#also HI yes :3
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possuminnit · 1 year ago
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hi hi :3
for the artist ask game; 2, 10, 14, 20?
lovely to talk to ya possum <3 (..if this even constitutes ‘talking’.. i don’t know how to interact w mutuals TvT)
2. Is it easier to draw someone facing left or right (or forward even)
LEFT from camera's perspective / ours, front is also fine to do but i hate drawing to the right auuhfhg
10. Favorite piece of clothing to draw
collared shirts... or turtle necks :3
14. Any favorite motifs
eehhhf not really ? none that i can think of IDK ABHJDF
20. Something everyone else finds hard to draw but you enjoy
rgrfg i like drawing hands a lot and that is the only thing i can think of that other people may hate/find hard to draw
ask game
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beepboopappreciation · 9 months ago
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Is this anything
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tempo-takoyaki · 9 months ago
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Listen, I love the "XL helps HC to see how beautiful he is" scenario as much as the next person... But I also see it like this.
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reagan-the-saunders · 3 months ago
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The Dread Wolf's Eyes
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morganbritton132 · 1 month ago
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This little idea (or this one) hasn’t left me yet so suffer through more of my ramblings.
Look, Eddie was gonna stay away from Steve.
He watched Steve swipe Billy’s keys off a table at lunch and then chuck them into the woods behind the school last week, and decided that he wants no part of that.
If King Steve is testing out teen rebellion, that’s fine but Eddie is eighteen and he doesn’t have rich boy money to bail him out when shit hits the fan. So…
He keeps his distance. He goes to class. He misses three days of school because he’s got laryngitis again. Now he’s sitting in a booth at the diner, miserably eating ice cream and watching Steve Harrington stroll in.
Steve didn’t have to sit with him. The diner was practically empty because it was 10:30AM on a Tuesday when everybody else is at school. So, no. Steve didn’t have to slide in across from him.
“I’m not driving you anywhere.”
“I wasn’t going to ask,” Steve says like Eddie was weird for thinking he might. “Got my car back. You sound awful, by the way.”
Eddie doesn’t say anything else because his throat is on fire, but Steve talks. He talks largely about nothing but in that way that you do when you haven’t talked to anybody in a long time which makes no sense. Steve is popular.
Eddie kinda spaces out because he doesn’t care about baseball, but his attention snaps back into focus ten minutes later when a hand clamps down on Steve’s shoulder. Steve is too casual, “Hey, Hop.”
“How’d the appointment go?” Hopper asks in a voice that sounds like it’s physically being restrained. “The MRI, right? Everything come back clear?”
“Clear as crystal, Chief,” Steve replies. “Got the uh, the A-Okay. Back to normal.”
“Uh-huh,” Hopper nods and then yanks Steve up by his shirt. “Then why’d Owens say you were a no show?”
Steve sputters. This is the first time Eddie’s ever seen him lost for words, but it doesn’t last as Steve scoffs, “That’s like a health code violation!”
He doesn’t get to say much else because Hopper pulls him out of the building. Eddie watches them argue in the parking lot and then pays his bill.
He’s leaving when Hopper marches back into the building but is luckily spared a glance from the chief. He’s not sure if Hopper even noticed him sitting there and he is fine with that.
What Eddie should do is get in his van and go home, but instead, he finds himself walking towards where Steve is waiting next to Hopper’s truck. As he gets closer, he sees that Steve is less waiting and more handcuffed to the side mirror so he can’t leave.
Steve rolls his eyes about the whole thing when he notices Eddie and then offers him a cig from the pack he stole out of the truck’s open window. Eddie shakes his head so Steve pockets the pack before asking, “You can pick a lock, right? I’ve seen you do it before.”
Eddie almost asks ‘when?’ but just sighs instead because…yes. He can.
Hopper returns to his truck five minutes later with coffee to an open handcuff dangling from his mirror. No kid in sight.
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ssalballoon · 1 year ago
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would he wear silly bandz. discuss 🦕🌟🦋
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arcanegifs · 3 months ago
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30 CaitVi Season 2 Tumblr Mobile Gif Headers (download link)
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Showcase of some of the headers:
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‼️ DO NOT DIRECTLY SAVE THESE FROM TUMBLR ‼️ The headers on Tumblr are compressed. They won't look good if you save them here directly. They're only here for a preview. Please view and download them all from Google Drive instead. Download Link: (HERE)
Some more notes:
There are 30 basic gif headers in the gdrive for you to choose. Please like/reblog if you do use them.
If you don't know how to upload a mobile header, you can find my guide here.
PLEASE MAKE SURE YOUR BLOG BACKGROUND IS WHITE or BLACK (depending on the bottom header effect). Else, the header effect will look off.
DO NOT RESIZE THE HEADER WHEN USING THEM. It will look wonky. Just click "done" after you upload them.
