#all the work feels like busy work

[july-19th-club]

seriously have been thinking about this all night long. call me autistic but the fact that 90% of workplaces the point is not to get your work done and then be done doing it but to instead perform an elaborate social dance in which you find something to do even when you're done doing everything you need to do in order to show your fellow workers that you, too, are Working . because you are at Work . disgusting why cant we all agree that if there is no work immediately to be done. we just dont do anything

[cutiesigh]

❤️🖤🩷

Wuthering Waves has taken over all of my free time recently, so here's a sketch of Scar!Ren I originally shared in da 14DWY Discord!!

[im-still-watching-anime]

trucy: hang on polly you have a hair on you—oh, it’s long and…blonde. again.

apollo, internally: oh my god they’re all going to think i’m STRAIGHT and that i’m sleeping with a WOMAN

trucy, athena, and wright all thinking: oh that’s for sure klavier’s :/

[artoutforblood]

Part 2 // First // Next // Bonus

[ohno-the-sun]

They used to be so close

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[vaxxman]

height ahh difference

[pixlatedvampire]

💗

insert "these boots are made for walking" joke

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[aroaceleovaldez]

because in TKC most Eyes match the gender of the god they host (and just in general in-universe it seems most immortals and hosts in possession/possession-like scenarios are the same gender) this implies that the two outliers we know of - Zia (rejected hosting a goddess but was able to host a god instead) and Percy (Eye of Nekhbet) - may be trans. so uh happy pride to Zia and Percy specifically

[robertphilip]

There's an awkward "first date" silence between them, the kind that suggests there isn't going to be a "second". Giselle tries her best to keep the conversation going.

[barksbog]

it´s honestly so hard for me to even finish 15-30h games let alone 100h+ games because i get maybe 2-3h a night to game and the pacing of most games makes that feel extremely frustrating.

at this point i´m begging for more 1-6h games

[otomehonyaku]

DIABOLIK LOVERS More,Blood Stellaworth Complete Set Tokuten Short Stories ☽ Ayato ver.

Original title: DIABOLIK LOVERS MORE,BLOOD ステラワース全巻連動購入特典ショートストーリ English translation by @otomehonyaku Scans can be found here (courtesy of @karleksmumskladdkaka!)

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

SUMMARY | This short story provides a slice of Ayato and Yui's daily life after the events of More,Blood. Yui tells off Ayato when he asks her to prepare takoyaki for him, so he resolves to make it himself out of spite. Chaos ensues...

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Please do not reuse or repost my translations elsewhere or translate my work into other languages without my permission.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

“Tch… this is harder than I thought…”

As soon as I’d spat out the words, smoke started rising from the searing hot teppan (1) in front of me.

“It’s burning…?! Shit! How’d that happen?!”

I went over to the sink, getting increasingly irritated, and turned on the tap to fill a nearby cup with water. By that point, smoke was billowing up from the steel plate. It was then, when I reached over to throw the water onto the pan, that…

“Ayato! Stop, you shouldn’t do that!”

“The fuck?!”

“S-sorry… I didn’t mean to…”

“You’re the one who told me to make it myself, right?! Right?” I threatened, looming over her. Her lip quivered while she apologised, her voice small.  

It had all started a mere ten minutes ago.

I’d just been craving takoyaki before bed. I woke up Pancake, who’d already been fast asleep, and pestered her to make it for me. However, of all the things she could’ve done, she flat-out told me I should be able to make such a simple dish myself.

Well, she ain’t wrong, I’d briefly thought—and yet her blunt statement had really pissed me off. It made me want to put her in her place. 

Then, another thought suddenly occurred to me. I wanted to prove to her that I could, in fact, make takoyaki myself.

And so, in a petty attempt at retaliation, I’d decided to actually prepare the takoyaki on my own. But to think the same person who told me to do so would still be poking her nose into my business…

“I’m sorry, I think I should make the takoyaki after all.” 

“What?!”

Pancake sounded exasperated when she reached over to take the metal skewers from my hands and stood in front of the takoyaki machine.

“The fuck’re you doin’? Then why’d you tell me to make it myself?! Besides, they’re almost done already, so…” I grumbled while Pancake narrowed her eyes at me from over her shoulder.

“...I thought you would repetitively refuse to make it yourself, so…”

“What?”

“So I’d figured you’d go to great lengths to make me do it!” she said, somehow quite angrily.

“So what, huh? I tried to make you do it but you didn’t in the end. Why’re you yappin’ like it’s not in your favour?”

“...Come on! It’s… because… I wanted you to ask me, Ayato…”

“Huh?”

“Well… I felt a bit irritated because you woke me up out of the blue, but… you know, I actually find it… kind of… cute when you come to me asking to prepare takoyaki for you, Ayato…” Pancake’s face turned bright red—all the way to her ears—when she said it.

“W-what’s… cute…? The fuck?! Are you out of your mind?” My voice almost betrayed me.

“I’m not! Come on, Ayato…! Why did you choose to actually make it yourself this time…?” Pancake mumbled, skillfully turning over the takoyaki. 

I’d thought the takoyaki had been burning, but it turned out not to be so bad after all.

What she said made me feel like I had been a bit unreasonable. I swallowed hard. 

“Uh… anyway! I’m always fine with making takoyaki for you, okay…?!”

“Ugh… I-I don’t understand you, woman!” I retorted. 

In all honesty, I just didn’t know how to deal with being thrown off-balance this way. 

The takoyaki turned out to be… so bad that they were inedible. I must’ve messed up the ingredients somehow. In the end, it seemed like there was no other way than to let Pancake make takoyaki for me from now on, no matter how much she got on my nerves.

Well, I guessed it couldn’t be helped.

Still, though… the next time she calls me cute, I’ll drain her to the last drop!

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

(1) 鉄板（てっぱん）: A teppan is a steel plate, usually in the middle of a table, on which dishes are either prepared by a chef (in a teppanyaki restaurant) or by yourself (in good company!)

[monsterbrush]

I've gotten like three separate asks specifically mentioning a desire to see more of Magni with his hair down.

Y'all are freaks about seeing him lettin' it all hang out.

Enjoy though!

[caligvlasaqvarivm]

Okay challenge mode. You are a therapist and Eridan Ampora from Homestuck has just walked right out of his intro page into your office. How do you fix him?

put him and karkat in a room with a pile of stuff and tell them they can't leave until they've jumped into it and talked about their feelings