stool beside her bed, “how are you doing?”

Her eyes dart across the features of your face, and you briefly glance towards the wall to the right where you see Gojo standing from a slight distance.

“Oh, hi dear,” she says with a smile, and relief washes over you.

You match her smile with your own. “Mom, I brought someone here to see you.” You glance over at Gojo, who starts to close distance now as he approaches the foot of the bed, “this is Satoru, my husband.”

Your mother’s eyes widen, “Oh! I know him,” she scoldingly swats a hand at you, like you’ve embarrassed her somehow by assuming that she doesn’t know who he is, “he’s my neighbor!”

You sigh, “yes mom, the one that fixed the A/C?” You attempt to finish her sentence for her.

She looks confused for a moment, but slightly nods as if to avoid any further confusion for herself. “But—…but, why…” she trails off and then looks at you, “I’m sorry, are you my nurse?”

Your shoulders drop slightly. “No, mom, it’s me. Your daughter. Do you remember?”

Her face scrunches before it entirely relaxes to keep some image of composure despite the haze you know she feels in her head. “Oh…yes, yes…my little girl. I remember you, of course!”

Your eyes become layered with a slight sheen of tears, “I’m glad.”

“Where’s your father?” she asks, “he said he’d bring me some…oh dear, what—…he said he’d bring me tea. I’ve been waiting.”

“Mom, dad is—” you pause for a moment to think on your feet. You could either tell the truth, or a little white lie. You never know what to do. And either one comes with either guilt or sorrow. “Well, he’ll be here soon, I just wanted to come see you.”

“Oh okay…” she trails off, her eyes squinting at you once more with that same look of confusion on it, but then they drift towards Gojo. “Oh you’re a very handsome young man! You look just like my neighbor.”

Your eyes flicker up to Gojo, and he walks up to your side by your mom’s bed. “Yes, Mrs. l/n, I am your neighbor.”

“With the lemon tree!”

“The avocado tree,” you correct her with a small sigh. “And he’s my husband mom. And also our neighbor.”

“Oh I see I see…” she says, looking up at him, and in a moment that shocks you, she holds her hand up for him to take.

There’s a slight moment of surprise on his face too, but he accepts her frail hand in his, and you glance over to your mom to see her look at him with some look of peace on her face.

“Oh, sit down here, won’t you?” she tells him, and you both blink at her in a moment of hesitation.

He pulls a stool up to the side of the bed right next to you and takes a seat down onto it. Your mother holds his hand with both of hers now, soothing her palm over the back of it before she taps on it lightly.

“Oh, my little girl is very sweet. She would bring me flowers from the garden when she was,” she glances at you, confused once more, “well I remember her when she was so little but she looks…a little older now. Ah, but she would bring me such pretty flowers.”

Your heart aches in your chest. You never knew what version of you your mother would remember. Some days, you’re still supposed to be an angsty teenager that shuts doors in her face, some days you were just as you are right now, and other days, you were just her little girl. And it confused her, the image of not seeing you in the way that she remembers. In the only way she knew how.

“You’ll take good care of my sweet girl, won’t you?” she asks him.

And it knocks the wind out of you.

It drops your heart to the center of the earth.

The thought that, after so many moments where she doesn’t remember you, she still knows that you’re someone she wants to keep safe.

Your mouth gapes slightly, tears welling in your eyes and you try your best to blink them away, but you see Gojo’s hand slip out from being held by your mother’s hands, to instead use both of his to hold hers. Your eyes snap to his face, and you see that same earnest expression you’ve been growing used to seeing these days. 

“Yes,” he responds, eye contact level with hers, “I will.”

A small puff of air leaves your lips, a single tear streaming down your cheek and you quickly swipe your trembling fingers to remove any evidence of it before you huff out a shaky, “excuse me.” And then you’re standing up off the stool, and in a few hurried steps across the room as more tears continue to stream down your face, you make it to the door to push out into the suffocating air of the hallway.

It’s hard to breathe, huffs and puffs barely leaving your lips as you struggle to pull air into your lungs while you storm down the hallway at a fast pace, your heels clicking underneath you in a way that only sets you off further. Suddenly, all the sounds around you make you sick to your stomach, a wave of nausea washing over you, and your nose burns with the intensity of the tears that continue to stream down your face. A few hospice staff look at you with concerned expressions, and you eventually reach a heavy-duty door that leads you out into a secluded staircase hallway where the dim lighting serves to relax at least some of your senses, but you still feel like you’re about to pass out.

