#already made a post about last episode. don't remember when exactly but someone did say the words “the legend of ruby sunday”

[lemonycranberries]

last episode and the episode name dropping is still going strong!!

[self-indulgent-paw-patrol]

No offense but I think the pups swap places/jobs idea can work. If they were trained for the job before claiming that job. In the show, we only barely seen the pups do training whenever they handled a new job on subseries. Also the pups also canonically did eachother's jobs together on the Ultimate Rescue subseries. I think the jobs don't necessarily have to be assigned on one breed because it's designed for that breed. Paw Logic, anyone can do the job as they aren't too small for it.

*Distinctly remembers a whole entire episode of Ryder doing some last/final training for sea rescues with his pups, in which Rocky failed the test and could NOT join the rescue efforts until the very end when he finally decided to go into the water-- Also how at some point Everest went with them in the Sea Patroller for her first time and Ryder made a point to say she wouldn't join the rescue efforts exactly for the reason she wasn't trained for it yet, until they had something done about that too so she could officially become a Sea Patrol pup too-- ALSO clearly remembering an episode where Chase was training motorcycle driving/maneuvers with Wild at least until his allergies affected him too much to keep going--*

There were several instances where we get to see the pups training or practicing. Just because we don't see them getting PREPARED PREVIOUSLY for a new job role every time there's a new subseries, doesn't mean they weren't at all ever. It's a kids show, they don't show EVERYTHING, they cut straight to the point most times. "Kids won't want to see them training, it's boring, it's like doing homework. They'll want to see the action, the rescues, the pups driving new cool vehicles already." That's the same reason why we don't get "slice of life" scenes either, only when it's for something to happen that will be relevant for the episode's plot - in other words, no slice of life at all.

As for the Ultimate Rescues, it's always the main six pups. They've lived together for years now, they've seen each other practicing and performing their duties, they've helped each others with their tasks and rescues countless times. And even then, each pup goes for a specific role in the umbrella of the job at the time, and are still led through on what to do by the pup who's responsible for that job.

On ONE thing you're right, the jobs do NOT need to specifically go for a specific breed. What I was saying in the other post was that the show producers did that anyway for the main six pups. The police pup is the German Shepherd. The firefighter is the Dalmatian. The Lifeguard is the Labrador. The aviator is the lightest pup. The constructor/builder is the stronger pup. The eco/creative is the mutt - I could actually complain on this one since it reinforces the stereotype of mutts being the ones who are abandoned on the streets ever so often and eating from dumpsters and trash cans, thus making Rocky be the one who messes with trash, they just made it fancy and eco-friendly for a good message for the audience.

For the other pups, they got jobs according to their own life experiences. Liberty works in the big city where she lives. Rex works with the dinosaurs where he grew up. Tracker works in the jungle where he lives too, and so on. They didn't need "training" for their jobs, they just got roles to patrol and care for the places they're already familiar with, and when trouble comes, they call for backup from Ryder and the main six.

Swapping places and jobs WOULD mess stuff up, whether we like it or not. Some won't be able to perform as well once they're out of the element they're familiar with, not without proper guidance. THIS is what I mean with "responsibility first" on that other post as well, switching places only for fun is one thing, but if they try to go on a rescue acting in someone else's place just for fun to see how that goes, that would be irresponsible and could put people in danger if they're suddenly unable to perform as well as the other would. Taking over someone who's currently unable to work - like how Chase tried to work in Rubble's place once before - is already dangerous as it is, let alone if there would be no real necessity to do such a thing.

TL;DR:

The very producers ignored the "No job is too big, no pup is too small" to assign specific jobs for specific breeds with the main six pups;

The pups DO have regular training sessions but we only get to see it happening a few times, only when it's relevant for the episode's plot;

Ultimate Rescues are performed only by the main six from what I've seen in the show so far, which means the very pups who live all together at the Lookout for years and have been following each others practices to know enough to perform slightly better than average at each others jobs, and even then it's mostly for specific things that fall into their own expertise areas;

Nothing changes the point that taking a pup from one job/location to another where they're not familiar with and make them perform an actual rescue with stuff they're not familiar with is not only irresponsible but also dangerous for them and for the people/animals in need of rescue.

The producers created the so-called "Paw Logic" to simplify things and make them work for episode/plot convenience, especially given the short time span for each episode - regularly 10 minutes only, with some specials being 20 minutes long and the "short movies" being around 40 minutes each. 10 minutes isn't exactly enough time to waste around showing slice of life, or pups practicing. They need to cut straight to action.

Meanwhile, I apply real world logic to make sense of things we didn't get to see on screen, that's why I'm tagging stuff as "Paw Patrol Headcanons". That's MY way of thinking these things through. You happen to have different ideas, good for you, you can work on them and create your fan content. I'll work on mine and create fan content as well. Win for the fandom as a whole, getting more content in different ways, with diverse storytelling by other fans.

[yellowhollyhock]

https://www.tumblr.com/yellowhollyhock/741343527513079808/not-sure-if-youve-already-been-asked-this-but

Can you imagine the ultimate betrayal Raph felt when Casey with Leo? Yeesh I feel that pain too much.

Yesss

Also Casey's explanation made least sense to me. it feels more than anything else that the writers are trying to drive home Leo being Correct whenactually it's not a black and white issue at all.

Leo and Mikey are saying things have gotten worse, they have the power to help and it might in some way be their fault so they should help. All of this tracks okay except 'it might in some way be their fault.' Like my dude. If getting rid of one powerful guy who was hurting people turned out to have consequences you don't like to the point where you think it was a mistake, then where is the logic in solving that problem by taking out more guys??

And that's the part Casey focuses on. He says "I was always taught you should fix your mistakes no matter what." Trying to stop other equally bad people from filling the vacancy that Shredder left isn't fixing your mistakes. It is literally doing the same thing again. And okay yeah if you feel like that's your responsibility now because you done it once. I can see that. But do you see how the cycle of violence will never end (isn't that the brilliance of the show? the underlying tragedy? the fact that these teenagers have to face these realities where even and especially when they're trying their hardest to always do what's right, the answers aren't always clear and sometimes they do harm? (I absolutely would not say more harm than good in this case, Shredder was dangerous and stopping him did protect innocent people no Leo I don't care what the crime reports say of course there's going to be an increase while the power is shifting, it will level out once someone's in power that's how these things work, yes I understand in the meantime people are getting hurt how exactly do you intend to stop crime in NYC forever. Yes I know you want to protect people I think that's wonderful. but you need to pause and be practical if you want your good intentions to prove efficacious. Also have you considered that a lot of the actual members of these gangs are people like Angel? If you wanna change up your strategy because you feel like you made a mistake, why would it be to choose a bad guy to put in power and/or fight them all, and not to reach out to the guys at the bottom and figure out what their unmet needs are and cripple the big crime organizations as much as you can by taking care of the people society wouldn't. AND WHY WOULDN'T THAT BE THE APPROACH CASEY TOOK, THE ANGEL THING WAS LITERALLY HIS EPISODE))

Ahem. I got off on a bit of a tangent there. (parentheses within parentheses (and it's more than half the paragraph) (teehee (sweats))). But the point is yeah! It feels like Casey only understood bits and pieces, which makes sense because the turtles do tend to not Explain things to him, and yet without fully understanding and before trying to, he takes Leo's side. It's almost like he saw that Raph was getting mad at his brothers and, knowing how much he cares about them, wanted to nip it in the bud before things got bad. But boy buddy that was the wrong approach because I really do think that was the last straw for Raph. mortifying when visiting friends side with your family against you. devastating when it's your best friend.

I also headcanon that's something Casey's dad used to say to him, about fixing your mistakes. So that's an entire angsty thought for another post.

(more headcanons Angel and Casey's dads used to be friends and Casey would be old enough to remember when her dad left and would've heard the things his dad, who would never leave his family, would have had to say about a friend he'd once respected) (Angel is my special interest within my special interest) (or one of them anyway XD)

You know what's also so sad is I really think Donnie was on Raph's side and would have countered Leo much more calmly than either Splinter or Raph could. But he didn't. Because they couldn't stop Leo anyway and so he did what he thought would keep the family together rather than what he thought was best, because he saw how important it was to Mikey, and boys ohh man I get it. I get his side of things in this best i think. But ouch. Raph really needed just one person who he felt was actually listening and would stick up for him. And Casey didn't listen and Donnie didn't stick up for him. And that's not the norm for them.

[smhalltheurlsaretaken]

Sorry but what exactly is up with the bad batch arc? I've heard people talk about the issues with echo's white skin but I haven't heard that many bad things about the arc itself? (ik you said you don't want to be negative on your blog so I would absolutely understand if you didn't answer this ask)

Oooooooooooh boy. Well I just had a long, long, LONG rant about it with someone, but I guess I’ve got an excuse to put all of my points onto a post and talk about it publicly now that I got an ask x) I’ll keep it under the cut so I don’t throw my salt in people’s face. I really don’t want to upset people who love that arc - it has redeeming qualities, but overall it pisses me off so much for so many reasons. So here:

The first issue is obviously two members of the Bad Batch (minus Echo) being being just about the furthest thing from maori no matter how much you're willing to stretch it. 

Like... yeah, nah. I wouldn’t even accept Crosshair and Tech (grey haired guy and goggles guy) as Jango’s natural biological sons, nevermind as his clones. 

The problem is that their different appearances are justified by them being described simply as clones with desirable mutations (i.e superpowers). But why the hell did the creators have to change their appearances for that to be a thing? How does that correlate? Sure, the concept of clones with different faces is interesting, except... no, no it’s not, and I’m gonna rant about it in a few secs. But basically it's like they thought giving them different faces would be a good substitute for having different personalities (another thing I’ll come back to). If they really wanted to have buff clones with super eyesight or whatnot they could have just done that, without making them lose what little melanin the lighting of the show had allowed the other Clones to keep. 

But the gigantic problem is... showing that the "regular" clones have VERY distinct identities despite their identical faces has been one of the themes of the show from episode 1. Literally, the first episode of TCW has Yoda taking time out of a mission with galactic stakes to tell the three clones he’s with (who tell him they’re all the same because they have the same faces) that they’re wrong, and that they’re very different in the Force, that their appearance doesn’t matter, that they’re all equally unique and important, and he lists all of their individual skills, strengths and weaknesses. 

And it’s not just me being bothered by that, here’s a post by @cacodaemonia​ saying the same thing. 

Introducing the Bad Batch as "unique" clones who are "different" and "not like their brothers" because they have different faces and skills completely breaks that theme of the show!! Because the entire point of the Clones in TCW is that their faces don't matter, they ARE unique! 

(Plus the Bad Batch’s character designs are so cliche and uninspired it’s just laughable to try and justify bleaching their freaking skin for the sake of visual diversity. 

This took like 10 seconds. I found the first guy by literally googling “soldier movies,” and the other two are Team Fortress characters that look a LOT like Wrecker and Crosshair. One is “Heavy” and one is “Sniper” lmao.

And behold:

The above picture is a Team Fortress reference that I found just by looking up “bad batch clone wars,” so I’m not the only person who sees it.) 

And the batchers don't even have personalities to justify calling them unique! They have no character traits beyond the most cliché american soldier tropes ever. We have a token loner sniper, a token "smart tech guy" who knows everything from xenoanthropology to biology to Separatist computers to sound waves to encryption, a token Badass Brooding Leader and a token “dumb muscle guy.”

I dare anyone to find more about their personalities than this: - Crosshair is the perpetually grumpy sniper who looks down on "regs,” - Wrecker likes to blow up stuff and doesn't like heights, - Hunter is the leader and is friends with Cody, - Tech is smart doesn't trust Echo. 

That’s it, that’s literally it. Four episodes about them and that's all we get. These character tropes are literally the least inventive ever. FFS, Hunter even has a freaking KNIFE! Not a vibroblade, mind you, like in kriffing Star Wars. A knife. Against metal droids. Why. They couldn’t make this more of an american-war-movies cliché fest if they tried. (And sure, he can feel electromagnetic waves so maybe it does make sense for him not to carry a vibroblade and maybe this is nitpicking, but he looks like a ripoff of a Predator character and it pisses me off).

Another thing is that when you introduce characters you have to make them likable - and them despising the normal Clones is a terrible way to do that! And they don't even grow from that because at the end of the 4 episodes arc they just see Rex as not bad "for a reg" and they see Echo as no longer a reg, and both of these things are infuriating! 

The worst thing imo is that Echo then becomes part of them (and irreparably loses his melanin in the process, uuuuuuuuugh) when there is nothing to justify this. 

The dialogue goes like this: 

ECHO: You coming? TECH: Not really our thing. CROSSHAIR: Accolades. WRECKER: Yeah, we're just in it for the thrill. Yo! HUNTER: You sure it's your thing? ECHO: What do you mean? HUNTER: Your path is different. Like ours. If you ever feel like you don't fit in with them, well, find us. (they leave) REX: Those are some of the finest troopers I've ever fought alongside. Echo. You and I go way back. If that's where you feel your place is, then that's where you belong.

Echo doesn't feel like he belongs anymore, okay, but why would he feel like he belongs with the assholes who up to the last five minutes of the mission thought he was probably a traitor, and also verbally expressed that he was not worth saving?? In all of the arc, Echo himself never voices that he feels he’s not ‘like the other Clones’ anymore and that he feels it’s a problem. His relationship with Rex immediately picks up where they left things off - the first thing he does upon being lucid again for the first in over a year is cracking a joke for Rex’s benefit. 

Why would Echo feel like he doesn’t belong in the 501st anymore, when we don't even see him interacting with anyone from his past life except for Rex and Anakin (who are both extremely very supportive of him)?? If there had been one scene of a “regular” Clone (ugh) looking at him with horror and disgust or something, or just Kix and Jesse cracking jokes with Echo awkwardly standing by the side not getting it, I could forgive the show trying to make it feel like he has an identity crisis, but this was so shallow!

