#alone with you does that make sense?

[blue-bird1967]

Let me crawl inside your veins I'll build a wall, give you a ball and chain Just let me hold you

Like a hostage

[moon-light-bow]

I don't know how to explain it, but I think it's SO interesting that Fiddleford keeps the photo of Emma-May and Tate visible on top of his desk to "keep him grounded" (whatever THAT means...), while he kept the photo of him and Ford at BMU hidden in his desk (which he brought with him to Gravity Falls for ABSOLUTELY NO REASON).

I mean, the text doesn't outright say that it was hidden, but considering that Ford had to RANSACK Fiddleford's notes to even find it after living with him for MONTHS....

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[andorerso]

rebelcaptain + the hunger games au

When Jyn Erso was eight years old, her mother died and her father left to become a gamemaker for the Hunger Games. Adopted by Saw Gerrera, her mother's friend, she became Jyn Gerrera and was forbidden from ever revealing her true identity to anyone. Ten years later, it's Jyn's last reaping. Saw, the forgotten victor of the 32nd Hunger Games, had rejected every reward the Empire offered him, preferring to live as a recluse at the edge of the forest in District 12, as opposed to the luxury in the Victors' Village. It's been decades since anyone in the district even recalled that Saw was once a victor himself, but he had made sure to teach Jyn all he knew of self-defense and combat training. It's the only thing she has of him left since his passing two years ago. Now, Jyn just wants to get through her last reaping and survive. But when she hears the name of the young girl she trades with sometimes, Jyn doesn't hesitate to volunteer in her place. She has nothing to lose, except her life, and every reason to believe that with Saw's training, she has a chance at winning the games. A chance that 12-year-old Kerri Andor wouldn't have. Things get a little more complicated when Kerri's brother is picked as the other tribute. Jyn is good at surviving, but Cassian, with his quiet cunning and surprising talent with a bow and arrow, could be a threat. Not to mention that Jyn knows he's the sole provider for his young sister and aging mother; a family who needs him. Who may die without him. Nobody is waiting for Jyn back home. When their mentor's plan to make them seem like star-crossed lovers triples the attention and sponsors they receive, Jyn is forced to play along with the scheme and pretend she has feelings for Cassian. Worst of all? She's not sure where pretending ends and where genuine feelings begin. The gamemakers say they can both go home if they're the last two tributes standing, but Jyn knows better than to believe the pretty promises of the Empire. Soon, she'll have to make a choice. Will she do anything to survive? Or will she let Cassian Andor go home to his family - even at the cost of her own life?

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[buwheal]

Hello spamton! It’s fun to see how other people draw you and such, it makes me wonder how you would draw yourself! Self portrait please, if you wanna!

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[jackattack20writes]

As much as I love the reading of Bleach’s ending as a tragedy, one thing’s always bugged me about it and it’s why Renji has a happy ending. Like out of the core cast (in my eyes this is Ichigo, Rukia, Orihime, Chad, Uryuu, Renji & maybe Byakuya, just cause they’re most consistently prominent in the arcs) he!s the only one that doesn’t have the easy argument that he’s settled or unhappy with the epilogue, like Ichigo & Rukia you can argue their with people that aren’t who they love, Uryuu is a doctor and alone while his friends celebrate, Chad is using his fists for profit, Orihime is still at the bakery and never got to live the dreams she had (also she was probably kicked out of home at post high school because her aunt housing her was dependant on her grades) and Byakuya is tied with Rukia being unhappy.

But Renji is seemingly the happiest he’s ever been, he’s married the woman he’s spent over 80 years crushing on and he has a kid with her. But then it hit me the other day that’s exactly why his ending is one of the worst out of the characters I’ve mentioned. When Renji actually gains some detail as a character we find out he has one major goal in life, surpass Byakuya and save Rukia from the Kuchiki’s (slight paraphrasing). But Renji never manages any of it. He fails to both save Rukia and defeat Byakuya in the Soul Society arc, firstly because he’s too scared to try to go against them and then because he’s too weak (both these goals are also largely dropped here and Renji just kind of floats along as one of Ichigo’s multiple rivals and has no more character growth or change) but Ichigo achieves both of these goals rather easily in comparison. Ichigo unlocks Bankai ridiculously faster than Renji does and then defeats Byakuya and saves Rukia.

Meaning there’s nothing left for Renji to do. Sure he could continue trying to conquer Byakuya, but he never seems to reach his level (especially going by the fact Renji’s still his vice captain in the epilogue.) Byakuya is still the star Renji can’t reach. Same with Rukia, sure he marries her but she’s still Rukia Kuchiki. Hell she’s even a captain now while Renji is still a vice captain, not only is Rukia still as far from him as she was in the soul society arc she’s even further away, he’s just the stray dog barking at the moon he called himself back in the soul society arc. But then just like his goals if you compare it to Ichigo, ichigo does it. Ichigo’s symbolism is the rain is dried by the white moon, the moon is reachable by Ichigo, we’re shown one of Byakuya’s central beliefs of who he is loyalty to Ichigo. But Renji is trapped on earth seperate, never truly reaching the star or the moon.

And with how we’re shown Renji thinks about himself he’d never let himself forget it. Every member of his immediate family other than his daughter is someone he’s separated himself from in his mind and since we never get shown anything to indicate that changes, Occam’s razor suggests it doesn’t. Somthat’s renji’s tragedy in the ending. His entire life is reminding him every goal he ever set he not only failed but someone else achieved. That’s the tragedy of Renji’s ending and really is the final nail in the coffin that no one is truly happy or anything past content in Bleach’s ending.