Even in the haze of your emotions, there’s this glimmer of a memory that comes to mind. One from when you were younger and you were pushed on the playground at school. You cried and cried and cried in your mother’s arms, but even then, you didn’t want her to baby you. You would say to her, I’m a big girl now! in that same way a child knows nothing of what it truly means to brave the world. 

That little girl had no idea that one day, there would be moments where she wouldn’t be remembered as her mother’s little girl anymore. 

No matter how old you grow, you will always be my little girl, your mother’s voice echoes to you, the feeling of her squeezing you in her arms as she holds your sobbing little form in hers casting a ghost sensation across your skin.

In a mother’s eyes, you’ll always be her baby.

And that’s why it hurts.

Because it’s all fake.

It’s phony.

It’s not real.

This arrangement you have with Gojo.

And if your mother were to die tomorrow, there would be no one to take care of her little girl anymore.

Not in the way she believes there will be.

Of all the white lies, this one pierces you straight through your heart in a way that leaves you gasping for air.

Amidst your whirlwind of thoughts, you hear the door push open harshly, and when you glance over, you see Gojo standing in this dimly lit hallway as he turns his head quickly to the left and sees you standing there.

“Hey,” he says, catching his breath as he lightly jogs up to you, “hey, hey, hey,” he repeats with more concern now when he sees the state you’re in, and he seamlessly pulls you into a hug, your cheek pressing against his chest that feels warm even through the fabric of his suit jacket and shirt, and that familiar scent of him completely engulfs you.

You sob quietly, wiping your snot on his tie and your tears on the felt fabric beside it, your hands balled into tiny fists at your chest, squeezed between the two of you. You feel him tuck your head under his chin and his arms wrap around you tighter. You don’t even realize it at first, but suddenly, it has become easier to breathe.

Then, you wail, and you cry, and you sob, because you don’t have the words to even explain how you feel, about not just this, but with everything, a buildup of everything that has been suffocating you in your life that just comes crashing down on you all at once.

“I know,” he says, his palm resting on the back of your head as he holds your face to his chest, his voice soothing in your ears while you sob until there’s nothing left to cry. “I know.”

You two stay like this for another minute or so as you come down from the cries, your remnant sniffling echoing in the hallway while you wipe more of your snot on his jacket. You make the first move to pull your face away from his chest, but he still keeps his arms wrapped around you when you look up at him.

With your gaze darting across his face, you take in the blue in his eyes. Eyes that are looking at you so softly it’s suddenly hard to breathe once more. And when those eyes flit to your lips, your mouth parts slightly as you two breathe in unison.

It’s possible that you could have dreamed the moment you saw him lean down slightly towards you, his eyes still set on your lips, but it didn’t matter because you’re pushing him away with strong fists before you can even register the thought in your head.

He lets go of you entirely, his eyes wide once more, and you glance down at your feet. 

A tender moment, just like on the roof, broken just because you can’t handle that—…that way, that intense way that he looks at you. New rule, no looking at me longingly like you want to kiss me. I won’t allow it.

“I want to go home,” you whisper, still examining your shoes. And you suddenly feel embarrassed that he had to see you this way. He’s supposed to be scared and intimidated by you, not holding you in his arms while you cry. 

He’s silent for a moment, but you can tell he’s searching for things to say. “You don’t want to say bye to your mom before we go?”

You swipe your palm against the wetness on your cheek. “No. I just want to go home.”

“y/n,” he tried to convince you.

You finally look up at him. “Please.”

He breathes in a few breaths as he studies the features of your face in a way that makes you feel so seen that it’s frightening. But he slowly nods, then says,

“Okay.”

.

.

.

.

.

[end of chapter 4]

a/n. hi friendsss i hope you enjoyed :'') yea like i said at the a/n in the beginning, this chapter is a slight off-tangent from last chapter, but ch5 will continue with a lot of the stuffs that were brought up in ch3. but yea i wanted to explore the whole process of emotions reader would go through putting her mom in hospice, since it kinda felt like a big thing, hence why it got its own chapter. aaa i hope to see you in the next one!! much love from me :''0

➸ you're all caught up!

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[actual-changeling]

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

[lilahisntsadanymore]

Growing up with a deatheater father doesn't teach you much about emotions, so when Theo finds himself developing an infatuation with a muggle-born, he thinks she gave him a love potion.

Pairing: Theo Nott x granger!fem!reader

Words count: 1.9k

Warnings: jealous Harry

There is a 2nd part!! <3

≫ ──── ««•◦ ✪ ◦•»» ──── ≪

Unveiled Desires

It was strange to him. So strange how he went from mocking, annoying and occasionally bullying her every step she takes to secretly wanting her. Wanting to have her, or even needing her.