The only thing that makes Echo and the Bad Batch’s experiences similar is that they *look* different. It’s so against the themes of the Clones I’m seething just from thinking about it. And what the hell? Echo ALREADY didn’t fit in. That was the WHOLE POINT of Domino Squad. They didn’t fit in because they thought they were better than anyone else because they had trouble getting along with their brothers, so obviously it had to be their brothers’ fault (ahem, Bad Batch?). And you know what happened? Domino Squad OVERCAME that. And Echo and Fives still didn’t “fit in” because their personalities were unique and creative, and they became ARC Troopers because Cody, Rex and the Jedi VALUED THEM FOR PRECISELY THAT. Echo having new and unique skills and a modified appearance is the most bs justification for him feeling like he doesn’t belong!! 

And that brings me to my biggest issue: Rex telling Echo the bad batch are some of the best troopers he's ever met. I'm sorry, based on WHAT? What Rex values above everything is loyalty and brotherhood, and the Bad Batch DOESN'T DISPLAY ANY OF THAT. We never see them even expressing concern for each other! Wrecker treats saving Cody’s life like a trivial issue, because it’s just ‘sO eAsY’ for him, and beyond that we never see them supporting each other or genuinely expressing affection for each other beyond boasting about each other’s skills... 

Sure they can destroy a lot of droids, but they're dismissive of Rex's brothers, and the entire Umbara arc and this arc showed what he thought of that. They keep saying things like "not bad for a reg,” don't show any trust in Rex's skills or experience (even though they can't have been fighting in the war for more than a year and a half when he’s been there from the beginning, and he outranks all of them), they are essentially guerilla fighters which has only minimal value in a galactic war, and they never grow beyond their views of what regs are, and can and can’t do. 

None of that should make them good troopers in Rex's book. Going back to Echo not fitting in, remember who taught the Domino Squad the importance of seeing all of your brothers as important and equally valuable? Shaak Ti, true, but more importantly? 99! The guy the Bad Batch are named after. He did have value and was important and was no less of a trooper than his brothers, even though his mutations made him LESS powerful, not more. (And btw, just from a writing standpoint, the batchers don’t have any weaknesses, which is shit.) Cody and Rex mourned 99 as a true soldier even though it wasn’t his sacrifice that brought them victory (which would have implied that he had value as a soldier and a brother because he saved them, as opposed to him having that value intrinsically), because that’s what a fine trooper is to them. A BROTHER first a foremost, someone altruistic, brave and loyal. The Bad Batch distort the meaning of 99's character with their behavior. They’re not altruistic, their bravery is mitigated by the fact that they’re freaking invincible, so of course they take risks (again, see Wrecker saving Cody without a care because it’s easy to him, as opposed to Rex being ready to run into a burning ship about to explode because his brother is in there, and having to be physically dragged away). The Bad Batch denigrate their brothers for being less skilled, thinking their own abilities make them unique somehow, when 99 could barely fight and was still the one who taught Hevy about being a good soldier. 

And again the batchers don't grow from that. Which is all the more frustrating because the original ending didn’t have Echo joining them, from what I remember of the unfinished episodes, and the arc actually ended with them receiving their medals in front of regular troopers who cheer for them, as opposed to them smugly ostracizing themselves and dismissing the ceremony as trivial and meaningless. (original ending vs s7 ending: https://www.youtube.com/watch?v=ab1eCfzKamw) 

It’s so annoying. Do you know what characters never had an entire arc dedicated to them and still have far more personality and more interesting designs and more symbolic weight?? 

Jesse, for starters. Kix. Dogma. Cut. Slick. Keeli. Ponds. Rys, Jek and Thire. Commander Doom. Commander Fox. Wolffe. Hevy. Hardcase. 

Cody was a more interesting character just in his RotS appearances. 

Waxer and Boil had one episode about them and then only two cameos plus Waxer’s death, and they’re still some of the most memorable, beloved Clones of the whole show. And Boil was grouchy and prejudiced like Crosshair, but he has so much growth that we could make a whole thread about it. 

I'd say the last problem with the Bad Batch is that it has cash grabbing money hungry vibes. Different faces are more marketable, cliché personalities are more toy-friendly, and it's basically a big ad for the Bad Batch series. And they throw Echo in the Batch at the end for bs reasons (again, it wasn’t in the original ep from what I remember) and they tease Cody in the show to make sure fans will still watch even if they notice the lack of soul. And less melanin sells more at Disney apparently. 

So that’s my whole pissed rant. 

[liesoverthec]

I don't know if you've paid any attention to this but do you know the official ages of the main characters? You've always paid attention to little details so i feel like you'd be the right person to ask this to.

Hi anon! ❤️ I’m SO SO sorry this took so long!

I appreciate you thinking of me for this - I have in fact paid attention to this 😂 I know about the general age of some characters, and I know within a year of others (depending on when their birthday is they may have aged up already!)

Bobby - 54. He says in the pilot that he’s 50 years old, and so you figure he’s at least 54 by now, if not 55 if his birthday was between January (when the pilot aired) and now!

Athena - mid 50s. In Athena Begins, I feel like it’s safe to assume she’s around 22 or 23, since she’s in law school but not close to finishing (and I really don’t think she took a gap year), and that was 1989, so she was *probably* born around 1966-67. Which would put her around 54-55 right now, which fits with how old Bobby is!

Hen - 41. She says in Future Tense that she joined med school at 40 (if she’s not rounding for dramatics). Since she got into med school last year in the s3 finale, I’d say 41 now. If she did just say 40 bc it was easy, I’d still say she’s between 39-42 now, bc she’d have to be close in age to 40 to round so automatically like that imo. But at this point I’m going with a simple 41.

Chim - Late 30s to early, early 40s. Chim is one of the two I really don’t have a good idea on. Chimney Begins is set in 2005, and he’s at least 21, since we see him drinking beer in that episode. So he was born sometime before 1984, which would make him 36 right now if he was exactly 21 then, but I think he’s a little older than that, since he’s been working in the bar for a while before the fire. I can’t remember any other details that would give him a more specific age, so if someone does and can provide them I would love to add them! Personally I’d say 39-40, bc I think he’s a little older than Maddie but not by much. I can say however that he has a March birthday! EDIT - thanks to the wonderful @shannon-diaz who remembered that we see Chim’s birthday on his license in 2x10 (you can see the pic provided in the notes!) HOWEVER! I want to make a disclaimer (which I would like to emphasize is not me trying to argue against the lovely Ann at all, she’s absolutely right about this, I just wanna say this) - they have already been changing Chim’s birthday since then, since the license says 10/20/1977 and they’ve since moved his birthday to March. So it’s absolutely possible that they’ve decided to change his age as well. BUT! At the point this was shown, they’d already committed to Madney becoming a thing, so it’s likely they thought about how old Maddie and Chim were in relation to one another. What I don’t know is if they thought about Maddie’s age before then, or if they put it off until they had to during the Daniel arc. All of this is to say - right now, as of end of s4, the best info we have says Chim is 44. But I could also absolutely see the writers pulling a switcharoo on the poor props crew and changing his age, since they’ve already discarded the birth date. So I say, go forth and know that Chim is 44! But also please don’t get mad at me if that information changes in the future 😂

Buck - 29. During the entire Buck Begins arc, they say multiple times that the family has been hiding a secret from him for 29 years, etc etc. In the Valentine’s Day ep in s1, Abby says Buck is 26. And in Kids Today (the opener to s3) Maddie specifically mentions he’s 28. So I’m most sure about Buck, out of everyone, esp since Oliver himself is 29. I think he’s the character where they’re sticking closest to the actor’s actual age.

Maddie - around 37. We know Maddie was 9 when Daniel died (Chim says she made the promise to not talk about Daniel when she was 9). Since Daniel died a little over a year after Buck was born, that puts Maddie around 8 at the time Buck was born, making her 37 to Buck’s 29 as of right now. Also, in ep 4 of s4, her mom mentions her being a “high risk pregnancy” since she’s over 35, but specifically does not say she’s over 40. So 37 or 38 for her. (Side note - Maddie is older than Daniel by between 1.5 to 2 years, since she says Daniel died when he was 7.) like I said, I’m most positive about Buck’s age but Maddie’s is a close second.

Eddie - early 30s? I also have no idea about him. My personal best guess would be 33, since that’s how old Ryan Guzman is now, and they’ve never in my recollection said anything to indicate a different age for him! (Same thing here as goes for Chim - if anyone can remember something let me know!) Note - I’ve been thinking on this a while and I actually feel pretty good about 31-33. We know Chris was born in 2011, so he’s turning 10 sometime soon, and that would make Eddie somewhere between 21-23 when he was born, which I feel fits with a timeline of him taking time to work with his dad after high school, and then joining the army, doing basic, and getting deployed all in time to get leave for Christopher’s birth.

And there’s all 7 mains! I’m going to link this in a bullet point in the next character details post, so if anyone wants to add information for Chim or Eddie (preferably with an episode number and/or scene so that I can verify it), I’ll edit this post and give you credit, so that way when I link this post, people will be able to see it all in one place, and the edits w credit will be in the tag for everyone to see!

Also all of these ages are as of right now, end of s4. If you want to write future fic or fic for a past season you’ll want to add or subtract years accordingly!

Thanks for the question, anon - putting together the “age puzzle” is like my favorite kind of challenge!

🐝🐝🐝🐝🐝

[nachosncheeze]

Music of Blindspot - end of season 2!

Music of Blindspot 2x22 - Lepers Repel

To begin, as always, I have to acknowledge that everything contained below is the ramblings of a regular, unaffiliated dork. The works of genius I'll be rambling about is the work of the brilliant Blake Neely, Sherri Chung, and their amazing team. I just... really love what they've done. Buy the Season 1 OST if you haven't already. All that crunchy, driving percussion is worth your time.

This week is less a music post and more a love letter. I wish that the company would release more music from this series officially, and this last episode of season two is in my top 2 reasons why (the other is 3x22. If we wanna talk top 3? 5x11.) Neely, Chung, and the rest of the team were scoring, recording, and mixing 5 episodes per week - one for each of 5 different shows (they also did Riverdale and the DC universe). I always find the fact that they created such a distinct set of sounds and themes for Blindspot amazing in itself. But the season finales are, absolutely, some of the best. In every single one, they managed to come up with a ton of music that doesn't directly reference anything specific, but just sounds like Blindspot... and they managed to make heartwrenching use of one or two existing themes at key moments. In 1x23, it was the main theme on strings and a short revival of the opening track from 1x01 in the safehouse, and before that the Oscar and Jane theme - released on the OST as See You on the Other Side - in the barn.