You can find a masterlist of all my Tumblr mobile and Discord headers here. I'll update the masterlist with these new season 2 headers when I'm more free.
Credit is not necessary, but highly appreciated.
Enjoy!
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vaguely-concerned · 8 days ago
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lucanis is a 'I could sit in our quiet kitchen on a grey tuesday afternoon drinking coffee and talking with you about nothing much in particular forever and be the happiest man who ever lived' romantic, not a 'classic tropes and grand gestures' romantic. this is a distinction and conceptual gap I personally feel is crucial to understanding what's going on with him when romanced. for all his almost painful sincerity and clear depth of feeling he's not a very effusive guy by nature, but in the history of time no one has ever, with their whole soul, chest and being, been so genuinely and openly happy to just do laundry and taxes with you.
#dragon age#dragon age: the veilguard#lucanis dellamorte#rookanis#rook x lucanis#his enchanting bordering on comical low-keyness in all his dealings and quiet but unflinching devotion is the point!#that is where the joy is stored. To Me. the mutual 'your company could make hell paradise to me' level of just...#*liking* between him and rook gets to me. they're best friends who enjoy doing everything together and also in love.#diversity win two demisexuals living the dream out there and incidentally also sometimes killing dragons together <3#it's less about the butterflies in my stomach excited love more about the calm safe home/best friend kind of love. if you see what I mean#less dramatic and narratively explosive more realistic and soothing and exactly my shit haha#also I think he's autistic and leaning on romance tropes is more like scripting for him (not inauthentic in terms of the feelings#just some 'well as I understand these are the steps to *express* these feelings' not quite spontaneity going on)#but that is very much a personal headcanon and fully vibes-based and no one has to agree with me on it haha#if/when he proposes to rye I don't think he plans it all out or anything he'd just gaze at him in some very mundane everyday situation#and suddenly go '...hey do you want to get married' like he's noting that they're low on onions or something#because he's so utterly enchanted with rook's existence and being anything else seems kind of irrelevant right then#(rye knows him very well and is not particularly taken aback by this. if anything he'd been fretting#over popping the much bigger question of whether lucanis wants to get buried side by side with him lol#(reader... he said yes. and they were gravemates. (oh my god they were gravmates)))
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blueskittlesart · 3 months ago
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kkoct-ik · 5 months ago
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second batch of yttd doodle requesties
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eveningdawn222 · 3 months ago
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people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.
he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."
the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.
and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -
and i will say this: so why don't things get better?
because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.
reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.
and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.
and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.
and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.
this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.
(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)
so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.
batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.
and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.
the joker kills thousands and it doesn't matter because they were written to be killed.
batman beats up thousands and it doesn't matter because they were written to be criminals.
and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)
and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -
thousands. ten of thousands. hundreds of thousands. written to be killed.
but one of them gets to come back.
and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)
here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -
but because of what he calls into question. why is the joker alive?
because he sells books.
and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)
so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.
batman can't kill the joker because the joker sells comic books.
and jason can't kill the joker because the joker sells comic books.
so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.
he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?
why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?
and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -
nothing jason can ever change.
which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.
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drgnflyteabox · 2 months ago
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a little continuation of this. john price x cashier fem!reader. verbal abuse, anxiety, yelling, hurt/comfort, price comes to your retail rescue<3<3 1.4k words
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The only good part of a 5am wakeup is watching the sunrise slowly climb the sky.
There’s a quiet sort of tiredness that lets you appreciate it more — and though the lot associates have made a joke about the morning crew and their sunrise photos, there’s an element of truth there that’s both funny and a little beautiful.
It’s a drag to wait outside the doors for a manager to open them, trying not to make eye contact with the early-bird oldies and the impatient contractors who think they should just be allowed in before everyone else based on the amount of money they spend.
When the doors open and the 6am hardware warriors stroll in, ready and chipper, you’re half asleep leaning against your counter.
Another good thing about the early shift is the lack of uptight managers. None of them want to wake up before ten, so you’re safe to lean and lounge while waiting for customers.
A call comes through your earpiece after a few customers, nearing the cusp of 8am.
”Hey, we’ve got the guy coming your way,” your head cash – Lisa – says, voice crackling in the mic. The guy is a rude jerkoff, some contractor who thinks abusing staff is the way to get good service and better prices.
What’s worse is that your managers allow it. In fact, you get warnings like this all the time. The guy is here, the guy has a big order, make sure to cash him out fast or he’ll start shouting. Be pleasant. Smile.
The guy is walking down the store lumber aisle with a pinched expression on his face and two other employees dragging his stacked carts behind him.
You try to ignore his caustic vibes, thinking instead of the pink, purplish sunrise you’d seen earlier. Clouds like magic, cotton candy, floating above you 
You ignore the incessant tapping of his feet, the annoyed groan he makes when you lift a package of insulation up and find flat saw blades.