He didn't know how or when it happened, but one day he realized she was constantly in his head. It creeped up on him in small steps and eventually he had developed an infatuation for the girl.

Of course nobody knew about it, Theo wouldn't dare telling anyone. He just kept with his antics, hoping the obsession will somewhat disappear one day. Unfortunately, the more he tried to get rid of this feeling, the more he gave it power, the more it grew.

But he couldn't be with her. He couldn't be with a mudblood.

But he wanted to be with her. The more he thought about it, the less he cared about the blood status. He cursed at himself for these thoughts. Raised by a deatheater father, he would get disowned for dating anyone who wasn't a pureblood.

"Granger, can I talk to you for a second?" A question left his mouth as he approached the Golden Trio. Who was better to talk to about Y/n than her older sister?

The three Gryffindors looked at Theo as if he wasn't good in the head. Just casually wanting to have a chat, a normal chat, with someone outside of his social circle. Pretty unusual for a Slytherin.

"What is it?" Harry asked protectively.

"I was talking to Granger. I need to talk privately."

Hermione looked at Harry and Ron, exchanging suspecting glances. Eventually she spoke, "Alright, but make it quick."

"Great, let's go." Theo started walking, but Hermione stood in her place.

"Where are you going?"

"Somewhere they," he gestured to Harry and Ron, "aren't gonna eavesdrop."

Hermione crossed her arms on her chest, a knowing expression on her face.

Theo raised his hands, "It's not a trap again, I swear."

The girl sighed and walked after her rival.

Hermione and Theodore weren't fond of each other not only because of their houses and their blood statuses, but also because they were academic rivals. Both of them were extremely competitive. Since first year they aspired to be better than one another in pretty much everything.

"Can we stop already?" The girl asked. "I'm pretty sure they won't ear us from here."

"Alright, alright." Theo agreed. "But I need you to promise me you won't tell anybody about it."

"Why me? Why would you trust a Gryffindor with keeping a secret for you?"

Theo lowered his voice to a whisper, "Because it's about your sister."

"What?!" Hermione's voice was the opposite of a whisper. "What have you done to her?!"

The boy gestured telling her to lower her voice. "No, I didn't do anything. She has done...something."

"What on Earth could that possibly be?" A little more quiet, but still unpleasantly surprised, she decided to listen to him.

One last time, Theo looked around to make sure there's nobody there who could be a witness to what he was about to say.

"She used some spell on me." He accused. "Or put something in my food, my drink."

Hermione scoffed with laughter. "You must be joking. You bully her for whole five years, but one time she pays you back for it, it's an issue?"

"Not like that." He took a second to gather his thoughts. "Granger, do you remember how we learnt about amortentia few weeks ago? I think Y/n gave it to me."

Hermione started at the boy for a moment and then burst out with laughter. Y/n wasn't the issue, there was no way a fifth year would be able to make amortentia. Not even Y/n Granger.

Theodore felt annoyed and offended by Hermione's reaction. He looked at her with disgust. "What is so funny to you about it, mu-, Granger?"

Noticing how he almost called her a slur, her expression immediately became serious. "Seriously? You know what, deal with it by yourself. I don't even know why you're telling me all of this."

"Why? Because you have to talk to her, tell her to do something about it! Tell her to stop it!"

Hermione got a brilliant idea.

"You know, I've heard professor Slughorn had a remedy for amortentia."

"Yeah, and I'll end up in the hospital wing like Weasley."

"It was poisoned mead, not the amortentia cure itself. You can ask him to make one from the ingredients in the classroom."

"I will," Theo scoffed, "look at you being useful for the first time in your life."

Without another word, Hermione walked away. "Boys..." She muttered to herself.

"Don't tell anyone I told you this!"

≫ ──── ««•◦ ✪ ◦•»» ──── ≪

"What?! He likes me?!" Y/n asked with blush on her face. "Theodore Nott likes me? The boy that has been bullying me for the past five years?"

"And the thinks it's because you gave him amortentia." Hermione giggled.

Y/n wouldn't ever think that he could be into her and the whole story that her sister had told her was simply unbelievable. But Hermione had no business in lying to her very own little sister, especially not about that.

"Does anyone else know about this?"

"Not yet, but I talked him into asking Slughorn for the cure! I suppose he'll do this tomorrow after class, as soon as possible."

"Who are you and what have you done to my sister?"

The girls were sitting alone in the common room and as Y/n laughed, Ron and Harry walked in.

"What are you two laughing about?" Harry asked, ready to hear that story.

"Can I tell them?" Hermione looked at Y/n. The younger Granger nodded. "Nott likes Y/n."