Here in the season two finale, there are two brilliant reappearances of important themes. (please be aware that there is a lil 3x01 spoiler at the end of this post, if you're finding this as a new fan and haven't watched it yet)

~~~~~

The first is, of course, Torn Apart. But not just any section or mix of Torn Apart. Very specifically, they have gifted us with a new recording of the Remi and Roman theme.

Here's the original version, with the video if you want some visual context for it. This theme is the moment she met her brother. The first time someone showed her real kindness after the black site. The first human touch she's had that didn't hurt, since the moment Kurt turned on her. And it's also every other time she remembers them as children, clutching onto one another. That's it. That's the whole piece.

Here in 2x22, she had to make a choice for Roman: do what Kurt did to her, knowing exactly where he would go; or give him what he's begging for... the thing the nukes didn't.

But she remembers what they were, and she just. can't. Do It. (this is the 2x22 version)

Excuse me while I go sob a moment.

💔

The other is the Jeller theme, which is included in the stunning wonderful perfect two years later montage in Nepal. The music for that scene might honestly be my second favorite in the entire series. To my very, very great disappointment it has never, to my knowledge, been put out there in any capacity. So I made my own! (note that I don't know the first effing thing about sound editing - I basically just stripped the dialogue and pressed the volume to make it roughly level, since it fades in and out dramatically around the dialogue.... Yes the wind and crickets are still there, and the glow worm tattoo battery zappy sound; couldn't be helped, but actually, I kind of love them so whatever! xD). Okay, seriously though, I kept humming along to it in my internal brain stereo when I was trying to write so I figured I'd put some version of it through actual speakers. Maybe someone else will find some inspo too. :)

This piece starts, when Jane is climbing, with an expansion of the music from when Jane recovered her first memory, at the Statue of Liberty in 1x01. That carries through until she's back inside.

What we usually consider the Jeller theme is actually a mix off The Truth Can Save You from the season one OST. I won't tell you what scene that original mix is from because it would make me very unpopular and maybe ruin some people's day. We don't say the quiet part out loud, right? IT'S THE JELLER THEME. IT WAS NEVER USED FOR ANY OTHER SITUATION(s)* EVER. End of discussion.

In that spirit, the [definitely truly first and only time] it appears on screen is for The Scene in 1x10. I adore this mix they've put in 2x22. Everything before and after is sweeping, epic, angsty, evocative, tense, dramatic. Shout out to the strings and the timpanist!! But the Jeller theme nestled in the middle there is just... perfect. The timing to things on the screen - that Weller sound that kept dropping in and out of Torn Apart, coming into this mix just as he comes through the door, their two voices meeting in the middle, then hers again as she realizes what it means that, yeah, he is still wearing his ring. Somehow, it recaptures this sort of... sense of discovery, that hasn't been heard in it since that first appearance in 1x10, and frankly I'm not sure we ever quite hear again. I couldn't quite name what it is. The tempo, maybe? The Weller vs Jane vocals meeting at just the right point? The piano waiting its turn? Whatever it is, there's a sort of sweet, simple, fraught wonder in it, much like the reacquaintance happening on screen. It's just... *chef's kiss*

And then there's the not-so-subtle similarity between the driving crescendo, melody and overall sound when the new tattoos are revealed, and the... *drumroll*... Remi and Roman theme. ;D WELL DONE music team, you clever cookies. 😍

Now lest this get any ramblier or gushier than it is, That Scene in between the two aforementioned masterpieces. @indelibleevidence got there literally years before me, but for completion's sake: Make it Wit Chu by Queens of the Stone Age. :D *hypothetically if there were situation(s) there might be two. anyone feeling masochistic and/or chaotic? hmu i can maim you with facts and/or we can scream about it

[speedstershipping-archivee]

Viability.

Dick Gr.ay.son x Lyell ( s/i )

GIF CREDIT: x

WARNINGS: titans season 3 spoilers, mentions of death and loss, angst.

WORD COUNT: 1192

AUTHOR'S NOTES: wrote this after today's episode because it has me feeling™. this takes place before dick travels into the woods and goes through with his plan to lure in Jason, which he omits mentioning, for obvious reasons. not sure how good this is but I wanted to post it since I am rarely commit to and finish fics this fast.

----

"Where are you going?"

Dick had swiftly grabbed his car keys off the entryway table, and made a b-line for the door, only stopping dead in his tracks upon hearing the other's voice. He looked back quickly, and seeing Lyell stood there with expectant eyes, he relaxed, his gaze turning softer.

"Nowhere you need to worry about." He assured them. Lyell had inquired only with a innocent curiosity, but was met with a hardened expression that made the smile on their face fade a little. Dick may not have been the most expressive person (though admittedly, in their eyes at least, he had been opening up a bit more these days; wearing his heart on his sleeve more, even if only slightly moreso than before). But they knew when their boyfriend's head was somewhere else. They could practically feel the tension he had built around himself , despite not even knowing what had brought him into this mindset in the first place.

"Hey," their words suddenly went gentle as they walked over to him, eyes laced with concern. " You doing okay? "

Dick knew if he looked into them his tough exterior would be rendered useless, and in a last ditch effort to hide his true intentions, he averted his eyes elsewhere, anywhere but at theirs. He had plans he was set on, after what Jason did, not just to Hank, but to Dawn and Conner, to all of them, to his family -- he wanted to take down Red Hood, once and for all. Even if his means weren't exactly safe, or legal. They were impulsive, but he wasn't about to say that to Lyell.

After all, that was their brother. Though they had danced around talking about it with him, he knew they still held some sort of care for the former titan. He could remember the sickness they expressed when they had found out Jason was Red Hood, that Jason was not only alive, but trigger happy at that, having turned on them and killed innocents in what seemed like unwarranted yet elaborate attacks. And the horror in their eyes when Hank advocated for killing Jason (before he could cause anymore harm) was vivid in his mind. No doubt now, after the death of Hank at Jason's hand, was Lyell feeling an internal confliction. One that, despite everything, they did their best to suffer through alone.

Hypocritical, maybe. But, after what Bruce put him though, it was a coping mechanism that Dick could fully sympathize with.

"I'm fine," he settled on as an answer. "But I might be gone a while."

Lyell furrowed their eyebrows. Even now, in a private moment with the person he felt understood him most, he chose to close himself off from them. This wasn't an answer that was uncommon for them to receive from him. But, after what they'd been through together up until this point, and all the times they opened up to him, it felt like this time ... it hurt a little more.

"Is it that bad?" Lyell asked. Their way their voice faltered felt almost as they had given up stopping him already. "At least let me go with you."

"I'm out of options. I dont have any other choice." Dick spoke his words carefully in hopes it would calm their nerves. But knowing Lyell, they'd worry about him regardless if he wasn't right there with them. "You should stay here, keep an eye on Gar and Conner. Make sure they're doing okay after what happened. But I dont want you getting hurt at my expense. I can take care of myself just fine on my own."

It was a dangerous plan that came to him after Barbara had called him earlier that day; at a vulnerable moment, after having to part ways with Dawn, a close friend who had stuck with him, no matter how many times he had given her a reason not to. Though Barbara had also asked him how he was doing, he had dismissed her just the same. What was important now was doing what he hadn't let Hank do -- apprehend Jason before its too late. Or, in this case, it already was too late.

"Just because you can doesn't mean you have to," they wanted to say so badly, but the words felt thick in their chest, unable to come out. Deep down they knew once he had his mind set, there was no persuading him.

Feeling no other choice, Lyell pushed themselves into Dick's chest, wrapping their arms around him in a tight hug. They clinged to him as if he would vanish the moment he walked out of that door.

"Just ... don't do anything stupid while you're gone ... okay?"

There was a moment of surprise that quickly turned into adoration. It was only for a moment; but as Dick returned the gesture and held them close, he felt understood. Trusted. They didn't attempt to stop him, regardless of their worries, despite the many times he had disappeared on them before. Letting himself melt into their hold, even if only for a second, he pressed his lips to their temple in a ghost of a kiss.

"of course not." he whispered.

Their embrace lasted only seconds before the moment fleeted. Dick slowly let go of them. Lyell lingered a moment, hesitant to let go, but eventually did. They kept their gaze low; They didn't want to look at him, because they were afraid to confront that maybe that would be the last time they'd ever get to. After all, they weren't stupid. They knew whatever he was putting himself up against, it had to do with Jason. And they knew what their brother was capable of. It wouldn't be the first time he tore someone close to them away without leaving them even as much as a goodbye. But they trusted Dick; They've invested their whole heart in him with the belief that he would do his best not to break it.

But boy, how they already began to miss the warmth, the safety, and the certainty of holding onto him.

" Lyell ... "

Dick felt like he should say something. But before he could, Lyell turned away, disappearing down the long hallway without giving him a second look. Before their emotions could get the best of them and spill into his view.

There was a moment of reconsideration, but it didn't last. Dick decided against going after them. Instead, he watched them leave with solemnity. In the end, he didn't want to involve them in such a risk. He didn't even know if he was going to bring Jason back alive. Or if this would backfire and he wouldn't return himself. He knew well, if he got the chance, Jason would kill him immediately. And it was better him than Lyell -- he had already suffered so much loss of so many close to him for his age. He couldn't lose them. He couldn't lose Lyell.

But Dick wasn't going to waste any time overthinking it.

He was going to stop Red Hood once and for all.

----

[handonhaven]

I've seen every theory there is about Landon/not being Landon. And this one I saw made me speechless. They said they it wasn't Landon because since he's gotten back Handon hasn't had one fight. I'm sorry but how far do you have to reach to come with that one.

I know there are a lot of theories that could be possible. The only one I don't think is possible is the Landon we see is someone else. It wouldn't make sense and I just don't see the writers going that way with the story. I think the three most likely are the he's spilt, someone put a block on his memories and there's someone else in his mind with him.

Another theory I saw of someone saying that wasn't Landon is that Wade said the monster hates fire and Landon is a Phoenix they're made of fire and it still went after him. But the thing is Landon doesn't have any Phoenix powers right now.

Another thing I've been seeing is people say this episode just proved that Hope doesn't really love Landon if Wade was the one to notice something was off about Landon. Yes there is something a bit off with Landon but I don't think it's to the point that someone would be like yep there's something wrong with him. The only thing about that scene that didn't make much sense to me was the situation that they were in when Wade said that thing about D&D. Clearly Landon was more worried about Hope so of course he wouldn't remember playing a game of D&D right then and there. Or Wade telling Hope that Landon would never do something to hurt but still stabbed her. That wasn't him doing something to hurt her That was him doing something to save her. It was litteraly said That was the only way and they were running out of time. Wade and Josie was just standing there talking about if they should do it or not, which could have cost Hope her life.

I know there are people who think it's weird that he only remembers things that includes Hope. But that doesn't add up. If he only remembers stuff with Hope he wouldn't remember the qoute from when they were class, he wouldn't remember anything syfy/fantsay relate or how to play/what is D&D etc.

Wow I'm sorry that got really long.

Oh my gosh. I should’ve seen that coming, but I really didn’t haha. Of course they would say that. They’re reaching far, which they’re quite used to doing at this point. These people need to learn that having a fight and having a difficult conversation are two different things, and the obstacles Hope and Landon have gone through have only made them stronger to get to the point where they are now. They’ve been working through those obstacles and are on the same page. Not that those people would realize that...

And I’m with you, I also really don’t think that Landon is someone else. I don’t think the writers would do that either, that’s going too far. I just can’t see them having it end up being someone else who’s been kissing and cuddling with Hope this whole time, that would be disgusting. Plus there’s a ton of other reasons why that wouldn’t make any sense. And I agree, I think the split theory is very likely. And his memories could be blocked as well, though I hadn’t thought of someone else in his mind with him! That could be possible!

And yeah, as far as that Phoenix theory goes, Landon doesn’t have those powers right now, so there wouldn’t be any fire involved so you’d think that’s why the monster wasn’t affected. But I know some people have thought of the theory that if he split, this could be his human side, which could also explain why the monster didn’t sense his Phoenix side if it isn’t there.

Ahaha I’ve been seeing that too, which is ridiculous. You’re right, there have been some things that aren’t quite right, but nothing that noticeable, particularly when you look at it from Hope’s perspective. Because what reasons did she have to be suspicious before this last episode? She should’ve been more concerned about him being unable to remember the prison world, but that’s purely the writers’ fault because they clearly haven’t wanted the characters finding out what happened yet. So I’m not even gonna count that. And Hope also doesn’t know about her necklaces, she knew Landon grabbed them when he was dissolving, but she couldn’t know that he still had them after. And besides that, Landon has been acting like himself for the most part. His mannerisms and gestures and so many little details point to him being Landon. And him acting more “perfect” at times is not enough to cause suspicion, he’s not done anything that out of the ordinary for him. And Hope has just been happy to have him back so it makes sense that she would appreciate him more and see him as more perfect after she thought she had lost him. But none of his behavior before this last episode has been suspicious enough on it’s own.

And everything Wade noticed happened only in this episode anyway, not before. Hope wouldn’t have known about the D&D memory, it happened to be a memory involving just Wade. Up until now, it’s only been his prison world memories that Landon has seemed to forgotten. And yeah, the scene with Wade talking about D&D didn’t make much sense to me either. It was just a very strange time for Wade to bring that up. Because exactly, Landon was focused on saving Hope and it was a very desperate situation. You would already be in a panic if that was happening so I don’t think it was that odd that he couldn’t think of it. But they’ll often throw in weird and random stuff to move the plot forward, so I think it was just one of those times. But regardless, that’s still something only Wade would’ve noticed Landon not remembering. And Hope was not herself when she was turning into the creature and went after Landon. And Wade was the one who knew more about the creature as well, so of course he was the one to wonder about the creature being attracted to Landon.