Sure, you can’t accuse him of stealing. But you can make a cheery, passive aggressive comment–
“Oops, I guess you forgot these!” you chirp, scanning them a little slower than necessary. It’s not mature, but it does make you feel a little better. Nice try, bozo.
Playing the idiot cashier helps with these types. Why are you mad, sir? I’m just a cashier? And though you could answer more questions than you do, you don’t. Playing the ditz makes life easy.
Lisa’s definitely judged you for it, but hey. She’s not stuck at the register like you are.
Sometimes, it works. You get a scowl, but they’ll go quiet. Sometimes.
Today, it backfires.
“Excuse me?” 
Oh here we go, you think. It’s way too early for this.
“What was that, sir?” you play dumb, voice squeaking.
“Are you accusing me of stealing?” his volume raises. You see redness crawling up his neck. Fuck.
“No, no, I only meant–” you try to backtrack. Fuck, fuck. This is the result of your hubris. Your reasoning flies out through the massive lumber area doors as his rage climbs.
“No? No? Because I think you just accused me of stealing. Do you understand how much I spend here, you moron?”
“I do, I didn’t mean to imply–”
“Get me a fucking manager, now,” he snaps. God, you have no clue if he acts like this to get his way, to get discounts, or if he’s really this angry half the time he comes in.
Regardless, the effect is real. You’ve never been good with anger, and you’re shaking a little as you press the call button on your pager.
“C-Can I please have a manager down to lumber cash?” you broadcast to the store.
All you can think of is looking away from his angry gaze while you wait. Oh, a bubble bath – you have an aloe and green tea bubble bath packet at home waiting for you.
Hot water. Bubble bath. Manager to fix this mess. Maybe a hot chocolate after work?
A couple minutes pass. Longest minutes of your life.
No answer. The guy taps his foot, sighing loudly, angrily. You try again.
“Can I please have a manager down to lumber cash?”
Oh fuck, is that someone else in line? You turn away bodily, speaking again into your mic. Trying to look like you’re doing something about the wait.
Another couple minutes. Despair washes over you like a cold blanket of snow.
“Need a manager at lumber cash,” you try.
Typical, really. Lisa is likely on break, and you have no idea who’s managing the store at the moment.
You imagine it’s likely Cody, who’s good with contractors like this because he's personable but he’s also lazy it almost cancels out. Also, he takes a smoke break every 5 minutes.
And never takes his pager.
“What the fuck is taking so long?” you hear behind you.
“I’m sorry,” you say, turning. “My manager is busy at the moment but–”
“Busy?” his voice is like a gunshot in the airy space, an absurd volume for the time.
“Yes–”
“Do you know–”
A third voice cuts in.
“Think you better learn a little patience, mate,” British?
Oh, shit. It’s that guy from before. He’s got one hip a little cocked, a frown on his face like he’s smelled something bad. His boonie hat is titled down, nearly covering his eyes. You can see them because you’re shorter than he is.
“Excuse me? And who are you? Mind your business,” the guy says.
“I think you’d better let the nice girl check me out while you wait,” he motions for you towards the parallel cash desk, and you’re grateful to just follow.
You scurry away from the guy faster than is appropriate, calling out again as you cross the open space towards the other cash desk for a manager.
You can only hope they arrive while you’re helping this one. John Price, you think his name was. He's a memorable man. Him and his moustache and his expensive company.
John Price has left the guy flabbergasted. He also has twice as many carts as him, and when your eyes widen to see them he just says take your time in a smooth, deep voice.
Oh man.
You do take your time, already calmer for John’s presence. Strange maybe to feel safe in the company of a stranger, a contractor no less, but it’s a nice change of pace.
Beep, beep. You scan methodically. John has no hidden items, and he doesn’t pressure you. He leans up against his lumber order and watches you check underneath things, under the cart, doing everything you’re trained to do.
“Start early?” he asks.
“Hm?” you lift your head. “Oh, yes. 6am.”
He whistles.
“Hard worker, I see,” he helps you lift a heavy bag of concrete.
“Thank you,” Marx look away, you think. Your face is only a little hot.
Cody strolls in the lumber doors missing his apron and – you guessed it – his pager. You fix him with a look as he smiles in greeting.
“Need a manager when you’re free,” you rush. Cody is nice, but you’re kinda miffed now.
“Oh, sure,” he says, walking by you toward the breakroom.
John Price raises a brow.
“Not everyone’s up to the task, eh?”
You feel hot again.
“It’s just early.”
John smiles. He looks remarkably silly doing it, you think. His facial hair makes him look approachable, cuddly. Like a teddy bear.