The girls and Ron laughed, meanwhile Harry stood there with his lips in a thin line, far away from laughing.

"The best part is," Hermione continued, "he thinks Y/n gave him amortentia!"

"What?" Harry spoke eventually, his voice a bit more surprised than it should be. "Y/n, did you give amortentia to Nott?"

"No, why would you accuse me of this?!" The youngest girl defended herself. "Is it that unbelievable that he can fancy me?"

"I mean... You're a muggleborn... And-"

"And what?! Does that mean I'm not worthy of that? We don't know him, maybe he doesn't believe in this whole blood purity thing."

"He does. That's why he hasn't asked you out. And he never will. Because they're all the same."

Y/n's eyes became a little glossy, the tears ready to start flowing anytime. "Are they, though? And you're saying this. You, whose godfather was Sirius Black."

"Sirius was different!"

"We don't know because we don't know what Theo is like!"

"Theo? It was Nott for the past few years that he was tormenting you," Harry put an emphasis on the word bullying, "now he fancies you and he becomes Theo?"

"I would actually give him a chance. It's not his fault that he was born into a blood purity obsessed family."

"Don't you think that's a little pathetic? Running into his hands the moment you find out he might fancy you meanwhile you had chances to date...other Gryffindors."

"Pathetic? You call me pathetic?"

"I didn't call you pathetic, I said what you do is-"

A sound of a slap filled the room, but the following silence spoke even louder. Y/n looked Harry in the eyes, a light red mark on his cheek that her hand left.

Harry could see and sense that it was too much, he said unnecessary words. He regretted them, but he just couldn't stop them from coming out.

The Golden Trio watched Y/n run upstairs. She was so glad nobody else was in the bedroom yet.

≫ ──── ««•◦ ✪ ◦•»» ──── ≪

"Excuse me, professor," Theo walked up to Slughorn after the class on the following day.

All the other students were slowly exiting the room, Harry's eyes fixed on the Slytherin standing by the teacher's desk.

"Yes, Theodore?" Slughorn asked. "Do you have some more bright insights you'd like to share with me?" He was clearly happy to have this conversation.

"I actually need help, professor."

The man's expression dropped. "Yes? Do you have a problem?"

"I'm worried that I've been given amortentia."

Slughorn's eyes widened. He was surprised or even shocked. "Are you sure? I remember seeing other people under the influence of several love potions and you don't quite match the criteria."

"There's this girl who I can't stop thinking about... I suspect she has given it to me."

"Who that might be?"

Theo waited until all the other students exit the classroom before he said the name.

"Y/n Granger."

Y/n stopped in her tracks just as he was about to enter the potions classroom. She was about to show the teacher a part of her project, wanting to consult the texts she has written. Instead, she stopped and decided to listen to the conversation.

"Ah, she's one of the best students in her year," Slughorn said proudly, "but I assure you - she wouldn't do that to you."

"How can you be sure, professor?"

"Well, could you describe your symptoms, Theodore?"

"Whatever I do, Y/n is on my mind," the boy admitted, "I can't eat, I can't sleep, I zone out thinking about her. It's not normal, I've never experienced it before."

The teacher gave his student a sympathetic smile. "My dear boy, you might be experiencing the actual feeling of being in love."

"What? And how could it have been caused? Was it a love potion, after all? Maybe a spell?"

"It's a part of muggle science, biology. The chemicals in your brain cause it and it's not something you can control. It happens when it happens. A truly beautiful feeling."

Theo's mouth twisted into a dissatisfied grimace. "Is there anything I can do about it?"

"You can talk to the girl about it, for example," Slughorn looked at the door and shouted, "come in, Y/n!"

Y/n cursed to herself in her thoughts. How could he know she was there?

The girl walked in shyly, holding a paper in her hands. "I wanted to show you my paper, professor," the girl spoke, "if there's anything you think I should change or... anything."

As the girl handed the paper to the teacher, she looked at Theo. They stood dangerously close to each other. The silence between the was so loud, Y/n was praying for the teacher to say something. Anything.

"Amazing, Mrs Granger," he spoke eventually, "although the Draught of Living Dead is an extremely difficult potion to make. I'm glad you're so ambitious, but I'd suggest you get help from someone more experienced."

"I'm pretty sure I can do it on my own." Y/n assured.

"Maybe Mr. Nott here could help you. The sixth year has been just learning about this potion, actually. Theodore, would you be so kind and help Mrs Granger?"