And as for the stabbing thing, there’s a lot I could say about that which I might post about later because that whole thing was just dumb. I literally thought the same thing! That situation was not about hurting Hope, it was about saving her. Exactly, it was the only option and there was no time left. Yep, Wade and Josie just stood there and it looked like they were gonna continue to stand there and Hope would’ve been gone forever. Landon knew what he had to do to save her and he did it. And of course he didn’t want to hurt her, but there’s no way he’d ever let anything happen to her, so of course he would do the hard thing in order to save her. And he literally does that, he saves Hope’s life, and then Wade‘s like, “Landon would never do that!” What?? 😂 He really thinks Landon would just let Hope turn into some other creature? I mean, in any other circumstance, he’s right, Landon would never hurt Hope. But he would also never take any chances with Hope’s life and there was no other choice. And Hope understood that too. But they took him saving her out of context in order to make it look bad so it would seem like something he’d never do even though Landon would always save Hope. And Hope knows he would, so it makes sense why she wasn’t suspicious.

So her not noticing the things Wade mentioned has nothing to do with her not knowing Landon well enough or her not really loving him. For whatever reason, the writers decided to have Wade figure it out. Possibly because Hope wouldn’t have considered it even if she had noticed something after all the trauma she went through from losing him and when she just got him back. So she needed an extra push to know that something is wrong probably?

And I didn’t know people were saying that about Landon’s memories, but yeah, that doesn’t add up because he’s definitely remembered things not including Hope, like all that you mentioned. But it would be interesting to know if the memories he’s forgotten all have something in common and what that could mean.

But no worries at all! You’re talking to someone who writes super long posts and responses (as you can see 😂) so it’s absolutely fine! Thank you for sharing your thoughts with me!

[hiimsociallyawkward]

a servant of two masters

hi friends welcome back to me aimlessly ranting about merlin. up today we have 4.06 and this episode. wow. literally just the title gives me everything i need and i'm absolutley here for the chaos that will ensue. hi bestie @lady-ofmagic-andstars

i love them in their capes

i want a cloak

dude the 'oh it's not gonna happen' and then it happens trope is so dumb but i laugh every time

notice how the knights ripped off their capes

dude people are falling off of horses and out

MERLIN

ok ok but how is he injured. ik this is rated for kids but i really dk how badly merlin is injured. it looks like just his shoulder but he shouldn't be almost dying like his yk?

:,) arthru making jokes

ok but i love arthur taking care of merlin

alskdjflsadk them trying to make jokes to make each other feel better :,)

stop arthur. stop telling the truth merlin's not dying here 😭

bestie vibes only deadass

HAHA

a s s

side note, the site i get my screenshots from- this picture has 61 views while others average maybe like 10-15?? perverts HAHA just kidding

sok i'm actually really curious as to what merlin's injury is

alsdjf;lasdfjsaldfjsaldf merlin making the rocks fall

idk if it's jut the angling but i felt like the enemies were way too close for merlin to create an entire rock barrier. i don't have any screen shot evidence but so you're just going to have to take my word for it

ok but like who even are these men. they were working for morgana trying to capture arthur?

and what's morgana going to do once she has arthur? kill him and take his place on the throne? remember how well that turned out last time she tried that? no one wanted her. idk idk morgana is just confusing as to what she wants

pls die agravaine

haha strangely fond of the boy? there's nothing strange about it

ok i laughed but i also felt bad when morgana splashed merlin awake and flailed around like a fish

dude merlin is so snarky here and i'm HERE for it

ok i like the knights being competent. thank you thank you

and now they're riding back into camelot with their capes on? you're telling me they traced back their steps to find their capes, dusted them off to make sure that they weren't too dirty and didn't have any leaves or branches still sticking to it before riding back to camelot? iconic

poor gaius. ok he's the worst but he does think of merlin as his son and this makes me sad

ok i have a dumb question. do you think merlin understands whenever other magic users are casting spells? ok i feel like this is a dumb question now. but like, is magic a language? are all incantations in a different language, so when other person who knows magic is watching you- they know what you're trying to do and such? i feel like "of course they'd know" but i'm basing that assumption on hp where everyone knows that alohomora is alohomora and where everyone knows that lumos is lumos. but what about here? does merlin know what she's incanting? can he slightly understand it even if he's never seen/done it before? is magic a language like latin, and even if you aren't completely fluent, you and parse together things and make an assumptions?

arthur is just so sad here

i just, i have to have these here

yes bby figure out that we have a traitor

gaius is not slick in the slightest. yes. look at the traitor king

wow morgana being able to bond with the snake? i wonder how

ok question, does the fomorroh have some sort of loyalty to whoever calls them?

✨kill arthur pendragon✨

ok that snake going in his neck is actually scary

pretty castle counter: 5

btw this is actually my zoom background sometimes. it depends from call to call but it changes between this pretty castle and peeta mellark

G E O R G E

ok i've seen all the tumblr posts but it doesn't get less funny. the 'merlin's missing and we can't find him so we're going to replace him with another manservent dressed EXACTLY like merlin so arthur feels better' makes me chuckle every time

i would like to have that for breakfast

i like the loyalty arthur thank you. i love the loyalty pls. i love that they're friends. like, i love the romance but i love just people being friends too

ok this whole scene. arthur wanting to look for merlin because he has to at least try, gwen just wanting arthur to be careful and to come back to her, gwaine being buds. i love all the friendships in this and just yes thank you

ok ok ok ok ok ok ok ok i'm not at the hug scene yet but i know it's coming and i'm beyond excited

ok this sound track is so cute.

saldkfj;asldkfjasldkfsd

matching icons for you and your best friends

deadass if someone wants to change their tumblr icons so we can match hmu bc i'm 100% down with that

another pretty castle scene

SASSY MERLIN PLS

ok ik this is dumb to comment on because i feel like it's not tremendously hard to execute but i love the differences that colin made in regular merlin and fomorroh merlin. it's the best

they say it later in the episode but i find it hilarious how bad of an assassin merlin is

dude pls you're pouring poison in front of EVERYONE else?

BOG MAN. ok guys i'm calling you guys bog mans now.

ASLDJFALSDFJS THE JEALOUSY SCENE

i am cringey but laughing at the same time you don't understand why am i this childish

ok but arthur is being so sweet right here. i feel like he's not trying to be showy in front of gwen, i feel like he wants merlin to rest and that's so sweet. he's so patient right here and i love him

i miss the gwen and merlin friendship actually

dude merlin is roasting gaius so hard today

leon geeking out over weapons is so cute. omg he's such a tiny nerd i love him

laskjflasdfj THIS SCENE. this makes up for the stew jokes that i may or may not still be mad about

i love that the knights LITERALLY turn a blind eye it's actually hilarious

LOOK AT MERLIN BEING COMPETENT?? HE'S SO SMART WITH THE ARROW RIGGING THING

it's literally treason leon pls and you're laughing you're the best 😭😭

i wish we had a pervical back story arc

ok i think it's dumb that i laughed when merlin ducked but i stand by that

ok why do i feel bad for arthur a little. he's talking abt some semi-deep stuff. not deep deep but like, he's trying to ask for advice from his friend, his close advisor. he would've never talked to merlin like this is season 1-2 but here he is, talking about trust. and MERLIN is trying to MURDER HIM. yes. i admit it's a little funny when i'm just watching merlin trip over things and such, but when i listen to arthur talking i feel slightly sad

literallly. merlin's passed out on the floor and arthur doesn't even think anything is wrong

gwen's face when she knocked merlin out is so cute

oop. why is arthur standing in agravaine's door way like an absolute robot

cyes arthur. figure him out

i hate agravaine. i just want arthur to be happy. he's only trusting agravaine because agravaine is family.

stfu agravaine 'you're all that's left of my dear sister' SHUT THE FRONT DOOR

ok there's a repeat of the castle from earlier but i'll spare you

pls this bath scene is so awkward. tt not being able to trust anyone anymore and we're laughing at merlin but arthur's talking so sad and deep

pls this bath scene is so awkward. that's all the notes i have

again, i miss gwen and merlin

merlin is MONCHING on those berries. i'm craving berries now

ok but like. yk that pouch that gaius is using to make the forromoh dormant? what if merlin tucked it in his neckerchief as a precaution. i'm just saying.

aslfkjasdaskdjf the tavern

yall why did merlin have to stop his horse to drink the potion

i want the knights to have a cool band name or smth yk what i mean?

i like that merlin is still a little in the camelot red. it's not the same shade but yk what i mean

HAHA LEON AND PERCIVAL BEING PUSHED TOGETHER. I JUST KEPT ON SCREAMING SUBTEXT SUBTEXT

damn morgana wants RESUKTS. i dont blame her

the frist interaction with merlin and morgana in the hut is so awkward. pls.idek how to comment on it

deadass morgana's dress is so pretty.

magic fight! magic fight!

stfu 'rightfully mine' pls

hehe there's a leaf in his hair

ok i feel like i should've commented more on the magic fight but idk bro

so ik that colin was in this whole episode but it really only just now feels like merlin is here and i think that's fun

arthur is the cutest. i'm loving this dynamic you have no idea. i live live live live LIVE off banter. pls

guys i'm sad apparently i can only put 10 pics in a post but pls enjoy this one pic of arthur right here 😭

ok idk abt you but i'd love to hear jokes abt brass

agaragvaine pls die already

YOU'RE SUCH A PERV LITERALLY

GO

AWAY

NOW

dude that last scene was actually really pretty and i'm sad that i can't attach it now

anyways thanks for reading my long ass rambles. but i'll be back next week to the secret sharer i'll catch you on the flip side

[devinescribe]

Stay High

Karube Daikichi × Reader

Based off this song

No, because It's a three am sad thought that should have been kept in my head. This is totally not based off of my deepest darkest feeling and fears. Anyways, ignore that. Um... yeah.

Warnings: Episode 3 spoilers, Manga spoilers, weed, smoking, suicide (this went darker than I intended, ok?), and another terrible attempt at angst :)

"Karu! For the last time, we're not getting a freaking parrot!" You scolded. "Aww, why not babe? They're cute," he said, pouting. You smiled kissing him quickly. "... I'll think about it," you said, before heading out. "I think that means we will have a-" "Don't push your luck babe. I'll see you after work."

_______________________________________

"And here is my attempt at trying to be nice. Happy anniversary!" You chirped, sliding a rather large gift his way. It had a draped cover over it, so he couldn't see inside. He looked at you suspiciously, slowly taking it in his hands. You had a camera in your hands, and we're smirking. He didn't trust that smirk. "Why do you have that camera?" He asked, nodding to it. "Just filming. It's a special day babe," you said, hiding your smile. "Can i-" "Don't you dare shake it-" He raised his hands in mock surrender, before slowly lifting the sheet.

You saw the smile that spread across his face. "I said I'd think about it," you said. He stood up, pulling your waist into him. He kissed you softly, making you smile in your head. "I'm guessing this means you like your gift?" You asked, a smirk on your face. "It's a fucking parrot, hell yeah I like it," he said. You laughed, pressing a kiss to his temple.

Tears blurred your vision, falling onto the screen of the camera. Had it really been a year since then?

"Ok, now I get to film you! Welcome to day 1 of our roadtrip, I don't know where we're going, but we'll find out soon enough," Karube said, turning the camera to face him. He then turned it to face you. You were putting your luggage into the trunk of your car, and looked up with a smile, giving the camera a peace sign. The parrot, who you two decided to name Nijiko after much deliberation due to its coloring, squawked on your shoulder. You smiled. "Yes, you'll be going to day care  for a while Nijiko," you spoke to the bird, petting it's beak softly. The bird shivered. "Day care? Nijiko day care?" It squawked, tilting it's head to the side. You nodded. "Yes, smart bird. Nijiko is going to daycare," you praised. "I sometimes wonder if she loves the bird more than me. The answer is yes. Yes she does," Karube said, laughing as you spoke to the bird.

"Update, it's been 4 hours, and we are in the middle of no where. The child(the bird) has been dropped off at day care... well boarding? For the week. The music's pretty good though, and this angel next to me is still here, so we're all good," he said. He was really serious about filming this. "Babe, why are you filming this again?" You asked, reaching to grab his hand on the center console. "Because memories baby girl," he responded, kissing the back of your hand as it was intertwined with his. You laughed, blowing him a kiss, turning your attention back to the road.

"Day 3 of our roadtrip, (Y/N) is deciding on what to wear, but as I've told her, she looks great in everything," he stated. You flipped him off, picking out something to wear finally. "Wowwwww, I can really feel the love," he said sarcastically, holding a hand to his chest dramatically. "Shut up, you know I love you," you said, rolling your eyes. "I know you do. Who wouldn't love me?" he joked. "I don't know babe. Watch it though, 'cause you're mine~!"

"Ok, it's a few hours later, (Y/N) is getting snacks, and I'm super nervous, because of this," he said, talking to camera. He pulled out a small box, showing the ring to the camera. "I've been documenting this whole thing like a maniac, because I didn't want her to be suspicious. But anyways, yeah... I've been thinking about it for a while, seeing as we've been together since high school. I am terrified, in all honesty," he rambled, running a hand through his hair. He put the small box back to where you wouldn't find it, but he wouldn't lose it. He saw you walking back to the car, and smiled. You opened the door, giving him a weird look. "You're filming again?" You questioned. He nodded. "You love the sound of your voice don't you?" You asked with a smile. He laughed, "Not as much as I love yours."

_______________________________________

He placed the camera was on a nearby fence post, facing you two, close enough to see and hear both of you. He started recording, and gave a thumbs up to the camera. You looked out to the water, admiring the hues of blue. The water crashed into the shore, spraying you with water. "You know when we get married, I'm definitely going to take you here again," he said. You kept looking out at the water, not noticing him. "When we get married? You already have this planed?" You laughed. You turned to face him, not seeing him at eye level. You looked down, and your eyes widened. "As I was saying, when we get married-" he started, getting interrupted when you jumped onto him, throwing your arms around his neck. You both fell to the sand, and you two couldn't help but laugh. "Are you serious? Like, really?" You asked, tears in your eyes. "Yeah, I'm serious. (Y/N), you've been with me for what seems like forever. I love you so much, and I want to be yours forever. Just as much as you'll be mine. So... would you do me the honor, and marry me?" He asked. He might have sounded confident, but he was shaking on the inside. The tears in your eyes fell, and you laughed nodding. "Yes, a million times yes," you said. He laughed, letting out a sigh of relief. You hugged him tightly, your head in the crook of his neck. "Forever and ever?" You whispered. "Forever and ever."

You looked down at the ring on your finger, crying even harder. His side of the bed stayed empty, no one would ever be able to sleep there. Not even you. His side of the room stayed untouched. The same way it had been left that morning. Before the accident.

"(Y/N)... I know you're sad, but this isn't healthy for you... just... call me back once you get this," Arisu sighed. "No answer again?" Usagi asked, placing a hand on his shoulder. He shook his head. "She's been with our group as long as I can remember. And she's been... she had been... with Karube even longer. If it's hard on me, I can't believe how hard it must be on her," Arisu explained. Usagi pressed a kiss to his cheek. "I'm sure she's fine. All people cope with things differently. Just give her space."