[duckyfann9871]

I want to be a vampire too: rant

played 2 routes of ikemen vampire so far. I love the game, but both times I have wished that there was an option to join them as a vampire at the end.

I don't understand why becoming a vampire is posed so negatively in the game, but whenever it comes up in the routes it's coded like it's a terrible option that MC doesn't want to do.

Well, au contraire! If I had a chance to become a sexy vampire in a mansion full of other sexy vampires I would take it ... especially if the person I was in love with was also a vampire. If both are vampires doesn't that mean more time you get to be together??

TLDR I want to become a vampire at the end of my romance and I haven't had my way yet,

[hanzajesthanza]

a book with geralt 😃

a book with geralt without ciri 😐

a book with geralt without yennefer 😔

a book with geralt without dandelion 💀

[spideysatan]

i wanna take a peak inside the brain of the people who are scared that colin "my wife" bridgerton is not going to end up together with penelope after he finds out she is whistledown.

you mean this colin? 👇

[lady-harrowhark]

lol not me crying because someone from my program texted me to ask how i was doing and that they hadn't seen me around in a while

[polysyndetonaddictsupportgroup]

“He sleeps against his father’s chest, and he does not stir.

Yuuta’s never seen Sensei look at anyone the way he looks at Megumi right now.”

OH MY GODDDDDDUGHHHHH THIS PEAK. I honestly teared up reading this bit. You can feel the love emanating from so many characters in your writing within this chapter, I find it so so moving. Thank you so much for sharing your writing!!!

I actually really like the kind of messiness of this moment because Gojo’s conflicted about that moment in a lot of the same ways that Tsumiki was conflicted about comforting her brother.

Earlier, Yuuta had said that Megumi seemed happier when Tsumiki was around. And Tsumiki had replied that she felt conflicted about comforting him, because she knows how private he normally is. She wanted to be there to comfort him, but she was worried it was just one more thing done to him that he didn’t want.

Gojo is feeling a lot of the same.

Like. Megumi was never that kid that was very open or cuddly. He was never that kid that let you carry him, even when he was tiny. He’s Gojo’s baby boy and he has the disposition of a feral raccoon with a biting problem. Do not touch him.

Gojo knows for a fact that Megumi would never in a million years let Gojo pick him up and hold him had the circumstances been normal.

There’s this unique act of love in allowing yourself to be vulnerable around others. It’s an act of absolute trust, if you think about it. I’m already hurt; I trust you not to hurt me worse.

And I think that makes it significant that Megumi doesn’t have that relationship with anyone.

He doesn’t let himself be vulnerable around Gojo. He doesn’t let himself be vulnerable around Tsumiki. He closes himself off and hides weakness and now he just can’t anymore.

I think Gojo in particular was aware of how Megumi doesn’t let himself be vulnerable around even his family, because Gojo is better suited to notice when Megumi’s hurt. Tsumiki knows her brother best, but it’s hard to hide from Gojo’s eyes. He notices when something’s wrong with his kids, and Megumi in particular.

He missed it when Megumi was a kid. He doesn’t want to miss it again.

So he sees it when something’s wrong in megumi’s world. And he sees it when megumi doesn’t come to them with it. He knows that megumi wouldn’t have let him hold him like that had he not been so hurt.

I think that Megumi was never really that kid that let you hold him, growing up. Even at age five, he was horrifically independent and had a very firm boundary line set between himself and absolutely anyone else. Baby Megumi never let Gojo lug him around, despite how adorable and portable he was. He sure as hell wasn’t letting Gojo carry him when he hit his teen years.

So. You’ve got this kid. You love him. Earth-shattering type of love. Soul-rending love. Sun, moon, and stars. Real “burn the world to keep him warm” type shit. He’s your baby boy, even if he’d fucking strangle you if you said it.

He’s just been hurt in a way that fucking horrifying. The most profound violations you can imagine. He can barely open his own eyes, he’s that hurt.

It’s probably your fault.

Because the assholes who hurt him? Those people? They’ve hurt him before, and you didn’t kill them for it. It wasn’t because it was right for your kid. Killing them for his safety would have been what’s right for your kid. It was just. Politics. Not only that, but the lynchpin of their plan counted on you not calling him once while they were hurting him. They banked their fucking lives on you not calling him even once in a week that included his birthday.

And they were right.

So yeah.

It’s probably your fault.

But you can’t turn back time. He’s hurt, and you’ve got him now, and all you want to do is comfort him. He’s your little boy, and you almost fucking lost him, you almost had to fucking bury him, and you just want to hold him while he’s afraid. You want to hold him until he stops shaking. You want to fix this.

And, at the end of the day, you just can’t deny how much he’d fucking hate that.

But you do it anyway. Someone needs to hold him, and you make it you. And maybe that’s just one more time someone did something to your little boy’s body that he didn’t want.

So.

How the fuck do you live with yourself?

[samwpmarleau]

“Just forgive him.”

[c-hrona]

My ArtvsArtist of 2023 :D

I didn't do one last year because i felt like i did very little, beside being quite depressed and in a general low stage of my life.

This year tho, has been really a different story: I really missed drawing like this, so often, so energically, full of passion and, honestly, pride for my results. I'm very happy and I truly hope to continue this path.

A really, really big thanks also to all of you. I felt part of something beautiful and the love I received was almost blinding, it made me go on and helped me truly a lot.

Thank you, y'all.

And always Love&Peace!!!