Suddenly, Theo's gaze somewhat softened. There was no more disgust in his eyes. When he stood so close to Y/n, he wondered why did he act the way he did. Why did he do all the mean things to her. Maybe he had always liked her, but didn't want to admit it, even to himself alone.

"Yes, sure," he said, "I can help."

Y/n felt happy. For some reason, she didn't dislike Theo for all the things he did. She secretly always liked him, he was attractive, and she would even sometimes daydream about the day he would finally talk to her like a normal person. Maybe the day has finally come.

[catssluvr]

𝒚𝒐𝒖 𝒂𝒓𝒆 𝒊𝒏 𝒍𝒐𝒗𝒆, aaron hotchner

aaron hotchner x fem!reader (895 words)

in which aaron is sweet to you when you're moody or you finally realize he loves you back

warnings: r is a grump, sweet aaron <3

“he says ‘look up’ and your shoulders brush” “you can hear it in the silence” “and you knew what it was, he is in love” you are in love, taylor swift

`✦ ˑ ִֶ 𓂃⊹

You stand with your back against the wall, the cold night breeze making it's way through your sweater. But your mind is somewhere else, not enough at peace to regret not bringing your jacket.

The thought of coming back inside makes you feel almost dizzy. You haven't slept in two days and it's really starting to get on your nerves. The coffee stain on your shirt and the bags under you eyes might add up to the moodiness.

It's just not a good day. All you know is that you're standing outside the police station when you're supposed to be inside gathering your things to go home.

"Hey, are you okay?" You were too distracted to notice Aaron approaching. A gentle smile on his lips, one that you don't get too see too often.

"I'll be fine." It's technically not a lie, but the dramatic pout on your lips tells him otherwise.

"I made you tea." Aaron knows better than to push it. He hands you the cup, fingers purposely brushing against yours and you can feel your insides grow warm already. "It's red berries, hope that's okay."

"S'fine. Thank you." He seems pleased with your answer. Moving to lean his back against the wall right beside you.

You can feel yourself relax just by his presence. You have no idea why he's always so sweet to you, but you love it nevertheless. You’ve been in love with him for as long as you can remember and you’re grateful for whatever it is that you have.

"God, you're freezing." He states once he reaches to touch your cheek, thumb brushing gently against it.

You only realize now how cold it is, your fingers are practically numb and you're pretty sure your lips have turned another shade. It's winter, genius. You huff at yourself, the sleepy state making you feel annoyed at everything.

Aaron is quick to unzip his thick jacket, pulling it off without a word and making sign for you to let him put it on you.

"Hotch-" You start to protest but he quickly shushes you while helping you into the coat, one sleeve at a time.

He makes sure you don't have to lift a finger, rolling up the sleeves enough so that you can hold your tea and zipping the jacket up to your chin - which doesn't fail to put a smile on you.

You settle back to your previous position, not quite ready to go back inside yet.

"Look up." He says after a moment. You eye him confused before shifting your gaze, eyes going wide at the shooting star ripping through the sky.

But your attention is cut short when you feel his shoulder press against yours, trying to mask how flustered it makes you by keeping your eyes locked on the sky. You can practically hear him breath and you fight to urge to lean against him.

"It's pretty." You mumble out, clearing your throat with a cough.

"It is." He whispers back, though his eyes never leave you. You suddenly feel like you're in some kind of corny sitcom, but he's calling you pretty.

Your body feels hot, cold weather not affecting you anymore as your palms grow sweaty. You hide your face in his jacket, almost immediately regretting the idea as it smells like his cologne.

His fingers tuck under your chin, lifting your gaze to his. "I'm here, you know?" He reassures. You know he is, but it's still nice to hear it once in a while. It's nice to know he insists on staying by your side even when you're a grumpy mess.

"I know." You say with croaked voice.

This all feels a bit selfish, he also hasn't slept in two days and has probably had to deal with way more rude officers than you. But he doesn't seem to mind it for some reason.

"C'mere." Aaron opens his arms, voice gentler than ever and not wasting a second to wrap them around you.

You practically slump against his chest, arms wrapping around his middle - as much as possible with the thick jacket on you. You can smell his cologne, way more intense now, and can't help but find it comforting.

He rests his chin on the top of your head, squeezing you against him before rubbing your back with his hands. A comforting silence falls over the both of you and he allows you to rest against him. Not pulling away until you do.

"Get comfortable in the SUV, i'll go get your things." His eyes twinkle as he speaks, holding your elbows in his hands.

"You don't have to." It's not a 'no', and that's all he needs.

"I want to." He reassures, eyes not leaving yours. "Besides, we can't have you shoot deadly glares at everyone that passes." Aaron teases.