You were most definitely not fine. The grief that filled you everytime you saw Arisu's name on your phone, when you looked at anything that once belonged to Karube.  For the first time in the past few weeks, you wandered into the kitchen, and saw the binder filled with the ideas you two had for the wedding. You looked away, tears filling your eyes once more. You couldn't escape the sorrow that had filled your life. It seemed like he was everywhere. Even when you turned on the damn TV the news was talking about the incident. The names of the victims would pop up with pictures, and you would quickly turn it off. You grabbed the folder, ripping up all the papers in there, shredding them to bits in a fit of sadness. You dropped to your knees, holding the final piece of paper. You sniffled, wiping your eyes, looking down. It was in Karube's hand writing, and you took a deep breath. Eventually, you would have to read these things. Eventually, you would have to clean up his side of the room. You decided to start off small. By reading whatever this was.

'I may not be good at expressing my feelings, and this is not going to be the first time you've all heard me tell you how wonderful this woman is, and how much I love her. It certainly won't be the last, if I have any say in it. To which I do. If I could go back to the day we met, and you told me I would be marrying her, I would believe it. Because I've loved you from day one (Y/N). And now, I'll have you. Forever and ever.'

- Karube (rough draft, don't let (Y/N) find this)

You whimpered, holding the piece of paper to your chest. This was too much for you. You needed a distraction.

"Eh, just give me the money, no one will ever know," the woman said. You gave her the money, and she passed you a bag. "I promise it gets better dear. And be careful with that," she said sweetly. You nodded, your face so devoid of any emotion, it was hard to tell if you were still alive. Your world felt so numb to any emotion but hurt.

The burn of the smoke in your throat was satisfying. For the first time since his death, you felt something. Your eyes lazily looked up, staring at the ceiling.  The smell of the weed filled up the room and you rolled your eyes. For once the pain was gone. You couldn't think of anything in the moment other than being hungry. The first time in weeks that had happened.

That was your new routine. Wake up, lounge around, look through the videos and pictures of both of you, get high of your mind. It was the only way you'd forget. Was it healthy? No. Did you care? Also no. You started ignoring Arisu's calls, messages, and voice mails. Leaving them unseen, and unheard. He was worried, and Usagi had gotten worried as well, even though she'd only met you once at the hospital. You seemed like a pleasant person, and according to Arisu, you never left someone in the dark that long. You would usually respond quickly if you weren't at work. But, do to the incident, there wasn't work for a few weeks. That made him worry.

When he found out why you weren't answering, he was shocked. Your apartment wasn't exactly a mess. There were a few papers scattered in the kitchen, and uncollected mail, but other than that, your apartment was clean. He was so confused, hearing you giggling and talking to yourself in your room.

He knocked on the door, opening it slowly. "(Y-y/N)?" He asked hesitantly. You looked up, your eyes lazy and red. The smell of weed in your room was strong, the smoke going out of the window. How long had you been doing this? Had it become self destructive? These were questions he asked himself before seeing you doze off to sleep.

"What the hell were you thinking (Y/N)! You can't- you can't destroy your life over it! I- I was so worried! I've already lost two friends, I can't lose you too!" He scolded. It was a few hours later, and your high had passed. "Why do you care?" You snapped, the conversation being boring to you. The hurt you hadn't felt in weeks came back. He was back in your mind, not as your wonderful fiancé, but as the man you had lost. The man who you had to bury in the ground. It was horrible. Your mind hated the images of his body, lifeless and devoid of his usual smile. You hated it. Absolutely despised it.

"Because you're my friend! You've been my friend since high school! I know it hurts (Y/N), believe me I know, but you can't destroy your fucking life and mental health!" He scolded. It was so unfair to you, in your head. That he was saying something like that. "You want to know what's really destroying my mental health?! Not having him anymore! The fact that he's dead, and I can't- I can't-" you couldn't finish your sentence. Arisu felt bad, but this was an intervention. He had to be a bit forceful for you to stop. "Karube wouldn't want you to do this," he said softly. You felt more tears fall. But you didn't know how to deal with this. "How do you know what he wants?! He's dead!" You screamed. "H-hes dead," you whispered, your voice breaking. Arisu hugged you tightly as you cried. "Can I just know why?" He asked. "He's gone, and I have to stay high all the time to keep him off my mind. Gotta stay high... all my life to forget I'm missing him," you whispered. It was true. It was the only way you could feel something other than pain. The smoke made your mind hazy, and your sadness drifted away. But it wasn't healthy. And it would never be. "It gets better (Y/N)... please, just... stay with me for a week. So I can have peace of mind?"

2 years later

You sat on the sand of the beach, the waves crashed onto the rocks nearby, and a breeze blew the salt water into your face. You looked down at the ring on your finger, sighing at the sight of the shiny gem. You smiled sadly, pressing a kiss to it. "Soon my darling... soon we'll be together again. Forever and ever."

Because the high kept him off your mind, you didn't learn how to cope any other way. The only way was to feel any other pain. You had tried to meet other people, but no one was ever as good. You couldn't even talk to other guys without feeling guilt. It felt wrong. It was like whatever you did, you couldn't get over it. At all. In fact, it had gotten worse over the years. Especially on the yearly anniversary of the incident. Reporters would go to your home and ask you questions, seeing as people had asked you while you were in the hospital. How we're you supposed to get over it when you were reminded constantly?

So there was no thoughts in your head as you walked into the water. It was cold, shocking you. If you didn't drown, you'd die of hypothermia. And that was fine with you.

Forever and ever, no?

Ok, ok, ok.... wow, wowowowowow, this was a three am sad thought that did not have to be written, ok, um wow... that was darker than I intended, holy shit-

I promise I'm done with the terrible attempts at angst, and I promise I'm working on the my other oneshots/books. It's just that when I have an idea, I need to write it before I forget.

Remember that people love you, even if you think no one does, I promise you they do. If you really need help, please find it, and if you would like, I'm always glad to talk to people if they need my help.

[pluviophile-bookworm]

HSMTMTS 2x12: Don't say we'll have to let it go...

After a very stressful morning and several moments in which I was close to a full sanity slip completely unrelated to this, it is high time (heck, it's the highest of times, if you know what I mean) I got to the new HSMTMTS, the last one for a while.

I'm honestly scared, though. This morning I thought nothing could make me more nervous today than the whole ordeal I had to go through, but now that I'm here, I'm super scared and anxious. I don't even want to say it, but... what if this is... you know what I'm thinking. We're all thinking it. I just hope we're wrong in a good way.

I feel like I might die of anxiety, so I guess I'll just dive in. Whatever will be, will be.

Supportive Nini is best Nini. Honestly, I haven't liked her all season as much as I do now. The background, behind-the-scenes role seems to fit her a lot better than the lead. I hope to see more of her like this when (fingers crossed!!!) the show comes back.

Ashlyn, on the other hand, is a perfect lead. She was born for this, and it shows. It shows so much that everybody has finally noticed it. They took their time, didn't they?

Ugh, I hate, hate, hate this kind of moment that happens every time when someone has prepared a surprise for someone else — and we saw that twice this season — once with Carlos at his Quinceañero, and now with Ashlyn. I mean the moment before they find out about the surprise and they feel like they've been forgotten and it's all so sad... at least I know whatever my boy Reddy has planned for his girl will make up for that sort of feeling. I can't wait!

Ahhhhh @redlyncentral you called it! You called it big time! I can't say I wasn't expecting it to be something like this, though, because I trust your sixth sense more than I trust mine — and I trust mine a lot. Also, if anyone deserves to have their name in lights, it's Ashlyn. And remember when she told Big Red that, to make things light up, he just had to walk into a room? Or when he told her that the only thing he'd throw at her was a brighter spotlight? You know, I think that, just like airports are Portwell's thing, lights are Redlyn's thing. And that is so beautiful... I am legitimately crying.

Yikes... see, it's one thing when Nini calls Ricky 'Richard'. But it's another thing entirely when Kourtney calls Howie 'Howard'. Gosh, I hope they clear things up. If Howie has something to say (as in, some secret to come clean about, if you catch my drift), he'd better do it now. I was never too invested in Kowie, but it still hurts to see tension between them.

Ok, but... these two are too dorky for words! I mean, you're telling me Howie was acting that way just because of how nervous Kourtney's talent made him? Oh well, I feel like I can understand that, actually. She's a powerhouse. But also, everyone around here needs to learn a lesson or two from Redlyn. About communication, reciprocity, expression of feelings... it's no accident that they're the parents of the drama club. But this is not about them. Oh, who am I kidding? With me, everything is about them. Unless it's about Seblos or Portwell. Never mind. Moving on.

I am trying very hard not to have a visible or audible reaction because my brother is in the room and I'm supposed to be working, but... EJ had his dad put in a good word for Mr Mazzara at Caltech. And that is something that makes me feel feelings I can't very easily put into words. Also, what does that mean for Mr M's future at East High?

As clear as the imprint of Jamie's words is to see on EJ's face, I feel like he's not giving up on Portwell quite yet. 'Play it by ear' sounded quite promising to me, all things considered.

Not Ricky and Nini writing the same thing in slightly different words... again! I absolutely get why people ship them, at least on the surface level I do, but I really can't see them as a couple anymore. That is not to say, however, that I'm not rooting for them on their way to figuring out how to be 'just' friends. (See, I'm not a big fan of the expression 'just friends', as if it's something less than a romantic relationship, so...) They could be the best friends ever. If, and only if they learn to communicate properly. All kinds of relationships require good communication. I feel like I'm saying that a lot, but, you know, if it's true...

I can't look at Miss Jenn the same way after last week's episode. The Menkies have turned her, quite frankly, into a monster. She's too obsessed with beating Zacky Roy to notice how she's treating her students who have always been nothing but devoted to her and the play. Well, some of them anyway... I feel like it's time for Carlos to reconsider his opinion of her... and I know it must be painful, and the least thing I'd ever wish for him is pain, but... sometimes certain painful things are necessary. I just hope everyone comes out of this alright. I think I might not, though. I've been crying for a while already.

No... why is Gina crying? My girl needs a hug... Oh, here comes Nini. This seems like it's been a long time coming.

This was beautiful... only one character played by an actress named Olivia will be redeemed today. And it's the right one, if I do say so myself.

Alright, who called it? Gina connecting Nini with her brother about her music, I mean. I know for a fact someone here called it. If you happen to be that genius and you read this, please come forward in the notes to get the credit you deserve. This is... a little too perfect to be true, but I feel like it's the best way to connect and wrap up several storylines with one blow. And I love when that happens. Gosh, why does this feel like a series finale? Please tell me I'm wrong. I am not ready. I will never be ready. Ok, maybe one day I will be, but not anytime soon. Please tell me my feeling is deceiving me this time.

Oh, good, it's being addressed. The 'jump off of something high' comment, I mean. It would have been wrong not to address it. I kind of really liked the way they did it, too. Also, 'getting there' really is the most accurate answer to the question whether Ricky is happy. I feel like he's got a long way to go before he does get there, but he really is closer to that destination than he's been in a while. This boy deserves all the happiness. He's been through way too much. And I'm glad Miss Jenn is finally seeing her part in his struggles throughout the year.

Ahhh it's the song! I've been so excited for it all week, ever since that teaser leaked. But, once again: why does this feel like a finale? I want to curb my anxiety and watch this episode with a free mind, but the episode itself just isn't helping me. Ok, let's go back to the song for now. Whatever will be, will be.

No... EJ's verse... just no. Somebody tell that boy not to be so hung up on the words of somebody who doesn't even know who Gina is today. I've had 'the majestic S.S. Portwell' for a couple of weeks and I'm not ready for it not setting sail after it was almost out of the... port(well). Have I ever told you I make bad puns when I'm anxious?

Carlos doesn't even remember being on stage... that's too relatable to be overlooked. See, I used to perform on stage (I've decided to quit for good now and it makes me cry only slightly), and that has always been how I've felt about it. I feel like my favourites are who they are because I relate to each one of them to an extent — some are who I think I am, some are who I used to be, and some are who I wish I could become... and so much more on top. I'm being so emotional. I'm not ready to let these kids go. Please someone tell me I won't have to, at least not quite yet.

The Wildcats' reaction to... Capital-B-witch and Fake-French-Git-who-is-apparently-French-for-real (as I've taken to calling those two because calling them by their real names would mean showing them respect which they don't deserve) was exactly the same as mine. No one invited them there. They're not supposed to be there. Someone kick them out.

'Big Red... you were... also there!' Um, excuse you, he was not just 'there'! I mean, I know we didn't get to see him on stage (we've been robbed!!!), but I'm sure he was the most amazing LeFou to ever grace a theatre stage. That being said, we have been robbed! But let's not get ahead of ourselves. I want to see what Big Red's reaction will be. I've been fantasising about this moment for weeks now.

Ok... so I said a couple of weeks ago, in my post on 2x10, that Ricky has been given a chance to prove what kind of friend he is right then and there... and, well, this wasn't exactly how I envisioned it, but it was nice. I think that's the word for it. Nice. Ricky is just too nice to do what I kept seeing in my fantasy. And Big Red is doubly too nice to do it. But I... I surprise myself sometimes with how aggressive I can get in defence of other people. Maybe it's better this way than my way.

Did that capital-B-witch just say what I thought I heard her say? Because there's no way she just said that. Also, 'sometimes people deserve a second chance'... well, yeah. And sometimes they don't, you... well, I don't use words like that, but you guys can put two and two together, right?

'I'd trade it all for this group right here tonight'... me too, Eej, me too. I'm not even going to pretend I'm not crying because, guess what, I'm bloody bawling my eyes out! I kind of stopped for a moment when you-know-who and her second-in-command came in, but now I'm crying again. I am so not ready to let these kids go.

So... they're dropping out? Just like that? Well, that was anticlimactic! But hey, I absolutely get it. That's the Wildcat spirit, after all, isn't it? They did win already. They won something that some of North High's students can never understand. And that's more important than just about anything. [side note: I've got to say I appreciate the fact that my boy Reddy is now able to joke about his opening night predicament. See, that's another thing I relate to. I go through the craziest stuff, and then I laugh and tell stories to anyone who will listen. And I think that's the best approach to that kind of stuff. I just wish I could be less dramatic about the little things, too. It seems to me it's easier to laugh about the big, serious stuff once it's over, but not about some things that most people would deem unworthy of their attention. But hey, I'm working on that. Also, this post is not supposed to be about me. Moving on.]