John’s order totals double the guy, which isn’t really a victory for you but it feels like one. Ha! See, you aren’t the richest guy here. You feel vindicated. Cody looks miserable cashing him out, which makes you just a little guilty.
“Will that be cash or card?” you ask, finger hovering on the POS.
He pays with card. You certainly do not notice how he cradles the machine. You aren’t that down bad.
Only you are, and his fingers are huge. His knuckles are hairy.
When you go to hand him the receipts, printed twice for record keeping, he manages to slip a 50 into your hand before you notice.
“Oh, no! I’m not allowed to–”
He folds those big bear paws over your hand, enclosing the cash in it with a sh sh sh as you protest.
“For the trouble,” he winks.
“You didn’t give me any trouble,” you try. The warmth of his palm, the roughness of his calluses. You’re a goner.
He chuckles, and you wonder how he can be both so intense and so disarming.
“You know what I mean, sweetheart,” he squeezes your hand, pushing it gently back towards you until you can put it in your apron pocket.
“Thank you,” you squeeze out.
“Don’t let him get to you,” he says.
“I’ll try,” you thank God or the universe or whoever that Cody and the guy finished a while ago.
“Attagirl.”
Yeah, you’re a goner.
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peace-hunter · 2 months ago
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op: "i really don't mind-" zeta: "Do Not enable him"
sort of a sequel to this? a lot of people really wanted op to get a hug and i support that. so does prima. zeta isn't really against it, he just wishes prima would at least try to stick to the schedule for primus' sake-
haunted au
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lilybug-02 · 3 days ago
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Sam is catastrophizing.
Bug Fact: Their ears may be on their legs, but katydids hear a lot like humans do! Scientists have found fluid-filled vesicles resembling and functioning like eardrums.
V2 First || Prev // Next...
Volume 2 Masterpost
▴♥︎▴ Patreon ▴♥︎▴ Buy Me A Coffee ▴♥︎▴
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crumplstiltskin · 1 year ago
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sukuna got him that jacket
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tsuutarr · 2 months ago
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Yandere Otome Isekai Lawyer x Reader
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Elliot Armstrong is the youngest child of the Armstrong Estate, which means that he’s often given scraps in favor of his older brothers. It also doesn’t help that Elliot has never been too fond of the physicality of combat despite being part of a family of military might.
Instead, the battle of wits is what enthralls Elliot. Chess, riddles, puzzles – all of it captivates him. Perhaps that is why it is no surprise that Elliot has found himself fascinated by the human psyche, too. Humans are interesting specimens – they’re simple but also quite complex.
Elliot’s interest in humans is what draws him to pursue law. The variety of cases that fall in his lap – some more intriguing than others – always make his daily life that much more interesting. He can observe a great variety of people, which excites him to no end. Besides that, due to his awareness of his own intellect, he likes winning against other humans, too.
After all, brain is better than brawn. He’s much better than his brothers, his parents, his ancestors. He is the most superior Armstrong – the superior human.
Others just cannot compare. They’re too easy to manipulate, too simple once you understand their inner workings.
Well, all humans except you, somehow. 
The Heir to the Arrington Estate – you hadn’t really caught his eye before, being the quiet but rather dry child of the infamous Duke Arrington. Yet somehow, one day, out of the blue, you began to stand out.
Elliot remembers the exact moment you had become a centerpiece of his thoughts, someone he spins and spins inside the crevices of his brain just so he can make sure he never forgets anything about you. 
It was a few moons ago, when his family had been tried for their involvement in embezzling the Royal Family’s fortune. With his silver tongue, Elliot had managed to come out unscathed, unlike his idiotic family who had all been put to jail – it was all karmic justice, really.
The family that had ostracized him now begged at his feet, imploring him to save them. Hilarious.
It was quite difficult holding back his laugh, but he managed just fine. Perhaps he managed too well, however, since so many nobles began to pity him. They pitied him – him!
He’s much greater than they are, to the point that he knows all their secrets and yet they had the gall to pity him. Disgusting worms, the lot of them. 
And yet you, the Heir to the Arrington Estate… you were the only one who showed him genuine compassion. It surprised him – most nobles are self serving (him included) and care very little for others. Yet you care. Perhaps a little too much, really. But it’s nice, he won’t deny that. Being acknowledged, praised, for his intellect. Being shown compassion for his “plight.” Being shown the kindness in those lovely eyes of yours. 
Oh, Elliot just adores it all. Your attention, your kindness, your praise – he desires it all.
So, of course Elliot offers to be your personal lawyer. You’re kind, but perhaps a little too kind for your own good when, really, you only need to show kindness to him. Besides, your… Father, is a piece of work. You’d be much better as the Head of the Arrington Estate, so of course Elliot needs to be there so that he can ensure your position and safeguard it from your greedy relatives.
Oh, yes, you need him. You definitely, most certainly do.
Just like he needs you.
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