He pinches your side softly, handing you the keys before walking away. You scoff at him, but your smile is just as big as his.

It finally hits you. He got you tea, made you wear his jacket and hugged you for way longer than a casual hug should be. All in an attempt to cheer you and you don't remember the last time he wasn't the grumpy one in a conversation.

He's always caring to everyone, you know that. But not like this. Aaron is in love with you.

`✦ ˑ ִֶ 𓂃⊹

love you,

cat 🤍

[thefallofruins]

── “Conception” [Ryomen Sukuna]

Requested by anon — Hey, love ur writing. All the smut you've written for the jjk men is soooo hot. Would u be interested in writing feral ritual sex & breeding kink w sukuna? Like he's obsessed w the thought of his precious little queen having his child, but since he's a curse he has to put in some extra effort to make sure it takes & doesn't harm her. I'm just obsessed w the thought of the bid bad king of curses being soft for his little baby (& ofc the babymaking process). Love u and wishing u a good day.

Warnings — breeding, inflation, lactation, dumbification, dacryphilia, pregnancy. MINORS DNI.

Sukuna was a greedy man. Sure, he had his lovely queen, the only one who had ever managed to tame him. He never desired any forms of human companionship till you came in his way with the pretty little face of yours and an ever charming wit.

But he hungered for more, recently.

Sukuna had never even thought of having a family. He held no desire to procreate, but over the time, staying with you, learning about your own desires of a family someday— it grew over him like a disease. To see you with his offspring, his heir. The need to get you pregnant, the desire so primal in him that all he could think of was that. He was utterly obsessed.

So, now that you are in the privacy of your room, who were you to deny the king of his wishes? Sukuna always gets what he wants. And you learnt so when you saw that look of hunger in his eyes. He was so certain he'd knock you up tonight. And you were too, considering his actions.

"Look at you..." he growls, taking the sight of you all in, eyes glassy and desperate, sweat glistening off your pale skin as he pounds into you without a drop of mercy. Your lips tremble as wanton moans of his name escape your throat. "Meant to be a mother..."

All that occupied his mind was to see your belly round with his brood, to see how you'd glow with his child in your womb, to see how much more prettier you would you get with your tits growing heavy, your kimono tightening around them as they fill up with milk. With that thought and the feeling of you tightening around his cock, he releases into your womb, cock nudging against your cervix as he fills you to the brim.

It wasn't enough, of course.

A helpless mewl escapes your lips when you feel him moving again. "S-Sukuna..." a whine escapes your lips. He tuts, a smirk forming on his face as he resumes thrusting into your oversensitive cunt. "Not so fast, my lovely Queen..." he says, a finger reaching to pinch and tug upon your hardened nipple. "Need to make sure I breed you well..." he says, his pace increasing as he speaks, "You'll be carrying our baby soon..."

"N-Ngh—! 'K-Kuna...'s too much!" you complain, your mind almost going blank when you feel him hit your cervix again. And again. And again. But he shows no sign of stopping. "You can take it, my queen....you must give me a child. An heir...." he softly brushes the hair out of your face as he pounds into you in a harsh manner till you feel a knot build in your stomach once again.

"S-Sukuna..Ahh...c-cumming...!" you moan as he increases his pace, making the knot of your stomach snap, squirting over his cock and making him chuckle darkly. "Mmm...pretty..." he says softly, not stopping his movements till he fills you up once again. His seed filling your womb for the second time for the day. You whine at the feeling, there was no way his plan to impregnate you was failing at this rate.

"Sukuna..." you mutter his name softly as he pulls out of you slowly, giving your forehead a soft kiss. Perhaps it was an apology on behalf of the long night he was planning ahead. Giving you a moment to prepare yourself, he watches his cum ooze past your pussy before he rams into your poor cunt again.

"S-Sukuna-ah! p-please...." you whimper, it was too much! but it was also only the beginning. He is a curse after all, he has to take extra efforts to make sure he impregnates you, no? "P-Please...too full!"

"Sssh...." he says, grunting as he feels the gummy walls of your cunt clamp over him. "You need to give me a child, my queen..." he says gruffly, wiping the tears that roll down your cheek. It's too much! "You're gonna make such a beautiful mother...belly round with my child. F-Fuck...gonna breed you so well tonight."

Another thick load, followed by another, soft praises escaping his lips, thumbs brushing your tears away. You were too full with his hot and sticky seed, too overstimulated, your brain mushed to the point you couldn't think about anything except being bred my him. About being pregnant with his heir. About fulfilling his desire. About making him a father.