Bless Ashlyn and the fact that she's good at communication. Even if she's a little late. She's not too late yet. Portwell might still be saved.

No, Ricky, you so did not just call you-know-who! I will not stand for any of that. Unless it's to shut her off once and for all, in which case I say go for it and go full steam. But why do I get the feeling it's not going to be like that? Ok, never mind, let's set that one aside and focus on Portwell for a second.

Ok, that was... that was going to be so beautiful, and then they cut it off. Is Portwell about to be Redlyn 2.0? Oh well, if it really is, that isn't going to be so bad after all. But now all I can think about is... when are we getting the renewal? How am I supposed to sleep at night until we know for sure?

Not them making me cry with a BTS montage... as if I wasn't crying hard enough already. I'm not alone in the house, you guys! In fact, we're having a bunch of guests from overseas in... wait, I think they're at the door. I'm not ready for people! Not now. Pray for me, you guys! (In all seriousness, though, don’t pray for me. Pray for a season 3 announcement to come soon)

[stiles-o-dylan24]

Hiii, sorry to bother you, I hope you doing well and are safe

, I wanna do a rewrite of an series, do you have any tips you can share, please?

If you don't wanna then it is fine.🤗

Hey friend💛 thank you, I’m doing well and doing my best to stay safe and I hope you are as well! You’re never a bother and I don’t mind at all to offer my writing tips! 

I wrote down things below the cut that helped me the most and I tried to be as organized with them as I could, so I hope these help and I’m always happy to answer any other questions or help in any way!

Character & Relationships

First thing I would say is to map out your character that you’re adding in to the show. 

Who they are, if you’re going with an OC or a reader insert, and if they’re going to be related to a canon character or if your character is going to have their own family that you’re also going to be creating

What kind of relationships, romantic or otherwise, they will have with canon characters.

Romantic relationships- map out how the ultimate endgame relationship will go: slow burn/enemies to lovers/friends to lovers. 

Have distinguished scenes that will set the pace for whichever of these tropes you go with to be believable. 

Figure out what you absolutely love when reading those tropes and how you can give that same pace to your characters, making sure to include the angst/longing/frustration/soft pure adorableness/body language light touches that makes those tropes so freaking amazing 

Knowing all of this beforehand will ideally help figure out how involved in the scenes you want your character to be. Which I personally think it’s important to brainstorm and actually put thought into reshaping the scenes with your character first, as it will really make it believable to imagine that your character was always in canon and not just put in a scene because you, as the author, say so.

I’ve read one rewrite in particular where the author obviously didn’t think about that with their reader insert character and it really showed. That caused it to feel annoyingly forced and after three seasons not enjoyable to read for me because it never felt like the reader was supposed to be there and I stopped reading it.

I know I view rewrites differently than most people but, to me, if you’re going to take on a rewrite that means you’re altering canon, at least a little bit, for the story to make sense for a new character to be added in like they were there all along. So why not change relationships and morph the story to include someone who in my opinion, and yours since you’re wanting to rewrite it, was definitely missing from the show?

Transcripts/Scene layout

So once you have a good idea of your character and the relationships you want them to have it’ll make how you alter the script easier.

Try to find transcripts of the episodes as this is incredibly easier than watching the episode with subtitles and pausing every few seconds to copy down how says what in a scene.

Every website with transcripts are usually fan made so as you copy them be warned and keep in mind that 

Sometimes who they have saying the line could not always be correct.

Sometimes the line itself is not quite correct to what was actually said

In my case, sometimes the website went away and there’s no data on the page

So for that last bullet point I do suggest, as soon as you find a website with the entire series of transcripts, copying every episode into a separate google doc(or your preferred writing doc). 

Yes it takes some time, depending on how many episodes your show has, however it’s so worth it to not have to go back and worry about the webpage being down when you’re starting season 4 (Yes that happened to me and when the page came back up I copied the rest of the series into docs)

Writing POV

More than likely the webpage you’re copying from will copy the entire episode script into one big paragraph. You will have to go through and space it out properly, however, I used that opportunity to watch the episode at the same time that I was spacing the dialogue. 

which helped in checking that what the transcripts had was correctly copied

the right person was saying what the transcripts had and if not I could quickly change the character

if you’re writing in 1st person you should also use this opportunity to take out scenes that obviously your character wouldn’t/couldn’t logically be in

though I also suggest trying to keep scenes that you feel are necessary to keep the overall story together to be read in a cohesive way. 

You can alternate to 3rd person or you could have your character do a story time to the readers in an inner monologue type of way or have them/another character explain what happened in a little recap. 

I mean your audience, for the majority, has probably watched the whole series and knows what’s happening, but you’re writing a story– why not have it flow as smoothly as if someone was actually watching the series?

To me with writing my series, keeping the overall main story well described was really important. 

I made sure to include story times and little summaries of major events my main character wasn’t apart of whenever I could and it paid off because some people had either stopped watching the show or had forgotten what had happened in later seasons and really enjoyed the fact they could still follow along with the main story.

At the same time do not feel overwhelmed with making sure you include every single event or detail.

 do whatever you feel is necessary to tell your story with your character as you would like it to be read.

And if you’re writing from 2nd or 3rd person, well you’ll more than likely be rewriting everything anyways so my hat goes off to you my friend.

Dialogue

So once you have the layout of the original episode script go through it and write the scenes with your new character(s) as best as you can from memory, since you just watched the episode while you were spacing out the script lines. 

Make the scenes believable and truly feel like your character is supposed to be there by slowing down the need to just cram your character in and instead

Have your character(s) say some of their own lines in between when the canon dialogue lines are spoken

Morph the actual canon dialogue line by either cutting it halfway and having your character(s) finish the line 

or have your character(s) say the canon dialogue line and give one of the other characters a new line/a morphed line from another character’s canon line.

Final Writing of the Episode

Once you’ve altered the episode with your character(s) watch the episode again and read through what you have written.

adding in more actions from the characters/facial expressions that may be missing to really make the scene flow more realistically.

This is the process that really worked for me to edit the episodes one by one and I felt like was the most time efficient to getting through an episode.

I think that writing through the episode without watching it and only reading the script helps in not being distracted or feeling rushed to get through a scene.

Last Notes From Me

Personally I would suggest having the first one or two seasons(depending how long they are) already written out in the ways I mentioned above, if possible the final edits done as well, before you publish the first episode.

This will drastically help you as you continue to finish writing the rest of the episodes and keep to the schedule you wish to keep to. 

It could also help you in making sure that you have added in everything you possibly wanted to add in to later episodes. 

Also help you see that the timeline of a relationship is going exactly as you would like it to.

There’s nothing worse than getting overwhelmed with a posting schedule and it causing you to rush through an episode and you leave out a key plot point that needed to happen for something you wanted to happen later on be exactly as you originally envisioned it happening.

Remember to have fun with this whole process and don’t forget that you’re telling your story for you more than anyone. You feel like something is missing and this is your opportunity to write something you will want to read.

Yes the interaction is fun and helps you get through the moments of ‘is this worth it’, however you also need to write for you. Create something you will want to read to fill that space in your mind of what’s missing when you’re watching the show/reading other people’s rewrites.

Again this is all just my advice and is to be taken with a grain of salt. You need to do things in a way that works for you! What I did was really beneficial to me and my work schedule plus my mindset for what I wanted to bring to my rewrite. It may not work for you so if it doesn’t just be patient with yourself and you’ll find your way.

Hopefully through my long ramble of a message I answered your questions or gave you some form of insight. If I did not or you still have more questions please don’t hesitate to send me another message!

I am here if you need anything– to vent, run ideas by, a beta reader, literally anything- and I absolutely love rewrites, so please tag me in yours🤗 

Good luck and I hope you have so much fun taking on a series rewrite! 

[greycappedjester]

Hi I'm so sorry I'm just too shy to ask this on ao3 but I was wondering: how is Slade's relationship with Dick? I don't mind them as a ship in general but in the story sometimes I feel like Slade gets too close to Dick and I thought if there was something platonic on his side? I'm sure you wouldn't do that in the story that's why I'm asking if it's only on Slade's side. Sorry if this is a stupid question lol. Maybe it's just because I've read sl/adedick fics before. ^^D

Nah, I’ve actually been waiting for someone to ask about that. So....it’s complicated and will take awhile to explain so I’m putting it under a Read More before I get too long winded with my character headcanons:

This is going to get soooooo long, lol, so feel free to skim. Warning for Gotham in general and Gotham being naturally a bad place for kid vigilantes to grow up in. Also because this explanation gets somewhat dark in character interpretation....

Bonus short story at the end after a really long post.

-------

Alright, so first, I feel like I should mention again that I never watched the Teen Titans animated show past maybe the first two episodes and the movie my friends wanted me to watch that I don’t really remember. (I meant to watch that show, just never got around to it). I say this because I heard that the Teen Titans TV show portrayed the Dick and Deathstroke relationship much differently in a way that’s cool and fine but not something I can see myself really wanting to write about. I know their relationship more from comics where Dick was already an adult (albeit a young adult) when he first met Slade. 

So. Back to my After the Fall of Olympus universe and yeah, I’m slowly getting to my answer. The thing is....the story is entirely in Dick’s POV right now.

And Dick’s absolutely terrible at reading and picking up any form of affection others have for him. He understands it abstractly (he knows people care) but when assessing, he critically underestimates it if he remembers to account for it at all. This goes even worse with people he’s closer to--which is why it took him forever to realize why Jason actually did want to stay with him at the manor and why he still has no idea Barbara is in love with him. Even Kory who was really, really direct about liking him, it took him years to fully emotionally process and respond to that. He’s getting better...but remembering his own value (in others eyes) isn’t something he’s overwhelming good at doing.

My headcanon, he is abnormally good at reading people and picking up basic sexual attraction. He’s good at telling when he’s being flirted with or when people are attracted to him and, honestly, Dick’s charismatic and instinctively a flirt, too.With that, partly from growing up in Gotham with its weird and supremely dark villains, I think Dick very much divorces the two concepts of romantic attraction and sexual flirting in his mind--he’s aware they can go together, obviously with Kory--but he doesn’t naturally pair them as other people probably would. It’s also part of why he just doesn’t get the level of concern Tim has about Catalina.

Okay, back to my point.

The way I write Slade and Dick’s relationship is actually mostly done off screen. But, I think Slade started with approval of Dick’s skills and potential in a clinical/objective view, growing respect and interest (personal but not at all romantic) in him as a person, and much more recently in the story (as in that last conversation he had in Ch. 18), I think Slade realized he has some legitimate attraction and cares a lot about Dick in a way that’s probably romantic.

Slade also is very, very aware immediately that he’s not going to do anything with that and, in a way, doesn’t want to because Dick ever responding to that would be jeopardizing his relationship with his family, his team, his view of his morals (which are so integral to Dick) in a way that would be exceptionally out of character and concerning coming from Dick. In other words, something happening would be a lot more terrifying than nothing happening and Slade cares.

For Dick, it’s a lot more simple. He does not have any romantic feelings there. He does in a somewhat analytical, unconscious way recognize that Slade’s probably attracted to him (probably before Slade noticed honestly) but he’s....well, kind of used to that at some level. More so, Dick doesn’t connect it to emotional care and--like with everyone else--vastly underestimates that Slade does care about him in a way that’s actually pretty selfless for a mercenary. For a romance, your guess is absolutely right, it’s not going to go anywhere in this series but I wanted the undertones and implications to be there in the final third of the story

....But, that’s also more of a later/recent development in that relationship. For most of the story that’s posted so far, Slade sees his relationship with Dick as a lot of respect and even care but not as romantic in any way. I can promise no romantic undertones at all until Dick was already in his 20s because I really, really am not interested in writing underage. (for those curious about Slade’s age in the story, I think of him as mid-20s in his introduction in Year 3 and pretty early 30s here to Dick’s early 20s)

Above everything, they respect each other and would be almost friends if that were possible.

The team and his family doesn’t know any of this.

Anyway, that was long, so here’s a bonus short story from Slade’s view. I write a lot of After the Fall of Olympus short stories in other charcter’s views that I’m not planning on posting until After the Fall of Olympus.

This one’s between Year 5 and 6 and is titled “October 7th”:

-------

It’s October 7th, almost two in the morning, and Slade’s camped out in a somehow still standing bombed out apartment in a no-name village in the middle of a war-torn country.

He’s not exactly expecting visitors.

There’s a knock on the apartment door.

Slade cocks his gun and puts two rounds in the door before, for good measure, adding matching ones on either side of the frame.

He has two seconds to let himself pretend that’s the end of it before the door knob turns to the unmistakable sound of a skilled lock pick. 

Fuck, he’s too tired for this shit today. 

“Geeze, Slade, what if I’d been an innocent civilian?”

Slade’s hand stills on the gun in surprise then consideration before slowly slipping it back into the holster. 

“Kid,” he greets. “There’s no innocent civilians left around here. ‘Specially ones that can make it to my door without me hearing any footsteps.”

“I’ve been working on that.” Dick says, walking into the apartment. He isn’t even wearing his uniform, just plain black military style clothes with the lower half of his face covered by a piece of cloth. He pushes it down and smiles as he presses the door shut behind him. “You did tell me to get better, after all.”

“Maybe I shouldn’t have,” he mutters without much heat. “You getting better almost left me out of a job.”

Dick rolls his eyes. “Please, as if both of us don’t know Luthor could’ve gotten out of those charges in months. If the Light didn’t erase them for him, anyway.”