Your belly appeared to bulge a bit from the amount of cum he's stuffed into you. Your womb overflowing with his seed. And yet— Sukuna wasn't satisfied. He kept going, and the last thing you felt was his cock still buried deep into your cunt, a heavy load released into yet again. He lies next to you, cock slipping out. His seed flowed out of you in large amounts as he brushes the strands of your hair from your face and softly kisses your forehead. "Rest, my Queen..."

Of course his efforts had paid out. And it was just what he imagined. You were glowing with his child in your belly, he simply loved to caress your round belly as he held you, praised you for carrying his heir —so incredibly proud of his queen and his little one that was growing in you.

He loved to see the tightness around your chest, the stains on your kimono as your breasts grew heavy. The blush on your cheeks when he told you he'd relieve you of the overflowing mess— slurping and drinking upon the sweet nectar greedily.

He absolutely fucking adored to see you crochet little clothes to welcome your little one, sitting on the bed with a round belly as you knit together a cute and tiny sweater for the to-be-coming-soon member with your eyebrows scrunched together as you poured your focus into it.

And when the little one was born? Sukuna never knew he could be so soft. He would spend his days with the little one cradled in his arms, his pride growing when he saw him perched upon your hip, walking around — just being the amazing mother he expected you to be. He would make sure no harm ever befell the two of you.

He now sits with the two of his only loved ones, with something on his mind again— maybe in the upcoming years, he could have more of this. A big family with his wonderful queen.

Sukuna was a very greedy man, after all.

taglist: @x-lunawrites-x

[ethanthealien]

Things That Hurt When You Have Fibromyalgia That Should Not Hurt:

Blood pressure cuffs when doctors take your blood pressure.

A simple poke from someone else, especially on the tender points

Tripping over something - only mildly, not a bad trip. I trip over things and it hurts like a Bitch.

If I accidentally graze my arm or my body against a wall a bit or something, it also hurts like a Bitch. Again, I'm not talking about badly, I'm not being pushed into a wall or something.

Standing. Just for a few seconds. I actually don't know for sure if this is really a part of my fibromyalgia or actually normal for everyone. But it really fucking hurts to stand for even a few seconds.

Walking for even just an hour hurts. And the longer I walk, the worse it hurts.

The simple act of. Cooking. It hurts to hold the pots/pans, especially with one hand. I can't really lift pans/pots because I'm weak, but also it just Hurts. It hurts to mix things in the pots/pans.

(Others can feel free to add on).

Common Descriptions Of Pain When You Have Fibromyalgia:

Feeling like your whole body is bruised, or some parts of your body.

"Feels like I was in a car crash"

Stiffness, throbbing, aching, soreness, tenderness, fatigue. Your body feels exhausted, and not even necessarily that YOU feel tired, but your body feels tired.

"Feels like being stabbed with a knife"

"Like someone has taken a hammer and hammered all over my body"

"Like I'm hungover"

"Like I ran a marathon"

"Like perpetually having the flu", "Like you have a fever constantly"

“It feels like I’ve been carrying two huge buckets of water that I can’t put down.”

"Like I did a full body workout"

(Amongst many other descriptions)

Common Habits I've Developed Throughout My Life As A Result Of Having Fibromyalgia:

Constantly leaning against walls and frequently switching which foot I'm leaning on more.

Asking people if they wanted to sit down, or if they wanted a chair to sit down somewhere, because I thought they were in pain too. Them declining and me thinking "but doesn't it hurt to stand?? You've been standing for like 15 minutes, aren't you in pain??" They are not.

Constantly sitting down, and/or wanting to sit down, wishing I had a place to sit down.

Not really a habit, but I always end up freaking out a bit when I worry that I've hurt someone. I realized that I would constantly apologize to my girlfriend because I thought I hurt her accidentally (very mild things I mean, I'm not saying I fucking punch him or some shit lmfao), only for her to be confused and say that it didn't hurt. It takes conscious effort to remember that what hurts me does not hurt most other people without fibromyalgia or a different chronic pain condition.

I've had fibromyalgia for pretty much my entire life.

I believed that these things were normal for everyone.

I would look at people and watch how they'd do things like simply lifting up a box or the ways people talk about walking for hours just for fun and just not understand why they were doing it because that hurts?

Growing up, when my brother would ""lightly"" punch me, or my dad would poke me, etc., it always hurt really bad, and my brother shamed me (my brother was severely abusive in many ways, yes) and would go "oh my God, please, you're being dramatic, I didn't even punch you/poke you hard at all." I truly don't think he WAS punching me that hard, I just had fibromyalgia so it hurt like twenty times worse (I'm not excusing his behavior, by the way, I'm just explaining that things that would hurt somebody with fibromyalgia wouldn't hurt most other people without it).

I grew up constantly wishing that I could float so that I didn't have to walk or stand.

I was always aware that I had certain spots around my body that felt much more painful than other parts of my body, such as the sides of my arms, my hips, etc. I also just figured this was how it is for everyone.

If you relate to anything this post, I definitely suggest seeing a rheumatologist or a neurologist (I was diagnosed by a rheumatologist) and finding out the cause of your pain.

None of these things are "normal."

[monzabee]

mr. big (social media au) - cs55

masterlist ||

Summary: The one where there he was, wearing armani on a sunday, your boyfriend, Carlos.

Pairing: carlos sainz x romance writer!reader (model used: random people i found on pinterest)

Warnings: none other than some cursing? carlos being an old money dream as always

Request: "For a smau, would love to see romance writer!reader with Carlos (he is just Disney prince vibes) where fans aren’t quite sure how they got together but the influence him on her work is greatly appreciated" by my lovely @percervall

Author note: OKAY JUST REALISED I AM A CARRIE AND BIG APOLOGIST, WHO WOULD'VE THOUGHT (i might be freaking out about them, but i will always be a charlotte girl)!!! (might honestly turn it into a series because who doesn't love a satc x old money crossover???)

Please also note that all of my works are protected under copyright, and not available for reposting on other platforms.

yourusername

Liked by carlossainz55, yourbestfriend, readersdigest and 438,927 others.

yourusername: busy, busy, busy bee.

user: thank you mother for feeding us with another hot billionaire novel

yourusername: you are more than welcome

user: how is she not only one of the best romance authors, but also a fashion icon??

user: can't wait to read what carlos inspired this time!!

carlossainz55: you are not wearing you glasses again, cariño

yourusername: why don't you come put them on yourself??

user: oh, they are so cute it's sickening

user: GIVE US THE MANUSCRIPT AND END OUR SUFFERING

view all 2,387 comments.

user: how did they get together again??

user: i think he ran into her at one of her book signings in madrid?

user: i thought it was when she went to the paddock for some good old r&d?

user: i heard somewhere that a friend set them up

yourusername posted a new story!

carlossainz55 posted a story!

yourusername

Liked by carlossainz55, landonorris, goodreads and 682,928 others.

yourusername: life lately & "between love and loathing" out june 23rd.

user: we love the romantic getaway, and a new book!!

user: we're being fed in more ways than one, and i am not complaining at all!!

user: oh shit, we're about to read the best romance novel of all time

view all 13,726 comments.

carlossainz55: i'm so proud of you, you have no idea

yourusername: way to make me cry

yourusername: i love you though

carlossainz55: te quiero más

user: I CAN'T BELIEVE THEY ARE THE OLD MONEY COUPLE WE NEEDED ALL ALONG AND WE DON'T KNOW HOW THEY STARTED DATING

user: it will remain forever a mystery

user: but at least we have content to keep us going through these hard times

carlossainz55

Liked by yourusername, scuderiaferrari, charles_leclerc and 977,520 others.

carlossainz55: one of us made the pancakes, and one of us stood there looking pretty.

yourusername: hey, it was your turn to make breakfast

carlossainz55: and i loved every second of it

yourusername: even doing the dishes?

carlossainz55: especially doing the dishes

user: this is by far the most romance book thing this man has done

user: i still don't understand how they started dating, but good for them i guess

view all 35,726 comments.

landonorris: hey, i didn't get any pancakes, did you? @charles_leclerc

charles_leclerc: didn't even know we were having pancakes, where are our pancakes @carlossainz55

landonorris: and cooking in a towel?? how is that sanitary??

charles_leclerc: he's breaking at least a dozen health codes

carlossainz55: i hate you both

yourusername: you are all a pr nightmare

scuderiaferrari: i agree

user: damn he got lucky

yourusername

Liked by f1wagss, carlossainz55, sarahjessicaparker and 736,928 others.

yourusername: and there he was, wearing armani on a sunday, carlos sainz.

user: SHUT UP!!! SHUT THE FUCK UP!!

user: what kind of an iconic cunt slay is this

user: and just like that... they became the coolest couple on the internet

user: NEW NOVEL IDEA, SEX AND THE CITY RETELL WITH CARLOS

user: girl wtf

yourusername: no let her cook

yourusername: you might be onto something here

user: don't know if i want to be her or be carlos

view all 44,736 comments.

user: everybody say thank you mom for blessing us

carlossainz55: amor

yourusername: amor x2

user: oh she's working overtime god bless you