Slade shrugs. Maybe another time, he’d find the energy to banter back. But not today. Never today.

“Why are you here, Dick? How’d you find me?”

The smile slides off of Dick’s face, leaving behind those far too heavy eyes to belong to an eighteen year old.

“You know I have your file, Slade.” Dick clears his throat. “I know what day it is.”

….Fuck.

It’s not like he expected anything else. Not since the moment he saw the kid. But, still...he doesn’t want to deal with this. Doesn’t want to deal with anything. Today, he just wants to crawl back into the worst, most deserted corner of the world he can find until the hours creep passed and he can find the energy to move.

Instead, he glares. “Good for you. Now get the fuck out, kid.”

Dick grimaces but shakes his head. “Not until you answer a question for me.”

Slade groans and, for a handful of seconds, honestly contemplates just killing him, considers it in a way that he hasn’t since before he even met the kid, back when he was first handed a file by a practically no name organization called H.I.V.E.

He’d regret it later. Sure. He has too much he wants to see out of the kid to kill him in a shitty, dusty apartment. But, that regret would come later. Later, once this day had finally passed.

That alone is almost enough to have him reaching for his gun. Almost

“Grayson,” he finally grounds out, “if you know what day it is, you know I’m not exactly inclined to play our game of hero and villain right now. You want information, find someone else.”

“Good, I’m not here to play either. Only problem is I can’t ask anyone else, you're the only one who knows the answer.” Dick lowers himself to sit on the floor across from him, like a particularly stupid mouse in front of a viper.

And then, he looks up and his eyes are too steady to belong to prey.

“Here’s the question: Do you really want to be alone today, Slade?”

The breath catches in Slade’s`lungs, harsher than if the kid had just punched him.

He pushes the reaction down, already knowing it’s too late, and says in the steadiest voice he can manage, “Yes.”

Dick stares at him, unmoving. “I don’t believe you.”

The air around them is too tight, too burning, and Slade’s being pushed down under it to suffocate. 

He can’t fight it, so he takes it and pushes it back into anger. “The fuck, kid! What do you know?  You said you have my file, yeah? How long have you had it? Because I’m betting you’ve had it since we first met!” He lunges forward. “So, why are you here now, Dick? What makes this year so special? What’s made you decide to pretend to care now? Because whatever it is, kid, I can promise you, I’m not worth it. So, leave!”

By the end, he’s gripping Dick’s shirt, pulling it tighter until the collar has to be digging painfully into his neck. 

Dick doesn’t look away. “No.”

Slade doesn’t look away either. “You know I really think I might kill you right now.”

“You won’t.”

 One of Slade’s hands moves until it’s pressing into the kid’s neck. A single sharp twist and he could snap it. “So sure?”

Dick nods.

“And why’s that?”

“Because I brought your favorite whiskey.”

A brown bag is pressed into Slade’s ribs and the man feels something rising in his chest that could possibly be laughter if it was some other time.

He drops the kid.

He takes the bag.

“Pretty sure heroes aren’t supposed to be contributing to alcoholism, kid.” He gestures to a half empty bottle of much cheaper stuff beside him.

Dick coughs, rubbing at his throat. “Please. With your metahuman metabolism, I bet you can barely feel it for an hour.”

“Depends how much I drink,” Slade counters, eyeing the bottle. “How’d you know my favorite?”

Dick shrugs. “Gotta keep some secrets to myself.”

He fishes out a spare shot glass from somewhere in the black folds of his outfit and pours a small glass for himself. 

Slade raises an eyebrow. “Last time I checked, you’re still 18, kid.”

Dick gives him an incredulous look in return. “Last time I checked, this place doesn’t have a drinking age...or a government, actually.”

Slade hums, amused, using a larger glass for himself. “True, but thought you’d be following the laws of your own birth city a little closer, hero. Gotham’s still at 21...on the record at least.”

“Technically, Gotham’s not my birth city.” Dick snorts and takes the shot. 

Slade tilts his head. “Where were you born?”

Dick pauses, thinking, before offering a sheepish smile. “You know….I actually have no idea. Somewhere in Europe, probably? I came early, the circus was still on tour. One of the lion tamers helped deliver me, used to be a doctor.”

“Always a surprise, kid,” Slade shakes his head, draining his glass. Tasting it in his mouth and pretending it’s enough to wash away the ash.

The next words come before he can stop them.  “...Adeline always wanted two kids.”

Dick goes quiet.

“Of course,” Slade says to his glass and fuck it, just fuck it,  “turns out we didn’t even get the one. Turns out I didn’t get either my wife or my son.”

Fuck, he hates October 7th.

He reaches for the whiskey, ignoring how his hand shakes. “Addy was a soldier, you know? A good one. Of all the stupid fucking ways she could go, I never thought it’d be childbirth. Maybe I should have. Always knew I’d kill her somehow.”

“You didn’t kill her, Slade,” Dick says softly.

“Sure. Whatever,” he agrees, too tired to argue. It’s not as if he hasn’t heard every variation sometime or another. It’s just right now, he can’t quite bring himself to debate about the cause when the end of it’s always going to be the same.

Dick drops the subject and the relief that Slade feels  is immense enough that it’s close to gratitude.

“What was your son’s name?”

“Grant. We were going to name him Grant.” He takes another sip. “If we had another one, we were going to name him Joseph. Or Rose for a girl.”

“Those are good names.”

He shrugs. “Doesn’t matter.”

“Yes, it does.”

Slade doesn’t answer, looking up to eye the kid over his drink. Dick sees it, holding up his own glass in acknowledgement before knocking it back.

“Why are you here, kid,” Slade asks again. “We’re not friends, pretty far fucking from it last time I checked.”

“I’ve got my reasons,” he answers calmly.

“If you’re here to make your usual sales pitch about the virtues of heroism, I really will kill you. Whiskey or not.”

Dick shakes his head. “....is it so hard to believe I just didn’t think you should be alone?”

Slade thinks his skepticism is loud enough without him needing the words.

The look Dick gives him is steady in return. “Think what you want to, Slade, I know what grief feels like. It’s a poison. It’ll kill you unless you find a way to drain it.” 

Dick looks down at his own glass and Slade gets the feeling the kid’s no longer talking about just Slade. It’s still a tossup whether he means himself or the Bat.

Either way, Slade makes sure his next smirk is particularly pointed. “And, look at you. Tracking me all the way down here to try and save my tortured soul. Such a hero.”

“Oh, shut up,” Dick says with an eye roll, pouring himself another drink

Slade cocks his head. “Speaking of, don’t all the good little heroes have school right about now.”

Dick looks up, almost sheepish. “I’m ditching my classes. Don’t tell my brothers, I’m still trying to be a good influence.”

Slade snorts and takes a particularly long swig.

A good influence. As if a single one of his stupid, fucking team doesn’t think the fricking sun shines out of the kid’s ass.

Fuck. What is Slade even doing? Sitting in a run down apartment in the middle of a warzone drinking whiskey with a too trusting kid a decade younger and that he probably should have killed years ago.

But, then, it’s always been exceedingly difficult for him to do what he should---what’s the sane and logical thing--when it comes to Dick Grayson. And, one day--when he doesn’t have the burn of booze sitting in his gut and his chest doesn’t ache like he’s been shot--Slade’s going to take a hard look at why that is.

For now, he’ll just leave it like he usually does. The kid’s too interesting to die yet. 

Dick eyes his shot glass, contemplatively. “This whiskey’s way too overpriced, Slade. It’s practically aged vodka.”

Slade finishes his off steadily. “Shows you have little taste, Grayson.”

Dick laughs and slides the bottle over. “I brought another one anyway.”

....Far, far too interesting.

[buddha-in-disguise]

100 episodes of Supergirl. And let me tell you it was a doozy.

Well that was an episode and then some. I haven't had a rewatch yet, so no doubt will pick up on some things once I do, but for now here are more immediate thoughts.

The first thing that struck me - it's now canon that Kara and Lena's destinies are intertwined. Who they become, who they were to who they are, whether or not they survive, hell, even whether or not those around them survive, depends on the other person. No-one else has the same impact in their life. Argue all you want, but that sure as hell is a definition of soulmates to me, platonic or otherwise.

If anyone of you are like me, and old enough to have been Xena fans, let me tell you this is so reminiscent of the “When Fates Collide” episode from season 6, which showed that in any alternate universe, Xena and Gabrielle still find each other. That it always comes back to the two of them. Fast forward some 18 years, and this parallels that message. Fate or destiny, call it what you will, but Lena and Kara's lives are intricately linked. I know a few other SG fans are Xena fans, and we've discussed the similarities between Kara/Lena v Xena/Gabrielle numerous times. This is another for that growing list.

So other than that, here are my immediate takeaways from it all.

Mon-El. Now he is a divisive character, and one I honestly have had a lot of issues with. However, this episode I felt showed the better side of him.

I also watched with widening eyes as Kara went to her ex-boyfriend for no reason other than to ask him about Lena! Seriously telling moment for me. I was also pleased Mon-El made the point that he and Lena both came from abusive childhoods and families. At last, the point of Lena having reacted in part like she has is because of abuse, as mentioned. Only the other day I said I was frustrated how Mon-El was forgiven for his actions because of his upbringing, but Lena wasn't afforded the same. It wasn't much, but it was a start. I will add, abuse or not - Lena still is accountable for her own actions (more on that later), just as Mon-El was.

The other thing. Winn has already said to "Give Lena time." Mon-El mirrored that line. Brainy believes in Lena. All three are from the future. Plus, the whole reason Mon-El can even be there? Because L-Corp develops a cure for the Daxamite lead allergy. Not LexCorp. Not Luthor Corp. L-Corp. Now I know that Supergirl and continuity are really poor at times, but I truly hope this is another nod that LexCorp is defeated, and Lena takes control of L-Corp once again, and she does good things, that lead L-Corp into being the cause for good she has always wanted it to be.

Onto Dark Lena. I'd already said to hubby that I wouldn't be surprised if in one of those timelines they didn't show an evil Lena. After all, we've had Kara gone bad now a few times in various scenarios. We even have had a bad Alex (S1, mind controlled anyone? Hmm. Mind controlled Alex. Oh wonder where we've heard that before? Yep, Alex this season. No idea if that is relevant in future episodes if Alex and Lena actually ever have a damn conversation, but it should be, whereby Alex can tell Lena just how mind controlling anyone, regardless of intent is a huge, bad thing, because of her own experiences with it).

So evil Lena was so good. It was pretty obvious to me, once they said that Lena had been injured, then disappeared and came back 2 years later changed, that Lillian/Cadmus had her. Lo and behold, Lillian had kidnapped her, and Lena version of Metallo was born. Even faced with that, when Kara refused to fight Lena, for that split second you could see the flicker in Lena's facial reaction. That split second moment of doubt. Honestly one of the things that I love so much with Supergirl is that they often have these nuanced moments throughout the seasons. Put those moments in the hands of Melissa and/or Katie and they're elevated to another level.

So only the other day on a different post I wrote this: 'Also, in reference to that S2 episode, (note - also ep 13), as Mxy disappears, he says that all he ever wanted was to have someone to love him, but Kara says that "love can't be forced on anybody; it needs to come on its own."'

Then we get the line in this episode of: “You were right what you said. You can’t force magic. It must be found.” Okayyyy then. Wow. Parallels again.

So talking of nuanced moments, let's talk about that ending. Although, before we delve into that I just want to talk about it a moment before Kara lands on Lena's balcony.

Did Kara actually watch that tape?

I find it strange it was left and I believe it wasn’t left by accident. Why else pick it up, and show that title so clearly? Why have that scene in at all unless it has relevance?

Is that why she decided she needed to take the stance she did?

I personally believe this was why it played out like it has. Kara saw something in that tape to take this route.

So the last scene. Again, watch the nuances of expression on Lena’s face as Kara speaks.

From the shock when Kara says “not this time.” to the way she frowned at the last line. Which isn’t calling Lena a villain by the way. For goodness sake please don't misrepresent exactly what was said. Kara is saying *if* Lena becomes a villain.

But there is far more here for me.

Lena knows Kara's true identity. Kara is trusting her with that knowledge even now, and especially with Lex in the picture. We know from the earlier timelines explored that by Kara openly showing who she is to the World, it causes all those around her to be targeted and killed. That is the trust Kara is showing and Lena almost certainly knows it, even without knowing that timeline alternative, and even if she doesn’t want to admit it yet.

A best friend isn't someone who always agrees with you and tells you that you're right.

A best friend is someone that helps you be the best version you can be, reminding you what your values are and what is important. They hold you accountable when you mess up, and support you when you need help. That is exactly what Kara did. She was telling Lena she would be the for her, but she would also hunt her down if she became a Villain.

We also have to remember numerous times, Lena has stated she is not a Villain. And she isn't. Not yet. She is misguided, making some terrible decisions, but ultimately Lena also stated just ahead of when she jumped off the cliff that 'Supergirl will save me.'

Now Lena knows, Kara will save her. But the boundary lines have been set by Kara (who by the way, I still think could never fight back against Lena. Not fully, because she wouldn't even when Evil Lena was killing her. She saw that flicker in the eyes just as I did).

Kara has firmly placed it all into Lena's court. Lena has to make the decision, to meet Kara half way and that Kara shouldn't have the burden placed entirely on her, and they shoulder it together. To realise her mistakes. We know Lena is craving friendship as much as she denies it. Remember this with Hope in 5.08, The Wrath of Rama Khan, and the nuanced reaction Lena gave there as the reality set in?

L: "You're the only friend I can count on."

H: "But, Ms. Luthor, I'm not your friend. I'm something you created to serve a purpose."

Ouch. That one hurt.

This whole end scene is more powerful and pivotal than perhaps realised.

Overall, I loved the episode. I truly did.

I just wish there wasn't another small break between this and episode 14, which isn't until March 8th. Damn all these breaks so close together! It would be so much nicer to be able to watch them without all these interruptions.

[mochuelovelli]

GAAAAHHH OKAY

Let's talk about the Timephoon Episodes

This is such an old topic of discourse but after reading many fanfics, videos, and some posts on the subject I have found little divergent takes on the whole subject.

While commentators are of the mind that, for the most part, the punishment and execution of said punishment for Louie's actions were partially if not fully justified but how she went about it was wrong.

Some fanfic writers and some subsects of the fandom but they are much more critical and often in a more black and white interpretation. Which is valid for vent art. However, I find both these portrayals to be lacking in some nuance.

Specifically when it it comes to who's to blame for the next 3 episodes, and to me, its more than just Della (and Louie but there really isn't much discourse here).

Let's start with Timephoon:

This pretty much solidifies their relationship throughout the episode[Also sorry for no captions]. Multiple times Della is shown to have a very laissez faire style of parenting as she primarily wants her kids to enjoy being kids and having fun. This is probably in part to her personality in general - which is probably what Beakley assumes here - however it is also her want to be loved by her children and even more critically, she doesn't ever want them to suffer like she did. Above all else, she wants them to be happy and feel confident in themselves. We see this in all the previous episode with her and her kids - From Dewey and reassuring him that he doesn't need to prove himself to her [notably in this episode she only shows concern when Dewey himself is in danger, she doesn't give a shit when he almost kills her] to Huey and helping him to have the most fun he possibly can, to even Webby and making sure that she also feels confident in herself regardless in how she goes about things.

Bringing up all these adventures does raise some pretty damning hypocrisy. Della encourage Dewey's reckless behavior in his episode. The lesson at the end wasn't, okay maybe we shouldn't be going on dangerous adventures, it was its okay to be afraid and you don't need to prove to me that you're great I already know you are. Huey's message was similar, albeit more low stakes. Webby's lesson wasn't even that she shouldn't be trying to take such risks to find adventure in the future, it was just a lesson in not being disappointed when things don't work the way you want.

So why wasn't Louie's adventure treated the same? Well... let's look at some more examples of Beakley V Della this episode before we answer that -

This is right before the kids find Bubba, Beakley's reaction is what most people would consider to be parental as she is concerned for the safety of the kids running out in a hurricane. Again we see Della acting casual.

Once Bubba is inside and Huey geeks out about him, Beakley actually smiles bc she knows that something like this means a lot to Huey [keep this in mind for l8r]. She only gets serious after Della says it's neat without much after thought so she gives the lesson of the episode - "Small problems become big problems later if not prevented early."

Next we have Della's faux attempt at being strict with her kids. Letting the irresponsible thing happen as long as they are "safe". While also harkening back to her previous episodes where she also is shown to have this attitude that "the kids can do anything as long as they are safe with ME or Scrooge or another SAFE adult", it is also good to note SCROOGE'S expression here to her patting herself on the back for her parenting. Now he could just be confused as to why Della is taking this "lesson" as a win, but he could be noticing that she really doesn't know what she is doing but unlike Beakley doesn't make any attempts to correct this.

Another scene that people often forget when reviewing this episode, just like with all her other kids she at first takes LOUIE'S side and decides they should just roll with the punches like always. Which honestly is sort if valid because that's kinda Scrooge's whole MO; though he also had others to there to keep him afloat but we all know someone like Scrooge, Della, and the kids hardly see that. I also want to hammer home that, just like with the other boys, she doesn't shy away from displaying that she loves them ALL. A few seconds later, it's subtle but she is shown smiling and patting Louie on the head because like the other kids she just wants him to feel supported. If I was to be critical, I would say this is possibly because she likes the IDEA of her boys more than them but I mean - this is pretty much everyone's attitude towards kids. It might be amplified bc of her trauma but it's not unusual. But even still I would argue that she mainly does love the boys for who they are as she is excited to get to know them.

After Della figures that they are looking for a "master thief", Scrooge and Beakley immediately know it's one of the kids. Shocking her since she later states she is of the belief that her kids are too "good" to do something like this. I also want to bring attention, again, to Beakley smiling (ik im putting a lot of stock into expressions but animation tends to do stuff like this for a reason). She is smiling at whom she expects is Dewey for messing with time and space. Bc even if she planned to scold him, she knows it's just their normal. Scrooge seems to also be of the same mind. Later Beakley gives a really good line about "Even good kids can do dumb things. We got to make sure those dumb things don't turn into bad things like destroying all of existence!".

Mrs. B exists stage right

All jokes aside, this must have been a nightmare for all of them but especially Della. She had just finally admitted that she was out of her depth and made another mistake in parenting. But now it seems like she lost her chance to rectify that. Because for all she knows, Mrs. B will never come back. This is import-ALLRIGHTWEGETIT

Della is then shown explicitly worried about her family. Emotions, insecurities and fear obviously getting the best of her. We don't know exactly what she is thinking but we know she is terrified of the possibility of losing one of her kids. When she asks about Louie, she probably thinks he must have disappeared without her knowing. That she might have already failed more than she could know, because she wasn't there to protect him. She doesn't know - she is "Della Duck" and she doesn't know how to fix this. She didn't expect everything to go so horribly wrong, but that's her theme isn't it?

She is both relieved and understandably PISSED when finding that Louie was responsible for almost destroying the fabric of reality (let me say this again, nearly destroying the fabric of reality). She goes scold both herself and her son about the danger he put them in. Later we see Della, the last one leave and seeing almost everyone she loves vanish. We don't know how long each of the characters who left were in the past but we can assume it was long enough to have to change clothes. Yeah this was probably more of a visual gag but like, the other past characters didn't change their outfits when they came to the present so - (also Launchpad was specific about knowing how the world ends so he had to be there enough for him to understand it). Side note someones gotta write fanfic of these characters time misadventures. I wonder if Dewey and Webby ran into Agent 22.

[Last picture of the infamous scene, side note did anyone notice Launchpad NODDING his head when Della mentioned his time schemes could've cost them their future? He's the only one who knows what happened so maybe Louie's misadventure has more impact than we think-]

Anyways, yeah we know what was said here. But I think it's important to see the reaction the other adults (sorry LP, and Gryo i GUESS) have here BC this is basically why I made this post. What Della decided to do was unquestionably the wrong decision, at least her way of going about it and I will not absolve her of her many MANY mistakes. However, let's remember she wasn't alone in any of this. She was with other parental figures who KNOW more about her kids than she does.

After Louie leaves, why did they think it was good to encourage this course of action? Why did they think giving full parental control to a PTSD, trauma survivor who barely got back less than a month ago was a good idea? Sure it's one thing to not want to overstep your boundaries but are you telling me they wouldn't want to guide her in the right direction at least? We KNOW both Beakley AND Scrooge have their grievences towards Della's parenting strategy or lack there of. Beakley so far doing the most to try and put her in the right direction (which speaks volumes to the problems Scrooge has).

So why wouldn't they explain that, hey, maybe taking away the one thing your kid thinks he is good at ISNT a great idea? Why didn't either say anything about their two day vacation? Something that came up presumingly on a whim and might of prevented (although i doubt it) Louie from trying to steal w/ time? He might have considered pushing back time schemes at least 3 days later. While Mrs. Beakley might be less aware of Louie's insecurities and ambitions, Scrooge definitely isn't. He should have talked to her, and hey we don't see what happens before they leave so maybe MAYBE they did. But again, I doubt it. Seeing as how they all agreed with her at the end, I don't see them trying to meddle with her.

But they should've. They are both experienced guardians and they have nothing to say to her? Plus Donald (goddamn it i almost finished a post w/o him) have THEM responsibility to take care of the kids NOT Della. So they are obligated to help her. Really, the other option other than just well negligence would be not thinking this punishment was a big deal. I wish this aspect was also scrutinized just as much as Della and Louies role in this arc.

Beakley and Scrooge (more so Scrooge) are just as much to blame in what happens as Della if not MORE since they know of her situation in only a way that an experience adult can. There is no excuse for their negligence.

[coinofstone]

2x11 The Witch's Quickening

Hey Arthur, remember last time you were on a manhunt in Camelot and it led you to Morgana's chambers, and she talked you out of searching them and later admitted that she'd been hiding a fugitive in there? Have you learned NOTHING

And Merlin too, he doesn't like, double back and confront Morgana or suggest Arthur do that?

Why is Arthur yelling at Merlin so much in this? Who wrote this episode.

::Coin watch the show instead of playing on her phone challenge::

Morgana being manipulated by a nine year old

Why is Arthur insulting the food as if Merlin cooked it himself? Every other meal he brings up is from the palace kitchens but on this occasion Merlin cooked himself? Ok.

Even the fkin dragon is OOC in this ep

Morgana is so much more intelligent than this.

Gaius needs to bring this to Uther in the throne room like a member of the public? He couldn't get a private audience with the king? Ok.

I really don't remember this episode being so terrible, maybe I'm in a bad mood.

You know, not for nothing, but from Mordred's perspective Merlin is being an absolute dick, not only siding with the oppressor but actively working to sabotage their plans and hurt their people. As we, the audience, are privy to the reasons behind this, WE don't necessarily questions Merlin's actions, WE know he's after the crystal because he's trying to prevent Mordred and Morgana from teaming up and bringing harm to Arthur - that's all good and well but like... Merlin could never bring himself to kill Mordred because he's just a boy, but yet he's allowed the boy to go off and become somewhat radicalized (I say 'somewhat' because honestly, it's not all that radical to plot to overthrow the king that has been waging a genocidal war against your people for twenty fucking years) without ever trying to bring him into the fold. If Merlin had explained his and Arthur's destinies to the boy, made an argument for waiting out Uther's reign in the hope that Arthur's reign will bring peace and magic back to Camelot, but which may not happen if he sees his father killed by sorcerers, and explained his reasons for hiding who he is from Morgana, regardless of Mordred's ultimate destiny to be Arthur's doom, Merlin would've at least had a shot at cultivating an alliance or at very least an understanding between them. Instead, all Mordred sees is this supremely powerful sorcerer who isn't even a druid, serving the very people that would bring an end to their entire race if they could. Although, it seems as tho Mordred has forgotten who exactly snuck him out of the castle and back to the druid camp in three first place. Makes you wonder if Morgana never explained to him that she was believed to have been kidnapped when they found her with the druids last time, and that she went along with that lie for her own safety.

Tl;dr: communication is important kids!

Do I even need to point out how much sense Morgana's little tiff with Uther did not make? Or her sudden distrust of Gwen? If anything she should think Gwen would be an ally considering a) her father was killed by Uther, as an innocent victim of Uther's war on magic, b) Gwen was party to Morgana's previous involvement in aiding and abetting a druid fugitive, c) Gwen L-I-T-E-R-A-L-L-Y sacrificed herself to save Morgana from Hengist's men, the is zero reason to question Guinevere's loyalty to Morgana, and d) Gwen has never said a WORD against sorcery or hinted at any kind of prejudice against druids or anyone with magic.

I looked up the writing credit for this, it's Jake Michie who is also credited with some fantastic episodes like Lancelot, Beauty and the beast, and the Lamia to name a few. It was directed by Alice Troughton who has also done some good eps, including other eps written by Jake Michie, so like I really don't understand what went wrong here.

Oh God there's a commentary track on this episode. I don't wannnnnaaaaaa but maybe I'll learn something, like why it turned out the way it did.

Commentary by Julian Murphy, Alice Troughton, and Katie. I do not have high hopes.

Katie right off the bat explaining shit that's important to note, God I love her on these tracks. Apparently, this was one of the last things to be shot (Merlin films everything out of order and films several episodes concurrently, depending on filming location.) and it was being shot while three other episodes were being wrapped up - so they had FOUR episodes filming concurrently and a lot of THIS episode was directed by Julian Murphy, and Jeremy shot some of it as well. This COULD explain a lot of the inconsistency, but I question how much since Julian seems to be involved in filming lots of scenes in lots of episodes. But I guess it's possible that just that on top of the rush to finish and the pressure of so many spinning plates in the air right at the end. They've just said that for this episode they had the least amount of days to shoot it out of all the episodes they've done, which is partly why they had so much going at once. It's as good a reason as any to explain it being so off, but I don't really see that explaining the wildly off characterization.

Katie going on the whole thing about Alvarr-as-revolutionary and Alice picks up on Morgana's sort of desire to be in that position and they're having a quite meaningful discussion then Julian:I think she just thinks he's hot 🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️

Katie says the script changed a lot even as it was filming, and that things were being changed as it was filmed so I'm kind of thinking for whatever reason this entire thing was a mess and that's why it came across looking so disjointed to me.

At least Julian realize the soup scene was terrible.

Idk why they're ganging up on Katie over the chemistry between her and Alvarr. She says she wasn't playing it that way and that she wasn't feeling it and they're just like "yea uh huh sure."

They're talking about having two units filming like a few feet away from each other in the forest, while there is another two units going in France.

Julian says they had added Alvarr's girlfriend in because they wanted to dramatize his charisma and calculation... but it's not manipulation - ?????????? Someone get the man a dictionary. 'We added a random blonde in four him to kiss so that the audience knows he's got a girl already, who sees him working his charm on Morgana and comments on it 'you played her well', but Alvarr isn't actually manipulative' ??????????

They've just pointed out two entire significant beats within a sequence that was constructed on set and off script. Arthur's confrontation with Alvarr in the forest and Merlin's slow motion tracking the crystal to show its got a powerful draw. The more they describe the specifics of filming the more it sounds like an utter disaster which kind of makes me feel bad for being so harsh on the episode.

I keep having to rewind to focus on what they're saying and I feel like I've been watching this episode for about 4 hours.

Awkward bit of prop-exposure there. Trying to work out what LK could even stand for.

Idk everyone's really happy with this scene between Morgana and Uther and I'm still sitting here thinking the dialogue was utterly ridiculous.

They talked about changing that final scene, where Uther clearly knows/suspects it was Morgana who helped Alvarr escape, so that it doesn't prematurely push the story too far ahead. They cut a look Morgana gives Merlin which, rightfully so, because it would've been too much too soon. The ending to this episode still feels wholly unsatisfying to me. I understand the little tag with the dragon yelling for Merlin to release him, I don't mean that, but the ending to the main story where Alvarr just escapes and Uther not only accepts that but also accepts that Morgana must've helped him. Overall Uther's been entirely sort of neutered throughout this episode, which I understand that partially has to do with it being Morgana, but like, in previous episodes when she's been so defiant against him, he's had her by the throat and locked her in a dungeon overnight. So I just doubt understand him being so subdued here, especially since he directly threatened her when he found pr Mordred escaped, and now another druid's escaped and he essentially knows she was involved given how she spoke to him, yet he doesn't do anything? Just wildly inconsistent behavior.

Anyway apologies for overanalyzing this episode, I realize I tore it apart pretty thoroughly during the commentary and the post became quite long. I wish there was a way to add a cut on mobile but there isn't. I'll have the S2 finale post up in a few hours - I might hold off on posting until I've watched the extras, I didn't do that for S1 but then I felt the extras didn't quite warrant a whole post on their own, so I might just tack on any thoughts I have to the 2x12 post. We'll see.